What:Muscle Beach, Church Fire, Vexing and Grief Ritual When: Thursday, 1.16, 8 p.m. Where: Hi-Dive Why: With the exception of Church Fire whose own politically-charged, emotionally cathartic, noisy synth pop, this is basically a showcase for some of the best Denver bands who bridge the gap between experimental metal, hardcore and noise punk. Muscle Beach released its riveting new album Charms in 2019 and Vexing just let loose with its album Cradle.
What:Heilung When: Friday, 1.17, 7 p.m. Where: Ogden Theatre Why: Many bands in the past two or three decades claim to hearken back in their music to early northern European culture. Heilung took the concept a step or two further by basing their music on texts and runes from the Germanic people of the Viking era and longer ago infused with pan-ancient world cultures. The band members look like members of a Scandinavian mystery cult with elaborate outfits, some wearing horned head gear, performing with recreations of traditional instruments from various ancient cultures, guttural vocals reminiscent of Tuvan throat singing. It is a spectacle that is a ritualistic performance of music and poetry designed to transport you to the mindset of earlier humanity getting in touch with its subconscious mind communally.
What:The Still Tide Between Skies album release, Down Time and Heavy Diamond Ring When: Friday, 1.17, 7 p.m. Where: Hi-Dive Why: The Still Tide has been making waves in Denver and beyond for several years at this point with its poignantly expressive dream pop soundscapes. Its sounds are expansive yet are imbued with an intimate sensibility as though Anna Morsett is singing from the past toward the future. It takes you out of a mundane mindset and transports you to a realm where you can feel all the pressures, angst and demands of everyday life but it seems in context of a bigger picture hidden from your thinking most of the time. At least that’s the vibe of the band’s new record Between Skies. The lush and well-balanced soundscapes crafted by Morsett, Jake Miller, Joe Richmond and Nate Meese render incredibly accessible an album of meaningful songs about personal struggle and striving to make sense of the seemingly endless run of reverses and confusing experiences with your heart intact.
What:Caustic Soda EP release w/Sinister Pig and Princess Dewclaw When: Friday, 1.17, 7 p.m. Where: Seventh Circle Music Collective Why: Caustic Soda is a noise punk band from Boulder whose new EP Stud Count will be available at this show. As the title suggests it’s a pointed critique of the all the destructive and regressive ideas that have seemed to issue forth prominently in the wake of Donald Trump announcing his candidacy for president: the misogyny, the bizarre anti-science right, open racism—all the stuff nascent fascism spews into the world.
What:Lazarus Horse Oh, The Guilt album release w/Disinherited and Dead Characters When: Saturday, 1.18, 8 p.m. Where: Mutiny Information Café Why: Eddie Durkin was once a member of the promising and powerful experimental guitar pop band Sparkler Bombs but for various reasons had to take a break from playing in bands and playing shows. But his time away allowed him to incubate and hone his talent further and his latest project Lazarus Horse has been performing now and then with a set of songs that are rough enough around the edges to be fresh and interesting but refined in the execution of dynamics to not be confused for an off-the-cuff band still not in possession of a sense of intentionality. The group’s new album Oh, The Guilt will be an earworm for fans of Codeine, Red House Painters, Versus and Slint. The songs have a simple construction but because of that they are capable of a great emotional range as the layers of sound interact with a fluidity that the sometimes splintery tones might suggest otherwise. The vulnerability on display is disarming, honest and inviting. Given the arc of the songs it’s part eulogy for a time in Denver Durkin experienced while playing DIY spaces in the late 2000s and early 2010s and a map for navigating the new reality in the Mile High City and America in general, one that seems to have put so much up in the air with no sense of confidence in social stability. It’s a record showing bravery and self-awareness in the face of massive uncertainty and possible civilizational collapse.
What:Punk Against Trump: Cheap Perfume, Allout Helter, Over Time, Filthy Hearts, Altar Girls (debut) When: Saturday, 1.18, 7 p.m. Where: Marquis Theater Why: Maybe in the years ahead Trump and everything he willfully and unintentionally encouraged among the forces of cultural and political reaction will be in the rearview and great punk bands won’t have to have fundraiser for groups that are keeping essential services and a compassionate mission alive but for now Punk Against Trump remains a proud tradition in Denver.
What: Ladies Night (band) and Lifers When: Saturday, 1.18, 9 p.m. Where: The Squire Lounge
Sunday | January 19
What:Drune (album release), New Standards Men and Simulators When: Sunday, 1.19, 7 p.m. Where: Larimer Lounge Why: Drune’s debut album SEER is three extended tracks with Roman numerals as the title. Doing so almost invites you to have no preconceptions about what you might be in for with the listening even if you’ve heard the band is a doom band or “heavy.” And it is but there is an elegance to Drune’s composition that has as much in common with bands like Black Mountain who push the aesthetic into unconventional sonic territory as it does with any doom band. James Cook’s soaring vocals and the modulated rhythms syncing with guitar riffs that are as textural and moody as brutal. It’s a sonically expansive record that rewards your attention. Drune doesn’t drone on the same idea ad infinitum, its evolution through a song suggests a narrative structure that pulls you in for the long haul.
