Best Shows in Denver and Beyond 11/21/19 – 11/27/19

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Lisa Prank performs at Hi-Dive on November 24. Photo circa 2016 by Tom Murphy

Thursday | November 21

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Wilderado, photo by Grant Spanier


What: Zeta (Venezuela), Clarion Void, Disposal Notice, Its Just Bugs
When: Thursday, 11.21, 9 p.m.
Where: Rhinoceropolis
Why: Venezuelan band Zeta has been developing its experimental hardcore sound since 2003. It’s sound is a parts progressive rock and punk but in a way that’s expressive and moody while not sacrificing the intensity. Currently touring in support of its 2019 album Mochima.

What: Mt. Joy w/Wilderado and Adam Melchor
When: Thursday, 11.21, 7 p.m.
Where: Ogden Theatre
Why: Wilderado’s new single “Surefire” sounds wistful and nostalgic in a way that allows for words to develop into an introspective narrative that blooms into an expansive melody alongside the story. Reminiscent of the way The War On Drugs echoes some of the vibe of Bruce Springsteen’s reflective, diary-like lyrics, this offering from the band builds on the atmospheric experiments of its 2018 EP Favors with more electric instrumentation and a more immersive sound without compromising the group’s use of space as a canvass for its emotional colorings.

Friday | November 22

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Married a Dead Man, photo by Ana Irene Valdes-Behrens

What: Married a Dead Man w/False Report, Dead Characters
When: Friday, 11.22, 8 p.m.
Where: Goosetown Tavern
Why: Denver’s Married a Dead Man is releasing its second album Awakening this night. The group’s sound might be described as somewhere between Xmal Deutschland’s wiry, urgent, dark atmospherics and modern pop melodies. The new set of songs, no doubt honed from live performances, are not just bandwagon new post-punk revival and darkwave. At times Megan Kelley’s performance and songwriting chops from her time as a solo artist infuse the songs with a warmth and coherence that gives the music a broader range than the genre of late can sometimes have with songs like “Burn” having a massive, expansive, dramatic dynamic that stretches the boundaries of what one might this band is capable of at first blush. Worth delving into beyond a casual listen.

What: Wildermiss w/Slow Caves
When: Friday, 11.22, 8 p.m.
Where: Bluebird Theater
Why: Wildermiss is a Denver-based indie rock band that is probably on the verge of much wider circles than simply relatively successful local band status. Its new EP In My Mind captures the spirit of our time now of great contrasts of emotional states and expectations, a mixture of fear and hopefulness that most people are experiencing due to the state of the planet, politics, culture and economics. We stand on the precipice of disaster and promise of a better future if we do not lack the will to make it happen. In My Mind expresses that tension well across its length.

What: Briffaut, Down Time and Inaiah Lujan
When: Friday, 11.22, 8 p.m.
Where: Hi-Dive
Why: Briffaut’s new album A Maritime Odyssey: Heaven is Only a Boat Race Away is a nice capsule of this band’s idiosyncratic songwriting. Fans of both King Krule and Deerhunter will find something to love about the band’s lush and unpredictable song structures and raw, emotional swells of tone and a disregard for whether a song or style or performance fits in with some established aesthetic outside its own. Too much music in the indie world is boringly predictable. Not just the indie world. Imitators of milquetoast artists and already successful formulas are rife in music now as at all times since popular music has been a thing. Thankfully Briffaut and its willingness to embrace its own weirdness has been intact since the beginning and gloriously so on the new album of imaginative soundscapes, completely unconventional songwriting and the ability to utterly transport us outside our usual frames of musical reference.

What: King Diamond w/Uncle Acid and the Deadbeats and Idle Hands
When: Friday, 11.22, 6 p.m.
Where: Fillmore Auditorium

What: Faim, Tuck Knee, Gack
When: Friday, 11.22, 8 p.m.
Where: Mutiny Information Café

What: Atomga w/Dandu, Spellbinder and DJ Yahru
When: Friday, 11.22, 8:30 p.m.
Where: Ophelia’s Electric Soapbox

What: False Cathedrals, Gila Teen, How to Think and Wolf Larva
When: Friday, 11.22, 8 p.m.
Where: Glitter City

What: Sour Boy, Bitter Girl and Dirty Shrines
When: Friday, 11.22, 8 p.m.
Where: The Squire Lounge

What: Broncho w/Hot Flash Heat Wave and Rinse & Repeat
When: Friday, 11.22, 7:30 p.m.
Where: Globe Hall

Saturday | November 23

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Blood Incantation, photo by Tom Murphy

What: Blood Incantation w/Vermin Womb, Dreadnought and Superstition
When: Saturday, 11.23, 8 p.m.
Where: Gothic Theatre
Why: Blood Incantation recently released its new album Hidden History of the Human Race. The Denver-based death metal band is a big of an enigma in that it has been slowly building a cult following for years and playing few local shows. But its songs, especially live, come across as larger than life, psychedelic although imbued with the technical precision of the best death metal, and as oddly accessible as the genre has ever been. The record is a science fiction concept album but one that has a cover designed by Bruce Pennington who did cover art for A Canticle For Leibowitz and the Dune books after the initial novel. Plus the guy did the iconic cover for Gene Wolfe’s landmark science fiction fantasy book The Shadow of the Torturer. Fine stuff for an album that is a thrilling reminder that death metal can still be fun and not a forbidding drag.

What: Black Star Gang ft. Yasiin Bey, Talib Kweli, DJ Premier w/Brother Ali, Evidence and The ReMINDers
When: Saturday, 11.23, 7:30 p.m.
Where: Mission Ballroom
Why: Black Star is a hip hop duo comprised of Talib Kweli and Yasiin Bey (Mos Def), two of the sharpest critics of American culture and innovators in the genre themselves. The project only has one album up to now, 1998’s Mos Def & Talib Kweli Are Black Star, but rumor has it they have another in the works produced by Madlib. So if you’ve caught the recent live performances maybe you’ve heard some of the new material and it seems likely it’ll be on display for this show.

What: Lusine w/JUSCHILL and HU
When: Saturday, 11.23, 8 p.m.
Where: Larimer Lounge

What: Broncho w/Hot Flash Heat Wave and Rinse & Repeat
When: Saturday, 11.23, 7:30 p.m.
Where: Globe Hall

What: Matt Rouch & The Noise Upstairs, Chella & The Charm, The Maykit
When: Saturday, 11.23, 7:30 p.m.
Where: The Skylark Lounge

Sunday | November 24

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The Shift circa 2015, photo by Tom Murphy

What: Lisa Prank w/The Tangles (fka The Tickles) and Horse Girl
When: Sunday, 11.24, 7 p.m.
Where: Hi-Dive
Why: Lisa Prank has established refined and thoughtful emo pop songs as a national artist since starting the project in Denver several years back. Her new record Perfect Love Song is a a little fuzzier, more confident but just as wise and as insightful.

What: Shibui Denver #8: Dead Orchids and The Shift
When: Sunday, 11.24, 6:30 p.m.
Where: Hi-Dive
Why: For this edition of Shibui Denver we will have two bands that don’t get nearly the attention they deserve. The Shift is an improvisational, experimental progressive rock band and includes Esmé Patterson and former Bad Weather California bassist Jeremy Averitt. Dead Orchids’ dark, brooding songs are a vital mix of post-punk and Americana but without the trendy habits that often mar bands trying their hand at either.

What: Vérité and YaSi
When: Sunday, 11.24, 7 p.m.
Where: Lost Lake

What: Kris Kristofferson & The Strangers
When: Sunday, 11.24, 5 p.m.
Where: Paramount Theatre

What: Neyla Pekarek’s Rattlesnake w/Chris Fleming, Bluebook and The Newfangled Four
When: Sunday, 11.24, 7 p.m.
Where: Bluebird Theater

What: Goon w/Whiskey Autumn and We Are Not a Glum Lot
When: Sunday, 11.24, 8:30 p.m.
Where: Lion’s Lair

Monday | November 25

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Midwife, photo by Tom Murphy

What: Midwife w/Hogwaller
When: Monday, 11.25, 7 p.m.
Where: Forest Room 5
Why: Midwife is an ambient folk artist of the highest order who was recently tapped to perform at The Flenser showcase at the Roadburn Festival in 2020 with her debut album on that record label later in the year. See her at these small rooms while you still can.

Tuesday | November 26

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HIDE circa 2016, photo by Tom Murphy

What: HIDE w/Echo Beds, Church Fire and Cau5er
When: Tuesday, 11.26, 8 p.m.
Where: Hi-Dive
Why: Confrontational, performance art-oriented industrial band HIDE is the urban dystopian futurist ritual catharsis we need now to burn off the darkness of the modern world. Its new album Hell is Here is a searing, discordant exorcism of the demons that plague the body politic.

What: B. Dolan w/Wheelchair Sports Camp
When: Tuesday, 11.26, 8 p.m.
Where: Ophelia’s Electric Soapbox

Wednesday | November 27

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The Hu, photo by Altankhuyag

What: Pigface w/eHpH, DJ N810, DJ Mudwulf
When: Wednesday, 11.27, 7 p.m.
Where: Summit Music Hall
Why: Pigface is the long-standing industrial supergroup with roots going back to the 80s with members of Ministry, KMFDM and other industrial luminaries. EhpH is a Denver-based duo whose mix of EBM and industrial rock is actually compelling and cathartic and doesn’t come off like its members’ musical imagination got stuck in the early 2000s.

What: Shark Dreams w/Nuancer, The Milk Blossoms and GhostPulse
When: Wednesday, 11.27, 7 p.m.
Where: Larimer Lounge
Why: Best local dream pop line-up in more than a minute with some of Denver’s best. Shark Dreams is more the kind of drifty indie pop with a leg in glittery, slowcore dynamic. Nuancer is as informed by experimental electronic music as pop. The Milk Blossoms are a hip-hop trio disguised as a heartfelt, hyper sincere, experimental indie pop group with a sense of humor and humanity. GhostPulse weaves together downtempo beats, unconventional instrumentation and luminously cloudy atmospherics.

What: The Hu w/Crown Land
When: Wednesday, 11.27, 6 p.m.
Where: The Black Sheep
Why: The Hu is a rock band from Mongolia that performs with traditional instruments, uses throat singing and yet its songs are an exquisite hybrid of Mongolian folk music and heavy metal. Could be corny but it is not, it is powerful, stirring stuff. Fans of Laibach will enjoy the sound of this band even though the styles are so different. Around since 2016 The Hu recently released its debut album The Gereg on Eleven Seven Records.

What: Neon Indian w/Lou Rebecca
When: Wednesday, 11.27, 7 p.m.
Where: Bluebird Theater

What: Emma Mayes & The Hip w/Los Mocochetes and Ghost Tapes
When: Wednesday, 11.27, 8 p.m.
Where: Lost Lake

What: Flaural w/Oko Tygra, Wet Nights and DJ Lexie
When: Wednesday, 11.27, 8 p.m.
Where: Hi-Dive

What: An Evening of Never Kenezzard 2 sets
When: Wednesday, 11.27, 9 p.m.
Where: The Squire Lounge

Best Shows in Denver 9/26/19 – 10/2/19

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Cellista performs at Mercury Café on Friday, September 27, 2019

Thursday | September 26

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Pink Turns Blue circa 2016, photo by Daniela Vorndran

What: Pink Turns Blue w/Radio Scarlet and DJ Katastrophy
When: Thursday, 09.26, 8 p.m.
Where: Herman’s Hideaway
Why: Pink Turns Blue formed in Berlin in 1985. Its dark, moody atmospherics and driving bass lines meant its sound very much resonated with the post-punk of the day as it included synths in the mix and guitar chords that rang out and gave the songwriting an introspective quality. Fans of Chameleons and The Sound will probably much to like about Pink Turns Blue’s melancholic urgency and Mic Jogwer’s desperate yet resigned vocals. The group toured with Laibach in 1987 band recorded subsequent albums in Ljubljana, Slovenia smuggling in studio equipment from the West to do so. When the group moved to London in 1991 it lost some of its momentum and split in 1995. But since 2003 Pink Turns Blue has been active once again ahead of the revival and rebirth of darkwave that has been going on for the past decade. Also on the bill is Radio Scarlet, a Denver-based death rock band.

What: Toro Y Moi wChannel Tres (DJ set)
When: Thursday, 09.26, 7 p.m.
Where: Ogden Theatre

What: Animal / object, Arc Sol and Joohsup
When: Thursday, 09.26, 9 p.m.
Where: Rhinoceropolis
Why: Animal / object is Denver’s premier avant-garde improvisational band utilizing unconventional instrumentation. Arc Sol is proof you can be influenced by progressive rock, psychdelia and Silver Jews and refreshingly sound like none of that while bearing their mark. Joohsup is a left field hip-hop noise duo.

Friday | September 27

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Bellhoss, photo by Tom Murphy

What: Cellista’s Transfigurations w/Sean Renner
When: Friday, 09.27, 8 p.m.
Where: Mercury Café
Why: Mulimedia artist Cellista recently released an album called Transfigurations with a companion book, A Listener’s Guide to Cellista’s Transfigurations, that gives the ambitious work some context. The album explores those moments in life and in one’s personal and maybe creative development when you are struck and forced to consider the moment and evolve taking in that transformational input. With the processed samples of authoritarian voices speaking to that effect is both chilling and a reminder of those times when we could have stepped in to take a different path but haven’t yet. The album seems arranged as piece of politically-charged, avant-garde literature with an elegantly composed soundtrack that deconstructs and re-synthesizes classical music, pop, hip-hop and sound design. For the live performances of Transfigurations Cellista will incorporate dance, film, music and literature for an experience like little else going on this week or any other in Denver.

What: Babymetal w/Avatar
When: Friday, 09.27, 7 p.m.
Where: Ogden Theatre
Why: Babymetal is a Japanese “kawaii metal” band whose relentless death metal is overlaid with J-pop-esque vocals and melodies. And the stage shows just like something out of a big time production of a Japanese pop band on one of the massive Saturday marathon variety shows, choreographed dance moves and matching outfits. Gimmicky, to be sure, but weird enough to be enjoyable.

What: Dodie w/Adam Melchor
When: Friday, 09.27, 7 p.m.
Where: Gothic Theatre
Why: Dodie Clark is an English singer-songwriter whose spare melodies and breathy vocals give the space for her sharply observant and poetic lyrics to develop and create vivid images in your mind of a situation and feeling, a real slice of the experience of that moment. Her 2019 album Human expands the sonic palette some while also imbuing Clark’s voice with more clarity and impact.

What: Adrian Belew w/Saul Zonana
When: Friday, 09.27, 7 p.m.
Where: Boulder Theater
Why: Adrian Belew is the brilliant and inventive guitarist whose solo albums are worth exploring for this imaginative songwriting. But some may remember him for his time playing in King Crimson, as a live member of Talking Heads, in Tin Machine with David Bowie or even on William Shatner’s 2004 album Has Been.

What: Mile High Comedy Festival Presents Maria Bamford w/Aparna Nancherla and Jackie Kashian
When: Friday, 09.27, 7 p.m.
Where: Paramount Theatre
Why: The Bammer is the genius, socially critical surrealist of the current era.

