When Xordox took stage the duo including J.G. Thirlwell looked like space mystics from a post-Solaris society with lights on their headsets and wearing pendants with symbols that seemed to have a significance for the performance ahead. A backdrop of abstract, evolving projections provided an unconventional grounding to melodic synth compositions that gave a sense of a mysterious future. Tonal sequences and distorted, flaring drones over inexorably flowing beats and rhythms captured that feeling you got from some of the more presciently utopian and dystopia science fiction movies from the 80s where bright sounds were often paired with dark themes. “Between Dimensions” from Xordox’s 2021 album Omniverse had one wondering if the robotic voice was a clear nod to early 80s hip-hop and its taking inspiration from Kraftwerk but that and the rest of the performance was a bubble of the otherworldly before the grand ritual of itchy-O’s set started.
Between the drum corps and the taiko crew set up on and in front of the main stage and a more electronic cadre set up opposite the stage near the sound booth, itchy-O established a sense of space beyond the confines of the venue. In the band’s earliest days and through the mid-2010s the sheer physicality of the band in small spaces and larger places was an undeniable presence that in all its moving parts created a raw and chaotic energy even though the songs were written ahead of time and heavily rehearsed. It always felt like it could go off the rails even as it operated with great cohesion. Sometime between then and now the band has streamlined its performance. The set list felt sequenced in a way to orchestrate the tonal and rhythmic nuances so that the energy never dropped off. Sure the bombast of earlier shows was there but what might be considered by many to be a gimmick wears thin but the flow of the show now seems to reflect the ways itchy-O’s albums worked as a listening experience. The seamless integration of both approaches to executing the music in studio as worked out in rehearsals and composed outside of those and the live show appears to be complete. A listen to the newly released album SYPHERLOT & HALLOWMASS DOUBLE LIVE 2020 (out now on Alternative Tentacles) hints at this reality though thoroughly enjoyable on its own.
The two poles of command at the concert established an unspoken creative tension that reconciled and then parted again throughout the evening. The “creeps” that once most often mingled in the crowd also acted as living dramatic props at points in the show as when the speaker read from the book and appeared to criticize its contents as if to suggest that at some point you have to go beyond the rules, beyond established and entrenched authority to grow as a person and as a group. The clawed hands raised around him made it look like some Lovecraftian cult but one more benevolent and more keyed into the dark mysticism of the collective unconscious. One of the creeps did some riding of the crowd across the room while the two lion’s prowled playfully about. Whereas in some older shows the appearance of Larry the Lion could bring some pause to the forward motion of the event, nothing really diverted attention and all components seemed in sync and keeping the audience engaged beginning to end. If the live album is a marker in the life of a band, this show was a display of the lessons of focus and intentionality that the preparations for those shows necessitated and a clear signal that itchy-O has much more to offer with creativity in presentation of its art and the music that drives its expression.
This Friday October 29 through Sunday October 31 with doors at 8 p.m., Denver-based experimental performance troupe itchy-O is set for a string of shows at The Summit Music Hall it’s calling HALLOWMASS. Expect a visceral flood of image and sound more like a ritual than a traditional concert or other show with performers dressed up in outfits like ushers in a neo-mystical ceremony. Full drum corps including taiko, synths, other electronics noises, bass, guitar—all in sync to create one of the most powerful live music performances you’ll get to see this or any season. Opening the first night is dark Americana band Munly and the Lupercalians, on October 30 the opening performer is industrial/noise/producer legend J.G. Thirlwell and his Xordox project, October 31 brings tribal post-hardcore post-punk phenoms Wovenhand.
In 2020 the 57-member group performed two outdoor, drive-up events, SYPHERLOT in the parking lot of the Mission Ballroom in August and HALLOWMASS at the now demolished New Tech Machinry building in October. Those performances were captured in high definition and will find release as a double live LP on November 5 through Alternative Tentacles. But advance copies of SYPHERLOT | HALLOWMASS DOUBLE LIVE 2020 will be available during the 2021 HALLOWMASS performances. We recently got to ask some questions of the band via email about the creation of the new album and its evolution as a live and recording project across roughly the past decade.
