Queen City Sounds Podcast Ep. 48: Gila Teen

Gila Teen, photo by Tom Murphy

Gila Teen is Hunter Wood and Aidan Bettis. They went to the same middle school in Lakewood but really met in high school when they started being in the same friend circles and formed their early bands at that time. After a bit of a hiatus and while in college the two musicians reconnected and started projects that some may have seen in and around Denver in the DIY scene and elsewhere like the folk punk groups Bear Face and Burgundy Church Wagon. But they started Bert Olsen in around 2017 though the roots of the songwriting for the band go back to 2011. In 2018 one could see Bert Olsen at a variety of venues and even early on it was obvious it was something different seemingly threading together disparate stylistic elements and creating something that has felt unique. One hears in its music the influence of emo, shoegaze, post-punk and electronic music. They played their final show as Bert Olsen in June 2019 opening for Church Fire, Rabbit Fighter and Natural Velvet at Lost Lake. Changing the name to Gila Teen and utilizing a drum machine, Wood and Bettis have leaned into any idiosyncratic style choices for the stage that occurs to them as well as songwriting instincts that have kept its sound fresh and unpredictable not fitting neatly into a specific genre. Its most recent release is the 2021 album Pain Vacation.

Listen to our interview with Gila Teen on Bandcamp linked below and go see the band at Down in Denver Fest on Sunday, 8/21/22 at 6:30 pm on the Further Stage. For more information on the festival and on Gila Teen visit the links beneath the interview.

www.downindenver.com

Gila Teen on Instagram

Best Shows in Denver and Beyond July 2022

Primitive Man performs at Bluebird Theater on July 15, 2022
Aldous Harding at UMS 2017, photo by Tom Murphy

Friday | 07.01
What: Aldous Harding w/H. Hawkline
When: 7 p.m.
Where: Gothic Theatre
Why: Ever since the release of her 2014 self-titled debut album Aldous Harding has been crafting some of the most unique songs in the realm of indie folk of the past few decades. With each album Harding offers songs that seem like a blend of the deeply personal, the mythical and the conceptual. Her song titles suggest a surreal aesthetic that lends itself to her imaginative story telling and a willingness to seek beyond tropes and clichés for ways of signing about relationships, identity, aspirations and dreams and commenting on society. 2017’s Party and her subsequent North American tour revealed Harding to be a truly and fascinatingly idiosyncratic artist whose emotionally powerful and riveting performances were reminiscent of Joni Mitchell with a touch of Kate Bush. Her latest album Warm Chris (2022) puts the focus on fusing the jazz elements of her songwriting with the avant-garde pop for a set of songs that sound like lounge music from a parallel universe where creative weirdos are in charge and creativity is more valued than affirming popular trends.

Reverb and The Verse, photo by Tom Murphy

Friday | 07.01
What: Yonbre Netz w/Reverb and The Verse
When: 9 p.m.
Where: Broadway Roxy
Why: Yonbre Netz is a Boulder-based hip-hop and experimental electronic artist whose varied collaborations can be heard on his Spotify account where his keen ear for colorful, percussive melodies can be heard. But this is also a rare chance to catch Reverb and The Verse who recently put out their tenth and supposed final album BLACKWALL under this project name. Shane Etter and Jahi Simbai have been at it since the late 90s making hip-hop that has always been rich with creative soundscaping and truly clever wordplay informed by incisive commentary on society and the travails of everyday life. Seemingly never content to repeat the same musical ideas album to album the duo’s catalog of material is a great trail of creative evolution and experimentation. BLACKWALL is a little like if Public Enemy collaborated with Nine Inch Nails with the gift for emotionally charged and politically and poetically astute as that comparison might imply. You may not get many chances to catch those guys in action and the Broadway Roxy would be a great room to make that the opportunity to witness one of the finest hip-hop acts Denver has to offer.

Friday | 07.01
What: Vmthanaachth w/Church Fire, Sell Farm, Ray Diess (album release) and Coma Roulette
When: 8 p.m.
Where: Glob
Why: Vmthanaachth from Dallas, Texas combines ambient music and industrial with classical avant-garde in a way that fans of Pedestrian Deposit will appreciate. Church Fire has been really upping their game with making irresistible bangers that also dismantle status quo sentiments and ways of being. For those not in the know Church Fire is something like an alchemical mixture of synth pop, industrial dance music, confrontational feminist punk and one of the best bands out of Denver or anywhere of the past decade. Ray Diess is releasing his latest album the hyperpop inflected and rawly honest It’ll Always Ache. It sounds like something that might have come out of Manchester in the late 80s or early 90s but with musical references and more obvious inspirations of a couple of decades later. There is some fine shade and ascerbic wit across the album but in the end it’s about seeking the authentic in experiences and embracing one’s own feelings as valid and does so with passion and playfulness.

Spyderland, photo by Tom Murphy

Friday | 07.01
What: Spyderland video/EP release w/Machu Linea and Random Temple
When: 8 p.m.
Where: The Skylark Lounge/Bobcat Room
Why: Spyderland is an electro pop duo comprised of Marie Litton and Drew McClellan. The two have been veterans of the Denver underground scene for years and to their credit this project is really unlike anything else they’ve done. Rather, they’ve taken their strengths as artists and applied then to crafting a different style of music meaning an experimental form of pop that can at times be a bit downtempo but with a spirited sense of play running through how they spark off each other as performers. It comes off as a bit of a musical dialogue which lends itself to a body of imaginative and fresh songwriting. For this show Spyderland is releasing a new animated video and its new EP. Machu Linea is a likeminded artist who can often be seen DJing around town but it turns out Armando Garibay has a gift for assembling beats and sounds that transform popular styles into something far more inventive. The 2020 album HeXotica showcased Garibay’s range as an artist and collaborator with some of the most talented artists in the local hip-hop and electronic music scenes. Random Temple has been in various types of bands over the years but under this moniker his ambient and IDM music freely weaves together textures, tones and even musical structures as a way to deconstruct conventions of genre.

sleepdial in June 2022, photo by Tom Murphy

Monday | 07.04
What: Zach Rowden, Terravault Network, Tripp Nasty and sleepdial
When: 9 p.m.
Where: Glob
Why: Zach Rowden is a member of collaborative improvisational project Crazy Doberman that began life as a series of collaborations with John Olson of Wolf Eyes fame. But since its inception in the late 2010s Crazy Doberman has had a prolific output of recordings. Under his own name or with Tongue Depressor Rowden has been running experiments in texture and environmental sounds as they intersect with a hypnotic, almost ritualistic form of ambient. Terravault Network is Eli Windler (Spectral Voice, City Hunter, No Thought and others) and Kevin Wesley (Hot White) making industrial ambient soundscapes that sound like abstracted and processed environmental field recordings at a distance from an active factory late night near the train tracks and processed to preserve rhythms and an enigmatic mood. Tripp Nasty has had quite the eclectic run of music experiments over the years from modern classical music to performance art, weirdo punk and now an almost academic analog/modular synth composition project that he recently displayed opening for legendary avant-garde musician William Basinski. Sleepdial is Luke Thinnes’ musical alter ego to French Kettle Station. Whereas the latter pushes the boundaries of electronic dance music and new age pop, the former is Tim Hecker-esque textured ambient music that layers subtle running pulses and flowing drifts of white noise and purely abstract melody that conveys a sense of endless space and wonder.

Darkest Hour, photo by Rick Ceauliue

Tuesday | 07.05
What: Darkest Hour w/Toxic Holocaust and Necropanther
When: 7 p.m.
Where: The Marquis Theater
Why: Darkest Hour from Washington D.C. has been evolving its particular flavor of melodic death metal mixed with post-hardcore since its inception in 1995. Its epic guitar progressions and apocalyptic visual style makes the band sound and look like something from the near future after the fallout of the collapse of worldwide civilization as we know it has been sorted out. This tour represents the group’s first with new lead guitarist Nico Santora and Darkest Hour will perform its 2007 album Deliver Us in its entirety and subsequent to the tour the group will return to the studio to record its tenth album. Opening the show is blackened death thrash mutants Necropanther from Denver as well as veteran thrash band Toxic Holocaust from Portland, Oregon whose own music has more than a leg in hardcore and grind as evidenced by its blast beats fused with acidic, Venom-esque menace.

Grief Ritual October 2021, photo by Tom Murphy

Tuesday | 07.05
What: Under the Pier, The God Awful Truth, Vexing and Grief Ritual
When: 7 p.m.
Where: Hi-Dive
Why: Under the Pier is a math-y post-hardcore outfit from Baltimore whose songs feel chaotic even as they are guided by a bizarre precision of execution. Vexing from Denver is difficult to pin down even though it clearly has roots in extreme metal and post-hardcore mainly because it also comes off like a grindcore band that’s dialing back the onslaught a little to let sounds hang in the air and hit you differently than a persistent force. Makes its gruff vocals and mathematically precise accents in a riff seem more nuanced and creative. Grief Ritual is going through some transitions since long time guitarist Mykel Monroe is departing but this may be a last chance to check out his guitar wizardry with Grief Ritual. Its own hardcore stylings have a brutal elegance from guitar pyrotechnics, to finely executed, cathartic vocals to surprisingly spare yet interlocking rhythms that allow for the songs to switch moods and focus of forcefulness with great flexibility. Its most recent album The Gallows Laugh may be more in the realm of metallic hardcore but has the beautifully confrontational and caustic quality of a melodic black metal record.

Puscifer, photo by Travis Shinn

Wednesday | 07.06
What: Puscifer w/Moodie Black
When: 7 p.m.
Where: Mission Ballroom
Why: Puscifer is Maynard James Keenan’s vehicle for a plethora of creative musical ideas that don’t really fit in with the art prog of his more famous band Tool. So he’s been able to infuse it with some of his more innovative experiments in sound and theatrical performance. The group hasn’t toured the U.S.A. since 2016 and reports of shows and footage that has made it onto the internet reveals what you might hope for and expect with elaborate sets and Maynard performing almost like a cosmic variety show host and his cohort of weirdos. The most recent Puscifer album Existential Reckoning (2020) must have been a head scratcher for anyone expecting industrial rock or hard rock in general. Its extensive and evocative use of synths and other keyboards as the drivers of melody and dramatic vocals is tempting to compare to something Peter Gabriel might be doing now but also not unlike something Gary Numan might do and really one of the most sonically fascinating records of Keenan’s career thus far.

Thursday | 07.07
What: The Pine Hill Haints w/Glueman and George Cessna
When: 8 p.m.
Where: Hi-Dive
Why: The Pine Hill Haints from Auburn, Alabama perform fairly traditional bluegrass and folky country with great the intensity and energy. Fans of rockabilly will probably appreciate what the Haints have to offer but its music also seems just slightly out of frame of normalcy to be interesting. Opening the show is George Cessna whose 2021 album Lucky Rider is a beautifully and paradoxically warmly haunting piece of work that transcends “alt-country” into the realm of slowcore and pastoral, Lanois-esque Americana that feels like reading an idiosyncratic noir novel comprised of impressionistic vignettes about navigating a culture and society in decline and trying to do something worthwhile with integrity in spite of one’s personal limitations and the weight of one’s history and attachment to tradition and sentimental notions.

Gila Teen, photo by Tom Murphy

Friday – Sunday | 07.08 – 07.10
What: Compost Heap Music Festival V
When: 3-11 p.m.
Where: Seventh Circle Music Collective
Why: Can’t sum up why better than the verbiage from the FB event below which includes set times and other information.

“It’s happening again! July 8th, 9th, and 10th! One of the biggest temporary DIY music festivals you’ll ever see! Three days of great music from underground bands from across the nation and local support that you may have never heard of but you will definitely love!

ACCESSIBILITY INFO: This event will be wheelchair accessible. ADA portapotty onsite. Proof of vaccination is required. Masks are strongly encouraged. Denver will be hot and dry, dress in breathable and moisture wicking clothing and avoid dark colors. There will be shade provided and cooling misting fans throughout the day. This event will be live-streamed.
We created this festival with a goal, it’s organized to center and amplify the music and art of marginalized folks, and to celebrate radical perspectives and ideologies in general. It’s focus is to try and raise awareness about oppressive institutions that stunt our ability to flourish as individuals and communities, and to come together to resist against them for our collective liberation, express solidarity and make some new friends.

FRIDAY, JULY 8TH
4:00-4:25 Team Nonexistent
4:35-5:00 Mx Wander (PA)
5:10-5:35 Old Scratch & The Holy Mess (AZ)
5:45-6:10 Bird Teeth (WA)
6:20-6:45 Chatterbox and the Latter Day Satanists
6:55-7:20 Endless, Nameless
7:30-7:55 Gutter Town (AZ)
8:05-8:30 Fables of the Fall
8:40-9:05 Shooting Tsars (TX)
9:15-9:45 RAT BATH (WI)
10:00-10:30 Ceschi Ramos (CT)
10:45-11:15 Crow Cavalier

SATURDAY, JULY 9TH
3:00-4:00 OPEN MIC
4:00-4:25 Marissa.
4:35-5:00 Loud in the Morning (WA)
5:10-5:35 Sunnnner
5:45-6:10 HappyHappy (IN)
6:20-6:45 Fruiting Body of the Larger
6:55-7:20 Straight Line Arrival (ND)
7:30-7:55 Gila Teen
8:05-8:30 Danbert Nobacon (WA) (x Chumbawamba)
8:40-9:05 Ludlow (OR)
9:15-9:45 Self Neglect (NM)
10:00-10:30 Lo Cash Ninjas (NN)
10:45-11:15 Doom Scroll

SUNDAY, JULY 10TH
3:00-4:00 OPEN MIC
4:00-4:25 The Michael Character (MA)
4:35-5:00 Rumbletramp (NC)
5:10-5:35 Hello the Camp (ID)
5:45-6:10 Helga Pataki
6:20-6:45 Gone Full Heathen
6:55-7:20 The Ragetones
7:30-7:55 Mr. Atomic
8:05-8:30 Dana Skully and the Tiger Sharks (IN)
8:40-9:05 Caustic Soda
9:15-9:45 Noogy (TX)
10:00-10:30 Plasma Canvas
10:45-11:15 Anxiety Cat (LA) (x Taxpayers)

Compost Heap music festival is a not-for-profit event. All festival revenue will be used to pay touring bands, or donated to the Harm Reduction Action Center in honor of Marci, a dear friend who is no longer with us. Thank you for your support.

$45-75 suggested donation for a weekend (3 day) pass

$20-25 suggested donation for a day pass

+$5 SEVENTH CIRCLE MEMBERSHIP FEE (if you don’t have one already): In order to attend any event at the venue you must posses a membership card. This helps 7C stay afloat and protects them from getting shut down, help keep DIY alive in Denver!

If you would like to pre-order your weekend pass, please email us @ compostheap2022@gmail.com (please put “Compost Heap 2022 pass” in the subject line) You should get an immediate response, but if for some reason you don’t, please email wormfooddiy@gmail.com instead.”

New Standards Men, photo by Tom Murphy

Saturday | 07.09
What: Derek Monypeny w/New Standards Men, Sex Funeral and Pythian Whispers
When: 2 p.m.
Where: Mutiny Information Café
Why: Derek Monypeny is coming from communing with the Methuselah tree to bring his accumulated musical wisdom fostered while living in Joshua Tree. Think drone and “free jazz” if you were hanging with Alejandro Jodorowsky and Werner Herzog. Sex Funeral brings their celebration of the transmogrification of tantric rites through the necromantic meditation practices cultivated in secret sites in southern Iowa. The manifestation of these mystical energies will emerge as improvisational ritual drone for guitar and electronics. New Standards Men are fresh off a sabbatical merging analog synth and guitar as synth alchemy as structured exercises based on the deep secret knowledge shared by Robert Moog, Don Buchla and Morton Subotnick as conducted by Terry Riley. And probably opening this afternoon of high psychedelic frequency modulation is Pythian Whispers. Lore has it the three early members of the band that wrote and performed the album The Dark Edge of Hippie Life met on a mountaintop, perhaps at Machu Picchu, perhaps at Alamut Castle, perhaps in the secret chamber below the skeletons of ancient trees at the top of Mount Evans. Whatever the truth might be and whatever arcane secrets of improvisational music learned it will be unleashed in short form by those ragged vagabonds of psych prog ambient. So what do you have to lose and trust me everything of something to gain? Probably donation based. We’ll see if Jodorowsky can come from Paris to do tarot readings for the event but no promises. Tamam shud.

Hulder, photo by Liana Rakijian

Sunday | 07.10
What: Skeleton and Hulder
When: 7 p.m.
Where: Larimer Lounge
Why: Austin’s Skeleton started out as a hardcore band but has since its 2014 inception morphed into something that has clear sonic roots in thrash and black metal. Its 2020 self-titled album is too slow to be some kind of crossover thing but not slow enough to be some kind of doom project. Its blunt yet jagged riffs are reminiscent of early thrash but without be defined by that aesthetic. Also on the bill is HULDER whose own black metal style weaves together an elegant classical music sensibility with a refined black metal onslaught that reaches epic peaks of evocative and gritty atmospheres like the elevated subjects of her songs. The new album The Eternal Fanfare finds HULDER expanding her sonic palette so that melody and texture seem to work in perfect tandem to cinematic effect like scoring the saga of an ancient heroic journey to the underworld and back.

duck turnstone, December 2021, photo by Tom Murphy

Monday | 07.11
What: TV Star w/Broken Record, Flor De La Luna and Duck Turnstone
When: 8 p.m.
Where: Hi-Dive
Why: TV Star from Seattle apparently aimed at being somewhere between the sound of dysfunctional era The Brian Jonestown Massacre and the more dream pop period of The Jesus and Mary Chain. But it ended up more in the realm of late period Sarah Records jangle pop with delicate melodies and warm vocals. Denver’s “Flora de la Luna” talks about being a “tough guy boy band” but really sounds more like an angsty power pop band with really tight songwriting and enough sneer to keep it from being safe. Maybe that’s what they meant by the whole “tough guy” thing that one presumes was a more humorous and ironic thing you write about your band as an inside joke. Broken Record also from Denver is like if an emo band discovered Dinosaur Jr and didn’t shed some of its roots including drawing some slight inspiration from Rainer Maria. duck turnstone is the band fronted by Melissa K. Jones who moved to Denver in 2018 with her then partner, apparently had an ugly break-up, and then shortly thereafter the pandemic happened and she had the opportunity to pour some of her heartbreak into writing music that in 2021 she was able to turn into a full band shortly after she released the album Howling & Crying under her own name. The album is a collection of vivid and delicate portraits of human vulnerability and exploring the nuances of rebuilding your life on your own terms. The live band is more in the power/indie pop vein.

