Best Shows in Denver 2/21/20 – 2/25/20

Chastity Belt
Chastity Belt performs at Bluebird Theater on February 23, photo by Beto Barkmo

Friday | February 21

Stonefield1
Stonefield, photo courtesy the band

What: Kyle Emerson w/Turvy Organ, Panther Martin and Crystal Seth
When: Friday, 2.21, 8 p.m.
Where: Hi-Dive
Why: Kyle Emerson’s new album Only Coming Down is a thoughtful collection of songs written while the songwriter was splitting his time between his adopted home of Denver and Los Angeles. Emerson is from norther Ohio but moved to Denver in his late teens/early 20s where he fell in with an up and coming psychedelic pop band Plum which made waves before moving to the City of Angels and, as is often the cliché, broke up shortly thereafter. Since then Emerson moved back to the Mile High City where he established himself as a solo artist with the release of his sophisticated and introspective, folk inflected pop album Dorothy Alice. Tonight he shares the bill with stars of the local indie rock milieu in Turvy Organ and Panther Martin.

What: Stonefield w/Pink Fuzz, SSIIGGHH
When: Friday, 2.21, 8 p.m.
Where: Lost Lake
Why: Amy, Hannah, Holly and Sarah Findlay are four sisters that formed the hard psychedelic rock band Stonefiled in 2006 in Darraweit Guim in Victoria, Australia. Its early offerings (for example Through the Clover) were in the realm of 70s boogie rock with hints of the psychedelia that would characterize their later songwriting. By the time of 2019’s Bent, the group hasn’t shed its infectious tunefulness but its overall sound is much heavier, brimming with expertly sculpted melodic fuzz and at times bordering on a fusion of Krautrock and early 2000s stoner rock. Fans of Stereolab, Trans Am and Hawkwind will find a lot to like about this latest incarnation of the band’s evolution.

What: Jack Wright/Ben Wright+Michael O’Neill/Ryan Seward, New Standards Men, Ryan McRyhew and Chris Culhane
When: Friday, 2.21, 7 p.m.
Where: Rhinoceropolis
Why: A night of avant-garde jazz, improvisational experimental rock and analog synth composition.

What: Tonguebyte (EP release) w/Paul Maul, Cagemates and CFX Project
When: Friday, 2.21, 7 p.m.
Where: Seventh Circle Music Collective

Saturday | February 22

EzraFurman_JessicaLehrma2
Ezra Furman, photo by Jessica Lehrman

What: Ezra Furman w/Kelley Stoltz
When: Saturday, 2.22, 7 p.m.
Where: Bluebird Theater
Why: Ezra Furman’s 2019 album Twelve Nudes is a lush yet somehow lo-fi collection of songs filled with raw emotion and experiences presented with a startling honesty couched in the sound of some 1960s girl group sound fused with fuzzy garage rock production. It’s a fascinating and bracing listen that gets past your filters before the impact of what you’re hearing hits you and the experience awakens you to the playful weightiness of Furman’s songwriting.

What: Shadows Tranquil, Emerald Siam, Midwife and Ophelia Drowning
When: Saturday, 2.22, 9 p.m.
Where: Mercury Café
Why: Dark, shoegaze-y post-punk band Shadows Tranquil performs this night with the brooding yet transcendent Emerald Siam, Midwife’s riveting, ethereal, tender, intimate soundscapes and Danish dungeon synth project Ophelia Drowning.

What: Kendra & The Bunnies
When: Saturday, 2.22, 8 p.m.
Where: Mutiny Information Café
Why: Kendra & The Bunnies brings an unconventional and disarming creativity and sensitivity to a folk psychedelia that seems out of place and out of time. When so many modern indie bands are still mining Laurel Canyon, Kendra & The Bunnies tapped slightly into the vibe of Northern California hippies and made it their own.

What: Cyclo-Sonic, Joy Subtraction and The Pollution
When: Saturday, 2.22, 8 p.m.
Where: 1010 Workshop
Why: Cyclo-Sonic is comprised of veterans of Denver’s great second era of punk in the 80s with former members of The Fluid, The Frantix, Rok Tots and The Choosey Mothers. Which would mean not much if the band wasn’t any good but it turns out that the band’s leftfield reinterpretation of melodic proto-punk and garage is shockingly vital and compelling. Joy Subtraction came out of the more arty end of punk inspired by the likes of Alice Donut and Nomeansno. The Pollution is an unlikely merging of psychedelic prog and punk.

What: Bernstock 2020: Innerspace, False Report, Castele, Lungburn, Rotten Reputation and Wall of the Fallen
When: Saturday, 2.22, 5 p.m.
Where: Seventh Circle Music Collective
Why: Local Denver punk and hardcore bands come together for a fundraiser to benefit the only candidate in the Democratic race to run against Trump that fully embraces a pro-working class agenda and grassroots democracy.

What: Bud Bronson & The Good Timers, Colfax Speed Queen and Pout House
When: Saturday, 2.22, 8 p.m.
Where: Hi-Dive

What: Sorted #12: Objekt and Pariah
When: Saturday, 2.22, 10 p.m.
Where: TBA

Sunday | February 23

Chastity Belt
Chastity Belt, photo by Beto Barkmo

What: Shibui Denver #10: Fern Roberts and Red Wing Black Bird
When: Sunday, 2.23, 7 p.m.
Where: Mutiny Information Café
Why: This edition of Shibui Denver will feature darkwave project Red Wing Black Bird and the latest band from former Emerald Siam and Light Travels Faster bassist Todd Spriggs, Fern Roberts.

What: Chastity Belt w/Nanami Ozone and Hugh F
When: Sunday, 2.23, 7 p.m.
Where: Bluebird Theater
Why: Chastity Belt has been on a great run of seeming to reinvent its aesthetic over the past two or three records. Its 2019 self-titled record has seemingly shed whatever influences informed its earlier work in favor of a more introspective, dream pop-esque, borderline post-punk aesthetic but rooted in a sophisticated expression of emotional complexity, the kind that only comes with processing loss whether personally, or of one’s place in the world or of one’s community or feeling lost in a world where things seem upended and your place in it seems tentative. Who can say is the reason for this change but it is the group’s finest offering to date in its ability to evoke feelings that a more straight ahead rock and roll songwriting style struggles to articulate.

What: Kendra & The Bunnies
When: Sunday, 2.23, 4-6 p.m.
Where: The Very Nice Brewing Company in Nederland 4-6 p.m.