Tuesday | January 21
What:GZA 25th Anniversary of Liquid Swords w/Righteous Revolution (feat. 1-natVson-1), D-Stylz & High Key (Affliction Music), DJ Notch, Killah Priest When: Tuesday, 1.21, 7:30 p.m. Where: Summit Music Hall Why: GZA’s 1995 album Liquid Swords is of course a classic of 90s hip-hop fusing a more traditional genre aesthetic with genre-bending innovations in the use of atmospheric elements in the production to give the whole record an otherworldly quality worthy of its transcendental lyrics. While it might be difficult to prove this record sounds like one of the primary influences on late-90s alternative hip-hop like artists on the Anticon, Mush and Rhymesayers imprints and on experimental electronic music and bands as unusual and adventurous as Black Moth Super Rainbow and CocoRosie. Whatever its exact impact and legacy, Liquid Swords gets into your head and still manages to surprise with the sheer creativity in its use of sound and GZA’s masterful wordplay like a thinking person’s futuristic crime drama manga.
What:Zeta (Venezuela), Clarion Void, Disposal Notice, Its Just Bugs When: Thursday, 11.21, 9 p.m. Where: Rhinoceropolis Why: Venezuelan band Zeta has been developing its experimental hardcore sound since 2003. It’s sound is a parts progressive rock and punk but in a way that’s expressive and moody while not sacrificing the intensity. Currently touring in support of its 2019 album Mochima.
What:Mt. Joy w/Wilderado and Adam Melchor When: Thursday, 11.21, 7 p.m. Where: Ogden Theatre Why: Wilderado’s new single “Surefire” sounds wistful and nostalgic in a way that allows for words to develop into an introspective narrative that blooms into an expansive melody alongside the story. Reminiscent of the way The War On Drugs echoes some of the vibe of Bruce Springsteen’s reflective, diary-like lyrics, this offering from the band builds on the atmospheric experiments of its 2018 EP Favors with more electric instrumentation and a more immersive sound without compromising the group’s use of space as a canvass for its emotional colorings.
Friday | November 22
What:Married a Dead Man w/False Report, Dead Characters When: Friday, 11.22, 8 p.m. Where: Goosetown Tavern Why: Denver’s Married a Dead Man is releasing its second album Awakening this night. The group’s sound might be described as somewhere between Xmal Deutschland’s wiry, urgent, dark atmospherics and modern pop melodies. The new set of songs, no doubt honed from live performances, are not just bandwagon new post-punk revival and darkwave. At times Megan Kelley’s performance and songwriting chops from her time as a solo artist infuse the songs with a warmth and coherence that gives the music a broader range than the genre of late can sometimes have with songs like “Burn” having a massive, expansive, dramatic dynamic that stretches the boundaries of what one might this band is capable of at first blush. Worth delving into beyond a casual listen.
What:Wildermiss w/Slow Caves When: Friday, 11.22, 8 p.m. Where: Bluebird Theater Why: Wildermiss is a Denver-based indie rock band that is probably on the verge of much wider circles than simply relatively successful local band status. Its new EP In My Mind captures the spirit of our time now of great contrasts of emotional states and expectations, a mixture of fear and hopefulness that most people are experiencing due to the state of the planet, politics, culture and economics. We stand on the precipice of disaster and promise of a better future if we do not lack the will to make it happen. In My Mind expresses that tension well across its length.
What:Briffaut, Down Time and Inaiah Lujan When: Friday, 11.22, 8 p.m. Where: Hi-Dive Why: Briffaut’s new album A Maritime Odyssey: Heaven is Only a Boat Race Away is a nice capsule of this band’s idiosyncratic songwriting. Fans of both King Krule and Deerhunter will find something to love about the band’s lush and unpredictable song structures and raw, emotional swells of tone and a disregard for whether a song or style or performance fits in with some established aesthetic outside its own. Too much music in the indie world is boringly predictable. Not just the indie world. Imitators of milquetoast artists and already successful formulas are rife in music now as at all times since popular music has been a thing. Thankfully Briffaut and its willingness to embrace its own weirdness has been intact since the beginning and gloriously so on the new album of imaginative soundscapes, completely unconventional songwriting and the ability to utterly transport us outside our usual frames of musical reference.
What:Blood Incantation w/Vermin Womb, Dreadnought and Superstition When: Saturday, 11.23, 8 p.m. Where: Gothic Theatre Why: Blood Incantation recently released its new album Hidden History of the Human Race. The Denver-based death metal band is a big of an enigma in that it has been slowly building a cult following for years and playing few local shows. But its songs, especially live, come across as larger than life, psychedelic although imbued with the technical precision of the best death metal, and as oddly accessible as the genre has ever been. The record is a science fiction concept album but one that has a cover designed by Bruce Pennington who did cover art for A Canticle For Leibowitz and the Dune books after the initial novel. Plus the guy did the iconic cover for Gene Wolfe’s landmark science fiction fantasy book The Shadow of the Torturer. Fine stuff for an album that is a thrilling reminder that death metal can still be fun and not a forbidding drag.