Queen City Sounds and Art (Tom Murphy): How did Itchy-O prepare for the concerts that were captured on the SYPHERLOT | HALLOWMASS DOUBLE LIVE 2020 album given the sprawling membership and what one would assume were observed precautions during that phase of the pandemic?
Itchy-O: When the pandemic hit, we got to work at what we do best, adapting and evolving. Over the years as this thing has grown, being as flexible and nimble as this behemoth can be has been paramount.
So, we heeded the call: Short-band radio broadcast turned each car interior into a private listening experience for what felt like a post-apocalyptic affair. Roving bands of our Khaos Federation opened a temporary escape portal with physically contactless strategies, engulfing each vehicle in the carefully crafted rite and ritual 2020 called for. And procedurally, we developed a set of standard operating procedures that the health department applauded us for, while we followed all of the recommended CDC guidelines for masking, ventilation, disinfecting, and distancing to keep everyone safe.
Q: Bands often release a live album to mark the end of an era or the peak of that era and the beginning of another. Do you feel this was the case with this live album? If so, how so? If not, why not wait until enough newer material was created for a new studio type of record?
I: We record all of our live sets but have never been interested in putting out a live record until now. One of the reasons we decided to release this material was because after looking back we realized we had just captured an extraordinary moment in time (as the blaring car horns attest). It was a literal torch lighting during one of the darkest moments of modern history.
In hindsight, and as you most astutely surmise, this album does feel like a turning of the page for us. One of the reasons for this is the music that we are currently writing for our next studio album embraces a number of more advanced concepts we are incredibly excited about: Things like beat cancellation, the effects of frequencies on bio-organisms, science in music, group hypnotics, and the rhythmic brain.
Q: The global pandemic, still ongoing, prompted musicians and other performing artists to find creative ways to present and perform their music in a safe way and/or to reassess their music and experiment with new approaches and sounds out of necessity and caution. Did those considerations and limitations drive the kinds of shows you’ve done and perhaps inspire new sounds and visual styles and performances that stretched what you’ve done before? How so?
I: Covid may have forced our hand, but like we mentioned we are good at adapting and were able to respond in kind. In addition to the drive-in series (which you can catch part of on Alamo In-Demand), our From The Vault live performance streams gathered fans online each Saturday for two and a half months to relive HD recorded concerts, and we were commissioned by the Greek Onassis Foundation for our Milk Moon Rite performance. The acclimation and protocols we developed helped shape our triumphant return to Levitt Pavilion in July for thousands of spaced-out revelers under a beautiful summer night sky that we set ablaze in pyrotechnics.
But, probably the thing we are most proud of over the past 19 months was our Noise Bath stroboscopic meditation series, utilizing binaural and isochronic frequencies. We rolled out this six part series to our beloved Patreon supporters (who have seriously been the lifeblood through these last 20 months) as a proof-of-concept and it exceeded everyone’s expectations.
Q: What do you feel Evergroove Studio has been instrumental in bringing out in terms of sound for the live shows and on your recordings, the live album in particular?
I: Bringing on Evergroove in 2015 was a game changer for us. Our radio frequency game is on par with the biggest stadium shows touring and in terms of the studio… a whole other article could be devoted to this; see: Evergroove’s new Atmos system that was just installed and our next record.
Q: After listening to the live album in depth I’d say that like your studio albums it gives the listener another dimension of the band. I found the level of detail in texture, dynamics, tone and atmospheric elements to be very immersive in a way that’s different from the live show where the visual element and the collective experience of both band and audience creates an energy that would be impossible to convey fully on a recording. What do you feel you tried to highlight on the live recording with the mixing and mastering process that isn’t always fully possible when executing the music live? Or maybe it is and having this independent listening experience enriches the live show.
I: Many of the musicians were out in the center of the lot with the cars and we had atmospheric mics specifically placed to capture those elements. Those tracks really ended up paying off.
