Best Shows in Denver and Beyond 12/20/19 – 12/23/19

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Colorado Crew: Denvoid Pt. 2 is being released and celebrated during events this weekend

Friday | December 20

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Echo Beds, photo by Tom Murphy

What: Colorado Crew Denvoid Pt. 2 book release
When: Friday, 12.20, 6-8:30 p.m.
Where: Mercury Café
Why: This event will present the follow up to Bob Rob Medina’s 2015 book Denvoid and the Cowtown Punks which documented the Denver punk and underground music scene from 1982-1987. This volume, Colorado Crew: Denvoid Pt. 2 covers the years 1988-1996 in which punk changed, the major current strands of music in Denver emerged into strong, coherent form and the early phase of artist run DIY spaces developed into the form we know now.

What: Emerald Siam w/Echo Beds and Clusterfux
When: Friday, 12.20, 8 p.m.
Where: Hi-Dive
Why: The musical accompaniment to Colorado Crew: Denvoid Pt. 2 mentioned above with bands whose members were part of that late 80s through mid-90s scene.

What: Panther Martin w/Wet Nights, Marti and the Dads
When: Friday, 12.20, 7 p.m.
Where: Larimer Lounge

What: Reno Divorce w/Tejon Street Corner Thieves and Joy Subtraction
When: Friday, 12.20, 8 p.m.
Where: Globe Hall

What: Colorado People’s Alliance Fundraiser with Gone Full Heathen, Lost Boi, Joel Zigman and more
When: Friday, 12.20, 8 p.m.
Where: Seventh Circle Music Collective

Saturday | December 21

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Causer, photo by Tom Murphy

What: Grimy (Bryan Wendzel) and Cabron (Bob Rob Medina)
When: Saturday, 12.21, 1 p.m.
Where: Chain Reaction Records
Why: Early afternoon show connected to the release of Colorado Crew: Denvoid Pt. 2 featuring death-grind band Grimy and author Bob Rob Medina’s San Diego-based punk outfit Cabron playing a rare show (as well as another later this night).

What: The Rocky Mountain Synthesizer Meetup Presents: Synth Patrol
When: Saturday, 12.21, 1-3 p.m.
Where: Little Horse Books & Vintage
Why: Early afternoon concert featuring live vinyl sampling from Aefonic (Brian Horsfield), Cold Future (Victor John), monoscene (Christoph Scholtes) and Newecho (Mark Mosher).

What: Jon Snodgrass and Jux County
When: Saturday, 12.21, 5-8 p.m.
Where: Mutiny Information Café
Why: Another show connected to the release of Bob Rob Medina’s book Colorado Crew: Denvoid Pt. 2 including performances from longtime punk stalwart Jon Snodgrass and Jux County, one of the early cowpunk/alt-country bands from the mid-80s and who still occasionally play shows.

What: FOUR! (reunion), Cyclo-Sonic, Mind Rider (Sonny Kay), Cabron
When: Saturday, 12.21, 9 p.m.
Where: 1010 Workshop
Why: The final event related to the release of Colorado Crew: Denvoid Pt. 2 with performances from bands including people featured in the book with pop-punk legends FOUR!, garage punk band Cyclo-Sonic which includes members of The Fluid, Choosey Mothers and Rok Tots, Sonny Kay (Savalas, Angel Hair, The VSS) and Bob Rob Medina (Savalas, Cabron). Rumor has it Medina and Kay will perform a Savalas song.

What: Causer, Equine, Tears to Li6ht
When: Saturday, 12.21, 8 p.m.
Where: Glitter City
Why: Equine is an avant-garde guitar drone solo project of Kevin Richards. Causer is one of the most compelling and inventive newcomers to Denver’s noise scene with their mix of confrontational performance art and noise collage. Tears to Li6ht is a melodic ambient/experimental pop project.

What: Surfacing – Winter Solstice show: Mirror of Truth (Esmé Patterson solo project), EA$$IDE LUPITA Korryne solo, Bell Mine, Kaumaha
When: Saturday, 12.21, 8 p.m.
Where: Rhinoceropolis
Why: Titwrench festival will return in 2020 to feature some of the most interesting female, LGBTQIA and marginalized community artists. This event is a showcase for what’s to come and a fundraiser for the future festival. It’s the debut of Esmé Patterson’s experimental music project and will include a performance of Korryne of R A R E B Y R D $’ solo project EA$$IDE LUPITA.

What: Jade Cicada w/Seppa, Shield, Mad Zach, Bricksquash and Schmoop
When: Saturday, 12.21, 7 p.m.
Where: Mission Ballroom

What: Charlie Parr w/Dead Horses
When: Saturday, 12.21, 8 p.m.
Where: Bluebird Theater

What: Decemburger IV: In the Company of Serpents, Nekrofilth, Ghosts of Glaciers, The Munsens, Casket Huffer, Upon A Fields Whisper
When: Saturday, 12.21, 6 p.m.
Where: Hi-Dive

Sunday | December 22

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Umbras Animas, photo by Tom Murphy

What: Umbras Animas w/Lady of Sorrows, John Gross, Mismo and Pythian Whispers
When: Sunday, 12.22, 7 p.m.
Where: Rhinoceropolis
Why: Umbras Animas is bringing its latest drone and shadow pupper theater performance to Rhinoceropolis along with one of the Godfathers of Denver noise John Gross, operatic darkwave synth pop project Lady of Sorrows and soundtrack/soundscape projects Mismo and Pythian Whispers (full disclosure, Queen City Sounds and Art writer Tom Murphy’s band).

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Claudzilla, photo by Tom Murphy

What: Claudzilla w/Artificial Bladder (synth pop), Preparation (ambient)
When: Sunday, 12.22, 7 p.m.
Where: Mutiny Information Café
Why: Weirdo keytar pop maven Claudzilla will perform along with likeminded weirdos Artificial Bladder and Preparation.

Monday | December 23

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EVP, photo by Tom Murphy

What: Aunti Hoppa, Sur Ellz, Techno Allah and EVP
When: Monday, 12.23, 9 p.m.
Where: Rhinoceropolis
Why: A show where breakbeat dance music, hip-hop, electro soul and melodic industrial glitch meet.

Best Shows in Denver 1/31/19 – 2/6/19

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Bert Olsen performs at 3 Kings Tavern on February 1. Photo by Tom Murphy

Thursday | January 31, 2019

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Denver Meatpacking Company, photo by Michelle Simutis

Who: Stereoshifter, Denver Meatpacking Company and I’m a Boy
When: Thursday, 01.31, 8 p.m.
Where: Syntax Physic Opera
Why: Alternative blues rock, second wave grunge and flamboyant, emotionally charged rock and roll with an ear for classic glam and the future.

Who: Starjammer – Empire of the Mantis
When: Thursday, 01.31, 8 p.m.
Where: 3 Kings Tavern
Why: Squidds Madden brings his visionary multi-media, multi-instrumental one-man band to 3 Kings to demonstrate that “Avant Garde/Dub-Reggae” is not some kooky gimmick but an evolving futuristic music that is truly a synthesis of deeply experimental improvisational music and the production style that enhances a broad spectrum of sonic frequency, textures and rhythm.

Who: Endless, Nameless, Honey and Salt, Obtuse, Admiral and more
When: Thursday, 01.31, 7 p.m.
Where: Seventh Circle Music Collective
Why: Kind of a math rock show with Obtuse who certainly draw on 90s and 2000s math rock for some of the inspiration but is thankfully more focused on the emotional possibilities when you don’t get tripped up on the time signatures and precision but use those as needed to express the raw nerves of a generation that late capitalism is trying to toss in the dumpster but not without some very articulate resistance.