Tuesday | 07.12
What: Kill You Club Presents: Haunt Me w/Weathered Statues, S!ntax and Precious Blood
When: 8 p.m.
Where: Glob
Why: Haunt Me is a post-punk/darkwave band from Austin whose 2021 album This Sadness Never Ends had some familiar hallmarks of the genre with the spidery guitar melodies and Paul Banks-esque vocals. But Haunt Me tends to switch up the rhythms and dynamics in unexpected ways and never full stays the same vibe for the whole song thus setting itself apart from many of its peers. Weathered Statues is a post-punk band from Denver with roots in the local punk scene. S!ntax is an industrial noise project with some grounding in confrontational performance art.

Mondo Cozmo, photo courtesy the artist

Tuesday and Wednesday | 07.12 and 07.13
What: The Airborne Toxic Event w/Mondo Cozmo
When: 7 p.m.
Where: Ogden Theatre
Why: [Rescheduled from April 2022] Joshua Ostrander aka Mondo Cozmo made a name for himself as the frontman for Laguardia in the the first half of the 2000s and then for a decade as the lead singer for Eastern Conference Champions. But since 2015 he has been recording and performing under the Mondo Cozmo moniker and crafting heartfelt and genre eclectic music. His new album, 2022’s This Is For The Barbarians takes Ostrander deep into his roots in rebellious folk artists like Bob Dylan and his more experimental electronic interests at the same time. The album is like a Radiohead album but more informed by folk and more overtly pop but with the appropriately rough around the edges quality to suit the times that surrounded the process of writing the songs with Ostrander commenting on the highs and very low depths of the world in the past half decade and his insight into personal psychology and the American zeitgeist is as cathartic as it is inspirational. And yes, opening for Toxic Airborne Event whose own long career of luminously gritty alternative rock has garnered a bit of a cult following. Its 2020 album Hollywood Park, sharing the title with singer Mikel Jollett’s memoir of the same name from the same year, was unsurprisingly as literarily as musically as poignant album as any in the group’s career to date and certainly seemingly its most personal.

The Black Keys, photo by Jim Herrington

Wednesday | 07.13
What: The Black Keys w/Band of Horses and Ceramic Animal
When: 6 p.m.
Where: Red Rocks
Why: When The Black Keys started out of Akron, Ohio in 2001 it seemed very much like a niche, blues rock outfit like the lesser cousin of The White Stripes. When the duo first rolled through Denver it played small venues like Lion’s Lair where it opened for Reverend Dead Eye. But Dan Auerbach and Patrick Carney stuck it out and developed their sound and songwriting and transformed what was likely a stripped down initial configuration into something more akin to a minimalist funk phenomenon as embodied well by its 2022 album Dropout Boogie. With the expansion of sounds and textures for the album the touring line-up of the band is also much more expansive than the core of Auerbach and Carney that will showcase how The Black Keys are a bit like a blues based rock version of ELO which is no bad thing. Opening is the well-known indie rock power pop group Band of Horses whose expansive songwriting is irresistibly uplifting especially its 2006 hit “The Funeral.” The proceedings will begin with a set from Ceramic Animal whose Dan Auerbach produced new album Sweet Unknown is brimming with warmly melancholic songs informed by a poignantly tangible sense of loss and reconciliation with emotional devastation and the inadequacy with which life and culture prepares one for the loss of the most significant people in your life.

Ceramic Animal, photo by Up in Smoke Photo
Elizabeth Colour Wheel in 2019, photo by Tom Murphy

Friday | 07.15
What: Primitive Man w/INDIAN, Jarhead Fertilizer, Body Void, Spirit Possession and Elizabeth Colour Wheel
When: 7 p.m.
Where: Bluebird Theater
Why: Primitive Man assembled one of the most interesting lineups of heavy music you’re likely to see in Denver all year in celebration of its 10 year anniversary as a band. The death-grind trio has long created some of the most brutal, crushing and exciting music of the past decade obliterating the line between noise, extreme metal and doom while making commentary on a world all but ruined by international corruption and collusion in diminishing the lives of everyone below the 1% of the 1% of the economic and political power scale in ways deranged and in the end self-destructive. It’s cathartic stuff and in its sharp edges and raw ugliness holds a mirror up to the world we all feel hitting us but may not see or hear concentrated so powerfully in one place. It will also be one of the few times to see the band locally for a good deal of time to come. Chicago’s INDIAN has for nearly 20 years crafted a sound that wouldn’t be out of step with what one hears out of a band on Amphetamine Reptile or Touch and Go but with more sludge rock flavor and songs that go in for a more fluid and wide ranging dynamism than most bands that get lumped in with the canon of doom. Elizabeth Colour Wheel is a startlingly energetic fusion of a noisy shoegaze band and a grindcore outfit as unlikely as that combination sounds. Body Void’s ominous, clashing guitar and drum interplay has a somehow both feral and elegant quality that lends the desperate, distorted vocals an elevated outrage and pain like a harsh noise duo using more standard instrumentation to deliver a dense, caustic and textural soundscape.

Knuckle Pups in October 2021, photo by Tom Murphy

Friday | 07.15
What: Knuckle Pups “TV Ready” album release w/Jeff Cormack of South of France and Earth to Luna
When: 7 p.m.
Where: Mercury Café
Why: Knuckle Pups is an indie pop band that has been around for a few years but which is finally putting out its debut album TV Ready. Oliver Holloway was once a member of the great folk punk band The Fainting Fansies that used to hold shows at a place where some or all of the band members lived back when people could rent out a house in neglected or underutilized houses or buildings in Denver. That time in deep, DIY “Old Denver” days has stuck with Holloway and Knuckle Pups isn’t a band short on charmingly earnest expressions of joy helped by the fact that the group’s multiple singers harmonize extraordinarily well.

Sky Creature, photo by Noah Kalina

Saturday | 07.16
What: The Velveteers w/Sky Creature and Holographic American
When: 2 p.m.
Where: Larimer Lounge
Why: This is probably the smallest venue you’re going to see The Velveteers play for some time. The band that has taken a foundation of a modern interpretation of classic blues rock and infused it with sharply observed lyrics, imagination and youthful energy has been and will go to keep touring with Greta Van Fleet and playing big cities and the hinterland to large crowds. And that will be quite a contrast with Queens, NY-based experimental pop band Sky Creature whose new album Bear Mountain is exuberant and ethereal and by all indications mostly electronic. Majel Connery has a voice that is both intense and fey which suits being paired with music that sounds like something you’d want to hear if you could travel to a museum of snow globes and spend time in each exploring the worlds of which each gives you a surface level taste. It’s otherworldly stuff and has a cool energy that will be welcome on what is likely to be a hot day in Denver. Holographic American is a trio consisting of guitarist Caleb Tardio formerly of math rock wizard weirdos I Sank Molly Brown and currently of doom metal greats NightWraith and drummer Matt Grizzell who some may know for his time with prog indie band Alan Alda and indie rockers Instant Empire along with bassist Owen Pearson. So of course it’s a little different with some of that math rock vibe in its songs thus far released in demo form but moody and delicately and intricately yet not busily melodic.

Green Typewriters in 2011, photo by Tom Murphy

Saturday | 07.16
What: Green Typewriters album release w/Falcon’s Eye
When: 7 p.m.
Where: Enigma Bazaar
Why: After fifteen years the psychedelic indiepop band Green Typerwriters are finally releasing its debut EP The Solar Anus which brings together musical ideas across its entire existence for a beautifully coherent and moving experimental pop album with as much wisdom as whimsy. Engineered and produced by Zach Bauer, one of Denver’s secret, genius pop songwriters and recordists, who most that know who he is know for having been a member of avant noise punks Zombie Zombie, stoner doom trio The Outer Neon, psychedelic post-punk art rock band Wicked Phoenix and Can tribute band Future Days. Among others. So you know the album is going to sound good and for the show the band is bringing in guests and making it the kind of show that you’re not going to get to see every day. Look out for the Queen City Sounds Podcast episode featuring Gioja and Jared Lacy from the band.

Saturday | 07.16
What: Emerald Siam, Cyclo Sonic and Bridey Murphy
When: 8 p.m.
Where: 1010 Workshop
Why: Denver is fortunate that some of its elder statesmen and stateswomen are still out there making valid, interesting and imaginative music. So Emerald Siam and its flood of brooding atmospherics and rich emotional colorings help to turn finely honed songwriting into something that seems larger than life and will seem like you’re getting to see something mythical outside at 1010 Workshop. The band’s blend of post-punk darkness and the way The Church took that framework into a more psychedelic and expansive realm of music as a platform for telling meaningful stories with arrestingly poetic lyrics. Cyclo Sonic may be basically a garage rock punk band but when it’s Matt Bischoff formerly of The Fluid and Arnie Beckman formerly of Choosey Mothers and other luminaries of the local punk scene the songwriting just hits as stronger and the precision of rhythm pushed forward and working in tandem with a ferocious energy it makes a lot of other operating in a similar realm of music seem quaint. Bridey Murphy includes Jay Tonne (Black Forest Fire), John Call (Baldo Rex, Veronica), Rich Groskopf (Boss 302, The Black Smiths, The New Idols etc.), Collette St. Clair and Dave Harrison so it’s going to not be short on rock theater and surprisingly fun songs in the garage rock and soul vein.

Cola, photo courtesy the artists

Saturday | 07.16
What: Cola w/Voight and Gazes
When: 8 p.m.
Where: Hi-Dive
Why: Cola consists of Tim Darcy and Ben Stidworthy formerly of great now defunct Canadian post-punk band Ought along with Evan Cartwright. When Ought split in 2021 ending a decade-long run as one of the more interesting and inventive guitar rock bands of recent years Cola came along shortly after and its 2022 debut album Deep In View (Fire Talk) with its offbeat song structures and hypnotic rhythms will appeal to fans of Ought for sure but also anyone who appreciates the art rock proclivities of a band like Pile. Voight may still be a guitar band at this point and not yet committed to being a full-on dark techno and power electronics project so you’ll get to see the post-punk/darkwave band scorch the rafters with its own intense and emotionally charged music. This is the first Gazes show and it features former Tyto Alba members Melanie Steinway and Andrew Bair along with former Male Blonding vocalist/guitarist Noah Simons. It’s a curse to call a band a supergroup but considering the membership of Gazes expect great things in a vein that will fit in with this bill overall.

Itchy-O, photo by Studio Apocalypse

Saturday | 07.16
What: Itchy-O’s Tetrapolar Purification Ceremony w/BleakHeart
When: 7 p.m.
Where: Fillmore Auditorium
Why: Itchy-O has seemingly found ways to imbue its few shows on the large scale with an aspect of the mystical and tie it to a new dimension of the band’s sound and performance. This time the Tetrapolar Purification Ceremony will signal the debut of the SÖM SÄPTÄLAHN, a massive instrument inspired by the gamelan assembled from over six hundred pounds of cynbals and gongs donated from local percussionists and crafted in collaboration with the Colorado School of Mines in Golden, a prestigious academic institution that specializes in geology and engineering. The show will include an audience participation aspect involving three elemental themes of Fire, Air and Water. Perhaps the fourth in the “tetrapolar” theme of earth is the SÖM SÄPTÄLAHN itself. For Patreon supporters of the band there will be a ticket giveaway to an “augmented reality scavenger hunt.” It’s always an extravaganza of sights and sounds and with the addition of the new instrument it’s going to be a new era for the band that has consistently found ways to augment already familiar elements in new ways with new ritualistic creativity.

Steve Von Till, photo by James Rexroad

Wednesday | 07.20
What: Steve Von Till and Helen Money
When: 7 p.m.
Where: Globe Hall
Why: Steve Von Till is the charismatic singer and guitarist from influential post-metal band Neurosis. Anyone familiar with the long arc of stylistic experiments in that band will probably appreciate what Von Till has done as a solo artist. His raspy vocals often sound like they’re harboring haunted memories and a flood of emotion that he has released in focused, cathartic bursts. His most recent albums No Wilderness Deep Enough (2020) and A Deep Voiceless Wilderness showcase the songwriter’s ear for organic song structure like his instrumentation is a direct reflection of the moods and feelings as weather patterns that swirl around you when you take a long period to reflect deeply on life and the often hidden wells of emotions you neglect as you spiral through life in a cultural hellscape that does little to nurture our humanity. Alison Chesley as Helen Money has contributed imaginative and evocative cello work for the likes of Bob Mould, Mono, Russian Circles, Broken Social Scene, Chris Connelly and Thalia Zedek. But her own arresting compositions have a stark yet maximalist beauty. With her cello, a spare chain of effects and a looping pedal, Chesley creates an orchestra of one that is both surprisingly heavy and elegantly ethereal, imbued with the compositional architecture of classical music. Her most recent album Atomic (Thrill Jockey, 2020) likely didn’t get the proper presentation as Von Till’s own most recent records didn’t and the sets of both artists seem like the perfect complement to each other’s.

Helen Money, photo by Natalie Escobedo
French Police, photo from Bandcamp

Wednesday | 07.20
What: French Police w/Wisteria and Julian St. Nightmare
When: 7 p.m.
Where: Hi-Dive
Why: French Police from Chicago have a brooding and delicate, darkly melodic sound like they dug deep into Italian and Russian post-punk of the 80s and wrote a set of songs in a cold apartment and had to do so through headphones so as not to get a noise complaint from a neighbor. That’s probably not how the music came about but it has that intimate and mildly claustrophobic quality that is also part of its downtempo charm. Wisteria from Los Angeles seems to have come out of a similar process of crafting the darkwave equivalent of bedroom pop with a thin synth sound that is somehow also evocative in a tender way that is a bit like one imagines what would have happened had New Order had to construct its music given similar limitations on writing the music. Julian St. Nightmare is a great example of when people discover an eclectic musical palette at a young age and find a way to integrate it all into a coherent and vibrant sound so you hear in its songs the influence of surf rock, Molchat Doma and The Cure—all performed with a for now self-effacing confidence and charm.

CXCXCX in May 2022, photo by Tom Murphy

Friday | 07.22
What: CXCXCX w/Occidental, Perdi La Luz, K129, Organ and DJ Precious Blood
When: 8 p.m.
Where: Hi-Dive
Why: This is a Plains Archaic showcase featuring artists affiliated with the Denver-based experimental music label. CXCXCX seamlessly blends noise, techno and power electronics for a sound like dance music for a crumbling civilization. Occidental was once and may still be affiliated with the electronic music collective Deep Club that used to hold some of the most interesting and well curated underground techno and deep house and other forward thinking electronic music events in Denver for a few years. His own sound is more like a fusion of deep house and trance. Perdi La Luz is reminiscent of the kind of fluid and psychedelic techno one heard on some edges of what Underworld and Future Sound of London were doing in the late 90s. K129 plugs some well processed organic percussive sounds into a beat heavy techno mix. Organ is a collaboration between glitch techno noise artist Cremedelacrvvp and industrial glitchcore ambient artist Kid Mask. DJ Precious Blood recently did a solid post-punk set at a Kill You Club event for the Haunt You show but for this event we may hear some deep recent techno and IDM cuts.

Vinny Golia, photo from Bandcamp

Friday | 07.22
What: Vinny Golia w/SeFaLoCo
When: 7 p.m.
Where: Atlas Theater (709 16th St. Greeley)
Why: Vinny Golia is a prolific and respected multi-instrumentalist and composer whose career has fused world music, modern classical music and avant-garde jazz. A specialist in woodwinds Golia’s work has been featured in performance with the likes of Anthony Braxton, John Zorn, Patti Smith, Eugene Chadbourne, Lydia Lunch and the Los Angeles Philharmonic Orchestra. He has led ensembles as small as the trio that will perform a series of three shows in eastern Colorado (this date in Greeley and others listed below) to the 50-piece Vinny Golia Large Ensemble. His music in both the small and larger format are vehicles for his imaginative musicianship with musical ideas that span more broadly and deeply than most musicians will ever attempt. Even in his 70s Golia has been an innovator in the use of texture and atmosphere and his 2020 album Music for Gongs, Singing Bowls and other Metallaphones is like the lost soundtrack for an elevated horror masterpiece (there’s even a song called “King of the Spanish Horror Movies”) while also sounding like a nod to Alex North’s score for 2001: A Space Odyssey and Penderecki. Not many free jazz masters of Golia’s stature roll through Colorado and this series of intimate shows might be a good time to catch him live.

Polly Urethane in May 2022, photo by Tom Murphy

Saturday | 07.23
What: Multidim Records Presents Listening Lawn II: DJ Ilind, Polly Urethane, Deb the Demo, Luke Leavitt, H-Lite and Entrancer
When: 5-8 p.m.
Where: Carpio Sanguinette Park
Why: Multidim has been releasing some of the most forward thinking electronic music of the past few years and this showcase held at the Carpio Sanguinette Park includes a DJ set from avant-garde noise and techo artist Isaac Linder as Ilind, a purportedly more mellow performance from Polly Urethane whose recent live sets have been a bravura display of the blending of contemporary classical, industrial noise and the avant-garde, Deb the Demo’s tracks capture the mood of the modern media environment with both playful and urgent pieces of techno house that really push the brain beyond preconceptions of the genre and the methods of emotional expression, Luke Leavitt is always doing something different and even though many may know him for the expanded Afrobeat No Wave of his time as Cop Circles there will be a conceptual aspect to his performance with an intentional discipline behind the making of sounds, H-Lite has made some bright and upbeat electronic downtempo glitchcore bangers but his own sonic palette is also so broad and imaginative he’ll bring surprises too and of course Entrancer has been steadily refining and expanding his own craft of techno utilizing analog synths and a visionary challenging of where he’s already been as an artist.