What: Standards, Floral, How to Think and Birdhouse View
When: Sunday, 2.23, 7 p.m.
Where: Seventh Circle Music Collective

What: Dweezil Zappa Hot Rats Live + Other Hot Stuff 1969
When: Sunday, 2.23, 7 p.m.
Where: Gothic Theatre

Monday | February 24

What: Hannibal Buress w/Al Jackson and Tony Trimm
When: Monday, 2.24, 10”:15 p.m.
Where: Denver Comedy Works
Why: This is a free pop up comedy event featuring Hannibal Buress whose sharp, surreal comedy takes aim at the ridiculousness of modern life and odd ideas we all take for granted. He has also appeared in film and numerous television shows including brilliant turns on the Eric Andre Show and Broad City. For tickets signup/rsvp @ www.hannibalburess.com also text 312-584-5839 for a chance at tickets.

Tuesday | February 25

CEREMONY_RickRodney1
Ceremony, photo by Rick Rodney

What: American Nightmare w/Ceremony
When: Tuesday, 2.25, 7 p.m.
Where: Bluebird Theater
Why: American Nightmare is a legit hardcore band in the modern mold. Ceremony was right there with them, though having formed in 2006 during American Nightmare’s hiatus from 2004-2011. But around the time of Ceremony’s 2012 album Zoo its sound if not its raw, confrontational energy as a live band was changing. Hints of a shift from hardcore into something more experimental was all over that record and by the time of The L-Shaped Man from 2015, Ceremony was a post-punk band. Its latest album, In the Spirit World Now has expanded the use of synths in the band’s overall sound has morphed even further in the direction of dance-y darkwave like Devo if that band had somehow emerged following the post-punk revival of the late 90s and early 2000s.

Best Shows in Denver 6/27/19 – 7/3/19

Earth3_crop
Earth performs June 27 at The Marquis Theater, photo courtesy the artist

Thursday | June 27

Zealot_Jan12_2019_TomMurphy_sm
Zealot, photo by Tom Murphy

What: Earth w/Helms Alee
When: Thursday, 06.27, 7 p.m.
Where: The Marquis Theater
Why: Earth is as much an influential and pioneering drone metal band as it is an avant-garde blues folk group imbued with mystical overtones. It’s 2019 album Full Upon Her Burning Lips finds the trio channeling more than the usual measure of its crawling, Black Sabbath-esque gloom. Seeing the live show it’s always fascinating to see how Adrienne Davies moves in an orchestrated string of slow sweeping moves and fast, accenting flourishes as Dylan Carlson and their collaborators of the moment drone with a smoky fluidity.

What: Meet the Giant, The Jinjas, Monty O’Blivion and Zealot
When: Thursday, 06.27, 7 p.m.
Where: Thought//Forms Gallery
Why: Zealot would be a Mountain Goats cover band but Luke Hunter James-Erickson would find that too rote so he injects his own eclectic tastes into the songwriting. Recently released the “Snake Goddess” single, a typically eccentric, high energy, angular indie rock gem. Meet the Giant, informed by electronic music and hip-hop beat-making, write and perform deeply evocative, brooding rock songs that maybe now would overlap with the whole darkwave thing except that Meet the Giant often crosses over into the realm of hard rock in a way most of those bands don’t.

What: Cholo Goth Night featuring Dave Parley of Prayers
When: Thursday, 06.27, 9 p.m.
Where: Streets Denver
Why: Just like it says, Cholo Goth Night at Streets Denver with Dave Parley of Cholo Goth and spinning Darkwave and Goth for the evening. When this event happens in the Los Angeles area and select other cities Parley brings in other darkwave musicians of note to guest a set but not for tonight.

Friday | June 28

Blue-October_Chris-Barber_lg
Blue October, photo by Chris Barber

What: The Kinky Fingers w/Vic N’ the Narwhals and Colfax Speed Queen
When: Friday, 06.28, 8 p.m.
Where: Hi-Dive
Why: Now that the Denver “party rock” scene has withered away and garage psych/surf is going the way of pop punk in the early 2000s only the strong and more interesting survive. In the case of these three bands it’s partly because their songwriting was always good and their individual sounds not so susceptible to the blowout of trendiness. Each has also evolved.

What: Tyto Alba and Steele Douglas
When: Friday, 06.28, 5 p.m.
Where: Museum of Contemporary Art Denver
Why: Tyto Alba is always surprisingly evocative with music coming from the tender places of the psyche and coloring the tones in warm, incandescent tones and hypnotic rhythms. Seeing them on a rooftop while a thunderstorm threatens to hover in but never does? Seems symbolic and entirely appropriate.

What: Blue October w/Mona
When: Friday, 06.28, 7 p.m.
Where: Ogden Theatre
Why: Blue October has been around for nearly a quarter of a century now and its career has crossed over from the old way of major labels and the album release cycle to the modern mess and disarray of the industry now that offers bands to connect directly to an audience more so than ever before but to earn far less for their efforts. That the group has weathered that period is impressive itself. Oddly enough its own style of power pop seemingly inspired by late 80s proto-alternative rock like Icehouse and The Outfield and their dramatic presentation of being a bit on the outs of true emotional fulfillment but yearning for that special connection with another human with music that is a little too triumphant in tone and uplifting to be sad bastard music. But Blue October didn’t stay trapped in a past style and its newer music reflects a diversity of newer influences.

What: Primal Birth: Hotpiss, Drume, Eyeface, Padfut, Worldwide Dungeon, DJ 7 Heads
When: Friday, 06.28, 10 p.m.
Where: Rhinoceropolis
Why: A bit of a weirdo underground techno show that starts late and goes late like a rave.

Saturday | June 29

PUP_Vanessa1Heins1
PUP, photo by Vanessa Heins

What: Westword Music Showcase
When: Saturday, 06.29, 12 p.m.
Where: Golden Triangle Neighborhood
Why: This is the longest running music festival of its type in Denver. Held on just one day in the Golden Triangle neighborhood near the Westword offices off Tenth Ave and Broadway, it is arguably the most concise way all year to see a broad spectrum of the local scene without having to walk too far. This year’s line-up includes several of the local luminaries. Here is a list of see-if-you-can acts at each of the stages and a given set time. Tastes will vary and I’m certainly no expert on big chunks of the local music world.