What:Black Star Gang ft. Yasiin Bey, Talib Kweli, DJ Premier w/Brother Ali, Evidence and The ReMINDers When: Saturday, 11.23, 7:30 p.m. Where: Mission Ballroom Why: Black Star is a hip hop duo comprised of Talib Kweli and Yasiin Bey (Mos Def), two of the sharpest critics of American culture and innovators in the genre themselves. The project only has one album up to now, 1998’s Mos Def & Talib Kweli Are Black Star, but rumor has it they have another in the works produced by Madlib. So if you’ve caught the recent live performances maybe you’ve heard some of the new material and it seems likely it’ll be on display for this show.
What:Lisa Prank w/The Tangles (fka The Tickles) and Horse Girl When: Sunday, 11.24, 7 p.m. Where: Hi-Dive Why: Lisa Prank has established refined and thoughtful emo pop songs as a national artist since starting the project in Denver several years back. Her new record Perfect Love Song is a a little fuzzier, more confident but just as wise and as insightful.
What:Shibui Denver #8: Dead Orchids and The Shift When: Sunday, 11.24, 6:30 p.m. Where: Hi-Dive Why: For this edition of Shibui Denver we will have two bands that don’t get nearly the attention they deserve. The Shift is an improvisational, experimental progressive rock band and includes Esmé Patterson and former Bad Weather California bassist Jeremy Averitt. Dead Orchids’ dark, brooding songs are a vital mix of post-punk and Americana but without the trendy habits that often mar bands trying their hand at either.
What:Midwife w/Hogwaller When: Monday, 11.25, 7 p.m. Where: Forest Room 5 Why: Midwife is an ambient folk artist of the highest order who was recently tapped to perform at The Flenser showcase at the Roadburn Festival in 2020 with her debut album on that record label later in the year. See her at these small rooms while you still can.
Tuesday | November 26
What:HIDE w/Echo Beds, Church Fire and Cau5er When: Tuesday, 11.26, 8 p.m. Where: Hi-Dive Why: Confrontational, performance art-oriented industrial band HIDE is the urban dystopian futurist ritual catharsis we need now to burn off the darkness of the modern world. Its new album Hell is Here is a searing, discordant exorcism of the demons that plague the body politic.
What:Pigface w/eHpH, DJ N810, DJ Mudwulf When: Wednesday, 11.27, 7 p.m. Where: Summit Music Hall Why: Pigface is the long-standing industrial supergroup with roots going back to the 80s with members of Ministry, KMFDM and other industrial luminaries. EhpH is a Denver-based duo whose mix of EBM and industrial rock is actually compelling and cathartic and doesn’t come off like its members’ musical imagination got stuck in the early 2000s.
What:Shark Dreams w/Nuancer, The Milk Blossoms and GhostPulse When: Wednesday, 11.27, 7 p.m. Where: Larimer Lounge Why: Best local dream pop line-up in more than a minute with some of Denver’s best. Shark Dreams is more the kind of drifty indie pop with a leg in glittery, slowcore dynamic. Nuancer is as informed by experimental electronic music as pop. The Milk Blossoms are a hip-hop trio disguised as a heartfelt, hyper sincere, experimental indie pop group with a sense of humor and humanity. GhostPulse weaves together downtempo beats, unconventional instrumentation and luminously cloudy atmospherics.
What:The Hu w/Crown Land When: Wednesday, 11.27, 6 p.m. Where: The Black Sheep Why: The Hu is a rock band from Mongolia that performs with traditional instruments, uses throat singing and yet its songs are an exquisite hybrid of Mongolian folk music and heavy metal. Could be corny but it is not, it is powerful, stirring stuff. Fans of Laibach will enjoy the sound of this band even though the styles are so different. Around since 2016 The Hu recently released its debut album The Gereg on Eleven Seven Records.
What:The Comet is Coming w/Joshua Trinidad When: Thursday, 10.10, 7 p.m. Where: Globe Hall Why: The Comet is Coming is a London-based trio whose synthesis of jazz, Afrobeat and electronic music is true improvisational kosmische for the modern era. Its two 2019 albums Trust In the Lifeforce of the Deep Mystery and The Afterlife take you on a journey to the outer edges of inner space with soundscapes that wouldn’t be out of place on the long running NPR ambient program Hearts of Space or in a musical realm of the 1970s where Tangerine Dream, Fela Kuti and Gong played the same circuit and mutually influenced each other. So who from Denver could open for this outfit? Only one name really comes to mind and that’s jazz scientist improviser supreme, Joshua Trinidad and his own daring displays of mind-altering sonic experimentalism within an expanded realm of jazz.
What:Cécile McLorin Savant When: Thursday, 10.10, 6:30-10 p.m. Where: Dazzle Why: Cécile McLorin Savant brings major late night vibes to this other great jazz show in Denver tonight. She takes feelings and stretches them out into a form more easily comprehended than the sometimes gnarled shapes they can take in our hearts. She gives them an air of elegance and soulful comprehension they deserve and interprets them back in her soaring, sonorous voice.
What:Tank & The Bangas w/Adia Victoria When: Friday, 10.11, 7 p.m. Where: Gothic Theatre Why: Adia Victoria’s 2016 album Beyond the Bloodhounds introduced the world to the songwriter’s brooding, expressive, bluesy songwriting. Her 2019 album Silences finds Victoria expanding her sound, now operating in a realm somewhere between Rubblebucket’s soulful pop and Nick Cave’s smoldering intensity. Tank and The Bangas’ hybrid of hip-hop, jazz and R&B is deeply eclectic, lively, layered and uplifting in a way that feels sincere and wholesome without being hokey or self-righteous.
