What:Serpentfoot, Plastic Daggers and Fern Roberts When: Thursday, 2.13, 7 p.m. Where: Lost Lake Why: Serpentfoot is a Fort Collins-based psychedelic garage rock band kind of in the realm of boogie blues and fuzzy surf rock. Plastic Daggers could be considered a punk band because it has that arch and brass energy and attitude. But with a bass and drums with dual vocals its sound is refreshingly spare yet maximalist. This is the debut show from Fern Roberts, the new band of former Emerald Siam, Overcasters and Light Travels Faster bass player Todd Spriggs.
Friday | February 14
What:Chella and the Charm w/Jen Korte & The Loss, White Rose Motor Oil, Jackie Zubrzycki, Erika Ryann When: Friday, 2.14, 8 p.m. Where: Hi-Dive Why: This is an event called Sweethearts of the Rodeo and features some of Denver’s greatest female-led bands. Chella and the Charm may perform some of its songs more about relationships and love but it’s never simplistic, rote pop Americana platitudes. Chella’s incisive mind poetically peels apart the zeitgeist and presents the strugges and joys with a rare poetic insight. Jen Korte is one of the most versatile and hard-working musicians in Denver whose dynamic songwriting expands the genres and styles in which she chooses to operate.
What:Bianca Mikahn, R A R E B Y R D $, Pearls and Perils and Shockermom When: Friday, 2.14, 8 p.m. Where: Mutiny Information Café Why: A showcase for some of the best and most imaginative hip-hop artists in Denver at the moment. Bianca Mikahn’s noise experiments and soundscapes paired with her poetry is always a surprisingly compelling combination. R A R E B Y R D $ breaks hearts and heals minds with their dense beats and passionate vocals and wordplay. Pears and Perils is like if Bjork went more lushly downtempo and did hip-hop. Shockermom fuses emotionally vibrant jazz vocals with ambient hip-hop and one of the best things you’ll see all month.
What:Cheap Perfume, Flora De La Luna and The Yellnats When: Friday, 2.14, 8 p.m. Where: Seventh Circle Music Collective Why: Colorado Springs-based political punk band Cheap Perfume puts the fun into caustic send-ups of the misogynist aspects of American culture.
Saturday | February 15
What:Lloyd Cole When: Saturday, 2.15, 7 p.m. Where: Swallow Hill Why: Lloyd Cole came to prominence in the 80s as the lead singer of the great jangle pop band The Commotions. But by the turn of the decade he had gone solo but still writing thought-provoking songs though in a slightly different style suitable to his poetic imagination. In that way he followed a similar path to Robyn Hitchcock when he left The Soft Boys. One of the criminally underknown songwriting greats of our era. Currently touring following the 2019 release of his latest album Guesswork.
What:The New Pornographers w/Diane Coffee When: Saturday, 2.15, 8 p.m. Where: Gothic Theatre Why: There’s always been something orchestral to The New Pornographers’ spacious pop songs. Like something assembled in a studio in the late 60s with Brian Wilson and Van Dyke Parks but with a modern set of musical ideas and instincts. Its 2019 album In the Morse Code of Brake Lights also highlights how despite the grandeur of its creative vision its songs manage to seem like glimpses into intimate moments of vulnerable, existential contemplation.
What:Mattiel w/Calvin Love When: Saturday, 2.15, 8 p.m. Where: Lost Lake Why: Mattiel has a knack for taking surreal everyday situations and turn them into synth pop epics. Her 2019 album Satis Factory does some sonic time traveling between early 60s girl group and Connie Frances-esque melodies, late 70s New Wave pop wiry energy and a contemporary ironic tone. But her delivery doesn’t feel jaded or detached, just playing with the songwriting format to comment on culture and society in a way that uses nostalgic elements to speak of the present in the past tense.
What:Pictureplane w/ DEBR4H and Entrancer When: Saturday, 2.15, 8 p.m. Where: Hi-Dive Why: Former Denverite Pictureplane jokingly coined the term “witch house” around a decade ago. But his own music transcends such easy categorization as a mélange of hip-hop, glitch pop and noise.