Friday | February 1, 2019

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Broncho, photo by Pooneh Ghana

Who: Maemyth, Galleries, Bert Olsen and matherial
When: Friday, 02.01, 9 p.m.
Where: 3 Kings Tavern
Why: All the other bands on the bill are worth your time. But Bert Olsen, not named after anyone in the band, makes the kind of punk that is atmospheric, probably inspired in part by The Cure and early Christian Death, noisy and vividly emotional and not trapped by the need to sound like another era of punk. Bert Olsen is charting its own path and Hunter Wood’s vocals are both melodic and demonstrating a willingness to crack and distort to fit the mood of the moment. More rock music in general would benefit from such instincts but a lot of it is self-tamed and conditioned, traditionalist stuff.

Who: Broncho w/Pinky Pinky
When: Friday, 02.01, 8 p.m.
Where: Globe Hall
Why: Too many artists and “comedians” have ruined irony for probably another generation by abusing its possibilities and basically by not being ironic, just wannabe surrealistic and too much of a broken person’s public diary presented as entertainment. Broncho didn’t fail in its employment of irony by making sardonic yet sincere commentary on American culture and life. When singer/guitarist Ryan Lindsey was in The Starlight Mints he injected some color into the tail end of the wave of indiepop that emerged in the early 90s. With Broncho it’s more rock but out of step with the tendency of a lot of modern rock music to be trapped entirely too much in past decades. The band’s latest record is 2018’s Bad Behavior.

Who: King Eddie, Briffaut and BabyBaby
When: Friday, 02.01, 8 p.m.
Where: Syntax Physic Opera
Why: King Eddie began as something of a fairly predictable psychedelic rock band but by that time and the release of its 2017 album it completely refined and reinvented itself into one of the most interesting and creative bands in that realm of music. Briffaut is sort of freak folk, psychedelic indie rock but sounds like it was made by people who cut themselves off from outside influences for half a decade or more. Because of that, it’s music is always interesting and left-field.

Who: Dry Ice, Slugger, Satellite Pilot, Rose Variety and Ludoesmusic
When: Friday, 02.01, 8 p.m.
Where: Lost Lake
Why: Apparently Dry Ice is from Highlands Ranch, Colorado. If it’s album 2018 Technicolor Yawning is any indication it sounds like the product of suburban boredom and thus this far into the band’s career means it’s sort of all over the place style-wise but that also means its not locked into being a particular genre and its eclectic quality yields some interesting material that might not have been possible had its members been channeled into a particular local scene. Slugger makes a case for garage and psychedelic rock inspired by classic rock not being totally played out.

Who: Boldtype, The Gamits, Reno Divorce and No Bueno
When: Friday, 02.01, 7 p.m.
Where: The Marquis Theater
Why: Manuel Lopez was the passionate and affable drummer of Boldtype who recently passed away. This is a benefit show for his daughters and will include performances by his band as well as some of the best local punk rock bands that came up at the same time his group was coming into its own.

Saturday | February 2, 2019

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Mozes and the Firstborn, photo by Nick Helderman

Who: The Parrots + Mozes and The Firstborn, Billy Changer, Super Bummer
When: Saturday, 02.02, 8 p.m.
Where: Larimer Lounge
Why: Mozes and The Firstborn from Eindhoven, The Netherlands came up during the peak of the 2010’s garage rock revival and toured internationally relatively early on its career. The band was always a little different from the other garage rock bands of that period because its sound was closer to power pop and its musicianship and songwriting had some uncommon refinement. In 2019 the group released its latest record Dadcore. To be fair, the band doesn’t sound like dadcore so much as its the typically Dutch dry, self-effacing and layered commentary on the cultural phenomenon and its own hearkening back to classic songwriting and what some may see as the quaint notion of guitar rock in the twenty-first century.

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Sunk Cost, photo by Tom Murphy

Who: GNO, Calambre, Sunk Cost, Kid Mask, Flesh Buzzard, Corgi Commander
When: Saturday, 02.02, 8 p.m.
Where: Thought//Forms
Why: A kind of harsh noise and harsh sounds show with some of most interesting artists operating in that mode in Colorado right now.

Who: The Pamlico Sound, Queens of the Galaxy and The Jessicas
When: Saturday, 02.02, 8 p.m.
Where: Lost Lake
Why: The Pamlico Sound is a funk band lead by Will Baumgartner who went to Woodstock as a kid and who has been involved in the 80s No Wave movement as well as some of the more unexpectedly inventive and imaginative jam and funk bands from Colorado over the past two decades. It’s a spectacle and highly entertaining as Baumgartner is an engaging and unconventionally charismatic performer.

Monday | February 4, 2019

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Ron Gallo, photo by Chiara Danzieri

Who: Ron Gallo w/Post Animal and Stuyedeyed
When: Monday, 02.04, 7 p.m.
Where: Globe Hall
Why: Ron Gallo is from Philadelphia but his solo work sounds like he spent some time in 1970s New York in the early punk scene with a wiry energy. Of course if psychedelic garage rock hadn’t happened his 2018 record Stardust Birthday Party wouldn’t have sounded like a bit like a manic Sparks. Whatever the touchstones might be, Gallo is one of the most dynamic rock musicians of the current era. Perhaps co-headlining is the psychedelic prog band Post Animal whose own spirited performances transcend any specific genre of music.

Tuesday | February 5, 2019

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Post Animal, photo by Pooneh Ghana

Who: Ron Gallo w/Post Animal and Stuyedeyed
When: Tuesday, 02.05, 7 p.m.
Where: Globe Hall
Why: See above on 02.04 for Ron Gallo and Post Animal.

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Yoke Lore, photo by Wes and Alex

Who: Yoke Lore w/LP
When: Tuesday, 02.05, 7 p.m.
Where: The Ogden Theatre
Why: Adrian Galvin was once a member of synth-heavy indie pop band Walk the Moon before going solo a few years back. His work under the name Yoke Lore is decidedly different from Walk the Moon in having softer edges while showcasing Galvin’s inventive use of layered sound in his songwriting with bright synths accenting his vocals with an evocative flair. He is currently touring in the wake of the release of his 2018 EP Goodpain as an opener for R&B-inflected indie pop songwriter LP.

Wednesday | February 6, 2019

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The Drood circa 2015, photo by Tom Murphy

Who: Weird Wednesday: The Diablo Montalban Experience, The Drood and Claudzilla
When: Wednesday, 02.06, 9 p.m.
Where: The Ogden Theatre
Why: Weird Wednesday is as suggested by the name quite a bit this time around with keytar rock sorceress Claudzilla, experimental pop/psych band The Diablo Montalban Experience and The Drood. The latter often performs in costumes that look like a cross between anti-hero crusaders for cosmic justice and occult ritualists with music that fans of Legendary Pink Dots may find very much to their liking.

Who: P.O.S. w/Calm. and DJ Fundo
When: Wednesday, 02.06, 7 p.m.
Where: The Marquis Theater
Why: P.O.S. is the Minneapolis-based rapper whose talents and range as an artist go far beyond including his masterful production on his own work as well as his musicianship in other bands including Gayngs, Marijuana Deathsquads and many others. He’s in good company with his sonically adventurous beats paired with Denver’s Calm., a duo comprised of Time and Awareness whose literate and incisive raps and deeply atmospheric production is always surprisingly impactful. Their latest release, 2018’s Things I Learned While Dying in Denver is one of the most sharply critical yet hopefully albums of the past few years.

Best Shows in Denver 1/10/18 – 1/16/18

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Voight, performs Monday, January 14, at DATELINE gallery. Photo by Tom Murphy

Thursday | January 10, 2019

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Nekrofilth, photo courtesy the artist

Who: Nekrofilth album release w/Phallic Meditation and Keef Duster
When: Thursday, 01.10, 8 p.m.
Where: Hi-Dive
Why: Nekrofilth releases its new album Worm Ritual tonight at a show with heavy psychedelic bands Phallic Meditation and Keef Duster. Nekrofilth’s sound is more akin to classic early thrash and black metal. On the new record the band does cover “Poison” by Venom, after all. Like the latter and Slayer, Nekrofilth has a playful quality to its aggression and ripping guitar work. Song titles like “Vomit Dog,” “They Took My Skin,” “Ready to Defile” and “Severed Eyes” suggest a healthy sense of the viscerally absurd with an unironic joy in the cartoonishly horrific the way one might enjoy the gnarliest B horror movie. Fans of blackened thrash rejoice, Nekrofilth has what you’re looking for.