What:Muscle Beach w/Palehorse/Palerider, Church Fire and Simulators When: Saturday, 10.12, 8 p.m. Where: Hi-Dive Why: It’s been a few years since the release of Muscle Beach’s self-titled album. But that time has seemingly been spent honing its sharp edges and wiry and explosive dynamics. Now we have Charms, the new full-length being released at this show. Each track has the irreverently humorous and surreal titles you’d hope a band that sounds like a barely controlled psychotic break with every track would have to let you know that this music is an outlet for the kind of frustration and outrage that is part of everyday life these days. “Ballistic Medicine,” “Rage Charles,” “Swim Team Six,” “When Horns Grow Teeth”? Crazy stuff and the sort of precise yet unhinged post-hardcore that is easy to get wrong. The band’s shows are supercharged and dynamic minus any of the machismo the genre can indulge in too often. But Muscle Beach has never fit neatly into a genre and in its clashing crashing sound there is mood and moments of introspection spliced together with angst blown out into shards of pure catharsis. And the bill is fortunately not a lot of music like that. Palehorse/Palerider is like a doom band gone into some pagan tribal version of industrial space rock. Church Fire is purging ritual, politically incendiary, darkwave dance pop. Simulators is thorny, angular, ebullient post-punk. Easily the local line-up of the week to catch a nice representative slice of Denver underground.
What:Cherubs w/Moon Pussy and Quits When: Saturday, 10.12, 8 p.m. Where: Moe’s Original BBQ Why: Cherubs formed in 1991 in Austin, Texas and were plugged into the milieu of noisy, weirdo post-punk that one might have associated with the Amphetamine Reptile record label. Except that Cherubs were signed to Trance Syndicate, the label owned by Butthole Surfers’ drummer King Coffey. Think something like Jesus Lizard, Unsane and a doomier Failure. The band broke up in 1994 but came back together twenty years later and have been back to making heavy psychedelic music not much like anything else that overtly claims to mix either. Its new record, 2019’s Immaculada High, is a colossal slab of disorienting riffs and surreal imagery. Opening are two of Denver’s own finest noise rock outfits. Moon Pussy is a trio who improbably combine fluid dynamics with sharp edged soundscaping and emotionally exorcistic vocals. Quits includes current and former members of Denver noise rock legends Git Some, Hot White and Sparkles.
What:Stiff Little Fingers w/The Avengers When: Saturday, 10.12, 7 p.m. Where: Gothic Theatre
Why: Stiff Little Fingers from Belfast, Ireland and The Avengers from San Francisco, USA formed the same year, 1977. The Avengers even opened for the Sex Pistols at their final show at Winterland in 1978. Both bands had significant releases in 1979 and Stiff Little Fingers’ Inflammable Material took the subject of the “Troubles” in Northern Ireland at the time as a through line for the songs and their stark depiction of life in their hometown and the violence and political oppression then hitting hard. The Avengers’ self-titled EP minced no words on critiquing American culture and racism. Seems the subject matter of their songs are all too relevant again so this tour together is timely.
What:Zizia, Ryan Mcryhew and Ryan Seward When: Saturday, 10.12, 7:30-10 p.m. Where: Glitter City Nights Why: Zizia is Amber Wolfe and Jarrod Fowler who perform a kind of environmental audio experience. Like ambient but it brings in field recordings that bring a sense of place with more traditional instruments and sound-making objects for a unique listening experience. Ryan Mcryhew has performed as Entrancer making forward thinking electronic dance music with modular synths and he is currently expanding his methods to explore the possibilities of those methods in expressing ideas and concepts beyond the purely artistic. Ryan Seward is an avant-garde, improvisational percussionist who for this show will perform Michael Pisaro’s 2011 composition, “A drum acted upon by friction, gravity and electricity.”
What:Starcrawler w/Poppy Jean Crawford and Pink Fuzz When: Saturday, 10.12, 8 p.m. Where: Lost Lake Why: On the Starcrawler’s latest album Devour You, the band’s fetchingly fuzzy punk reaches new heights as the group expands its song dynamics and refining its fiery delivery and mixture of distorted and clean sounds across the board. The crashing atonality the group is willing to entertain in the new batch of songs delivers on the promise of its earlier efforts as it moves beyond the sort of sludgy post-grunge doom pop that rightfully garnered it attention as a band to watch with a charismatic frontwoman in Arrow de Wilde.
What:Sleater-Kinney w/Joseph Keckler When: Sunday, 10.13, 7 p.m. Where: Lost Lake Why: In the mid-90s Sleater-Kinney brought some raw emotional power and intellect to its wiry post-punk and spent the next twenty plus years or so refining that vision and making poignant and inspiring social commentary about what you can aspire to and achieve as a woman in a culture hostile to your dreams. The trio touring for the first time without long time drummer Janet Weiss, and with new drummer Angie Boylan, is taking the music of it’s latest album, the St. Vincent produced The Center Won’t Hold.
