Best Shows in Denver 1/10/18 – 1/16/18

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Voight, performs Monday, January 14, at DATELINE gallery. Photo by Tom Murphy

Thursday | January 10, 2019

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Nekrofilth, photo courtesy the artist

Who: Nekrofilth album release w/Phallic Meditation and Keef Duster
When: Thursday, 01.10, 8 p.m.
Where: Hi-Dive
Why: Nekrofilth releases its new album Worm Ritual tonight at a show with heavy psychedelic bands Phallic Meditation and Keef Duster. Nekrofilth’s sound is more akin to classic early thrash and black metal. On the new record the band does cover “Poison” by Venom, after all. Like the latter and Slayer, Nekrofilth has a playful quality to its aggression and ripping guitar work. Song titles like “Vomit Dog,” “They Took My Skin,” “Ready to Defile” and “Severed Eyes” suggest a healthy sense of the viscerally absurd with an unironic joy in the cartoonishly horrific the way one might enjoy the gnarliest B horror movie. Fans of blackened thrash rejoice, Nekrofilth has what you’re looking for.

Who: Random Temple w/Thistledown
When: Thursday, 01.10, 9 p.m.
Where: Black Buzzard
Why: “Rhythm & Folk” band Thistledown will perform with Random Temple’s more production-oriented electronic project under his own name.

Friday | January 11, 2019

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Product Lust circa 2017, photo by Tom Murphy

Who: Product Lust album release show w/Goon, Herse, Candy Apple
When: Friday, 01.11, 7 p.m.
Where: Seventh Circle Music Collective
Why: Product Lust’s feral and driving 2018 album Year of the Rat is being celebrated tonight with a now rare live show as vocalist Kat Salvaggio is attending school out of Colorado. The seething post-punk band’s wiry energy fits in well with weirder hardcore and punk and thus this bill with Goon, Herse and Candy Apple is an opportunity to see bands that have punk of some stripe as their root but who are taking that spark in interesting directions.

Who: Lazarus Horse
When: Friday, 01.11, 8 p.m.
Where: Mutiny Information Café
Why: Lazarus Horse is the band that comes about when someone with good taste in music and good creative instincts writes a bunch of experimental rock music that doesn’t seem obviously influenced by anything else but creative flights of fancy, escaping to daydreams while doing meaningless work as a tool for staying sane in a civilization that’s grinding its best people into the dirt. It’s the soundtrack to that internal rebellion that becomes contagious.

Saturday | January 12, 2019

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Chromadrift’s Drew Miller as Brother Saturn circa 2018, photo by Tom Murphy

Who: Glasss Presents: Chromadrift album release w/Gold Trash and Bowshock
When: Saturday, 01.12, 8 p.m.
Where: Mutiny Information Café
Why: Chromadrift’s Cloudless Mind is the bright, ethereal flow of textured melodies that eases the freeze of winter. Fans of IDM and more abstract post-rock will appreciate Drew Miller’s blend of processed guitar, live synths and sequencing. Though the album dropped on January 3, this will be your first chance to see this music live in the new year. Also performing is noisy electroclash duo Gold Trash and downtempo jazz improv group Bowshock.

Who: NightWraith album release w/Glacial Tomb, BleakHeart
When: Saturday, 01.12, 8 p.m.
Where: Hi-Dive
Why: NightWraith’s self-titled, debut full length is coming out on color vinyl. The Denver-based group’s left of center mix of folky black metal, thrash and psychedelic doom is steeped in pastoral mythology.

Who: e-scapes, Zealot and The Far Stairs
When: Saturday, 01.12, 7:30 p.m.
Where: The People’s Building
Why: This’ll be probably the first indie rock show worth checking out in Aurora, Colorado since The Masculine organized one in 2009 at the old Other Side Arts space in downtown. The People’s Building is also downtown and across the street from Aurora Fox Theater. Zealot includes former members of The Don’ts and Be Carefuls, The Pseudo Dates, Violent Summer, Ideal Fathers and other bands most people haven’t heard of but should check out. The Far Stairs is a band that makes strange music sound more catchy and accessible than it has any right to.

Who: Pink Hawks, Atomga, Roka Hueka
When: Saturday, 01.12, 8 p.m.
Where: The Bluebird
Why: The local Afrobeat band all-star line-up.

