Best Shows in Denver and Beyond May 2022

ADULT., photo courtesy the artists
Dehd, photo by Atiba Jefferson

Monday | 05.02
What: Dehd w/Pixel Grip
When: 7 p.m.
Where: Bluebird Theater
Why: Chicago’s Dehd amalgamated and stripped to their essence strands of surf rock, post-punk and psychedelic garage rock that might have informed the trio’s bands prior to forming this group in around 2015. The result has been a body of work including what tracks have been released for listening of its fourth album Blue Skies (due out May 27 via Fat Possum Recordings) that consistently deconstructs recent trends in indie rock to create something somehow familiar yet decidedly different. Its inventive rhythms seemingly counter to the R&B flavor of some of its songwriting yet works well in spite of fusing styles so otherwise incongruous and as a live band there is a wash of atmospherics and moods that nonetheless comes across as focused and energetic. Sometimes its early records can when listened to in small samples don’t seem to convey this quality of the band but a deep dive on their records seems rewarding for the attentive listener. Pixel Grip is also from Chicago but its mutant blend of industrial disco synth pop would sound like a noise version of commercial pop if not for its eccentric streak in processing sounds and disregard for convention. Like a more accessible Atari Teenage Riot.

Mudhoney, photo by Niffer Calderwood

Tuesday | 05.03
What: Mudhoney w/Cyclo Sonic
When: 7 p.m.
Where: HQ
Why: Mudhoney is arguably the pioneering grunge band that cohered an aesthetic and attitude beyond the earlier explorations of Green River. Its wild dynamics and ramshackle rock and roll is almost like the early Replacements but more rooted in garage rock and punk. Mudhoney is also a charismatic and highly entertaining live band whose music isn’t inherently silly but despite the immense talent of its membership this group doesn’t take itself too seriously. Opening is Cyclo Sonic which includes members of various important Denver punk bands including Choosey Mothers, Rok Tots and of course Matt Bischoff of influential garage punk legends The Fluid who may have been an influence on Mudhoney and countless other bands of that era.

Tuesday | 05.03
What: Interpol w/Matthew Dear
When: 6 p.m.
Where: Mission Ballroom
Why: Most people who haven’t been living under a rock for the last 20 years, unless they’re also too young for it to have mattered, have heard of Interpol. More than most other bands of its time and of the so-called “post-punk revival” in the late 90s and early 2000s its brooding and widely dynamic post-punk reached the widest audience. Its 2002 album Turn On the Bright Lights was probably among the most played record in college dorms, hip bars and indie dance nights of that time outside of The Strokes’ 2001 classic Is This It. Paul Banks’ controlled yet highly emotional vocals jibed so well with Daniel Kessler’s nuanced and expressive guitar atmospherics and Sam Fogarino’s ear for subtle detail in percussion alongside Carlos Dengler’s duskily melodic bass lines. Dengler hasn’t been with the band since 2010 but Interpol continues to make evocative and beautifully moody music including its forthcoming 2022 album The Other Side of Make Believe. Brilliant experimental pop artist Matthew Dear could probably have a headlining tour of his though hard to say it would be at Mission Ballroom but you get to see his scintillating songwriting and performance on the same bill with Interpol so treat yourself and don’t skip the opener this time. It’s been 4 years since the release of Bunny so maybe Dear will treat us to new material.

Moodlighting in April 2022, photo by Tom Murphy

Thursday | 05.05
What: Moodlighting album release w/Mainland Break and Style Animal
When: 8 p.m.
Where: Hi-Dive
Why: Denver dream/twee pop band Moodlighting is released its debut album Boy Wonder at the beginning of April and is now celebrating the occasion on this night. Musically the group sounds like it came out of the more recent bedroom pop aesthetic with strong melodic lines and evocatively vulnerable vocals. The album seems to be an assessment of what it’s been like living your post-college years trying to establish your adult life during a global pandemic on top of the usual struggles and the things that make it all endurable from small joys to creative and personal aspirations that you know won’t manifest now but serve as a beacon to get you through the roughest stretches. Mainland Break is a power pop band with a fuzzy and urgent edge that sounds sometimes like it was influenced by the more psychedelic end of Jay Reatard and of course Ty Segall without being weighted down by the now faded psych garage aesthetic of the 2010s.

Thursday | 05.05
What: Drune w/Only Echoes, New Standards Men and Nightwalker
When: 7 p.m.
Where: Lost Lake
Why: Remember when there was this active organization called the Denver Art Rock Collective that put on shows featuring bands that were either inspired by or by default fit in with bands inspired by experimental rock of the 70s, 80s and 90s? Stuff like New Ancient Astronauts, The Skivies, Action Friend, Mourning Sickness and such? Maybe not. Well these bands would have fit in that milieu nicely. Drune might have had some origins in doom metal but has long since expanded into more progressive, noise and psychedelic territory as it has developed and a more interesting and original group because of it. Only Echoes is a post-metal/post-rock band that includes Austin Minney who has engineered the releases of more underground Denver bands in the DIY scene than most other people you could name as well as Alex Goldsmith who has spent more than his fair share of time in a broad range of music from hard rock band Sharone to the late, great experimental noise pop group Roommates. Only Echos releases its own album Sunsickness at Seventh Circle Music Collective on May 13, 2022 with Endless Nameless, Abandons and Old Soul Dies Young on that bill. But of course one of the current also outstanding and unusual bands out of Denver now is the art rock/prog/post-rock/space jazz group New Standards Men.

BleakHeart November 2021, photo by Tom Murphy

Friday | 05.06
What: BleakHeart tour kickoff w/Matriarch and No Gossip In Braille
When: 8 p.m.
Where: Hi-Dive
Why: Denver shoegaze/darkwave metal band BleakHeart is ready to go on a tour with Blackwater Holylight and marking that occasion with a hometown show with the colossal, doom-drone soundscapes of Matriarch and the elegantly haunted post-punk of No Gossip In Braille.

Friday | 05.06
What: The Cult w/King Woman and DES ROCS
When: 7 p.m.
Where: Mission Ballroom
Why: The Cult were pioneers of post-punk and death rock in an earlier incarnation but by the late 80s were making the kind of bombastic yet moody hard rock that strode the line between heavy metal, alternative rock and the music of its early days. With charismatic frontman Ian Astbury and the surprisingly consistently inventive guitarist Billy Duffy, The Cult remain a forceful live band worth your time to witness. But then there’s also the dark and dramatic metal/folk/psychedelic stylings of King Woman whose 2021 album Celestial Blues was one of the best albums of that year placing her in company with great songwriters who don’t feel the need to fit into a narrow genre yet embraced by fans of experimental music, metal and folk like Emma Ruth Rundle and Marissa Nadler.

Friday and Sunday | 05.06, 05.07 and 05.08
What: Henry Rollins
When: 7 p.m.
Where: Aggie Theatre on 05.06, Stargazers Theatre on 05.07 and Boulder Theater on 05.08
Why: Henry Rollins is of course the legendary frontman of the final incarnation of Black Flag in the 80s. And he had his own group Rollins Band from the 80s through the 2000s. But for much of that time Rollins was writing intense poems and observations about life and tales from the road that he published in various books across a prolific career as a writer and parallel to that he also did spoken word shows and arguably it is that work that is his greatest legacy as a cultural figure with insightful commentary on what it means to be a human trying to navigate an often perilous social and political landscape and try to pursue a life exploring what interests you and bring it back to inform and hopefully entertain others. His spoken word shows have always been highly entertaining and he’s usually very generous with his time. The most recent tour found Rollins sharing photographs from his extensive travels in parts of the world most of us will never go as a way to hopefully expand the perspective of people who show up. This time around who can say other than it will be well worth the time and resources invested in making it to the gig. You have three chances in Colorado over this particular weekend.

Dorothy, photo by Courtney Dellafiora

Sunday | 05.08
What: Dorothy w/Joyous Wolf and Classless Act
When: 6 p.m.
Where: Summit Music Hall
Why: Dorothy is a hard blues rock band fronted by the charismatic Dorothy Martin. A lot of bands have been tapping into classic rock and the blues in recent years with mixed and often cringeworthy, laughable results. But there’s some genuine gusto behind what Dororthy brings to the music. Could be an unusual comparison to make but imagine some 80s glam metal band with better songwriting minus the questionable lyrical content but with the bombast and larger than life energy that those bands aimed to put across and you get some of the vibe of Dorothy.

Sunday and Monday | 05.08 and 05.09
What: The Church
When: 6:30 p.m. (05.08) and 7 p.m. (05.09)
Where: Washington’s (05.08) and Fox Theatre (05.09)
Why: The Church may still mostly be known for their 1988 hit “Under the Milky Way” by most people who only pay attention to a band’s Top 40 charting. But The Church has been releasing extraordinary records consistently from its 1981 debut Of Skins and Heart through its most recent record Man Woman Life Death Infinity (2017) and the forthcoming, tentatively titled, In the Wake of the Zeitgeist is likely to not be short of thoughtful, emotionally stirring material as well. And as a live band The Church has a mystique about them that is also relatable like you want to be a part of it and they make you a part of the experience. Their music is hard to pin down for genre but the psychedelic rock is there, the post-punk, the folk roots and one has to assume most shoegaze bands since the 80s has had more than a brush of influence by The Church. Two Colorado shows this tour and maybe you’ll get to hear some of the new material before it finds official release.

Monday | 05.09
What: Fontaines D.C.
When: 7 p.m.
Where: Ogden Theatre
Why: Fontaines D.C. from Dublin has garnered an international cult following since the 2019 release of its debut album Dogrel. A couple of the members of the band met at college and bonded over a shared love of poetry and inspired in part by both the Beats and classice modern Irish poets like James Joyce and Yeats. And that sensibility can be heard in its narrative songs depicting the way the slow moving wrecking ball of late capitalism is crushing the life out of life for most people and their communities. Yet the music isn’t a bummer, just honest and unpretentious. Its fiery live performances early have evolved into something more nuanced and intense without losing that power and emotional resonance.

Monday | 05.09
What: Christian Death w/Luna 13 and Plague Garden
When: 7:30 p.m.
Where: The Oriental Theater
Why: Christian Death was the foundational band of the death rock side of early eighties post-punk and its 1981 debut album Only Theatre of Pain a classic of the genre. Valor Kand wasn’t part of the band at that time but for the group’s 1984 follow up Catastrophe Ballet Kand was the band’s guitarist and only constant member since 1983 including beyond band founder Rozz Williams departing and then doing his other projects and establishing a different version of Christian Death before his death in 1998. Under Kand’s leadership the group has explored a variety of styles and in recent years the sound has been more like a fusion of metallic blues punk and deathrock including its 2022 album Evil Becomes Rule. Luna 13 is sort of a blackened industrial metal band from Los Angeles. Plague Garden is a post-punk group from Denver that in the interests of transparency the author of this piece writes but figures people are really coming out to this show to see Christian Death.

Slow Crush, photo by Kat De Laet

Tuesday | 05.10
What: Slow Crush w/SOM
When: 7 p.m.
Where: Hi-Dive
Why: SOM’s new album The Shape of Everything (2022) picks up where its previous releases have drifted with a colossal yet deeply melodic sound. Like a slow moving fusion of a classic shoegaze group and a doom band. Post-metal and post-rock doesn’t quite cover it because it has hooks like you’d expect out of one of the better emo and post-hardcore bands of the early 2000s except translated to something with exquisite and epic soundscaping. Fitting that SOM is sharing this bill with Slow Crush from Belgium whose 2021 album Hush is a flood of luminous sounds and grainy textures like SubRosa gone full shoegaze or Tamaryn collaborating with members of Kylesa. Clearly the transcendental metal/shoegaze crossover show of the month and likely the whole year.

Moon Pussy, photo by Tom Murphy

Tuesday | 05.10
What: Metz w/Moon Pussy
When: 7 p.m.
Where: Bluebird Theater
Why: Canadian post-punk/noise rock trio Metz has been evolving its beautifully discordant sound since 2008. But its 2020 album Atlas Vending though a bit of a grower showcases the band at its most dynamic, frantic and raw yet fully realized. And in many ways its most overtly political in a general rather than topical sense. Obviously Metz wasn’t able to tour in support of the record so this is your chance to catch the wiry power of the group showcasing its recent work. Opening the show is probably the perfect Denver band for the slot in Moon Pussy. The sheer eruption of sounds and nearly unhinged musical dynamics and scorching yet angular sonic assault always seems like something that could go off the rails at any moment but never does. Fans of Touch and Go noise rock weirdness or that of Amphetamine Reptile should definitely make the effort to see Moon Pussy but your appetite for that kind of sonic savagery will get filled aplenty by this show.

MXMTOON, photo by Lissyelle Laricchia

Tuesday | 05.10
What: MXMTOON w/Chloe Moriondo
When: 7 p.m.
Where: Gothic Theatre
Why: MXMTOON garnered a cult following as a bedroom pop YouTuber but her songwriting chops were clear from early on and her thoughtful lyrics expressing the yearnings of a young, sensitive person examining her own insecurities and the intricacies of her own psychology and observations on life resonate much more broadly than one might expect. Employing mostly a ukulele and her own resonant voice, MXMTOON’s performances are confident yet introspective and imbued with a fresh and spontaneous energy. Her sophomore album Rising is due on May 20, 2022.