Dust City Opera, photo by Gracie Meier

Saturday | 07.23
What: Dust City Opera
When: 9 p.m.
Where: Broadway Roxy
Why: Albuquerque’s Dust City Opera recently released its latest album Alien Summer and perhaps fortuitously making a stop during an unusual summer in Denver and elsewhere with heat waves and social turmoil brewing. So the band’s theatrical performance of songs that sound like a colorful manifestation of years spent taking in campy science fiction and horror cinema and taking away from it all the inspiration to craft songs that don’t fit neatly into a trendy genre. The songs on the album is like a collection of poignant and poetic stories of human life even when the setting is a zombie apocalypse or an encounter with aliens. The pure amalgamation of chamber pop, indie folk and a hard rock edge in the guitar convey a cinematic feel that draws you in for the duration. Intimate and epic the miniature grunge and indiepop orchestra of Dust City Opera is something unique in an era of too much bland imitation.

Saturday | 07.23
What: Vinny Golia w/SeFaLoCo
When: 7 p.m.
Where: Muse Performance Space (Lafayette)
Why: See above for more on Vinny Golia.

Sunday | 07.24
What: Vinny Golia Trio
When: 2 p.m.
Where: Art Lab (Fort Collins)
Why: See above for more on Vinny Golia.

Goo Goo Dolls, photo by Claire Marie Vogel

Wednesday | 07.27
What: Goo Goo Dolls w/Blue October
Where: Red Rocks
Why: Goo Goo Dolls became a bit of a household name in the 90s due to hit songs like “Name” (1995) and of course “Iris” (1998). But the band originally from Buffalo, New York garnered a bit of a cult following during its early punk and then more power pop years for its potent blend of tunefulness, grit and raw emotional honesty. The group lead by singers John Rzeznik and Robby Takac has made a career of writing evocative songs about relationships, life and finding essential meanings in all of it so that even its ballads, love them or not, are not generally trite or without insightful commentary. The group’s latest album Chaos in Bloom, the first produced by Rzeznik, is definitely more in the realm of modern pop but if you watch the video for “Yeah, I Like You” you can hear more than a touch of that early punk rock verve and sharply observed social and personal commentary that sets it apart from a lot modern pop rock with undeniable instrumental hooks to pair with energetic vocal harmonies. But if you go it seems like there’s a better than average chance the Goo Goo Dolls will dip into its back catalog and not just the biggest hits.

Roselit Bone, photo from roselitbone.com

Wednesday | 07.27
What: Roselit Bone w/Snakes and No Gossip In Braille
When: 8 p.m.
Where: Hi-Dive
Why: Portland, Oregon-based Roselit Bone fronted by trans singer Charlotte McCaslin is somehow a rockabilly band, dark Americana, Mexican ranchera and whatever one might call the likes of Gun Club, The Blasters and Lone Justice. It’s a really different take on genre bending so that it can seem like some countrified folk but with the intensity of punk without the sonic trappings. Its most recent album Crisis Actor is a little more gentle in tenor but not in attitude and its songs of daily struggle and working class politics are poignant and powerful. Snakes similarly has the kind of frayed musical roots that bring together a variety of musical instincts in forming its own dark Americana informed by nuanced thinking on the ways one has conversations with oneself in an ongoing process of sorting out the oftentimes perverse misfortunes and charmed moments in life. It’s lively music but more philosophical than expected from music that has a similar flavor. No Gossip in Braille is decidedly not Americana but its ethereal post-punk comes from a similar emotional place in exploring and making meaning of experiences that hit us as vital whatever their essential and specific impact on our lives.

Black Star, photo from talibkweli.com

Thursday | 07.28
What: Black Star w/Dead Prez, Pharoahe Monch and TH1RT3EN
When: 7 p.m.
Where: Mission Ballroom
Why: Yasin Bey and Talib Kweli were already stars of hip-hop in their own right when they formed Black Star in 1997 named after a shipping company founded by Pan-Africanist political activist Marcus Garvey. The project’s debut album Mos Def & Talib Kweli Are Black Star (1998) was pretty much an instant classic with thoughtful explorations of black culture with beats more in line with late-80s and early 90s hip-hop with a creative and vivid use of jazz and funk samples as well as more unique sounds that framed the powerful lyrics well in establishing a mood with cinematic resonance. Afterward the duo released a single here and there while focusing on other musical and creative endeavors. But in 2022 Black Star released its most recent record No Fear of Time. The almost existentialist bent of the lyrics remained but seemingly more direct and with music more stark yet no less imaginative and immersive. Black Star has toured in the last 25 years but not often and somehow its music seems even more relevant in subject matter today.

Thursday | 07.28
What: Lost Network, Blackcell and DJ Mudwulf
When: 9 p.m.
Where: Mercury Café
Why: Lost Network might be considered an industrial rock band but more on the industrial side and plenty of its output is more in the realm of darkly ambient soundscapes. Though its guitar sound is more cutting and its sound often more jagged, fans of The Tea Party may find what this veteran band out of the Denver scene has been doing for years. Also on the bill is long-running, legendary EBM band Blackcell whose sharp social commentary and personal songwriting blurs the line between ambient music and classic EBM the first wave of which it emerged out of the tail end. Of course DJ Mudwulf will bring a set of songs that are well curated and also not 100% predictable. A lot of music out of the Goth-industrial world can be corny but that won’t be on display at this show.

TRAITRS, photo from Bandcamp

Saturday | 07.30
What: TRAITRS w/Radio Scarlet and Wingtips and DJ Luci Ghost
When: 8 p.m.
Where: Mercury Café
Why: Canadian post-punk band TRAITRS on its 2021 album Horses in the Abattoir separated itself from many bands out of that vein of music with creative vocals that don’t sound like a cut-rate imitation of any obvious influences. And its synth work and songwriting has an orchestral aesthetic that establishes a truly enveloping and haunting sound that isn’t driven by the wheedly guitar sound that is the hallmark of too much darkwave now. TRAITRS’ sound is rich and expansive and though melancholic isn’t a downer. Chicago’s Wingtips is more electronic and one hears in its music including 2021’s excellent Cutting Room Floor a touch of influence from Vince Clarke-period Depeche Mode. Its moody songs have strong dance beats and the vocals widely expressive also distinguishing the group from some of its peers that intentionally sing in ways murky and obscure. There is something effusive in Wingtips’ songs that are immediately striking. Radio Scalet is a death rock band from Denver. The title of its 2017 album Too Goth for Punk, Too Punk for Goth sums up its aesthetic well and sure these people look the part but there is a joyful element to its performances that prevents it from slipping into the wrong end of dour. DJ Luci Ghost is a long time DJ in the local Goth-industrial scene but fortunately for anyone that is around for one of her sets her taste is much more eclectic and expansive beyond narrow conceptions of expected music.

Best Shows in Denver February 2022

Dinosaur Jr, photo by Cara Totman

Tuesday | 02.08
What: Everything is Terrible KIDZ KLUB Tour
When: 7 and 10 p.m.
Where: Sie Film Center
Why: Los Angeles-based video collage and and performance collective Everything Is Terrible! Brings its latest live show and presentation of some of the best of the worst video clips found at thrift stores, garage sales, odd ends of video websites and the like to Sie Film Center. This tour is called KIDZ KLUB so surely some of the most demented yet often earnest bits of trash Americana will make its way into the show perhaps themed after some of the surreal and you want to think are manufactured parody but aren’t passages of video made for children and for educational purposes. But who can say and with the costumes and other outright strangeness that comes with an EIT live show it’ll all be maximum weird in a time when normie culture insipidity is the norm and we need stuff this eccentric and inspired as a reminder that accidental creativity can be fun when recontextualized and presented with a spirit of fun and an odd sense of humor and irony.

Wednesday | 02.09
What: Action Bronson & Earl Sweatshirt w/The Alchemist and Boldy James
When: 7 p.m.
Where: Mission Ballroom
Why: Earl Sweatshirt has been one of the most innovative hip-hop artists of recent years mixing a more traditional hip-hop beat making approach with utilizing ideas and sounds well outside the usual spectrum of that style of music making. Some of his albums at times sound more like a noise record than anything you hear much outside the most experimental of underground hip-hop projects. The Alchemist is also one of the cutting edge beat makers of today and his 2021 album with Armand Hammer pushed the art form to new vistas of soundscaping to bolster that duo’s own masterfully creative rapping and production. Action Bronson may not quite be in that league as an innovator but his forcefulness as a rapper and performer is unquestionable.

Spyderland at Down in Denver Fest September 2021

Friday | 02.11
What: Church Fire, Spyderland, Glass Human and Partyteeth
When: 9 p.m.
Where: The Squire Lounge
Why: Church Fire has spent the better part of the past decade honing its vital fusion of darkwave, political punk and electronic dance music and today remains a forceful live act that should probably be known outside of Denver but for now you can still catch them at small stages mostly in and around Denver and the eastern slope of Colorado. Spyderland brings some songwriting heft to its eclectic and inventive pop songs combining Marie Litton’s experience in bands like Clever Elsie, Ghost Buffalo and Lil’ Thunder with Drew McClellan’s knack for hybridizing genres and production methods to make for music that has tactile presence while inviting its listeners to dream beyond one’s immediate limitations.

Saturday | 02.12
What: Down In Denver Fest Presents: Emerald Siam w/Zealot and Gila Teen
When: 10 p.m.
Where: Broadway Roxy
Why: This is a fundraising event for the 2022 edition of Down In Denver Fest. Last year some local underground music luminaries put together a festival pretty much last minute with a focus on local artists in a way other festivals were not. It featured all the bands playing this event as well as groups from a broad spectrum of time having put into the local scene and genres. At a time when local culture is neglected and otherwise treated as fodder for digital marketing platforms rather than cultivated and curated in a manner outside that technocratic way of thinking an event like Down In Denver Fest is necessary. So for this night you get the brooding and triumphant psychedelia of Emerald Siam, Zealot’s playfully thought-provoking pop and Gila Teen’s emo-enriched post-punk noise rock.

Friday | 02.11
What: Satellite Pilot, King Ropes, Flora de la Luna
Where: Lion’s Lair
Why: Bozeman, Montana’s King Ropes are a bit like the Dead Milkmen of lo-fi psych Americana whose 2021 album Way Out West straddles the line between the early, on-the-verge-of-collapsing charm of early Mercury Rev and the irreverent humor and oddly respectable musical chops of Dead Milkmen.

Saturday | 02.12
What: The Backseat Lovers
When: 7 p.m.
Where: Ogden Theatre
Why: The Backseat Lovers from Provo, Utah strike that delicate balance between folk pop, hazy, late afternoon psychedelic rock and Americana. It’s a blend that might not work or sound like too much music in the larger indie world. But there’s enough grit in the band’s music and an earnestness in its performances to set it apart from other bands in a similar spectrum of style. Its dynamics and balance of force and delicacy allows its songs to go from hushed, contemplative moods to heightened emotional flares of intensity with a rare grace. The band is set to go back into the studio to record its next album so this would be a good time to catch it in high form performing its earlier music and maybe catch some of the new material before these guys put it through the studio process.

Saturday | 02.12
What: Bluebook, American Culture and Alison Lorenzen
When: 8 p.m.
Where: Hi-Dive
Why: Bluebook has had an interesting arc of musical evolution since its inception in the 2000s and lately its experimental, baroque pop has emerged as theatrical and dramatic with Julie Davis striking a commanding and focused figure with a band that creates a mysterious atmosphere. So with punk-infused indie pop band American Culture on the bill seems like an odd pairing but one fitting since American Culture frontman Chris Adolf is a bit of a musical rebel whose own vision places a premium on authenticity and not fitting in with expectation. Its 2021 album For My Animals on the respected Happy Happy Birthday To Me Records imprint is possibly Adolf’s most fully realized album to date with expert players to help manifest meaningful and powerful pop music in an era of entirely too much blandness.

The Siren Project in April 2010, photo by Tom Murphy

Saturday | 02.12
What: The Siren Project w/The Midnight Marionettes and Katastrophy
When: 7 p.m.
Where: Globe Hall
Why: The Siren Project is one of the longest running bands in the Denver post-punk and Gothic-industrial underground with roots in the 90s, influenced by both alternative rock, European folk music and downtempo electronic music. Charismatic frontwoman Malgorzata Wacht and longtime keyboard player Alex Seminara weave a beguiling and unique style of thrillingly dramatic and lush dark pop with a strong strain of romanticism and self-affirmation.

The Wombats, photo by Tom Oxley

Monday | 02.14
What: The Wombats w/Clubhouse
When: 7 p.m.
Where: Ogden Theatre
Why: UK indie band The Wombats like many bands began work on their new album in 2019 and had to piece together the songwriting and recording as best they could from 2020 through 2021 due to the ongoing global pandemic. But Fix Yourself, Not the World was finally released in January 2022 and it’s the sort of cinematic pop with a literary flair we’ve come to expect from the band. The lead single “Method to The Madness” builds into a glorious torrent of sound like a manifestation of our collective frustrations unleashed. And the album appears to be a struggling against and an acceptance of the things we can’t change but learn to work around or take into account in our attempts to move forward through life.

Wednesday | 02.16
What: Public Opinion, Destiny Bond, No Roses and The Clue
When: 7 p.m., $10
Where: Mutiny Information Cafe
Why: Local hardcore show. Destiny Bond has a bit of D-beat flavor.

Thursday | 02.17
What: Abandons, New Standards Men and Hoverfly
When: 9 p.m.
Where: Lion’s Lair
Why: If heavy instrumental music is something you’re into Abandons has been making some of the more dynamic and moody variety thereof for a few years or so. More post-rock than doom and extreme metal but there’s a plenty of that in the mix too. Fortunately for this show you also get to see those instrumental heavy music experimental tricksters New Standards Men whose twin albums I Was a Spaceship and Spain’s First Astronaut answer the question not enough people were asking in wondering where art rock bands into Zappa, Isis, Amphetamine Reptile noise rock, post-hardcore, John Zorn and ambient music were hiding.

Thursday | 02.17
What: Screwtape, MSPAINT, Cyst and CFX Project
When: 7 p.m.
Where: Seventh Circle Music Collective
Why: MSPAINT from Hattiesberg, MS sound for all the world like a noisy post-punk band that came out of a brilliant blend of hardcore, Protomartyr-esque art punk and Sleaford Mods attitude. One wonders also if they were into mclusky or Future of the Left at some point in their creative trajectory. You also get to see one of Denver’s top five punk bands in Screwtape who always put on a ferociously energetic show.

Cautious Clay, photo courtesy the artist

Thursday – Saturday | 02.17 – 02.19
What: Cautious Clay w/Ivy Sole and Julius Rodriguez
When: 8 p.m.
Where: Belly-Up (02.17) and Bluebird Theater (02.1802.19)
Why: Cautious Clay’s wide emotional range as a vocalist and his introspectively and poignantly observed lyrics coupled with the eclectic beats and instrumentation of his songs is instantly captivating. Through a series of EPs over the past few years as well as his 2021 album Deadpan Love, Clay has revealed himself to be one of the most creatively vibrant artists in recent years whose music spans beyond R&B and hip-hop as the jazz influences in his music synergize well with ambient and psychedelic pop undertones. Catch Clay during his run through Colorado at the Belly-Up in Aspen and The Bluebird Theater in Denver (dates and links above).

Saturday | 02.19
What: Machine Girl w/Evic Shen and Polly Urethane
When: 8 p.m.
Where: Hi-Dive
Why: Machine Girl is pretty much impossible to pigeonhole with any simple genre designation. Fans of digital hardcore, breakcore/glitchcore, industrial in the more modern mode will definitely find something to like about its surreal and colorful production and refreshingly coherent songwriting for a world of music that makes a virtue of the musical equivalent of radical jump cuts in tempo and tenor. People into Ho99o9, Atari Teenage Riot, Ghösh, 100 gecs and their ilk should at least give this band a listen. It’s like the next generation or two out from whatever it was HEALTH did in the 2000s and witch house from the same era. Yet it has some stylistic resonances with all of that. Rumor has it that at a Machine Girl show at a DIY venue people danced so hard part of the floor caved in so Machine Girl goes hard. If a legit horror movie could be made up of memes and rapid cycling anime footage it would sound like the duo’s 2020 album U-Void Synthesizer. Denver’s own dream pop/industrial project Polly Urethane is clearly a good fit for the bill.

Enumclaw, photo courtesy the artists

Sunday | 02.20
What: Naked Giants w/Enumclaw
When: 7 p.m.
Where: Larimer Lounge
Why: Naked Giants are a lively and playful rock band whose roots in grunge and psychedelic rock are obvious without preventing the trio to lay out some nice surprises where they go way beyond expectations they set for themselves at the show. Enumclaw shares a similar irreverent spirit and effusive punk energy but their guitar work has more in common with The Smiths and The Cure than Nirvana or Mudhoney or even Jay Reatard. Their combination of authenticity and eccentricity as a live band is proving to be uncommonly compelling.

The Weather Station, photo by Jeff Bierk

Monday | 02.21
What: The Weather Station w/Helena Deland https://globehall.com/event/the-weather-station-helena-deland-presented-by-kgnu
When: 7 p.m.
Where: Globe Hall
Why: Tamara Lindeman of The Weather Station has the rare gift of being able to project an ethereal thoughtfulness and fragile elegance and emotional strength at once. The group’s 2021 album Ignorance brings forth a full range of sounds and orchestrated emotions for one of the most satisfying listens of any album that we at Queen City Sounds basically slept on last year. Catch The Weather Station ahead of the March 4 release of its new album How Is It That I Should Look at the Stars.