Who: Pineross EP release w/Lady Gang
When: Saturday, 01.12, 7 p.m.
Where: Ubisububi Room
Why: Kevin Larkin of Chimney Choir fame is releasing his most recent EP Esplanade at this show in the extra intimate and cozy Ubisububi Room underneath the Thin Man and St. Mark’s. Lady Gang sounds like a full band but is just Jen Korte making maximum creative use of a loop station to augment her already considerable talents as a singer-songwriter.

Who: Luke Vibert, Seied and Kanyon Walker
When: Saturday, 01.12, 7:30 p.m.
Where: The Black Box
Why: Luke Vibert has long been on the forefront of modern experimental electronic dance music in various forms. Fans of Dilla, Flying Lotus and Blockhead will find a lot to like in Vibert.

Sunday | January 13, 2019

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Crushed!?, photo by @scenesplitter

Who: Crushed!? W/The Uglys, Tides, Stonewall BLVD and Arctobog
When: Sunday, 01.13, 7 p.m.
Where: Seventh Circle Music Collective
Why: Originally from the much smaller nearby town of Belen, Crushed!? is now based out of Albuquerque. Its post-hardcore sound has more in common with the likes of a more melodic At the Drive-In or Touché Amoré than the more screamo end of that music. Initially the music reminds one a bit of the great punk bands of the late 90s and early 2000s who adopted a bit of the math rock thing. But its rhythms are more inventive and wide-ranging like something one might have expected out of 90s DC and other East Coast rock like Versus, Helium and The Dismemberment Plan. The group’s 2018 album Sins of the Father is refreshingly difficult pin with a specific genre designation.

Monday | January 14, 2019

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Entrancer (right) with Docile Rottweiler (left) at Synesthesia 2014. Photo by Tom Murphy

Who: R.Ariel, Kafari, Entrancer and Voight
When: Monday, 01.14, 7:30 p.m.
Where: DATELINE
Why: This event is a combination of touring art installation courtesy and musical performances at DATELINE art gallery. R.Ariel’s new album Where You Are is an emotionally uplifting album of ethereal sounds and buoyant flow of bright tones. Kafari’s 2018 album Beholding is a masterpiece of minimalism like it was composed while somehow spending contemplative mornings underwater and absorbing a deep sense of peace. Entrancer has been spending years honing the ability to explore whatever directions his mastery of synthesis and beatmaking takes him. His 2018 album Decline Vol. 1 is true soundscaping that draws you into a sonic journey that while impressionistic and composed of deep layers of tone and texture conveys a sense of place physically and emotionally. Is the “Decline” of the title something to dread or something to greet as the inevitable cycle of life and death? The album offers no pat answers but it certain captures the ineffable moments of decline of a phase of one’s life, of civilizations and of all authoritarian orders. Voight may finally play a deep house/techno set. If not, it’ll be, by far, the loudest project of the night with its fiery and intense industrial post-punk shoegaze.

Who: Solos/Duos – Denver Avant Garde Music Society
When: Monday, 01.14, 8 p.m.
Where: Thought//Forms
Why: This night, long held at other venues over the years, has re-emerged at Thought//Forms gallery. You never know what you’ll see but this night you’ll also get to see a set from Denver’s premiere spontaneous composition band Animal / object.

Who: Freq Boutique
When: Monday, 01.14, 8 p.m.
Where: Fort Greene
Why: This reoccurring event organized by electronic equipment company WMD, this night is sort of an open mic for synthesizer enthusiasts. This night’s festivities may include a set from hip-hop/experimental electronic dance artist Strange Powers.

Tuesday | January 15, 2019

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Mick Jenkins, photo by Sam Schmieg

Who: Mick Jenkins w/Kari Faux
When: Tuesday, 01.15, 7 p.m.
Where: The Bluebird Theater
Why: Mick Jenkins 2018 sophomore album Pieces of a Man is a bit of a tribute to Gil Scott-Heron’s 1971 album of the same name. Like Scott-Heron, Jenkins offers snapshots of the world around him in words with musical accompaniment to set the vibe. The organization of the album and the experience of listening to it is something like a hip jazz and poetry night. The opening track is called “Heron Flow” as a nod to Gil and his record’s opening track, the influential song poem “The Revolution Will Not Be Televised.” Jenkins and his collaborators evoke the feel of a hazy after hours jazz club across the record with a sense of blending old school production and present day wordsmithing. Jenkins makes fairly mundane life experiences seem mythic and cool as Scott-Heron did in his day. Also on this bill is one of modern hip-hop’s greatest talents, Kari Faux. Her EPs, partly boosted by music appearing in the comedy series Insecure, combine a rebellious swagger with an otherworldly and mysterious quality – a rarity in music generally.