Wednesday and Thursday | 05.11 and 05.12
What: Nox Novacula (w/WitchHands and Plague Garden on 05.11 and w/Radio Scarlet and Witch Hands on 05.12)
When: 8 p.m.
Where: Fritzy’s (05.11) and HQ (05.12)
Why: Seattle’s Nox Novacula is a brash and energetic post-punk band whose fast-paced songs are more akin to a classic deathrock group with widely dynamic, propulsive rhythms and passionate vocals. Its 2021 album Ascension is a combination of grit and fire with vividly macabre and inspired lyrics that are dark and dramatic yet never cartoonish.

Thursday | 05.12
What: Front Line Assembly w/Rein, Choke Chain, DJs Paul and Eli
When: 7 p.m.
Where: The Oriental Theater
Why: Bill Leeb the vocalist of Front Line Assembly got his start as a member of an early incarnation of Skinny Puppy but by the late 80s he had branched off with his own with long time bandmate and collaborator Rhys Fulber called Front Line Assembly in 1986. A pioneering band of the EBM movement and then electro-industrial, Front Line Assembly built on the political consciousness of the music with its often dystopian depictions of the effects of commercialized technology and industry on human lives and civilization. But even if you weren’t into that content as much its soundscapes and mix of menacing sounds and hard, danceable rhythms has been a consistent feature of its music from the beginning up to and including its 2021 album Mechanical Soul. Swedish electro-industrial pop artist Rein is also on the bill with her soulful vocals and well-orchestrated synths and textures. Choke Chain’s distorted, ominous songs are reminiscent of early Nitzer Ebb and his 2021 EP Invoking Shadows has an uncommon edge even for the genre with Mark Trueman sounding a little like William Faith at his most unhinged.

Friday | 05.13
What: William Basinksi w/Tripp Nasty
When: 8 p.m.
Where: Hi-Dive
Why: Outside of Terry Riley, Philip Glass, Steve Reich and a few others, William Basinski is likely the most famous avant-garde composer in America and certainly one whose work has been most celebrated in recent years including his now classic 2001 electronic masterpiece The Disintegration Loops. His career has been greatly varied and includes work in modern classical and ambient music and styles that are unique to him though informed by process music and tape collage. He rarely comes to Colorado and not often playing a small club. Opening is Tripp Nasty who is no stranger to classical avant-garde, noise, experimental pop music, noise rock and analog synthesizer composition. You never quite know what to expect from Tripp except that it’ll be interesting and of quality.

Fozzy, photo by Adrienne Beacco

Friday | 05.13
What: Fozzy w/GFM and Krash Karma
When: 6 p.m.
Where: The Oriental Theater
Why: Fozzy is the hard rock/melodic metal band fronted by Chris Jericho. The latter most probably know from his professional wrestling career throughout the 90s and on into the 2010s and his outsized persona like he was auditioning to be the lead singer of a rock band. The early Fozzy records were mainly covers albeit pretty solid as far as that goes but more recent offerings reveal the group’s knack for anthemic hard rock as evidenced on its 2022 album Boombox. The single “I Still Burn” has all the aggression and bombast you’d want from a band like this but its lyrics are also introspective and vulnerable and lacking in the bravado that helped make Jericho a celebrity and yet that’s why it’s definitely a cut above a lot of other hard rock that might get compared to 80s glam metal which this is not yet has a similar appeal I its uplifting dynamics and willingness to indulge a tasty and tasteful guitar solo.

ADULT. circa 2018, photo by Tom Murphy

Saturday | 05.14
What: ADULT. w/Kontravoid and Spike Hellis
When: 8 p.m.
Where: Hi-Dive
Why: ADULT. is an electronic duo from Detroit that has been evolving its blend of dark techno, noise and post-punk since forming in 1998. Early releases displayed the project’s affinity for early techno and around the time of its 2007 fourth album Why Bother? you could hear the experiments in production and soundscapes with beats that yielded fascinating results on the 2005 album Gimme Trouble turn into almost set pieces in an album with an almost cinematic aesthetic, like dynamic visual design translated directly into sound design and songwriting. Since then ADULT.’s releases have been more overtly political and commenting on aspects of culture and society that have been corrosive to human culture and civilization in an accelerating way that has also more or less made cataclysmic climate disaster in our lifetimes a foregone conclusion. Since signing with Dais, the hip experimental music imprint, ADULT.’s output has seemed even more intentional and focused in its critique starting with 2018’s This Behavior, to the 2020 album Perception is/as/of Deception and now to the 2022 album Becoming Undone. Nicola Kuperus and and Adam Lee Miller both have a background in the visual arts and punk and both come through in striking visuals for the album covers (mostly if not entirely designed by Kuperus) and promotional material as well as the composition of the music and certainly in the band’s confrontational live performances. With the current underground popularity of what is called darkwave ADULT. seems to have enjoyed a bit of a renaissance after spending more than a decade pioneering some of the modern style of the more electronic wing of that loose movement while also showing what the music can do when there is a unity of aesthetic vision brought to bear with strong concepts and creative commentary on important issues of the day and personal impact of things like the commodification of all areas of life, misogyny, environmental destruction, societal complacency in the face of rising fascism in what were once some of the most democratic nations on Earth. Though the music is accessible it is also challenging and the opposite of dissociation in a time of global crises. In this interview we discuss the band’s early days and its development, its visual elements and the ways in which the new record has delved in novel sonic areas for the project in line with what the title would suggest as the world as we know it seems to be coming apart or certain in a state of perilous flux. Listen to our interview with Adam Lee Miller on Bandcamp.

Orchestral Manoeuvres in the Dark at Bluebird Theater, March 2011, photo by Tom Murphy

Sunday | 05.15
What: OMD w/In The Valley Below
When: 7 p.m.
Where: Paramount Theatre
Why: Orchestral Manoeuvres in the Dark were early pioneers of synth pop in the 1970s and turning the style of music into a mainstream phenomenon throughout the 1980s. Turned off by what today might be called toxic masculinity of too much guitar driven rock in the 70s, singer and bassist Andy McCluskey and keyboardist/vocalist Paul Humphries arrived at their own style of music inspire by Kraftwerk as solidified by their having witnessed the foundational electronic band live (McCluskey has the seat number memorized and mentions it now and then in various interviews, such was the enduring impact). The electronic post-punk of OMD quickly caught attention early on and their 1979 debut single “Electricty” was was released on Factory Records, the imprint started by Tony Wilson to release Joy Division’s records. Following a tour with Gary Numan OMD’s self-titled debut failed to chart commercially but the group had built their own studio and had a place to refine recording and composition. And with the release of their second album Organisation (1980) and the hit, anti-war single “Enola Gay” (named after one of the airplanes that dropped the atom bomb on Hiroshima on August 6, 1945 to great horror and bringing to a swifter end World War II though at what cost, thus the point of the song), OMD garnered international popularity. Through ups and downs of popularity including the lack of love for its arguably most experimental and interesting album Dazzle Ships (1983), OMD persevered until splitting in 1989. But By 2006 interest in synth pop was starting to become more pronounced than it had in decades and OMD re-convened as chillwave, vaporwave and related musical forms gained popularity in the indie music world and then well into mainstream music. Don’t go OMD expecting to see a sedate band performing some of the most gorgeous, most heartfelt electronic-driven pop of all time. OMD plays it like they’re a punk band but with grace and humor.

Sunday | 05.15
What: Cut Copy w/Suzanne Kraft
When: 7 p.m.
Where: Ogden Theatre
Why: Unfortunately Australian band Cut Copy is playing opposite a clear influence in OMD not far from the Paramount at The Ogden. The quartet has made finely sculpted pop songs informed by not just synth pop but modern dance music and shoegaze soundscaping and guitar work since 2001 with a string of albums that seem to have pushed the band into new territory even if in what can sometimes come across as subtle ways but all are beyond a surface level massively different. Freeze, Melt, the 2020 and most recent record, hit a tonal yet highly evocative plateau that sounded like an attempt to reach a place of emotional tranquility and put that across in a set of songs for a time of great turmoil. Also, a consistently surprisingly passionate live band in spite of its ethereal melodies.

Sunday | 05.15
What: Eve 6:The Extreme Wealth Tour w/Field Medic and Jake Flores
When: 6:30 p.m.
Where: The Oriental Theater
Why: Eve 6 had a bunch of hit singles in the 90s and did well for itself with songs like “Inside Out” and “Leech.” Nevertheless, Eve 6 was one of those mid-to-late alternative rock acts that weren’t so bad but nothing as exciting and as innovative as what came much earlier in the decade. And yet, nothing cringey which can’t be said about all the later-era alternative music. So probably the show will be good. The band also named itself after the titular character in the “Eve” episode of X-Files (S1E11). But one thing that is indisputable is that singer Max Collins’ Twitter account is one of the most real and amusing things you’ll read from any musician in social media and that must be honored.

Collen Green, photo by Jason MacDonald

Monday | 05.16
What: Juan Wauters w/Colleen Green
When: 7 p.m.
Where: Hi-Dive
Why: Juan Wauters was once a member of psychedelic, indie garage band The Beets who garnered some critical acclaim and popularity during its heyday of the early 2010s. His albums under his own name show a broad spectrum of musical interests. His 2021 album Real Life Situations is reminiscent of Harry Nilsson crossed with Devendra Banhart. Except that Wauters has his own sound wherein he freely goes off the conventional map. Colleen Green made a solid career out of fuzz pop songs across a handful of releases with songs that seemed like a vivid portrait of personal insecurities discussed with a poetic honesty and sardonic humor. Her 2021 album Cool found Green using her songs as a vehicle for shedding outmoded lifestyles and frames of mind that might have seemed critical to one’s identity at an earlier point in life. Her career got going at the height of the indie/surf punk explosion of the 2010s and the influence of pop punk is obvious in Green’s work but her songwriting has always been more interesting than the prevailing trends and her lyrics consistently more sharply observed.

Tuesday | 05.17
What: Nilüfer Yanya w/Tasha and Ada Lea
When: 8:30 doors 9 show
Where: Fox Theatre
Why: Nilüfer Yanya is a UK-based singer-songwriter whose music is a hybrid of various styles and modes somewhere between what some might call indie folk, synth pop, jazz and trip hop. Her subtly expressive vocals alongside lush arrangements and layered textures give her songs a gentle presence with great nuance of emotional resonance. The artist is now touring in support of her 2022 album Painless.

Author & Punisher, photo by Becky DiGiglio

Wednesday | 05.18
What: Author & Punisher w/MVTANT
When: 8 p.m.
Where: Hi-Dive
Why: Tristan Shone has refined his Author & Punisher project from its early days of using his mechanical engineering skills to modify mechanical and electrical devices as controllers for sound generators and other instruments into a sort of industrial noise project. His latest album Krüller (2021) found Shone pulling back from the colossal wall of sound that characterized a good deal of his previous body of work and the melodic side of his songwriting is more obvious and enhanced as is his expert use of space and overlapping rhythms this time used with even more atmospheric effect so that one might get lost in the gorgeous soundscapes rather than be thrillingly overwhelmed by them. But don’t worry, A&P hasn’t lost its visceral edge and sense that you’re seeing a musical project from an actual cyberpunk future and not the second rate, B-movie version.

Thursday | 05.19
What: Testament w/The Black Dahlia Murder, Municipal Waste and Meshiaak
When: 6 p.m.
Where: Summit Music Hall
Why: Testament is one of the second wave of bands to have emerged foundational to Bay Area thrash metal. Its aggressive precision was rooted partly in progressive/technical metal and jazz fusion except Testament utilized those ideas to make imaginative, thoughtful, politically charged music. With Chuck Billy’s commanding bark and Eric Peterson’s and Alex Skolnick’s intricately interweaving guitar work these days buoyed by Steve Di Giorgio’s bass and now Dave Lombardo’s (formerly of Slayer) paradoxically tastefully bombastic drums, Testament remains one of the greats of the genre.

Molchat Doma, photo courtesy Sacred Bones Records

Friday | 05.20
What: Molchat Doma w/Pompeya
When: 7 p.m.
Where: Gothic Theatre
Why: Considering world events it’s fortunate that Belarusian post-punk band Molchat Doma (“Houses Are Silent”) is touring North America at the moment. Formed in Minsk in 2017, the trio’s sound fuses synth pop, New Wave and the sort of post-punk informed by both as perhaps most notably embodied by classic Russian post-punk band Kino. There is a melancholic and resigned tenor to much of the music as though there is a spirit of not wanting to get your hopes up too much only to have them dashed by circumstances beyond your control. Which makes it a solid soundtrack not just for a band living in Belarus and in the sphere of Russia but life under this particularly crushing version of late capitalism where you’re encouraged to grind yourself to death just don’t cause any major trouble for the powerful and wealthy. The group’s latest album Monument (2020) was to have come out the same year the band was to undertake its first tour of North America with a May 2020 date at the Hi-Dive. But the pandemic hit and the band’s cachet grew dramatically beyond the appeal of a few dozen connoisseurs of post-punk in every city of size in America and beyond. The track titles on the new record spell out a bleak present and future and despite the sound of the music it also points to an ability to resist the inevitable despair which is always key in the toughest times. This show is sold out and has been for weeks but you never know. Maybe it’ll get moved to a bigger venue or will should there be a future tour.