What:Bernie Sanders Rally When: Sunday, 2.16, 4 p.m. Where: Colorado Convention Center Why: For anyone what wants to go and see the current frontrunner in the primaries for the nomination to be the Democratic Party candidate for the office of President of the United States.
What:Rosegarden Funeral Party w/Lorelai K and Faces Under the Mirror When: Sunday, 2.16, 7 p.m. Where: 3 Kings Tavern Why: Rosegarden Funeral Party if keeping the torch alive for darkwave in Dallas at its base of operations Funeral Home before moving to Los Angeles this fall. The band’s 2019 album MARTYR is reminiscent of a melding of Clan of Xymox, Xmal Deutschland and the more glam end of of Concrete Blonde.
What:Pinegrove w/Whitney Ballen When: Sunday, 2.16, 7 p.m. Where: Gothic Theatre Why: Pinegrove is currently touring in support of its latest album Marigold. The record is its most focused effort to date conveying a sense of space and simplicity with interlocking, textured tones lending the songs a complexity not immediately obvious. The record comes out in the wake of songwriter Evan Stephens Hall’s undergoing therapy and other work following a 2017 allegation of sexual coercion as outlined in a 2018 article on Pitchfork by Jenn Pelly. If turmoil produces better art, perhaps Hall’s efforts at becoming a better person have lead to a good deal of creative clarity as well.
Tuesday | February 18
What:The Jungle Giants w/Little Image When: Tuesday, 2.18, 7 p.m. Where: Larimer Lounge Why: The Jungle Giants from Brisbane, Australia combine an R&B and soul sensibility into its jaunty pop songs. Its music videos suggest an aesthetic informed by independent film and Kurt Vonnegut. Though the group hasn’t released an album since 2017’s Quiet Ferocity, in 2019 and 2020 it released singles “Heavy Hearted” and “Sending Me Ur Loving” respectively so on this tour expect to hear new material before it appears on the band’s next record.
What:Jail Wolf w/Hotel Garuda, ford When: Thursday, 05.02, 7 p.m. Where: The Ogden Why: Sajeeb Saha got started making electronic music and did remixes for the likes of Odesza and Dirty South before embarking on making the kind of effervescent pop that appeared on his 2016 EP Kindred Spirits as Jai Wolf. The EP reflected his earlier production experience in terms of the musical ideas and details that one might hear on an EDM record. But it also incorporated the kind of expansive and psyche cleansing musicality of the post-chillwave efforts of artists like Toro Y Moi and Washed Out. Three years later the new Jai Wolf album, The Cure to Loneliness sounds like a massive leap forward evolving the eccentric sonic flourishes of EDM into more interesting features of a song and tighter songwriting with a wider array of instrumentation including guitar and percussion that sounds like a human is behind the performance somewhere. Intact and more fully realized in its expression, though, is Saha’s gift for expressing a sense of wonder and hope, qualities that are much needed given the state of the world. The same line-up same time performs at the Ogden Theatre on Friday, May 3.
What:Speakeasy Series: Denizens of the Deep and Felix Fast4ward When: Thursday, 05.02, 6:30 p.m. Where: Hooked On Colfax Why: This edition of the Speakeasy Series presented by Glasss Recorods are master Denver soundsculptors Denizens of the Deep and Felix Fast4ward. Both fit somewhere in the realm of ambient and electronic dance music and psychedelia without needing to fit in any of those categories.
What:Monolord w/The Munsens and The Well When: Thursday, 05.02, 7 p.m. Where: Hi-Dive Why: Solid doom show including Monolord from Gothenburg, Sweden, a city more well-known for its melodic death metal. Monolord sounds more like they grew up listening to pre-1995 Melvins and that’s a positive.
What:A Rembrance for Brittany Strummer w/Typesetter, Cheap Perfume and Ersatz Robots When: Thursday, 05.02, 7 p.m. Where: 3 Kings Tavern Why: Brittany Strummer was not in bands but as a fan and associate of bands and the punk community and a friend to many she touched many lives nationally and even internationally. For this show some of her friends are getting together to celebrate her life and legacy with live music.