Breckenridge Brewery Stage
12:25 YaSi
6:10 Jai Wolf

White Claw Stage
7:20 CHVRCHES

Vinyl Main
12:50 Techno Allah
2:30 Erin Stereo

#vybe
12:50 Venus Cruz
6:40 Lady Gang
7:30 RARE BYRD$

Stoney’s Main
12:35 Gora Gora Orkestar
5:35 Wes Watkins
7:15 Roka Hueka
8:05 Los Mocochetes

Bar Standard
12:50 Hail Satan
2:30 Ghosts of Glaciers
5:50 Fathers
6:40 Plasma Canvas
7:30 Cheap Perfume

Temple/Mirus Gallery
3:20 Starjammer

Stoney’s South
1:40 Brianna Straut
2:30 Bevin Luna
5:50 Florea

The Church
12:00 eHpH
2:30 Ramakhandra
5 Vic n’ the Narwhals
5:50 Spirettes
6:40 The Hollow

100% Agave
1:40 Bret Sexton
5:50 Los Dog Ensemble
6:40 The Maybe So’s
7:30 Joshua Trinidad Trio

What: PUP w/Ratboys and Beach Bunny
When: Saturday, 06.29, 9 p.m.
Where: Gothic Theatre
Why: PUP started making waves a handful of years ago outside its hometown of Toronto, Ontario among aficionados of pop punk and emo who missed that brashly confessional style of songwriting before the music hit maximum saturation level in the early-to-mid 2000s. When the band began in 2010 a quasi-movement was under way across the North American continent in making fun, melodic punk that was raw and expressive. With PUP and others the key difference was embracing the relatively unrefined side of that songwriting and how that opened possibilities for the music to go where it will rather than fall directly in a worn out style. This has given PUP’s songwriting a freshness that even if at first it seems completely within the realm of standard pop punk. Its new record, 2019’s Morbid Stuff, arguably its best to date, revealed the influence of the more vital garage punk and 2000s lo-fi noise rock on its sound. Like the Reatards and perhaps No Age. Its irreverent spirit and deft local cultural references that are relatable to people who experience similar social phenomena in their own cities makes for a consistently endearing listen.

What: Luxury Hearse, Timelord SFX and blank human
When: Saturday, 06.29, 7 p.m.
Where: Tennyson’s Tap
Why: Luxury Hearse combines the forces of blank human’s ambient/noise sound sculpting and Psychic Secretary’s beat-driven experimental electronic music. What to call it? Some might think industrial because of its sometimes sharp edges but it’s more in the vein of edgier yet dream-like dance music.

What: 5th Annual Colorado Goth Fest: Suicide Commando and Læther Strip w/Offerings to Odin, The Union, The Midnight Marionettes, eHpH and WitchHands
When: Saturday, 06.29, 6 p.m.
Where: Oriental Theater
Why: This edition of the Colorado Goth Fest features headliners who are significant and one might say pioneering artists in the realm of EBM with Suicide Commando and Læther Strip. The local acts are a fairly diverse group as well including death rock band WitchHands from Colorado Springs and Denver’s own EBM/electro-post-punk duo eHpH.

What: Blue October w/Mona ogdentheatre.com/events/detail/369899
When: Saturday, 06.29, 8 p.m.
Where: Ogden Theatre
Why: For Blue October see above for 6.28.

Monday | July 1

CultureAbuse_Jun15_2018_TomMurphy
Culture Abuse circa 2018, photo by Tom Murphy

What: Culture Abuse w/Tony Molina, Young Guy, Dare, Regional Justice Center and Cadaver Dog
When: Monday, 07.01, 7 p.m.
Where: Marquis Theater
Why: Culture Abuse has big melodic hooks for a band that came up through the milieu of garage punk. It’s 2018 album Bay Dream greatly expanded its range as a band both tonally, dynamically and emotionally as it’s informed by a sensitivity to the inevitability of the death of those close to you and a wry sense of humor and irony. After all Culture Abuse has a song called “Dave’s Not Here (I Got The Stuff Man)” referencing the classic Cheech & Chong skit. While there’s plenty of wiry punk energy behind the material, especially live, it’s really more of a great power pop record. Tony Molina got started in music playing in hardcore bands but his solo work is more in line with jangle pop and C86 with a sprinkling of The Byrds. His own 2018 record Kill the Lights wouldn’t have been out of place in the same musical realm as Teenage Fanclub circa 1992. Except with more folk-inflected, introspective songwriting throughout.

What: Muscle Beach, Buildings (MN) and Simulators
When: Monday, 07.01, 8 p.m.
Where: Streets Denver
Why: Buildings form Minneapolis is a vital cross between a math-y noise rock and post-hardcore. Muscle Beach is of similar mind but its own version of post-hardcore is a splintery assault on the senses that drags you down emotional pathways that purge angst and personal darkness – all done with a cathartic sense of joy. Simulators are an angular noise rock duo whose music is both cutting and unhinged yet mathematically precise. It’s always an interesting contrast.

Wednesday | July 3

TotalTrash_Mar31_2019_TomMurphy2
Total Trash, photo by Tom Murphy

What: Bud Bronson + the Good Timers, The Right Here, Bad Licks, DJ Sara Splatter
When: Wednesday, 07.01, 8 p.m.
Where: Hi-Dive
Why: Bud Bronson + The Good Timers are always surprisingly good. Its earnest power pop sounds like it’s of today but has a quality and a vibe that is reminiscent of the stories and sentiments one heard in the music of late 70s/early 80s Bruce Springsteen and Tom Petty. Also on the bill is Bad Licks who somehow do a kind of psychedelic blues rock that is legitimate and high energy because good songwriting transcends pre-conceptions.

What: Weird Wednesdayl: Total Trash, Pretty Loud, Klaus Dafoe
When: Wednesday, 07.01, 9 p.m.
Where: Bowman’s Vinyl
Why: Total Trash is a band comprised of luminaries of Denver’s indie rock scene going back nearly two decades and yet it’s not all middle aged people. If you remember Fissure Mystic, Fingers of the Sun and Lil’ Slugger, it’s people from those bands. It’s psychedelic, shoegaze-y jangle pop is transporting yet relatable and down to earth. Klaus Dafoe is an instrumental band that collides together 2000s math rock, weirdo punk and indie pop for a sound that is familiar yet unusual.

What: Pale Sun, Palehorse/Palerider, Random Temple and Grass
When: Wednesday, 07.01, 7 p.m.
Where: Lost Lake
Why: Palehorse/Palerider’s drummer Nathan Marcy said to bring earplugs. Good idea, because his own group is the kind of doom/shoegaze/dark desert psych band that makes beautifully dark, atmospheric, consciousness expanding music with ritual/tribal flourishes that is, yes, in fact, quite loud. In good company with gritty psych band Grass and Pale Sun. The latter’s dreamy yet dense rock music will take you to a different psychological space than the one with which you walked into the show. Includes former members of Bright Channel, Space Team Electra and Snake Rattle Rattle Snake.

Best Shows in Denver 4/4/19 – 4/10/19

AcidMothersTemple_Apr9_2018_TomMurphy
Acid Mothers Temple perform at Larimer Lounge on April 8. Photo by Tom Murphy

Thursday | April 4

Demoncassettecult_wJuniordeer_Nov8_2018_TomMurphy
Demoncassettecult (Junior Deer on left), photo by Tom Murphy

Who: Speakeasy Series opener: Demoncassettecult
When: Thursday, 04.04, 7 p.m.
Where: Hooked On Colfax
Why: Glasss Records is kicking off the 2019 edition of its experimental music showcase the Speakeasy Series at Hooked on Colfax tonight. The artist ringing in the season is Demoncassettecult, Glasss’ Vahco Before Horses solo loops, noise, sample and and synth based soul project.