What:Ron Pope When: Sunday, 10.13, 6 p.m. Where: eTown Hall Why: Ron Pope is a prolific songwriter from Marietta, Georgia who now calls Nashville home. In a city with numerous singer-songwriters, Pope has stood out with his keen ear for hearing and articulating the thoughts and feelings of the most lonesome times in your life when you’re in your own head sorting through and processing the feelings you don’t often get to when you’re meeting the demand on your psyche of everyday life. His introspective lens and ability to communicate that interiority in a relatable way can be heard across his catalog of spare yet evocative songwriting.
What:Chameleons Vox and Theatre of Hate and Jay Aston When: Tuesday, 10.15, 7 p.m. Where: Herman’s Hideaway Why: Chameleons Vox is Mark Burgess, iconic vocalist of Manchester-based post-punk band The Chameleons (in the USA often as The Chameleons UK) who started up in 1981 and whose deeply atmospheric and emotionally raw songs were a major influence on most of the shoegaze bands of the late 80s and beyond with echoes of influence reverberating throughout the post-punk revival of the 1990s and early 2000s to the darkwave of the past decade. Socially critical and thought-provoking, The Chameleons’ body of work had plenty of style but as a kind of compelling delivery system for psychically nourishing content.
What:Psychedelic Porn Crumpets w/Meatbodies and Serpentfoot When: Thursday, 09.19, 7 p.m. Where: Larimer Lounge Why: The unlikely named Psychedelic Porn Crumpets from Perth, Australia at least picked an apt moniker because it captures what you’re in for. Oh, sure, stoner rocked psychedelia thrown together with prog and fuzzy melodies and tripped out choruses. Its new album And Now For the Whatchamacallit has surreal song titles like “My Friend’s a Liquid,” “Digital Hunger,” “Hymn For A Droid” and “Keen For Kick Ons.” If Lewis Carroll had been born in the 90s and grew up at a time when the older kids in Tame Impala and Pond were kicking around in the local scene he might have ended up in a band like this.
What:Cuco w/Ambar Lucid and KAINA When: Thursday, 09.19, 7 p.m. Where: Mission Ballroom Why: At twenty-one Omar Banos aka Cuco is a bonafide pop star who came up on Chicano rap stars like Baby Bash and MC Magic. Like the latter he also sings and raps in English and Spanish. Banos has also folded into his soundscapes a laid back kind of psychedelic pop sound. While his songwriting and the production thereon is strong and evocative, his music videos and storytelling shows a side of life that is honest, surprisingly candid and often uncomfortable but real and therein lies the power of the presentation of his music. “Bossa No Sé” from his debut album Para Mi (2019) navigates the troubled waters of a breakup with sensitivity, complexity and comfort with uncertainty and confusion. Cuco’s balance of the romantic and the realistic has been fascinating so far.
What:The Melvins w/Redd Kross and Toshi Kasai When: Friday, 09.20, 8 p.m. Where: Gothic Theatre Why: Melvins have done pretty much whatever they’ve wanted to that was fun for them music-wise since beginning in 1983. Before grunge was a thing, Melvins had already perfected that sound and aesthetic as well as a certain strain of doom. Most left field heavy music today can probably trace a bit of influence to the band originally from Montesano, Washington. The group’s prolific catalog covers a good deal of sonic territory and the band has collaborated with the likes of industrial music pioneer Lustmord, Jello Biafra and, recently, with Swedish noise-punk stars Shitkid (who are performing select dates on the current tour) on the Bangers EP. The group has experimented with the format of its lineup such as when the members of Big Business joined for two drummers and a bassist. And now with two bassists and a single drummer. Or as Melvins Lite with Mr. Bungle (among other projects) member Trevor Dunn on bass. Melvins might also be the only American band to have played all fifty states in fifty days. You never quite know what you’re in store for with a Melvins show except that it’ll be worth your time unless heavy, imaginative music and powerful performances thereof aren’t your thing. Melvins bassist Steven McDonald is doing double duty this tour with his original band, the influential punk/power pop group Redd Kross.
What:Boris w/Uniform When: Friday, 09.20, 8 p.m. Where: Marquis Theater Why: Japanese heavy, experimental psych and drone extravaganza, Boris, is currently touring in support of its 2019 album LφVE & EvφL due out October 4. If you’re going expecting their mind-altering psychedelic freakouts, rumor has it you may be let down. But if you are into the slow roiling drone the band has engaged in in the past but updated and more like a psych SunnO))) this would be the tour to catch. Opening the show is industrial noise band Uniform which is comprised of former members of The Men and Drunkdriver.
What:30 Years of Work: VAHCO 1989-2019 Physical release w/Dead Characters, Chromadrift, nIGHTtIMEsCHOOLbUS, Bowshock and Demoncassettecult When: Friday, 09.20, 7 p.m. Where: Mutiny Information Café Why: Vahco Before Horses aka Vahco Strickland has spent the last thirty years involved in producing, promoting and writing music in various formats and styles. This show celebrates his career retrospective and the release of the flash drive containing one hundred of his songs. The performances will include collaborations with various members of bands affiliated with his Glasss Records imprint as well as a showcase for his more electronic pop songs and his industrial ambient collage songwriting as Demoncassettecult.