What: Bellhoss tour kickoff w/Short Shorts, Mainland Break and Claire Heywood
When: Friday, 09.27, 8 p.m.
Where: Lost Lake
Why: Bellhoss is taking off for a tour of the American West and launching that with this show including some of Denver’s most interesting indie rock bands in Short Shorts and Mainland Break. Bellhoss’ Becky Hostetler nails the anxiety and hope of modern life on her tender and earnest pop songs.

Saturday | September 28

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Dodie, photo by Kyle Jones

What: John Densmore
When: Saturday, 09.28, 2 p.m.
Where: Boulder Book Store
Why: Doors drummer John Densmore will be signing copies of his 2010 book Doors Unhinged.

What: Dodie w/Adam Melchor
When: Saturday, 09.28, 7 p.m.
Where: Gothic Theatre

What: Adrian Belew w/Saul Zonana
When: Saturday, 09.28, 7 p.m.
Where: Bluebird Theater

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Mike Watt and The Missing Men circa 2011, photo by Tom Murphy

What: Mike Watt & The Missingmen w/Slim Cessna
When: Saturday, 09.28, 9 p.m.
Where: Lion’s Lair
Why: Mike Watt is indeed the bassist singer who was a part of Minutemen and fIREHOSE and who has been playing bass in the Stooges of late. This trio includes Tom Watson who was a member of jangle-y post-punk band Slovenly and Raul Morales who also plays with Watt in Mike Watt and the Secondmen. This project combines Watson’s textured, melodic guitar style with Watt’s angular, jazz-inflected, wiry and urgent rhythms. Watt being one of the most animated and talented bass players in all of punk and rock and a sharp social critic is always worth checking out. He’s still jamming econo and the band’s tours and booking are still well within the realm of DIY in the old school and modern sense.

What: Sway Wild w/Megan Rose Ellsworth
When: Saturday, 09.28, 7 p.m.
Where: The Walnut Room
Why: What saves Sway Wild from being the kind of “Indie” radio darling band that is the stuff of too many would-be tastemaker playlists crafted by those with fairly conventional and safe taste in music is not just Mandy Fer’s warm vocals and her and Dave McGraw’s dynamic songwriting. It’s that making up its charming melodies and playful performances is imaginative and creative instrumentation that displays their technical prowess as players channeled into zesty, tightly crafted pop songs. Currently the trio, which includes Thom Lord, is on tour in support of its self-titled, full-length debut.

Sunday | September 29

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Rowboat, photo by Tom Murphy

What: Shibui Denver #6: Total Trash and Rowboat
When: Sunday, 09.29, 7 p.m.
Where: Mutiny Information Café
Why: This latest edition of Shibui Denver showcases Total Trash and Rowboat. The former is a psychedelic noise pop group whose members have played with the likes of Fingers of the Sun, Fissure Mystic, Quantum Creep, Lil Slugger, The Pseudo Dates and other bands that mean little if you’ve not been paying attention to the Denver underground of the past ten years. But it also means some of the more creative musical talents in the realm of local rock music have come together to make something different from what they’ve done before. Rowboat combines literary yet deeply emotional and heartfelt lyrics with haunting atmospheres and melodies in songs that plumb the depths of human existence and the things that give meaning to our lives.

What: Mike Watt & The Missingmen w/Slim Cessna
When: Sunday, 09.29, 9 p.m.
Where: Lion’s Lair

Tuesday | October 1

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Periphery, photo courtesy the artists

What: Periphery w/Veil of Maya and Covet
When: Tuesday, 10.01, 6 p.m.
Where: Summit Music Hall
Why: Progressive metal band Periphery sounds more like a post-hardcore band than simply metal. And probably because the attack of its songs is fairly angular and driving in a way that sounds more like it comes out of a similar place of primal energy. Although there’s plenty of precision and technical prowess on display in its songs with many songs in drop C on the six-string, the group’s songs often sound like they’re about to fly off the rails. Sometimes bands with those types of sounds and dynamics take themselves way too seriously but Periphery’s 2019 album is called Periphery IV: Hail Stan. There is a song called “Chvrch Bvrner” and references to the supernatural and animals. So someone in the band, probably everyone involved, has a healthy sense of humor and an ability to see its music in a way that evolves organically than the sort of pure logic level that is often assumed with the genre.

What: Plague Vendor w/No Parents and The Ghoulies
When: Tuesday, 10.01, 8 p.m.
Where: Summit Music Hall
Why: Plague Vendor came off as a fairly straightforward melodic punk band early on. But at this point, and particularly on its new album By Night, the band from Whittier, California has evolved its sound into something more akin to glammy post-punk without sacrificing its fiery energy.

What: An Evening With Paula Cole
When: Tuesday, 10.01, 7 p.m.
Where: Buffalo Rose
Why: Paula Cole made her popular music bonafides as an act on Peter Gabriel’s Secret World Live tour from 1993-1994. Her musical background includes having studied jazz singing at Berklee College of Music and in her dusky, soulful vocals you hear that training put to good use. In 1996 her second album This Fire yielded the hit single “Where Have All the Cowboys Gone?” and like anything popular it got played ad infinitum making it easy to dismiss Cole like any other pop act put forth by the music industry as it tried to find hitmakers in the collapse of the alternative music explosion of the early 90s. But Cole, turns out, has always been a strikingly powerful performer and her performances for the final Lilith Fair tour in 1998 undoubtedly won her fans who had written her off previously. Currently Cole is performing a string of intimate shows in support of her 2019 record Revolution.

What: Ghosts of Glaciers album release w/In the Company of Serpents and Echo Beds
When: Tuesday, 10.01, 8 p.m.
Where: Hi-Dive
Why: Denver-based progressive metal/post-rock trio Ghosts of Glaciers returns with its new album The Greatest Burden released through Translation Loss Records. More than even previous releases, the group conceives of this arc of songs in cosmological time from the primordial oceans that spawned life (the opening track titled “Primordial Waters” through the inevitability of the decay and collapse of the eons long cycle of life and the fall into the chaos that will once again spawn new worlds and universes. The music charts that path with slow, dynamic arcs that dive into furious, churning progressions and sublime, swimming melodies. To celebrate the release of this new record the band will share the stage with local doom juggernauts In the Company of Serpents who have some of the most compelling and powerful art in the local scene and industrial post-punk legends Echo Beds.

What: The Waterboys
When: Tuesday, 10.01, 7 p.m.
Where: Gothic Theatre
Why: The Waterboys came out of Edinburgh, Scotland with a blend of Celtic folk and post-punk and made inroads into the world of 80s “college rock.” While not as dark and overtly political as an arguably like-minded band like New Model Army, The Waterboys extolled the virtues of a universal mysticism based in nature and how that connects everyone. Fans of The Hothouse Flowers and The Alarm will definitely find much to like about The Waterboys who are now touring in support of their 2019 album Where the Action Is.

What: Prissy Whip, Moon Pussy, New Standards Men
When: Tuesday, 10.01, 8 p.m.
Where: Rhinoceropolis
Why: Prissy Whip is an eruptive industrial noise rock band with the emphasis on noise and breakneck dynamics. Who to compare them to other than maybe Melt Banana? New Standards Men is the kind of weirdo experimental metal band you get when the people in the band are into way more music than what you might think listening to what they’re doing. Probably into Naked City as much as the Locust and Neurosis. Moon Pussy combines gnarly song dynamics with a thorny tunefulness that is impossible to ignore making it one of the most interesting bands out of Denver right now.

What: Titus Andronicus w/Control Top
When: Tuesday, 10.01, 7 p.m.
Where: Globe Hall

Wednesday | October 2

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Kishi Bashi, photo by Max Ritter

What: Weird Wednesday: After the Carnival, Cop Circles, Enji w/Cabal Art
When: Wednesday, 10.02, 9 p.m.
Where: Lost Lake
Why: No Wave disco artist Cop Circles will bring plenty of the weird this time around for this edition of the monthly showcase of unusual and outside music curated by Claudia Woodman.

What: Wheelchair Sports Camp w/Dry Ice and Rocket Dust
When: Wednesday, 10.02, 7 p.m.
Where: Lost Lake
Why: Wheelchair Sports Camp is a brilliant combination of jazz chops in the live end of the music and experimental beatmaking and playful, conscious wordplay on the production and MC end. And a powerful and compelling live band to boot. This is the group’s launch show for its upcoming tour.

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Loving, photo by Harold Hejazi

What: Loving
When: Wednesday, 10.02, 7 p.m.
Where: Hi-Dive
Why: Victoria, British Columbia’s Loving turns the sort of introspective, light psychedelic pop sound on a different angle because its music really does sound like the band is going to take you on a trip to some otherworld realm of elegance where time and space are interactive concepts driven by your imagination so better brush up on your creative skills before sitting down to one of the band’s trippy folk records.

What: Kishi Bashi w/Takénobu
When: Wednesday, 10.02, 7 p.m.
Where: Lost Lake

What: The Pharcyde w/Ladygang (Weds) and Wes Watkins (Thurs)
When: Wednesday, 10.02 and Thursday 10.03, 8:30 p.m.
Where: Ophelia’s Electric Soapbox

Best Shows in Denver 8/29/19 – 9/4/19

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Phonebooks (Colin Ward and Stephan Herrera L-R) circa 2010 at Rhinoceropolis. CRFW Benefit at Rhinoceropolis on August 29, photo by Tom Murphy

Thursday | August 29

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Cop Circles circa 2013, photo by Tom Murphy

What: DJ Fresh Kill, Earth Control Pill, Cop Circles and H-Lite
When: Thursday, 08.29, 8 p.m.
Where: Rhinoceropolis
Why: This is a benefit show for the CRFW Fund which supports the body of work of the late Colin Ward and which “assists artists via grants and other means of support.” Ward would have turned 29 on this August 29 and the artists on the bill were friends and creative comrades of the artist and musician. A lot of high energy electronic dance music from DJ Fresh Kill and H-Lite, conceptual No Wave afrobeat post-disco from Cop Circles and the chill soundscaping of Earth Control Pill.

What: The Sugar Hill Gang w/Furious 5 and White Fudge & The Antagonist
When: Thursday, 08.29, 7 p.m.
Where: The Oriental Theater
Why: For a lot of people The Sugar Hill Gang was the first rap band. But hip-hop pre-dated that by some years beginning with the soundsystem parties thrown by DJ Kool Herc. The Sugar Hill Gang was probably the earliest, commercially successful rap group with its 1979 hit song “Rapper’s Delight.” Also on this bill is the Furious 5 who, with Grandmaster Flash, had been a pioneering hip-hop crew before The Sugar Hill Gang hit the charts. So this is a bit like getting to see some of the earliest days of hip-hop as we know it in one show.

Friday | August 30

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Paw Paw circa 2013, photo by Tom Murphy

What: Meek, Future Scars, Kali Krone, Madelyn Burns
When: Friday, 08.30, 8 p.m.
Where: Rhinoceropolis
Why: Meek mixes live drums with 31G and-esque processed vocals and electronic beats for a result that’s somewhere between noise and industrial. But really not like much except for maybe, maybe, solo USAISAMONSTER minus guitar. Santa Fe’s Future Scars is pretty much impossible to pigeonhole except to say it’s a rock or a pop band but it has the cutting, hard hitting guitar drive of metal, the delicacy and texture of the most tender indie rock, the soaring vocals of some torch song pop and post-punk rhythmic drive. And that’s for one song. Other times, meditative, heavy drone with introspective melodies like Emma Ruth Rundle. Kali Krone’s dreamy slowcore seems about perfect for the swelter cool off. Madelyn Burns’ spooky singer-songwriter should appeal to fans of early Grouper.

What: Mutual Benefit w/Paw Paw and Card Catalog
When: Friday, 08.30, 8 p.m.
Where: Lost Lake
Why: Mutual Benefit’s moody, soundscape-y pop songs are like getting a glimpse into someone’s having processed some deep thinking and distilled it to the poetic essence of those collective feelings. Loosely in the realm of Americana but with some great sound collage in the songwriting. Paw Paw is the project of former Woodsman drummer Eston Lathrop. Sort of ambient, sort of organic electronic pop, experimental solo guitar and synth songs to transport you to another, better place for a half an hour or so.

What: Nuancer LP release w/SSIIGGHH, Dr3aMC@$T, Larians and Andy AI
When: Friday, 08.30, 8 p.m.
Where: Hi-Dive
Why: Daniel DiMarchi is the genius bass player in the great dream pop band Tyto Alba and great indie rock band Oxeye Daisy. But part of what makes him a great bass player is his true ear for tonality and composition which he brings to his experimental electronic pop project Nuancer and this is the release show of I Hardly Know Her. Also on the bill is a rare show from Larians, the solo project of former Male Blonding guitarist/singer Noah Simons. Though a guitarist, Simons has long had an interest in left field and forward thinking electronic music like Burial and Larians is the manifestation of that interest. And tonight Larians releases the first EP Looming Boy. If Nicolas Jaar made trap it might sound something like that.

What: I Hate It Here, Causer, $addy, Eraserhead Fuckers and Kid Mask
When: Friday, 08.30, 8:30 p.m.
Where: Thought//Forms Gallery
Why: The noise/heavy processed dance ambient/industrial show of the week. Granted the only one but heavy hitters like noise rapper Eraserhead Fuckers, hypnogogic environment sculptor Kid Mask and post-Goth ambient noise genius $addy alone make this a noteworthy lineup.

Saturday | August 31

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The Velveteers, photo by VOSSLING

What: The Velveteers UK tour kickoff w/Boot Gun, The Kinky Fingers and Bitter Suns
When: Saturday, 08.31, 7 p.m.
Where: Bluebird Theater
Why: The Velveteers is a rock and roll trio from Denver whose live show is surprisingly powerful, forceful and grippingly emotional. The group is headed to the UK for a tour and this is the kickoff show with some of Denver’s other great, local, non-subgenre-specific rock bands including The Kinky Fingers who may be in the garage psych vein but its songwriting so tight and poignant it’s strikingly original.

What: To Be Astronauts, Meet the Giant, The Center and Bad Britton
When: Saturday, 08.31, 7 p.m.
Where: Lost Lake
Why: Hard rock band To Be Astronauts is relasing its “Thoughts and Prayers” single tonight. Hard rock is a little generic a term. So yeah, in their sound you’ll hear a bit of industrial rock, grunge and anthemic punk without being stuck on any of that. And other like-minded bands are on the bill including Meet the Giant who, despite their ethereal and moody atmospheric rock gets heavy and driving often enough that they’ll fit in here.

Sunday | September 1

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Molly Burch, photo by Dailey Toliver

What: Molly Burch w/Jackie Cohen and Bellhoss
When: Sunday, 09.01, 7 p.m.
Where: Globe Hall
Why: Molly Burch has the kind of classic pop voice that many try to imitate but few nail the cadence and tonality that she seems to do so effortlessly. Her songs are intricate and delicate but her poetic observations sharp and illuminating. Jackie Cohen taps into an earlier era of music but her sound is more like a strange strain out of ABBA and 60s girl groups. Bellhoss is in good company here with Becky Hostetler’s idiosyncratic storytelling and inventive guitar work somewhere betwixt Dinosaur Jr, Edith Frost and Joanna Newsom. Yeah, let’s go with that until a better description of this unique songwriter and performer comes to mind. Hostetler will also make all the charmingly awkward jokes on stage so you don’t have to.