Elder Island, photo by Nick Kane

Friday and Saturday | 05.20 and 05.21
What: Elder Island w/JORDANN
When: 8 p.m. (05.20) and 8:30/9 p.m. (05.21)
Where: Bluebird Theater (05/20) and Fox Theatre (05.21)
Why: Elder Island is a trip-hop influenced trio from the home of that downtempo electronic music that emerged in the 90s in Bristol, UK. Starting life as an experimental folk act its members had access to seeing the great electronic artists of their early days and inspired by the power of that music and its ability to stir emotions in ways different from the types of instruments you’d use to make even experimental folk. But fusing the styles completely and arranging the music almost like a trip hop jazz lounge group, Elder Island’s debut album The Omnitone Collection was a set of lush, soulful, deeply atmospheric pop with surprisingly spare arrangements that left a great deal of room for experimenting with dynamics that invited the listener to project their imagination on to the open spaces of the music. The 2021 album Swimming Static was completed on either end of the 2020 (and ongoing) pandemic with work done in between since Elder Island all lived together or nearby. The record reflected the band’s expanding access to analog synthesizers and the ability to freely incorporate those elements into the songwriting resulting in pop songs that have resonance with early analog synth artists like Kraftwerk, Giorgio Moroder and OMD as well as synth pop groups of the 80s and modern practitioners of the art of dramatic tonal and dynamic arrangements like Nation of Language and Perfume Genius.

Kurt Vile, photo by Adam Willacavage

Monday | 05.23
What: Kurt Vile and the Violators
When: 7 p.m.
Where: Ogden Theatre
Why: Kurt Vile has more than proven himself as one of the foremost songwriters to have emerged from the American indie underground with a thoughtful and evocative body of work that traverses and transcends simple categories like psych, Americana and garage rock. His new album (watch my moves) (2022) isn’t too much of a surprise to long time fans of his songwriting and its homespun charm. But where it perhaps departs a bit from expectation is in the subtle sonic details. None of Vile’s albums seem overproduced but this one, granted recorded in his home studio OKV Central, really feels like Vile was honing in on a sound like his own version of what Bruce Springsteen did on Nebraska—relatively stripped down production, spare arrangements, a sense that this could have been done on a four track with few overdubs. Which is saying something considering multiple collaborators worked on the album including Stella Mozgawa (Warpaint), Cate Le Bon, Julia Shapiro (Chastity Belt), Farmer Dave Scher (Beachwood Sparks), Annie Truscott and Lydia Lund (both also from Chastity Belt) among others. It’s a deeply introspective and layered album that sounds disarmingly intimate so it should be interesting to see how it translates to a big stage.

Monday | 05.23
What: Weedeater w/High Tone Son of a Bitch and J.D. Pinkus
When: 7 p.m.
Where: Hi-Dive
Why: A lot of sonic brutality for the small stage at the Hi-Dive this night with Wilmington, North Carolina’s kings of stoner rock Weedeater. Its doomy, grindy music is like a flood of caustic sonic tar like Thrones but even more metal. J.D. Pinkus will probably bring his heavier solo material rather than his excellent country tunes to this show but you just never know and either way the Butthole Surfers/Honky bassist will be entertaining and fit in somehow. Veteran, Bay Area psychedelic doom band High Tone Son of a Bitch rounds out the lineup.

Spoon, photo by Oliver Halfin

Tuesday | 05.24
What: Spoon w/Geese
When: 7 p.m.
Where: Mission Ballroom
Why: Lucifer on the Sofa (2022) is Spoon’s latest album and its most arduous in terms of production and release mostly because of the whole pandemic thing that’s still going on. But, as with every other Spoon album, it finds the group exploring new songwriting and stylistic territory. Its previous album 2017’s Hot Thoughts at times sounded like an old synth pop album but with modern sensibilities informing the songwriting architecture. The new record has an immediacy that was always part of the group’s sound but the production makes the music seem very up close and its blend of soul and Americana in the more raw rock and roll songwriting with touches of the unusual around the edges and at times what seems like a sound design approach to arrangements gives the song a different dimension and aural depth than most of its previous output. Of course live Spoon has always been a lively and charismatic group of performers all around. The inclusion of Brooklynite post-punk band Geese on the bill may be a label or management arrangement but it’s also an inspired selection of an opening act as its soul, funk and psychedelia-infused post-punk is reminiscent of something Factory records would have signed in the late 80s. That or a band that would have fit in at 99 Records because its sound is so richly eclectic and its 2021 album Projector a refreshingly different entry in the post-punk canon. Fans of Parquet Courts will indubitably appreciate what Geese is offering.

Bauhaus, photo by Gary Bandfield

Wednesday | 05.25
What: Bauhaus w/Automatic and Vinsantos — postponed
When: 7 p.m.
Where: Mission Ballroom
Why: Bauhaus is one of the most influential albums in post-punk and like the best of that first wave of bands they borrowed heavily from dub, early glam rock, psychedelia and the avant-garde. Its gloomy and often hypnotically otherworldly music immediately set itself apart from other bands from a similar background with not just the art school influence and conceptual soundscaping but also the theatrical aspect of its performances as manifested in the songwriting. Its use of melodrama never seemed corny and only enhanced its mysteriousness. Of course it got boosted into a wider circle of fame by basically opening the 1983 vampire film classic The Hunger with its own enduring classic “Bela Lugosi’s Dead.” But Bauhaus never rested on its creative laurels with its albums and each one expanded what not just post-punk could be but was essentially an art rock band without the progressive rock baggage. Nearly four decades hence Peter Murphy’s haunting and dramatic warble can still give you chills, David J and Kevin Haskins’ unconventional and fluid rhythms expand the brain with compound time experiments and Daniel Ash’s guitar-as-soundscape approach to the instrument hits like few other guitarists of the era. One of the most imaginative bands of the post-punk era, Bauhaus could just be going for a cash grab, nostalgia tour but it’s not that rote a thing and its new song “Drink The New Wine” (2022) is vintage Bauhaus weirdness and inspired dreamlike moodiness. New wave-esque, minimal post-punk band Automatic, which includes Kevin Haskins’ daughter Lola Dompé on drums and vocals, is also on the bill. Their turn opening for IDLES in April 2022 revealed a band more visceral than its excellent new album Excess might immediately suggest.

A Place To Bury Strangers, photo by Heather Bickford

Thursday | 05.26
What: A Place to Bury Strangers w/Glove and Polly Urethane
When: 7 p.m.
Where: Larimer Lounge
Why: A Place to Bury Strangers is often lumped in with the resurgence of shoegaze around the turn of the 2010s and the exquisite sound sculpting with noisy, atmospheric guitar shaped into evocative melodies definitely fit in that loose realm of music. But the knack for employing raw, nearly uncontrolled or not always reigned in noise in the mix made the music have an edginess closer to some kind of old noise rock band like Big Black or even the most unhinged guitar wall of noise that The Jesus and Mary Chain perpetrated so brilliantly on Psychocandy. This group could have skated on those core ideas but its body of work has evolved without compromising an individual vision for how music can occupy psychological spaces with not just organized tones and sonic textures but with the sheer physicality of that sound. Its most recent record See Through You (2022) on initial listen seems more pop oriented in some ways than the more avant-garde Pinned or even earlier records but with it definitely goes off into realms of experimentation that has more in common with some 2000s band that might have not decided to choose between styles and influenced by the most anti-music No Wave, the lowest of lo-fi psychedelic garage rock/punk you might find on the Siltbreeze imprint and menacing, scuzzy post-punk but with lyrics that give glimpses into a head space where a person is trying to pull themselves back together after having their heart stretched thin and feeling like they’ve hit the point of no return and finding some shred of meaning and truth in that low place as a thread to crawl back to something resembling normalcy. It’s both vintage APTBS and the next step in its sonic evolution. Glove is a post-punk band from Tampa that apparently didn’t get the memo that you can’t combine disco with synthpop, glam rock and post-punk and its music all the more interesting for it since the style side of its performance isn’t lacking either. Polly Urethane is a darkwave/industrial artist from Denver whose music has an enveloping vulnerability that feels like a memory of a dream at times even when evoking painful memories while transforming those strong emotions into catharsis. Think The Knife or Jenny Hval but perhaps inspired by the likes of SRSQ.

Thursday | 05.26
What: Faster Pussycat w/Love Stallion and Grind Cat Grind
When: 7 p.m.
Where: The Oriental Theater
Why: In the bloated haze of Los Angeles and international glam metal in the 80s a few bands stood apart from the rest of the Aquanet-teased hair fashion victims wishing they were Led Zeppelin but couldn’t even pull off Aerosmith or Hanoi Rocks with any integrity. One of those was Faster Pussycat whose hedonistic, sleazy glam rock had a core of good songwriting and strong stage presence. It didn’t hurt that lead singer Taime Downe is one of the few people in Penelope Spheeris’ The Decline of Western Civilization Part II: The Metal Years (1988) to not look silly and whose band in retrospect isn’t incredibly cringe. After the band split in 1993 Downe formed an industrial band called The Newlydeads but reformed Faster Pussycat in 2001.

Built to Spill, illustration by Alex Graham

Friday and Saturday | 05.27 and 05.28
What: Build to Spill w/Sunbathe and Distant Family
When: 7 p.m.
Where: Aggie Theatre (05.27) and Boulder Theater (05.28)
Why: Built to Spill like contemporaries Pavement established that jammy, psychedelic guitar was not antithetical to authentic alternative rock rooted in punk and the 80s underground beyond punk. Singer/guitarist Doug Martsch had been in the more overtly psychedelic post-punk band Treepeople at the same time Built to Spill was forming but the latter became Martsch’s going concern after 1994. The singer’s unconventional yet melodious voice served as a consistently interesting and elegant contrast to the sometimes amped ocean of sound that the band could unleash during the climax of a song and as the embodiment of the music’s more tender moments. BTS’s 1997 album Perfect from Now On was a masterpiece of late era alternative rock with a wide-ranging style of songs that unabashedly indulged in thought-provoking, heartbreaking epics like “Randy Described Eternity” and the bombastically celebratory “Stop the Show.” The band has consistently provided a soundtrack to introspective exploration and contemplation on the meaning of life up to and including its 2022 album When the Wind Forgets Your Name. Most live albums are not as good as the studio albums but BTS’s 2000 Live might as well be a greatest hits album performed at the near peak of its powers surpassed perhaps only by witnessing the band in the flesh.

Wild Pink, photo courtesy the artist

Friday | 05.27
What: The Antlers w/Wild Pink (solo)
When: 7 p.m.
Where: Bluebird Theater
Why: When Brooklyn-based indie folk project The Antlers released its first full band offering with 2009’s Hospice it immediately established itself as a band that could make powerful emotional statements with great delicacy and simplicity. The concept album is about a hospice worker and his relationship with a patient suffering from terminal bone cancer. After a hiatus of five years until 2019 due to primary songwriter and singer Peter Silberman experiencing hearing loss. While in recovery Silberman discovered he could still write music and following the 2017 release of the solo album Impermanence The Antlers returned with 2021’s Green to Gold. Opening the show is John Ross of Wild Pink performing solo. His band’s 2021 album A Billion Little Lights is one of the most affecting albums out of the indie rock milieu to be written from the adult perspective with adult concerns without waxing into self-parody or “dad rock” territory.

Animal Collective circa 2013, photo by Tom Murphy

Friday | 05.27
What: Animal Collective w/The Spirit of the Beehive — postponed
When: 7 p.m.
Where: Ogden Theatre
Why: Animal Collective is one of the most influential bands of the past 20 years. Its amalgam of psychedelia, folk, electronica, ambient and the avant-garde has yielded a rich and prolific body of work across several albums that has been oft imitated but rarely in a way equal to the group’s truly idiosyncratic songwriting and eccentric methods of composing and performing music with an almost live orchestration/remixing live during performances. It’s truly transporting music, an otherworldly pop. Its new album Time Skiffs (2022) marks the return of Deakin and a robust organic tonal element in the group’s signature, unconventional percussion and what appears to be its most sonically interesting record since Strawberry Jam with its arrangements sounding like weather events coming together to make songs through a purely intuitive process that likely involved a great deal of work to make sound effortless. The Spirit of the Beehive has been making pop music that sounds like something from another dimension like Black Moth Super Rainbow turned into more of a rock band but with a live show that sounds like it’s been orchestrated like a set of medleys and remixes performed in real time.

Friday | 05.27
What: Fiddlehead w/Flower Language, Destiny Bond and Public Opinion
When: 8 p.m.
Where: Hi-Dive
Why: Boston’s Fiddlehead is an anthemic, melodic post-hardcore band that for the uninitiated sounds akin to an emo band that was more influenced by Fugazi and Jawbreaker than what you might expect. Destiny Bond and Public Opinion are both post-hardcore bands from Denver whose songwriting stretches beyond the too often self-imposed limitations of hardcore.