What:Shpongle w/Tipper, Desert Dwellers, Leo P (from Too Many Zooz) When: Thursday, 05.02, 6:30 p.m. Where: Red Rocks Why: Shpongle has kind of a silly name and its fusion of world music, psychedelia and electronic dance music isn’t for everyone but it’s shows are like an idiosyncratic ritual of spectacle and depth of sound. Tipper’s deep ambient abstract dance could be headling this show as well but is only on this first date of Shpongle’s 2-day run at Red Rocks.
Friday | May 3
What:Faces Under the Mirror, Rosegarden Funeral Party, Vio\ator and eHpH When: Friday, 05.03, 8 p.m. Where: Mutiny Information Café Why: Darkwave show of the week with electro-industrial band Faces Under the Mirror, Dallas-based post-punkers Rose Garden Funeral Party, noisy dark industrial project Vio/lator and Denver EBM duo eHpH whose electronic industrial soundscapes have a bit of confrontational energy built into the mix.
What:Jacket of Spiders When: Friday, 05.03, 9 p.m. Where: Denver Art Society Why: The debut show of the new band from former members of Tarmints/Twice Wilted/Cynic’s Bane/Soulbender ,AJ Hathaway, Bobby Jamison and Bobby Bane.
What:Copper Leaf, Bear and the Beasts and Gun Street Ghost When: Friday, 05.03, 9 p.m. Where: BarFly Why: A free show. Somewhere betwixt Americana and late 90s/early 2000s indie pop with a charming richness of musical detail is Copper Leaf. Bear and the Beasts is like-minded but more rock and probably more influenced by the likes of Lucero. Gun Street Ghost is kind of a gritty Americana band but Mike Perfetti’s masterful storytelling and charisma sets any of his projects apart from most other bands.
What:Roller Disco 2 When: Friday, 05.03, 11:30 p.m. Where: Roller City Why: Late night culture is back to being nascent and underground in Denver but this is something along those lines where your entry fee gets you a skate rental and new wave and synth pop songs appropriate to the occasion playing into the wee hours.
What:Tyto Alba album release – Sucker w/Panther Martin and Modern Leisure When: Saturday, 05.04, 8 p.m. Where: Hi-Dive Why: Anyone paying attention to the Denver underground rock scene with any taste or discernment would tell you that Tyto Alba is one of the city’s best bands. Its ear for melody and keen sense of dynamics has resulted in a body of work that is emotionally rich and deeply evocative. Its dream pop is a master class in contrasts between strong rhythms and delicate, gauzy melodies and Melanie Steinway’s thought-provoking lyrics delivered with a gift for expressing nuanced sometimes uncomfortable truths with a vulnerability and strength of conviction that isn’t common enough. The group’s new album Sucker is a showcase for the band’s songwriting versatility. Tyto Alba already had a sound of fascinating contrasts and complexities (moody, bright, melancholic, emotional truthfulness and acceptance of the range of one’s feelings) but Sucker is the band at its peak of development so far. In the hands of other artists some of the material could be brutal but a sense of compassion has also long informed the music.
What:Skating Polly w/MONSTERWATCH and Backseat Vinyl When: Sunday, 05.05, 8 p.m. Where: Streets of London Why: Because Skating Polly had to come up as musicians in an insular way and didn’t come up on trends the way many other musicians have, its almost outsider blend of primal grunge and garage rock is unlike much else in the scenes of the revival of either of the past decade.
Monday | May 6
What:Pedestrian Deposit w/Entrancer, Anime Love Hotel, Sunk Cost When: Monday, 05.06, 8 p.m. Where: Syntax Physic Opera Why: Pedestrian Deposit combines layers of sound to create an engulfing sonic experience. From organic stringed instruments, field recordings, tape collage, harsh noise and electronic instrumentation, the duo from Los Angeles is unlike many bands in the realm of “noise” and its shows border on a kind of ritual born out of urban decay and neglect. Also sharing the bill are techno wizard and ambient artist Entrancer and noise sculptor supreme Sunk Cost.