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Ensiferum, photo by Andy Whittle

Who: Ensiferum w/Septicflesh and Arsis
When: Tuesday, 01.15, 7 p.m.
Where: The Oriental Theater
Why: Helsinki, Finland’s Ensiferum is a melodic death metal band in the vein of the Gothenburg style but on the more orchestral end. Its use of acoustic guitars and folk structure and progressions give its music an expansive feel that evokes images of standing at the helm of one’s longboat charging toward unsuspecting European enclaves in the ninth century. Fans of Enslaved may enjoy Ensiferum’s similarly joyful performances.

Who: Supersuckers w/The Hangmen and Reno Divorce
When: Tuesday, 01.15, 7 p.m.
Where: Larimer Lounge
Why: Supersuckers started playing its brand of fuzzy cowpunk in Tucson, Arizona in 1988 before moving to Seattle in 1989 near the beginning of when more than a few music journalists from beyond the Pacific Northwest were starting to take not of happenings in the Emerald City’s underground. The band never made the big time the way the grunge bands everyone has heard of did but it has been able to carve out a career for itself and its wiseacre, intentionally lowbrow humor. Who else would start off their 1992 album on Sub Pop, The Smoke of Hell, with a song called “Coattail Rider” at the peak of the alternative rock explosion? Such chutzpah must continue to be honored. Oh yeah, the trio’s 2018 album, out on Acetate Records, is called Suck It. That the underground rock world has come back around to the sound Supersuckers perfected three decades ago is surely not lost on the band as a choice bit of irony. The song “History Of Rock n’ Roll” in which Eddie Spaghetti sings about how Supersuckers, the greatest band in the world is a footnote in the history of rock ‘n roll suggests they’re well aware.

Best Shows in Denver 9/6/18 to 9/12/18

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Killing Joke performs Friday, September 7, 2018, at The Oriental Theater. Photo courtesy artist

Thursday | September 6, 2018

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Midge Ure, photo courtesy the artist

Who: Midge Ure and Paul Young w/Kayla Marque
When: Thursday, 09.6, 7 p.m.
Where: The Oriental Theater
Why: Midge Ure is perhaps know to most for his bright and ethereal vocals and guitar work for new wave/synth pop pioneers Ultravox. With hits like “Vienna” and “Dancing With Tears In My Eyes,” Ultravox was one of the defining bands of the era. But Ure’s career has been broad, varied, lengthy and distinguished as a participant in a particularly creative era of music with stints in Rich Kids with former Sex Pistol Glen Matlock and with influential but not oft-cited early synth pop band Visage. Ure was a touring guitarist and keyboard player with Thin Lizzy during its Black Rose era and his solo career has been quite respectable with collaborations with, among others, Kate Bush and Mick Ronson. For this tour, Ure is playing from across his discography including classic Ultravox cuts.

Friday | September 7, 2018

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with Sasha Grey, photo by Allan Amato and Lawrence McCarthy

Who: Killing Joke and <PIG>
When: Friday, 09.7, 8 p.m.
Where: The Oriental Theater
Why: Killing Joke’s stark apocalyptic death disco was basically the template for industrial rock. Its fervid and unblinking depiction of an international industrialized economy destroying the planet and our humanity in the process had a great deal of appeal when the band started in 1978 and seems even more relevant forty years hence when the proof of the destructive nature of late capitalism on the entire planet, including human society, is manifest. Depending on the era of the band in which you checked in or will check in, its live act is a tribal experience with frontman Jaz Coleman a figure channeling the fears and anxieties of the moment and transforming them into inspiration through a shamanic performance. The last time Killing Joke came to Denver in November 2003, Coleman took stage dressed in an outfit that looked like he’d crafted it after ekeing out a living on a remote tundra hunting wild bison with wooden spears, two large pieces of leather sewn together with thick thread made from sinew. He carried a wooden staff like some Celtic mystic, face smeared with dark ash to emphasize the whites of his eyes. When the music started it was like primeval human experiences and those borne of industrial civilization came together. Most bands can’t pull that off. This tour is likely to be just as gloriously weird and inspired.