Saturday | September 21
What:Zealot album release w/Simulators and The Vanilla Milkshakes When: Saturday, 09.21, 8 p.m. Where: Hi-Dive Why: Zealot is releasing its debut album The Book of Ramifications. But what this debut album doesn’t make obvious are the musical roots of the group in Denver underground rock. Does that matter? It does if you know who The Don’ts and Be Carefuls, Supply Boy, Façade and Ideal Fathers were. Or The Outfit, The Pseudo Dates, Violent Summer or Fingers of the Sun were. Much less Catatonic Lydia or Le Divorce. All of that goes into informing the upbeat, well-crafted pop songs that comprise the band’s new album and the sizzling, wiry energy of its performances. There is a tick toward the positive running through the record. Rather than a “city of the dead” there’s “City of the Living.” Instead of irrevocable mistakes there’s “Fix it in Post.” Rather than a dark horse there’s a “Show Pony.” Instead of a broken heart there’s “Overloud Heart.” You get “Somnambulist” instead of insomnia. “Black Paint” rather than institutional yellow. A “Snake Goddess” rather than the insecure dictator Yaweh. “Casio Argento” in place of Dario or Asia. And more. It’s an upbeat record with some tight melodies and a charming economy of songwriting. The Simulators will bring the angular menace of its music and Vanilla Milkshakes will deliver earnest, blustery pop punk as companion to Zealot’s fastidious songcraft. Oh yes, there’s also a companion covers album called Revised Edition featuring renditions of all the songs on the new record as done by the band’s local scene peers as well as a solo cover done by the band’s bassist Suzi Allegra. All of which is a gesture not many bands would bother to attempt to release concurrent with a new album.
What:Charlie Cunningham w/The Still Tide When: Saturday, 09.21, 8 p.m. Where: Globe Hall Why: The Still Tide’s Anna Morsett has played in Colorado musical projects as varied as Ark Life, Porlolo and These United States as well as with Natalie Tate and Brent Cowles. But perhaps where she shines brightest is in her own band The Still Tide. Her guitar work is both ethereal and fiery, her ear for dynamics and tone keen and imaginative. Morsett’s songwriting is both intimate yet expansive, introspective and yearning, reconciling contrasts with a broad emotional palette. And she’s opening for noteworthy UK singer-songwriter Charlie Cunningham whose 2017 album lines included the deeply evocative single “Minimum” and its entrancing atmospheres.
What:Wovenhand w/Jaye Jayle When: Saturday, 09.21, 8 p.m. Where: Larimer Lounge Why: Evan Patterson is rightfully known for his heavier music with Young Widows and Breather Resist. But his Jaye Jayle project is taking him in a different direction with a pastoral songwriting style that serves well the contemplative storytelling of the music he initially wrote as a solo project rather than something that needed to fit into the format of a full, loud band. These days he has partners in realizing the musical vision and the results is a kind of haunted Americana. Which makes it an ideal pairing with Americana infused post-punk/noise rock band Wovenhand from Denver. Wovenhand started out as very much in the post-Sixteen Horsepower vein continuing what singer and main songwriter David Eugene Edwards had been developing since the late 80s. But in the past decade the music has become more sonically intense (it was always emotionally so) and incorporating a broader range of dynamics and sounds so that early fans may even find it, except for Edwards’ undeniable spiritual presence, unrecognizable.
What:Greg Laswell w/Sarah Slaton When: Saturday, 09.21, 7 p.m. Where: The Soiled Dove Underground Why: Greg’s warmth and humanity expressed in clever and insightful turns of phrase has made him a national treasure of a songwriter.
What:Mdou Moctar w/Pale Sun When: Saturday, 09.21, 8 p.m. Where: Lost Lake Why: Mdou Moctar might be the most internationally renowned guitarist and songwriter out of Niger in the modern era and his electric adaptations of Tuareg guitar music has made him a favorite among discerning music fans who are open to such fusions of musical ideas, rhythms and sounds. To the uninitiated he may sound like an exotic prog artist but his music is deep and sophisticated. He is again touring in support of his 2019 album Ilana (The Creator).
What:Surf Curse w/Dirt Buyer When: Sunday, 09.22, 7 p.m. Where: Larimer Lounge Why: Surf Curse is a duo from Los Angeles whose name may convey the impression it’s one of those surf rock/garage psych bands that have plagued the musical landscape for around a decade. And to some extent that’s exactly what these guys are. Except there’s something raw about their songwriting and performances and their music videos, whoever is directly involved in their scripting and design, speak to an uncommon creative imagination and as though the people in the band had in mind films that their songs might suit. Pick any of the videos and you’ll find something that’s a cut above most videos most bands are making these days. The band’s new album, Heaven Surrounds You, was released on September 13 on Danger Collective. For a duo Nick Rattigan and Jacob Rubeck manage to have a full sound yet spare songwriting so they’re doing something right.
What:Pop Will Eat Itself w/Chemlab and Scifidelic w/DJ Dave Vendetta When: Sunday, 09.22, 7 p.m. Where: Oriental Theater Why: Pop Will Eat Itself is a genre bending band that dispensed with the usual stylistic boundaries between grebo, sleaze rock and industrial dance music akin to My Life With the Thrill Kill Kult. Chemlab was one of the bands that helped define the sound and aesthetic of industrial rock in the 90s fusing old school industrial with hard rock.