Ezra Furman, photo by Tonja Thilesen

Saturday | 05.28
What: Ezra Furman w/Grace Cummings
When: 7 p.m.
Where: Gothic Theatre
Why: Ezra Furman and the Harpoons was an excellent band in the more indie folk vein but Furman herself had more to say in music than that loose format. And since writing and releasing music under her own name as a solo artist she’s seemed to have slowly shed obvious stylistic influences like Bob Dylan and Lou Reed among others across several albums since the literary, haunted Americana of 2012’s The Year of No Returning. With the new album All of Us Flames Furman takes into the consideration the concept of the end of the world, certainly the world as we know it, and examination the assumptions and hopes and dubious freedom from thinking the world is over and even finding proof of that with the pandemic and the failure of all political parties in America to deal adequately with the crisis even to this day nevermind the ecological disaster slow crashing through human civilization, the perils of right wing extremism entering into governments worldwide posing a threat on its own and compounding all others as fascism is completely unprepared to actually deal with the crises we face and establish a sustainable response to issues those types fail to comprehend to the detriment of all. The lead single from the new album “Forever In Sunset” is a fiercely compassionate presentation of that whole backdrop as the ambient weight that amplifies whatever mood we’re feeling but suggests we don’t have to be overwhelmed while in survival mode and the meaning and significance of our lives can and will continue beyond the immediate brace of crises at our collective doorstep. Sonically it’s like a great glam rock song with an elevated folk flavor layered with enveloping atmospheres. Which is reason enough to go see how Furman pulls this music off live. But you also get to see Australian singer Grace Cummings whose 2022 album Storm Queen has a brooding grit and fiery passion that is a little reminiscent of Jeff Buckley. But Cummings isn’t ethereal like the latter yet both songwriters have an almost spiritual immediacy and an instinct for crafting the kind of guitar rock that burns from within like the ghost of another era of music trying to manifest through her performance. For instance one hears in the single “Heaven” shades of Big Star, Tommy Bolin and Zeppelin. The rest of the album proves that Cummings isn’t just a rocker, her expressive voice and songwriting chops range far from bombastic heights to tranquilly introspective songs with emotionally vibrant performances. Fans of Aldous Harding will find much to like in Cummings’ rich repertoire.

Grace Cummings, photo courtesy the artist
Causer in 2019, photo by Tom Murphy

Monday | 05.30
What: Bestial Mouths w/CXCXCX and Cau5er
When: 7 p.m.
Where: Hi-Dive
Why: It’s difficult to limit Bestial Mouths to a narrow genre of music as vocalist/producer Lynette Cerezo has been experimenting with what the project is and how it should sound since its inception in 2009. While one hears across that span of time and multiple releases a foot in industrial, post-punk, noise, transcendental metal and other presumed influences like Diamanda Galas whose own music is a pure fusion of noise, No Wave, classical and blues there is an element of performance art as a vehicle for expressing concepts and ideas that unifies what Bestial Mouths has been about. At this point Bestial Mouths is a solo project of Cerezo’s and the albums INSHROUDSS and RESURRECTEDINBLACK might be considered a kind of darkwave dance music with an aspect of ritual drone. Cerezo is a prolific collaborator who has worked with the likes of Boy Harsher, Zola Jesus, Mick Harvey and Mater Suspiria Vision and out of that her impact on modern, underground music in the realm of post-punk is indisputable. Seems as though Bestial Mouths hasn’t played in Denver since a performance at now long defunct DIY space Mouth House in 2013 so this is a rare chance to see the now Berlin-based artist up close and personal along with industrial noise dance phenom Cau5er and Denver-based power electronics artist CXCXCX.

The Body, photo by Zachary Harrel Jones

Tuesday | 05.31
What: The Body w/Midwife and Polly Urethane
When: 7 p.m.
Where: Larimer Lounge
Why: With its extensive history of touring since starting in 1999 there’s a good chance that if you’ve been involved in underground music since that time you’ve seen or had a chance to see The Body from Providence, Rhode Island. The experimental duo might in a reductive way be described as a doom metal band crossed with a grindcore band informed by harsh noise. But drummer Lee Buford and guitarist Chip King really push their art into different sonic territory and in different formations with a fairly long list of collaborative releaes with the likes of Thou, Full of Hell, Unform, BIG BRAVE, and Krieg to name a few. The 2016 album No One Deserves Happiness was inspired by synth pop music and sounds it while also being one of the heaviest and most raw albums of that year that had an inexplicable and undeniable sonic nuance. Its most recent release is a split record with OAA called Enemy of Love and is harrowing fusion of doom, power electronics and intensely pointed social commentary fitting the state of the world today. But it’s not all just the sound of civilization crashing into a burning heap, there are moments when the record uses an almost ambient aesthetic to arrange the denunciation of the world’s destructive bastards and humanity’s seemingly unending instinct for self-destruction. By contrast though completely fitting Midwife is also on the bill with Madeline Johnston’s heartbreaking and soul soothing soundcapes that express a similar pain and rejection of a horrifying situation in the world in a broad and not topical sense while doing so through deeply personal songs about loss and trying to make sense of losses so deep they leave you shaken to the core. Midwife’s 2021 album Luminol provides some of the most transcendent and cathartic passages of music to address the aforementioned to have come out in the past decade. Opening this show is Polly Urenthane mentioned above opening the A Place to Bury Strangers show and will bring to this event her own music to transform trauma into inspiration.

To Be Continued…

Best Shows in Denver 12/05/19 – 12/09/19

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She Past Away performs at Marquis Theater on December 6, photo by Jonas Fransson

Thursday | December 5

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The Ocean Blue, photo courtesy Darin Back

What: The Ocean Blue
When: Thursday, 12.5, 7 p.m.
Where: Soiled Dove Underground
Why: Dream pop band and precursors of modern indie pop, The Ocean Blue, makes a stop in Denver in support of its new album Kings and Queens / Knaves and Thieves. Read our interview with singer/guitarist David Schelzel here.

What: Dog Basketball and Dry Ice album release
When: Thursday, 12.5, 7 p.m.
Where: Old Main Chapel CU 1600 Pleasant St. Boulder 80302
Why: Dual album release show from experimental pop band Dog Basketball and “psychedelic dream punk” band Dry Ice from Denver. A rarity to see any show at Old Main much less something this underground and experimental.

What: Morbid Angel w/Watain and Incantation
When: Thursday, 12.5, 7 p.m.
Where: Oriental Theater

Friday | December 6

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Altas circa 2019, photo by Tom Murphy

What: She Past Away w/Radio Scarlet and WitchHands
When: Friday, 12.6, 7 p.m.
Where: Marquis Theater
Why: She Past Away is the Turkish post-punk band from Bursa that began in 2006 and making them early adopters of the current darkwave movement. Its synth and bass-driven songs have a different quality than its Western European and American counterparts while sharing that dark, introspective quality that is clearly descended from the likes of D.A.F., Depeche Mode and Clan of Xymox with an aesthetic that isn’t so far removed from its punk roots. The group’s third and latest album 2019 Disko Anksiyete saw a dual release on Fabrika Records and Metropolis Record and with a US tour currently under way it’s proof that its music transcends barriers of language.

What: Altas with Tiffany Christopher
When: Friday, 12.6, 8 p.m.
Where: Denver Open Media
Why: Instrumental rock band Altas performs at Denver Open Media for a free show with Tiffany Christopher. Altas released the powerfully cinematic All I Ever Wanted Was in June 2019.

What: Josh Miller (MI), New Standards Men, Dean Berlinerblau and 50 Miles of Elbow Room
When: Friday, 12.6, 7:30 p.m.
Where: Glitter City

What: Elektric Animals w/The Hollow, Star Garbage, False Report
When: Friday, 12.6, 8 p.m.
Where: Lost Lake

Saturday | December 7

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May Erlewine, photo by Michael Poehlman

What: May Erlewine w/Dango Rose
When: Saturday, 12.7, 7 p.m.
Where: Tuft Theatre (Swallow Hill)
Why: May Erlewine is a prolific blues folk artist from Big Rapids, Michigan with fifteen albums under her belt since 2003 including 2019’s In the Night. Erlewine cut her teeth as a live performer, according to a piece on MTV.com, while hitch hiking across North America and performing on the streets. For In the Night Erlewine picked herself up from the state of despair that hit many people in the wake of the Trump presidency and use her music as way to address 45’s ignorant and hateful and destructive remarks and behaviors with thoughtful commentary and observations on life and the American culture she and many of us know to be much more authentic than the spewage from a pampered, narcissistic child of privilege. But expect that music to be delivered with Erlewine’s usual warmth, nuance and strength with her dynamic and elegant voice.

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Lettuce, photo Courtesy Casey Flanigan

What: Lettuce w/Antibalas and Chris Karns
When: Saturday, 12.7, 7 p.m.
Where: Fillmore Auditorium
Why: Lettuce is an experimental funk band that has crossed over into the realm of jam bands and EDM even though its music has ranged far afield of that for years including its 2019 album Elevate. The group freely borrows from styles and sounds to craft its signature synthesis of funk, Afrobeat, jazz and electronic pop.

What: Vio-Lence, Havok and Axeslasher
When: Saturday, 12.7, 7 p.m.
Where: Bluebird Theater

What: American Grandma presents SUPERDOG w/Midwife and Entrancer
When: Saturday, 12.7, 8 p.m.
Where: Rhinoceropolis

What: Saturnalia: Church Fire, Chess at Breakfast, Punk Rock Burlesque, Katalysk, Plasma Canvas
When: Saturday, 12.7, 6 p.m.
Where: Marquis Theater

What: Don Chicharron, Wolf van Elfmand, Dylan Earl, Tiger Saw and DJ Wax Dattie
When: Saturday, 12.7, 8 p.m.
Where: Hi-Dive

What: Cattle Decapitation w/Atheist, Primitive Man and Vitriol
When: Saturday, 12.7, 5:30 p.m.
Where: Oriental Theater

What: M I N O R w/Quiet Warlock and Phil Beard
When: Saturday, 12.7, 8 p.m.
Where: Lost Lake

What: Sharone album release w/Something For Tomorrow, Asylum 9 and 21 Taras
When: Saturday, 12.7, 8 p.m.
Where: Globe Hall

What: The Slacks, The Crooked Rugs and Sliver
When: Saturday, 12.7, 8 p.m.
Where: Mutiny Information Café

Sunday | December 8

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Anamanaguchi, photo by Leia Jospe

What: Anamanaguchi w/Default Genders and Nullsleep
When: Sunday, 12.8, 7 p.m.
Where: Bluebird Theater
Why: Mix an anthemic J-pop band with an 8-bit glitchcore project and a progressive rock/jazz fusion band and task it to make dynamic and engrossing video game music with an uncommon sense of space, composition and emotional impact and you have Anamanaguchi. Particularly on its 2019 album [USA]. Seems gimmicky at first but the New York-based band doesn’t get stuck in the hyperactive songwriting that plagues a lot of “Nintendocore” acts or the dull focus on displays of technical prowess and knowledge of theory that is behind a lot of prog. Just well crafted, expansive pop songs that feel like endless possibilities and the positive ghosts of childhood reverie manifested in sound.

What: Surrender Signal, No Comma, Downward Sun and We Are Not a Glum Lot
When: Sunday, 12.8, 7 p.m.
Where: Globe Hall

Monday | December 9

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Alex Cameron, photo by Chris Rhodes

What: Alex Cameron w/Jackladder and Emily Panic
When: Monday, 12.9, 7 p.m.
Where: Bluebird Theater
Why: Alex Cameron’s 2019 album Miami Memory is like a set of vignettes about people in crisis. But the take is one of compassion and understanding without trying to underplay or make light of the struggles. At a time when a lot of synth pop is generic, Cameron’s eccentric and psychologically insightful take on songwriting is strikingly different with a knack for changing up the vibe, texture and tone of his songs throughout an album. Just watch the video for “Far From Born Again” for a bit about Cameron’s keen understanding of the human condition.

Best Shows in Denver 9/26/19 – 10/2/19

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Cellista performs at Mercury Café on Friday, September 27, 2019

Thursday | September 26

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Pink Turns Blue circa 2016, photo by Daniela Vorndran

What: Pink Turns Blue w/Radio Scarlet and DJ Katastrophy
When: Thursday, 09.26, 8 p.m.
Where: Herman’s Hideaway
Why: Pink Turns Blue formed in Berlin in 1985. Its dark, moody atmospherics and driving bass lines meant its sound very much resonated with the post-punk of the day as it included synths in the mix and guitar chords that rang out and gave the songwriting an introspective quality. Fans of Chameleons and The Sound will probably much to like about Pink Turns Blue’s melancholic urgency and Mic Jogwer’s desperate yet resigned vocals. The group toured with Laibach in 1987 band recorded subsequent albums in Ljubljana, Slovenia smuggling in studio equipment from the West to do so. When the group moved to London in 1991 it lost some of its momentum and split in 1995. But since 2003 Pink Turns Blue has been active once again ahead of the revival and rebirth of darkwave that has been going on for the past decade. Also on the bill is Radio Scarlet, a Denver-based death rock band.

What: Toro Y Moi wChannel Tres (DJ set)
When: Thursday, 09.26, 7 p.m.
Where: Ogden Theatre

What: Animal / object, Arc Sol and Joohsup
When: Thursday, 09.26, 9 p.m.
Where: Rhinoceropolis
Why: Animal / object is Denver’s premier avant-garde improvisational band utilizing unconventional instrumentation. Arc Sol is proof you can be influenced by progressive rock, psychdelia and Silver Jews and refreshingly sound like none of that while bearing their mark. Joohsup is a left field hip-hop noise duo.