Also on the bill is <PIG>, the project fronted by Raymond Watts. The latter’s résumé reads like a who’s who of industrial music history. Sure, he’s been an essential member/collaborator of KMFDM since that band’s easliest days. For example, he also worked with Psychic TV in the 80s, he was a touring soundman for Einstürzende Neubauten in the 80s, and he’s worked with Foetus. Watrs’ own music has explored realms of industrial music that expands what it is and what it can sound like. Watts somehow makes music that contains elements of ambient, noise, industrial beats and guitar without sounding like he’s trying to fit in with a trend or “genre” industrial music of any kind. As an artist he’s consistently explored different avenues of sound including Japanese experimental rock band Schwein. In recent years, Watts composed music for the fashion world, perhaps most notably for Alexander McQueen. In 2018 <PIG> released the “That’s The Way (I Like It)” EP which is a small collection of remixes and the cover of the K.C. And the Sunshine Band classic in collaboration with Sasha Grey who has been making a bit of a name for herself as a maker of music and an actress beyond the adult film world. Because of the latter, the song’s video debuted on Pornhub, a first for Watts.

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The Juan Maclean, photo by Tonje Thielsen

Who: Option4 and Friends w/The Juan Maclean
When: Friday, 09.7, 9 p.m.
Where: Bar Standard
Why: Brennen Bryarly became one of the biggest independent promoters of electronic dance music in the country in the past decade. But when he’s had time to indulge making music of his own under the Option4 moniker it’s always been worth a listen. This night he shares the stage with associates as well as The Juan Maclean, the influential neo acid house/nü disco project started by John Maclean, the former guitarist for noise rock legends Six Finger Satellite. These days Maclean does his sets with collaborators Nancy Whang of LCD Soundsystem fame and Nicholas Millhiser of synth pop band Holy Ghost!

Who: Dead Kennedys w/T.S.O.L., The Dwarves, Runaway Kids and Reno Divorce
When: Friday, 09.7, 7 p.m.
Where: The Ogden Theatre
Why: Don’t go expecting Jello Biafra fronting Dead Kennedys. Ron “Skip” Greer, formerly of East Bay punk and Wynona Riders, has been in the frontman role since 2008. Do go expecting to hear plenty Dead Kennedys classics performed by the classic lineup minus Biafra. Also on the bill are other punk greats like T.S.O.L., the band that refused to just stick with punk musical and sartorial orthodoxy when it dropped the usual hardcore imagery and sound and adopted glam and drag and moody post-punk. And whatever T.S.O.L. wanted, which is pretty punk.

The Dwarves spent a lot of years on the intentionally offensive tip in the vein of G.G. Allin minus the more unsanitary performance stunts. In 1993 the band announced that its guitarist HeWhoCannotBeNamed had been stabbed to death with a hoax that went so far as to list the HWCBN as The Dwarves’ “late” guitarist on the 1993 release of Sugarfix. That stunt lost the band its label signing with Sub Pop. Four years later the group reconvened and proved it was always more than a campaign to alienate everyone with pushing the extreme stunts envelope and has produced a solid body of garage punk including its 2018 album Take Back The Night on Burger Records. Not for everyone but if you have a wicked and irreverent sense of humor you have to appreciate a band willing to call its 1999 compilation Free Cocaine.

Who: Venus Cruz & Friends
When: Friday, 09.7, 9:30 p.m.
Where: Lost Lake
Why: Venus Cruz is a multifaceted talent and multi-instrumentalist who on her own or in collaboration with other musicians or in an ensemble finds the sweet spot at the intersection of soulfulness, innovation and accessibility. As the host of Jazz Odyssey on KVUO on Wednesday nights 10 p.m. to 12 a.m., Cruz champions the most forward thinking artists under a broad umbrella of what jazz can be conceived of being.