Q: How did J.G. Thirlwell come to be an opener for the October 30 Hallowmass 2021 show? How did his music and production impact what Itchy-O has done?
I: Many of us grew up with J.G. – Foetus, Wiseblood, Clint Ruin, Steroid Maximus, and all of his music on Ectopic Ents, etc. We met him down in Tasmania when we played Dark Mofo in 2016; he’s been a great source for advice concerning the industry over the years and we are completely honored to get his holiday cards every year.
Friday | 10.01 What:Muscle Beach, Cheap Perfume and Mainland Break When: 8 p.m. Where: Hi-Dive Why: This is a now rare opportunity to see Denver post-hardcore band Muscle Beach. Fitting somewhere in between noise rock, the aforementioned subgenre of punk and extreme metal, Muscle Beach also somehow manages to create an inviting rather than forbidding energy. Cheap Perfume’s strident and thrilling feminist punk anthems challenge tropes of punk and social convention equally with great energy and sass. Mainland Break’s jangle-y power pop is absolutely for fans of Franz Ferdinand and Nick Lowe with a perfect balance of homespun storytelling and burning off everyday frustration with fuzz-tinged melodies.
Saturday | 10.02 What:Franksgiving 2021: Ralph Gean, Little Fyodor & Babushka Band and The Pollution, DJ Don Bess When: 9 p.m. Where: Lion’s Lair Why: The late Franklin Bell was a local character whose eccentric DJ nights were a hit with the local weirdo music cognoscenti. For several years he held an event called Franksgiving as a fundraiser for the Crohn’s and Colitis Foundation. With the relatively recent passing of Bell, his friend Little Fyodor has taken up the cause in Bell’s name and merch sales as well as proceeds from the evening will be donated to the aforementioned charity. If you show up you’ll get to see Denver rock and roll legend Ralph Gean, the über punk of Little Fyodor & Babushka Band (don’t go expecting another Ramones or Black Flag clone, this is weird, smart, eccentric stuff and as filled with attitude and as informed by existential anxiety as the best of the genre), the psychedelic punk of The Pollution and DJ Don Bess whose own bizarre choice of cuts for the evening will be decidedly different. Some of the city’s finest all on one bill and for a good cause.
Sunday | 10.03 What:Titwrench 2021: Nacha Mendez (Santa Fe), The Milk Blossoms, Machete Mouth, My Name is Harriett (Colorado Springs) and Sol Vida Worldwide When: 4-10 p.m. Where: City Park Pavilion 2001 Steele St, Why: The Titwrench Festival launched in 2009 as a means of shining a light on the creative efforts of marginalized groups beginning with the musical and art works of female identified folks and expanded to other groups including the 2SLBGTQIAP+ community at large and people of color and so on. While the curation has been thusly focused, the festival has always been all ages and inclusive and open to everyone to get to experience creative performances in a safe environment from people whose work isn’t always featured in the usual venues and rooms where you generally get to see live music. The current edition of the festival takes place on Sunday, October 3, 2021 from 4-10 p.m. at the Denver City Park Pavilion. The event will include educational workshops, dance parties, food from Maiz food truck (selling homemade Mexican cuisine) and a market featuring Witch Collective, a group of local artisans and herbalists. Also, this year Suzi Q. Smith will be the MC. Our recent podcast includes interviews with the event organizers (Sarah Slater, Michaela Perez and Katie Rothery) and members of all the performing artists including My Name is Harriet, Machete Mouth, Nacha Mendez, April (Axé) Charmane of Sol Vida Worldwide and Harmony Rose of The Milkblossoms which you can listen to on Bandcamp. For more information on the festival please visit titwrenchcollective.org.