Friday | September 27

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Bellhoss, photo by Tom Murphy

What: Cellista’s Transfigurations w/Sean Renner
When: Friday, 09.27, 8 p.m.
Where: Mercury Café
Why: Mulimedia artist Cellista recently released an album called Transfigurations with a companion book, A Listener’s Guide to Cellista’s Transfigurations, that gives the ambitious work some context. The album explores those moments in life and in one’s personal and maybe creative development when you are struck and forced to consider the moment and evolve taking in that transformational input. With the processed samples of authoritarian voices speaking to that effect is both chilling and a reminder of those times when we could have stepped in to take a different path but haven’t yet. The album seems arranged as piece of politically-charged, avant-garde literature with an elegantly composed soundtrack that deconstructs and re-synthesizes classical music, pop, hip-hop and sound design. For the live performances of Transfigurations Cellista will incorporate dance, film, music and literature for an experience like little else going on this week or any other in Denver.

What: Babymetal w/Avatar
When: Friday, 09.27, 7 p.m.
Where: Ogden Theatre
Why: Babymetal is a Japanese “kawaii metal” band whose relentless death metal is overlaid with J-pop-esque vocals and melodies. And the stage shows just like something out of a big time production of a Japanese pop band on one of the massive Saturday marathon variety shows, choreographed dance moves and matching outfits. Gimmicky, to be sure, but weird enough to be enjoyable.

What: Dodie w/Adam Melchor
When: Friday, 09.27, 7 p.m.
Where: Gothic Theatre
Why: Dodie Clark is an English singer-songwriter whose spare melodies and breathy vocals give the space for her sharply observant and poetic lyrics to develop and create vivid images in your mind of a situation and feeling, a real slice of the experience of that moment. Her 2019 album Human expands the sonic palette some while also imbuing Clark’s voice with more clarity and impact.

What: Adrian Belew w/Saul Zonana
When: Friday, 09.27, 7 p.m.
Where: Boulder Theater
Why: Adrian Belew is the brilliant and inventive guitarist whose solo albums are worth exploring for this imaginative songwriting. But some may remember him for his time playing in King Crimson, as a live member of Talking Heads, in Tin Machine with David Bowie or even on William Shatner’s 2004 album Has Been.

What: Mile High Comedy Festival Presents Maria Bamford w/Aparna Nancherla and Jackie Kashian
When: Friday, 09.27, 7 p.m.
Where: Paramount Theatre
Why: The Bammer is the genius, socially critical surrealist of the current era.

What: Bellhoss tour kickoff w/Short Shorts, Mainland Break and Claire Heywood
When: Friday, 09.27, 8 p.m.
Where: Lost Lake
Why: Bellhoss is taking off for a tour of the American West and launching that with this show including some of Denver’s most interesting indie rock bands in Short Shorts and Mainland Break. Bellhoss’ Becky Hostetler nails the anxiety and hope of modern life on her tender and earnest pop songs.

Saturday | September 28

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Dodie, photo by Kyle Jones

What: John Densmore
When: Saturday, 09.28, 2 p.m.
Where: Boulder Book Store
Why: Doors drummer John Densmore will be signing copies of his 2010 book Doors Unhinged.

What: Dodie w/Adam Melchor
When: Saturday, 09.28, 7 p.m.
Where: Gothic Theatre

What: Adrian Belew w/Saul Zonana
When: Saturday, 09.28, 7 p.m.
Where: Bluebird Theater

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Mike Watt and The Missing Men circa 2011, photo by Tom Murphy

What: Mike Watt & The Missingmen w/Slim Cessna
When: Saturday, 09.28, 9 p.m.
Where: Lion’s Lair
Why: Mike Watt is indeed the bassist singer who was a part of Minutemen and fIREHOSE and who has been playing bass in the Stooges of late. This trio includes Tom Watson who was a member of jangle-y post-punk band Slovenly and Raul Morales who also plays with Watt in Mike Watt and the Secondmen. This project combines Watson’s textured, melodic guitar style with Watt’s angular, jazz-inflected, wiry and urgent rhythms. Watt being one of the most animated and talented bass players in all of punk and rock and a sharp social critic is always worth checking out. He’s still jamming econo and the band’s tours and booking are still well within the realm of DIY in the old school and modern sense.

What: Sway Wild w/Megan Rose Ellsworth
When: Saturday, 09.28, 7 p.m.
Where: The Walnut Room
Why: What saves Sway Wild from being the kind of “Indie” radio darling band that is the stuff of too many would-be tastemaker playlists crafted by those with fairly conventional and safe taste in music is not just Mandy Fer’s warm vocals and her and Dave McGraw’s dynamic songwriting. It’s that making up its charming melodies and playful performances is imaginative and creative instrumentation that displays their technical prowess as players channeled into zesty, tightly crafted pop songs. Currently the trio, which includes Thom Lord, is on tour in support of its self-titled, full-length debut.

Sunday | September 29

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Rowboat, photo by Tom Murphy

What: Shibui Denver #6: Total Trash and Rowboat
When: Sunday, 09.29, 7 p.m.
Where: Mutiny Information Café
Why: This latest edition of Shibui Denver showcases Total Trash and Rowboat. The former is a psychedelic noise pop group whose members have played with the likes of Fingers of the Sun, Fissure Mystic, Quantum Creep, Lil Slugger, The Pseudo Dates and other bands that mean little if you’ve not been paying attention to the Denver underground of the past ten years. But it also means some of the more creative musical talents in the realm of local rock music have come together to make something different from what they’ve done before. Rowboat combines literary yet deeply emotional and heartfelt lyrics with haunting atmospheres and melodies in songs that plumb the depths of human existence and the things that give meaning to our lives.

What: Mike Watt & The Missingmen w/Slim Cessna
When: Sunday, 09.29, 9 p.m.
Where: Lion’s Lair

Tuesday | October 1

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Periphery, photo courtesy the artists

What: Periphery w/Veil of Maya and Covet
When: Tuesday, 10.01, 6 p.m.
Where: Summit Music Hall
Why: Progressive metal band Periphery sounds more like a post-hardcore band than simply metal. And probably because the attack of its songs is fairly angular and driving in a way that sounds more like it comes out of a similar place of primal energy. Although there’s plenty of precision and technical prowess on display in its songs with many songs in drop C on the six-string, the group’s songs often sound like they’re about to fly off the rails. Sometimes bands with those types of sounds and dynamics take themselves way too seriously but Periphery’s 2019 album is called Periphery IV: Hail Stan. There is a song called “Chvrch Bvrner” and references to the supernatural and animals. So someone in the band, probably everyone involved, has a healthy sense of humor and an ability to see its music in a way that evolves organically than the sort of pure logic level that is often assumed with the genre.

What: Plague Vendor w/No Parents and The Ghoulies
When: Tuesday, 10.01, 8 p.m.
Where: Summit Music Hall
Why: Plague Vendor came off as a fairly straightforward melodic punk band early on. But at this point, and particularly on its new album By Night, the band from Whittier, California has evolved its sound into something more akin to glammy post-punk without sacrificing its fiery energy.

What: An Evening With Paula Cole
When: Tuesday, 10.01, 7 p.m.
Where: Buffalo Rose
Why: Paula Cole made her popular music bonafides as an act on Peter Gabriel’s Secret World Live tour from 1993-1994. Her musical background includes having studied jazz singing at Berklee College of Music and in her dusky, soulful vocals you hear that training put to good use. In 1996 her second album This Fire yielded the hit single “Where Have All the Cowboys Gone?” and like anything popular it got played ad infinitum making it easy to dismiss Cole like any other pop act put forth by the music industry as it tried to find hitmakers in the collapse of the alternative music explosion of the early 90s. But Cole, turns out, has always been a strikingly powerful performer and her performances for the final Lilith Fair tour in 1998 undoubtedly won her fans who had written her off previously. Currently Cole is performing a string of intimate shows in support of her 2019 record Revolution.

What: Ghosts of Glaciers album release w/In the Company of Serpents and Echo Beds
When: Tuesday, 10.01, 8 p.m.
Where: Hi-Dive
Why: Denver-based progressive metal/post-rock trio Ghosts of Glaciers returns with its new album The Greatest Burden released through Translation Loss Records. More than even previous releases, the group conceives of this arc of songs in cosmological time from the primordial oceans that spawned life (the opening track titled “Primordial Waters” through the inevitability of the decay and collapse of the eons long cycle of life and the fall into the chaos that will once again spawn new worlds and universes. The music charts that path with slow, dynamic arcs that dive into furious, churning progressions and sublime, swimming melodies. To celebrate the release of this new record the band will share the stage with local doom juggernauts In the Company of Serpents who have some of the most compelling and powerful art in the local scene and industrial post-punk legends Echo Beds.

What: The Waterboys
When: Tuesday, 10.01, 7 p.m.
Where: Gothic Theatre
Why: The Waterboys came out of Edinburgh, Scotland with a blend of Celtic folk and post-punk and made inroads into the world of 80s “college rock.” While not as dark and overtly political as an arguably like-minded band like New Model Army, The Waterboys extolled the virtues of a universal mysticism based in nature and how that connects everyone. Fans of The Hothouse Flowers and The Alarm will definitely find much to like about The Waterboys who are now touring in support of their 2019 album Where the Action Is.

What: Prissy Whip, Moon Pussy, New Standards Men
When: Tuesday, 10.01, 8 p.m.
Where: Rhinoceropolis
Why: Prissy Whip is an eruptive industrial noise rock band with the emphasis on noise and breakneck dynamics. Who to compare them to other than maybe Melt Banana? New Standards Men is the kind of weirdo experimental metal band you get when the people in the band are into way more music than what you might think listening to what they’re doing. Probably into Naked City as much as the Locust and Neurosis. Moon Pussy combines gnarly song dynamics with a thorny tunefulness that is impossible to ignore making it one of the most interesting bands out of Denver right now.

What: Titus Andronicus w/Control Top
When: Tuesday, 10.01, 7 p.m.
Where: Globe Hall

Wednesday | October 2

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Kishi Bashi, photo by Max Ritter

What: Weird Wednesday: After the Carnival, Cop Circles, Enji w/Cabal Art
When: Wednesday, 10.02, 9 p.m.
Where: Lost Lake
Why: No Wave disco artist Cop Circles will bring plenty of the weird this time around for this edition of the monthly showcase of unusual and outside music curated by Claudia Woodman.

What: Wheelchair Sports Camp w/Dry Ice and Rocket Dust
When: Wednesday, 10.02, 7 p.m.
Where: Lost Lake
Why: Wheelchair Sports Camp is a brilliant combination of jazz chops in the live end of the music and experimental beatmaking and playful, conscious wordplay on the production and MC end. And a powerful and compelling live band to boot. This is the group’s launch show for its upcoming tour.

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Loving, photo by Harold Hejazi

What: Loving
When: Wednesday, 10.02, 7 p.m.
Where: Hi-Dive
Why: Victoria, British Columbia’s Loving turns the sort of introspective, light psychedelic pop sound on a different angle because its music really does sound like the band is going to take you on a trip to some otherworld realm of elegance where time and space are interactive concepts driven by your imagination so better brush up on your creative skills before sitting down to one of the band’s trippy folk records.

What: Kishi Bashi w/Takénobu
When: Wednesday, 10.02, 7 p.m.
Where: Lost Lake

What: The Pharcyde w/Ladygang (Weds) and Wes Watkins (Thurs)
When: Wednesday, 10.02 and Thursday 10.03, 8:30 p.m.
Where: Ophelia’s Electric Soapbox

Best Shows in Denver 12/27/18 – 1/2/18

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Church Fire drops Summer Camp Doom Diary @ Hi-Dive this Saturday, 12/29/18.                       Photo by Tom Murphy

Thursday | December 27, 2018

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Sliver, photo by Tom Murphy

Who: Drink Drank Punk w/Sliver and Denver Meatpacking Company
When: Thursday, 12.27, 7 p.m.
Where: Lost Lake
Why: Drink Drank Punk sounds like a party game of some kind but it’s actually a punk band that sounds like some 90s grunge-inspired musicians decided to call themselves punk because that’s where grunge came from anyway. On the band’s “About” section on Facebook words have semi-randomly capitalized letters and other odd bits of bravado. Listing one of your own other projects as an influence on the band you’re in? Really? Hopefully the band is good. Fortunately, the other two bands, clearly own the influence of grunge and 90s alternative rock and make it their own. Sliver’s fury and emotionally raw performances feel like they come from a very real place. Especially with Demry West on drums playing with a joy that balances out Chris Mercer’s churning anomy. Denver Meatpacking Company could have been a solid pop band but there’s something cathartic about playing music with a bit more grit even if you’re old enough to remember when “Smells Like Teen Spirit” was toppling the glam metal temples in the early 90s without even trying. That comes across in DMC’s songwriting and shows.

Who: Sleepy Animals EP release, Bluebook, Lowfaith
When: Thursday, 12.27, 8 p.m.
Where: Syntax Physic Opera
Why: Sleepy Animals releases its EP Mirrored Polygons today. Its downtempo indie rock is in good company with the avant-garde indie pop of Bluebook and Lowfaith’s gentle and expansively moody post-punk.