Who: A Light Among Many w/Ghostsong Elegy and Endless, Nameless, Causer
When: Thursday, 04.04, 7 p.m.
Where: Seventh Circle Music Collective
Why: Abstract doom juggernauts A Light Among Many returns from its latest tour with this show with experimental guitar/prog band Endless, Nameless, South Dakota post-rock band Ghostsong Elegy and the debut of Causer.

Friday | April 5

ModernLeisure_Jul31_2016_TomMurphy

Modern Leisure circa 2016, photo by Tom Murphy

Who: Faim, Sore Eyes (Springs), Bi-Proxy (first show, members of Herse, Caffeine and Eternal) and Implied Risk (first show)
When: Friday, 04.05 7 p.m.
Where: Mutiny Information Café
Why: Faim is one of the great, noisy hardcore bands from Denver. Eruptive and pointed in its energy. If you go, you’ll also get to see the first show from a couple of other like-minded bands who are keeping local hardcore alive and interesting.

Who: Kyle Emerson w/Anthony Ruptak and Modern Leisure
When: Friday, 04.05 7 p.m.
Where: Lost Lake
Why: Three of Denver’s great songwriters on one bill. Kyle Emerson’s pastoral psychedelia has enough interesting musical flourishes in each song to elevate his work beyond most of his peers. Anthony Ruptak’s conceptual songwriting steeped in his sensitivity to the world around him and deeply informed by his compassion for his follow living creatures, human beings most certainly not excluded, gives his compositions a warmth and richness of emotional expression. Casey Banker of Modern Leisure has been writing insightful and well-crafted pop songs with an undercurrent of intensity and self-awareness that has made his songs going back to his time in The Don’ts and Be Carefuls incredibly compelling.

Saturday | April 6

DooCrowder_Mar 12_2011_TomMurphy
Doo Crowder circa 2011, photo by Tom Murphy

Who: Doo Crowder w/Rachael Pollard
When: Saturday, 04.06, 9:30 p.m.
Where: Mercury Café
Why: Doo Crowder, former member of indie pop orchestra Pee Pee and indie rock/punk band The Dinnermints, is finally releasing his album One For the Losers (& Other Pilgrims). His earlier releases have all been insightful explorations of the human experience in its myriad manifestations. The new album sounds like he took the Harry Nilsson route and added great production flourishes and imaginative treatments to solid yet minimal foundations of song. He does not spare himself self criticism (listen to “Doo Crowder Song”) but as with every Crowder record there’s much more than meets the eye while not hiding the essential meaning. It’s made to be able to be taken on and comprehended at one’s leisure and in the ways that suit you. The first truly great indie pop record of 2019 and one of the best of the past decade by virtue of sounding effortless while clearly being the product of much work, much soul-searching, much refinement and in the end something that feels like it manifested like a perfect backed good that is delicious and nutritious and makes the labor that went into it part of one’s appreciation of it.

Who: FAVX w/Ned Garthe Explosion and Total Trash (tape release)
When: Saturday, 04.06, 8 p.m.
Where: Hi-Dive
Why: FAVX from Madrid aren’t easily musically defined outside of rock. But it’s sometimes noisy, sometimes driving, sometimes poppy, sometimes heavy, sometimes whimsical but always emotionally nuanced music is performed with great enthusiasm. Good thing because Ned Garthe Explosion, for a bunch of guys who have been playing for “10 trillion years,” you know, since the Big Bang or whatever has happened several times, they’re able to muster some verve in humorously delivering their surreal punker than punk and psycher than psych songs. They’ve been road dawgz since before there were roads and after people didn’t need roads where they were going and back to no roads and then roads again. The never ending cycle. Seems legit. Total Trash is comprised of current and former members of Lil’ Slugger, Eye Beams, Fissure Mystic, Fingers of the Sun and Quantum Creep. Which means nothing if you’ve not been steeped in Denver underground music for the past decade and a half but it does mean that the band’s music and songwriting has the level of sophistication and sonic inventiveness that is immediately striking and, well, it doesn’t sound much like any of the aforementioned. It is more melancholy but the sonic details and evolving dynamics across each song of its debut album Field Guide (released this night) give the music a sonic depth, diversity and emotional complexity that seems rarer than it should be these days.

Who: Dirty Few “Losing Our Minds Farewell Show” w/Gymshorts, Bud Bronson & The Good Timers, Lloyd and Saviour
When: Saturday, 04.06, 7 p.m.
Where: Marquis Theater
Why: Sure, sure, “party rock” and the Stone twins raise hell, cans of beer tossed on stage and off, rowdy, nearly unhinged performances, some of them sloppy and chaotic. But always performed with heart with songs that are fun, surprisingly well-written and which encapsulate an era of Denver music that all but began and ended with Dirty Few. So the group will probably pull out the stops for this final rager with some of its friends and peers including the great power pop band Bud Bronson & The Good Timers from Denver and Lloyd and Saviour from Boise.

KeroKeroBonito_Tracey-Ng2
Kero Kero Bonito, photo by Tracey Ng

Who: Kero Kero Bonito w/Jaakko Eino Kalevi
When: Saturday, 04.06, 7 p.m.
Where: The Oriental Theater
Why: Kero Kero Bonito sounds like its music is made in the early morning as the sun is rising and also as the sun is setting. That sometimes hazy quality of light that can blur the landscape some as the sun comes to dominate the sky or retire for the night over the horizon, burning away fog and casting colorfully through the dusk pollution. Even from its earlier more straightforward electropop phase its lush production and fluid dynamics has given the band’s songs an air of self-awareness that feels futuristic while tapping into the cooler end of classic commercial pop sensibilities. The band’s producers, Gus Lobban and Jamie Bulled, were influenced by Japanese hip-hop and pop and found Sarah Bonito, herself half-Japanese, who could give voice to a synthesis of cultures particularly since Bonito sings and raps in both English and Japanese. The group’s 2018 releases, the TOTEP EP and the album Time n’ Place, displayed the influence of rock bands, at least according to interviews with Fader and i-D, like Mount Eerie and My Bloody Valentine who are no strangers to creating and sculpting atmosphere in ways that feel entirely organic. Formerly pretty much all electronic instrumentation and vocals, for its current tour Kero Kero Bonito is bringing on board a guitarist and a drummer. Difficult to pigeonhole, one might even clumsily call it indie dream jazz, Kero Kero Bonito’s international flavor of the amalgam of hip-hop, dance music, J-pop, downtempo lounge and melancholic guitar rock is undeniably interesting.