Who: Random Temple w/Thistledown
When: Thursday, 01.10, 9 p.m.
Where: Black Buzzard
Why: “Rhythm & Folk” band Thistledown will perform with Random Temple’s more production-oriented electronic project under his own name.

Friday | January 11, 2019

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Product Lust circa 2017, photo by Tom Murphy

Who: Product Lust album release show w/Goon, Herse, Candy Apple
When: Friday, 01.11, 7 p.m.
Where: Seventh Circle Music Collective
Why: Product Lust’s feral and driving 2018 album Year of the Rat is being celebrated tonight with a now rare live show as vocalist Kat Salvaggio is attending school out of Colorado. The seething post-punk band’s wiry energy fits in well with weirder hardcore and punk and thus this bill with Goon, Herse and Candy Apple is an opportunity to see bands that have punk of some stripe as their root but who are taking that spark in interesting directions.

Who: Lazarus Horse
When: Friday, 01.11, 8 p.m.
Where: Mutiny Information Café
Why: Lazarus Horse is the band that comes about when someone with good taste in music and good creative instincts writes a bunch of experimental rock music that doesn’t seem obviously influenced by anything else but creative flights of fancy, escaping to daydreams while doing meaningless work as a tool for staying sane in a civilization that’s grinding its best people into the dirt. It’s the soundtrack to that internal rebellion that becomes contagious.

Saturday | January 12, 2019

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Chromadrift’s Drew Miller as Brother Saturn circa 2018, photo by Tom Murphy

Who: Glasss Presents: Chromadrift album release w/Gold Trash and Bowshock
When: Saturday, 01.12, 8 p.m.
Where: Mutiny Information Café
Why: Chromadrift’s Cloudless Mind is the bright, ethereal flow of textured melodies that eases the freeze of winter. Fans of IDM and more abstract post-rock will appreciate Drew Miller’s blend of processed guitar, live synths and sequencing. Though the album dropped on January 3, this will be your first chance to see this music live in the new year. Also performing is noisy electroclash duo Gold Trash and downtempo jazz improv group Bowshock.

Who: NightWraith album release w/Glacial Tomb, BleakHeart
When: Saturday, 01.12, 8 p.m.
Where: Hi-Dive
Why: NightWraith’s self-titled, debut full length is coming out on color vinyl. The Denver-based group’s left of center mix of folky black metal, thrash and psychedelic doom is steeped in pastoral mythology.

Who: e-scapes, Zealot and The Far Stairs
When: Saturday, 01.12, 7:30 p.m.
Where: The People’s Building
Why: This’ll be probably the first indie rock show worth checking out in Aurora, Colorado since The Masculine organized one in 2009 at the old Other Side Arts space in downtown. The People’s Building is also downtown and across the street from Aurora Fox Theater. Zealot includes former members of The Don’ts and Be Carefuls, The Pseudo Dates, Violent Summer, Ideal Fathers and other bands most people haven’t heard of but should check out. The Far Stairs is a band that makes strange music sound more catchy and accessible than it has any right to.

Who: Pink Hawks, Atomga, Roka Hueka
When: Saturday, 01.12, 8 p.m.
Where: The Bluebird
Why: The local Afrobeat band all-star line-up.

Who: Pineross EP release w/Lady Gang
When: Saturday, 01.12, 7 p.m.
Where: Ubisububi Room
Why: Kevin Larkin of Chimney Choir fame is releasing his most recent EP Esplanade at this show in the extra intimate and cozy Ubisububi Room underneath the Thin Man and St. Mark’s. Lady Gang sounds like a full band but is just Jen Korte making maximum creative use of a loop station to augment her already considerable talents as a singer-songwriter.

Who: Luke Vibert, Seied and Kanyon Walker
When: Saturday, 01.12, 7:30 p.m.
Where: The Black Box
Why: Luke Vibert has long been on the forefront of modern experimental electronic dance music in various forms. Fans of Dilla, Flying Lotus and Blockhead will find a lot to like in Vibert.

Sunday | January 13, 2019

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Crushed!?, photo by @scenesplitter

Who: Crushed!? W/The Uglys, Tides, Stonewall BLVD and Arctobog
When: Sunday, 01.13, 7 p.m.
Where: Seventh Circle Music Collective
Why: Originally from the much smaller nearby town of Belen, Crushed!? is now based out of Albuquerque. Its post-hardcore sound has more in common with the likes of a more melodic At the Drive-In or Touché Amoré than the more screamo end of that music. Initially the music reminds one a bit of the great punk bands of the late 90s and early 2000s who adopted a bit of the math rock thing. But its rhythms are more inventive and wide-ranging like something one might have expected out of 90s DC and other East Coast rock like Versus, Helium and The Dismemberment Plan. The group’s 2018 album Sins of the Father is refreshingly difficult pin with a specific genre designation.

Monday | January 14, 2019

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Entrancer (right) with Docile Rottweiler (left) at Synesthesia 2014. Photo by Tom Murphy

Who: R.Ariel, Kafari, Entrancer and Voight
When: Monday, 01.14, 7:30 p.m.
Where: DATELINE
Why: This event is a combination of touring art installation courtesy and musical performances at DATELINE art gallery. R.Ariel’s new album Where You Are is an emotionally uplifting album of ethereal sounds and buoyant flow of bright tones. Kafari’s 2018 album Beholding is a masterpiece of minimalism like it was composed while somehow spending contemplative mornings underwater and absorbing a deep sense of peace. Entrancer has been spending years honing the ability to explore whatever directions his mastery of synthesis and beatmaking takes him. His 2018 album Decline Vol. 1 is true soundscaping that draws you into a sonic journey that while impressionistic and composed of deep layers of tone and texture conveys a sense of place physically and emotionally. Is the “Decline” of the title something to dread or something to greet as the inevitable cycle of life and death? The album offers no pat answers but it certain captures the ineffable moments of decline of a phase of one’s life, of civilizations and of all authoritarian orders. Voight may finally play a deep house/techno set. If not, it’ll be, by far, the loudest project of the night with its fiery and intense industrial post-punk shoegaze.

Who: Solos/Duos – Denver Avant Garde Music Society
When: Monday, 01.14, 8 p.m.
Where: Thought//Forms
Why: This night, long held at other venues over the years, has re-emerged at Thought//Forms gallery. You never know what you’ll see but this night you’ll also get to see a set from Denver’s premiere spontaneous composition band Animal / object.

Who: Freq Boutique
When: Monday, 01.14, 8 p.m.
Where: Fort Greene
Why: This reoccurring event organized by electronic equipment company WMD, this night is sort of an open mic for synthesizer enthusiasts. This night’s festivities may include a set from hip-hop/experimental electronic dance artist Strange Powers.

Tuesday | January 15, 2019

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Mick Jenkins, photo by Sam Schmieg

Who: Mick Jenkins w/Kari Faux
When: Tuesday, 01.15, 7 p.m.
Where: The Bluebird Theater
Why: Mick Jenkins 2018 sophomore album Pieces of a Man is a bit of a tribute to Gil Scott-Heron’s 1971 album of the same name. Like Scott-Heron, Jenkins offers snapshots of the world around him in words with musical accompaniment to set the vibe. The organization of the album and the experience of listening to it is something like a hip jazz and poetry night. The opening track is called “Heron Flow” as a nod to Gil and his record’s opening track, the influential song poem “The Revolution Will Not Be Televised.” Jenkins and his collaborators evoke the feel of a hazy after hours jazz club across the record with a sense of blending old school production and present day wordsmithing. Jenkins makes fairly mundane life experiences seem mythic and cool as Scott-Heron did in his day. Also on this bill is one of modern hip-hop’s greatest talents, Kari Faux. Her EPs, partly boosted by music appearing in the comedy series Insecure, combine a rebellious swagger with an otherworldly and mysterious quality – a rarity in music generally.