What: The Wes Watkins (EP release) w/Dr3@m Ca$t and Snubluck
When: Sunday, 09.01, 8 p.m.
Where: Larimer Lounge
Why: Wes Watkins is the brilliant trumpet player and vocalist whose talents have brought grace, cool and imagination to a broad swath of Denver music including his stint in Nathaniel Rateliff and the Night Sweats. But The Other Black, playing with poet, mystic, avant-garde hip-hop songwriter Bianca Mikahn, Wheelchair Sports Camp and others? His track record speaks for itself and tonight he’s releasing his new EP, a collection of jazz-inflected pop songs that seem to be streaming from a time in the future while sounding like it had to be recorded in the past putting Watkins out of time thus timeless, as seems appropriate for his soulful musical stylings.

Tuesday | September 3

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Shonen Knife circa 2014, photo by Tom Murphy

What: Shonen Knife w/Me Like Bees and Sexy Pistils
When: Tuesday, 09.03, 7 p.m.
Where: The Oriental Theater
Why: Shonen Knife is the legendary Japanese punk bands whose roots go back to the late 70s when not many women were playing music in Japan much less in a punk band. Its songs are often about fanciful and mythical things but its songwriting is sharp, powerful and uplifting.

What: Holy Grove (PDX), DØNE (SLC, ex-SubRosa), and Shepherd
When: Tuesday, 09.03, 8 p.m.
Where: Tooey’s Off Colfax
Why: A kind of doom metal show including the latest project from former SubRosa drummer Andy Patterson, DØNE.

What: Ian Svenonius DJ set / Dream Wish of a Casino Soul Closing Party
When: Tuesday, 09.03, 8 p.m.
Where: Pon Pon
Why: Philosopher, brilliant social commentator, media mogul and genius frontman (The Make-Up, Nation of Ulysses, Weird War, Chain and the Gang etc.) Ian Svenonius will hold court with one of his unique DJ sets for the closing party for the art exhibit Dream Wish of a Casino Soul.

Wednesday | September 4

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SunnO))) circa 2016, photo by Tom Murphy

What: SunnO))) w/David Pajo and BIG BRAVE
When: Wednesday, 09.04, 7 p.m.
Where: Gothic Theatre
Why: SunnO))) creates such intense, dense frequencies and slow dynamics with, assuming Atilla Csihar will be on hand, otherworldly vocals that run a broad spectrum of tonality that your brain may work differently after the show. Calling it “extreme metal” just doesn’t cut it as it’s a truly ritualistic experience and so engulfing you feel like you’ve really been through something by the end. David Pajo is the iconic guitarist of Slint, The For Carnation and a host of other bands including a short stint in the death metal group Dead Child. His solo material runs a fairly wide range of sounds and emotions and as Papa M he recently toured with Mogwai. Not to be missed. BIG BRAVE is a cathartic collision of industrial, drone metal and emotional exorcism.

What: Weird Wednesday: Gothsta, Dorian, Hypnotic Turtle Radio DJ, Cabal Art
When: Wednesday, 09.04, 9 p.m.
Where: Bowman’s Vinyl and Lounge
Why: Weird Wednesday is the monthly musical showcase that lives up to its name and curated by Claudia Woodman. This time she will be performing in her persona of Gothsta and for this performance she says, “Gothsta covers goth songs on the melodica that have some link to climate change-related themes, because Gothsta is depressed about global warming. Gothsta will have some extra special content that has to do with the Amazon burning and will be joined by Hypnotic Turtle’s Diablo Montalban for dueling melodicas/improv along with noise loops generated for this performance.” It’s rare that anything lives up to hype like that but this show probably will.

Best Shows in Denver 04/25/19 – 05/01/19

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Interpol headlines Red Rocks on May 1.image courtesy Matador Records website

Thursday | April 25

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Starjammer, photo courtesy Squidds Madden

Who: Starjammer featuring Kuf Knotz
When: Thursday, 04.25, 4 p.m. – ?
Where: 3 Kings Tavern
Why: Starjammer, the avant-garde dub reggae one-man/device band, will be playing two sets tonight in phases like a rocket launch. The Launch Pad Prep runs from 4-7 and the Late Night Lift Off starts at 9 and runs until the musical equivalent of escape velocity is reached. Or at least until you have to leave whether you want to or not.

Who: Bowshock and El Tigr3
When: Thursday, 04.25, 6:30 p.m.
Where: Hooked On Colfax
Why: This week’s Speakeasy Series presented by Glasss Records includes Bowshock, the experimental improv psych jazz reggae band.

Who: Stop Motion EP release w/Ramakhandra, Fresh Fruit!
When: Thursday, 04.25, 7
Where: Lost Lake

Friday | April 26

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The Yawpers circa 2018, photo by Michael Passman

Who: The Yawpers release of Human Question w/In the Whale and Fast Eddie
When: Friday, 04.26, 8 p.m.
Where: Gothic Theatre
Why: The Yawpers have been writing solid, rough around the edges, southern fried punk rock and roll for years. While earlier releases honestly cataloged singer Nate Cook’s headlong dive into desperation and self-destruction, Human Question, with the image of an immolating figure walking out of the fields into the forest on the cover, is more introspective and taking into consideration a subject as the title suggests—what is the purpose and significance of living in the world as a creature fully capable of being self-aware, reflective and capable of extremes of behavior and of consciously choosing a path other than the most immediate and obvious. The record is a collection of rockers but, especially with the single “Carry Me,” The Yawpers prove that they are capable of more than rocking and that even at the root of that is a raw and nuanced cauldron of emotion and now more an ability to write from a place beyond primal urges with a finely tuned discernment as articulated with fiery displays of musical and poetic catharsis.

Who: Superorganism w/Simpson
When: Friday, 04.26, 8 p.m.
Where: Gothic Theatre
Why: Originating in London, Superorganism is an international, multi-ethnic indie pop band whose members met through various internet channels and mutual friends. Its sound might be described as electronic music pitched to sound like something made using unorthodox, highly tactile instruments. In some ways the group’s 2018 self-titled debut is reminiscent of Kala-period M.I.A. with its fusion of styles and sounds and strong visual element to its performances.

What: PRF BBQ Day 1
When: Friday, 04.26, 8 p.m.
Where: Black Sky Brewery
Why: This is a three day music festival featuring some of the better Denver underground bands. On this night you can catch Dead Characters, New Standards Men, Modern Goon and Clutch Plague.

Who: Lotus
When: Friday, 04.26, 8 p.m.
Where: Summit Music Hall
Why: Certainly Lotus’ fan base is largely comprised of those with a love of all things jam band. And Lotus’ free flowing groove and sprawling improvisations fit in that pocket as well. But there’s something more experimental to the band’s music slightly beneath the surface. Its 2018 album Frames Per Second showcases this well with unusual jazz structures and dynamics, moody bass lines, vocal processing, playful and colorful synth work. Like the inevitable musical offspring of Steely Dan and Jean-Michel Jarre, Lotus sounds like a band with chops playing fairly straightforward yet intricate grooves but there is a layer of subversiveness to keep it interesting beyond technical flourishes.

Who: Murs w/DJ Eps, Locksmith, Cojo and AstroGrizz
When: Friday, 04.26, 8 p.m.
Where: Cervantes’ Other Side

Who: Cactus Blossoms w/Jack Klatt
When: Friday, 04.26, 8 p.m.
Where: Globe Hall

What: Outrun presents Final Wave
When: Friday, 04.26, 7 p.m.
Where: Hyperspace Arcade

Saturday | April 27

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Moon Pussy, photo by Tom Murphy

What: Lotus w/Ghostland Observatory, Jade Cicada and Magic Beans
When: Saturday, 04.27, 5 p.m.
Where: Red Rocks
Why: If Lotus wasn’t responsible for this line-up directly, someone somewhere put together a great bill of bands who share a similar sensibility in adventurous electronic music suited to a large stage format.
What: DMX w/DJ Chonz
When: Saturday, 04.27, 7 p.m.
Where: Summit Music Hall

What: Weird Touch
When: Saturday, 04.27, 9 p.m.
Where: Syntax Physic Opera
Why: It’s one of many hip DJ nights probably more focused on indie releases than average that we’re fortunate to have in Denver.

What: The North Ensemble
When: Saturday, 04.27, 7:30 p.m.
Where: Trident
Why: An avant-garde improvisational show in the back room/outdoors area in the back of Trident. Boulder likes to act like it’s weird but stuff like this is the rare occasion when it is in a productive way.

What: PRF BBQ Day 2
When: Saturday, 04.27, 4:30 p.m.
Where: The Bakery
Why: Simulators will rip your face off with their angular noise rock and when Moon Pussy finishes the process with its cybernetic psychedelic post-punk you will be glad you went unless you’re into safe, boring music. The other bands are probably worth it too. Schedule below.

430 – 500 – Simulators
515 – 545 – The Oxford Coma
600 – 630 – Moon Pussy
645 – 715 – Laurium
Food break
815 – 845 – Conan Neutron and the Secret Friends
9 – 930 – Hooper
945 – 1015 Sewingneedle
1030 – Future Scars

Sunday | April 28

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La Dispute, photo by Pooneh Ghana

Who: La Dispute w/Gouge Away and Slow Mass
When: Sunday, 04.28, 6:30 p.m.
Where: Summit Music Hall
Why: Maybe it’s because Jordan Dreyer was a writer before ever making music. Maybe it’s because La Dispute’s take on post-hardcore and emo isn’t tied to the usual sounds and progressions. Sure you can hear bits of the influence of At The Drive-In and Refused but on another level the band’s music sounds like a heavier Bright Eyes or even Slint—that sense of desolation and desperation. Also on this bill/tour are two other bands within the realm of punk that are a bit different yet share some of the same sensibilities with Gouge Away, a band that combines an atmospheric heaviness with eruptive energy and an unexpectedly forceful frontperson in Christina Michelle. Slow Mass is one of the better bands out there that has fused emotionally taut math rock with fluid post-hardcore.

What: Shibui Denver #2 – Victoria Lundy and Blank Human
When: Sunday, 04.28, 7 p.m.
Where: Mutiny Information Café
Why: Denver avant-garde veteran Victoria Lundy may play some of her classical material on Theremin or some of her spookier faire with the same as well as synth. Blank Human is a drone/ambient project from Dan Coleman also of Luxury Hearse.

What: PRF BBQ Day 3
When: Sunday, 04.28, 4 p.m.
Where: The Bakery
Why: Final evening of PRF BBQ including a performance from glam/psych post-punk stars Teacup Gorilla.

400 – 430 – Flowlines
445 – 515 – 50 Miles of Elbow Room
530 – 600 – Little Beards
615 – 645 – Falsetto Boy
Food break
745 -815 – Church Van
830 – 900 – Teacup Gorilla
915 – 945 – Purple Honey
1000 – The Gary

What: Sabroso Taco Fest: The Offspring, Bad Religion, The Vandals, Black Flag, Strung Out, Dwarves
When: Sunday, 04.28, 12 p.m.
Where: Fiddler’s Green
Why: Kind of a craft beer and taco event with some of the more well-known names in punk. One of the few chances to see Greg Ginn perform with the new version of Black Flag. No matter one’s opinion on that matter, Ginn is always startlingly impressive with the material.

Monday | April 29

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Beach Fossils, photo by Evan Tetreault

Who: Beach Fossils w/George Clanton
When: Monday, 04.29, 7 p.m.
Where: Oriental Theater
Why: Beach Fossils is from Brooklyn but capture a more West Coast breeziness in its melancholic surf pop confections. Unlike artists mining similar territory, Beach Fossils’ songwriting in its emotional colorings. That Slowdive’s Rachel Goswell contributed to the group’s 2017 album Somersault gives the direction Beach Fossils have been going some cachet by lending some of her low key yet evocatively powerful vocals to the record. George Clanton brings his lush, IDM-esque, deeply atmospheric electronic pop along for this leg of the tour as well.

Tuesday | April 30

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Bayonne, photo by Jackie Lee Young

Who: Bayonne and Palm Daze
When: Tuesday, 04.30, 7 p.m.
Where: Lost Lake
Why: Roger Sellers as Bayonne uses minimalist layers of texture-as-percussion and simple melodies to craft atmospheric pop that recalls late 2000s chillwave and its capacity to seemingly dispel anxiety and angst. His latest record, 2019’s Drastic Measures, should be on anyone’s short list for summer listening and to save for the winter months when it seems like warmer times are a distant memory.

What: Ambigere (WA), Causer, Paranoid Preacher and Emotional Calcification
When: Tuesday, 04.30, 7:30 p.m.
Where: Thought//Forms
Why: The noise show for the week.

What: Sage Francis & B. Dolan: Epic Beard Men and Vockah Redu and Wheelchair Sports Camp
When: Tuesday, 04.30, 7 p.m.
Where: Cervantes’ Other Side
Why: Sage Francis and B. Dolan, two giants alternative hip-hop and superb lyricists, are touring in their collaborative alternate personas Epic Beard Men. The masterful phrasing won’t be in short supply tonight with Denver’s Wheelchair Sports Camp and its jazz and beats rooted offerings.

What: Santigold w/Naeem 
When: Tuesday, 04.30, 7 p.m.
Where: Fillmore Auditorium

What: The 1975, Pale Waves and No Rome — canceled
When: Tuesday, 04.30, 6 p.m.
Where: Red Rocks

Wednesday | May 1

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Lil Pump, photo by Gabe Shaddow

Who: Interpol w/Car Seat Headrest, Japanese Breakfast and Sunflower Bean
When: Wednesday, 05.01, 5:30 p.m.
Where: Red Rocks
Why: Interpol could just tour on the strength of its fan base and pick some weird music industry management openers (and maybe that is part of this booking) but instead the post-punk stars are having three of the best indie rock bands opening the show. Between Car Seat Headrest’s lo-fi, emotionally raw math rock, Sunflower Bean’s driving, brooding post-punk and Japanese Breakfast’s highly imaginative and powerful guitar rock soundscaping the opening sets alone are worth the price of admission but then you get to see Interpol whose back catalog has held up better than that of many of its peers from the late 90s and early 2000s.

What: Lil Pump w/Lil Skies
When: Wednesday, 05.01, 6 p.m.
Where: Fillmore Auditorium
Why: Lil Pump turned 18 last August so expecting wisdom and thoughtfulness even on his 2019 album Haverd Dropout might be a bit much. He’s got a long way to go before his mumble trap is in the same league as Migos or his raps and performance in the same realm as Vince Staples or anyone in the A$AP crew or Odd Future. But it’s obvious he’s borrowed a lot from all of them. Nevertheless, Lil Pump is likeable enough despite his deficits and as he grows as an artist and as a human hopefully he’ll grow in more interesting and original directions so that the implicit faith that collaborators like Kanye West, Lil Wayne and 2 Chainz put in his sophomore album. It’s clear Pump is a weirdo so with any luck he’ll embrace that side of himself and give us a third album on which he truly lets his freak flag fly.