Monday | 10.04 What:The Shivas w/Rootbeer Richie & The Reveille and Honey Blazer When: 7 p.m. Where: Hi-Dive Why: Since forming in 2006, Portland, Oregon’s The Shivas has developed a sound that incorporates elements of 60s psychedelic garage rock and pop but out of step with obvious trends. Its idiosyncratic songwriting style has always seemed to have more in common with the 90s indie pop and its emphasis on raw expressiveness and tapping into classic sounds and aesthetics as a vehicle for expressing timeless themes and universal human emotions with an intensity and artistry that feels vital and of the moment and not trying to recreate a previous era of music and culture. The band started making a name for itself in the American underground in the late 2000s but its breakthrough to a wider audience might be traced in the wake of the release of its 2013 album Whiteout! On the respected and influential label K Records. Heavy touring every year and a string of solid albums garnered the band a bit of a cult following when, in 2020, The Shivas, like many touring entities, had to effectively stop operations. The foursome had already written its next album and had to put plans on hold for any kind of release until the following year. During the first part of the pandemic and a de facto blackout of live shows happening, three fourths of the band worked with the unhouse population of Portland through a non-profit and took time to rethink and rework how the band would operate going into the future. In early 2021 the group released its latest album Feels So Good // Feels So Bad through Tender Loving Empire, a record that evokes the sense of urgency and uncertainty that all of us felt during the bleakest times of the 2020-2021 pandemic but which many of us poignantly felt prior to that global, and ongoing, health crisis. It is both a cathartic and comforting listen. Check out our interview with The Shivas on Bandcamp.
Monday | 10.04 What:Indigo De Souza w/The Slaps When: 7 p.m. Where: Globe Hall Why: North Carolina-based singer and songwriter Indigo De Souza recently released her latest album Any Shape You Take on Saddle Creek in August 2021. Though its neo-soul and pop sound is somewhat stylistically different from her fantastic 2018 debut album I Love My Mom with its introspective, guitar pop songs it goes further into an approach of radical vulnerability in plumbing the depths of emotional trauma, self-doubt and the use of creativity as a path out of the darkest places of the mind. The gentle touch of the songs have an unconventional power through honoring wounded feelings with a compassionate honesty that informs the songwriting in general.
Tuesday | 10.05 What: Arlo Parks w/Michelle When: 7 p.m. Where: Globe Hall Why: Arlo Parks’ debut album Collapsed in Sunbeams was one of the more anticipated releases of the past year. Her early EPs showcased a unique and soulful voice from an artist with a deft and easy wordplay that gave an added dimension to her jazz-inflected downtempo pop songwriting. Her performance video for Seattle’s KEXP recorded during the pandemic verified Parks’ self-possession as a performer capable of commanding attention within the coolly dynamic flow of the music.
Friday | 10.08 What: Japanese Breakfast w/Luna Li When: 8 p.m. Where: Ogden Theatre Why: With every album Michelle Zauner of Japanese Breakfast has seemed to take on powerful emotional challenges as almost an engine for her creativity. Psychopomp was written while her mother went through treatment for cancer, Soft Sounds From Another Planet was written in the wake of her mother’s death and seemed like a personalized science fiction story as an attempt to make a meaning of events for anyone listening in to her heartfelt sentiments and poetic exploration of inner space channeled into expansive and inventive art rock. Her latest album, Jubilee, is a departure from those first two records in being more overtly pop in the sense that writing a pop song with resonance and poignancy is a challenge and a way to remain focused on something that distills joy for at least a few moments of time with observations that express essential truths. The record has much in common with the great indie pop bands of the 90s and 2000s and how that music was ambitious and experimental in utilizing sounds and song dynamics that were out of step with what was popular but which has gone on to age well. 2021 has been a bit of a banner year for Zauner as it also marks the release of her powerful memoir Crying in H Mart. If you’re lucky enough to have an H Mart in or around your city and, perchance, have spent time in one the book has a special, tactile, cultural resonance that is difficult to fully appreciate without experiencing that gloriously pan-Asian market for yourself.