Opening the show is Finnish multi-instrumentalist and producer Jaakko Eino Kalevi whose 2018 album Out of Touch could be a cousin to the aforementioned Kero Kero Bonito’s album Time ‘n Place. Its tone has a liminal quality that allows for the melodies to operate at an almost subconscious level, dream-like. A decade ago maybe someone would have called it “chillwave” and it resonates with the better end of what made 80s synth pop bands and their own production methods so compelling and ultimately influential.

Who: Bad Sounds and Broods
When: Saturday, 04.06, 8 p.m.
Where: Summit Music Hall
Why: Bad Sounds are opening for the great electro pop band Broods. But its blend of R&B and hip-hop beats, like a modern take on the rich musical hybrids that were part of the 70s Stax roster, will probably win over more than a few fans. The duo’s 2018 album Get Better goes beyond mere throwback imitation and with expert production and attention to sonic detail it attains the soulfulness of some of its influences.

Who: An Evening With Spiritualized
When: Saturday, 04.06, 8 p.m.
Where: Gothic Theatre
Why: Even at his most soul-and-R&B-inspired moments, and there are many on Spiritualized’s 2018 album And Nothing Hurt, J. Spaceman brings to bear a broad range of subtle emotional expression and its counterpart as a controlled tidal wave of feeling. The shows also tend toward a well-selected set list that gives the performance a dynamic quality that somehow feels just right. Folk, soul, R&B, ambient space rock from across Spaceman’s career in Spiritualized. Maybe you’ll even get to see the band cover Laurie Anderson’s “Born Never Asked” as its been known to do well beyond the 1995 touring cycle for Pure Phase.

Sunday | April 7

susto3
SUSTO, photo courtesy the artist

Who: SUSTO w/Whitacre and Frances Cone
When: Sunday, 04.07, 8 p.m.
Where: Fox Theatre
Why: SUSTO’s new album Ever Since I Lost My Mind has all the sophistication and beautiful subtlety of instrumentation of its previous records. But this time it sounds like the band has added a layer of atmosphere that gives the typically affecting and introspective lyrics a more focused immediacy that can be a bit slow slipping into your mind but when it hits it strikes deep. SUSTO excels at giving the songs room to breathe and manifest and bringing listeners in with a warmth of tone and a sense of understanding.

Monday | April 8

Mdou-Moctar-Nikkl-Cells-1
Mdou Moctar, photo by Nikkl Cells

Who: Acid Mothers Temple w/Yamantaka//Sonic Titan
When: Monday, 04.08, 7 p.m.
Where: Larimer Lounge
Why: Japan’s Acid Mothers Temple may “only” have been around for nearly a quarter a century but its rotating and core membership, including band leader guitarist Makoto Kawabata, has roots going back to Japanese folk, psychedelic, noise, punk and prog bands of the 70s and 80s. With AMT the musicians create a mind-bending sonic experience that blurs the lines between the aforementioned genres of music to make the kind of space rock that should inspire a generation of manga artists writing stories in a future where interdimensional and intergalactic communities are interacting, thriving and exploring worlds and cultures as yet unimagined by our current creative collective unconscious.

Who: Mdou Moctar w/Galleries and Kwantsu Dudes
When: Monday, 04.08, 7 p.m.
Where: Globe Hall
Why: It’s incredibly rare to get to see a musician from Africa in Denver much less a Tuareg phenom from Agadez, Niger like Mdou Moctar. The guitarist is an early adaptor of traditional Tuareg guitar pop into the electric context. As with the likes of Nusrat Fateh Ali Khan, Baaba Maal and, of course, Fela Kuti before him, Moctar’s lively and fine crafted songs (steeped in folk music of Africa and the Islamic world) garnered fans outside of Africa. Because of that touring has been a viable prospect including his current run through the USA. His latest album is 2019’s Ilana.

Tuesday | April 9

Claudzilla_May31_2018_TomMurphy
Claudzilla, photo by Tom Murphy

Who: WaZeil & UaZit w/Claudzilla, f-ether and Kandin
When: Tuesday, 04.09, 9 p.m.
Where: 3 Kings Tavern
Why: UaZit’s music is like if alternative hip-hop got even weirder and more experimental. Working with WaZeil the production and sound design is even more unusual like what Harmony Korine might make if he went into creating music after Mister Lonely. F-ether isn’t quite as much of a weirdo but his original and playful take on electronic music craft is decidedly outside the conventions of that broad genre. Claudzilla, though, full-on weirdo since its “keytar rock” with surreal lyrics and let’s just call it eccentric picks of covers but surprisingly solid renditions of the originals through her peculiar lens of interpretation.

Who: Erik B & Rakim w/Stay Tuned
When: Tuesday, 04.09, 8 p.m.
Where: Gothic Theatre
Why: Erik B & Rakim are clearly one of the most influential duos in hip-hop. Rakim’s rhyming had great versatility and range because he broke with the simple rhyme schemes of early hip-hop and had more in common with free jazz and free verse poetry. So while not sounding too avant-garde the duo’s music could be as out and fluid in its rhythms as its presumed jazz influences. Eric B’s heavy use of sampling and creatively crafting and sculpting the sounds could also be heard echoed in most hip-hop since the 1987 release of the Eric B & Rakim album Paid in Full. Splitting in 1993, Eric B & Rakim reunited in 2016 to perform live in 2017. Will there be a new record? We can only hope but for now catch one of the legends of hip-hop on this tour.

Wednesday | April 10

Morlox_Nov8_2018_TomMurphy
Morlox, photo by Tom Murphy

Who: HXXS w/Church Fire, Morlox and Feigning
When: Wednesday, 04.10, 8 p.m.
Where: Hi-Dive
Why: HXXS from Portland, Oregon make a kind of dance-dub darkwave with glitchy edges. When minimal synth was all the rage in various corners of the American underground, HXXS seems to have taken that foundation and the sort of 8-bit crushed beat-making to make a surprisingly playful, surreal form of synth pop. Good match with Denver’s Church Fire whose tribal industrial dance music came out of similar impulses toward melding hip-hop beat production with dark, noisy pop informed by insightful, sociopolitical commentary. That the group worked with gifted producer Morlox whose career has been steeped in the noise, glitchcore and underground hip-hop scene in Denver and beyond makes this booking perfect. Haunted, dark drone project Feigning is just a bonus.