What: Weird Wednesday: Orbiting Olympia, Elk Minister, Tears to Light
When: Wednesday, 05.01, 9 p.m.
Where: 3 Kings Tavern
Why: Weird Wednesday this month features Orbiting Olympia which is a grand alchemy of Eve Orenstein’s opera training and Sean Faling’s mastery of synthesizers both analog and otherwise. Elk Minister is a multi-instrumentalist, self-styled mystic and songwriter who has been sitting on his material for years. His visual presentation on his social media accounts look like he’s come back from some junkyard holy site with the appropriate twenty-third century raiment.

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Lizzo, photo by Luke Gilford

What: Lizzo w/Tayla Parx
When: Wednesday, 05.01, 7 p.m.
Where: Ogden Theatre
Why: The show is sold out but if you can get in you can catch rising hip-hop/pop star Lizzo before she starts playing much larger venues (like her October date in Denver at the Fillmore) from now on. Her 2019 album Cuz I Love You has the kind of frisson that sounds, at times and certainly the “Juice” single, like something that might have come out of a late 70s-period Studio 54 playlist. Except not dated. And across the record Lizzo shows off her chops as a vocalist of great emotional power and a songwriter with a keen ear for dynamics. Fans of Prince are well-advised to give Lizzo’s new album a deep listen because it’s worth it.

What: Ben Kweller w/Mainman and Modern Love Child
When: Wednesday, 05.01, 7 p.m.
Where: Lost Lake

Best Shows in Denver 4/11/19 – 4/17/19

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Earl Sweatshirt at Cervantes’ Masterpiece Ballroom on April 11, photo by Steven Traylor

Thursday | April 11

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Brother Saturn, photo by Tom Murphy

Who: Earl Sweatshirt & Friends w/Bbymutha and Liv.e
When: Thursday, 04.11, 8 p.m.
Where: Cervantes’ Masterpiece Ballroom
Why: Earl Sweatshirt released his first mixtape, Kitchen Cutlery, under the name Sly Tendencies in 2008 when he was just fourteen years old. Within a year he was contacted by Tyler, the Creator, who was a fan and changed his performance/musical moniker to what it is now. Born Thebe Neruda Kgositsile, the son of an American law professor and a South African poet and political activist, Sweatshirt has created some of the most sonically inventive and thought-provoking hip-hop of the past decade. He got a bump up early on due to his association and work with Odd Future but his solo albums from 2013’s Doris onward revealed an artist in touch with and non-judgmental toward the deeper regions of his psyche and whose imagination and musical instincts have never been narrowed down to how ideas and sounds fit into established channels of expression. The 2015 album I Don’t Like Shit, I Don’t Go Outside lives up to the suggestion of the title and probably won’t be played at many parties. But it’s a record that dives deep with an uncompromising search for something real and something that can cut through the haze of our world overstimulated by blandness broadcasted as exciting. 2018’s Some Rap Songs has brighter atmospheres but the words manage to plumb personal darkness further. The production, though, is reminiscent of Black Moth Super Rainbow in its sampling of sounds and music in a highly refined collage of feelings and imagery that fizz and fade out in perfect orchestration with the complimentary layers of rhythm and poetry.

Who: Life After Earth and Brother Saturn
When: Thursday, 04.11, 6:30 p.m.
Where: Hooked On Colfax
Why: Guess this edition of the Speakeasy Series hosted by Glasss Records could be called An Evening With Drew Miller. Life After Earth is Miller’s darker electro ambient project while Brother Saturn’s gorgeously gauzy, guitar-driven, ambient post-rock is decidedly brighter and more uplifting.

Who: Slow Magic w/Covex
When: Thursday, 04.11, 8:30 p.m.
Where: Fox Theatre

Who: Dead Characters, Obtuse, Bernie & The Wolf Rita Rita, Fragile Fires
When: Thursday, 04.11, 7 p.m.
Where: Seventh Circle Music Collective

Who: Great Falls w/False Cathedrals, Muscle Beach, Fathers
When: Thursday, 04.11, 8 p.m.
Where: Hi-Dive

Who: Blacc Rabbit w/Shark Dreams and Jeff Cormack
When: Thursday, 04.11, 7 p.m.
Where: Larimer Lounge

Friday | April 12

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Lusine, photo by Sarah M

What: Double-Ply Translucent Caterpillar #5
When: Friday, 04.12, 8 p.m.
Where: Ophelia’s Electric Soapbox
Why: The free jazz improv prog fusion all-star extravaganza is back (sans the late, great, Ikey Owens who was a regular back in the day) but rather than at DIY space Unit E, at Ophelia’s. Includes members of Rubedo, Holophrase, déCollage, Wheelchair Sports Camp, Kendrick Lamar’s band and The Other Black.

Who: Lusine w/Milky.wav and Snubluck
When: Friday, 04.12, 8 p.m.
Where: Larimer Lounge
Why: Jeff McIlwain has produced a consistently interesting, evolving body of work as Lusine for twenty years. Combining samples that contain elements of physical sound (chains, chimes, bells, other objects truck for textural qualities) into his beats and soundscaping, McIlwain’s songs truly transport the listener to a place that is both unknown and yet ineffably tangible.

Who: Memorybell, Sine Mountain, Mosh
When: Friday, 04.12, 9 p.m.
Where: Tandem Bar
Why: With Memorybell, Grant Outerbridge is able to use his mastery of piano beyond his classical training to craft evocative, minimalist compositions that suggest an intimate familiarity with doubt, unease and the overwhelming demands of modern life and how to untangle that with songs that transcend such contexts by subtly coaxing you lateral thinking and feeling.

Saturday | April 13

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Jane Siberry, photo courtesy the artist

Who: DBUK and Norman Westberg w/George Cessna
When: Saturday, 04.13, 8 p.m.
Where: Hi-Dive
Why: Denver Broncos UK is basically the alter ego of Slim Cessna’s Auto Club but one that is moodier, less upbeat and post-punk in the sense as, say, Shriekback, Crime and the City Solution and New Model Army, all of whom incorporated elements of folk, a sense of brooding introspection and a broad array of musical ideas to tell stories that many of their contemporaries weren’t. In 2019 DBUK released Songs Nine Through Sixteen, the follow up to its fantastic 2015 album titled, what else, Songs One Through Eight. For this show the band is joined by Slim’s talented son and experimental singer-songwriter George Cessna as well as Norman Westberg, the legendary SWANS guitarist whose solo output while not sprawling is always worth a listen and where he is able to demonstrate his interest in crafting unique atmospheres with guitar, banjo and drum machine. It might be described as ambient but the kind one might have to compare to the likes of Marisa Anderson or Helen Money.

Who: Get Your Ears Swoll 5: Meet the Giant, Gata Negra, The Jinjas
When: Saturday, 04.13, 7:30 p.m.
Where: People’s Building
Why: Everyone should get to experience Meet the Giant’s powerfully evocative dream pop. Maybe “pop” isn’t the word for it as its music borders on hard rock but informed by the aesthetics of electronic music and post-punk. And the raw emotional honesty of Mic Naranjo’s vocals transcends genre. Gata Negra is probably an anomaly now in Denver in that its blues-tinged music would have been considered alternative rock in the early 90s because it’s using that musical vocabulary in offbeat ways that allow for nuanced and poetic expressions of inner space.

Who: Jane Siberry w/Antonio Lopez
When: Saturday, 04.13, 7 p.m.
Where: Swallow Hill/Quinlan Cafe
Why: Jane Siberry is a Toronto-based singer-songwriter whose prolific career should be more well-known in America outside college radio in the 80s and 90s. Her lilting and melodious vocals and use of space and dynamics give her sometimes minimal elements an unconventional versatility and inventiveness. She has worked with Michael Brook, Brian Eno and Peter Gabriel. Her song “It Can’t Rain All the Time” was featured prominently in the film The Crow and other songs have been part of the soundtracks of the Wim Wenders films Until the End of the World and Faraway, So Close. Though typically conceptual in nature, both musically and in terms of her subject matter, Siberry’s songs are accessible and relatable in a way music that is more obviously experimental isn’t.

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Shana Cleveland, photo courtesy the artist

Who: Shana Cleveland (La Luz guitarist/singer) w/Down Time and Ryan Wong
When: Saturday, 04.13, 8 p.m.
Where: Lost Lake
Why: Shana Cleveland’s sparkling and lush guitar work in La Luz is one of the reasons that band has never been stuck in some kind of throwback surf guitar thing. That and her introspective vocals that imbue her songs with an enviable mystique in modern music. Her debut solo album, 2019’s Worm Moon, is more ethereal than the music of La Luz but has the same entrancingly dusky quality that band exudes. Worm Moon may be more stripped down than what we’re used to hearing from Cleveland but it feels like we’re hearing her plumbing another layer of emotional depth in an already respectable musical career to date.

Who: Street Tombs (Santa Fe), Zygrot, Blood Loss and Secticide
When: Saturday, 04.13, 6 p.m.
Where: Chain Reaction Records
Why: It’s record store day and Chain Reaction Records, in Lakewood, is worth the trip particularly to get to see some of the best local and regional hardcore bands.

Sunday | April 14

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Swervedriver, photo by Steve Gullick

Who: Swervedriver and Failure w/No Win
When: Sunday, 04.14, 6 p.m.
Where: Oriental Theater
Why: Before the word “alternative” was a clumsily and ubiquitously applied term for a broad swath of music that emerged out into mass public consciousness in the early 90s, a generation of bands inspired in part by underground music were already embodying music that seemed like a paradigm shift into something different from what was then most “commercially viable.” Swervedriver rumbled to life in Oxford, England in 1989 when sole original member and vocalist/guitarist Adam Franklin and some friends laid down the roots of the band based on songs Franklin had written after his former band Shake Appeal (a nod to the influence of the Stooges) disbanded. Perhaps the right place at the right time, the nascent Swervedriver knew Mark Gardner of Ride, also from Oxford, who gave their demo to Creation Records head Alan McGee who signed the group. Creation would become all but synonymous with “shoegaze.”

All the bands on Creation, pretty much, were sonically massive and shared similar influences but unlike brilliant, ethereal soundcapers Slowdive and My Bloody Valentine, Swervedriver had more traditionally hard rock underpinning to the songwriting and its sound seemed more gritty and distorted like some of its American counterparts in the USA who were already poised to turn the music industry on its head while cultural commentators and journalists struggled with an overarching term for that phenomenon. Swervedriver didn’t become a household name like Nirvana or Pearl Jam but its records have remained revered and influential. The group split in 1998 but reunited in 2008 and has since released two noteworthy records since in 2015 with I Wasn’t Born to Lose You and 2019’s Future Ruins. Like former labelmates Slowdive and My Bloody Valentine, Swervedriver wasn’t inclined to release a record that wasn’t worthy of its legacy.

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Failure, photo by Priscilla C Scott

In Los Angeles, Failure formed a year after Swervedriver in 1990 at the peak of the popularity of glam metal. Drummer Kellii Scott had grown up a fan of Rush and Iron Maiden and had been an avid live music fan in Los Angeles’ diverse musical world including taking in the sorts of shows at Gazzari’s and The Troubadour as one might have seen in Penelope Spheeris’ 1988 documentary The Decline of Western Civilization Part II: The Metal Years. But Scott’s eclectic musical tastes meant he was open to whatever seemed interesting or exciting. He was once the drummer of alternative funk band Liquid Jesus whose cover of “Stand” by Sly & The Family Stone appeared on the soundtrack to the 1990 film Pump Up the Volume and through that band and other projects Scott established himself as a talented drummer in town. He was alerted to auditions for a little known group called Failure which was in the process of recording what would be its 1994 album Magnified. When he heard the demos future bandmates Ken Andrews and Greg Edwards had recorded and was immediately struck by the songwriting and how fresh and different its approach to making the music seemed that he wanted to be part of the band.

Failure’s 1992 debut Comfort as well as early Sunny Day Real Estate songs seem obvious influences on midwest emo and post-hardcore by mixing strong melodies with noisy, urgent songwriting and nuanced emotional colorings in the lyrics and Andrews’ vocal delivery. But Magnified put bass at the center of the the instrumentation allowing for guitar to gyre out out in plasmic bursts as the drums kept the dynamics corralled even as each song threatened to careen off into chaos. The new style gave the music a cinematic quality that the band expanded upon greatly with its 1996 then swan song Fantastic Planet. On the latter, Failure prominently introduced piano and acoustic guitar to give its urgent juggernaut of sound another layer of detail, giving the songs some space, no joke intended for a space rock record, to come down from the emotional heights and extremes present across the thrilling but sometimes harrowing record.

Even with a few critically acclaimed albums under its belt and having played on the 1997 Lollapalooza tour, Failure split in 1997 citing personal differences. Which is perhaps inevitable given the time, the pressure, knowing that you made some of the cooler records of the era but without that propelling one into the mainstream. After the break-up all the members of the band went on to different projects that helped each develop new musical skills and cultivate creative interests that would go on to help make Failure an even better band when it reunited in 2013. Edwards formed the fantastic, experimental post-punk band Autolux. Guitarist Troy Van Leeuwen (who had joined after Fantastic Planet was in the can) went on to play in A Perfect Circle and now plays in Queens of the Stone Age (and hasn’t returned to Failure). Scott played in various bands including Blinker the Star, Veruca Salt and Enemy but also did studio sessions for Linda Perry including performances on tracks by Christina Aguilera and Courtney Love. He also did work on a recent Dr. Dre album. Andrews has becoming an in-demand producer and engineer whose work can be heard on songs and albums by Paramore, Black Rebel Motorcycle Club and Chris Cornell.

After announcing a reunion with the classic lineup of Edwards, Andrews and Scott in late 2013, Failure played its first show in nearly 17 years in February 2014. Later that year Failure would tour the US including dates as part of Riot Fest. Fairly early on in that cycle of rehearsals and performances Failure wrote new material and released the Tree of Stars EP in May 2014 which included live tracks and the new song “Come Crashing.” But it wasn’t long before the band was preparing material for a new full-length, 2015’s sprawling The Heart is a Monster. The album demonstrated how far the band members had come individually as well as its chemistry as a collective. Arranged, produced and sequenced in an almost narrative fashion the albums songs work individually but taken as a whole like a collection of musical vignettes. While critical reception of the new Failure album was mixed it was obvious that there was still something there.

2018’s In the Future Your Body Will be The Furthest Thing From Your Mind was conceived and recorded in phases with three EPs released separately throughout that year and the complete album including the fourth EP released in November. Scott feels it’s the group’s best album and in terms of focus, utilizing the group’s complete skill set, sound palette and bringing to bear a mature, creative sensibility it’s hard to disagree unless one is burdened with the misguided, though often justified, conceit that a band does its best work on its first few albums. The new Failure album sounds like a band that has already been through the stage of discovering what it wants to be and rediscovered what it can be.