Saturday | September 8, 2018

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The Verve Pipe, photo by Derek Ketchum

Who: The Verve Pipe w/The Hollow and Citra
When: Saturday, 09.8, 6 p.m.
Where: Levitt Pavilion
Why: The Verve Pipe is most well-known for a handful of singles in the mid-90s with “Photograph” and “The Freshmen” and in 2001 with “Colorful,” which introduced them to an even wider audience on the soundtrack of Rock Star. Even though the band’s songs were uncommonly thoughtful and discussed topics like addiction, suicide, sexual abuse and issues of social justice in a sensitive way one might not expect from a rock band then with radio hits. But when The Verve Pipe didn’t score a big hit its excellent self-titled 1999 album and when its 2001 album Underneath, despite its having a hit song, didn’t move millions of units either the major label world lost interest. Fortunately, fan interest remained and when the possibility of crowdsourcing became an option for a band that had ably managed its own business affairs and marketing before ever signing to a big label, The Verve Pipe returned to having a viable music career again by simply picking up where it left off when the label was taking care of everything. The result has been a fruitful second, or even third, chapter for the band including its 2017 album Parachute, which is a fine example of how a band can reconcile the idealism of its early career with evolution into adulthood without getting boring.

Who: Wovenhand w/Echo Beds
When: Saturday, 09.8, 8 p.m.
Where: The Bluebird Theater
Why: Wovenhand was a reincarnation of David Eugene Edwards as a songwriter from 16 Horsepower into originally more familiar, Gothic folk territory but in increasingly divergent directions including the adoption of Middle Eastern musical ideas with 2008’s Ten Stones and more immersion in Eastern European and Balkan musical forms. With 2012’s The Laughing Stalk, though, Wovenhand sound was harder, darker and more in the realm of fiery post-punk. Was it his new bandmates including former Planes Mistaken For Stars and current Git Some guitarist/vocalist Charles French bringing in that sensibility or a natural evolution of Edwards’s songwriting? Likely a combination as Edwards even covered the likes of Joy Division and The Gun Club while in 16 Horsepower. Whatever the catalyst for the change in sound, Wovenhand remains a haunting and powerful live band.

Denver’s Echo Beds came together out of the local punk and experimental music scene with principals Keith Curts and Tom Nelsen having put in their time make more conventional music and crafting music on the outer edge of accessibility. As Echo Beds the duo has worked with other collaborators over the years but the core of the band has been one to explore the possibilities of unconventional percussion (organic and electronic), harrowing textural noises as compositional elements and a charged emotional delivery it metes out in small, incredibly intense doses. This past summer the group released the nightmarishly beautiful full-length Buried Language through The Flenser.

Who: 1476 w/Alterity, Oblivion Her Majesty, Feigning, No Roses
When: Saturday, 09.8, 7 p.m.
Where: Seventh Circle Music Collective
Why: 1476 from Salem, Massachusetts is fairly impossible to pin down to any narrow genre as its body of work encompasses neo-folk, post-punk and black metal without its music sounding like a song-to-song exercise in either. Fans of Neurosis, Coliseum and Wipers will find something to like about 1476, especially its 2017 album Our Season Draws Near.

Monday | September 10, 2018

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Mac Demarco, photo by Coley Brown

Who: Mac DeMarco w/Noname, Free Nationals, DJ Jonathan Toubin
When: Monday, 09.10, 6 p.m.
Where: Red Rocks Amphitheatre
Why: Mac DeMarco is a modern guitar hero to some, a retro indie punchline to others. What’s missed in the overblown fandom and uninspired dismissal of an artist one hasn’t taken the time to delve into is the fact that DeMarco has evolved significantly since his time in Makeout Videotape a decade ago. His songwriting has also been more than any easy genre designation, more sonically and emotionally rich than any movement with which he might be lumped. The songwriter has described his own music as “jizz jazz,” whatever that’s really supposed to men, but jazz is the underlying aesthetic and structure to his songwriting.