Friday | December 28, 2018

 

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Green Druid, photo by Tom Murphy

Who: Khemmis w/Dreadnought, Green Druid
When: Friday, 12.28, 8 p.m.
Where: Larimer Lounge
Why: Doom band Khemmis has been making waves well beyond Denver for a few years at this point and this weekend is doing a two night run showcasing some of the best metal local metal bands including tonight with Dreadnought and its majestic, folk-inflected, atmospheric doom and Green Druid’s psychedelic tinged brand of heavy music.

Who: Joseph Lamar, Talking Mirrors, My New Dad
When: Friday, 12.28, 9 p.m.
Where: Denver Bicycle Café Beer Hall
Why: Joseph Lamar has been a bit of a musical alchemist and chameleon with his songwriting steeped in dream pop and R&B while taking on various roles as a musician in his band an in other projects. His live show is a mixture of the intimate and the mystical.

Who: Slim Cessna’s Auto Club w/Denver Broncos UK and Midwife
When: Friday, 12.28, 8:30 p.m.
Where: Globe Hall
Why: Slim Cessna’s Auto Club has, since its beginnings in the early 90s, established itself as one of the definitive bands of the Denver music outside the mainstream. With an international fanbase, SCAC, like many of the Mile High City’s best bands, plays small club shows in its hometown. The group’s lively performances of harrowing yet ultimately life-affirming music is reliably compelling, moving and, though highly theatrical, human. For this three night run (also including 12/29 and NYE) the band is bringing in refreshingly different opening act from the usual “same genre” billing. For this show, sure, dark post-punk Americana side project Denver Broncos UK, well worth seeing, but also the delicate, ethereal outsider folk brilliance of Midwife.

Saturday | December 29, 2018

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Mirror Fears at UMS, July 30, 2017, photo by Tom Murphy

Who: Church Fire: Summer Camp Doom Diary release w/The Milk Blossoms, Wheelchair Sports Camp and Mirror Fears
When: Saturday, 12.29, 8 p.m.
Where: Hi-Dive
Why: Church Fire’s latest album Summer Camp Doom Diary was many years in the making from shedding the quaint but necessary early compositional ideas and methods represented by the phase in which the duo was calling itself Sewing Buttons on Ice Cream. When the band emerged into the type of group that could make powerful tribal, industrial dance music infused with a sophisticated sociopolitical orientation it really found its core audience among people who don’t see why bangers are irreconcilable with rich and thoughtful content. The new record is the apex of Church Fire’s most recent wave of artistic development which, in many bands, is where its future music will plateau even if it’s worth a listen hereafter. But if you’ve seen Church Fire in the last half year you’ve seen hints of the future direction of the band all of which is more than hinted at across Summer Camp Doom Diary like mini-prophecies, Easter eggs, of self-liberation for both the band and listener alike. For this show Church Fire is joined by other local visionary artists in the more experimental realm who make music that stretches the brain and expands your inner horizons.

Who: Khemmis w/Of Feather and Bone and NightWraith
When: Saturday, 12.29, 9 p.m.
Where: Larimer Lounge
Why: Second night of Khemmis’ local showcase with the grindcore-esque Of Feather and Bone and the thrash-core doom of NightWraith.

Who: Pale Sun, Emerald Siam and Wild Call
When: Saturday, 12.29, 8 p.m.
Where: Lost Lake
Why: When silly people talk about the “end of guitar rock” they should be so lucky as to catch this line-up with Pale Sun’s hypnotic and moving post-shoegaze ambient rock, Emerald Siam’s left field stretch beyond brooding post-punk by incorporating hooks and emotional depth and Wild Call’s gritty, dreamy, visceral songwriting.

Who: Itchy-O w/PPL MVR
When: Saturday, 12.29, 8 p.m.
Where: The Oriental Theater
Why: Itchy-O is doing a three night run for the new year beginning tonight with costume weirdo metal band PPL MVR. While a lot of its music is some kind of sludgy hard rock the yeti-looking group freely plays with sounds and methods from other styles of music including psychedelia and hip-hop.

Who: Slim Cessna’s Auto Club w/Munly & The Lupercalians and Voight
When: Saturday, 12.29, 8:30 p.m.
Where: Globe Hall
Why: This second night of three of SCAC’s NYE run at Globe Hall includes performances from the spooky, costumed ritual folk band Munly & The Lupercalians and shoegaze/industrial post-punk duo Voight.

Sunday | December 30, 2018

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Cloudless Rain (left) with Sheet Metal Skin Graft (left) circa 2017, photo by Tom Murphy

Who: Textures: Brother Saturn, Cloudless Rain, Gutter Spirits
When: Sunday, 12.30, 7:30 p.m.
Where: Mutiny Information Café
Why: The final Textures ambient showcase of 2018 with performances from post-rock/loop-shoegaze/electro ambient project Brother Saturn and Cloudless Rain whose own music seems to be one of freefloating, endless horizons as one would expect from a persistent virtual world chillout zone.

Who: Wildermiss w/The Solid Ocean and Panther Martin
When: Sunday, 12.30, 8 p.m.
Where: Larimer Lounge
Why: Red Fox Run was a promising band that realized that ambition when some of those guys got together with Emma Cole to form Wildermiss. It’s upbeat, earnest indie rock with interesting tonal flourishes and imaginative song dynamics that separate its musical offerings from the current spate of cookie cutter indiedom. The Red Fox Run guys also bring to the project much of what they learned about promoting themselves beyond just overplaying and oversaturating the local scene in the seemingly aimless manner of many of their peers. This is the first night of a two night run to ring in the new year.

Who: The Beach Boys
When: Sunday, 12.30, 6 p.m.
Where: Paramount Theatre
Why: It is indeed The Beach Boys probably performing choice cuts from across its career with some surprises thrown in because Brian Wilson isn’t a rote creative talent.

Who: Itchy-O w/Radio Scarlet
When: Sunday, 12.30, 8 p.m.
Where: The Oriental Theater
Why: Second night of Itchy-O’s run at The Oriental, this night Denver deathrock band Radio Scarlet will open the show.

Who: cindygod EP release
When: Sunday, 12.30, 9:30 p.m.
Where: Pon Pon
Why: cindygod is the newest band from the former members of noise rock band Gauntlet Hair. When the group emerged in the spring/summer of 2018 it had grown to a four-piece with a new name but with sounds that fans of the old band would find immediately likeable. Live, cindygod has been a reminder of what a great band Gauntlet Hair was but one that has evolved beyond that era of musical development but with the same frantic yet nuanced dynamics and joyous outpouring of sound. The group recently released the digital version of its debut EP with the vinyl available at this event.

Monday | December 31, 2018

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Rubedo at We Labs with Ikey Owens (3rd from left), November 15, 2013. Photo by Tom Murphy

Who: Rubedo w/Fed Rez, R A R E B Y R D $, DJ Polyphoni
When: Monday, 12.31, 8 p.m.
Where: Lost Lake
Why: Rubedo doesn’t play too many Denver shows these days. Its winning, accessible and energetic mixture of funk, noise rock and prog has found an audience beyond Denver. In 2017 Rubedo released Vaca, a sort of farewell album to the trio’s late mentor and musical partner Isaiah “Ikey” Owens. Perhaps this show will include some of the material that will make up its next chapter. For this NYE show you also get to see raucous, insightful and witty hip-hop group Fed Rez and R A R E B Y R D $, another hip-hop group but one whose soulful, even spiritual, sound is rooted in an ability to channel pure emotion in nuanced, gentle yet powerful ways.

Who: Wildermiss w/Retrofette, Coastal Wives, Levi Double U
When: Monday, 12.31, 8 p.m.
Where: Larimer Lounge
Why: This second night of Wildermiss’ NYE run at Larimer Lounge will include performances from synth pop band Retrofette, indie blues rock band Coastal Wives and hip-hop production-influenced house music artist Levi Double U.

Who: Itchy-O w/Mr. Pacman
When: Monday, 12.31, 9 p.m.
Where: The Oriental Theater
Why: Itchy-O concludes its three-night run of shows this NYE with peformance art/synth pop group Mr. Pacman. Traditionally the 3 or 4 members of the latter have performed in costume like something out of an 80s cartoon cosplay demonstration but the confrontational performance will fit in well with what follows with the onslaught of Itchy-O.

Who: Slim Cessna’s Auto Club w/Wayfarer and George Cessna (solo)
When: Monday, 12.31, 8:30 p.m.
Where: Globe Hall
Why: The third and final show of SCAC’s NYE residency featuring opening sets from Denver doom band Wayfarer and George Cessna performing a solo set.

Wednesday | January 2, 2019

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Adam Selene, photo by Spookie Darling of Darling House Media

Who: Weird Wednesday: Adam Selene, The Jinjas, Vampire Squids From Hell
When: Wednesday, 01.02, 9 p.m.
Where: 3 Kings Tavern
Why: This is the first Weird Wednesday of 2019. The series, curated by independent, underground promoter Claudia Woodman, aims to highlight the stranger or more eccentric and/or more experimental music happening in Denver or dropping in on tour. For this show it’s poet/hip-hop artist Adam Selene whose beats are definitely not the standard faire and incorporates a broad palette of sounds and instrumentation, being more akin to the likes of Eyedea & Abilities and other hip-hop projects that don’t hesitate to use straight up rock and other noisy samples to give the music some edge. A good pairing with synth rock/pop weirdos The Jinjas. Psych/Americana-twinged surf rock band Vampire Squids From Hell aren’t overtly weird except when you consider that at times the group sounds like a strange hybrid of The Brian Jonestown Massacre and a mellower Man Or Astroman?

Best Shows in Denver 9/13/18 – 9/19/18

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Angel Olsen performs at The Paramount Theatre on 9/17/18. Photo by Taylor Boylston

Thursday | September 13, 2018

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Joe Dosik, photo by Curtis Essel

Who: Joe Dosik w/Moonglade
When: Thursday, 09.13, 7 p.m.
Where: Larimer Lounge
Why: With funk band Vulfpeck, Joe Dosik is often a bit of a sideplayer on sax and keys but with his recently released solo debut full length Inside Voice, Dosik makes good on the promise of his 2018 EP Game Winner. The lush production and Dosik’s versatile, soulful vocals is like something out of the late 70s or early 80s. Like maybe Dosik sequestered himself away from most modern music and listened mostly to a lot of Billy Paul, Luther Vandross’s 1981 breakout Never Too Much and Joe Jackson’s 1982 album Night and Day. Dosik’s compositions tend to be produced with more space to let atmospherics hang and resolve in a way that great pop artists in the aforementioned era often indulged but which in modern pop seems a bit of an all too human anachronism. These days, that’s the kind of quaint touch we could use more of.

What: Turn It Around: The Story of East Bay Punk at Sie Film Center w/Aaron Cometbus and Anna Brown
When: Thursday, 09.13, 6 p.m.
Where: Sie Film Center
Why: Aaron Cometbus’ ‘zine Cometbus has inspired generations of artists from other ‘zinesters, comics creators and musicians. His depiction of life across his body of work captured the moment, low and exciting, in a way few have. He and Anna Brown, a writer, surfer, educator and significant figure in the California punk world since the 80s, will be part of a Q&A after the screening of Turn It Around: The Story of East Bay Punk, a documentary about the punk scene in the San Francisco Bay area that brought us not just Maximum Rock ‘N’ Roll but the rich punk subculture that it documented and continues to do so including, for better or worse, the wave of pop punk that was the next major musical movement from the underground to emerge as alternative rock was splintering and co-opted by mainstream moneyed music industry interests.

Who: Musical Mayhem: Marvel West, Mean Hand, Limber Wolf
When: Thursday, 09.13, 8:30 p.m.
Where: Lion’s Lair
Why: In case anyone missed it, Musical Mayhem, the more or less free format monthly hosted by Claudia Woodman is now at Lion’s Lair. While not mainly “weird” music, Woodman’s tastes tend to run that direction. But on this night American band Marvel West will make an appearance along with Mean Hand, a band led by long time Denver underground rock and punk legend Tom Mestnik. Rumor has it Denver’s luminous western slowcore-esque band Limber Wolf is low key releasing its album at this show as well.

Who: Rabbit Fighter, The Pretty Bones, Nighttimeschoolbus, Miss Owl & the Pull Apart
When: Thursday, 09.13, 8 p.m.
Where: Syntax Physic Opera
Why: Touted as “Girl Power Night at Syntax” this show includes the mighty Nighttimeschoolbus, the duo of Robin Walker and Toby Hendricks who combine experimental hip-hop beat making and deeply affecting vocals. Rabbit Fighter has as its Facebook image a scene from Heathers quoting Veronica Sawyer, played by Winona Ryder, saying, “DEAR DIARY, I WANT TO KILL.” And, once in a while, who hasn’t felt that? If it really is a pop band at least it’s probably one with some attitude.

Who: Lowfaith record release w/Ridgeway, No Gossip In Braille and Voight
When: Thursday, 09.13, 8 p.m.
Where: Seventh Circle Music Collective
Why: Dream pop/darkwave band Lowfaith is releasing its new album On Loss tonight at Seventh Circle playing with bands in a similar vein. No Gossip In Braille includes Echo Beds frontman Keith Curts and its lush, low key atmospheric rock is almost a polar opposite of his other project in tone and texture. Voight really combines the melancholy mood of a dark post-punk band with the furious energy of a noise punk project. While initially sounding a bit like a a great A Place to Bury Strangers tribute band, the duo has really brought in its more electronic side more fully, giving its already wiry yet brooding sound a calming quality in contrast to its often explosive live intensity.