What: Kalyn4Mayor Battle of the Bands: Pay2Play Politics: Venus Cruz, Felix Ayodele, Church Fire, R A R E B Y R D $, Tammy Shine, Bolonium, Josh Blue, Chris Fonseca and Christine Buchele
When: Sunday, 04.14, 6 p.m.
Where: Hi-Dive
Why: Kalyn Heffernan is running to be mayor of Denver. As a producer and hip-hop MC with her band Wheelchair Sports Camp, Heffernan has demonstrated her imagination, talent and managerial skills. As an advocate for people with disabilities and queer youth, she has shown her ability to both reach out to and critique vested authority in a productive manner while not compromising her righteous mission. As mayor of Denver Heffernan will bring a much needed helping of good sense, pragmatism (you can’t navigate the world when you’re disabled without this quality), compassion, a knack for productive engagement, a knowledge of issues facing not just struggling populations and gentrification but the city as a whole as well as a love of the city and the people that make Denver a world class city. For this event Heffernan has brought together some friends to raise awareness of her candidacy and to raise funds for her campaign. All the bands are some of the most interesting acts in the Mile High City and the comedians among the town’s most talented.

Monday | April 15

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Ex Hex, photo by Michael Lavine

Who: Ex Hex w/Moaning
When: Monday, 04.15, 7 p.m.
Where: Bluebird Theater
Why: Ex Hex was probably not the kind of band anyone would have expected from Mary Timony. The wiry, noise post-punk of Autoclave, Helium’s evolving experiments in tone and concept, Timony’s widely different albums under her own name exposing different aspects of her talent as a musician and songwriter. Inventively angular, often utilizing lo-fi aesthetics to create a quality of mystery, Timony is one of the most interesting musicians of the past three decades. So with the second Ex Hex album, 2019’s It’s Real, Timony, Betsy Wright and Laura Harris have written songs that sound like they could have come out of a weird nexus of early 80s power pop, garage rock, new wave and hard rock. Huge, brash, riffs. Unabashedly bombastic hooks. Plenty of bands have drawn on that earlier era of rock for inspiration but too often it comes with embracing the regressive topics and sensibilities of that time as well. Not the case here. And none of the cheesy production. Just the unabashed joy but paired with a futuristic vision untethered from old school rock and roll cultural baggage. Also on the bill is Los Angeles-based noise rock band Moaning who sound, in the best way, like You’re Living All Over Me period Dinosaur Jr after immersing themselves in the Siltbreeze catalog. Meaning understated, emotionally demolished vocals and urgent, gritty melodies and an energetic live show.

Tuesday | April 16

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Buke & Gase, self-portrait

Who: Yob w/Amenra and In the Company of Serpents
When: Tuesday, 04.16, 7 p.m.
Where: Marquis Theater
Why: Amenra is a Belgian metal band that has in its twenty year history helped to redefine what metal can be and sound like and embody the concept of heavy not just sonically but emotionally. Its blend of doom and ambient post-rock is well suited the dark, majestic outbursts threaded together with ethereal introductions, builds and interludes. Its full-length albums are titled Mass followed by a Roman Numeral indicating its sequence in the band’s catalog but also serves as a nod to chapters in the canonical works of a mystical sect. In The Company of Serpents recently overhauled its sound and while still well within the realm of extreme metal and doom, the songwriting bears some comparisons to artists that tap into a dark, forbidding blues. Like maybe Grant Netzorg listens to a bit of Nick Cave or later era Swans. Yob is the influential psych doom band from Eugene, Oregon. Influenced by, of course, Black Sabbath and imaginative art rock bands like King Crimson and Pink Floyd, Yob’s music is incredibly heavy but there’s a fluidity and playfulness to its songwriting and presentation that ultimately transforms that heaviness into something uplifting, like a purge of the detritus that plagues the mind due to the build-up of the unreasonable demands of everyday life in late capitalism America.

Who: Buke & Gase w/Like A Villain and Holophrase
When: Tuesday, 04.16, 7 p.m.
Where: Larimer Lounge
Why: Buke & Gase has always pushed boundaries in its exquisite use of unusual rhythms and otherworldly melodies. Its new album Scholars has the band absorbing mainstream and synth pop and transforming it to suit the group’s own sensibilities as only it can. And this whole bill is filled with vocalists who use their powerful voices as instuments in themselves. Holland Andrews of Like a Villain creates sound environments that recall the soundtracks to Michael Powell films or Diamanda Galas and Björk collaborating on music to accompany a Stanislaw Lem adaptation. Holophrase’s Malgorzata Stacha channels moods and modes seemingly directly from the unconscious and makes it work in the context of experimental downtempo music.

Who: Show Me The Body w/Euth, Law of the Night and TARGETS
When: Tuesday, 04.16, 7 p.m.
Where: Hi-Dive
Why: Show Me the Body from New York is technically a hardcore band but the vocal delivery sounds as much like what you’d expect as something from a weird hip-hop band. Fans of Sleaford Mods and IDLES will probably find a lot to like here though Show Me the Body is a bit darker than the aforementioned. The group recently released its 2019 sophomore album Dog Whistle.

Wednesday | April 17

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HEALTH, photo by Faith Crawford

What: HEALTH w/Youth Code and French Kettle Station
When: Wednesday, 04.17, 7 p.m.
Where: Bluebird Theater
Why: With the 2019 release of Vol. 4 :: Slaves of Fear, its first since the departure of guitarist Jupiter Keyes, proves that the remaining trio still absorbs new musical ideas and applies them creatively in its sonic palette while experimenting with its own production and sound processing as it has since its inception. This time the 8-bit crushing, driving-yet-fluid noise rock and ghostly, pitch-shifted/autotuned vocals give the impression of being layers in a dance track. It’s even difficult to tell whether the drums are analog or not and if so processed or submixed to EQ in unconventional ways. Honestly, knowing either way is irrelevant to anyone but purists of any stripe and HEALTH is a band that ditched notions of purity in music as boring and perhaps quaint long ago. The element that separates this new album and its music from 2015’s Death Magic is an element of industrial beat making. Sure the group worked with French industrial synth phenom Perturbator but if that was an influence it’s been wholly absorbed and incorporated.

Considering HEALTH’s new sound it’s only fitting that it’s touring with Youth Code. Both from Los Angeles, Youth Code was one of the major bands that was part of the recent darkwave revival of the past decade. Its confrontational EBM had the sharp edges of a hardcore band but its emotional resonance has been much broader.

Opening the show is Denver’s French Kettle Station. Always an incredibly energetic and dynamic performer, some might think there’s something of an act to it all beyond it being a compelling element to a live show. But Luke Thinnes’ enthusiasm is sincere and his mixture of 80s adult contemporary, Talk Talk and Arthur Russell. Speaking of 80s adult contemporary, FKS has been on a bit of a Phil Collins kick of late and even sometimes covers one of his iconic songs live.

Best Shows in Denver 03/7/19 – 3/13/19

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Low performs at Globe Hall on March 8. Photo by Shelly Mosman

Thursday | March 7

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RUMTUM circa 2016, photo by Tom Murphy

Who: RUMTUM mural unveiling w/Nasty Nachos and DJ YOLOLO
When: Thursday, 03.07, 6:30 p.m.
Where: The Oriental Theater
Why: John Hastings who performs ambient/IDM/instrumental pop music as RUMTUM recently received a commission from Meow Wolf to do a mural at The Oriental Theater. Tonight is the unveiling and the evening will incorporate interactive visual installations by WMD and FOREST and performances/DJ sets from Nasty Nachos and DJ YOLOLO.

Who: Rhadoo w/Peter Blick (Below Radar) and Liminal
When: Thursday, 03.07, 9 p.m.
Where: The Black Box
Why: Rhadoo is known to connoisseurs of electronic music internationally but in his home country of Romania, he’s a star, a legend of his scene, who is all but mainstream. He brings his chill and hypnotic mixture of house and techno to Black Box for a night of music including a set from Peter Blick of Below Radar (a Denver and San Francisco curator of choice underground electronic music events) and the Liminal collective.

Who: Satin Spar, Ruehlen/Seward and TARP
When: Thursday, 03.07, 7 p.m.
Where: Madelife
Why: Experimental music label Shadowtrash Tape Group and the Madelife gallery present this evening of synth and percussion duos.

Friday | May 8

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And the Kids, photo by Guzman

Who: Low w/Rivulets
When: Friday, 03.08, 8:30 p.m.
Where: Globe Hall
Why: For going on three decades Low has written some of the most affecting, emotionally raw, tender and thoughtful music in America. Its influential early albums are classics of slowcore which is to say it was music in direct contrast to the louder and more bombastic trend of popular music of the day. It required and deserved your attention and reflection on the songs. Toward the turn of the century the band’s palette of sounds expanded and it embraced dynamics of volume and its ability to make the ambiance and the mood of a song more nuanced yet immediate. For 2018’s Double Negative, the trio basically reinvented its use of sound. Rather than the pastoral grandeur of years past and the emotionally rich and vibrant offerings of its more rock period, Low seems to have inverted those elements to make something that would be more expected in the realm of abstract industrial music, textured ambient and the avant-garde generally. Except all the songs have a pop quality. Maybe it’s the structures, or the way the band is able to make the dark, fractured music accessible. It is arguably the band’s most interesting album in years from a career that isn’t short on arresting and noteworthy material. What might be even more interesting is how this band will pull off such unusual and challenging material live.

Who: The Playground Ensemble perform 8 Songs For a Mad King
When: Friday, 03.08, 6:30 and 8:30 p.m.
Where: The Mercury Café
Why: Denver’s Playground Ensemble will put on a production of Peter Maxwell Davies’ ambitious, 1969 masterpiece Eight Songs for a Mad King. The work includes unusual vocals, shifting musical styles, pointed depictions of Mad King George III and a theatrical presentation with elaborate stage props. There will be two performances on this night, as indicated above, and it’s guaranteed there won’t be much like this in Denver in 2019.

Who: Judah Friedlander
When: Friday, 03.08, 7 p.m.
Where: Globe Hall
Why: Judah Friedlander is most known for his unusual and brilliant stand-up comedy and for appearing in and writing for some of the most interesting television series of the last twenty years including Wonder Showzen, Spin City, Flight of the Conchords and LateLine. But he is also one of the country’s most sharp and insightful cultural critics and commentators. For this performance there will be plenty of both. Few comedians worth their salt are essentially content free and Friedlander most certainly is not.

Who: Heathen Burial, Masons and Clutch Plague
When: Friday, 03.08, 8 p.m.
Where: Thought//Form
Why: A show that bridges the gap between abstract metal and noise.

Who: And The Kids w/Toth and Corsicana
When: Friday, 03.08, 8 p.m.
Where: Larimer Lounge
Why: And The Kids’ When This Life is Over has one of the most fetching album covers of 2019. Fortunately it represents well the reticence and exuberance and sensitivity informing the music within. Musically it’s fuzzy, upbeat rock in the modern indie vein but And The Kids are willing to veer off the mid-tempo, safe path and indulge passages that sound like they could go off the song’s rails. Also, in “Champagne Ladies” we get lyrics like “Life is a bastard, life wants to kill you/Don’t get old/Life is a bastard, it wants to kill you/Don’t let go.” Which about sums up too much of life for people grinding away and struggling to not just survive but create for oneself a life worth living even with seemingly insurmountable challenges in place. Also on the bill is Toth, the side project of Rubblebucket’s Alex Toth whose eclectic instrumentation and gift for utilizing space in his songwriting shines with this project as well. The deeply imaginative and soothing debut full-length from Toth, Practice Magic and Seek Professional Help When Necessary comes out on May 10.

Saturday | March 9

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Cloud Catcher circa 2016, photo by Tom Murphy

Who: Chimney Choir w/Ramakhandra
When: Saturday, 03.09, 8 p.m.
Where: Ophelia’s Electric Soapbox
Why: Superficially one might describe Chimney Choir as an experimental folk band. But the thought and creativity that goes into the songwriting and especially the always captivating live shows, most of them interactive and often involving elaborate sets and costumes, sets the band apart from most its peers but not competitively, not by setting the bar higher for others to reach but as an example of what’s possible if you’re willing to challenge yourself and put in the time as a creative person to achieve something for yourself that hopefully resonates with others.

Who: Cloud Catcher EP release w/Bleakheart, Cadaver Dog
When: Saturday, 03.09, 9 p.m.
Where: Tooey’s Off Colfax
Why: Cloud Catcher is supposedly breaking up later this year so this is one of your last chances to catch the great Denver sludge metal act with bands that may not be in its usual wheelhouse like the hardcore outfit Cadaver Dog. Cloud Catcher is also gifting us with one final EP available at the show. Perhaps we’ll also hear what Rory Rummings and company are up to next soon.

Who: Graves w/Hex Cougar and Gangus
When: Saturday, 03.09, 8:30 p.m.
Where: Larimer Lounge
Why: Not the post-Misfits band, Graves is DJ and producer Christian Mochizuki, He did production work with Kanye West, Kid Cudi and Big Sean, for example, and his hybrid hip-hop and progressive trance style of bass music has earned him an audience of his own. He’ll probably be doing sets at bigger venues before too long so if this is your thing, catch it at a small club like Larimer Lounge.

Who: Ned Garthe Explosion, The Savage Blush and Palo Santo
When: Saturday, 03.09, 8 p.m.
Where: Lost Lake
Why: After many of the lesser psychedelic garage rock bands have passed into irrelevance, three of the standouts from Denver are playing on a bill together tonight. Ned Garthe Explosion is clearly the craziest, weirdest and funniest of the bunch. But The Savage Blush makes the most of its minimalist instrumentation and Palo Santo always sounds like it’s from a few decades ago but yet not a throwback.

Sunday | March 10

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Tuck Knee, photo by Tom Murphy

Who: Tuck Knee w/No Sign of Remorse, Secticide and didaktikos
When: Sunday, 03.10, 8 p.m.
Where: Thought//Forms Gallery
Why: Tuck Knee is releasing its debut album. Fans of Minor Threat may cry foul at the comparison but Tuck Knee has that kind of energy and conviction and instincts for fairly non-doctrinaire hardcore songwriting. Didaktikos? No slouches in that vein either.

Who: The Sound of Animals Fighting w/Planes Mistaken for Stars and Lorelei K
When: Sunday, 03.10, 7 p.m.
Where: The Ogden Theatre
Why: The Sound of Animals Fighting was a brilliant amalgamation of math-y post-hardcore and ambient. Comprised of prominent musicians in the post-hardcore world and lead by Rich Balling of Rx Bandits, the group operated between 2004 and 2009. Also on this tour is one of post-hardcore greatest bands, Planes Mistaken for Stars from Denver. That band’s emotionally searing songs were anthems for the pulsing and tortured collective heart of underground punk in the 2000s.

Monday | March 11

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Animal / object circa December 2017, photo by Tom Murphy

What: Freq Boutique 024
When: Monday, 03.11, 8 p.m.
Where: Fort Greene
Why: This is the twenty-fourth edition of Freq Boutique, the WMD-sponsored showcase of synthesizer tech and gear as well as a sort of open mic for which one can sign up on the event page.

What: Solos/Duos – Denver Avant-Garde Music Society featuring Animal / object
When: Monday, 03.11, 7 p.m.
Where: Thought//Forms Gallery
Why: This is the monthly avant-garde open mic curated by Denver Avant-Garde Music Society. The evening opens with a performance from Animal / object, the spontaneous composition group whose evolving membership includes long-time Denver avant-garde musician Kurt Bauer at the core often with contributions from Paul Mimlitsch, Arnie Swenson, Reed Weimer and Gordon Gano.