Wallice, photo by Jerry Maestas

Thursday | 02.24
What: Still Woozy w/Wallice https://www.missionballroom.com/event/405967-mission-ballroom-denver-tickets
When: 7 p.m.
Where: Mission Ballroom
Why: Still Woozy is part of a big wave of bedroom pop of the past decade but like the better artists out of that world he has some musical chops with a background in classical guitar and formal educaton in electronic music that aren’t so obvious and fortunately get focused in songwriting. After spending a few years in the math rock band Feed Me Jack, Sven Gamsky departed in 2016 to start making music under the moniker Still Woozy. Making a virtue of what might be seen as a limited format, the music out of Still Woozy has a simple charm informed by a subtle sophistication in the songwriting. In 2021 he released his debut album If This Isn’t Nice, I Don’t Know What Is. Opening the show is Wallice whose own roots in jazz training have been channeled into finely crafted and poignant pop songs. Her single “Punching Bag” garnered her early attention as a poetically succinct summation of a friendship gone awry and how our digital footprints can complicate life when we’d really rather just part ways with someone. The track appeared on her 2021 EP Off the Rails which included songs that showcased Wallice’s growth as a songwriter beyond the style of contemporary indie pop. “Michael” really nails how all the tired narratives a young woman or really anyone else has had to suffer from a certain kind of male is just unwelcome. Some things never change but thanks to Wallice all the same for articulating this so well and Philip Stilwell for giving the song visual form.

Godspeed You! Black Emperor at Ogden Theatre in 2018, photo by Tom Murphy

Friday and Saturday | 02.25 and 02.26
What: Godspeed You! Black Emperor
When: 8 p.m. (02.25) and 7:30 p.m. (02.26)
Where: Gothic Theatre (02.25) and Boulder Theater (02.26)
Why: Godspeed You! Black Emperor are pioneers of post-rock but also a band whose left anarchist politics are part of its operating as a group and its music therefore is orchestrated and organic while sounding as planned as a classical piece of music. But the group does not skimp on evoking feelings and pairs the emotional content of its songs with the visual representation thereof often as projections on the stage as a stirring visual component. Godspeed’s 2021 album G_d’s Pee at State’s End! reintroduced a strong component of musique concrète to help ground and reinforce its more than usual tumultuous, brash and direct compositions.

Saturday | 02.26
What: Blood Incantation
When: 7 p.m.
Where: Gothic Theatre
Why: Experimental death metal band Blood Incantation will perform its 2022 ambient album Timewave Zero in its entirety and then engage in some improv for this show. Will there be any of the death metal its more conventionally-minded fans might crave? Who can say but the guys in the band are into enough unusual and experimental music that likely the ambient album will be worth a listen. Heck, if Wolves in the Throne Room could put out Celestite at the peak of their popularity, Blood Incantation can drop something like Timewave Zero at one of the peaks of its own renown.

Saturday | 02.26
What: Dinosaur Jr w/Pink Mountaintops
When: 7 p.m.
Where: Ogden Theatre
Why: Dinosaur Jr influenced more music than is generally taken into account and clearly an inspiration to the entire shoegaze movement of the 90s, all of alternative rock and even current psychedelic guitar bands from the more indie variety to those heavier. J. Mascis honed in on the tender feelings and angst people often shuffle aside trying to get through life and gave voice and dignity to feelings that many people would otherwise find shameful. Along the way Dinosaur Jr also managed to never release an album that wasn’t always surprisingly well crafted with imaginative guitar rock in a seemingly endless knack for reinventing the language of the instrument in the context of tasty hooks and evocative storytelling. And as a live band always intense yet seeming to tap into a daydreamy quality.

Saturday | 02.26
What: Denial Of Life w/Implied Risk, Moral Law and Ukko’s Hammer
When: 10 p.m.
Where: HQ
Why: Tacoma, Washington’s Denial of Life brings its thrash punk stylings to HQ for a late night set with local hardcore bands of similar spirit including the D-beat super group Ukko’s Hammer.

Best Shows in Denver October 2021

The Milk Blossoms perform at Titwrench on Sunday 10.03, photo by Cory Palencia
Muscle Beach circa 2018, photo by Tom Murphy

Friday | 10.01
What: Muscle Beach, Cheap Perfume and Mainland Break
When: 8 p.m.
Where: Hi-Dive
Why: This is a now rare opportunity to see Denver post-hardcore band Muscle Beach. Fitting somewhere in between noise rock, the aforementioned subgenre of punk and extreme metal, Muscle Beach also somehow manages to create an inviting rather than forbidding energy. Cheap Perfume’s strident and thrilling feminist punk anthems challenge tropes of punk and social convention equally with great energy and sass. Mainland Break’s jangle-y power pop is absolutely for fans of Franz Ferdinand and Nick Lowe with a perfect balance of homespun storytelling and burning off everyday frustration with fuzz-tinged melodies.

Saturday | 10.02
What: Franksgiving 2021: Ralph Gean, Little Fyodor & Babushka Band and The Pollution, DJ Don Bess
When: 9 p.m.
Where: Lion’s Lair
Why: The late Franklin Bell was a local character whose eccentric DJ nights were a hit with the local weirdo music cognoscenti. For several years he held an event called Franksgiving as a fundraiser for the Crohn’s and Colitis Foundation. With the relatively recent passing of Bell, his friend Little Fyodor has taken up the cause in Bell’s name and merch sales as well as proceeds from the evening will be donated to the aforementioned charity. If you show up you’ll get to see Denver rock and roll legend Ralph Gean, the über punk of Little Fyodor & Babushka Band (don’t go expecting another Ramones or Black Flag clone, this is weird, smart, eccentric stuff and as filled with attitude and as informed by existential anxiety as the best of the genre), the psychedelic punk of The Pollution and DJ Don Bess whose own bizarre choice of cuts for the evening will be decidedly different. Some of the city’s finest all on one bill and for a good cause.

Sol Vida Worldwide performs at Titwrench, image courtesy the artist

Sunday | 10.03
What: Titwrench 2021: Nacha Mendez (Santa Fe), The Milk Blossoms, Machete Mouth, My Name is Harriett (Colorado Springs) and Sol Vida Worldwide
When: 4-10 p.m.
Where: City Park Pavilion 2001 Steele St,
Why: The Titwrench Festival launched in 2009 as a means of shining a light on the creative efforts of marginalized groups beginning with the musical and art works of female identified folks and expanded to other groups including the 2SLBGTQIAP+ community at large and people of color and so on. While the curation has been thusly focused, the festival has always been all ages and inclusive and open to everyone to get to experience creative performances in a safe environment from people whose work isn’t always featured in the usual venues and rooms where you generally get to see live music. The current edition of the festival takes place on Sunday, October 3, 2021 from 4-10 p.m. at the Denver City Park Pavilion. The event will include educational workshops, dance parties, food from Maiz food truck (selling homemade Mexican cuisine) and a market featuring Witch Collective, a group of local artisans and herbalists. Also, this year Suzi Q. Smith will be the MC. Our recent podcast includes interviews with the event organizers (Sarah Slater, Michaela Perez and Katie Rothery) and members of all the performing artists including My Name is Harriet, Machete Mouth, Nacha Mendez, April (Axé) Charmane of Sol Vida Worldwide and Harmony Rose of The Milkblossoms which you can listen to on Bandcamp. For more information on the festival please visit titwrenchcollective.org.

Nacha Mendez performs at Titwrench, photo by M. Cordero
My Name Is Harriett performs at Titwrench, image courtesy the artist
Machete Mouth performs at Titwrench, photo by Tom Murphy circa 2021
The Shivas at the Gothic Theatre in 2013, photo by Tom Murphy

Monday | 10.04
What: The Shivas w/Rootbeer Richie & The Reveille and Honey Blazer
When: 7 p.m.
Where: Hi-Dive
Why: Since forming in 2006, Portland, Oregon’s The Shivas has developed a sound that incorporates elements of 60s psychedelic garage rock and pop but out of step with obvious trends. Its idiosyncratic songwriting style has always seemed to have more in common with the 90s indie pop and its emphasis on raw expressiveness and tapping into classic sounds and aesthetics as a vehicle for expressing timeless themes and universal human emotions with an intensity and artistry that feels vital and of the moment and not trying to recreate a previous era of music and culture. The band started making a name for itself in the American underground in the late 2000s but its breakthrough to a wider audience might be traced in the wake of the release of its 2013 album Whiteout! On the respected and influential label K Records. Heavy touring every year and a string of solid albums garnered the band a bit of a cult following when, in 2020, The Shivas, like many touring entities, had to effectively stop operations. The foursome had already written its next album and had to put plans on hold for any kind of release until the following year. During the first part of the pandemic and a de facto blackout of live shows happening, three fourths of the band worked with the unhouse population of Portland through a non-profit and took time to rethink and rework how the band would operate going into the future. In early 2021 the group released its latest album Feels So Good // Feels So Bad through Tender Loving Empire, a record that evokes the sense of urgency and uncertainty that all of us felt during the bleakest times of the 2020-2021 pandemic but which many of us poignantly felt prior to that global, and ongoing, health crisis. It is both a cathartic and comforting listen. Check out our interview with The Shivas on Bandcamp.

Indigo De Souza, photo by Charlie Boss

Monday | 10.04
What: Indigo De Souza w/The Slaps
When: 7 p.m.
Where: Globe Hall
Why: North Carolina-based singer and songwriter Indigo De Souza recently released her latest album Any Shape You Take on Saddle Creek in August 2021. Though its neo-soul and pop sound is somewhat stylistically different from her fantastic 2018 debut album I Love My Mom with its introspective, guitar pop songs it goes further into an approach of radical vulnerability in plumbing the depths of emotional trauma, self-doubt and the use of creativity as a path out of the darkest places of the mind. The gentle touch of the songs have an unconventional power through honoring wounded feelings with a compassionate honesty that informs the songwriting in general.

Tuesday | 10.05
What: Arlo Parks w/Michelle
When: 7 p.m.
Where: Globe Hall
Why: Arlo Parks’ debut album Collapsed in Sunbeams was one of the more anticipated releases of the past year. Her early EPs showcased a unique and soulful voice from an artist with a deft and easy wordplay that gave an added dimension to her jazz-inflected downtempo pop songwriting. Her performance video for Seattle’s KEXP recorded during the pandemic verified Parks’ self-possession as a performer capable of commanding attention within the coolly dynamic flow of the music.

Japanese Breakfast, photo by Peter Ash Lee

Friday | 10.08
What: Japanese Breakfast w/Luna Li
When: 8 p.m.
Where: Ogden Theatre
Why: With every album Michelle Zauner of Japanese Breakfast has seemed to take on powerful emotional challenges as almost an engine for her creativity. Psychopomp was written while her mother went through treatment for cancer, Soft Sounds From Another Planet was written in the wake of her mother’s death and seemed like a personalized science fiction story as an attempt to make a meaning of events for anyone listening in to her heartfelt sentiments and poetic exploration of inner space channeled into expansive and inventive art rock. Her latest album, Jubilee, is a departure from those first two records in being more overtly pop in the sense that writing a pop song with resonance and poignancy is a challenge and a way to remain focused on something that distills joy for at least a few moments of time with observations that express essential truths. The record has much in common with the great indie pop bands of the 90s and 2000s and how that music was ambitious and experimental in utilizing sounds and song dynamics that were out of step with what was popular but which has gone on to age well. 2021 has been a bit of a banner year for Zauner as it also marks the release of her powerful memoir Crying in H Mart. If you’re lucky enough to have an H Mart in or around your city and, perchance, have spent time in one the book has a special, tactile, cultural resonance that is difficult to fully appreciate without experiencing that gloriously pan-Asian market for yourself.

Friday – Saturday | 10.08 and 10.09
What: Convulse Records 3 Year Anniversary
When: 5:30 p.m.
Where: Aztlan Theater
Why: Hardcore label Convulse Records celebrates its three year anniversary with a two day festival at the historic Aztlan Theater where many a punk and underground music show took place in the decades leading up to the 21st century. The scheduled performers include Goon, Spine, Militarie Gun, Ingrown, Raw Breed, Discreet, The Consequence, Spy, Urban Sprawl, Faim, Entry, Big Laugh, Video Prick, Punitive Damage, Gel, Scowl, Closed In, Sweat, Cyst, Battlesex, Public Opinion, Direct Threat, MSPaint, Drill Sergeant, Yambag, Rash, Candy Apple, L.I.B., Blood Loss, Reality Complex and Asbestos. See set times below and keep in mind that with all festivals set times can be a little loose around the edges.

Saturday | 10.09
What: Grief Ritual album release w/Church Fire, Lost Relics and Dulled Arrows
When: 7 p.m.
Where: Hi-Dive
Why: Grief Ritual celebrates the release of its debut album The Gallows Laugh. The band’s blend of post-hardcore and extreme metal is threaded through with surprisingly uplifting melodies as contrasted with distorted vocals and fluidly heavy riffs. Also on the bill are sludge metal greats Lost Relics whose own 2021 album Now We’re Even dropped in April. Dulled Arrows is a bit of a departure from the heavy with its blend of math rock and Americana. Even more of a departure for this show is Church Fire and its revolutionary industrial dance synth pop.

Nation of Language, photo by Robin Laananen

Saturday | 10.09
What: Nation of Language w/Oko Tygra
When: 8 p.m.
Where: Lost Lake
Why: For its new album, A Way Forward due out on November 5, 2021 on PIAS, Nation of Language reached back to the roots of its sound to early pioneers of electronic pop and rock like Kraftwerk, Popol Vuh, Suicide and OMD. It also has the transformative sense of wonder mixed with nostalgia heard in the music of Tor Lundvall in the 90s as released on the 2019 compilation A Strangeness In Motion. So called minimal synth from the early 2010s was very much part of the emergent modern darkwave movement and Nation of Language has refined those sounds and impulses in a way that should also appeal to fans of Perfume Genius and Future Islands. Opening the show is the great, soulful dream pop band Oko Tygra who though clearly inspired in part by Cocteau Twins also bring an R&B sensibility to its lush and affecting guitar rock.

Saturday | 10.09
What: Supersuckers w/Reno Divorce and Luke Schmaltz
When: 7 p.m.
Where: Oriental Theater
Why: Supersuckers were part of that whole mess of the Seattle music scene explosion of the early 90s and benefited from that association but somehow survived the fallout of that collapse to become a beloved underground touring act for some 30 years now. Reno Divorce may be a roots punk band but its stories of everyday struggle hit deep and its spirited performances help drive that content home. Luke Schmaltz was and is the frontman for long running Denver punk legends King Rat and he brings a literary flair to his punk songwriting though for this show he’s going solo.

cleopatrick, photo by Tanner Pare

Monday | 10.11
What: cleopatrick w/Zig Mentality and Ready The Prince
When: 7 p.m.
Where: Bluebird Theater
Why: cleopatrick’s 2021 debut album BUMMER seethes with irresistible intensity. Like a hop-hop album written by guys who make music that sounds like they had to listen to Soundgarden and Sleaford Mods through blown out speakers growing up. The vocal cadence has that kind of flow and the burning, distorted, pulsing guitar work is almost like a sample in the way it is employed in the mix of sounds.

Cellista, image by Yellow Bubbles Photography

Friday | 10.15
What: Cellista PARIAH tour w/Zero Collective (LA) and Herpes Hideaway
When: 7 p.m.
Where: Mutiny Information Café
Why: Cellista returns with her latest album PARIAH which is a fairytale concept album of a sort. But it’s a fairytale about confronting injustice by daring to speak the truth even though rejection by one’s community is often inevitable with a long and uncertain road to vindication for refusing to accept the official version of events. In live performance Freya Cellista aims to break down the barrier of performer and audience with a collective experience of the music. The combination of classical music, pop and opera makes the type of creative work one often has to go to a fancy theater or art gallery to see accessible in a smaller setting like Mutiny.

Friday | 10.15
What: The Final Sound (Brooklyn) w/eHpH and Weathered Statues
When: 8 p.m.
Where: HQ
Why: New York’s The Final Sound brings its moody post-punk flavored dream pop to Denver in the wake of the release of its 2021 album Automata Theory. Fans of The Chamleons and Pink Turns blue will appreciate what The Final Sound have to offer. Weathered Statues is a post-punk band from Denver with a touch of punk brashness that gives the music an expansive momentum and pop flavoring. EhpH is one of Denver’s most interesting EBM/industrial bands even though its latest album, 2020’s Infrared, revealed a bit more than a passing gift for making brooding and deeply atmospheric post-punk.

Valley Maker, photo by Bree Burchfield

Friday | 10.15
What: Valley Maker w/Patrick Dethlefs
When: 8 p.m.
Where: Globe Hall
Why: Austin Crane was already writing thoughtful, delicately textured folk style songs on the 2010 self-titled debut Valley Maker album. But with the 2021 release of When The Day Leaves it’s like you’re getting to see those modest though sophisticated creative beginnings attain a full bloom with subtle layers of dynamics interlocking and resolving around rhythm of the poetic imagery of the lyrics. It’s a mastery of songcraft in this loose realm of songwriting that one hears in the work of Sam Beam where storytelling, elegant turns of phrase and delicacy of feeling work together with a nuanced evocation of life’s poignant moments strike you with power of gentle epiphany.

Saturday | 10.16
What: 100 Gecs
When: 8 p.m.
Where: Ogden Theatre
Why: 100 Gecs is, loosely and perhaps imprecisely speaking, an experimental pop duo from St. Louis whose sound combines noise, trap, industrial pop, EDM and video game music. The auto-tuned vocals and hyperkinetic yet chill production is the kind of thing that will alienate and outrage more conventionally-minded tastes which is why it’s interesting in the first place in flouting outdated notions of good taste. It is unabashedly its own thing which is why the group has garnered a cult following not just for the music but its non-gendered presentation as performers. If you thought people hated Riff Raff, this is weirder with stage personae that really do push the envelope in a creative way and thus culturally significant for that as well as pushing into hybrid musical territories in making something new and undeniably accessible and interesting if you’re open to the unfamiliar.

Monday | 10.18
What: Erykah Badu
When: 7 p.m.
Where: Mission Ballroom
Why: Erykah Badu is one of the pioneers of psychedelic neo-soul whose emotionally vibrant and deep songs have rightfully caught the attention of a wide audience since the late 90s after the release of her 1997 debut album Baduizm. Her gift for jazz idiom and poetry in the context of hip-hop and soul is second to none and her commanding live performances are always moving and worth witnessing.

Cradle of Filth, image courtesy the artists

Monday | 10.18
What: Cradle of Filth w/3TEETH and Once Human
When: 7 p.m.
Where: Ogden Theatre
Why: Cradle of Filth is currently touring and performing its 1998 album Cruelty and the Beast in its entirety. The concept album centered around the story of the 16th/17th century Hungarian countess Elizabeth Báthory. So go expecting the band’s usual theatrical, extreme metal bombast with some older fan favorites and perhaps some cuts from the group’s forthcoming album Existence is Futile.