Who: DeVotchKa
When: Wednesday, 04.10, 6 p.m.
Where: Twist & Shout
Why: It would help if you bought a copy of the 2018 DeVotchKa album This Night Falls Forever in order to get first entry into this intimate show at Twist & Shout. Otherwise, the Denver-based gypsy-punk chamber pop group usually doesn’t play places smaller than The Gothic. The following night the band will perform at e-Town in Boulder.

Who: Boy Harsher w/Special Interest and Poptones DJs
When: Wednesday, 04.10, 7 p.m.
Where: Larimer Lounge
Why: The Boy Harsher show is sold out but if you can get in you can see the fog-shrouded, enigmatic, New-Order-gone-full-dub-minimal-synth duo Boy Harsher at a small club before its crowd expands to larger venues.

Best Shows in Denver 2/7/19 – 2/13/19

Gang-of-Four_B_by_DJ-markham
Gang of Four performs at Globe Hall w/Plume Varia on February 11. Photo by DJ Markham

Thursday | February 7, 2019

Hockey Dad
Hockey Dad, photo by Joseph Crackett

Who: Hockey Dad w/Hunny
When: Thursday, 02.07, 7 p.m.
Where: Globe Hall
Why: Australia is not the first place one thinks of when it comes to hockey but New South Wales has ski resorts so maybe the name of the band Hockey Dad, from Windang, isn’t as cheeky as seems but it’s a surf rock band so kudos. But Hockey Dad grew up surfing and skating so it’s sound reflects the spirit of that lifestyle more so than simply falling into trendy sound. With Hockey Dad think more like The Saints gone power pop.

Who: A Light Among Many, Kenaima, URN. and Giardia
When: Thursday, 02.07, 8 p.m.
Where: Hi-Dive
Why: A Light Among Many is heavy drone drenched in the primal spirits of the local landscape. URN includes former members of Skully Mammoth and thus doom with a sense of humor yet somehow still gritty and epic. Kenaima sounds a collision of Converge-esque post-hardcore and thrash. Giardia is pushing the envelope of heavy music by finding the sweet spot where drone-y bass, saturated synth work, jazz-inflected drums and weirdo prog intersect.

Friday | February 8, 2019

MarcusChurch_ClaudiaWoodman2
Marcus Church, photo by Claudia Woodman

Who: Marcus Church EP release w/Kali Krone, Artless Bravado and Sweetness Itself
When: Friday, 02.08, 9 p.m.
Where: The Skylark Lounge
Why: Dustin Habel has been grinding away writing songs since at least the mid-2000s. Under the moniker Marcus Church he’s done solo work, playing all the instruments and recording the songs, as well as in collaboration with a small circle of bandmates. The prolific songwriter has perhaps not garnered the recognition he deserves for his lo-fi, Dinosaur Jr/Yo La Tengo-esque compositions, but the project’s latest effort, the Marcus F. Church EP, has a touch of jangle like something Mitch Easter might take an interest in producing—introspective and warm but upbeat. The band has been a trio for a bit now and tonight you can catch the new set of songs, as well as choice cuts from Habel’s catalog, live.

Who: Gun Street Ghost with The Regular, The Threadbarons and Paul Kimbiris & The Dark Side of Pearl
When: Friday, 02.08, 8 p.m.
Where: Globe Hall
Why: Mike Perfetti has been involved in many of Denver’s most interesting bands for going on two decades in his capacity as a bassist, drummer and guitarist. But with Gun Street Ghost Perfetti gets to share his gift for storytelling. Perfetti orchestrates the details of the story and the essence of the people in them with a masterful hand with the help of his talented bandmates. It’s been some time since Gun Street Ghost has put out a record but in the live setting you’ll likely get a taste of the new material and with any luck 2019 will see the release of the group’s full-length.

Who: Sonorous: Gregg Ziemba, Alex Trujillo, Joshua Trinidad
When: Friday, 02.08, 6 p.m.
Where: Syntax Physic Opera
Why: This is a dinnertime show from some of Denver’s most talented practitioners of jazz and experimental music including Gregg Ziemba and Alex Trujillo of Rubedo and Joshua Trinidad whose free jazz band Cougar Legs and psychedelic fusion project GoStar have showcased his prodigious talent. Trinidad and Ziemba also perform in Wheelchair Sports Camp. Heavy hitters.

Who: Bud Bronson & The Good Timers, Muscle Beach, SPELLS
When: Friday, 02.08, 8 p.m.
Where: Lost Lake
Why: Bud Bronson & The Good Timers are one of the few reliably great and spirited straight forward rock and roll bands anywhere. A touch of punk but BBTGT aren’t trying to be limited by subgenre. Muscle Beach is impossible to simply call post-hardcore or post-metal or even noise rock but are an inspired distillation of all three. SPELLS is a C+ party punk band but they really work for that C+ and are more fun than many B+ punk acts. They’re no Refused but who is?

Saturday | February 9, 2019

DonChicharron_SpencerHigbee
Don Chicharrón, photo by Spencer Higbee

Who: Don Chicharrón album release w/Los Mocochetes, High Plains Honky and DJ A-Train
When: Saturday, 02.09, 8 p.m.
Where: Hi-Dive
Why: Don Chicharrón is a band whose blend of chicha (Peruvian cumbia with roots in popular music of the 1960s and 1970s that incorporated psychedelic rock and Andean folk music), metal, spaghetti Western and other musical forms is lively and fluid for a group of nine people who come from disparate musical backgrounds. Anyone that has been able to catch the group live knows it’s musicianship is expertly integrated so it never feels like anyone is doing too much at once. The group’s debut, self-titled full-length will be available at this show and its expansive compositions sound like the soundtrack to the Love and Rockets comic series in its multi-cultural aesthetic and ineffable sense of the futuristic.

Who: An Evening With Nels Cline 4
When: Saturday, 02.09, 9 p.m.
Where: Ophelia’s
Why: Nels Cline has been involved in more noteworthy music than any modern human has any right to claim including turns with Geraldine Fibbers, Wilco and John Zorn. This is one of his experimental jazz groups so expect plenty of left field improv.

Who: Esmé Patterson and band play the Songs of Prince from Sign O’ The Times w/Acuna Black and CRL CRRL
When: Saturday, 02.09, 8 p.m.
Where: The Oriental Theater
Why: Esmé Patterson brings together a group of ace players and collaborators to perform songs from Prince’s 1987 masterpiece Sign O’ The Times, which is entire apropos for the times we’re in now.

Who: Alphabet Soup #40: Felix Fast4ward, Furbie Cakes, MYTHirst, Yung Lurch and Dashwoo
When: Saturday, 02.09, 8 p.m.
Where: Thought//Forms
Why: This is the latest edition of Alphabet Soup, a showcase for some of the most forward thinking and innovative producers and soundscapers in Denver. The event used to take place mostly at Deerpile but with the demise of that performance space the event has been moved to other venues including tonight at Thought//Forms gallery.