Tuesday | March 12

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Carlos Medina, photo courtesy Meow Wolf

Who: Carlos Medina w/Pink Hawks and The Savage Blush
When: Tuesday, 03.12, 7 p.m.
Where: Hi-Dive
Why: Carlos Medina, the “psychedelic Mariachi” has already built a sizeable underground following for his unique brand of music that is rooted in Mariachi but with pop flourishes and a fascinating takes on rhythm and use of tone to set the music outside the realm of pure tradition. His touring circuit has taken him to a wide variety of venues treating audiences (knowing or otherwise) to his corridos psicodélicos. As an artist-in-residence at George RR Martin’s Jean Cocteau Cinema in Santa Fe, New Mexico, Medina had a direct connection to the Meow Wolf collective who produced and released his debut full-length El Cantador. Perhaps his exquisitely crafted songs don’t scream out “psychedelic” to those that don’t speak Spanish. But check out the darkly beautiful video for “No Le Digan” and you get a taste of the creative context of the music and Medina’s rich vision that sees the imaginative possibilities inherent in his cultural background and his place as an artist within it. Medina gets compared to Tom Waits but probably because he too is an interpreter and re-interpreter of culture par excellence.

Who: A Night to Survive: Right to Survive Campaign Kickoff Concert
When: Tuesday, 03.12, 6:30 p.m.
Where: The Oriental Theater
Why: This is a “Yes on 300” fundraiser/kickoff featuring musical performances from some of Denver’s finest: Esmé Patterson, Laura Goldhamer, Wheelchair Sports Camp.

Wednesday | March 13

Who: Sandy Ewen (NYC) + Ryan Seward, Cash/Westerman, Channel Worker
When:Wednesday, 03.13, 8 p.m.
Where: Thought//Forms
Why: Sandy Ewen is, according to the bio on her website, a “sound artist, visual artist and architect who moved to New York City from Houston in 2018. Her sound art incorporates the use of prepared guitar, the use of textures and objects not conventionally associated with music (like railroad spikes, steel wool, bolts and so on) as well as an array of offbeat instruments used as vessels or raw sound to create an environment and experience. If you’re looking for conventional music, this show won’t be that. Rather, how sound can be an artform that doesn’t fit within the confines of song structure in any tradition.

Best Shows in Denver 2/28/19 – 3/6/19

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Teenage Fanclub performs at the Bluebird Theater on March 2

Thursday | February 28

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Sliver, photo by Tom Murphy

Who: Endless, Nameless tour kickoff w/Soulless Maneater, Lightstory, Giardia and Sliver
When: Thursday, 02.28, 7 p.m.
Where: Seventh Circle Music Collective
Why: Math rock band Endless, Nameless is headed to SXSW and to launch the group on its way some of its friends and peers are playing this show including gloom and angst festooned post-punk band Soulless Maneater, psych jazz abstract metal trio Giardia as well as post-grunge poseurs Diet Nirvana. But, really, Sliver is a great band inspired by grunge-era bands, Wipers and DC punk.

Who: Starjammer w/Joshua Trinidad
When: Thursday, 02.28, 9 p.m.
Where: 3 Kings Tavern
Why: Squidds Madden has been bringing his gift for improvisation to various funk, rock, jazz and ska bands over the past two decades. But Starjammer is his one man avant-garde dub reggae project in which he pilots an integrated multi-instrumental vehicle. Lately he’s been crafting stories to go along with performances and this is one of a handful of events where he’s trying that out while bringing in some of the greatest players in Denver to round out the bill. Tonight it’s trumpet player extraordinaire Joshua Trinidad who some may know for his masterful turns in Wheelchair Sports Camp and GoStar.

Friday | March 1

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Blood Incantation, photo by Tom Murphy

What: Decibel Tour: Cannibal Corpse, Morbid Angel, Necrot and Blood Incantation
When: Friday, 03.01, 6 p.m.
Where: The Oriental Theater
Why: Cannibal Corpse is known for having some of the most cartoonishly brutal and horrifying lyrics in metal. But it’s all in fun and if one can’t appreciate the absurd, even in bad taste, maybe you take yourself too seriously. The death metal legends share the stage tonight with one of the pioneers of death metal from, where else, Tampa, Florida (where Cannibal Corpse is now based): Morbid Angel. Opening the night is Blood Incantation, a Colorado band with a cult following in the death metal realm. While clearly self-aware, Blood Incantation is a powerful live act whose songs push the genre in interesting directions rather than get stuck like it’s 1985.

Who: Venus305 physical album release w/Gold Trash, EVP, Düll Haus and Techno Allah
When: Friday, 03.01, 9 p.m.
Where: Thought//Forms
Why: Molly McGrath is perhaps better known for her rock band Surf Mom. But for Venus305 she’s left behind the guitar and punk-esque vocals for electronic dance tracks and a vocal style more fitting for the type of downtempo and what one might call progressive lounge that is the music of Venus305. Also on the bill for this release show of the project’s physical album is screamy electroclash Gold Trash, industrial punk/dance duo EVP, the glitchcore for the dancefloor sounds of Techno Allah and Düll Haus, a band that seems to navigate the sonic territory traversing minimal synth dance and IDM.

Who: The Scientist w/Dr. Israel and DJ Imeh
When: Friday, 03.01, 8 p.m.
Where: Ophelia’s Electric Soapbox
Why: The Scientist learned his craft partly under the tutelage of dub legend King Dubby and went on to contribute greatly to the genre himself—which is reason enough to go if you’re into the roots of sound sculpting production.

Who: eHpH, TetraKroma, Redwing Blackbird
When: Friday, 03.01, 9 p.m.
Where: The Skylark Lounge
Why: None more synth on this night. eHpH makes a good case for why EBM and industrial rock isn’t essentially dead these days because the duo brings an emotional resonance to the music that isn’t just trying to be as angsty and nihilistic as possible. TetraKroma, that’s a lot of analog synths for making dark dance music but the depth of sound makes it obvious having the layers in hardware are worth it. Redwing Blackbird mixes samples and low-end heavy tracks to make some gritty EBM like early Front 242 but darker.

Saturday | March 2

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Praga Khan of Lords of Acid, photo courtesy the artist

Who: Teenage Fanclub w/The Love Language
When: Saturday, 03.02, 8 p.m.
Where: The Bluebird Theater
Why: Teenage Fanclub came out of the fertile musical ground of C86 influenced by the bands that influenced the jangle, twee and garage rock of that era. Its second album, 1991’s The King, came out on Creation Records, the imprint better known for being home to shoegaze giants of that period like My Bloody Valentine and Slowdive. But Creation also nurtured the cooler end of power pop (later Creation signed Oasis but that’s a whole other story). In the USA, Teenage Fanclub hit the college radio charts in a big way with its later 1991 album Bandwagonesque. At the time there was a revival in the interest in power pop pioneers Big Star and its soulful and melancholic catalog—a band that somehow sounded mournful and sad even when it rocked in a celebratory fashion on its songs. Bandwagonesque evoked Big Star powerfully on songs like “What You Do To Me” and “The Concept.” But Teenage Fanclub had its own voice and its sophisticated songwriting evolved over its now long career. 1993’s Thirteen sounded like the band had absorbed a bit too much of grunge or grebo or whatever and yet its delicate psychedelia and emotionally vibrant vocals remained part of the sound. 1995’s Grand Prix dispensed with the grunge affectations going forward. Teenage Fanclub doesn’t get nearly enough credit for being an important band in the development of Britpop but probably because there’s too much rock and roll in its songwriting and not enough of the dance music/Madchester element. It is precisely because of that disconnect with that 90s trend that the group’s music has aged well.

Who: GoStar
When: Saturday, 03.02, 9:30 p.m.
Where: Dazzle
Why: If a trumpet-guitar-and-percussion-driven jazz fusion band of the early 70s (Bitches Brew period Miles, Mahavishnu Orchestra) adopted mind-altering psychedelic flourishes and then traveled forward in time to hang with Arrested Development and A Tribe Called Quest in the early 90s before hopping again and landing in the 2010’s, that band would sound like GoStar.

Who: Lords of Acid w/Orgy, Genitorturers and Little Miss Nasty
When: Saturday, 03.02, 6 p.m.
Where: The Gothic Theatre
Why: There will be a lot of ridiculous antics and NSFW stuff at this show. Including from headliner Lords of Acid. The band’s songs are all about hedonistic activities and aspirations up to the line of self-parody. Its industrial dance music and live show is also good fun and maybe vocalist and band leader Praga Khan will push someone off stage into the audience for an impromptu and unexpected stage dive. But even if he doesn’t, Khan is a charismatic and entertaining frontman who draws you into the playful chaos of the band’s music.

What: Nightshift
When: Saturday, 03.02, 9 p.m.
Where: The Meadowlark Bar
Why: Nightshift is an all vinyl dance party on first Saturdays curated by Meghan Meehan and Laura Conway, focused on synth pop, disco and new wave.

Who: Duos From The Abyss: Gort Vs. Goom, The Swamp Rats, Triplip, Still Frames
When: Saturday, 03.02, 6 p.m.
Where: Tennyson’s Tap
Why: None of these bands are particularly from the abyss unless you’re only into punk that doesn’t color widely outside the musical lines. Gort Vs. Goom is the They Might Be Giants of Blue Oyster Cult tribute bands. Triplip is the Daikaiju of prog. Gort is not a tribute band but that’s the sort of mashup that comes to mind, among other things, seeing one of the duo’s sets.

Monday | March 4

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Hunter Dragon circa 2009, photo by Tom Murphy

Who: Hunter Dragon album release of Universal Basic Income w/Lazarus Horse and Shockermom
When: Monday, 03.04, 8:08 p.m.
Where: Syntax Physic Opera
Why: Hunter Dragon’s catalog is vast and widely varied in his methods and songwriting styles. But it’s unified by an imagination focused on a future that could or should exist now. Whether that’s a desolate post-disaster setting or, as the title of his new album suggests, a future where everyone can use the time they would normally expend on scrambling to survive on whatever suits their natural interests and talents. The new songs have a meditative, spacious folk quality. For the occasion of this release show Hunter has brought on board Lazarus Horse (a band that sounds like it realized that even the cooler weirdo psychedelic rock of the 2000s and 2010s would be and is played out and injected a lot more imagination and unusual rhythmic and tonal ideas into the mix) and Shockermom. The latter has been writing the soundtrack to everyone’s emotional return to peace and tranquility during the collective long dark night of the soul that’s been coursing through the world like a psychic cognate of the collapse of the global ecosystem. Essential listening.

Tuesday | March 5

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In The Valley Below, photo by Jaimie Skriba

Who: Daughters w/Gouge Away and HIDE
When: Tuesday, 03.05, 7 p.m.
Where: The Gothic Theatre
Why: Daughters are the legendary post-hardcore noise rock band whose mournful and abrasive music sounds like the purging of the world’s anguish. Except Daughters make it darkly beautiful. Gouge Away is a forceful, cathartic hardcore band that isn’t trapped in early 80s SSD worship. HIDE is a performance art-oriented industrial duo from Chicago whose visceral, ritualistic live show will probably confuse punk purists but which will fit right in with everyone on the bill.

Who: Albert Hammond Jr. w/In The Valley Below
When: Tuesday, 03.05, 7 p.m.
Where: The Bluebird Theater
Why: Albert Hammond Jr. is best known for his membership in The Strokes. But his solo career has yielded better songs than The Strokes have in years. There’s a bright and fresh quality to his upbeat pop songs and his performances that are likeable even when it sometimes sounds like he’s leaning on past creative laurels. Opening the show is synth pop band In the Valley Below from Grand Rapids, Michigan. Its bass and melody-driven songs differentiate it from what one would assume are its peers in bands like CHVRCHES, Phantogram and Poliça while sharing a sense of elevating moods and positive energy.

Wednesday | March 6

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Acidbat circa 2015, photo by Tom Murphy

What: Weird Wednesday: Acidbat, Satin Spar, Ruehlen/Seward
When: Wednesday, 03.06, 9 p.m.
Where: 3 Kings Tavern
Why: Acidbat doesn’t play many shows in general much less outside of some super underground show. His ambient yet beat driven, glitchy IDM is more imaginative than a lot of music out of that milieu. Also on this night’s Weird Wednesday is avant-garde improvisational/spontaneous composition duo Ruehlen/Seward.

Best Shows in Denver 2/7/19 – 2/13/19

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Gang of Four performs at Globe Hall w/Plume Varia on February 11. Photo by DJ Markham

Thursday | February 7, 2019

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Hockey Dad, photo by Joseph Crackett

Who: Hockey Dad w/Hunny
When: Thursday, 02.07, 7 p.m.
Where: Globe Hall
Why: Australia is not the first place one thinks of when it comes to hockey but New South Wales has ski resorts so maybe the name of the band Hockey Dad, from Windang, isn’t as cheeky as seems but it’s a surf rock band so kudos. But Hockey Dad grew up surfing and skating so it’s sound reflects the spirit of that lifestyle more so than simply falling into trendy sound. With Hockey Dad think more like The Saints gone power pop.

Who: A Light Among Many, Kenaima, URN. and Giardia
When: Thursday, 02.07, 8 p.m.
Where: Hi-Dive
Why: A Light Among Many is heavy drone drenched in the primal spirits of the local landscape. URN includes former members of Skully Mammoth and thus doom with a sense of humor yet somehow still gritty and epic. Kenaima sounds a collision of Converge-esque post-hardcore and thrash. Giardia is pushing the envelope of heavy music by finding the sweet spot where drone-y bass, saturated synth work, jazz-inflected drums and weirdo prog intersect.

Friday | February 8, 2019

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Marcus Church, photo by Claudia Woodman

Who: Marcus Church EP release w/Kali Krone, Artless Bravado and Sweetness Itself
When: Friday, 02.08, 9 p.m.
Where: The Skylark Lounge
Why: Dustin Habel has been grinding away writing songs since at least the mid-2000s. Under the moniker Marcus Church he’s done solo work, playing all the instruments and recording the songs, as well as in collaboration with a small circle of bandmates. The prolific songwriter has perhaps not garnered the recognition he deserves for his lo-fi, Dinosaur Jr/Yo La Tengo-esque compositions, but the project’s latest effort, the Marcus F. Church EP, has a touch of jangle like something Mitch Easter might take an interest in producing—introspective and warm but upbeat. The band has been a trio for a bit now and tonight you can catch the new set of songs, as well as choice cuts from Habel’s catalog, live.

Who: Gun Street Ghost with The Regular, The Threadbarons and Paul Kimbiris & The Dark Side of Pearl
When: Friday, 02.08, 8 p.m.
Where: Globe Hall
Why: Mike Perfetti has been involved in many of Denver’s most interesting bands for going on two decades in his capacity as a bassist, drummer and guitarist. But with Gun Street Ghost Perfetti gets to share his gift for storytelling. Perfetti orchestrates the details of the story and the essence of the people in them with a masterful hand with the help of his talented bandmates. It’s been some time since Gun Street Ghost has put out a record but in the live setting you’ll likely get a taste of the new material and with any luck 2019 will see the release of the group’s full-length.