Thursday | 10.21
What: Juliet Mission, Jacket of Spiders, Amalgam Effect
When: 7 p.m.
Where: HQ
Why: Juliet Mission is a trio that includes former and current members of classic Denver alternative rock band Sympathy F. Juliet Mission has less jazz elements than the latter and its music is more in vein with the great, gloomy, dark vibe of old Denver. Jacket of Spiders includes former members of Twice Wilted and Tarmints doing a more shoegaze-y and post-punk thing.

Kal Marks, photo by Greg Scranton

Sunday | 10.24
What: Kal Marks w/Moon Pussy and Tender Object
When: 7 p.m.
Where: Hi-Dive
Why: Kal Marks from Boston has been making some of the most scorchingly abrasive yet accessible noise rock this side of Big Black for over a decade all while mixing in haunting atmospherics and irreverent storytelling. The title of the group’s 2019 EP Let The Shit House Burn Down about summed up widespread frustration with the direction of American society and government. Did this band woodshed songwriting while listening only to releases on Amphetamine Reptile, Touch and Go and Siltbreeze before putting out any releases? Probably not but thankfully they sound like that was part of the creative process to shield musical instincts from the temptation to aim for appealing to tastes dullened by having become used to music that sounds tame and having gone through focus group meetings before being marketed as exciting when it’s anything but. Moon Pussy from Denver are a similar type of band with its own eruptive dynamics and emotional intensity coupled with scorching soundscapes.

Tuesday | 10.26
What: Lords of Acid w/Aesthetic Perfection, Praga Khan and MXMS
When: 6:30 p.m.
Where: Oriental Theater
Why: Lords of Acid is the Belgian industrial dance band whose overtly sexually themed songs are a hedonistic celebration of life and a repudiation of puritanical sensibilities and a-human hypocrisy. But even if that’s not completely your thing the songs are fun especially in the live setting when you don’t always know what frontman Praga Khan will get up to on stage all in the spirit of a good time. MXMS is the excellent dream pop/downtempo group from Los Angeles whose lush, sultry sound is reminiscent of MIA by way of Crystal Castles and Goldfrapp.

Snotty Nose Rez Kids, photo by Brendan Meadows

Wednesday | 10.27
What: Snotty Nose Rez Kids w/Lex Leosis
When: 8:30 p.m.
Where: Hi-Dive
Why: Snotty Nose Red Kids is a Canadian First Nations hip-hop duo whose production seems as dark as it is playful. Their songs suss out the corners of depression and alienation with sharp couplets that flow with a jagged yet sinuous flow. Currently the group is touring for its fourth full length album Life After.

Thursday | 10.28
What: Mr. Atomic w/Trash and Gila Teen
When: 7 p.m.
Where: Globe Hall
Why: Denver’s Gila Teen is what happens when punk and emo kids discover post-punk and manage not to go Goth yet embrace that emotional intensity as a vehicle for making honest art. Mr. Atomic from Fort Collins could be dismissed as yet another 2010s/2020s band that really hopped back on that retro 90s alternative rock revival bandwagon. But its energetic shows and strong songwriting makes such considerations irrelevant because if you band can bring it live that’s all that matters in making it something to recommend.

Tokyo Police Club, photo by Taylor Ohryn

Saturday | 10.30
What: Tokyo Police Club w/Pkew Pkew Pkew https://www.bluebirdtheater.net/events/detail/405233
When: 8 p.m.
Where: Bluebird Theater
Why: Tokyo Police Club got going in 2005 and benefited directly from the peak years of the music blog phenomenon from roughly 2006-2016. The band hit the sweet spot of a mix of influences that sounded like 90s indie rock like Cursive and Modest Mouse and the then still strong post-punk revival. What set the band apart from a steady stream of cookie cutter indie rock was its strong songwriting and thoughtful, insightful lyrics. This was perhaps best embodied in its first half decade by the 2010 album Champ which the 10th anniversary edition of which TPC announced at the end of 2020 and released in 2021. Opening the show are fellow Canadians Pkew Pkew Pkew and their brand of anthemic pop punk.

Saturday | 10.30
What: itchy-O Hallowmass w/J.G. Thirlwell
When: 8 p.m.
Where: Summit Music Hall
Why: itchy-O is the experimental, maximalist electronics and rhythm mobile orchestra that has graced Denver, Colorado and worldwide stages for over around a decade. It’s performance art as much as music though both can be enjoyed independently, which is why itchy-O is still interesting and not an inspired gimmick, as the collective has evolved all aspects of its show and recordings from launch. It’s a bombastic and unforgettable spectacle everyone should get to see. Opening the show is legendary producer and influential industrial artist J.G. Thirlwell whose project Foetus helped to pioneer and develop the industrial and noise genres at the beginning of the 1980s. He has been involved in other people’s records for decades including a fascinating collaboration with Zola Jesus for her 2013 remix album Versions.

Best Shows in Denver August 2021

Princess Dewclaw (here performing at Wax Trax, April 2021) performs at The UMS on August 28

With live music coming back, we’ll see how robustly with the delta and other variants of the pandemic, we’re picking back up with listing some events that might be of interest to readers. Rather than a weekly show listing, this will be a monthly thing with highlights. If things pick up more in 2022 and 2023 maybe more events will be included once the pandemic ends but for now keeping things minimal.

King Crimson, photo by Dean Stocking

Monday | August 2, 2021
What: King Crimson w/The California Guitar Trio
When: 7 p.m. (6 p.m. doors)
Where: Fiddler’s Green
Why: Since the its 1968 inception, King Crimson has been an innovative rock band whose imaginative blend of avant-garde jazz, classical music, folk and emergent musical ideas and styles across decades has garnered more than a mere cult following. Its 1969 album In The Court of the Crimson King has remained a highly influential work on progressive/art rock to this day. Certainly King Crimson’s music has the feel of composed for an orchestra but there is also a spontaneous spark to the music that has kept its songs fresh well after the first wave of progressive rock ended in the early 80s. The dramatic arrangements, intense yet fluid dynamics and fine emotional nuance of the songwriting demonstrates the inner workings of a band that is not, as is presumed with any band associated with the concept of progressive rock, on technique for its own sake so much as on the impact of the music which superior technique can lend a broad musical palette. Legendary guitarist Robert Fripp is the group’s sole original member and in addition to King Crimson, Fripp has performed on albums by, among many others, David Bowie and Brian Eno. Also on this tour the line up with include bassist/Chapman Stick player Tony Levin. Since the early 80s, Levin has regularly brought his own brand of musical imagination to King Crimson having been introduced to Fripp through working with Peter Gabriel and who has also been a prolific studio and live musician whose work can be heard in work by Tom Waits, Buddy Rich, Pink Floyd, Lou Reed, Laurie Anderson as well as David Bowie. With the recent renewed interest in progressive rock seeing one of the pioneers in this incarnation with Fripp, Levin, Mel Collins, Pat Mastelotto, Gavin Harrison, Jakko Jakszyk and Jeremy Stacey is a fine chance to witness one of the movements great live bands. In the coming days we will publish our interview with Levin and link that here when it’s live.

Friday | August 6, 2021
What:
NNAMDÏ w/Fresh Fruit!
When: 9 p.m. (8 p.m. doors)
Where: Globe Hall
Why: Nnamdi Ogbonnaya is a songwriter and multi-instrumentalist whose broadly eclectic songwriting and performance style has meant he is pretty much impossible to pigeonhole. One dub it the clumsily broad term indie rock but the execution is is often so unconventional and strange that it might be considered psychedelic and an amalgam of all of that with jazz and non-Western musical styles. But he manages to make it coherent and a product of his rich imagination that weaves together daydreams, surreal fantasies, social commentary and contemplation of the nature of human existence and his own place in it without really trying to impose answers to the questions he poses. Start anywhere with his catalog, it’s all wonderfully strange and accessible. Live, he performs with a paradoxical theatrical authenticity that can be off-putting for someone expecting their musicians to be not nearly as physically expressive. The band called NNAMDÏ is also opening for Sleater-Kinney and Wilco at Red Rocks the following Tuesday, August 10.

Saturday | August 7, 2021
What: Big Dopes w/Amazing Adventures and Luna Nunez
When: 9 p.m. (8 p.m. doors)
Where: Lost Lake
Why: Big Dopes’ 2019 album Crimes Against Gratitude was simply one of the most meaningful records out of the realm of indie rock and power pop that year. With tastefully fuzzy melodies the band’s poignant and touchingly poetic lyrics stripped bare the pretense that coats too much modern popular music. This is the band’s first live show since the beginning of the pandemic.

Small Black, photo by Caroline Mathis

Tuesday | August 10, 2021
What: Small Black and Korine
When: 8 p.m. (7 p.m. doors)
Where: Marquis Theater
Why: As the modern roots of chillwave were congealing into a cohesive musical aesthetic, Small Black was there playing DIY spaces and small clubs in the late 2000s. Its visceral performances paired with transportingly gorgeous, freeflowing song dynamics gave the band an appeal that transcended any trend from early on. Its latest album Cheap Dreams finds the band using its fine tuned crafting of electronic pop songs to suss out, identify, feel fully and process feelings most of us have felt this past decade of needing to settle for a cheapened sense of our own life’s horizons as if those are the only options open to us. It can be a crushing realization and there is a bit of that in these songs too but also a sense of hope and resistance to this death before death if we can be bold enough to cast aside conventional wisdom and cultivate a deep sense of affection for ourselves and others as a bulwark to the narratives that get us to erode our own power. Korine is a great partner for this bill because its own flavor of dream pop evokes a similar sensibility but in a way that might appeal to fans of recent darkwave artists like Choir Boy and Lebanon Hanover. Its 2020 album The Night We Rise sounds beautifully like a musical postcard from 1985 synth pop via Russian post-punk and 2000s electronic artists like Robyn.

Tuesday | August 10
What: Sleater-Kinney and Wilco w/NNAMDÏ
When: (6 p.m. doors)
Where: Red Rocks
Why: Sleater-Kinney and Wilco are two of the most influential and most interesting bands that came out of the mid-90s, both having formed in 1994. S-K came up in the musical milieu of the Pacific Northwest in the context of K Records, Kill Rock Stars, Mr. Lady Records, Chainsaw Records, Riot Grrrl, the International Pop Underground festival, around artists like Unwound, Bikini Kill, Bratmobile, Wipers, Mecca Normal and all of that great ferment of ideas and music of that time. Its early albums dared to imagine a present and a future in which feminist ideas their critique of culture and society was the norm and not something to resist and grounded in lived experience expressed straight from the heart. Though the band has experimented and refined and expanded its sound the base line of compassion and honesty has kept the band from waxing into a more watered down version of itself. Its 2021 album Path of Wellness expands on the electronic textures and soundscapes that made The Center Won’t Hold (2019) so evocative. Wilco emerged out of Chicago, Illinois when alternative country band Uncle Tupelo split and Jeff Tweedy continued in a similar musical vein that he and the rest of the band have evolved in fascinating ways every since to the point that it would make as much sense to refer to Wilco as alternative county as it would to call Beck indie folk. Wilco’s big breakthrough creatively and commercially came with the release of its 2001 opus Yankee Hotel Foxtrot wherein its embrace of production and processed sounds as part of its core of songwriting resulted in a classic of modern pop music that rewards repeated listens some twenty years onward. Both Sleater-Kinney and Wilco have also managed to remain powerful live acts as well and getting to see modern experimental pop weirdo NNAMDÏ is just a bonus.

Oko Tygra at Boulder Theater in 2017, photo by Tom Murphy

What: Voight w/Oko Tygra and Chuch Fire
Where: HQ
Why: If you were to try to put together a bill of the three of the best, most representative bands of Denver’s darkwave/post-punk/dream pop scene, such as it is, you couldn’t do better than this. Voight’s intense, noisy, industrial-tinged shoegaze is always surprisingly gritty and moving. Oko Tygra’s refined emotional colorings and R&B inflected dream pop never fails to captivate. Church Fire somehow makes pointedly poetic socio-political commentary deeply emotional, personal and swirling with dreamy production and powerful dance rhythms.

Thursday | August 12, 2021
What:
Radkey
When: 8 p.m. (7 p.m. doors)
Where: Marquis Theater
Why: Radke is a garage rock trio of four brothers Isaiah, Solomon and Dee Radke from St. Joseph, Missouri. Slapping a genre tag on the band, though, doesn’t do it justice and these guys have been called proto-punk and psychedelic rock as well. But its hard hitting rock and roll the brothers Radke play with an undeniable conviction and flair that is undeniably effective.

Oblio Duo in 2006, Steven Lee Lawson on right, photo by Tom Murphy

Thursday | August 19, 2021
What: Steven Lee Lawson with The Dark Wolf Rises Band album release w/Doo Crowder and Disinherited
When: 8 p.m.
Where: Hi-Dive
Why: Steven Lee Lawson recently released his 2021 self-titled album on Snappy Little Numbers. Lawson played music for years in Denver and elsewhere and his thoughtful lyrics and poetic commentary on human existence with a particular knack for giving form to frustrations, despair, joy, affection and excitement have always made his work noteworthy. But Lawson took seemingly several years off playing music because it can be an unrewarding grind in so many ways with not nearly enough rewards for innovators and those with something unique and interesting to say. Whether in art rock band Zubabi, Americana groups Oblio Duo and Los Dos and the New American Ramblers or even Ross Etherton and the Chariots of Judah, Lawson really brought some passion and creativity to his bands. The self-titled album is an extension and evolution of the songwriter’s prior work and one in which he seems to illuminate and clarify aspects of American culture the past several years that have seemed confusing or tangled. If you go to this show you also get to see Doo Crowder who is like a modern day Harry Nilsson.

Tuesday | August 24, 2021CANCELLED
What: The Residents
When: 8 p.m. (7 p.m. doors)
Where: Bluebird Theater
Why: The Residents are a legendary multimedia and avant-garde band whose membership is largely unknown since they started recording and performing under that name in the early 70s. The group’s music and history is storied and fairly well documented for those curious but lest the designation of avant-garde tuns anyone off, The Residents’ music has almost ways been pretty accessible and an experiment with the format of popular music and the experiments coming in with specific sounds used and the content of the music—the lyrics, the visual style, the presentation, the experience of what’s been created. The band has been on the forefront of multimedia performances, set and costume design, video releases, what one might even deem early alternate reality games involving a concept that informed an album and even blurring the line between it all. The Residents’ cover songs by artists like The Beatles, The Rolling Stones, James Brown, Elvis Presley and numerous others as well as unusual takes on traditional folk songs are something that simply must be heard to fully appreciate how strangely brilliant the interpretations. In recent years the band has been touring more widely and it appears that this tour is in support of the 2020 album Metal, Meat & Bone – The Songs of Dyin’ Dog.

Gila Teen at Lion’s Lair in 2019, photo by Tom Murphy

Saturday and Sunday | August 28 and 29
What: Glasss Records Stage at the UMS
When: 11 a.m. to 9 p.m. and 11 a.m. to 7 p.m.
Where: Mutiny Information Café
Why: The Underground Music Showcase is a sprawling affair and returns in 2021. There may be many fine performances to catch but the best bet to find acts that aren’t playing a bunch of clubs because they are just that underground and likely not to see at many DIY spaces since there aren’t many of those anymore is to spend some time at Mutiny Information Café throughout the day and evening on Saturday and Sunday, August 28 and 20 for the Glasss Records Stage. Not all of the artists are on the local independent imprint but all fit in with the label’s cultivation of various sides of the local experimental music scene. So you can catch the heartfelt post-punk emo of Gila Teen, Princess Dewclaw’s gritty industrial, feminist punk, Blackcell’s maximalist minimal industrial synth noise, R A R E B Y R D $’s soul wrenching/soothing ambient hip-hop, the colorful and imaginative glitchore of Morlox and Kid Mask, the noisy, psychedelic hip-hop of Joohs Up, Shocker Mom’s tender and daydreamy soundscapes, Gort Vs. Goom’s weirdo prog-punk-art rock and numerous other artists. Can’t go wrong no matter when you check in. Pluse it’s at Mutiny so you can get something to drink that isn’t alcoholic and pick up a book you’re not expecting to find, a fine selection of comics, find a record not everyone has on their shelves and maybe even play pinball. The choice pick of the entire festival. Tentative (because day of show things always seem to change) schedule included below.

Queen City Sounds and Art Best Albums of 2019

All Your Sisters | Trust Ruins

This best of list was intended for publication in 2020 and parts of the entries with comments were published in my year end best list for the print edition of Birdy magazine in Denver for the December 2019 issue. The full best of list is presented here with those short reviews included with the appropriate album and the rest included without comment and several album covers shared as well. The album of the year was All Your Sisters’ Trust Ruins (listed first) because it encapsulated the mood of the year and the band put on one of the best shows of 2019 and the record felt like a leap forward in style and execution for the band. Soon I’ll publish the full best of 2020 list too in a similar format with the commentary for those items that made it into the print edition of Birdy for December 2020.

All Your Sisters | Trust Ruins | The Flenser
A brutal, maximalist summation of the turmoil, conflict, sense of chaos and confusion, rage and frustration and overwhelming flood of negative input from world and societal events of the previous few years. In articulating those feelings and experiences and more alone as powerfully as it does, this album by All Your Sisters transcends genre by providing an example of how industrial and darkwave music can burst beyond established conventions with the sharp-edged and precise percussion framing and channeling the fiery energy at the core of the songwriting.

Adia Victoria | Silences | Atlantic

Adrianna Krikl | Celestial | Self-released

Aldous Harding | Designer | 4AD

Alex Cameron | Miami Memory | Secretly Canadian

Altas | All I Ever Wanted Was | Self-released
A lush deepening of the band’s sweeping, cinematic aesthetic.

Anamanaguchi | [USA] | Polyvinyl

Andre Cactus | Dune Juice | Multidim Records

Andy Stott | It Should Be Us | Modern Love

Angel Olsen | All Mirrors | Jagjaguwar
Poignantly dreamlike examination of identity in an age of universal scrutiny.