What:Lolo Zouaï: High Highs to Low Lows Tour w/Jean Deaux When: Monday, 05.06, 7 p.m. Where: Larimer Lounge Why: Lolo Zouaï’s 2018 full-length High Highs to Low Lows is surprisingly downtempo and world weary for an artist in her early 20s. She cites Too Short as an influence so maybe that is a factor. Its lush production and trap-esque and gritty, ethereal flavor bears comparison to Alice Glass’s solo EP of a couple of years ago.
What:Winter w/Ancient Elk When: Monday, 05.06, 8 p.m. Where: Lost Lake Why: Samir Winter and the band that takes its moniker from her surname is fortunately not sticking to one sound for an entire career. Yes, those blissfully atmospheric pop songs from the debut album benefited from Winter’s strong, evocative singing. But the 2018 album Ethereality sounds like the group adopted a bit of the muscular, fuzzy upbeat rock sound of other groups that are tapping into the 90s but Winter’s buoyant yet introspective presence gives it some depth. Denver psychedelic folk band Ancient Elk is changing its name and supposedly this is the show where the new name and presumably new line-up will be launched.
Tuesday | May 7
What:Perturbator w/GOST and Many Blessings When: Tuesday, 05.07, 8 p.m. Where: The Oriental Theater Why: Perturbator takes that sort of analog synth John Carpenter worship soundtrack thing and elevates it with even more dramatic flourish and volume by transforming it into industrial dance music.
What:Real Dom, Terror Pigeon, Techno Allah, Aman When: Tuesday, 05.07, 8 p.m. Where: Rhinoceropolis
Why: Since the late 2000s Terror Pigeon has created bombastic synth poppy dance music with deep grooves like they were some band out of Brooklyn rather than Nashville.
Wednesday | May 8
What:Fasano Twin Film Night When: Wednesday, 05.08, 10 p.m. Where: Mutiny Information Café Why: Charly and Vincent Fasano have been fixtures of the front range art, poetry and music scene for close to three decades. Charly “The City Mouse” will be screening some of his short films while Vinnie “Cheap” will provide musical accompaniment with his experimental jazz group Still Birth of Cool.
Who:Glasss Presents: Freak//When//Scene and Lost Dog Ensemble When: Thursday, 08.2, 9 p.m. Where: Syntax Physic Opera Why: Freak//When Scene is not a band so much as a collection of musicians given a theme or a concept and, collectively, they interpret it how they will and, in the spirit of, say, Miles Davis in giving loose guidance to the members of his band to synergize and let their talents and instincts and ability to flow with one another to produce something they could never accomplish individually. Sometimes this works out beautifully, sometimes it’s just interesting to witness. For this debut of the project there will be about fifteen musicians participating including local jazz and hip-hop legend Venus Cruz, Drew Miller (of Brother Saturn), Wesley Davis (bios+a+ic), Michael Blomquist, KoKoLa and Khey-Lady (all three of experimental hip-hop group R A R E B Y R D $), Kevin Richards (Equine), Robin Walker (Shocker Mom), Liv Perils (Pearls & Perils), Vahco Before Horses (Gold Trash), Daniel Farrand, Doron Rediscovering, David Clay Bridges, Machete Mouth and David Dinsmore (Judge Roughneck, The Horns of Dilemma). Dinsmore will also perform with opening act, Lost Dog Ensemble, Denver’s premiere Tom Waits cover band.
Who:The Psychedelic Furs w/X When: Thursday, 08.2, 7 p.m. Where: The Ogden Theatre Why: Two of the great bands of the 80s on one bill representing different countries and moods. The Psychedelic Furs hit the mainstream early on with its moody yet melodic post-punk with its second album, 1981’s Talk Talk Talk. Something about the way The Psychedelic Furs mythologized the zeitgeist of the era of the first generation of musicians inspired/creatively liberated by punk and taking in diverse influences and interests to make sophisticated and literate yet accessible guitar cemented it as one of the most popular acts of the era. Its song “Pretty In Pink” was adopted as the title of John Hughes’ 1986 movie about authenticity, class struggles, the vagaries of romance and friendship—all of which can be heard in the Furs’ song. But also to not let your dreams be limited by what you’re told is the horizon of expectation.