Friday | September 14, 2018

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Landgrabbers, photo by Tom Murphy

Who: Cyanidols, Luna Sol, Flat Earth and Landgrabbers
When: Friday, 09.14, 8 p.m.
Where: 3 Kings Tavern
Why: For something on the harder edge of Denver’s punk world this would be the show to check out tonight. Cyanidols includes Sonya Decman (whose bass prowess and vocal power brought a good deal to Tarmints, The Symptoms and Brain Police) and Chris Kieft who has been a staple of Denver’s punk scene going back to the 80s along with Oscar Pop. Luna Sol is sort of a stoner rock band and includes Shanda Kohlberg formerly of The Swanks as well as former Supafuzz frontman Dave Angstrom. Landgrabbers is a little more countrified but it is a welcome throwback to that time in the Denver punk scene when a band could simply be good and not have to cater too much to some prevailing trend.

Who: Equine, Housekeys, Shawn Mlekush
When: Friday, 09.14, 9 p.m.
Where: Denver Distillery
Why: Even though most of the local music and culture press is sleeping hard on it, the local experimental music scene is pretty active and sizeable. This low key show at Denver Distillery includes avant-guitar and loop maestro Equine, ambient soundscaper Housekeys and Shawn Mlekush who may be playing some entrancing abstract guitar drones and/or using synth in conjunction. Brought to you by Thought//Forms, the gallery that has been home to some of this music since starting up earlier this year.
Who: UaZit, Goon, f-ether, Claudzilla
When: Friday, 09.14, 8 p.m.
Where: Lion’s Lair
Why: UaZit from Indiana is this sort of weirdo electronic downtempo project that is as much performance art as it is music. Akin to hip-hop with beats that could work for that but also reminiscent of MC 900 Ft. Jesus. This Goon is not the hardcore band, rather the alternative hip-hop/trap producer. F-ether is somewhere in the realm of dub techno and house. Claudzilla is also an artist that blurs the line between bizarro pop and performance art. She might even do some strange covers as worthy as the originals. But for sure if you think Denver only really produces stuff for the temporary techbro colony that has occupied the Mile High City, Claudzilla is an antidote to such cultural pathologies.

Saturday | September 15, 2018

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Nothing, photo by Ben Rayner

Who: Nothing w/Culture Abuse, Big Bite and Smut
When: Saturday, 09.15, 7 p.m.
Where: The Bluebird Theater
Why: Nothing has evolved its shoegaze-y sound since its inception having come out of hardcore and other heavier music but without losing some of the dark edge that informs the lyrics. Its new album On the Blacktop seems sonically the most fully-realized of its records with gritty pop washes and burning shines over melancholic vocals. Even though Domenic Palermo still struggles with health issues and the ensuing psychological maladies that predate and have come about because of those, he still manages to find a way to make it all seem like something you can cope with and not be completely subsumed by even if it seems impossible sometimes. Pop punk has long since made a comeback but Culture Abuse makes it seem like the genre isn’t out of ideas musically and thematically. It’s 2018 album Bay Dream looks like some kind of late 90s party record with the graffiti style visuals and it could be if that party involved some deep existential examinations rather than simply melodramatic songs about love lost forever. Smut from Cincinnati sounds like its members already went through that 90s grunge revival phase and discovered more expansive sounds even if right now it is sonically somewhere in the middle in a way that seems more interesting than throwback.

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Jay Aston’s Gene Loves Jezebel, photo Courtesy of Jay Aston’s Gene Loves Jezebel

Who: Jay Aston’s Gene Loves Jezebel w/Scifidelic and Radio Scarlet
When: Saturday, 09.15, 8 p.m.
Where: The Venue (1451 Cortez St., Denver)
Why: After a bit of a legal battle between Jay Aston and his brother Michael, Jay Aston’s Gene Loves Jezebel that the band Jay leads gets to use in America while the original band name in the UK and vice versa for Michael. Jay Aston’s band put out its first album in nearly a decade in 2017 with the surprisingly compelling beginning to end album Dance Underwater. The new record gives you a real appreciation for Jay’s talent as a songwriter and musician with a broad tonal and emotional range and great nuance of expression. His band includes members of Gene Loves Jezebel going back to the mid-80s and likely the closest one will get to see the classic line-up of one of post-punk’s underrated groups. In the 80s Gene Loves Jezebel had dance club hits and proved influential on the Goth scene of the time and Jay’s songwriting has been surprisingly durable with his current crop of songs seeming timeless rather than capitalizing on past glory.

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Eyebeams, black light poster image courtesy Eyebeams

Who: Eyebeams EP & Blacklight Poster release w/Kissing Party and An Antiquated Bluff (Josie Cool solo)
When: Saturday, 09.15, 9 p.m.
Where: The Skylark Lounge
Why: Denver’s Eyebeams is releasing its latest EP and blacklight poster tonight at The Skylark. The four-piece makes music that out of having already done the indie pop and psychedelic pop thing and taking the skill set learned there to do something that’s the next step in that creative arc. Suzi Allegra and Nathan Brazil played in some of the best pop/rock bands of the 2000s and 2010s with Games For May, The Pseudo Dates and Fingers of the Sun and wrote literate, smart songs that will presumably someday be part of Denver underground rock canon. Fernando Guzman and Andrew Elkins made their own indelible mark with the experimental/weirdo art rock band Fissure Mystic, a group in which they spent their teen years and early twenties honing the use of raw sound experimentation in a pop song context even if no one would ever really confuse Fissure for being a pop band. Elkins very much brought that sensibility with his end of the songwriting. Allegra played in Fissure for a couple of years, Guzman played in Fingers of the Sun. So Eyebeams is a bit of a consolidation and progression of the musical ideas all four musicians contribute to this band. The new, self-titled, EP demonstrates Allegra’s genius for fully integrating melody with dynamics and for writing songs that have more depth and complexity than simply one emotional flavoring and color without self-indulgent clutter. There is a melancholic tone to all of the songs but also a yearning for knowledge and clarity of oneself yet an acceptance of the reality of ambiguity you come to live with as an adult that as a younger person maybe you churn into melodrama. As a bonus, the band is releasing a special edition blacklight poster of its album cover at the show as well.

Who: Cometbus: Live Reading and Q&A with Aaron Cometbus
When: Saturday, 09.15, 8 p.m.
Where: Mutiny Information Café
Why: For more on Cometbus see above on Thursday, September 13. For this night, Cometbus is doing a live reading from his body of work with a follow-up Q&A.

Sunday | September 16, 2018

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Luxury Hearse, photo by Tom Murphy

What: 2 OUTS: An Electronic songwriter gathering: Pearls and Perils, Mirror Fears, And I, Keldari Station, Church Fire, Gold Trash, EVP, Panic Priest, Blackcell, Strange Powers, Lady of Sorrows, Juniordeer, $addy, eHpH, Nighttimeschoolbus, Luxury Hearse, Voight
When: Sunday, 09.16, 3 p.m.
Where: Lost Lake
Why: A veritable cornucopia of great Denver musicians writing songs using electronic instruments or, in the case of Voight, using a guitar but writing with electronic music sensibilities. If you go to one event the rest of the year and want a great and fairly broadly representative slice of Denver music that uses electronic instrumentation in a boundary-pushing, interesting way, there won’t be a better chance to see it all in one place because no one else is thinking of an event like this with the level of quality curation that went into it.

Who: WOE, WVRM, Noctambulist and Scepter of Eligos
When: Sunday, 09.16, 8 p.m.
Where: Lost Lake
Why: The heaviest show of the week, nay, the month happens tonight at the Hi-Dive. Brooklyn’s WOE may be black metal but its furious live performance feels more like seeing Neurosis combining dark, relentless grinding psychedelia with eruptive energy. WVRM from Greenville, South Carolina is on the surface more straight ahead grind but there’s something flowing underneath that suggests someone in the band is deeply into noise and industrial music. That sensibility gives the music an textural quality and vibe that brings even more an edge to the sound. Noctambulist conveys a similar unconventionality to its death metal onslaught. Like they’re crafting atmospheres to replicate those of a Lovecrafting other dimension hanging with Nodens while he sits back while the Great Old Ones bash it out amongst each other seeding the civilizations of mortal life forms with nightmarish it their darker corners. It seems as though doom is a genre that’s starting to get played out but Scepter of Eligos really challenges that notion because its own take on having roots in that music is to inject it with a healthy heaping of more interesting atmospheric and rhythmic qualities that give its songs an uncommon dimensionality in the genre.

Monday | September 17, 2018

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Angel Olsen circa 2014, photo by Tom Murphy

Who: Angel Olsen
When: Monday, 09.17, 7 p.m.
Where: The Paramount Theatre
Why: Angel Olsen is currently on her first solo tour in four years. The songwriter spent some time as a backing singer for Bonnie “Prince” Billy and Cairo Gang before striking out on her own and making a name for herself with her powerfully evocative voice and her ability to vividly articulate a complexity of emotion through lyrics and casting the perfect tone for the song. These qualities were there from early on but 2016’s My Woman revealed that Olsen wasn’t capable of just having a creative leap forward but transforming the sonic breadth of her music. The clever and wise songs of Burn Your Fire For No Witness was a brilliant indie rock album, My Woman was Olsen coming into her own and embracing possibilities for a record that seemed to convey that one can go forward in life without letting uncertainty be a stumbling block to your progress. For this tour Olsen will be performing stripped down versions of new material as well as some of her older songs yet playing fairly large rooms. Something about that hints at Olsen’s dry, absurdist sense of humor while acknowledging that she’s probably going to have to get used to those settings for the rest of her career.

Who: Gillian Welch and David Rawlings w/Punch Brothers
When: Monday, 09.17, 6 p.m.
Where: Red Rocks
Why: Since early in her career, Gillian Welch has performed with an ineffable gravitas and seemingly easy mastery of her voice and the voicings of her instruments. Maybe her being an orphan, albeit adopted into a musical family, put a haunting in her brain from a young age, a layer of melancholy that many musicians spend a good deal of their 20s and 30s trying to cultivate so that when they try to sing the blues or country or rock and roll it has genuine weight behind songwriting and performance. Welch had that on her 1996 record Revival and has simply evolved into being of the great artists of the modern era alongside her musical partner David Rawlings. At this Welch and Rawlings are no strangers to big format concerts but a late summer show at Red Rocks seems just about perfect for one of their shows.

Tuesday | September 18, 2018

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Nine Inch Nails, photo by Corinne Schiavone

Who: Nine Inch Nails w/The Jesus and Mary Chain and Tobacco
When: Tuesday, 09.18, 6 p.m.
Where: Red Rocks
Why: Nine Inch Nails has apparently been breaking out some material it hasn’t performed live in quite some time like all of the 1992 EP Broken at its tour kickoff. But that aside, every Nine Inch Nails tour brings one of the best live shows that anyone is doing any given year since the band broke in the late 80s. On a recent tour the group had live set changes on stage in addition to an impressive light show. And as per usual, someone in the NIN camp has great and adventurous tastes in co-headliners and opening acts. In the past NIN has brought on tour underground weirdo rock/electronic bands like Deerhunter, HEALTH and Oneohtrix Point Never. This time out for the co-headlining tour with legendary proto-shoegaze/alternative rock band The Jesus and Mary Chain, there will be Tobacco. The enigmatic electronic/psych/noise artist is perhaps more well known for his otherworldly pop band Black Moth Super Rainbow, but Tobacco is a bit of a different animal and at times could be considered a kind of avant-garde hip-hop with truly unique and mind-altering beats.

Wednesday | September 19, 2018

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Who: Nine Inch Nails w/The Jesus and Mary Chain and Tobacco
When: Wednesday, 09.19, 6 p.m.
Where: Red Rocks
Why: For Nine Inch Nails, The Jesus and Mary Chain and Tobacco see above for 09.18.

Who: Sinister Pig, Lion Slicer, Suspicious Activity
When: Wednesday, 09.19, 6:30 p.m.
Where: Chain Reaction Records
Why: Lion Slicer is a punk band from Green Bay, Wisconsin making a stop in Denver on its “Wooly Eggnog Tour Part 2.” Does that mean it’s a little moldy? Who can say but since the show is free you have little to lose seeing it Chain Reaction Records. The band recently released its new record Lion Slicer Part 2, which if you’re into street punk, is great reminder that stuff didn’t die off into complete and utter obsolescence. Also on the bill are two of Denver’s better political hardcore bands with Sinister Pig and Suspicious Activity.

Who: The Mattson 2 and Astronauts, Etc. w/Stop Motion
When: Wednesday, 09.19, 7 p.m.
Where: Lost Lake
Why: Anthony Ferraro of Astronauts Etc. has written a kind of downtempo masterpiece with his 2018 album Living in Symbol. Something akin to a hazy Laurel Canyon jazz record but one written on the American East Coast while spending the evenings prior to writing in a dimly lit and cozy bar hanging out with Justin Hayward and Joe Jackson. Then taking the recordings infused with all those mysterious, chilled out vibes to Jonathan Rado to put his own haunted psychedelic pop touches into the mixing and mastering. Mattson 2 is cut from a similar cloth albeit one more obviously drawing on jazz roots with real chops to augment its lounge fusion compositions.