Who: Sonorous: Gregg Ziemba, Alex Trujillo, Joshua Trinidad
When: Friday, 02.08, 6 p.m.
Where: Syntax Physic Opera
Why: This is a dinnertime show from some of Denver’s most talented practitioners of jazz and experimental music including Gregg Ziemba and Alex Trujillo of Rubedo and Joshua Trinidad whose free jazz band Cougar Legs and psychedelic fusion project GoStar have showcased his prodigious talent. Trinidad and Ziemba also perform in Wheelchair Sports Camp. Heavy hitters.

Who: Bud Bronson & The Good Timers, Muscle Beach, SPELLS
When: Friday, 02.08, 8 p.m.
Where: Lost Lake
Why: Bud Bronson & The Good Timers are one of the few reliably great and spirited straight forward rock and roll bands anywhere. A touch of punk but BBTGT aren’t trying to be limited by subgenre. Muscle Beach is impossible to simply call post-hardcore or post-metal or even noise rock but are an inspired distillation of all three. SPELLS is a C+ party punk band but they really work for that C+ and are more fun than many B+ punk acts. They’re no Refused but who is?

Saturday | February 9, 2019

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Don Chicharrón, photo by Spencer Higbee

Who: Don Chicharrón album release w/Los Mocochetes, High Plains Honky and DJ A-Train
When: Saturday, 02.09, 8 p.m.
Where: Hi-Dive
Why: Don Chicharrón is a band whose blend of chicha (Peruvian cumbia with roots in popular music of the 1960s and 1970s that incorporated psychedelic rock and Andean folk music), metal, spaghetti Western and other musical forms is lively and fluid for a group of nine people who come from disparate musical backgrounds. Anyone that has been able to catch the group live knows it’s musicianship is expertly integrated so it never feels like anyone is doing too much at once. The group’s debut, self-titled full-length will be available at this show and its expansive compositions sound like the soundtrack to the Love and Rockets comic series in its multi-cultural aesthetic and ineffable sense of the futuristic.

Who: An Evening With Nels Cline 4
When: Saturday, 02.09, 9 p.m.
Where: Ophelia’s
Why: Nels Cline has been involved in more noteworthy music than any modern human has any right to claim including turns with Geraldine Fibbers, Wilco and John Zorn. This is one of his experimental jazz groups so expect plenty of left field improv.

Who: Esmé Patterson and band play the Songs of Prince from Sign O’ The Times w/Acuna Black and CRL CRRL
When: Saturday, 02.09, 8 p.m.
Where: The Oriental Theater
Why: Esmé Patterson brings together a group of ace players and collaborators to perform songs from Prince’s 1987 masterpiece Sign O’ The Times, which is entire apropos for the times we’re in now.

Who: Alphabet Soup #40: Felix Fast4ward, Furbie Cakes, MYTHirst, Yung Lurch and Dashwoo
When: Saturday, 02.09, 8 p.m.
Where: Thought//Forms
Why: This is the latest edition of Alphabet Soup, a showcase for some of the most forward thinking and innovative producers and soundscapers in Denver. The event used to take place mostly at Deerpile but with the demise of that performance space the event has been moved to other venues including tonight at Thought//Forms gallery.

Sunday | February 10, 2019

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Pedro the Lion, photo by Ryan Russell

Who: Pedro the Lion w/Tomberlin
When: Sunday, 02.10, 8 p.m.
Where: The Bluebird Theater
Why: Phoenix is more than just a clever title for the first Pedro the Lion record in fifteen years. David Bazan spent years touring as a more or less solo act and releasing a series of acclaimed records. But like most artists he hit a wall at some point and in 2016 he got to the place of a low point crossroads. Two years later he was writing and recording songs that made sense for Pedro the Lion with words of reinvention, rediscovery, reclamation and embrace of the spirit of one’s past self and past creations that helped to define the person you are now. While personal to Bazan and his bandmates, one thing Bazan has been able to do as a songwriter is to write material that transcends the personal, transcends any faith or philosophical orientation that informs it and to articulate with sensitivity and kindness the struggles and pain everyone seems to experience.

Monday | February 11, 2019

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Plume Varia performs Friday, 7/27 at Gary Lee’s. Photo by Tom Murphy

Who: Gang of Four w/Plume Varia
When: Monday, 02.11, 8:30 p.m.
Where: Globe Hall
Why: Gang of Four is the influential post-punk band that perfectly combined punk with disco and a sharp cultural critique that took aim at more universal issues in Western and global culture of the 1970s onward. After all, the band named itself after a Chinese political cabal involved in the Cultural Revolution. The first three Gang of Four albums (1979’s Entertainment!, Solid Gold from 1981 and Songs of the Free released in 1982) were a blueprint for 90s and 2000s dance punk as well as a direct influence on Red Hot Chili Peppers from the beginning (GOF guitarist, and sole original member, Andy Gill produced the 1984 self-titled debut from RHCP). But few of the band’s descendants could match Gang of Four in its intensity, sonic inventiveness much less socio-critical acumen. The band’s latest album, with its current line up, is HAPPY NOW released in 2019 via PledgeMusic. A little more topical than usual, naming, presumably, Ivanka Trump in a song, Gang of Four hasn’t exactly taken the gloves off. Opening the show is Denver-based downtempo dream pop duo Plume Varia performing one of its now rare shows.

Wednesday | February 13, 2019

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Glissline, photo by Tom Murphy

Who: SMRT, Big J. Beats, Glissline, Escapism
When: Wednesday, 02.13, 7 p.m.
Where: Lost Lake
Why: Glissline is Tommy Metz who has been releasing gorgeously lush, brightly melodic, beat-driven IDM for more than a decade. As Glissline, Metz has been melding visual elements with his musical compositions for a multi-sensory experience including a well-crafted low end. It’s dance music for dreaming. Big J. Beats is a producer whose work is most often, and justifiably so, associated with hip-hop but his imaginative soundscaping transcends genre completely which is why he is one of the Mile High City’s greatest beat makers.

Who: Richard Thompson Electric Trio w/Ryley Walker
When: Wednesday, 02.13, 7 p.m.
Where: Boulder Theater
Why: Richard Thompson was one of the leading lights of influential folk project Fairport Convention. He also played guitar on the first two Nick Drake albums. From the 1970s onward, Thompson has created a body of work that should be more well-known outside folk circles with brilliant rock and pop songs. There is also his prodigious work as a collaborator and contributor to other people’s recordings. His final album as the duo of Richard and Linda Thompson, 1982’s Shoot Out the Lights is a masterpiece of folk rock. Following the tour for that record the Thompsons split and Richard went on to a critically acclaimed and prolific solo career as well. As the name of the group suggests, this will be a showcase of Thompson’s electric music rather than the acoustic songs, though you never know, maybe Thompson will bring in some of his classic material written originally for acoustic but reconfigured for the electric trio. In 2018 Thompson released the dark and moody 13 Rivers.

Best Shows in Denver 12/27/18 – 1/2/18

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Church Fire drops Summer Camp Doom Diary @ Hi-Dive this Saturday, 12/29/18.                       Photo by Tom Murphy

Thursday | December 27, 2018

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Sliver, photo by Tom Murphy

Who: Drink Drank Punk w/Sliver and Denver Meatpacking Company
When: Thursday, 12.27, 7 p.m.
Where: Lost Lake
Why: Drink Drank Punk sounds like a party game of some kind but it’s actually a punk band that sounds like some 90s grunge-inspired musicians decided to call themselves punk because that’s where grunge came from anyway. On the band’s “About” section on Facebook words have semi-randomly capitalized letters and other odd bits of bravado. Listing one of your own other projects as an influence on the band you’re in? Really? Hopefully the band is good. Fortunately, the other two bands, clearly own the influence of grunge and 90s alternative rock and make it their own. Sliver’s fury and emotionally raw performances feel like they come from a very real place. Especially with Demry West on drums playing with a joy that balances out Chris Mercer’s churning anomy. Denver Meatpacking Company could have been a solid pop band but there’s something cathartic about playing music with a bit more grit even if you’re old enough to remember when “Smells Like Teen Spirit” was toppling the glam metal temples in the early 90s without even trying. That comes across in DMC’s songwriting and shows.

Who: Sleepy Animals EP release, Bluebook, Lowfaith
When: Thursday, 12.27, 8 p.m.
Where: Syntax Physic Opera
Why: Sleepy Animals releases its EP Mirrored Polygons today. Its downtempo indie rock is in good company with the avant-garde indie pop of Bluebook and Lowfaith’s gentle and expansively moody post-punk.

Friday | December 28, 2018

 

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Green Druid, photo by Tom Murphy

Who: Khemmis w/Dreadnought, Green Druid
When: Friday, 12.28, 8 p.m.
Where: Larimer Lounge
Why: Doom band Khemmis has been making waves well beyond Denver for a few years at this point and this weekend is doing a two night run showcasing some of the best metal local metal bands including tonight with Dreadnought and its majestic, folk-inflected, atmospheric doom and Green Druid’s psychedelic tinged brand of heavy music.

Who: Joseph Lamar, Talking Mirrors, My New Dad
When: Friday, 12.28, 9 p.m.
Where: Denver Bicycle Café Beer Hall
Why: Joseph Lamar has been a bit of a musical alchemist and chameleon with his songwriting steeped in dream pop and R&B while taking on various roles as a musician in his band an in other projects. His live show is a mixture of the intimate and the mystical.

Who: Slim Cessna’s Auto Club w/Denver Broncos UK and Midwife
When: Friday, 12.28, 8:30 p.m.
Where: Globe Hall
Why: Slim Cessna’s Auto Club has, since its beginnings in the early 90s, established itself as one of the definitive bands of the Denver music outside the mainstream. With an international fanbase, SCAC, like many of the Mile High City’s best bands, plays small club shows in its hometown. The group’s lively performances of harrowing yet ultimately life-affirming music is reliably compelling, moving and, though highly theatrical, human. For this three night run (also including 12/29 and NYE) the band is bringing in refreshingly different opening act from the usual “same genre” billing. For this show, sure, dark post-punk Americana side project Denver Broncos UK, well worth seeing, but also the delicate, ethereal outsider folk brilliance of Midwife.

Saturday | December 29, 2018

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Mirror Fears at UMS, July 30, 2017, photo by Tom Murphy

Who: Church Fire: Summer Camp Doom Diary release w/The Milk Blossoms, Wheelchair Sports Camp and Mirror Fears
When: Saturday, 12.29, 8 p.m.
Where: Hi-Dive
Why: Church Fire’s latest album Summer Camp Doom Diary was many years in the making from shedding the quaint but necessary early compositional ideas and methods represented by the phase in which the duo was calling itself Sewing Buttons on Ice Cream. When the band emerged into the type of group that could make powerful tribal, industrial dance music infused with a sophisticated sociopolitical orientation it really found its core audience among people who don’t see why bangers are irreconcilable with rich and thoughtful content. The new record is the apex of Church Fire’s most recent wave of artistic development which, in many bands, is where its future music will plateau even if it’s worth a listen hereafter. But if you’ve seen Church Fire in the last half year you’ve seen hints of the future direction of the band all of which is more than hinted at across Summer Camp Doom Diary like mini-prophecies, Easter eggs, of self-liberation for both the band and listener alike. For this show Church Fire is joined by other local visionary artists in the more experimental realm who make music that stretches the brain and expands your inner horizons.

Who: Khemmis w/Of Feather and Bone and NightWraith
When: Saturday, 12.29, 9 p.m.
Where: Larimer Lounge
Why: Second night of Khemmis’ local showcase with the grindcore-esque Of Feather and Bone and the thrash-core doom of NightWraith.

Who: Pale Sun, Emerald Siam and Wild Call
When: Saturday, 12.29, 8 p.m.
Where: Lost Lake
Why: When silly people talk about the “end of guitar rock” they should be so lucky as to catch this line-up with Pale Sun’s hypnotic and moving post-shoegaze ambient rock, Emerald Siam’s left field stretch beyond brooding post-punk by incorporating hooks and emotional depth and Wild Call’s gritty, dreamy, visceral songwriting.

Who: Itchy-O w/PPL MVR
When: Saturday, 12.29, 8 p.m.
Where: The Oriental Theater
Why: Itchy-O is doing a three night run for the new year beginning tonight with costume weirdo metal band PPL MVR. While a lot of its music is some kind of sludgy hard rock the yeti-looking group freely plays with sounds and methods from other styles of music including psychedelia and hip-hop.

Who: Slim Cessna’s Auto Club w/Munly & The Lupercalians and Voight
When: Saturday, 12.29, 8:30 p.m.
Where: Globe Hall
Why: This second night of three of SCAC’s NYE run at Globe Hall includes performances from the spooky, costumed ritual folk band Munly & The Lupercalians and shoegaze/industrial post-punk duo Voight.

Sunday | December 30, 2018

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Cloudless Rain (left) with Sheet Metal Skin Graft (left) circa 2017, photo by Tom Murphy

Who: Textures: Brother Saturn, Cloudless Rain, Gutter Spirits
When: Sunday, 12.30, 7:30 p.m.
Where: Mutiny Information Café
Why: The final Textures ambient showcase of 2018 with performances from post-rock/loop-shoegaze/electro ambient project Brother Saturn and Cloudless Rain whose own music seems to be one of freefloating, endless horizons as one would expect from a persistent virtual world chillout zone.

Who: Wildermiss w/The Solid Ocean and Panther Martin
When: Sunday, 12.30, 8 p.m.
Where: Larimer Lounge
Why: Red Fox Run was a promising band that realized that ambition when some of those guys got together with Emma Cole to form Wildermiss. It’s upbeat, earnest indie rock with interesting tonal flourishes and imaginative song dynamics that separate its musical offerings from the current spate of cookie cutter indiedom. The Red Fox Run guys also bring to the project much of what they learned about promoting themselves beyond just overplaying and oversaturating the local scene in the seemingly aimless manner of many of their peers. This is the first night of a two night run to ring in the new year.

Who: The Beach Boys
When: Sunday, 12.30, 6 p.m.
Where: Paramount Theatre
Why: It is indeed The Beach Boys probably performing choice cuts from across its career with some surprises thrown in because Brian Wilson isn’t a rote creative talent.

Who: Itchy-O w/Radio Scarlet
When: Sunday, 12.30, 8 p.m.
Where: The Oriental Theater
Why: Second night of Itchy-O’s run at The Oriental, this night Denver deathrock band Radio Scarlet will open the show.

Who: cindygod EP release
When: Sunday, 12.30, 9:30 p.m.
Where: Pon Pon
Why: cindygod is the newest band from the former members of noise rock band Gauntlet Hair. When the group emerged in the spring/summer of 2018 it had grown to a four-piece with a new name but with sounds that fans of the old band would find immediately likeable. Live, cindygod has been a reminder of what a great band Gauntlet Hair was but one that has evolved beyond that era of musical development but with the same frantic yet nuanced dynamics and joyous outpouring of sound. The group recently released the digital version of its debut EP with the vinyl available at this event.