Monday | September 23
What:Acid King w/Wizard Rifle and Warish When: Monday, 09.23, 7 p.m. Where: MarquisTheater Why: Acid King is on tour in support of the twentieth anniversary of its classic psych doom album Busse Woods. The group began in the early 90s when its sound was very much not in vogue but two decades later its heavy, experimental psych metal, not fully duplicated by other artists, has made it a cult band among connoisseurs of that realm of music.
What:Jay Som w/Boy Scouts and Affectionately When: Tuesday, 09.24, 7 p.m. Where: Larimer Lounge Why: Jay Som’s hazy pop songs have a personal emotional insight and sophistication of songcraft that can be easy to miss when you’re lost in the moment with her. Her new album Anak Ko blurs the lines between noisy shoegaze, indie pop and the 70s Laurel Canyon sound. Taylor Vick of Boy Scouts has written one of the most affecting, vivid and cathartic set of songs about loss and healing from sorrow and setbacks of the past few years for the new Boy Scouts album Free Company. Her unconventional melodies and song dynamics give her compositions a depth and complexity that reward repeatedly exploring her catalog.
What:Like A Villain, Harms, Earth Control Pill and Debaser When: Tuesday, 09.24, 8 p.m. Where: Rhinoceropolis Why: Like A Villain is sort of an industrial ambient act whose dark and heavily textured atmospheres explore the personal and collective psyche in operatic vocals and processed loops. The new album What Makes Vulnerability Good, released on September 20, 2019, makes exquisite use of space in tone and rhythm that it engulfs you gently before you realize it.
Wednesday | September 25
What:Tash Sultana w/The Tesky Brothers When: Tuesday, 09.24, 6:30 p.m. Where: Red Rocks Why: Tash Sultana is a guitar prodigy whose psychedelic rock, blues and folk songs created with her expert ability to play multiple part at once and along with loops is impressive on its own but the energy and enthusiasm with which she plays is infectious. As a multi-instrumentalist, Sultana crafts her songs real time in an almost orchestral manner as an orchestra of one. Difficult to pigeonhole a genre for Sultana as her songwriting style is unique but might be compared to an artist like Tune Yards.
What:Russian Circles w/Facs When: Tuesday, 09.24, 7 p.m. Where: Bluebird Theater Why: Russian Circles is an instrumental metal band from Chicago but it’s songs are more akin to post-rock in their use of mood and nuanced dynamic builds from spare tonal echoes to roilingly triumphant riffs that burst and rain down like ash following a volcanic eruption or like a dam bursting releasing a torrent of sonic water and debris. Its 2019 album Blood Year finds the band evoking ancient civilizations (“Kohokia”) and primal mythological imagery (“Hunter Moon” and “Ghost on High”). Opening the show is Chicago’s Facs. The latter is making the kind of post-rock that is more like some of the most experimental post-punk going now. Guitarist and vocalist Brian Case was once a member of weirdo math rock band 90 Day Men and experimental rock band Disappears. With Facs he and the rest of the band are pushing the creative envelope with song structure, texture and dynamics. That group’s 2019 EP Lifelike has a secure place on our year end best list for its chilling, cinematic soundscapes and gritty, stark, moody songwriting.
What:Line Brawl (final show), Potato Pirates, C.O.ntrol T.V., Remain & Sustain and Mindz Eye When: Thursday, 08.01, 8 p.m. Where: Mutiny Information Café Why: Line Brawl was one of the best hardcore acts out of Denver’s scene in the most recent wave of that sort of music. Its short, sharp dynamics and fit a lot of fury into songs that built up and ended with all but the sparest self-indulgence cut out. Catch them for the last time with some other heavy hitters in the local punk scene.
What:Part Time w/Gary Wilson and French Kettle Station When: Thursday, 08.01, 8 p.m. Where: Larimer Lounge Why: Part Time has been around for over twenty years at this point, probably, and its music sounds like it began in the late 80s inspired by The Power Station gone synth pop. Could be outsider, definitely eccentric. Also on the bill is Gary Wilson who is a bit of an underground music legend going back to the 1970s. But as a teenager in the late 60s he met and hung out with avant-garde composer John Cage and his own music, however pop-oriented some of it may be, has retained a decidedly experimental edge. In the early 80s he quit music and in the mid-90s was cited by Beck as an influence. Before quitting music he received fan mail from the likes of The Residents. And around the turn of the century Wilson was coaxed into returning to playing his own music and has been writing and occasionally playing out since and this is a rare opportunity to get to see this utterly unique pop songwriter live. Opening the show is synth, drums and guitar prodigy French Kettle Station whose Arthur Russell-esque synth pop songs are delivered with an earnest, passionate intensity.
Friday | August 2
What:My Morning Jacket w/Warpaint When: Friday, 08.02, 6:30 p.m. Where: Red Rocks Why: My Morning Jacket is doing a two night run at Red Rocks again this year. The band has enjoyed some mainstream success for a fairly varied body of work that’s genre-bending with elements of folk, psychedelic rock, Americana and alternative rock. Opening the show is Warpaint, a band whose music has also spanned a broad range of sounds from its early post-punk-y/shoegaze-y sound to its more current phase where the band is writing the music collectively and influenced by the sonics of production and hip-hop as much as any rock that has influenced the group’s sound.