Bestial Mouths | INSHROUDSS | Rune & Ruin

Bellhoss | Geraniums | Self-released
Buoyant, lo-fi slowcore love songs for inner awkward nerd.

Bethlehem Steel | s/t | Exploding in Sound
The utter exorcism of oppression through bursts of melodic/atonal poetry.

Big Dopes | Crimes Against Gratitude | Self-released
Captivating indie pop earworm vingettes of American malaise and hope.

Big Thief | U.F.O.F. / Two Hands | 4AD

Bison Bone | Take Up the Trouble | Self-released

Black Belt Eagle Scout | At The Party With My Brown Friends | Saddle Creek

black midi | Schlagenheim | Rough Trade Records
A primer for the new avant-guitar rock revolution.

Black Mountain | Destroyer | Jagjaguwar

Blanck Mass | Animated Violence Mild | Sacred Bones

Blood Incantation | Hidden History of the Human Race | Dark Descent

Boy Scouts | Free Company | ANTI-

Briffaut | A Maritime Odyssey: Heaven is Only a Boat Race Away | GROUPHUG

Calexico and Iron and Wine | Years to Burn | Subpop

Cat Tyson Hughes | Gentle Encounters With Things | Self-released
Ambient, aural snapshots of memory fragments from the hypnogogic state.

Cau5er | The Tower | Self-released

Ceremony | In the Spirit World Now | Relapse Records

Chastity Belt | Chastity Belt | Hardly Art

Cheap Perfume | Burn It Down | Snappy Little Numbers

Chella and the Charm | Good Gal | Self-released

Chelsea Wolfe | Birth of Violence | Sargent House

Chimney Choir | (light shadow) | Self-released

Chromatics | Closer to Grey | Italians Do It Better

clipping. | There Existed an Addiction to Blood | Sub Pop

Consumer | In Computers | The Flenser

Control Top | Covert Contracts | Get Better Records

Cop Circles | Vacation for Hurt | Self-released
Subversive, Laurie Anderson-esque, New Age, No Wave send-up of corporate seminar jingles.

Cosey Fanni Tutti | Tutti | Conspiracy International
Heavy and hypnotic industrial rave autobiography through sound.

Curse | Metamorphism | Fake Crab Records
Eight, powerful, darkwave, prophetic warnings of our potential future.

Danny Brown | uknowhatimsayin¿ | Warp Records
Relentlessly inventive beats and tragicomedic, self-immolating swagger, sci-fi autobiography.

Davi Valois | Bátraquio | Space Cow Music

Deafkids | Metaprogramação | Neurot Recordings
Immersive, ambient-industrial death grind.

Doo Crowder | One For the Losers (& Other Pilgrims) | Self-released
The greatest art pop record since the death of Harry Nilsson.

Dog Basketball | s/t | Self-released

Drab Majesty | Modern Mirror | Dais Records
Moodily heartbreaking deep dive into the essence of love, memory and beauty.

Drowse | Light Mirror/Second Self | The Flenser

Dude York | Falling | Hardly Art

Earl Sweatshirt | FEET OF CLAY | Tan Cressida

Elizabeth Colour Wheel | Nocebo | The Flenser
Majestic, urban-tribal, noise-sludge dream psych.

Empath | Active Listening: Night On Earth | Get Better Records

Entrancer | Downgrade | Multidim Records

Ex Hex | It’s Real | Merge Records
Cosmic New Wave power pop gems beginning to end.

Facs | Lifelike | Trouble In Mind

FEELS / Shannon Lay | Post Earth / August | Wichita / Sub Pop

FM Cubgod | Handsome? | Self-released

Foxes in Fiction | Trillium Killer | Orchid Tapes

Frankie Cosmos | Close It Quietly | Sub Pop

French Kettle Station | Over X Millennia | Self-released
Retro-furturist, New Age pop shade jams on contemporary wack culture.

Future Sound of London | Yage | Fsol Digital

Gila Teen | Doesn’t | Self-released

Glissline | Digital Bipolarism | Multidim Records

Gold Trash | Quiet Violence | Glasss Records
Collage glitch industrial hip-hop daggers into misogynist culture.

Goon | Natural Evil | Convulse Records

Guerilla Toss | What Would The Odd Do? | DFA
Mind-altering, subtropical, disco punk dance pop.

Guidon Bear | Downwardly Mobile: Steel Accelerator | Antiquated Future Records

Gun Street Ghost | Battles | Self-released

Half Shadow | Dream Weather Its Electric Song | Illusion Florist

Haunted Horses | Dead Meat | SIXWIX

Have a Nice Life | Sea of Worry | The Flenser

HEALTH | Slaves of Fear Vol. 4 | Loma Vista Recordings

HIDE | Hell is Here | Dais Records

Holly Herndon | Proto | 4AD

HTRK | Venus In Leo | Ghostly International
Love songs from downtempo dance clubs in the future urban decay.

Jamila Woods | Legacy! Legacy! | Jagjaguwar

Jenny Hval | The Practice of Love | Sacred Bones

Kal Marks | Let the Shit House Burn Down | Exploding in Sound

Kid Mask | dead sore(s) | Self-released
Dispatches from the industrial glitch techno hard rave revolution.

Kim Gordon | No Home Record | Matador Records
Scathing jazz cool poetry set to hip-hop-inflected noise.

Kristin Hersh | Possible Dust Clouds | Fire Records

Kyle Emerson | Only Coming Down | Swoon City Music

Larians | Looming Boy EP | Self-released
Loneliness and isolation distilled as shimmering IDM nuggets.

Legendary Pink Dots | Angel in the Detail | Metropolis Records
A brilliant synthesis of classical sonic architecture, emotionally charged ambient and deep social critique.

Lightning Cult | EP 2: Ether Waves | Cloud Command Sound

Lingua Ignota | Caligula | Profound Lore
Caustic, industrial fusillade against patriarchal fragility.

Lisa Prank | Perfect Love Song | Father/Daughter Records

Little Fyodor | Pithy Romantic Ballads | Self-released
Arch punk cynic and curmudgeon begrudgingly admits affection and survives.

Lot Lizard | s/t | Different Folk Records

Lower Dens | The Competition | Ribbon Music

Malibu Ken | s/t | Rhymesayers

Mannequin Pussy | Patience | Epitaph

Mdou Moctar | Ilana: The Creator | Sahel Sounds
Intricate African prog suffused with the joy of the creative act.

Moon Pussy | Band Meating | Self-released
Eruptive, searing, angular, anti-pop exorcisms.

Muscle Beach | Charms | Sailor Records

Necropanther | The Doomed City | Self-released

New Standards Men | Field Recordings From Late Capitalism Vol. 10 | Self-released

No Gossip in Braille | Bend Toward Perfect Light | Cercle Social Records
The transmogrification of sorrow into transcendent melodies.

NoSwoon | s/t | Substitute Scene Records
Effervescent yet introspective dark wave synth pop.

Nots | 3 | Goner Records

Nuancer | I Hardly Know Her | Self-released

Obtuse | Who’s Askin’? | Self-released
Gloriously earnestly meaningful, off-the-cuff, utterly unpretentious pop punk.

Oh, Rose | While My Father Sleeps | Park The Van

Oko Tygra | Assistoma | Grey Market Records
Masterfully executed emotionally stirring downtempo dream pop.

Old Time Relijun | See Now And Know | K Records

Orbit Service | The Door to the Sky | Self-released

Pedestrian Deposit | Dyers’ Hands | Monorail Trespassing
The sonic analog of places we don’t want to visit but are drawn to anyway.

Pharmakon | Devour | Sacred Bones

Pinkish Black | Concept Unification | Relapse Records

Pile | Green and Gray | Exploding in Sound
Furiously poetic, orchestral and thoughtful blueprint for arty, noisy post-punk to come.

Plaid | Polymer | Warp Records

Pop. 1280 | Way Station | Weyrd Son Records

POW! | Shift | Castle Face Records

Priests | The Seduction of Kansas | Sister Polygon

Redwing Blackbird | Too Klaus For Comfort | Self-released

Rowboat | Birchwood Halls | Self-released

Secret Shame | Dark Synthetics | Portrayal of Guilt Records

Sheer Mag | A Distant Call | Wilsuns Recording Company
Modern blues punk’s equivalent of Judas Priest’s Stained Class.

She Past Away | Disko Anksiyete | Metropolis Records / Fabrika Records

ShitKid | DETENTION | PNKSLM Recordings

Silence in the Snow | Levitation Chamber | Prophecy Productions

Sleaford Mods | Eton Alive | Extreme Eating Records

Sleater-Kinney | The Center Won’t Hold | Mom + Pop

Slugger | Is Real | Self-released

Sole & DJ Pain 1 | No God Nor Country | Black Box Tapes

somesurprises | s/t | Drawing Room Records

Spirettes | Esoteria | Self-released
An ethereal distillation of deep yearning and determination.

SRSQ | Temporal Love/Unkept | Dais Records

Stonefield | Bent | Flightless

Strange Ranger | Remembering The Rockets | Tiny Engines

Studded Left | Popular Intuition | S/L INTNL.
Psychedelic post-punk portraits of life and love in our dystopic USA.

Summer Cannibals | Can’t Tell Me No | Tiny Engines

SunnO))) | Life Metal and Pyroclasts | Southern Lord

Swans | leaving meaning. | Young God

Tacocat | This Mess Is A Place | Sub Pop

Telefon Tel Aviv | Dreams Are Not Enough | Ghostly International

The Coathangers | The Devil You Know | Suicide Squeeze

The Hecks | My Star | Trouble In Mind Records

The Ocean Blue | Kings and Queens / Knaves and Thieves | Korda Records

The Paranoyds | Carnage Bargain | Suicide Squeeze

The Stargazer Lilies | Occabot | Rad Cult

The Twilight Sad | It Won/t Be Like This All the Time | Rock Action
The sound of a valiant struggle against existential failure.

The Vanilla Milkshakes | Punching Cows | Self-released
Humorous and heartfelt pop grunge odes to perpetual outsider status.

Total Trash | Field Guide | Self-released
Melancholic, post-psychedelic, slowcore, glitter jams.

Turvy Organ | The Ghost at the Feast | GROUPHUG

Tyler The Creator | Igor | Columbia
Dense, gritty, hazy beats and meta-exploration of identity as human and artist.

We Are Not a Glum Lot | The Price of Simply Existing | Self-released
Gripping, emo-inflected, math-y, post-punk bummercore.

Weeping Icon | s/t | Fire Talk
Cathartic, thorny, darkwave doom garage.

Whipporwill | The Nature of Storms | Self-released

Wreck and Reference | Absolute Still Life | The Flenser

Xeno & Oaklander | Hypnos | Dais Records
Heavy/heavenly techno for the dance club on Mount Olympus.

Xiu Xiu | Girl with Basket of Fruit | Polyvinyl

Zealot | The Book of Ramifications | Self-released

Best Shows in Denver 01/03/20 – 01/07/20

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Eyebeams It Means Trouble cover. Eyebeams performs at Rhinoceropolis on January 4, 2020

Friday | January 3

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R A R E B Y R D $, photo by Tom Murphy

What: Day of Jubilee: R A R E B Y R D $
When: Friday, 1.3, 6 p.m.
Where: The People’s Building
Why: Day of Jubilee is a First Friday event at The People’s Building in Aurora, Colorado. Tonight’s proceedings include live music at 7 p.m. with R A R E B Y R D $. R A R E B Y R D $ is a hip-hop group from Denver. Its two MCs, Key~Lady and KoKoLa, combine swagger and soul, inspiration and heartbreak into an alchemical musical experience. Their beats bring together gangsta rap’s mastery of bass sculpting, exploratory synth experiments and hazy, hypnotic drones with organic, Afro-Cuban rhythms. R A R E B Y R D $ ranges widely in the subject matter of its lyrics from the playfully earthy to the emotionally deep and transcendent but always with the spirit of inviting you into that private world with a welcoming emotional intimacy rare in a live performance.

What: Joshua Trinidad Trio (Joshua Trinidad, Joe Wirtz and Gordon Koch)
When: Friday, 1.3, 5:30 p.m.
Where: Spangalang Brewery
Why: Joshua Trinidad and his trio typically blast mind-altering free jazz with spirited play and great musical chemistry stirring the emotions to elevated levels.

What: Jacket of Spiders, Terminals, Lux Hearse, Denizens of the Deep
When: Friday, 1.3, 9 p.m.
Where: Tennyson’s Tap

Saturday | January 4

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Church Fire (pictured: Shannon Webber), photo by Tom Murphy

What: Eyebeams album release w/96 Ponies, Vampire Squids From Hell and Slugger
When: Saturday, 1.4, 9 p.m.
Where: Rhinoceropolis
Why: Eyebeams is releasing its second album It Means Trouble. The bright, languid psychedelia of the record ranges far from what we’ve come to expect from that loose genre of the past decade. It’s as though lead vocalist/guitarist Suzi Allegra absorbed all the influences that have manifested in recent music but long before when she was growing up and used it as a launching point into emotional outer space. The songs seem to explore issues of anxiety, fears, existential frustrations, feeling perpetually dreaming and wishing rather than doing and ending on a note of learning to calm the mind as a place from which to figure out what you really feel, what you really want and maybe how to actually get there.

What: Bands Against the Ban: Church Fire, Married a Dead Man, Hate Minor and Rebel Girl Productions
When: Saturday, 1.4, 7:30 p.m.
Where: Oriental Theater
Why: Since members of the Senate are trying to have Roe Vs. Wade revisited with aims of overturning legal abortion in a country not actually founded by the Christian version of the Taliban, it will be necessary for people to voice their desire not to live in Medieval Europe again. And this show featuring some of Denver’s most interesting bands is a benefit in the struggle against the forces of reaction. This event is a benefit for Planned Parenthood Votes Colorado and was organized by Megan Kelley of darkwave band Married a Dead Man and David Pereira of noise rockers Hate Minor. Local experimental dance/darkwave band Church Fire will headline and embody a spirit of resistance with its own music and burlesque troupe Rebel Girl Productions will bring its own performance unique in that realm of expression as well.

What: Redivider album release w/Coastal Wives, Corsicana, False Report
When: Saturday, 1.4, 8:30 p.m.
Where: Larimer Lounge

What: Helleborus w/Amdusias, Belhor and Throne
When: Saturday, 1.4, 7 p.m.
Where: Globe Hall

What: Dovekins reunion w/River Arkansas and Shenandoah Davis
When: Saturday, 1.4, 7 p.m.
Where: Mercury Café

Sunday | January 5

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Sliver, photo by Tom Murphy

What: Caustic Soda, Feeling Old (WA), Broken Lawn Chairs and Sliver
When: Sunday, 1.5, 7 p.m.
Where: Seventh Circle Music Collective
Why: Sliver’s Chris Mercer wanted to revisit his folk punk roots “not shit like Andrew Jackson Jihad, Pat the Bunny or Camper Van Beethoven, the good shit like Days N’ Daze.” Fortunately his bandmates convinced him that playing with Boulder-based noise punk band Caustic Soda, folk-inflected indie rock punks Feeling Old from Seattle and Broken Lawn Chairs, an actual folk punk band, from Castle Rock. Sliver fortunately won’t torture us with Mercer’s idea of what “real” folk punk sounds like and might actually be enjoyable this time too.

Monday | January 6

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Equine, photo by Tom Murphy

What: lovelesslust w/Equine and Gila Teen
When: Monday, 1.6, 7 p.m.
Where: Lion’s Lair
Why: loveless lust is a mix of synth pop and industrial and thus a good fit with two bands from Denver that don’t fit neatly into any musical milieu either. Gila Teen is the hybrid sad boy post-punk/emo band we all need in the world right now.

What: The King Khan & BBQ Show w/Colfax Speed Queen
When: Monday, 1.6, 8 p.m.
Where: Larimer Lounge.

Tuesday | January 7

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King Khan, photo by Miron Zownir

What: The King Khan & BBQ Show w/Colfax Speed Queen
When: Tuesday, 1.7, 8 p.m.
Where: Larimer Lounge
Why: King Khan has been making psychedelic garage rock and evolving the art form since before it became hip again and again in the 2000s from back when he was a member of The Spaceshits in Kukamongas in the late 90s. With The King Khan & BBQ Show he and fellow Spaceshit Mark Sultan blended doo wop and garage punk and were in the same circles of likeminded acts Black Lips. Khan has also been involved in King Khan & The Shrines, but the BBQ show is like some late 60s psychedelic soul revue updated for the modern era. Denver-based Colfax Speed Queen will be a great pairing with its own electrifying live show of noisy psychedelic punk.

Best Shows in Denver and Beyond 11/21/19 – 11/27/19

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Lisa Prank performs at Hi-Dive on November 24. Photo circa 2016 by Tom Murphy

Thursday | November 21

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Wilderado, photo by Grant Spanier


What: Zeta (Venezuela), Clarion Void, Disposal Notice, Its Just Bugs
When: Thursday, 11.21, 9 p.m.
Where: Rhinoceropolis
Why: Venezuelan band Zeta has been developing its experimental hardcore sound since 2003. It’s sound is a parts progressive rock and punk but in a way that’s expressive and moody while not sacrificing the intensity. Currently touring in support of its 2019 album Mochima.

What: Mt. Joy w/Wilderado and Adam Melchor
When: Thursday, 11.21, 7 p.m.
Where: Ogden Theatre
Why: Wilderado’s new single “Surefire” sounds wistful and nostalgic in a way that allows for words to develop into an introspective narrative that blooms into an expansive melody alongside the story. Reminiscent of the way The War On Drugs echoes some of the vibe of Bruce Springsteen’s reflective, diary-like lyrics, this offering from the band builds on the atmospheric experiments of its 2018 EP Favors with more electric instrumentation and a more immersive sound without compromising the group’s use of space as a canvass for its emotional colorings.