Friday – Saturday | 10.08 and 10.09 What: Convulse Records 3 Year Anniversary When: 5:30 p.m. Where: Aztlan Theater Why: Hardcore label Convulse Records celebrates its three year anniversary with a two day festival at the historic Aztlan Theater where many a punk and underground music show took place in the decades leading up to the 21st century. The scheduled performers include Goon, Spine, Militarie Gun, Ingrown, Raw Breed, Discreet, The Consequence, Spy, Urban Sprawl, Faim, Entry, Big Laugh, Video Prick, Punitive Damage, Gel, Scowl, Closed In, Sweat, Cyst, Battlesex, Public Opinion, Direct Threat, MSPaint, Drill Sergeant, Yambag, Rash, Candy Apple, L.I.B., Blood Loss, Reality Complex and Asbestos. See set times below and keep in mind that with all festivals set times can be a little loose around the edges.
Saturday | 10.09 What:Grief Ritual album release w/Church Fire, Lost Relics and Dulled Arrows When: 7 p.m. Where: Hi-Dive Why: Grief Ritual celebrates the release of its debut album The Gallows Laugh. The band’s blend of post-hardcore and extreme metal is threaded through with surprisingly uplifting melodies as contrasted with distorted vocals and fluidly heavy riffs. Also on the bill are sludge metal greats Lost Relics whose own 2021 album Now We’re Even dropped in April. Dulled Arrows is a bit of a departure from the heavy with its blend of math rock and Americana. Even more of a departure for this show is Church Fire and its revolutionary industrial dance synth pop.
Saturday | 10.09 What:Nation of Language w/Oko Tygra When: 8 p.m. Where: Lost Lake Why: For its new album, A Way Forward due out on November 5, 2021 on PIAS, Nation of Language reached back to the roots of its sound to early pioneers of electronic pop and rock like Kraftwerk, Popol Vuh, Suicide and OMD. It also has the transformative sense of wonder mixed with nostalgia heard in the music of Tor Lundvall in the 90s as released on the 2019 compilation A Strangeness In Motion. So called minimal synth from the early 2010s was very much part of the emergent modern darkwave movement and Nation of Language has refined those sounds and impulses in a way that should also appeal to fans of Perfume Genius and Future Islands. Opening the show is the great, soulful dream pop band Oko Tygra who though clearly inspired in part by Cocteau Twins also bring an R&B sensibility to its lush and affecting guitar rock.
Saturday | 10.09 What: Supersuckers w/Reno Divorce and Luke Schmaltz When: 7 p.m. Where: Oriental Theater Why: Supersuckers were part of that whole mess of the Seattle music scene explosion of the early 90s and benefited from that association but somehow survived the fallout of that collapse to become a beloved underground touring act for some 30 years now. Reno Divorce may be a roots punk band but its stories of everyday struggle hit deep and its spirited performances help drive that content home. Luke Schmaltz was and is the frontman for long running Denver punk legends King Rat and he brings a literary flair to his punk songwriting though for this show he’s going solo.
Monday | 10.11 What:cleopatrick w/Zig Mentality and Ready The Prince When: 7 p.m. Where: Bluebird Theater Why: cleopatrick’s 2021 debut album BUMMER seethes with irresistible intensity. Like a hop-hop album written by guys who make music that sounds like they had to listen to Soundgarden and Sleaford Mods through blown out speakers growing up. The vocal cadence has that kind of flow and the burning, distorted, pulsing guitar work is almost like a sample in the way it is employed in the mix of sounds.
Friday | 10.15 What:Cellista PARIAH tour w/Zero Collective (LA) and Herpes Hideaway When: 7 p.m. Where: Mutiny Information Café Why: Cellista returns with her latest album PARIAH which is a fairytale concept album of a sort. But it’s a fairytale about confronting injustice by daring to speak the truth even though rejection by one’s community is often inevitable with a long and uncertain road to vindication for refusing to accept the official version of events. In live performance Freya Cellista aims to break down the barrier of performer and audience with a collective experience of the music. The combination of classical music, pop and opera makes the type of creative work one often has to go to a fancy theater or art gallery to see accessible in a smaller setting like Mutiny.