X began simply enough when John Doe and Exene Cervenka met in poetry circles and brought that sensibility to a punk rock band with roots in country and the blues. X may not have been as commercially as successful as The Psychedelic Furs but its impact on popular music since is undeniable as its imagery was striking and both Doe’s and Cervenka’s lyrics captured a Southern California, and an America, in crisis for its very soul in the 80s in the face of creeping fascism during the Reagan administration which sought to subvert official channels in funding the Contras and, as has been suggested during those investigations, manipulating the American electoral system. All while rank materialism and greed became very much a feature of the culture. X’s music, like that of the Furs, represented a romantic rejection of those questionable values, embracing instead a humanism and freedom of the human spirit that could never really manifest as wealth for the sake of wealth at the expense of the unfortunate.
What:Stomping Ground Thursdays: Deadline, Visc, Pragmatist, Ilind and Retina When: Thursday, 08.2, 9 p.m. Where: The Black Box Why: This Stomping Ground Thursdays includes sets from 8-bit composer, one might say progressive dubstep producer Deadline, Pragmatist’s broken beat techno, Retina’s propulsive and textured, dark bass music and Ilind’s avant-garde/abstract electronic dance beats.
Who:American Aquarium w/Jaime Wyatt When: Thursday, 08.2, 7 p.m. Where: The Bluebird Theater Why: Named after that line in Wilco’s “I’m Trying To Break Your Heart,” American Aquarium from Raleigh, North Carolina is definitely worth more than a cursory listen. Like Wilco, it’s not just a band writing music with roots in various musical traditions. American Aquarium, sure writes songs about the travails of everyday life and being a working band. But it’s 2012 album Burn.Flicker.Die may be one of the most poignant and insightful depictions of trying to be a working artist in a culture that generally treats creativity like a disposable commodity as well as the people involved in those industries. The group’s latest record, Things Change, is a uncommonly focused confrontation of personal challenges and doubts as well as providing one of the most direct criticisms of Trump’s America in the song called “The World Is On Fire.” No platitudes, no didactic utterances, just down to earth observations about what the future under the Drumpf might hold for us all.
Friday | August 3, 2018
Who:Susto w/Whitacre and Down Time When: Friday, 08.3, 8 p.m. Where: The Bluebird Theater Why: Named after a folk illness in which one’s soul is separated from one’s body through emotional trauma, Susto is an Americana band from Charleston, South Carolina. Songwriter Justin Osborne had spent the years between 15 and 26 being in bands and releasing albums when he decided to quit music for a while and moved to Cuba with the intention of creating a new life for himself. But like many people who run off from their lives abruptly, Osborne found himself hanging around with musicians in Cuba and seeing live music there. He’d already started conceiving of songs when his Cuban friends encouraged him to go home and make a go at being a musician. A full band line-up and two albums later and Susto has garnered a bit of underground following for its sparkling, introspective alt-country songs. Also on this bill is Denver based American act Whitacre and indie pop group Down Time. The latter is a bit more experimental than many of its peers with a combination of delicate, finely textured songs and rich atmospheres. Will David Weaver play both drums and bass for this show? You’ll have to show up to find out.
Who:Dick Dale w/Kerry Pastine & The Crime Scene When: Friday, 08.3, 8 p.m. Where: Ophelia’s Electric Soapbox Why: Dick Dale is the godfather or surf rock. He influenced The Beach Boys. He influenced Jimi Hendrix. Modern guitar amplification is now a thing thanks to his unique relationship with amp makers before the modern rock era by blowing the amps with his guitar until an amp could be built that was suitable for delivering electrified rock and roll. He lives on a plot of land in the desert with his own runway reachable by plane. These things are all probably true. What is true is that Dick Dale is a a true pioneer of rock and roll and one of the few living legends from that early era that you can still see play live.