What:Nina Storey w/Jeremy Dion When: Friday, 08.02, 7 p.m. Where: Soiled Dove Underground Why: Nina Storey’s powerful voice imbues her eclectic music with a warmth and energy that can be lacking in the realm of the blues, jazz and pop singer-songwriters. Her versatility as a songwriter has resulted in a rich and varied body of work. Years ago Storey was a staple of the Denver music scene but has since branched out and garnered a much wider audience.
Saturday | August 3
What:My Morning Jacket w/Amo Amo When: Saturday, 08.03, 6:30 p.m. Where: Red Rocks Why: See above for My Morning Jaket. Amo Amo is sort of a psychedelic dream pop band but one that sounds like it came up listening to a lot of surf rock, Laurel Canyon pop and Linda Ronstadt.
What:Murder By Death When: Sunday, 08.04, 7 p.m. Where: Green Russell (1422 Larimer St.) Why: Murder By Death has reliably been putting out thought-provoking poetic albums of wiry, energetic Americana having come up through 90s punk. But its 2018 album The Other Shore finds the band diving into inner space and finding new dark corners of the psyche to bring to light in its inimitable style but with a shade more introspection and atmospheric flourish.
Tuesday | August 6
What:Stef Chura w/French Vanilla and Bellhoss When: Tuesday, 08.06, 7 p.m. Where: Larimer Lounge Why: Stef Chura honed her gritty songwriting for years in Ypsilanti, Michigan and Detroit, doing home recordings and playing in friends’ bands all the while, before releasing Messes in 2017 through Urinal Cake Record. Sure there’s some sculpted fuzz in the guitar and bass but she doesn’t come off like she’s drawing direct inspiration from 90s rock but more from the kind of noise and garage rock of the 2000s, bands like Tyvek, Times New Viking and maybe even some of Jay Reatard’s various projects. Her songwriting has that similar kind of off-the-cuff, splintery quality that sounds like it could come unhinged yet focused. Her 2019 album Midnight, out on Saddle Creek Records, finds Chura vividly sketching situations and people in short lines and bouncy yet flowing dynamics that wed contemplation with embracing the feelings of the moment. Chura also goes off the map throughout her songs so that the pace never gets tedious and her use of sound always imaginative and evocative.
What:Everything Is Terrible When: Tuesday, 08.06, 7 and 9 p.m. Where: Sie Film Center Why: The people behind the brilliantly surreal and irreverent video blogging site/channel Everything is Terrible is bringing its show on tour including a stop at Sie Film Center for a live multi-media performance that will include the puppets, bizarre characters, skids and the sacrifice of Jerry Maquire VHS tapes to the group’s now massive collection that will one day permanently reside in a pyramid in the desert. Strange stuff and we need more inspired, intentional, creative weirdness in these times.
What:Action Beat (UK, members of The Ex), Opening Bell (NYC) and New Standards Men When: Tuesday, 08.06, 7 p.m. Where: Glitter City Why: Action Beat includes G.W. Sok, former vocalist of The Ex and is a noise rock band with some free jazz structures, frantic, relentless stuff. Opening Bell is a New York City-based duo comprised of Armando Morales and M. Thomas Reisinger. The latter was based in Denver for years where he was in some of the most forward thinking and strange bands of the time like the experimental post-hardcore band Motheater, processed guitar/bass/vocals noise soundscape group Epileptinomicon and math-y noise drum, bass, vocals and synth duo Mjolniir DXP. Opening Bell sounds like a further trip into processing generated sounds into unsettling yet somehow soothing layers of ambient noise. New Standards Men is an experimental guitar group who mix doom-y metal with Krautrock-esque prog. Targets is a noisier than usual hardcore band.
What:Flume w/JPEGMAFIA, Slowthai and Collin McKenna When: Tuesday, 08.06, 6 p.m. Where: Red Rocks Why: Harley Streten got started producing music at age thirteen with a program he got in a box of cereal but by the end of his teens in 2010 he began making much more sophisticated house music as HEDS (his initials). As Flume Streten was making electronic dance music that seemed to push the boundaries of the realm of EDM with he seemed to most associated. His compositions are always more imaginative and bring together sounds that one doesn’t often hear in the genre and his production, whatever tools and methods he’s using, isn’t focused on technique, which he has already mastered, but on the emotional flavor of the sounds and how they fit into a bigger arc of feeling across the course of a song. His latest EP, 2019’s Quits, showcases his knack for creative hip-hop beats as well. Also on this tour is JPEGMAFIA whose pointed political and experimental hip-hop is informed as much by weirdo industrial groups like Throbbing Gristle as it is 90s hip-hop and pop.
What:Weird Wednesday: Succulent, Mt. Illimani and Full Bleed When: Wednesday, 08.07, 6 p.m. Where: Bowman’s Vinyl Lounge Why: Weird Wednesday at its new home at Bowman’s Vinyl Lounge will feature sad, sometimes acoustic songs by Randall Chambers as Mt. Illimani. He was in the garage rock band The Carnivores and post-punk group Phenobarbital for those who were fortunate enough to catch either. Full Bleed is sort of an instrumental noisy guitar/prog band.