Sunday | February 10, 2019

pedrothelion_RyanRussell1
Pedro the Lion, photo by Ryan Russell

Who: Pedro the Lion w/Tomberlin
When: Sunday, 02.10, 8 p.m.
Where: The Bluebird Theater
Why: Phoenix is more than just a clever title for the first Pedro the Lion record in fifteen years. David Bazan spent years touring as a more or less solo act and releasing a series of acclaimed records. But like most artists he hit a wall at some point and in 2016 he got to the place of a low point crossroads. Two years later he was writing and recording songs that made sense for Pedro the Lion with words of reinvention, rediscovery, reclamation and embrace of the spirit of one’s past self and past creations that helped to define the person you are now. While personal to Bazan and his bandmates, one thing Bazan has been able to do as a songwriter is to write material that transcends the personal, transcends any faith or philosophical orientation that informs it and to articulate with sensitivity and kindness the struggles and pain everyone seems to experience.

Monday | February 11, 2019

PlumeVaria_PhotoByTomMurphy
Plume Varia performs Friday, 7/27 at Gary Lee’s. Photo by Tom Murphy

Who: Gang of Four w/Plume Varia
When: Monday, 02.11, 8:30 p.m.
Where: Globe Hall
Why: Gang of Four is the influential post-punk band that perfectly combined punk with disco and a sharp cultural critique that took aim at more universal issues in Western and global culture of the 1970s onward. After all, the band named itself after a Chinese political cabal involved in the Cultural Revolution. The first three Gang of Four albums (1979’s Entertainment!, Solid Gold from 1981 and Songs of the Free released in 1982) were a blueprint for 90s and 2000s dance punk as well as a direct influence on Red Hot Chili Peppers from the beginning (GOF guitarist, and sole original member, Andy Gill produced the 1984 self-titled debut from RHCP). But few of the band’s descendants could match Gang of Four in its intensity, sonic inventiveness much less socio-critical acumen. The band’s latest album, with its current line up, is HAPPY NOW released in 2019 via PledgeMusic. A little more topical than usual, naming, presumably, Ivanka Trump in a song, Gang of Four hasn’t exactly taken the gloves off. Opening the show is Denver-based downtempo dream pop duo Plume Varia performing one of its now rare shows.

Wednesday | February 13, 2019

Glissline_Oct12_2018_TomMurphy
Glissline, photo by Tom Murphy

Who: SMRT, Big J. Beats, Glissline, Escapism
When: Wednesday, 02.13, 7 p.m.
Where: Lost Lake
Why: Glissline is Tommy Metz who has been releasing gorgeously lush, brightly melodic, beat-driven IDM for more than a decade. As Glissline, Metz has been melding visual elements with his musical compositions for a multi-sensory experience including a well-crafted low end. It’s dance music for dreaming. Big J. Beats is a producer whose work is most often, and justifiably so, associated with hip-hop but his imaginative soundscaping transcends genre completely which is why he is one of the Mile High City’s greatest beat makers.

Who: Richard Thompson Electric Trio w/Ryley Walker
When: Wednesday, 02.13, 7 p.m.
Where: Boulder Theater
Why: Richard Thompson was one of the leading lights of influential folk project Fairport Convention. He also played guitar on the first two Nick Drake albums. From the 1970s onward, Thompson has created a body of work that should be more well-known outside folk circles with brilliant rock and pop songs. There is also his prodigious work as a collaborator and contributor to other people’s recordings. His final album as the duo of Richard and Linda Thompson, 1982’s Shoot Out the Lights is a masterpiece of folk rock. Following the tour for that record the Thompsons split and Richard went on to a critically acclaimed and prolific solo career as well. As the name of the group suggests, this will be a showcase of Thompson’s electric music rather than the acoustic songs, though you never know, maybe Thompson will bring in some of his classic material written originally for acoustic but reconfigured for the electric trio. In 2018 Thompson released the dark and moody 13 Rivers.

Best Shows in Denver 02/08/18 – 02/14/18

EmeraldSiam_Jul27_2017_TomMurphy_web
Emerald Siam at Lost Lake on Friday, February 9, 2018. Photo by Tom Murphy

Thursday | February 8, 2018

Liberiana_Apr18_2015_TomMurphy_web
lib.eriana, photo by Tom Murphy

 

Who: Musical Mayhem: lib.eriana, Klaus Dafoe and Brian Parton
When: Thursday, 02.08, 9 p.m.
Where: The Skylark Lounge
Why: This edition of Musical Mayhem looks like a doozy. Alan Muñiz is probably not someone you think of when you think of Denver’s music scene much less the avant-garde end of it. But he has been part of multiple projects that have been exploring sounds and musical ideas out on the edge of accessibility while rooted in a very organic approach to composition. His current project, lib.eriana is a mix of elegant acoustic-electronic music and abstract dub IDM. The moody, gorgeous pieces he’s shared on his Soundcloud account are just a taste of what you’re in for tonight. Also on the bill is post-punk/Canadian avant guitar aficionado solo artist Klaus Dafoe and Americana pop artist Brian Parton. Eclectic line up as should happen more often.

Who: Telefon Tel Aviv w/Dean Grenier, Bones and Peter Vaughan
When: Thursday, 02.08, 9 p.m.
Where: The Black Box
Why: Joshua Eustis and Charles Cooper started Telefon Tel Aviv in the late 90s composing IDM ambient music with sounds suggesting specific natural environments. The duo’s debut album, 2001’s Fahrenheit Fair Enough, established a sound that later became popular among the post-EDM/deep house set—a new kind of dance music for chillout zones. The project went on to explore various extensions of its root aesthetic across five albums before the untimely death of Cooper shortly after the release of Immolate Yourself, Telefon Tel Aviv’s up to now final album. Since then, Telefon Tel Aviv became a bit of a legendary band in the realm of IDM. Eustis became a touring member of Nine Inch Nails in 2013 as well as Puscifer. But since that year, Eustis has presumably worked on the recent reissues of classic Telefon Tel Aviv material and has apparently been working on new material that you can hopefully catch if you make it out to this show.

Who: Ice Troll, New Standards Men, Transmutation
When: Thursday, 02.08, 8 p.m.
Where: Streets of London
Why: Calling this a post-rock show might be a bit misleading because Ice Troll is clearly more in the realm of what one might call a doom orchestra. New Standards Men have more in common with noise sculptor punks and post-punks like Unwound and A Minor Forest than something as calming as Explosions in the Sky. But it’ll be instrumental and not adhering to basic genre formats of any kind.