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Ensiferum, photo by Andy Whittle

Who: Ensiferum w/Septicflesh and Arsis
When: Tuesday, 01.15, 7 p.m.
Where: The Oriental Theater
Why: Helsinki, Finland’s Ensiferum is a melodic death metal band in the vein of the Gothenburg style but on the more orchestral end. Its use of acoustic guitars and folk structure and progressions give its music an expansive feel that evokes images of standing at the helm of one’s longboat charging toward unsuspecting European enclaves in the ninth century. Fans of Enslaved may enjoy Ensiferum’s similarly joyful performances.

Who: Supersuckers w/The Hangmen and Reno Divorce
When: Tuesday, 01.15, 7 p.m.
Where: Larimer Lounge
Why: Supersuckers started playing its brand of fuzzy cowpunk in Tucson, Arizona in 1988 before moving to Seattle in 1989 near the beginning of when more than a few music journalists from beyond the Pacific Northwest were starting to take not of happenings in the Emerald City’s underground. The band never made the big time the way the grunge bands everyone has heard of did but it has been able to carve out a career for itself and its wiseacre, intentionally lowbrow humor. Who else would start off their 1992 album on Sub Pop, The Smoke of Hell, with a song called “Coattail Rider” at the peak of the alternative rock explosion? Such chutzpah must continue to be honored. Oh yeah, the trio’s 2018 album, out on Acetate Records, is called Suck It. That the underground rock world has come back around to the sound Supersuckers perfected three decades ago is surely not lost on the band as a choice bit of irony. The song “History Of Rock n’ Roll” in which Eddie Spaghetti sings about how Supersuckers, the greatest band in the world is a footnote in the history of rock ‘n roll suggests they’re well aware.

Best Shows in Denver 9/6/18 to 9/12/18

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Killing Joke performs Friday, September 7, 2018, at The Oriental Theater. Photo courtesy artist

Thursday | September 6, 2018

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Midge Ure, photo courtesy the artist

Who: Midge Ure and Paul Young w/Kayla Marque
When: Thursday, 09.6, 7 p.m.
Where: The Oriental Theater
Why: Midge Ure is perhaps know to most for his bright and ethereal vocals and guitar work for new wave/synth pop pioneers Ultravox. With hits like “Vienna” and “Dancing With Tears In My Eyes,” Ultravox was one of the defining bands of the era. But Ure’s career has been broad, varied, lengthy and distinguished as a participant in a particularly creative era of music with stints in Rich Kids with former Sex Pistol Glen Matlock and with influential but not oft-cited early synth pop band Visage. Ure was a touring guitarist and keyboard player with Thin Lizzy during its Black Rose era and his solo career has been quite respectable with collaborations with, among others, Kate Bush and Mick Ronson. For this tour, Ure is playing from across his discography including classic Ultravox cuts.

Friday | September 7, 2018

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with Sasha Grey, photo by Allan Amato and Lawrence McCarthy

Who: Killing Joke and <PIG>
When: Friday, 09.7, 8 p.m.
Where: The Oriental Theater
Why: Killing Joke’s stark apocalyptic death disco was basically the template for industrial rock. Its fervid and unblinking depiction of an international industrialized economy destroying the planet and our humanity in the process had a great deal of appeal when the band started in 1978 and seems even more relevant forty years hence when the proof of the destructive nature of late capitalism on the entire planet, including human society, is manifest. Depending on the era of the band in which you checked in or will check in, its live act is a tribal experience with frontman Jaz Coleman a figure channeling the fears and anxieties of the moment and transforming them into inspiration through a shamanic performance. The last time Killing Joke came to Denver in November 2003, Coleman took stage dressed in an outfit that looked like he’d crafted it after ekeing out a living on a remote tundra hunting wild bison with wooden spears, two large pieces of leather sewn together with thick thread made from sinew. He carried a wooden staff like some Celtic mystic, face smeared with dark ash to emphasize the whites of his eyes. When the music started it was like primeval human experiences and those borne of industrial civilization came together. Most bands can’t pull that off. This tour is likely to be just as gloriously weird and inspired.

Also on the bill is <PIG>, the project fronted by Raymond Watts. The latter’s résumé reads like a who’s who of industrial music history. Sure, he’s been an essential member/collaborator of KMFDM since that band’s easliest days. For example, he also worked with Psychic TV in the 80s, he was a touring soundman for Einstürzende Neubauten in the 80s, and he’s worked with Foetus. Watrs’ own music has explored realms of industrial music that expands what it is and what it can sound like. Watts somehow makes music that contains elements of ambient, noise, industrial beats and guitar without sounding like he’s trying to fit in with a trend or “genre” industrial music of any kind. As an artist he’s consistently explored different avenues of sound including Japanese experimental rock band Schwein. In recent years, Watts composed music for the fashion world, perhaps most notably for Alexander McQueen. In 2018 <PIG> released the “That’s The Way (I Like It)” EP which is a small collection of remixes and the cover of the K.C. And the Sunshine Band classic in collaboration with Sasha Grey who has been making a bit of a name for herself as a maker of music and an actress beyond the adult film world. Because of the latter, the song’s video debuted on Pornhub, a first for Watts.

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The Juan Maclean, photo by Tonje Thielsen

Who: Option4 and Friends w/The Juan Maclean
When: Friday, 09.7, 9 p.m.
Where: Bar Standard
Why: Brennen Bryarly became one of the biggest independent promoters of electronic dance music in the country in the past decade. But when he’s had time to indulge making music of his own under the Option4 moniker it’s always been worth a listen. This night he shares the stage with associates as well as The Juan Maclean, the influential neo acid house/nü disco project started by John Maclean, the former guitarist for noise rock legends Six Finger Satellite. These days Maclean does his sets with collaborators Nancy Whang of LCD Soundsystem fame and Nicholas Millhiser of synth pop band Holy Ghost!

Who: Dead Kennedys w/T.S.O.L., The Dwarves, Runaway Kids and Reno Divorce
When: Friday, 09.7, 7 p.m.
Where: The Ogden Theatre
Why: Don’t go expecting Jello Biafra fronting Dead Kennedys. Ron “Skip” Greer, formerly of East Bay punk and Wynona Riders, has been in the frontman role since 2008. Do go expecting to hear plenty Dead Kennedys classics performed by the classic lineup minus Biafra. Also on the bill are other punk greats like T.S.O.L., the band that refused to just stick with punk musical and sartorial orthodoxy when it dropped the usual hardcore imagery and sound and adopted glam and drag and moody post-punk. And whatever T.S.O.L. wanted, which is pretty punk.

The Dwarves spent a lot of years on the intentionally offensive tip in the vein of G.G. Allin minus the more unsanitary performance stunts. In 1993 the band announced that its guitarist HeWhoCannotBeNamed had been stabbed to death with a hoax that went so far as to list the HWCBN as The Dwarves’ “late” guitarist on the 1993 release of Sugarfix. That stunt lost the band its label signing with Sub Pop. Four years later the group reconvened and proved it was always more than a campaign to alienate everyone with pushing the extreme stunts envelope and has produced a solid body of garage punk including its 2018 album Take Back The Night on Burger Records. Not for everyone but if you have a wicked and irreverent sense of humor you have to appreciate a band willing to call its 1999 compilation Free Cocaine.

Who: Venus Cruz & Friends
When: Friday, 09.7, 9:30 p.m.
Where: Lost Lake
Why: Venus Cruz is a multifaceted talent and multi-instrumentalist who on her own or in collaboration with other musicians or in an ensemble finds the sweet spot at the intersection of soulfulness, innovation and accessibility. As the host of Jazz Odyssey on KVUO on Wednesday nights 10 p.m. to 12 a.m., Cruz champions the most forward thinking artists under a broad umbrella of what jazz can be conceived of being.