Friday | November 22

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Married a Dead Man, photo by Ana Irene Valdes-Behrens

What: Married a Dead Man w/False Report, Dead Characters
When: Friday, 11.22, 8 p.m.
Where: Goosetown Tavern
Why: Denver’s Married a Dead Man is releasing its second album Awakening this night. The group’s sound might be described as somewhere between Xmal Deutschland’s wiry, urgent, dark atmospherics and modern pop melodies. The new set of songs, no doubt honed from live performances, are not just bandwagon new post-punk revival and darkwave. At times Megan Kelley’s performance and songwriting chops from her time as a solo artist infuse the songs with a warmth and coherence that gives the music a broader range than the genre of late can sometimes have with songs like “Burn” having a massive, expansive, dramatic dynamic that stretches the boundaries of what one might this band is capable of at first blush. Worth delving into beyond a casual listen.

What: Wildermiss w/Slow Caves
When: Friday, 11.22, 8 p.m.
Where: Bluebird Theater
Why: Wildermiss is a Denver-based indie rock band that is probably on the verge of much wider circles than simply relatively successful local band status. Its new EP In My Mind captures the spirit of our time now of great contrasts of emotional states and expectations, a mixture of fear and hopefulness that most people are experiencing due to the state of the planet, politics, culture and economics. We stand on the precipice of disaster and promise of a better future if we do not lack the will to make it happen. In My Mind expresses that tension well across its length.

What: Briffaut, Down Time and Inaiah Lujan
When: Friday, 11.22, 8 p.m.
Where: Hi-Dive
Why: Briffaut’s new album A Maritime Odyssey: Heaven is Only a Boat Race Away is a nice capsule of this band’s idiosyncratic songwriting. Fans of both King Krule and Deerhunter will find something to love about the band’s lush and unpredictable song structures and raw, emotional swells of tone and a disregard for whether a song or style or performance fits in with some established aesthetic outside its own. Too much music in the indie world is boringly predictable. Not just the indie world. Imitators of milquetoast artists and already successful formulas are rife in music now as at all times since popular music has been a thing. Thankfully Briffaut and its willingness to embrace its own weirdness has been intact since the beginning and gloriously so on the new album of imaginative soundscapes, completely unconventional songwriting and the ability to utterly transport us outside our usual frames of musical reference.

What: King Diamond w/Uncle Acid and the Deadbeats and Idle Hands
When: Friday, 11.22, 6 p.m.
Where: Fillmore Auditorium

What: Faim, Tuck Knee, Gack
When: Friday, 11.22, 8 p.m.
Where: Mutiny Information Café

What: Atomga w/Dandu, Spellbinder and DJ Yahru
When: Friday, 11.22, 8:30 p.m.
Where: Ophelia’s Electric Soapbox

What: False Cathedrals, Gila Teen, How to Think and Wolf Larva
When: Friday, 11.22, 8 p.m.
Where: Glitter City

What: Sour Boy, Bitter Girl and Dirty Shrines
When: Friday, 11.22, 8 p.m.
Where: The Squire Lounge

What: Broncho w/Hot Flash Heat Wave and Rinse & Repeat
When: Friday, 11.22, 7:30 p.m.
Where: Globe Hall

Saturday | November 23

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Blood Incantation, photo by Tom Murphy

What: Blood Incantation w/Vermin Womb, Dreadnought and Superstition
When: Saturday, 11.23, 8 p.m.
Where: Gothic Theatre
Why: Blood Incantation recently released its new album Hidden History of the Human Race. The Denver-based death metal band is a big of an enigma in that it has been slowly building a cult following for years and playing few local shows. But its songs, especially live, come across as larger than life, psychedelic although imbued with the technical precision of the best death metal, and as oddly accessible as the genre has ever been. The record is a science fiction concept album but one that has a cover designed by Bruce Pennington who did cover art for A Canticle For Leibowitz and the Dune books after the initial novel. Plus the guy did the iconic cover for Gene Wolfe’s landmark science fiction fantasy book The Shadow of the Torturer. Fine stuff for an album that is a thrilling reminder that death metal can still be fun and not a forbidding drag.

What: Black Star Gang ft. Yasiin Bey, Talib Kweli, DJ Premier w/Brother Ali, Evidence and The ReMINDers
When: Saturday, 11.23, 7:30 p.m.
Where: Mission Ballroom
Why: Black Star is a hip hop duo comprised of Talib Kweli and Yasiin Bey (Mos Def), two of the sharpest critics of American culture and innovators in the genre themselves. The project only has one album up to now, 1998’s Mos Def & Talib Kweli Are Black Star, but rumor has it they have another in the works produced by Madlib. So if you’ve caught the recent live performances maybe you’ve heard some of the new material and it seems likely it’ll be on display for this show.

What: Lusine w/JUSCHILL and HU
When: Saturday, 11.23, 8 p.m.
Where: Larimer Lounge

What: Broncho w/Hot Flash Heat Wave and Rinse & Repeat
When: Saturday, 11.23, 7:30 p.m.
Where: Globe Hall

What: Matt Rouch & The Noise Upstairs, Chella & The Charm, The Maykit
When: Saturday, 11.23, 7:30 p.m.
Where: The Skylark Lounge

Sunday | November 24

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The Shift circa 2015, photo by Tom Murphy

What: Lisa Prank w/The Tangles (fka The Tickles) and Horse Girl
When: Sunday, 11.24, 7 p.m.
Where: Hi-Dive
Why: Lisa Prank has established refined and thoughtful emo pop songs as a national artist since starting the project in Denver several years back. Her new record Perfect Love Song is a a little fuzzier, more confident but just as wise and as insightful.

What: Shibui Denver #8: Dead Orchids and The Shift
When: Sunday, 11.24, 6:30 p.m.
Where: Hi-Dive
Why: For this edition of Shibui Denver we will have two bands that don’t get nearly the attention they deserve. The Shift is an improvisational, experimental progressive rock band and includes Esmé Patterson and former Bad Weather California bassist Jeremy Averitt. Dead Orchids’ dark, brooding songs are a vital mix of post-punk and Americana but without the trendy habits that often mar bands trying their hand at either.

What: Vérité and YaSi
When: Sunday, 11.24, 7 p.m.
Where: Lost Lake

What: Kris Kristofferson & The Strangers
When: Sunday, 11.24, 5 p.m.
Where: Paramount Theatre

What: Neyla Pekarek’s Rattlesnake w/Chris Fleming, Bluebook and The Newfangled Four
When: Sunday, 11.24, 7 p.m.
Where: Bluebird Theater

What: Goon w/Whiskey Autumn and We Are Not a Glum Lot
When: Sunday, 11.24, 8:30 p.m.
Where: Lion’s Lair

Monday | November 25

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Midwife, photo by Tom Murphy

What: Midwife w/Hogwaller
When: Monday, 11.25, 7 p.m.
Where: Forest Room 5
Why: Midwife is an ambient folk artist of the highest order who was recently tapped to perform at The Flenser showcase at the Roadburn Festival in 2020 with her debut album on that record label later in the year. See her at these small rooms while you still can.

Tuesday | November 26

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HIDE circa 2016, photo by Tom Murphy

What: HIDE w/Echo Beds, Church Fire and Cau5er
When: Tuesday, 11.26, 8 p.m.
Where: Hi-Dive
Why: Confrontational, performance art-oriented industrial band HIDE is the urban dystopian futurist ritual catharsis we need now to burn off the darkness of the modern world. Its new album Hell is Here is a searing, discordant exorcism of the demons that plague the body politic.

What: B. Dolan w/Wheelchair Sports Camp
When: Tuesday, 11.26, 8 p.m.
Where: Ophelia’s Electric Soapbox

Wednesday | November 27

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The Hu, photo by Altankhuyag

What: Pigface w/eHpH, DJ N810, DJ Mudwulf
When: Wednesday, 11.27, 7 p.m.
Where: Summit Music Hall
Why: Pigface is the long-standing industrial supergroup with roots going back to the 80s with members of Ministry, KMFDM and other industrial luminaries. EhpH is a Denver-based duo whose mix of EBM and industrial rock is actually compelling and cathartic and doesn’t come off like its members’ musical imagination got stuck in the early 2000s.

What: Shark Dreams w/Nuancer, The Milk Blossoms and GhostPulse
When: Wednesday, 11.27, 7 p.m.
Where: Larimer Lounge
Why: Best local dream pop line-up in more than a minute with some of Denver’s best. Shark Dreams is more the kind of drifty indie pop with a leg in glittery, slowcore dynamic. Nuancer is as informed by experimental electronic music as pop. The Milk Blossoms are a hip-hop trio disguised as a heartfelt, hyper sincere, experimental indie pop group with a sense of humor and humanity. GhostPulse weaves together downtempo beats, unconventional instrumentation and luminously cloudy atmospherics.

What: The Hu w/Crown Land
When: Wednesday, 11.27, 6 p.m.
Where: The Black Sheep
Why: The Hu is a rock band from Mongolia that performs with traditional instruments, uses throat singing and yet its songs are an exquisite hybrid of Mongolian folk music and heavy metal. Could be corny but it is not, it is powerful, stirring stuff. Fans of Laibach will enjoy the sound of this band even though the styles are so different. Around since 2016 The Hu recently released its debut album The Gereg on Eleven Seven Records.

What: Neon Indian w/Lou Rebecca
When: Wednesday, 11.27, 7 p.m.
Where: Bluebird Theater

What: Emma Mayes & The Hip w/Los Mocochetes and Ghost Tapes
When: Wednesday, 11.27, 8 p.m.
Where: Lost Lake

What: Flaural w/Oko Tygra, Wet Nights and DJ Lexie
When: Wednesday, 11.27, 8 p.m.
Where: Hi-Dive

What: An Evening of Never Kenezzard 2 sets
When: Wednesday, 11.27, 9 p.m.
Where: The Squire Lounge

Best Shows in Denver and Beyond 10/31/19 to 11/6/19

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Bethlehem Steel performs 11.1.19 at Lion’s Lair, photo by Jeanette D. Moses

Thursday | October 31

What: The Legendary Pink Dots w/Orbit Service, The Drood, DJ Mudwulf and VJ Dizy Pixl
When: Thursday, 10.31, 8:30 p.m.
Where: Ophelia’s Electric Soap Box
Why: The Legendary Pink Dots and its mystical, spectral, ambient psychedelia will turn 40 next August and is currently undertaking a tour celebrating the landmark date along with its new album, 2019’s Angel in the Detail. The new record contains elements of what has always made LPD great including entrancing atmospheres, singer Edward Ka-Spel’s poetic lyrics that articulate deep truths about the human condition and how it manifests in our lives and civilizations. It also comments on the perilous state of things in the world today and especially in “The Junkyard” and how the elites are trying to finish completing a world system that renders those of us not in that upper one percent of one percent as pieces of junk in world civilization. The surreal and beautifully disturbing music video is well worth a view. Also sharing the bill tonight is the likeminded Denver-based ambient psychedelic rock band Orbit Service which has been gracing local stages and well beyond since the mid-90s. The Drood, also from Denver, is like a dark psychedelic prog band with punk-intensity and a sense of theater and the ability to create exorcistic emotional experiences in song. DJ Mudwulf will set the mood with what is sure to be a great set for the holiday and VJ Dizy Pixl will set the visual mood as per her usual level of excellence.

What: Wu Tang Clan w/Jedi Mind Tricks, Immortal Technique and Dillon Cooper
When: Thursday, 10.31, 5:30 p.m.
Where: Red Rocks

What: T.S.O.L. w/Noogy and The Pitch Invasion
When: Thursday, 10.31, 7 p.m.
Where: Oriental Theater

What: Dragondeer w/Dog City Disco and What Young Men Do
When: Thursday, 10.31, 8 p.m.
Where: Cervantes’ Other Side

Friday | November 1

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Yung Bae, photo by Peter Dons

What: Bethlehem Steel w/Gila Teen and guest
When: Friday, 11.1, 9 p.m.
Where: Lion’s Lair
Why: Bethlehem Steel has been together since 2012 but started garnering national attention for its outstanding performances at the South By Southwest festival in 2016. At that time the group had out a couple of EPs but released its debut full length Party Naked Forever in 2017. Its thrilling collision of fuzzy pop and dynamic atmospheric rock has drawn comparisons to 90s noise pop acts like Weezer and contemporary artists like Courtney Barnett and Waxahatchee. But often enough the group’s expansive, imaginative songwriting and creative ambition has resulted in some music that pushes boundaries of the loud and quiet format that many bands have adopted of late so that its songs will remind some of the emotionally stirring music of older bands like Failure, Slint and Rainer Maria. It has that kind of fire and caustic sound as well as lyrics that delve deep into the darker regions of the psyche with a defiant spirit lighting the way. In September, Bethlehem Steel released its fantastic self-titled full-length for which it is touring in support. Also on the bill is Gila Teen, the experimental post-punk band that brilliantly mixes moody atmospheres with a splintery pop punk.

What: Yung Bae w/Birocratic and Jaguar Nights
When: Friday, 11.1, 8 p.m.
Where: Marquis Theater
Why: Dallas Cotton started making music as Yung Bae while living in Portland, Oregon but his production-based future funk started garnering him wider audiences while still a student at Oregon State University. His sound straddles that sort of 70s soul and R&B-inspired sounds and the aesthetic of modern electronic pop music. So while he references classic music it comes off with a more modern sensibility and energy. It hearkens to a previous era and the unsullied excitement of that music but in a way that couldn’t really have been accomplished at the time in terms of how he sculpts sound and edits it together. In 2019 Yung Bae released his fifth album in as many years with Bae 5.

What: Red Wing Black Bird album release w/Plague Garden and Married a Dead Man
When: Friday, 11.1, 9 p.m.
Where: Skylark Lounge
Why: Denver darkwave band Red Wing Black Bird is releasing its latest album produced by DJ Charon of Necromantic/Fenando Altonaga of industrial band eHpH.

What: Future of Bass: smith, Mize, Wriza and Killa Nova
When: Friday, 11.1, 9 p.m.
Where: The Black Box

What: Lucy Dacus w/Liza Anne and Sun June
When: Friday, 11.1, 8 p.m.
Where: Gothic Theatre

Saturday | November 2

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Altas circa 2019, photo by Tom Murphy

What: Dia De Muertos celebration: Altas, Plume Varia and Los Mocochetes
When: Saturday, 11.2, 8 p.m.
Where: Hi-Dive
Why: Denver instrumental rock band Altas is doing its now annual Dia De Muertos show in which the members will dress in the appropriate regalia for the occasion making the show a true event rather than just another gig. The group’s sweeping, cinematic grandeur and fiery musical pyrotechnics and mastery of mood and atmosphere is worth witnessing alone but also on the bill is psychedelic rock band Los Mocochetes and downtempo dream pop band Plume Varia and its emotionally rich and haunted compositions.

What: The Locust w/Disposal Notice and Its Just Bugs
When: Saturday, 11.2, 8 p.m.
Where: Summit Music Hall
Why: The Locust recently reconvened to bring its mutant, death metal inflected, noisy hardcore on a national tour. The group’s surreal imagery and costumes along with its equally bizarre lyrics has made it difficult to lump in with any convenient musical movement. Its Just Bugs (the apostrophe is left off) is an industrial punk hip-hop group from Colorado and just as impossible to pigeonhole.

What: Twin Peaks w/Post Animal and Ohmme
When: Saturday, 11.2, 8 p.m.
Where: Gothic Theatre
Why: Twin Peaks from Chicago weathered the mid-2010s blowout of garage rock and neo-psychedelic rock that was making the underground rock scene of a certain stripe become fairly stale and performatively exciting. What helped was that Twin Peaks was writing good songs and hasn’t stayed stuck in the same sound for its entire career thus far. Its 2019 album Lookout Low sounds like an odd and interesting hybrid of power pop and the weirdo punk of The Fall at its most Lou Reed-inspired, mix in some unusual flourishes of 70s rock with nods to Peter Frampton and Thin Lizzy. All while delivering spirited and sometimes gloriously ragged performances which are much needed at a time when a sanitary quality has permeated too much modern music.

What: Fathers, Limbwrecker, The Munsens and Muscle Beach
When: Saturday, 11.2, 8 p.m.
Where: Lost Lake

What: Dendera Bloodbath, Endometrium Cuntplow, Cau5er, Brother Saturn, Church Fire and Equine
When: Saturday, 11.2, 8 p.m.
Where: Rhinoceropolis

What: Rocket Dust, Tokyo Rodeo and The Slack
When: Saturday, 11.2, 8 p.m.
Where: Glitter City

Sunday | November 3

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Vivian Girls circa 2008, photo by Tom Murphy

What: Vivan Girls w/Down Time, Short Shorts and Backseat Vinyl — CANCELLED
When: Sunday, 11.3, 7 p.m.
Where: Marquis Theater
Why: Vivian Girls caused a stir in the indie underground of the 2000s and 2010s with their lo-fi, noisy pop songs. The group’s ability to mix buoyant dynamics with dark, brooding moods and sounds was a fascinating contrast. The band split in 2014 with members going on to perform in La Sera, The Babies and Upset (all still going concerns). But in summer 2019 the group announced it was reforming with a new record, Memory, on the way and released in September.

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SRSQ, photo by Tom Murphy

What: TR/ST w/SRSQ and DJ Slave 1
When: Sunday, 11.3, 7 p.m.
Where: Summit Music Hall
Why: TR/ST came to prominence as the new darkwave movement was coming together with a sound that seemed to come out of the then renewed interest in vintage synths, that cold, bright, moody sound of Goth-y 80s synth pop and its cousin chillwave. But Robert Alfons’ vibrant, soulful voice and imaginative soundsccaping are the key ingredients that elevated this project above many of its contemporaries. In 2019 TR/ST released The Destroyer (Part 1 and 2), a more experimental and ambient, ethereal set of songs than his previous offerings and a clear product of reassessing directions and ideas to produce something different. SRSQ (pronounced Seer Ess Que as in the lettes for the latter two) is Kennedy Ashlyn the charismatic singer formerly of brilliant dream pop band Them Are Us Too. Her 2018 album Unreality is a moody and emotionally harrowing and cathartic downtempo album that seems to have absorbed the darkness and pain of the underground world in the wake of the Ghost Ship fire and given it a voice that exorcises some of that energy.