Monday | December 31, 2018

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Rubedo at We Labs with Ikey Owens (3rd from left), November 15, 2013. Photo by Tom Murphy

Who: Rubedo w/Fed Rez, R A R E B Y R D $, DJ Polyphoni
When: Monday, 12.31, 8 p.m.
Where: Lost Lake
Why: Rubedo doesn’t play too many Denver shows these days. Its winning, accessible and energetic mixture of funk, noise rock and prog has found an audience beyond Denver. In 2017 Rubedo released Vaca, a sort of farewell album to the trio’s late mentor and musical partner Isaiah “Ikey” Owens. Perhaps this show will include some of the material that will make up its next chapter. For this NYE show you also get to see raucous, insightful and witty hip-hop group Fed Rez and R A R E B Y R D $, another hip-hop group but one whose soulful, even spiritual, sound is rooted in an ability to channel pure emotion in nuanced, gentle yet powerful ways.

Who: Wildermiss w/Retrofette, Coastal Wives, Levi Double U
When: Monday, 12.31, 8 p.m.
Where: Larimer Lounge
Why: This second night of Wildermiss’ NYE run at Larimer Lounge will include performances from synth pop band Retrofette, indie blues rock band Coastal Wives and hip-hop production-influenced house music artist Levi Double U.

Who: Itchy-O w/Mr. Pacman
When: Monday, 12.31, 9 p.m.
Where: The Oriental Theater
Why: Itchy-O concludes its three-night run of shows this NYE with peformance art/synth pop group Mr. Pacman. Traditionally the 3 or 4 members of the latter have performed in costume like something out of an 80s cartoon cosplay demonstration but the confrontational performance will fit in well with what follows with the onslaught of Itchy-O.

Who: Slim Cessna’s Auto Club w/Wayfarer and George Cessna (solo)
When: Monday, 12.31, 8:30 p.m.
Where: Globe Hall
Why: The third and final show of SCAC’s NYE residency featuring opening sets from Denver doom band Wayfarer and George Cessna performing a solo set.

Wednesday | January 2, 2019

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Adam Selene, photo by Spookie Darling of Darling House Media

Who: Weird Wednesday: Adam Selene, The Jinjas, Vampire Squids From Hell
When: Wednesday, 01.02, 9 p.m.
Where: 3 Kings Tavern
Why: This is the first Weird Wednesday of 2019. The series, curated by independent, underground promoter Claudia Woodman, aims to highlight the stranger or more eccentric and/or more experimental music happening in Denver or dropping in on tour. For this show it’s poet/hip-hop artist Adam Selene whose beats are definitely not the standard faire and incorporates a broad palette of sounds and instrumentation, being more akin to the likes of Eyedea & Abilities and other hip-hop projects that don’t hesitate to use straight up rock and other noisy samples to give the music some edge. A good pairing with synth rock/pop weirdos The Jinjas. Psych/Americana-twinged surf rock band Vampire Squids From Hell aren’t overtly weird except when you consider that at times the group sounds like a strange hybrid of The Brian Jonestown Massacre and a mellower Man Or Astroman?

Best Shows in Denver 11/8/18 – 11/14/18

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Why? performs tonight, November 8, 2018, at The Gothic. Photo courtesy the artist

Thursday | November 8, 2018

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Y La Bamba, photo by Steffannie Walk

Who: Why? plays Alopecia w/Lala Lala
When: Thursday, 11.8, 7 p.m.
Where: The Gothic Theatre
Why: 2008’s Alopecia signaled the break between Yoni Wolf’s solo work as Why? and the band of the same name. As with its 2005 predecessor Elephant Eyelash, Alopecia included contributions from Wolf’s former cLOUDDEAD bandmates Doseone and Odd Nosdam. But Alopecia opened up even more frank lyrics and surreal soundscapes from Yoni Wolf and his brother Josiah and signaled a true synthesis of hip-hop and lo-fi indie rock in a way few other artists had accomplished up to that time except for maybe hip-hop duo Eyedea & Abilities, Aesop Rock and experimental music weirdos such as Black Moth Super Rainbow and Karl Blau. Why? took that sensibility and made it into something grand and, to use a now overused term, epic—private musings given a cinematic presentation. It might be argued that later Why? albums are better or achieve greater heights of artistic achievement but Alopecia is the bedrock upon which they were built and remains one of Wolf’s finest records in an already impressive career.

Who: Morlox album release w/Demoncassettecult, Juniordeer, Flesh Buzzard, Housekeys
When: Thursday, 11.8, 9 p.m.
Where: Syntax Physic Opera
Why: Patrick Urn established his production and noise-making bonafides as a member of industrial band In Ether in the late 90s and early 2000s. Since then he has spent time in various cities in America including Seattle and Pittsburgh where he made dark ambient music, hip-hop beats and soundscape noise in projects like Herpes Hideaway and Syphilis Sauna. In the mid-2010s Urn returned to Denver and one might say quietly re-established himself as a producer of note among those in the know in the underground. Having worked with, among other artists, Church Fire, Urn demonstrated a mastery of sampling as a tool for composition in both the recorded and live environment. With his latest album Report From Sector zx88z out on Glasss Records, Urn worked with multiple noteworthy noise and hip-hop artists to fill out songs that were already strong, making them even more fascinating. R A R E B Y R D $, ERASERHEAD FUCKERS and Sheetmetal Skin Graft as well as HarmOny ov thee FYRE formerly of political punk band Dangerous Nonsense all shine on the record and give the songs an accessibility not always found with artists that are associated with noise and industrial music. But Urn’s music making could never be said to be limited to genre conventions of any kind. Check out this show if you’re into seeing someone pushing the envelope of electronic music because it may be the last time to see Urn perform some of these songs before he moves on to his next sonic adventure.

Who: The Orb w/Mental 69
When: Thursday, 11.8, 8 p.m.
Where: The Marquis Theater
Why: The Orb basically took the electronic and production ideas then influencing and synthesizing into various manifestations of what became rave music in the 90s and created a style of ambient dub and house that influenced IDM, trip hop and anyone making electronic dance music with an adventurous bent in the 90s and beyond. The duo’s latest release is 2018’s No Sounds Are Out of Bounds. If you’re thinking of going, these guys put forth sounds that transcend the usual two guys with headphones nodding their heads on stage sort of thing. Their music will reorient your brain in good ways getting to experience it on a loud sound system.

Who: Y La Bamba w/Don Chicharrón
When: Thursday, 11.8, 7 p.m.
Where: Lost Lake
Why: Luz Elena Mendoza found a unique place as a songwriter in Portland, Oregon who is making a kind of folk-rooted pop. Her music and outlook comes out of the Mexican folk tradition inspired in part from a young age by mariachis. Her songs use her heritage to explore personal as well as collective struggles with an elegance and creativity that reconciles the dark side of life with hope and joy informed by grace and patience for the process. Y La Bamba recently released a seven inch of “Mujeres” b/w “Paloma Negra” and will drop the new full length, also titled Mujeres, in February also on Tender Loving Empire.

Friday | November 8, 2018

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Glacial Tomb, photo by Alvino Salcedo

Who: Glacial Tomb album release w/Call of the Void and Saddle of Southern Darkness
When: Friday, 11.9, 8 p.m.
Where: Lost Lake
Why: Glacial Tomb recently released its self-titled debut full-length comprised of seven songs of relentless blackened death metal driven by powerful yet nuanced percussion. It’s primal stuff that sounds like it was inspired by a not so far future that isn’t post-apocalypse so much as post-collapse of human world civilization as we know it. Guitars as insectoid sirens, vocals as feral pronouncements of the remnants of humanity clinging to twisted versions of earth-based occult mysticism in the attempt to garner a few more years through brutal rituals and quests to find what’s left of the planet where life itself, and not just human, might flourish again while the rest of the planet works through the toxins making it all but uninhabitable. At least that’s what the record sounds like if you let your mind wander a little. Joining the trio tonight are other local extreme metal stars in Call of the Void and Saddle of Southern Darkness.

Saturday | November 10, 2018

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The Milk Blossoms, photo by Tom Murphy

Who: Special Guest featuring The Milk Blossoms, Eyebeams and Wheelchair Sports Camp
When: Saturday, 11.10, 8:30 p.m.
Where: Next Stage Gallery
Why: Special Guest is a series featuring some of Denver’s most interesting and innovative musical projects. The Milk Blossoms is a band whose amalgam of outsider pop, lo-fi R&B and vivid emotional recreations is always surprisingly deeply evocative. The Milk Blossoms is a psychedelic indie pop group with songs that deftly and thoughtfully navigate the vagaries of one’s own mind, illuminate nuanced perspectives on relationships with others and society in general and explore evolving concepts of identity. Wheelchair Sports Camp is a brilliant meeting of hip-hop, electronic production and avant-garde jazz. Also, vocals and songwriting from hopefully future Denver mayor/Colorado governor Kalyn Heffernan.

Who: Den Mother w/Klaus Dafoe and Bryon Parker
When: Saturday, 11.10, 9 p.m.
Where: The Skylark
Why: This lo-fi pop/rock show includes Bryon Parker of noisy post-punk band Simulators (he recently released a collaborative single with Jad Fair whose solo career is noteworthy on its own but who was also a member of foundational indie pop band Half Japanese and may be known for his album with Daniel Johnston). It is also the final show from indie rock band Den Mother whose own Misun Oh is leaving Denver for Ohio after living in the Mile High City for over a decade. She was once married to cartoonist/visual artist/songwriter John Porcellino of King Cat Comics and Stories fame (she is depicted in several issues). But she also contributed to Denver’s underground music and art community as a gifted practitioner of Chinese medicine and as a musician and supporter of the local music world in her own right as a member of French Chemists and other projects.

Who: SPELLS, Eyes and Ears (tape releases), Great American House Fire (tape release) and Hooper
When: Saturday, 11.10, 8 p.m.
Where: Lost Lake
Why: Good thing SPELLS says 80% is good enough so that the other bands that aren’t such a party punk band can shine. Eyes and Ears comes off of de facto hiatus with a new release and a reminder that pop and loosely conceived punk can be fun if the people in the band don’t take it too seriously. Great American House Fire also releases a tape this night with its unique take on the kind of music that came out of late 90s emo, post-hardcore and Americana. Hooper might be considered pop punk but it’s a bit too gritty for that even if the anthemic and glittery melodic hardcore flavor of some of its sounds suggest the pop punk connection.

Who: Deca w/Felix Fast4ward and Stay Tuned
When: Saturday, 11.10, 8 p.m.
Where: Leon Gallery
Why: Deca from New York is operating in that realm of hip-hop that uses samples that give the music a downtempo vibe with a touch of the otherworldly. Like maybe Deca drew some inspiration from, of course, J Dilla and Blockhead. The 2018 album Flux is instrumental album that works incredibly well on its own as a sound environment form of storytelling but also well suited to someone else’s words. Like-minded Denver acts Felix Fast4ward (whose own beats cross effortless between the realms of hip-hop and deep house) and Stay Tuned whose songs are socially critical but playful and powerful.

Sunday | November 11, 2018

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EyeHateGod circa 2014, photo by Tom Murphy

Who: Cro-Mags w/EyeHateGod
When: Sunday, 11.11, 7 p.m.
Where: The Marquis Theater
Why: This double bill of two legends of punk and heavy music is interesting given the backgrounds of members of both bands. John Joseph of Cro-Mags grew up in foster care in New York City, Mike Williams of EyeHateGod got to experience life after both his parents died when he was a child and he left home in his mid-teens and occasionally spending time homeless. Cro-Mags were one of the most important and influential of the New York City hardcore scene known for a kind of tough guy image that was combined with ideas about self-defense, physical as well as psychological, in a hostile world and a clear need for camaraderie with like-minded types in a real, human way that isn’t in step with stoic, tough guy machismo. EyeHateGod’s records, coming out starting in 1990, had songs about self-loathing, despair at humankind’s collective self-destructive behaviors including cruelty toward one another. Williams’ words so insightful about how those self-destructive tendencies in the human psyche manifest on the personal level continued to evolve and refine its critique not just of society and the self but also of the bases of cultural norms themselves. But never abstract, always accessibly personal and vulnerable.

Who: Endless Nameless, Giardia, Feigning, Masons
When: Sunday, 11.11, 8 p.m.
Where: Thought//Forms
Why: Endless, Nameless is a jazz-inflected math rock band from Denver. Fans of Covet should check them out. Giardia is a jazzy experimental metal band. Masons make the kind of post-rock that bridges the gap between breezier shoegaze and the more introspective side of Modest Mouse. Feigning will bring something a bit darker with its noisy, menacing darkwave.

Tuesday | November 13, 2018

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Behemoth, photo by Grzegorz Gołębiowski

Who: Behemoth w/At the Gates and Wolves in the Throne Room
When: Tuesday, 11.13, 6:30 p.m.
Where: The Ogden Theatre
Why: Behemoth formed in Gdańsk, Poland in 1991 shortly after the nation re-established itself as a democratic republic after decades of domination by the then splintering U.S.S.R.. It was a time when black metal and death metal were cohering in the European underground and a theatric sensibility informed how that music was performed throughout Scandinavia and formerly communist states. Initially, the band had a sound that was not unlike that of its peers, a kind of taking thrash and death metal and either pushing it to a brutal, forbidding extreme or giving it an epic, almost orchestral, grandeur. Behemoth did a little of both and injected the music with occult and fantastical/mythological imagery and themes—which it has continued to do up to and including its 2018 album I Loved You at Your Darkest. But the latter is arguably the band’s best album at times sounding like it synthesized a Napalm Death-esque assault with a sonic transcendence, creating a contrast that the band uses with great dynamic affect across the whole record. That you also get to see At The Gates, the Swedish melodic/Gothenburg death metal legends that came up at the same time as Behemoth in the early 90s, and Wolves in the Throne Room, the Olympia, Washington-based black metal band whose own sound is informed by the natural environment of their home region and synth heavy Krautrock, is more than just a bonus but probably the best heavy music line up in that vein for the rest of the year.

Wednesday | November 14, 2018

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Rubblebucket, photo by Rob Abelow

Who: Rubblebucket w/Thick Paint and Toth
When: Wednesday, 11.14, 7 p.m.
Where: The Gothic Theatre
Why: Rubblebucket’s 2018 album Sun Machine is a powerful and intimate depiction of survival and the drive to create something meaningful in the most trying of circumstances. Annakalmia Traver and Alex Toth had been a couple but had split while making the new record and in there too Traver struggled with and overcame a bout with cancer and Toth came to terms with his own challenges with alcoholism. Those kinds of pressures often break bands and relationships of all kinds. But the bond between the two artists persisted and they found a way to articulate difficult truths with a poetic truth and its typically eclectic and dynamic songwriting. This may not be the band at its yet-to-be-attained peak but it certainly is a high point for Brooklyn duo.

Who: Weird Wednesday: Mirror Fears, Lady of Sorrows and Hot Slag
When: Wednesday, 11.14, 9 p.m.
Where: 3 Kings Tavern
Why: This edition of Weird Wednesday includes performances from ambient/dance/noise phenom Mirror Fears. Lately she’s been performing some visionary deep house style music that isn’t a huge departure from her already fascinating work in the realm of emotionally-charged darkwave. Lady of Sorrows is darkwave/dream pop with operatic vocals. Hot Slag has similarly dusky soundscapes but more in the vein of a compelling crossbreeding of IDM and weirdo hip-hop.