Saturday | September 8, 2018

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The Verve Pipe, photo by Derek Ketchum

Who: The Verve Pipe w/The Hollow and Citra
When: Saturday, 09.8, 6 p.m.
Where: Levitt Pavilion
Why: The Verve Pipe is most well-known for a handful of singles in the mid-90s with “Photograph” and “The Freshmen” and in 2001 with “Colorful,” which introduced them to an even wider audience on the soundtrack of Rock Star. Even though the band’s songs were uncommonly thoughtful and discussed topics like addiction, suicide, sexual abuse and issues of social justice in a sensitive way one might not expect from a rock band then with radio hits. But when The Verve Pipe didn’t score a big hit its excellent self-titled 1999 album and when its 2001 album Underneath, despite its having a hit song, didn’t move millions of units either the major label world lost interest. Fortunately, fan interest remained and when the possibility of crowdsourcing became an option for a band that had ably managed its own business affairs and marketing before ever signing to a big label, The Verve Pipe returned to having a viable music career again by simply picking up where it left off when the label was taking care of everything. The result has been a fruitful second, or even third, chapter for the band including its 2017 album Parachute, which is a fine example of how a band can reconcile the idealism of its early career with evolution into adulthood without getting boring.

Who: Wovenhand w/Echo Beds
When: Saturday, 09.8, 8 p.m.
Where: The Bluebird Theater
Why: Wovenhand was a reincarnation of David Eugene Edwards as a songwriter from 16 Horsepower into originally more familiar, Gothic folk territory but in increasingly divergent directions including the adoption of Middle Eastern musical ideas with 2008’s Ten Stones and more immersion in Eastern European and Balkan musical forms. With 2012’s The Laughing Stalk, though, Wovenhand sound was harder, darker and more in the realm of fiery post-punk. Was it his new bandmates including former Planes Mistaken For Stars and current Git Some guitarist/vocalist Charles French bringing in that sensibility or a natural evolution of Edwards’s songwriting? Likely a combination as Edwards even covered the likes of Joy Division and The Gun Club while in 16 Horsepower. Whatever the catalyst for the change in sound, Wovenhand remains a haunting and powerful live band.

Denver’s Echo Beds came together out of the local punk and experimental music scene with principals Keith Curts and Tom Nelsen having put in their time make more conventional music and crafting music on the outer edge of accessibility. As Echo Beds the duo has worked with other collaborators over the years but the core of the band has been one to explore the possibilities of unconventional percussion (organic and electronic), harrowing textural noises as compositional elements and a charged emotional delivery it metes out in small, incredibly intense doses. This past summer the group released the nightmarishly beautiful full-length Buried Language through The Flenser.

Who: 1476 w/Alterity, Oblivion Her Majesty, Feigning, No Roses
When: Saturday, 09.8, 7 p.m.
Where: Seventh Circle Music Collective
Why: 1476 from Salem, Massachusetts is fairly impossible to pin down to any narrow genre as its body of work encompasses neo-folk, post-punk and black metal without its music sounding like a song-to-song exercise in either. Fans of Neurosis, Coliseum and Wipers will find something to like about 1476, especially its 2017 album Our Season Draws Near.

Monday | September 10, 2018

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Mac Demarco, photo by Coley Brown

Who: Mac DeMarco w/Noname, Free Nationals, DJ Jonathan Toubin
When: Monday, 09.10, 6 p.m.
Where: Red Rocks Amphitheatre
Why: Mac DeMarco is a modern guitar hero to some, a retro indie punchline to others. What’s missed in the overblown fandom and uninspired dismissal of an artist one hasn’t taken the time to delve into is the fact that DeMarco has evolved significantly since his time in Makeout Videotape a decade ago. His songwriting has also been more than any easy genre designation, more sonically and emotionally rich than any movement with which he might be lumped. The songwriter has described his own music as “jizz jazz,” whatever that’s really supposed to men, but jazz is the underlying aesthetic and structure to his songwriting.

Demarco’s new album This Old Dog sounds like he spent some years brushing up on his Steely Dan-isms without ripping off the band. There is an introspective lushness to several of the songs not to mention the chutzpah of a twenty-six-year old (at the time of the songwriting anyway) writing a record filled with songs written from the perspective of looking back on what feels like a long life. And to be fair, with as much touring, songwriting, life experience and hustling that DeMarco had to have packed into his life thus far it probably does feel warranted to take stock through one’s art. This Old Dog bears that out and it’s often languid pace feels like he’s felt that in a way that only someone who is a bit world weary would know. Not that DeMarco’s been beaten up by the hammer blows that life deals you as you get toward double his age now but he’s managed to articulate the feelings of wondering what this is all signifies, the self-doubt, the realization of mortality and trying to cope with the loss of key people in your life as well as someone with a decade or more hence on him. Will this translate to a large format performance? One can hope and that Red Rocks is a place where people can take in some of this material with the thoughtfulness that went into its making.

Tuesday | September 11, 2018

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Juliet Mission circa 2009, photo by Tom Murphy

Who: Dark Tuesdays: Juliet Mission with DJs St. Evil and Fernando
When: Tuesday, 09.11, 9 p.m.
Where: Blue Ice
Why: Juliet Mission was born out of the early days of Denver post-punk/alternative rock band Sympathy F when Andre Lucero, Anthony Morales and Doug Seaman were weaving threads of inspiration from the pall of gloom over Denver’s sprawl of urban decay and post oil industry bust decades into darkly beautiful melodies. In the 2000s the band finally released a collection of songs but has more or less remained dormant, playing occasional shows, for the past decade. Now on the cusp of releasing its latest albums, Juliet Mission has been playing live including this rare appearance at Blue Ice for the Dark Tuesdays event that brings together some of Denver’s better darkwave, industrial, Goth and post-punk DJs.

Who: Acid King w/Love Gang and Keef Duster
When: Tuesday, 09.11, 8 p.m.
Where: Hi-Dive
Why: Acid King emerged from San Francisco in the early 90s when its amalgam of heavy metal and psychedelic rock wasn’t exactly in vogue. That just meant the band could develop its sound and aesthetic without that being co-opted by any mainstream movement or corporate record labels looking to cash in on a then potentially commercial trend. The group, still fronted by guitarist Lori S., took its moniker from the nickname of a serial killer and its songs are not short on themes of the occult, and evil after the manner of a horror writer, of course, resulting in a body of work that would be a great companion to the comic art of Richard Corben and Erol Otus or a movie based on the story by Laird Barron. Long before “stoner rock” became a thing, Acid King was in there doing their own pioneering work in that realm alongside the likes of Sleep, Kyuss and St. Vitus. Yeah, all the creative descendents of Black Sabbath but also some of the best.

Wednesday | September 12, 2018

Who: Mike Krol (Merge) w/Shiii Whaaa and Super Bummer
When: Wednesday, 09.12, 8 p.m.
Where: Hi-Dive
Why: Mike Krol’s new seven inch “An Ambulance” / “Never Know” out on Merge Records is an immediate no-brainer-love-it for fans of late 2000s lo-fi noise punk/pop stars like Times New Viking, The Reatards, No Age, Psychedelic Horseshit, Eat Skull and Pink Reason. The shitgazers, the bands that celebrated exuberance and coloring outside established lines even for punk and more consciously experimental rock with garbage distortion and pegging the needles on the recording console, the bands that found homes on forward thinking labels like, yes, Merge, and Siltbreeze. Mike Krol is from that lineage of sonics but charting his own flavor. More contemporaneously, if you’re a fan of Clarke & The Himselfs don’t sleep on Mike Krol.