Saturday | August 4, 2018
Who:Chastity w/MOURN and American Culture When: Saturday, 08.4, 8:30 p.m. Where: Larimer Lounge Why: Chastity is a post-punk band from Whitby, Ontario and its recently released album Death Lust distills the isolation, fatalism, desperation and hope for connection that comes from being a creative and imaginative person in a small city. Its incandescent, fuzzy tones recall the mood, tenor and urgency of the likes of Quicksand and Swervedriver. Its catharsis of modern anomy feels as though it is coming from deep within. On this same tour is Barcelona-based post-punk/noise rock band MOURN. Its own new record Sopresa Familia is brimming with a bright energy modulated by angular rhythms. Its unconventional dynamics might be compared to that of Portland, Oregon’s Lithics in how it drives the momentum of the music and gives it an irresistible drive. American Culture from Denver has been through a variety of changes since its inception. Drawing upon the ethos of punk and 90s indie pop, American Culture’s songs are about and are an apt soundtrack to disaffected working class youth navigating a rapidly changing culture and economic landscape and the struggles endured and the joys to be savored in the face of an uncertain future.
Who:Dylan Carlson w/Mary Lattimore When: Saturday, 08.4, 8:30 p.m. Where: Lost Lake Why: Dylan Carlson is the guitarist for doom pioneers Earth. He is currently touring in support of his 2018 solo album Conquistador. In typical fashion, it is a masterful evocation of a time and frame of mind. Considering the titles of songs, Carlson seems to invoke a time when the whole dream of wealth for the average Spanish conquistador was over on the fringes of New Spain, only the reality of the reaping of the backlash of the hubris of conquest and overextension. Much more Aguirre the Wrath of God than Apocalypto. Opening for this show is harpist Mary Lattimore whose own elegant yet deeply evocative melodies and loops, captured on her own 2018 album Hundreds of Days, suggest a mythical narrative of their own.
Who:The Giraffes with Throttlebomb When: Saturday, 08.4, 9 p.m. Where: Bull & Bush Brewery Why: Brooklyn’s The Giraffes occupy an unusual place in hard rock and post-punk. Like Unsane, its blunt, dark storytelling is akin to something out of an Abel Ferrara movie—sludgy, borderline nihilistic yet it sticks with you for a while afterward. Denver sludge metal band Throttlebomb opens. Not many shows in Cherry Creek and that this one is happening there is definitely out of the ordinary.
Who:The Union w/eHpH and Faces Under the Mirror When: Saturday, 08.4, 8 p.m. Where: 3 Kings Tavern Why: This electro-industrial show includes metallic industrial duo The UnioN, EBM/experimental electronic project eHpH and darkwave/industrial two-piece Faces Under the Mirror.
Sunday | August 5, 2018
Who:Deafheaven w/Drab Majesty and Uniform When: Sunday, 08.5, 7 p.m. Where: The Oriental Theater Why: Deafheaven’s 2013 album Sunbather seemed to be indie rock fans’ gateway to transcendental black metal if they weren’t already on to that introduction through Wolves in the Throne Room. Absurd and inaccurate comparisons to My Bloody Valentine were made. And sure, MBV may have been A influence of Deafheaven but guitarwise one might even look more to the aforementioned WITTR or Krallice. But at the heart of the band’s songwriting is a kind of pop sensibility making what could be forbidding music accessible. Its latest album, 2018’s Ordinary Corrupt Human Love has even more flourishes of combining even power pop structures and melodies with the more thorny sonics of black metal and the animalistic vocals. On this tour is darkwave alien stars Drab Majesty. Deb Demure used to tour solo early on but these days tours with Mona D on keyboards and backing vocals. The project’s 2015 Careless was an entrancing trip to a futuristic world perhaps best exemplified in the writings of Thomas R. Disch, J.G. Ballard and Pat Cadigan—not fully dystopian, not utopian, just imperfect with its own challenges imagined by some of science fiction’s most accomplished world builders. Musically think a dreamy shoegaze band and Red Lorry Yellow Lorry got together and you’re in Drab Majesty’s wheelhouse.