Friday | February 9, 2018

jessica_lea_mayfield4_EbruYildiz_web
Jessica Lea Mayfield, photo by Ebru Yildiz

Who: Jessica Lea Mayfield, Sun Seeker and Porlolo
When: Friday, 02.09, 8 p.m.
Where: Larimer Lounge
Why: Jessica Lea Mayfield’s 2017 album Sorry Is Gone sounds noisier and more conflicted than perhaps her earlier efforts. But having gone through a breakup with an abusive spouse with songwriting as one therapeutic outlet, Mayfield nevertheless expertly writes in a way that comes across emotionally honest and poetic. With her life so disrupted Mayfield would have been excused for sounding angry but the record is more melancholy and expressive of hurt buoyed a bit by a spirit of defiance. Musically, Mayfield combines a soulful Americana with the desert-y atmospheric rock of Rain Parade or bits of Meat Puppets II. Though there is a bit of throwback to Mayfield’s melodies the tone of emotion in her voice is poignantly immediate.

Who: The Velveteers EP release w/Plastic Daggers, Bud Bronson + The Good Timers
When: Friday, 02.09, 8 p.m.
Where: Hi-Dive
Why: The Velveteers are releasing a new EP with songs informed partially by singer/guitarist Demi Demitro’s love of Grimm’s Fairy Tales with at least some of the material written in a graveyard. The duo has always sounded larger than seems possible with just drums, guitar and vocals. But with the new EP, Demi and her brother John push the envelope of their format further and guitar harmonics in the main riffs give the sound broader dimensions than has ever had. The Velveteers have always been a surprisingly compelling and powerful band with fire and bite in their songwriting and performances. The new EP confirms the promise that The Velveteers have plenty more to offer ahead with imaginative hard rock. To help celebrate the release of the debut EP are fuzz rock punks Plastic Daggers and Bud Bronson + The Good Timers, one of the few straight ahead rock bands that isn’t boring us with leaning on the crutch of a sound established completely by bands from decades past.

Who: Wrinkle album release w/American Grandma, Club Soda, Terremoto
When: Friday, 02.09, 7 p.m.
Where: 7th Circle Music Collective
Why: With its new album, A Kaleidoscope of Butterflies, Wrinkle from Denver has some self-effacing laughs amid its signature melancholic stories of the decaying American culture and its erosion of anything resembling the American dream while trying to survive and make sense of anything that could be worth doing, holding on to the bits of life that bring any joy or relief from the grim reality that faces all of us but specifically anyone under 30 that didn’t learn some technocratic trade, had a leg up in the financial industry or otherwise had advantages in life most of us don’t possess. Wrinkle has articulated the anomy of our times so well in its full catalog of songs but A Kaleidoscope of Butterflies finds the band using a broader palette of sounds and dynamics beyond any band inspired by late 90s emo and melodic hardcore. Wrinkle is more interesting than any throwback could be because its expanding what the music could be rather than merely putting on an individual stamp.

Who: Male Blonding, Plume Varia and Emerald Siam
When: Friday, 02.09, 9 p.m.
Where: Syntax Physic Opera
Why: This is the show of the year so far when post-punk and dream pop will be well-represented on stage between Male Blonding’s gift for making dynamics really create an architecture for atmosphere without having to make it obvious, Plume Varia’s deeply evocative yet gentle melodies and Emerald Siam’s layered, burning of the midnight lamp tones and dipping into wells of disappointment and gloominess and transforming it into something darkly beautiful. The latter released its most recent single, “Clean Split” on January 31, 2018. emeraldsiam.bandcamp.com/track/clean-split

Sunday | February 11, 2018

Sliver_Nov6_2016_TomMurphy_web
Sliver, photo by Tom Murphy

Who: Sliver, Television Generation, Mr. Atomic and Bad Nostalgia
When: Sunday, 02.11, 7 p.m.
Where: Lost Lake
Why: Chris Mercer may have had a bit of a troubled life of struggle like Kurt Cobain. But all of it has fueled his lyrics and the music he makes with Dylan Jammes and Hollis Pierman. Obvious comparisons could be made to Nirvana pre-Nevermind and Tad. But there’s plenty of the DC hardcore Mercer encountered and witnessed firsthand before he moved to Colorado from the East Coast. There’s an edginess to the emotional catharsis the band lays out on stage but also an ear for melody that bands so noisy and unapologetically intense sometimes don’t bother to cultivate. Television Generation is cut from similar cloth except that its fuzzy pop songs, especially on 2017’s excellent Peel, are reminiscent of some amalgam of Love Battery, Love & Rockets and Love. Scratch the latter even if it fits and think more like Green Day or Weezer. And because there’s a clear pop-punk and early 90s alternative rock influence informing the music. But also a touch of early psychedelia and a melancholic, sometimes otherworldly, undertone to the songs. Mr. Atomic sounds like it grew up on the last gasp of the legitimate group of alternative rock bands but in forming decided being essentially a tribute band for an era wasn’t going to work out and its songs reflect a modern sensibility. Boneth Ahaneku’s tuneful vocals coupled with the band’s overall songwriting are reminiscent of Letters to Cleo or Veruca Salt in their ability to sound joyful and even playful while not cheapening essentially thoughtful lyrics. And, really, Amy Heckerling should tap this band for her next soundtrack.

Wednesday | February 14, 2018

ChellaAndTheCharm_Jul26_2015_TomMurphy_web
Chella And The Charm, photo by Tom Murphy

Who: Bonnie and the Clydes, Chella & The Charm, Ryann & Lee, Jennifer Jane Niceley, Five Mile Woods
When: Wednesday, 02.14, 7 p.m.
Where: Hi-Dive
Why: Sure, Valentine’s Day Special at the Hi-Dive called “Sweethearts of the Rodeo.” And if it were a show in which vapid, soulless “country” musicians told stories that weren’t an amped up attempt to imbue limited life experience with faux gravity it might be worth it. But no, if you choose to attend you will get to see talented people like Bonnie Sims, the singer and main songwriter in Bonnie and the Clydes whose songs about life and love have a flavor that reveal her Texan roots but in doing so also a sensibility that more than suggests she’s been around the block a few times with laying her heart on the line. Also, Chella & The Charm’s songs about love and heartache come from a place of striking self-examination and contemplation of the essence of what it all means without bogging it all down with intellectualizing the experience yet not also having a perverse need to dumb it down for accessibility. A great country and Americana show for people who think they don’t like any of that music.

Who: Mandy Yoches & The Hell Knows
When: Wednesday, 02.14, 9 p.m.
Where: Goosetown Tavern
Why: Soul and R&B singer extraordinaire Mandy Yoches and her band The Hell Knows will perform a set of songs for Valentine’s Day. Probably not a cynical take on the subject of love because that’s not Yoches’ style but surely the set list will be interesting with some surprises from Yoches’ diverse repertoire.