Who: Warm Thoughts, Obtuse, Candy Apple, Old Haunts, Incontinuity
When: Wednesday, 09.12, 7 p.m.
Where: Seventh Circle Music Collective
Why: Warm Thoughts from Los Angeles used to be called Dad Punchers and who doesn’t love a name like that? But Warm Thoughts is probably a better long term name for a band you want to take places where “Dad Punchers” might not read too well. Or, you know, you find yourself being a dad and you’re in the band. At any rate, the emo-inflected pop punk band recently released its latest album I Went Swimming Alone and is making a stop in Denver playing with like-minded bands including Obtuse whose anthemic lo-fi pop punk might be described as defiantly self-loathing underlined with a spirit of accepting that for many of us life isn’t exactly overflowing with glamour and validation.

Best Shows in Denver 11/16/17 – 11/23/17

Dead Boys
Dead Boys perform at Streets of London on Saturday, 11/18/17, photo by Jeff Fasano

Thursday: November 16, 2017

L.A. Witch
L.A. Witch, photo by Marco Hernandez

Who: L.A. Witch w/Honduras and Palo Santo
When: Thursday, 11.16, 7 p.m.
Where: Lost Lake
Why: L.A. Witch’s 2017 self-titled album has a kind of post-Loaded-era Velvet Underground stark shimmery pop grit coupled with a languid psych spookiness. In the songs there is a strong, often urgent, rhythm giving the songs some oomph even when they’re introspective. Any roots the band may have in surf rock or psych garage or whatever trendy of the sounds of the past five to ten years, it has definitely moved on. “Drive Your Car” could be an updated Wipers song. Singer/guitarist Sade Sanchez has a smoky cool voice reminiscent of a world weary Hope Sandoval. Whatever comparisons seem valid, L.A. Witch has turned tired conventions on their head into an incredibly compelling sound. Denver’s Palo Santo is cut from a similar cloth in every way with haunting yet fiery guitar work and Mimi Nissan’s trance-state style vocals.

Who: Revolting Cocks (Big Sexy Land Tour) and Front Line Assembly w/CHANT, DJ Slave 1 and Ritual Aesthetic
When: Thursday, 11.16, 7 p.m.
Where: Summit Music Hall
Why: This show signals the end of the train of noteworthy industrial bands, newer and more established, that came through Denver in 2017. Revolting Cocks started with Front 242’s Richard 23 and Luc Van Acker writing music produced by Al Jourgensen, who was often a collaborator. While clearly irreverent at its heart given the band’s name and album titles like Beers, Steers, and Queers and Linger Ficken’ Good the former of which includes a cover of Olivia Newton John’s “(Let’s Get) Physical,” the latter a cover of “Do Ya Think I’m Sexy?” by Rod Stewart, Revolting Cocks have interesting and respectable and influential original music across its spate of albums. The current lineup includes Richard 23 and Van Acker, of course, but also former Ministry and Blackouts bassist Paul Barker and longtime Cocks partner in crime, Chris Connelly whose 2008 memoir Concrete, Bulletproof, Invisible, and Fried: My Life As A Revolting Cock was a candid, amusing and revelatory account of being in the industrial and alternative music world in general from the 80s forward.

Front Line Assembly’s vision of dystopian global civilization has unfortunately borne out since it sprang to life in 1986. Up to that time frontman Bill Leeb had been a member of Skinny Puppy and his subsequent music in FLA continued that quality that’s difficult to completely nail to a sub-genre of industrial music. The samples put into the music mirrored the influence of hip-hop production on Skinny Puppy, the extensive use of electronic instruments and synths right in line with that like the EBM bands of that day as well as FLA’s imaginative blending of it all to comment on the nature of technology and its impact on human civilization and our everyday lives. Turns out it has continued to be a fruitful subject for not only FLA but science fiction writers mining that rich dystopian nugget of inspiration.

Who: Cindy Wilson (of B-52s) w/Olivia Jean and Battle Pussy
When: Thursday, 11.16, 8 p.m.
Where: The Marquis Theater
Why: Cindy Wilson is a member of influential new wave band The B-52s and her unique vocal style alongside that of bandmates Kate Pierson and Fred Schneider made for some arresting melodies amid the incredibly dance-worthy pop songs that were so idiosyncratic in the specific subject matter, no one else could have made it. And yet there was a universal quality to that individual vision that resonated with the oddball and eccentric inside of most people. Currently, Wilson is touring her solo material. Earlier in 2017 Wilson released a fairly experimental, electronic pop EP called Supernatural and on December 1st she is putting out her debut solo album Change, some 41 years into her music career. If the song “Mystic” is any indication, Wilson still has plenty of relevant and inventive music left in her.

Who: Today’s Paramount, Samvega, Alex Culbreth, Buffalo Party, Mynewt 
When: Thursday, 11.16, 7 p.m.
Where: 7th Circle Music Collective
Why: Samvega from Napa Valley, California doesn’t fit in a simple box: Its music is heavy, it’s psychedelic, it’s avant-garde and bluesy. Melissa and Mercedes Baker are unconventionally charismatic singers who sound like and come off like they spent a couple of decades touring with Heart and went on to do something weirder. The band’s 2016 album The King is Asleep was one of that year’s most interesting rock albums for its diversity and obvious care for making it a unique from the songwriting to the painting for the cover art. Also on the bill is experimental rock band Today’s Paramount. They look like they might be in a ska band, and maybe on the side some of them are, but their weirdo take on prog, jazz and psych is not like much of anything going on in Denver.

 

Who: Melkbelly w/Super Bummer, Princess Dewclaw
When: Thursday, 11.16, 7 p.m.
Where: Larimer Lounge
Why: Initially, Melkbelly may sound like yet another modern rock band copping the vibe of 90s post-grunge underground music. But Melkbelly is way weirder than that and its jazz underpinnings and willingness to sculpt pure noise into something musical is what makes its 2017 album Nothing Valley so listenable to anyone looking for a band that isn’t trying to go full retro these days. One might liken Melkbelly’s sound to stuff like Magik Markers or Shearing Pinx but Melkbelly is often more melodic than that even if it sounds like it too took some cues from Unwound’s sonic fearlessness. Opening are excellent Denver bands Super Bummer with its melancholic, lo-fi, soaring songs of heartbreak and isolation and Princess Dewclaw, who seem to have found a new way to combine noise rock, punk, synthesizers and elemental vocals into something both confrontational and rivetingly fragile.

Who: Roska with Rabit, Trisicloplox, Ulmo, Rameau Contnrol, Laru and ilind
When: Thursday, 11.16, 9 p.m.
Where: The Black Box
Why: Rameau Control you can’t really fit into a narrow category of electronic music from melodic bass, dub techno, straight techno to whatever. Calling this bill merely “experimental electronic” does a disservice to the individual artists who all come at electronic music partly from a dance perspective but also as composers of music that absorb ideas and exchange methods and sounds with like-minded artists and co-influencing each other whether from Denver or otherwise. For example, ilind is Isaac Linder who often played Denver DIY venues as a noise and performance artist but one who was into house music.

Friday: November 17, 2017

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Who: Tommy Stimson’s Cowboys in the Campfire
When: Friday, 11.17, 7 p.m.
Where: Bruz Beers
Why: Cowboys in the Campfire is Tommy Stimson of The Replacements fame (he has also played in numerous other bands including Guns N’ Roses) and Chip Roberts of Uncle Sippy playing songs together as the name suggests but usually electric. Country punk? For fans of NRBQ? Whatever it is, it’s Stimson and Roberts playing lively, fun songs in a duo format in small venues, record stores, private homes and various other situations across the country this tour. Next time you see Stimson play it’ll probably be in a large theater or bigger so hey, make it to this and you might even get to interact with the musicians, something that would probably never happen at Red Rocks or The Fillmore without paying for some kind of wack VIP access ticket.

Who: Flobots w/Wesley Watkins & Grumpy Uncle (Wesley Watkins and Kalyn Heffernan)
When: Friday, 11.17, 8 p.m.
Where: Larimer Lounge
Why: Yes, the famous hip-hop band from Denver, Flobots, playing at Larimer Lounge. The opening act, though, is a collaboration between former Night Sweats trumpet player, and leader of The Other Black, Wesley Watkins and Kalyn Heffernan of Wheelchair Sports Camp. So expect something wonderfully weird but with solid songcraft and inspired lyrics.