Monday | August 6, 2018
Who: CHVRCHES w/Pale Waves ogdentheatre.com/events/detail/353496 When: Monday, 08.6, 7 p.m. Where: The Ogden Theatre Why: For its third album Love Is Dead, Glasgow, Scotland’s CHVRCHES worked with outside producers for the first time. And although working with David Stewart of Eurythmics, Matt Berninger of The National and album producer Greg Kurstin (who also produced music with Adele, Pink and Lily Allen), the new albums sounds oddly less produced than even the band’s first two records. This works to its benefit because the band has already proven it can put on the gloss and high production on its own and Love Is Dead sounds more textured, more organic and though high energy, upbeat pop, more intimate without sacrificing the bright and and larger-than-life sound of its earlier work. CHVRCHES, like any great pop band, takes subject matter relatable to just about anyone and makes it mythical with words that give it the poetry and the music that sets the emotional tenor that lift the drab everyday into the realm of imagination and transcendence thereby.
Along for this tour is up-and-coming synth pop band Pale Waves from Manchester, UK. The quartet garnered a bit of buzz in 2017 for its singles “There’s a Honey” and “Television Romance.” Looking like a post-punk band from the 80s but with exuberant pop songs, Pale Waves cast an interesting contrast of image and content that suggested to fans that one needn’t let preconceived expectations determine what you can do with your art and your life. 2018 has been an active year for the band with the February release of its All the Things I Never Said EP and the forthcoming full-length My Mind Makes Noises due in mid-September. Anyone that saw the band playing small clubs in the USA in spring 2018 got to see a group with no small amount of chemistry and confidence.
Who:Geoff Tate’s 30th Anniversary of Operation Mindcrime When: Monday, 08.6, 7 p.m. Where: Globe Hall Why: Queensryche’s 1988 album Operation: Mindcrime was a poignant and, so it seems, semi-prophetic tale of a man disillusioned and disgusted with the economy, political corruption and hypocrisy in the world who gets recruited into becoming a political operative and assassin for a secretive organization supposedly dedicated to overthrowing the system by the demagogic Dr. X. In a complex and dark story, that man, Nikki, is introduced to a former prostitute turned nun Sister Mary by one of Dr. X’s associates and his relationship with and affection for Mary brings him to question the nature of the organization and his own identity. Things end tragically in one of the most fascinating rock operas of all time. Very classic Frank Miller-esque. Geoff Tate, the band’s former lead singer, will perform the album in its entirety for its 30 year anniversary.
Who: T-Rextasy w/Blacker Face When: Monday, 08.6, 9 p.m. Where: Was at Your Mom’s House now at TBA (ask a punk) Why: T-Rextasy is referred to as pop-punk often enough but don’t go in expecting the usual three chords and interchangeable songs about teenage heartbreak. Of course most pop-punk is about more than that as well, but T-Rextasy’s songs use the format of catchy songs, fun and humor to make poignant commentary on identity, sexism and all the things that plague the psyche no matter who you are. Its 2016 album Jurassic Punk is a collection of great pop songs informed by a radical political perspective. Soon the New York band will release its new album but you can catch that stuff live before it’s officially released in full on its current tour.
Tuesday | August 7, 2018
Who:Dentist w/Pout House and Hairclub When: Tuesday, 08.7, 7 p.m. Where: Lost Lake Why: Dentist’s 2018 album Night Swimming is refreshing proof that a band can grow beyond the music trends that shaped its earlier creative development. It’s still fuzzy surf punk at its root but the riffs and experiments with atmosphere and dynamics signal a major step forward for Asbury Park trio.
Who:CHVRCHES w/Pale Waves When: Tuesday, 08.7, 7 p.m.
Where: The Ogden Theatre
Why: See 8.6 entry above for CHVRCHES and Pale Waves.