Who: Miniature Tigers w/Jasper Bones
When: Wednesday, 09.19, 7 p.m.
Where: The Marquis Theater
Why: Miniature Tigers came out of the mid-2000s as one of the more promising of Brooklyn’s indie pop bands. Although the influence of The Kinks and Elephant 6 bands were there, Mini Tigers also embraced the use of electronic instruments in its mix of sounds as well but with a more modern rather than retro sensibility. For its 2010 album Fortress the group collaborated on a song with Neon Indian as chillwave was reaching toward the apex of its popularity. The record that broke the band to a national, albeit still fairly underground, audience with touring to promote the album was 2008’s Tell It To The Volcano. This tour commemorates the 10 year anniversary of the release of the album but for a band that has consistently released albums since its inception, it’s a good chance to catch up with what the group is doing now.

Who: Ohmme w/Down Time and Mr. Atomic
When: Wednesday, 09.19, 7 p.m.
Where: Larimer Lounge
Why: Chicago-based jazz pop duo Ohmme released their debut full-length album Parts in summer 2018 but the group comprised of vocalists/multi-instrumentalists Sima Cunningham and Macie Stewart had already established itself as a going concern melding technical prowess, avant-garde sensibilities and imaginative songwriting. The eclectic resume of both musicians including credits working with the likes of Richard Thompson of Fairport Convention and Chance the Rapper. The synergy of their live performances, though, prove that they’re a force to be reckoned with and not a recording project that is taking tentative steps into the live arena.

Best Shows in Denver 3/15/18 – 3/21/18

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Mint Field performs at Lost Lake on March 21. Photo by Maria Fernanda Molins

 

Who: Protomartyr w/Ned Garthe Explosion
When: Thursday, 03.15, 7 p.m.
Where: Globe Hall
Why: Protomartyr apparently didn’t get the memo on what post-punk bands in the current era are supposed to sound like. The vocal delivery hits at weird angles to the fluid rhythms and jagged yet expressive and atmospheric guitar work like Nick Cave singing for a hybrid of The Fall and Sleaford Mods. Its latest record is 2017’s Relatives in Descent. It’s a bit moodier than the group’s earlier albums yet has a headlong quality as though the band is embracing the chaos and disorientation of the world now to see where the broken machine ultimately lands. Ned Garthe Explosion is more of a psychedelic rock band but one of the most gloriously ragged around the edges and one for which you never quite know where the show will go in a way we need to see more often.

Who: Alonerly, R A R E B Y R D $, Claudzilla
When: Thursday, 03.15, 10 p.m.
Where: Mutiny Information Café
Why: Alonerly is the solo project of Antonia Montoya from Albuquerque. Using upright bass, soulful vocals and beats, Montoya creates the kind of spacious yet intimate music that probably gets lumped, and not unjustifiably so, with jazz and hip-hop but is in the end its own thing, a rarity in a time when many musical artists are trying to tap a little too much into an established musical genre. She won’t be alone in bringing something not quite like anything else with keytar weirdo Claudzilla and hypnotic and highly evocative hip-hop/noise crew R A R E B Y R D $.

Friday | March 16, 2018

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Bad Licks, photo by Tom Murphy

Who: Bad Licks 7 inch release w/Vic ‘n’ the Narwhals, The Corner Girls and Soulfax DJs
When: Friday, 03.16, 8:30 p.m.
Where: Hi-Dive
Why: Bad Licks includes former members of The Blue Rider so there’s plenty of the subtle weirdness to the undertones of its psychedelic garage rock. The group is celebrating the release of its latest seven inch of its excellent Lies EP. Because people in the band are very much into genuinely experimental music, the record is worth listening to beyond obvious genre trappings. Joined this night by pastel/surf punks The Corner Girls and surf/blues punk band Vic ‘n’ the Narwhals. All around a post-garage rock genre-bending extravaganza because all of these bands put on an energetic performance.

Who: Clan of Xymox w/Voicecoil and Radio Scarlet w/DJ Svipal
When: Friday, 03.16, 7 p.m.
Where: Bluebird Theater
Why: Clan of Xymox formed in Amsterdam near the height of the first wave of post-punk in 1981. The band’s sound including more extensive use of synths was more in line with groups like Comsat Angels, The Sound, Killing Joke and The Chameleons. Clan of Xymox’s first three albums are considered foundational for what has come to be known as “darkwave” – the blending of early synth pop aesthetics with post-punk. Xymox and contemporaries like Anne Clark, Fad Gadget and Depeche Mode made what might have been considered weird and avant-garde accessible to a broad audience. By the early 90s, however, the band splintered and Ronnie Moorings continued in a direction inspired by the acid house music popular in dance clubs in the late 80s and early 90s. But apparently the project’s fanbase wasn’t into that sound and it didn’t translate well to the rave crowd. And yet Xymox hadn’t completely lost its darkwave cachet and throughout the 90s Moorings experimented with a return to that sort of sound while absorbing the industrial music of bands he had in part influenced. Over the past decade darkwave, industrial and gothic rock has been enjoying the most extensive genuine revival since the first time around and Xymox has enjoyed a little of its own renaissance being invited to festivals catering to the aforementioned genres and with its last eight albums, including 2017’s Days of Black, released or re-issued on Metropolis. Why did the music matter? As someone once said about Joy Division, despite and because of its sometimes gloomy, brooding, emotionally urgent and intense sounds, Xymox and its contemporaries had to come along to articulate complex and sometimes conflicting emotions with a clarity, power and poignancy that wasn’t happening with a lot of rock and roll.

Monday | March 19, 2018

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Yardsss, photo by Tom Murphy

Who: Screwtape, Wander, Young Lovers, Ridgeway, Yardsss, Brother Saturn
When: Monday, 03.19, 6:30 p.m.
Where: Seventh Circle Music Collective
Why: One of the great things about shows at Seventh Circle is that even if it’s all supposed to be all one thing it never really is. Tonight proves that as local hardcore heroes Screwtape are performing alongside mostly post-rock/shoegaze bands. Brother Saturn’s collage of guitar sounds tracing the outsides of daydreams made up of soothingly hypnotic layers of atmosphere is a good fit with California based post-rock bands Wander, Young Lovers and Ridgeway to send them back home from SXSW in a welcoming show halfway through that journey. Yardsss from Portland, Oregon has a diverse sonic palette but broadly speaking, the band’s core sounds are rooted in droning atmospheres, noise and improvisational electronic composition. Fans of more experimental industrial music will find much to like in Yardsss’ darkly evocative aesthetic.

Who: Mimicking Birds, The Raven and the Writing Desk and Haley Heynderickx
When: Monday, 03.19, 7 p.m.
Where: Globe Hall
Why: Indie rock band Mimicking Birds are making a stop in Denver on their way to Treefort Music Fest (we’ll be featuring some advance coverage in the next few days as well as post-fest coverage in the following weeks). The group recently released its new album, the gorgeously lush and pastoral Layers of Us. If you’re not making it out to Treefort for the 7:40 p.m. set at El Korah Shrine, catch the Portland, Oregon-based band tonight with the like-minded The Raven and the Writing Desk. The latter is one of Denver’s best kept secrets in music as a band that has really pushed itself to explore new vistas in its own sound and breaking with its own musical past in order to make something interesting and fresh. A rarity.

Tuesday | March 20, 2018

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GGOOLLDD, photo by Kelly Bolter

Who: OMD w/GGOOLLDD
When: Tuesday, 03.20, 7 p.m.
Where: The Ogden Theatre
Why: Orchestral Manoeuvres in the Dark, often referred to as OMD, were, like fellow UK artists Gary Numan and Human League as well as Berlin in the USA, instrumental in establishing what became synth pop. After seeing an mid-70s Kraftwerk concert, bassist and vocalist Andy McCluskey started OMD with some friends and from early on the band separated itself from many other bands of the era in having no guitars and but a visceral live show. OMD enjoyed its share of commercial popularity in the UK and the US at various points in its career but artistically it’s arguably greatest achievement was the 1983 album Dazzle Ships. But the mainstream audience didn’t seem to be much into the truly boundary pushing pop compositions. Today the album is considered by many fans to be its best alongside its 1981 predecessor, Architecture & Morality. Now recognized as innovators as well talented masters of pop songcraft, OMD will be headlining a show at The Ogden Theatre with the Milwaukee, Wisconsin-based GGOOLLDD. The latter, fronted by the dynamic and talented Margaret Butler, recently released the TEETH EP in December 2017. Part synth pop, part theatrical glam band, GGOOLLDD has always put on a large theater show in small, even intimate venues, so catch a great, newer band opening for a group in a similar lineage of imaginative yet sincere music.

What: Faster Than Light Fest: Obtuse (1st), Blue Lane Frontier, Old Sport, Granddad (AK/MN), Closer is a Band (Brooklyn), Alien Boy (Portland), Runaway Brother (Cleveland)
When: Tuesday, 03.20, 5 p.m.
Where: Seventh Circle Music Collective
Why: This is a festival put together for bands on their way from SXSW or going through and happening to converge in Denver for one date. It’s also a good cross section of the modern punk/emo/math rock underground in America and naturally it’s at Seventh Circle where a lot of touring if that stripe often plays in Denver these days. Locals Obtuse, Old Sport and Blue Lane Frontier represent a rebirth for the kind of punk that both embraces pop punk, screamo, indie rock and math rock but also advances where that music could have gone had it converged and evolved. Portland’s Alien Boy gets points for naming itself after a Wipers song but also for embodying the kind of moody punk with thoughtful, sometimes wryly humorous, lyrics and the kind of darkness and intensity, not to say anger, that a lot of punk frankly lacks.

Wednesday | March 21, 2018

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Kelly Lee Owens, photo by Kim Hiorthøy

Who: Kelly Lee Owens
When: Wednesday, 03.21, 9 p.m.
Where: Bar Standard
Why: With her 2017 self-titled full-length, Kelly Lee Owens displayed a keen ear for electronic composition and a knack for translating that into accessible dance tracks. Her mastery of mixing hypnotic and deep low end with melodic drones interweaving with her ethereal vocals across the record was stunning. Fans of IDM, dub techno and deep house, do yourself a favor and at a minimum pick up the album. Also, fans of dream pop/shoegaze acts unafraid of jumping straight into abstract atmospheres such as Slowdive, Seefeel and Sound of Ceres will find much to like with Owens’ output as well. Owens performs tonight at Bar Standard before setting off for Treefort Music Fest in Boise, Idaho where she performs Thursday night 3.22 at 12:30 a.m. at Neurolux

Who: Mint Field w/Neighbor Lady and American Grandma
When: Wednesday, 03.21, 7 p.m.
Where: Lost Lake
Why: Mint Field’s 2018 debut album Pasar De Las Luces is being touted as a great modern shoegaze album. And it is, but it is one that isn’t particularly beholden to an older sound. The minimalist aesthetic of the music bears a stronger resemblance to ambient and downtempo dance music than to rock. At its most “rock” the band comes off as more post-punk and Krautrock like Neu! or Faust than worshippers of Lush or My Bloody Valentine. Although the band is from Tijuana its gauzy layers and swirling melodies are a far cry from that city’s reputation as one of the party capitals of the world. Mint Field also performs at Treefort Music Fest in Boise, Idaho on Saturday, March 24 at 6:30 p.m. at Boise All Ages Movement.

Who: U.S. Girls w/Rubedo and Michael Rault
When: Wednesday, 03.21, 7 p.m.
Where: Larimer Lounge
Why: Meghan Remy’s U.S. Girls has thankfully been pretty much impossible to chalk up to a single genre of music since the project’s inception. It’s always pop songs whether those have a leg in noise, punk, garage rock or whatever. Her latest album, 2018’s In a Poem Unlimited, sounds, interestingly enough, like a reinvention of 90s hip-hop as a funk and soul record. It has that lush production with grit and a melancholic undertone. “Pearly Gates” in particular is reminiscent of Warren G’s 1994 hit “Regulate.” Which, considering the themes of the album, is an interesting allusion. But whatever ideas and sounds informed the record, it is a literate and insightful exploration the various manifestations of toxic masculinity, its effects throughout culture and society and what life might be like without it’s wearying, destructive influence.

Who: Ed Schrader’s Music Beat w/Naked Giants and Hairclub
When: Wednesday, 03.21, 8 p.m.
Where: Hi-Dive
Why: If you listened to Ed Schrader’s Music Beat’s albums and other recorded releases prior to 2018 and didn’t see live, the appeal can be a bit of a head scratcher. A floor tom, scream-ish vocals and bass? Live it all made sense and the records relatable. But the band put out its most accessible album to date with Riddles. Having worked with Dan Deacon didn’t hurt and as the band’s producer, Deacon helped to shape a sound that took the duo’s avant-garde urban tribal contradictions and into the level of recorded coherence the project has always warranted. Ed Schrader’s Music Beat also performs at Treefort Music Fest in Boise, Idaho at 10:30 p.m. at Boise All-ages Movement Project.