Who: The Blasters night 1 w/Reno Divorce
When: Friday, 11.17, 9 p.m.
Where: Lion’s Lair
Why: The Blasters were and are a respected blues-roots band from Los Angeles where it rubbed shoulders with the punk world, paisley underground and early alt-country acts. The Blasters’ sheer skill and energy made a big impression on everyone that saw them even if the band never quite became a household name. Reno Divorce, a rootsy punk band from Denver, opens this night of a two night residency at Lion’s Lair.

Who: Lost Walks w/Midwife
When: Friday, 11.17, 9 p.m.
Where: Mercury Café
Why: Lost Walks is sort of a high concept Americana-esque band. High concept in that there is a prepared theatrical element to the live shows as the band collaborates with a visual arts group. Also, the lyrics, steeped in a pastoral and noir literature aesthetic, lend themselves to dramatic performance and grand, emotive gestures from the band’s various vocalists including former Bad Luck City frontman, Dameon Merkl. The band’s debut album, 2017’s Wolf, Woman, Man, is a fascinating contrast of bright, dark, moody, reflective and observational. Opening the show is avant-folk artist Midwife whose own 2017 debut, Like Author, Like Daughter, is one of the the best albums of the year for its delicate, fragile evocation of emotions so broad and deep that it always catches you by surprise with its subtle but irresistible power.

Who: Slow Magic w/Point Point and Qrion
When: Friday, 11.17, 8 p.m.
Where: Gothic Theatre
Why: Slow Magic exists outside of time. The interdimensional creature occasionally releases albums like 2017’s ultra-chillout pop extravaganza Float. You can witness the superstring hopper yourself tonight at The Gothic Theatre.

Who: Big Lo (Florida), RAREBYRD$, iiwii and Brett Gretsky
When: Friday, 11.17, 8 p.m.
Where: Tennyson’s Tap
Why: An experimental hip-hop show at Tennyson’s Tap isn’t unheard of and this time it’s Big Lo from Florida whose beats include a mix of samples and turntablism to create a sense of introspection in the face of impending danger. Before and since moving from Saint Louis to Denver, Rooster Jake has been involved in various hip-hop and experimental projects over the years, his latest being iiwii. Brett Gretzky recently migrated to Denver from Saint Louis as well bringing their mixture of hip-hop and soul. RAREBYRD$ will break your heart with sincerely, deeply felt yet gentle expressions of the lowest points a person can reach in the psyche and still come back with one’s soul intact. They use drum machines, synths and sequencers but it always sounds like it’s coming right out of their imagination and plugged into the P.A..

Who: Ice Troll, Never Kenezzard, Heathen Burial and White Dwarf
When: Friday, 11.17, 8 p.m.
Where: Pit Stop Tavern
Why: Doom shows don’t happen in far West Denver much but tonight doom orchestra Ice Troll will play Pit Stop Tavern along with sludge metal thrashers Never Kenezzard, noisy death metal trio Heathen Burial and stoner rock outfit White Dwarf.

Saturday: November 18, 2017

Warbly Jets
Warbly Jets perform at The Gothic Theatre on Saturday, November 18. Photo by Moni Haworth

Who: Dead Boys 40th Anniversary tour w/The Roxy Suicide
When: Saturday, 11.18, 8 p.m.
Where: Streets of London
Why: For four years Dead Boys were one of the most outrageous and influential of the early punk bands. With just two albums under its belt, 1977’s Young Loud and Snotty and 1978’s We Have Come for Your Children, Dead Boys set a high bar for inventive guitar work between Cheetah Chrome and Jimmy Zero, a primitivistic yet inspired rhythm section in Johnny Blitz and Jeff Magnum and literate yet gritty lyrics from charismatic frontman Stiv Bators. The original band split in 1979 but in its wake a lot of the more interesting and scary punk bands of the 80s emerged. In 2017 the band officially re-formed and issued a re-recording of Young Loud and Snotty called Still Snotty: Young, Loud and Snotty at 40 with its new lineup including Chrome and Blitz as well as new members Jason Kottwitz on guitar, Ricky Rat on bass and frontman Jake Hout. The original record was meant as a demo and the new record is of a much higher quality if missing the genius alchemy of the original band. But you’re not getting a second rate re-tread this time around. This version of the Dead Boys may be older but it still packs a punch.

Who: Galaxy Express 555 (MN), Hippies Wearing Muzzles, J. Hamilton Isaacs
When: Saturday, 11.18, 6:30 p.m.
Where: Historic Grant Avenue Church
Why: Galaxy Express 555 is Christopher Farstad’s project that incorporates elements of ambient music, experiential sound environment composition, sampling and loops to create music that has the effect of being a soundtrack to some non-dystopian future society of wide open spaces and minds. Hippies Wearing Muzzles is a modular synth project from Denver. J. Hamilton Isaacs is basically Dugout Canoe so you know the beats and analog synth combination will be beautifully transporting yet feel grounded at the same time. All of this is taking place in church where the natural acoustics will give otherwise electronic music a warmth it doesn’t often project.

Who: Glasss Presents: The Speakeasy Series featuring Equine w/Mondo Obscura
When: Saturday, 11.18, 7 p.m.
Where: Hooked on Colfax
Why: This is the latest in Glasss’s Speakeasy Series in the basement of Hooked on Colfax. This time with ambient duo Mondo Obscura and experimental guitar minimalist Equine. Kevin Richards of the latter played drone guitar for years as Temples after having spent several years in weirdo post-hardcore outfit Motheater where he made strange jazz chords fit into a punk context. This show will be a collaborative set between the two projects.

Who: King Eddie – Holographic Universe Album release w/Kyle Emerson, Panther Martin and déCollage DJ set, visuals by DenVR
When: Saturday, 11.18, 8:30 p.m.
Where: Hi-Dive
Why: King Eddie is releasing its debut album Holographic Universe and celebrating the occasion with friends Kyle Emerson (whose pastoral psych pop songs are graced with Emerson’s insightful, observational lyrics) and Panther Martin (if indie rock could have come out of late 1970s New York City, it might have sounded like Panther Martin). King Eddie’s songs sound like the band synthesized modern psychedelic rock with math rock rhythms as though assembling a beat over which the band created a colorful and transporting imagery. Reed Fuchs of déCollage will do one of his unique DJ sets and be prepared for some truly unusual and inspired images from DenVR.

Who: It’s Just Bugs, Nearby Liars, Mouthfeel, Falsetto Boy
When: Saturday, 11.18, 9 p.m.
Where: The Skylark Lounge
Why: This’ll be a weird one for some people because few of the bands are anything alike. It’s Just Bugs is an industrial hip-hop band. Nearby Liars are somewhere between slowcore and late 90s emo with all the glitter and drifty, sweeping, swelling, dramatic emotional experiences you’d want vicariously from that kind of music to purge the Fall blues. Mouthfeel includes members of Wrinkle, Altered State and Laurium. Falsetto Boy is some post-emo, lo-fi singer songwriter type of music.

Who: The Blasters w/O.G. Country
When: Saturday, 11.18, 9 p.m.
Where: Lion’s Lair
Why:The Blasters were and are a respected blues-roots band from Los Angeles where it rubbed shoulders with the punk world, paisley underground and early alt-country acts. The Blasters’ sheer skill and energy made a big impression on everyone that saw them even if the band never quite became a household name. Its 1980 debut album American Music really was a demonstration of how much American music the Alvin brothers, Bill Bateman and John Bazz had absorbed, learned, reinterpreted, amalgamated and reinvented. O.G. Country from Denver, opens this second night of a two night residency at Lion’s Lair.