Demarco’s new album This Old Dog sounds like he spent some years brushing up on his Steely Dan-isms without ripping off the band. There is an introspective lushness to several of the songs not to mention the chutzpah of a twenty-six-year old (at the time of the songwriting anyway) writing a record filled with songs written from the perspective of looking back on what feels like a long life. And to be fair, with as much touring, songwriting, life experience and hustling that DeMarco had to have packed into his life thus far it probably does feel warranted to take stock through one’s art. This Old Dog bears that out and it’s often languid pace feels like he’s felt that in a way that only someone who is a bit world weary would know. Not that DeMarco’s been beaten up by the hammer blows that life deals you as you get toward double his age now but he’s managed to articulate the feelings of wondering what this is all signifies, the self-doubt, the realization of mortality and trying to cope with the loss of key people in your life as well as someone with a decade or more hence on him. Will this translate to a large format performance? One can hope and that Red Rocks is a place where people can take in some of this material with the thoughtfulness that went into its making.

Tuesday | September 11, 2018

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Juliet Mission circa 2009, photo by Tom Murphy

Who: Dark Tuesdays: Juliet Mission with DJs St. Evil and Fernando
When: Tuesday, 09.11, 9 p.m.
Where: Blue Ice
Why: Juliet Mission was born out of the early days of Denver post-punk/alternative rock band Sympathy F when Andre Lucero, Anthony Morales and Doug Seaman were weaving threads of inspiration from the pall of gloom over Denver’s sprawl of urban decay and post oil industry bust decades into darkly beautiful melodies. In the 2000s the band finally released a collection of songs but has more or less remained dormant, playing occasional shows, for the past decade. Now on the cusp of releasing its latest albums, Juliet Mission has been playing live including this rare appearance at Blue Ice for the Dark Tuesdays event that brings together some of Denver’s better darkwave, industrial, Goth and post-punk DJs.

Who: Acid King w/Love Gang and Keef Duster
When: Tuesday, 09.11, 8 p.m.
Where: Hi-Dive
Why: Acid King emerged from San Francisco in the early 90s when its amalgam of heavy metal and psychedelic rock wasn’t exactly in vogue. That just meant the band could develop its sound and aesthetic without that being co-opted by any mainstream movement or corporate record labels looking to cash in on a then potentially commercial trend. The group, still fronted by guitarist Lori S., took its moniker from the nickname of a serial killer and its songs are not short on themes of the occult, and evil after the manner of a horror writer, of course, resulting in a body of work that would be a great companion to the comic art of Richard Corben and Erol Otus or a movie based on the story by Laird Barron. Long before “stoner rock” became a thing, Acid King was in there doing their own pioneering work in that realm alongside the likes of Sleep, Kyuss and St. Vitus. Yeah, all the creative descendents of Black Sabbath but also some of the best.

Wednesday | September 12, 2018

Who: Mike Krol (Merge) w/Shiii Whaaa and Super Bummer
When: Wednesday, 09.12, 8 p.m.
Where: Hi-Dive
Why: Mike Krol’s new seven inch “An Ambulance” / “Never Know” out on Merge Records is an immediate no-brainer-love-it for fans of late 2000s lo-fi noise punk/pop stars like Times New Viking, The Reatards, No Age, Psychedelic Horseshit, Eat Skull and Pink Reason. The shitgazers, the bands that celebrated exuberance and coloring outside established lines even for punk and more consciously experimental rock with garbage distortion and pegging the needles on the recording console, the bands that found homes on forward thinking labels like, yes, Merge, and Siltbreeze. Mike Krol is from that lineage of sonics but charting his own flavor. More contemporaneously, if you’re a fan of Clarke & The Himselfs don’t sleep on Mike Krol.

Who: Warm Thoughts, Obtuse, Candy Apple, Old Haunts, Incontinuity
When: Wednesday, 09.12, 7 p.m.
Where: Seventh Circle Music Collective
Why: Warm Thoughts from Los Angeles used to be called Dad Punchers and who doesn’t love a name like that? But Warm Thoughts is probably a better long term name for a band you want to take places where “Dad Punchers” might not read too well. Or, you know, you find yourself being a dad and you’re in the band. At any rate, the emo-inflected pop punk band recently released its latest album I Went Swimming Alone and is making a stop in Denver playing with like-minded bands including Obtuse whose anthemic lo-fi pop punk might be described as defiantly self-loathing underlined with a spirit of accepting that for many of us life isn’t exactly overflowing with glamour and validation.