Friday | 10.15 What:The Final Sound (Brooklyn) w/eHpH and Weathered Statues When: 8 p.m. Where: HQ Why: New York’s The Final Sound brings its moody post-punk flavored dream pop to Denver in the wake of the release of its 2021 album Automata Theory. Fans of The Chamleons and Pink Turns blue will appreciate what The Final Sound have to offer. Weathered Statues is a post-punk band from Denver with a touch of punk brashness that gives the music an expansive momentum and pop flavoring. EhpH is one of Denver’s most interesting EBM/industrial bands even though its latest album, 2020’s Infrared, revealed a bit more than a passing gift for making brooding and deeply atmospheric post-punk.
Friday | 10.15 What:Valley Maker w/Patrick Dethlefs When: 8 p.m. Where: Globe Hall Why: Austin Crane was already writing thoughtful, delicately textured folk style songs on the 2010 self-titled debut Valley Maker album. But with the 2021 release of When The Day Leaves it’s like you’re getting to see those modest though sophisticated creative beginnings attain a full bloom with subtle layers of dynamics interlocking and resolving around rhythm of the poetic imagery of the lyrics. It’s a mastery of songcraft in this loose realm of songwriting that one hears in the work of Sam Beam where storytelling, elegant turns of phrase and delicacy of feeling work together with a nuanced evocation of life’s poignant moments strike you with power of gentle epiphany.
Saturday | 10.16 What: 100 Gecs When: 8 p.m. Where: Ogden Theatre Why: 100 Gecs is, loosely and perhaps imprecisely speaking, an experimental pop duo from St. Louis whose sound combines noise, trap, industrial pop, EDM and video game music. The auto-tuned vocals and hyperkinetic yet chill production is the kind of thing that will alienate and outrage more conventionally-minded tastes which is why it’s interesting in the first place in flouting outdated notions of good taste. It is unabashedly its own thing which is why the group has garnered a cult following not just for the music but its non-gendered presentation as performers. If you thought people hated Riff Raff, this is weirder with stage personae that really do push the envelope in a creative way and thus culturally significant for that as well as pushing into hybrid musical territories in making something new and undeniably accessible and interesting if you’re open to the unfamiliar.
Monday | 10.18 What:Erykah Badu When: 7 p.m. Where: Mission Ballroom Why: Erykah Badu is one of the pioneers of psychedelic neo-soul whose emotionally vibrant and deep songs have rightfully caught the attention of a wide audience since the late 90s after the release of her 1997 debut album Baduizm. Her gift for jazz idiom and poetry in the context of hip-hop and soul is second to none and her commanding live performances are always moving and worth witnessing.
Monday | 10.18 What:Cradle of Filth w/3TEETH and Once Human When: 7 p.m. Where: Ogden Theatre Why: Cradle of Filth is currently touring and performing its 1998 album Cruelty and the Beast in its entirety. The concept album centered around the story of the 16th/17th century Hungarian countess Elizabeth Báthory. So go expecting the band’s usual theatrical, extreme metal bombast with some older fan favorites and perhaps some cuts from the group’s forthcoming album Existence is Futile.
Thursday | 10.21 What:Juliet Mission, Jacket of Spiders, Amalgam Effect When: 7 p.m. Where: HQ Why: Juliet Mission is a trio that includes former and current members of classic Denver alternative rock band Sympathy F. Juliet Mission has less jazz elements than the latter and its music is more in vein with the great, gloomy, dark vibe of old Denver. Jacket of Spiders includes former members of Twice Wilted and Tarmints doing a more shoegaze-y and post-punk thing.
Sunday | 10.24 What:Kal Marks w/Moon Pussy and Tender Object When: 7 p.m. Where: Hi-Dive Why: Kal Marks from Boston has been making some of the most scorchingly abrasive yet accessible noise rock this side of Big Black for over a decade all while mixing in haunting atmospherics and irreverent storytelling. The title of the group’s 2019 EP Let The Shit House Burn Down about summed up widespread frustration with the direction of American society and government. Did this band woodshed songwriting while listening only to releases on Amphetamine Reptile, Touch and Go and Siltbreeze before putting out any releases? Probably not but thankfully they sound like that was part of the creative process to shield musical instincts from the temptation to aim for appealing to tastes dullened by having become used to music that sounds tame and having gone through focus group meetings before being marketed as exciting when it’s anything but. Moon Pussy from Denver are a similar type of band with its own eruptive dynamics and emotional intensity coupled with scorching soundscapes.