Who: Liam Gallagher w/Warbly Jets
When: Saturday, 11.18, 8 p.m.
Where: Gothic Theatre
Why: Oasis’ 1995 hit “Wonderwall” made way too many people think maybe they too can sing in a pop band. Part of it was Liam Gallagher’s borderline tone deaf vocal delivery. But Gallagher is a gifted, powerful singer with some charming rough edges to his voice. And to his personality, for that matter. His conflict with brother Noel was the stuff of tabloid news. But one thing we can thank Oasis for was in finishing off some real dreck in popular music by offering something better and more genuine because you knew the Gallagher brothers weren’t faking it. Endless naff covers of “Wonderwall” plaguing karaoke nights and dire YouTube videos aside, Liam Gallagher’s real legacy was not just his music but some truly amazing moments of comedy and inspiredly uncharitable bits of rhetoric over the years as well as tender and earnest expressions of appreciation for other artists even when, such as the case with The Verve in recent years, those expressions come off as a bit of a headscratcher. He probably had a good laugh about that. Gallagher’s debut solo album, As You Were, came out in October 2017. It’s a bit reminiscent of 60s blue eyed soul and David Bowie’s more R&B moments but the songwriting is solid.

Opening the show is Warbly Jets from Los Angeles. It’s self-titled debut album is a bit slick and polished for a bunch of young musicians who clearly have it in them to go full on into the kind of gritty yet tuneful rock and roll that inspired them. But that’s what happens in the music industry often enough and you just have to check out the band in their, one would presume, element, on stage. With any luck you’ll see a band that has shed the self-conscious quality of the record and even where it might be derivative, play like the band believes in itself.

Sunday: November 19, 2017

Chad VanGaalen
Chad VanGaalen, photo by Marc Rimmer

Who: Chad VanGaalen w/NE-HI
When: Sunday, 11.19, 8 p.m.
Where: Hi-Dive
Why: Chad VanGaalen may not necessarily be known for this now but at some point in the future he may be more widely acknowledged as one of the most influential guitarists and producers of his generation. His bedroom recordings for Infiniheart was picked up by SubPop in 2005. His gift for articulating the anxiety and alienation of the modern era clearly struck a chord and his subsequent music has explored some dark and some merely troubling corners of the human psyche with an ear for the perfect harmonic atmospherics and texture. In 2008, Van Gaalen began his relationship with the math rock/post-punk band Women, a band now oft-cited by younger guitar bands as an influence for its creative use of tone, angular rhythms and dynamics. Members of Women are now in Preoccupations. VanGaalen’s 2017 album Light Information sounds like he’s been listening to a lot of Mission of Burma, Helium, 80s minimal synth music and various Jay Reatard projects but the alchemy of that and his own well-developed aesthetic has rendered the songs into something that sounds like something from a long time ago in a place some of us wish existed. It has the kind of vintage sheen like a Ti West film.

Chicago’s NE-HI put out one of the years most repeatedly listenable albums of the year with OFFERS. It’s labyrinthine melodies and straightforward rhythms are a winning combination because it transforms lo-fi garage rock into something extraordinary. Comparisons could be made to Palm, Pavement and Parquet Courts. But its urgent jangle is coming from a different place and that’s what sets the band apart.

Who: Tori Amos w/Scars on 45
When: Sunday, 11.19, 6:30 p.m.
Where: Paramount Theatre
Why: Tori Amos was one of the earliest artists to attain mainstream commercial success to sing about sexual abuse, her struggle to attain her own creative liberation in a sexist music industry that often could (and often can, truth be told) value women as objectified entities that must fit a fairly narrow mold to present to potential audiences. And otherwise just refreshingly vulnerable and honest depictions of life. Though Amos spent much of the rest of her career exploring and writing thoughtfully on these subjects, in the 2000s, Amos put more focus on more mythical expressions, giving her work new dimensions only hinted at in her earlier work. 2017’s Native Invader is about how we can heal ourselves and the world through facing our challenges and conflicts honestly—which has more or less been Amos’ core message as a songwriter since her solo debut album, 1992’s Little Earthquakes.

Tuesday: November 21, 2017

In The Company Of Serpents
In The Company Of Serpents, photo by Travis Heacock

Who: In the Company of Serpents, Goya, Matriarch and Palehorse/Palerider
When: Tuesday, 11.21, 7 p.m.
Where: Hi-Dive
Why: A handful of Denver’s best heavy bands are on this bill. Matriarch is a doom/drone band whose 2015 album Magnumus: The 44th Scribe and Lorde of the Hallucinauts has two tracks. And it’s not an EP. It’s also just two lengthy songs that take you on a journey of crushing epics like the soundtrack to Vikings exploring the lands of Irish legend set in South America. Blend all that imagery together and that’s the Matriarch sound. In the Company of Serpents has cracked the monolith of its own sound this past year and the result is 2017’s Ain-Soph Aur, where the band’s songwriting beyond devastating riffs emerges for some of ITCOS’ best songs to date. Palehorse/Palerider is the kind of band where people who have generally played more punk-oriented music got into the soundcaping possibilities of heavy music whether metal or the deep atmospherics of the best shoegaze and post-rock music. Its own 2017 epic masterpiece is Burial Songs.

Who: Mom Jeans. (Side One Dummy), Prince Daddy & The Hyena (NY), Kississippi (PA), Old Sport and Blue Lane Frontier
When: Tuesday, 11.21, 7 p.m.
Where: 7th Circle Music Collective
Why: The lazy thing to do would be to say this is an emo show. Mom Jeans from Berkeley, California is unabashedly so and thus part of that band’s appeal. And more like the late 90s, borderline indie rock variety with the spidery, jangly guitar work. Old Sport from Denver is on the more math-y end of emo with intricate guitar work and song dynamics that sound like someone is thinking in terms of film editing with dramatic drop-outs and sparkling guitar melodies, emotionally charged vocals and a variety of rhythm and texture not common enough in punk generally. Kississippi from Philadelphia is fronted by singer and primary songwriter Zoe Reynolds whose lyrics possess an impressive insight into her own emotional landscape and the ability to translate that into instantly relatable songs.

Wednesday: November 22, 2017

The Zebroids
The Zebroids in 2011, photo by Tom Murphy

Who: Git Some, Zebroids, Fast Eddie, Jane Doe
When: Wednesday, 11.22, 9 p.m.
Where: The Oriental Theater
Why: Post-hardcore band Git Some has been around for well over a decade when it started in Chicago in the early 2000s. Through various line-up changes members of the band (Charles French and Neil Keener) have also become members of Wovenhand, bringing another level of grit and intensity to a project not short on that already. It’s essentially noise rock with a sense of humor. Speaking of humor, punk band Zebroids is essentially a ridiculous joke of a punk rock band with absurd lyrics and an equally absurd stage presence. Nevertheless, the band is a lot of fun. Jane Doe is a combination of dark, starkly intense poetry, jagged noise rock and free jazz sensibilities. Fronted by the charismatic Becca Mhalek, Jane Doe is one of Denver’s best kept secrets. For now. Fast Eddie is a hard rock band from Denver which includes Micah Morris who some may know as one of the main people behind Barf magazine. Silly name, perhaps, with some fairly absurdist content, but the magazine has provided some of the better content about Denver music and beyond of recent years

Who: Cannibal Corpse w/Power Trip, Gatecreeper and Of Feather and Bone
When: Wednesday, 11.22, 7 p.m.
Where: Summit Music Hall
Why: Cannibal Corpse has been getting under the skin of cultural conservatives and squeamish faux-do-gooders for years with music that itself isn’t something we’re going to hear much of any time soon on commercial radio. But the lyrics, quotable by gore horror fans and metalheads for years, almost gleefully crafted to outrage with being so cartoonishly over the top, is what has landed Cannibal Corpse in some hot water with would-be censors. But the live show isn’t littered with corpses and zombies or anything like that so just go expecting one of death metal’s greatest bands. Opening the show are Dallas-based thrash band Power Trip, Arizonan death metallers Gatecreeper (whose music video for “Desperation” from 2016’s Sonoran Depravation is a harrowing depiction of violence and a bit of a commentary on what leads to that sort of thing), and Denver’s deathgrind powerhouse, Of Feather and Bone.