What: Keytar Fest IV: The Jinjas, R A R E B Y R D $ and Claudzilla
When: Sunday, 11.3, 4 p.m.
Where: Glitter City
Why: Just like the title of the event suggests, this is a mini festival featuring all projects that incorporate keytars as an essential part of the songwriting and this includes weirdo synth punk Claudzilla and experimental hip-hop/IDM-inflected trio R A R E B Y R D $.

What: Danny Brown w/Ashnikko and Zeeloperz
When: Sunday, 11.3, 7 p.m.
Where: Cervantes’ Masterpiece Ballroom
Why: Ever since the larger world outside of Detroit started cluing into Danny Brown’s genius following the release of 2010’s The Hybrid, the rapper has garnered a large cult following for his eccentric yet sharply cogent and thoughtful yet raw lyrics and production that incorporates a wide range of sounds that one hadn’t often heard in hip-hop outside of the underground and alternative circles of the 90s and early 2000s. Brown picked up where that left off and pushed things further particularly on his 2016 album Atrocity Exhibition which borrowed its title from a science fiction novel by J.G. Ballard and whose beats sounded almost like a new hybrid of industrial and rap that reflected the atmospherics as much as the textures and rhythms. With his new album, 2019’s uknowhatimsayin¿ Brown follows a similar sonic path but brings together more organic, almost found sounds with processed layers of atmosphere. Intact is his gift for surreal imagery and wordplay that gets under your skin.

Monday | November 4

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GRÜN WASSER, photo courtesy the artists

What: GRÜN WASSER w/Natural Violence, French Kettle Station and Night Shift DJs
When: Monday, 11.4, 9 p.m.
Where: Rhinoceropolis
Why: GRÜN WASSER is a Chicago-based electro-pop/industrial whose pulsing rhythms and dreamlike moods sound like endless nights wandering a menacing urban landscape and commenting on the culture of the nightlife. That is if the group’s new album Not OK with Things (Holodeck Records) is any indication. There is an almost claustrophobic quality to its densely atmospheric beats contrasted with Keely Dowd’s lightly echoing, ethereal vocals. French Kettle Station has been through more permutations of his sound than many artists bother to explore but of late he’s been developing a sound that’s still rooted slightly in 1980s No Wave disco and modern glitch dance pop but also influenced by 1980s adult contemporary music and its unexpectedly newly influential use and voicing of drums and vintage synths in a way that in any other contexts would be utterly wack but takes on an almost spiritual cast in certain underground electronic artists including that side of what FKS has been up to in the past year or two. His latest album, Over X Millenia takes those ideas and injects them with non-western rhythmic ideas and a New Age music aesthetic for something new yet strangely familiar. Its closest cousin that comes readily to mind is Brian Eno and David Byrne’s 1981 classic My Life in the Bush of Ghosts.

Tuesday | November 5

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HTRK, photo by Kate Meakin

What: HTRK w/Midwife, Echo Beds, Human Tide
When: Tuesday, 11.5, 8 p.m.
Where: Rhinoceropolis
Why: Since 2003 HTRK, originally from Australia, has been making music inspired by the brooding, otherworldly atmosphere of the films of David Lynch. Though the name of the band is pronounced “Hate Rock” it’s not so much rock except in the experimental sense as much as downtempo and ambient soundscaping. In 2010 founding musician Sean Stewart passed away leaving Nigel Yang and Jonnine Standish to carry on and as a duo HTRK has released a handful of some of the most fascinating music mixing electric music with an electronic aesthetic being made today. The group’s latest album is Venus in Leo with its exquisitely subtle dynamics and cinematic approach to its composition and sound design with lingering, impressionistic guitar riffs drifting around Standish’s hushed and soulful vocals.

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Minami Deutsch, photo courtesy the artists

What: Kikagaku Moyo w/Minamu Deutsch
When: Tuesday, 11.5, 7 p.m.
Where: Gothic Theatre
Why: Kikagaku Moyo from Japan is a true synthesis of 70s Krautrock, classic Japanese psychedelic rock and more traditional Japanese folk. Currently the group is touring with the like-minded Tokyo band Minami Deutsch. The group’s urgent rhythms, mesmerizing drones and hypnotic dynamics sound like what it is to travel through Tokyo and its subtle but odd mixture of old world and high tech metropolis side by side in all of the city’s giant districts. On the group’s new EP, Can’t Get There that dynamic often takes you to a place of anxiety and then release as it draws you into its irresistible groove.

What: Jeffrey Lewis & The Voltage w/Adam Baumeister
When: Tuesday, 11.5, 7 p.m.
Where: Hi-Dive
Why: A rare chance to see eccentric, genius freak folk and comic artist legend Jeffrey Lewis and his band along with local star of experimental folk and psychedelia, Adam Baumeister, head of Meep Records and former member of Navy Girls and Bad Weather California.

What: Cannibal Corpse w/Thy Art is Murder, Perdition Temple
When: Tuesday, 11.5, 6:30 p.m.
Where: Boulder Theater

What: Arc Sol, Slugger and Gothsta
When: Tuesday, 11.5, 9 p.m.
Where: Mercury Café

What: 1349 w/Uada and Cloak
When: Tuesday, 11.5, 6:30 p.m.
Where: Oriental Theater

Wednesday | November 6

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Dinosaur Jr, photo by Levi Walton

What: Negative Approach w/Blood Loss and Tuck Knee
When: Wednesday, 11.6, 7 p.m.
Where: Lost Lake
Why: Negative Approach from Detroit was one of the bands out of that early wave of American hardcore than seemed particularly seething and intense and fronted by John Brannon who went on to noisy psychedelic blues band Laughing Hyenas and Easy Action. Easily one of the greatest frontmen of rock music because he seems to actually be losing his mind swept up in the moment.

What: Weird Wednesday: FangFuck, Zealot and Bolonium
When: Wednesday, 11.6, 9 p.m.
Where: Bowman’s Vinyl & Lounge
Why: Weird Wednesday includes left field indie rock local supergroup Zealot and Bolonium a band inspired by Devo and which comes off like an odd combination of band, cheesy game show and Troma film.

What: Kurt Vile and the Violators w/Dinosaur Jr
When: Wednesday, 11.6, 7 p.m.
Where: The Mission Ballroom
Why: Dinosaur Jr is the missing link between gritty classic rock like Neil Young, hardcore and 90s alternative rock and more influential on modern music than is often obvious. The mixture of sheer volume with tunefulness reconciled eras of music in a way that is often taken for granted and which bands like Nirvana and other massively commercial successful bands took to topple the music industry marketing machine and culture. Apparently modern folk/psychedelic artist Kurt Vile has felt this influence and thus has Dinosaur on this tour and for its part, the members of Dinosaur Jr have continued to release music, some of the best of its career in the past decade.

What: (Sandy) Alex G w/Indigo De Souza and Tomberlin
When: Wednesday, 11.6, 7 p.m.
Where: Marquis Theater

Best Shows in Denver 7/11/19 – 7/17/19

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Laraaji, performs at Rhinoceropolis on July 12. Photo by Greg C Photography (www.gregcphotography.com)

Thursday | July 11

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Deerhunter circa 2013, photo by Tom Murphy

What: Deerhunter w/Moon Diagrams
When: Thursday, 07.11, 7 p.m.
Where: Ogden Theatre
Why: Deerhunter’s main contribution to modern rock music is fusing a garage punk energy and sensibility with a knack for otherworldly melodies and a gift for soundscaping straight from the realm of dreams. Oh, and a genuinely emotional intensity that comes from a deep place of alienation and, paradoxically, yearning for connection. Why Hasn’t Everything Already Disappeared? is the group’s 2019 album and a commentary on the seemingly broken world (politically, economically, socially, culturally) we find ourselves in at the moment.

Friday | July 12

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Versing, photo by Gordon De Los Santos

What: Froth w/Versing and Shark Dreams
When: Friday, 07.12, 8 p.m.
Where: Globe Hall
Why: Versing’s 2019 record on Sub Pop 10000 is a pointed take on an unwillingness to commit to being on the right side of history at a time when the twin forces of oligarchy and fascism are on the rise and infiltrating and coming to political ascendancy worldwide. Its angular dynamics surge forth with great momentum while remaining tunefully melodic. Froth is a fuzzy psychedelic band whose vocals seem more soulful than bratty and that makes all the difference.

What: The Blasters, Supersuckers and Wayne The Train Hancock and MC Clownvis Presley
When: Friday, 07.12, 8 p.m.
Where: Bluebird Theater
Why: The Blasters are legends of southern California rock whose mix of Americana, rockabilly, R&B and blues effected with impressive musical chops and raw passion made the group respected in circles much wider than the image of a blues rock band might now. Supersuckers moved from from Tucson, Arizona to Seattle in 1989, a year after forming, and became immersed in the then burgeoning alternative rock world but like other significant bands of the era like Love Battery and Gas Huffer never really got big but put on lively performances and produced good records. Not really grunge so much as garage rock and in the past couple of decades they’ve been known to do some more country-oriented shows. Seeing as they’re sharing the bill with The Blasters that is a distinct possibility.

What: Hi-Dive Hug Down: Panther Martin, Super Bummer, Jobless, Night Champ
When: Friday, 07.12, 8 p.m.
Where: Hi-Dive
Why: Group Hug is putting out albums by some of Denver’s best lo-fi indie rock bands and this is a showcase for some of the best of the lot. None of them are much alike and all experimented with a more popular style earlier in their lives as bands but are now making truly interesting music.

What: Patriarchy in Retrograde at Mercury Café: R A R E B Y R D $, Lady of Sorrows, Bonnie Weimer
When: Friday, 07.12, 8 p.m.
Where: Mercury Café
Why: Celebrating the inevitable end of the patriarchy you can catch some of Denver’s most innovative female musicians including transcendental hip-hop group R A R E B Y R D $, operatic, beat-driven darkwave ambient artist Lady of Sorrows and the avant-folk of Bonnie Weimer.

Saturday | July 13

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FELIX FAST4WARD, photo by Tom Murphy

What: Laraaji performs “Vision Songs” w/Free Music, J. Hamilton Isaacs, Goo Age and Fragrant Blossom
When: Saturday, 07.13, 8 p.m.
Where: Rhinoceropolis
Why: Multi-instrumentalist ambient and drone legend, and Eno collaborator, Laraaji makes a rare Denver appearance to perform from his vocal material “Vision Songs.” Laraaji fuses performance, composition and spiritual practice and does workshops on “Laughter Meditation” throughout the world. Read our interview with Laraaji here.

What: Esmé Patterson w/FELIX FAST4WARD
When: Saturday, 07.13, 7 p.m.
Where: Dazzle
Why: Esmé Patterson may have made her name as a songwriter in the more Americana vein with her old band Paper Bird. But as a solo artist she has pushed herself in increasingly interesting directions both sonically and creatively. And as a performer, for that matter, all while making poignant social and personal commentary. She is headlining but also on the bill is FELIX FAST4WARD who is one of Denver’s most gifted and imaginative electronic music composers and producers in various realms including dance, hip-hop and ambient.

What: Extra Gold, Bison Bone, Claire Heywood
When: Saturday, 07.13, 8 p.m.
Where: Hi-Dive
Why: A legitimate country show with a few of the Mile High City’s finest including the folksy/Merle Haggard-esque Extra Gold, Bison Bone and its eclectic yet singular blend of psych, country and pop and Claire Heywood’s smoky, grittily soulful country torch songs.

Sunday | July 14

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Don Felder, photo by Michael Helms

What: Don Felder
When: Sunday, 07.14, 5:30 p.m. gates, 7:30 p.m. show
Where: Hudson Gardens
Why: Don Felder is perhaps best known as the iconic guitarist for the Eagles during one of the most interesting, musically speaking, points in the band’s career. Sure, you may have heard “Hotel California,” the title track of the group’s 1976 album, who can say how many times but those distinctive lead guitar parts were written by Felder and his guitar interplay with Joe Walsh and Glenn Frey helped to define a certain sound of the 70s in southern California. While still in the band he wrote some songs that appeared on the soundtrack to Heavy Metal including “Heavy Metal (Takin’ a Ride)” and “All Of You” lending the soundtrack some brooding darkness and beautifully decadent guitar work. Felder’s guitar style fit in with the country rock thing with the Eagles but what made it stand out was his knack for interesting dynamics and atmosphere even when he writes something more straight ahead rock and roll. His 2019 album American Rock ‘n’ Roll is a tribute to the music that is the title.

Monday | July 15

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Michael Mcdonald, photo by Timothy White

What: Have a Nice Life w/Consumer, Street Sects and Midwife
When: Monday, 07.15, 8 p.m.
Where: Hi-Dive
Why: Industrial drone, post-punk ambient or whatever one calls Have a Nice Life’s starkly brooding body of work, its dark compositions have proven influential on a generation of bands that have come along since its inception. Also on the bill is confrontational industrial/darkwave band Street Sects and ambient folk soundscaper extraordinaire Midwife.

What: An Evening With Michael McDonald
When: Monday, 07.15, 6:30 p.m.
Where: Chautauqua Auditorium
Why: Michael McDonald’s smooth and soulful vocals have been a part of American rock and pop music for over four decades now. Whether as a singer in Steely Dan (both live and in studio), The Doobie Brothers, as a solo artist and in his numerous collaborations including with the likes of modern hip-hop/jazz genius Thundercat, McDonald brings a deep musicality and keen ear for melody that transcends genre. He will be performing a series of shows in Colorado that we will include on our Best Shows list up to and including his show at the Denver Botanic Gardens on Thursday, July 20.

What: Headboggle, Malocculsion, Page 27, Blank Human
When: Monday, 07.15, 7 p.m.
Where: Rhinoceropolis
Why: Noise shows are a rarity in Denver these days when once you could find them on the regular when it was more possible for artists to have a warehouse to make this kind of thing or where impromptu venues were more open to hosting this stuff forbidding to more mundane sonic sensibilities. This show includes ambient/noise scaper Blank Human and the godfathers of Denver noise, Page 27 in its first show since the departure of long time member Michael Nowak.

Tuesday | July 16

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Author & Punisher, photo courtesy Relapse Records

What: Treasure Mammal (AZ), EVP, Chromadrift, Techno Allah
When: Tuesday, 07.16, 9 p.m.
Where: Rhinoceropolis
Why: An ambient and industrial pop kind of show.

What: Imperial Teen
When: Tuesday, 07.16, 6 p.m.
Where: Twist & Shout
Why: Imperial Teen includes current and former members of Faith No More, Sister Double Happiness and The Wrecks. Their left field pop got a boost when “Yoo Hoo” appeared in the 1999 film Jawbreaker. Though the band’s excellent 1996 album, produced by Steve McDonald of Red Kross, garnered no small amount of critical acclaim it was oft found in bargain bins at music stores. The group’s playful songs and interesting and illuminatingly personal takes on controversial themes has set the foursome apart from many of its late era alternative rock/pop peers. In 2019 the group released its latest album Now We Are Timeless. Since Jone Stebbins lives in Denver now, Imperial Teen is in some ways a local band.

What: 3TEETH w/Author and Punisher and GosT
When: Tuesday, 07.16, 6:30 p.m.
Where: The Marquis Theater
Why: 3TEETH is one of the better newer industrial rock bands. But the reason to go to this show is to witness Author and Punisher who creates his own instruments and whose cybernetic appearance is no mere affectation as it incorporates controllers of various types that can be executed by a single person. The project’s music is industrial but more raw and experimental than most music calling itself that these days.

Wednesday | July 17

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The Beths, photo by Mason Fairey

What: The Beths and Girl Friday
When: Wednesday, 07.17, 7 p.m.
Where: Globe Hall
Why: The Beths from Auckland, New Zealand started in 2015 and absorbed some of that worldwide retro-90s fuzz rock vibe of the time. But since the trio is from New Zealand it always manifests differently and its melodies go down unconventional paths and the progressions resolve in fascinatingly unpredictable ways. Plus Elizabeth Stokes’ vocals are bright and strong and not couched in manifesting angst so obviously. The group did title its 2018 album Future Me Hates Me tells you that you’re in for something more interesting than “summer time good time music” and yet the group’s music is upbeat and hopeful.

What: Michael McDonald
When: Wednesday, 07.17, 7 p.m.
Where: Vilar Performing Arts Center in Beaver Creek
Why: See above for 7/15 for Michael McDonald.

What: Dinner Time (GA), Sliver, Gila Teen and Moving Still
When: Wednesday, 07.17, 8 p.m.
Where: Thought//Forms
Why: Atlanta’s Dinner Time is a low-fi indie pop band with some raw and ragged edges to its songwriting so that it can sound a little bratty and snotty like a punk band you’d actually want to listen to. Also on the bill are ex-nü metal wavers Sliver whose covers of 90s Bush songs, at least in essence, are almost as good as the real thing. Somehow Moving Still invited Sliver’s singer to perform with them because they’re good people and taking Chris Mercer under their wing and cultivate the guy’s tastes until he realizes that Nirvana was not influenced by Gavin Rossdale. It’s an uphill battle. Gila Teen is a post-punk/pop death rock band from Denver and one of the Mile High City’s greatest duos whose emotionally vibrant sad songs chase the blues away.

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Hippo Campus, photo by Pooneh Ghana

What: The Head and the Heart w/Hippo Campus
When: Wednesday and Thursday, 07.17 and 07.18, 8 p.m.
Where: Red Rocks
Why: Hippo Campus from St. Paul, MN are technically an indie rock band but its beat-making and pop songcraft is more akin to R&B and hip-hop with a focus on mood and atmosphere. Its diverse and imaginative songwriting manifested brilliantly on its 2018 album Bambi and in 2019 the group released a cadre of songs in two volumes called Demos I and Demos II. The song experiments on both show how the band got from the promising songwriting of the 2017 album Landmark to the sophistication of craft heard on Bambi. At the top of the bill for this show is indie folk band The Head and the Heart. Maybe “indie folk” doesn’t apply so much anymore as the band has expanded its sounds and songwriting style in all directions. Its 2019 album Living Mirage finds the band truly utilizing space in its songwriting in a way that allows for the expansive feelings inherent to its specific musical style to stretch out and resolve organically. Which is interesting to see in the music of a band that has reached its level of relative commercial success when there can be pressure for efficiency in delivering satisfying musical hooks. This line-up plays both Wednesday July 17 and Thursday July 18 at Red Rocks.