Tuesday | 10.26 What:Lords of Acid w/Aesthetic Perfection, Praga Khan and MXMS When: 6:30 p.m. Where: Oriental Theater Why: Lords of Acid is the Belgian industrial dance band whose overtly sexually themed songs are a hedonistic celebration of life and a repudiation of puritanical sensibilities and a-human hypocrisy. But even if that’s not completely your thing the songs are fun especially in the live setting when you don’t always know what frontman Praga Khan will get up to on stage all in the spirit of a good time. MXMS is the excellent dream pop/downtempo group from Los Angeles whose lush, sultry sound is reminiscent of MIA by way of Crystal Castles and Goldfrapp.
Wednesday | 10.27 What:Snotty Nose Rez Kids w/Lex Leosis When: 8:30 p.m. Where: Hi-Dive Why: Snotty Nose Red Kids is a Canadian First Nations hip-hop duo whose production seems as dark as it is playful. Their songs suss out the corners of depression and alienation with sharp couplets that flow with a jagged yet sinuous flow. Currently the group is touring for its fourth full length album Life After.
Thursday | 10.28 What:Mr. Atomic w/Trash and Gila Teen When: 7 p.m. Where: Globe Hall Why: Denver’s Gila Teen is what happens when punk and emo kids discover post-punk and manage not to go Goth yet embrace that emotional intensity as a vehicle for making honest art. Mr. Atomic from Fort Collins could be dismissed as yet another 2010s/2020s band that really hopped back on that retro 90s alternative rock revival bandwagon. But its energetic shows and strong songwriting makes such considerations irrelevant because if you band can bring it live that’s all that matters in making it something to recommend.
Saturday | 10.30 What: Tokyo Police Club w/Pkew Pkew Pkew https://www.bluebirdtheater.net/events/detail/405233 When: 8 p.m. Where: Bluebird Theater Why: Tokyo Police Club got going in 2005 and benefited directly from the peak years of the music blog phenomenon from roughly 2006-2016. The band hit the sweet spot of a mix of influences that sounded like 90s indie rock like Cursive and Modest Mouse and the then still strong post-punk revival. What set the band apart from a steady stream of cookie cutter indie rock was its strong songwriting and thoughtful, insightful lyrics. This was perhaps best embodied in its first half decade by the 2010 album Champ which the 10th anniversary edition of which TPC announced at the end of 2020 and released in 2021. Opening the show are fellow Canadians Pkew Pkew Pkew and their brand of anthemic pop punk.
Saturday | 10.30 What:itchy-O Hallowmass w/J.G. Thirlwell When: 8 p.m. Where: Summit Music Hall Why: itchy-O is the experimental, maximalist electronics and rhythm mobile orchestra that has graced Denver, Colorado and worldwide stages for over around a decade. It’s performance art as much as music though both can be enjoyed independently, which is why itchy-O is still interesting and not an inspired gimmick, as the collective has evolved all aspects of its show and recordings from launch. It’s a bombastic and unforgettable spectacle everyone should get to see. Opening the show is legendary producer and influential industrial artist J.G. Thirlwell whose project Foetus helped to pioneer and develop the industrial and noise genres at the beginning of the 1980s. He has been involved in other people’s records for decades including a fascinating collaboration with Zola Jesus for her 2013 remix album Versions.
What:Jail Wolf w/Hotel Garuda, ford When: Thursday, 05.02, 7 p.m. Where: The Ogden Why: Sajeeb Saha got started making electronic music and did remixes for the likes of Odesza and Dirty South before embarking on making the kind of effervescent pop that appeared on his 2016 EP Kindred Spirits as Jai Wolf. The EP reflected his earlier production experience in terms of the musical ideas and details that one might hear on an EDM record. But it also incorporated the kind of expansive and psyche cleansing musicality of the post-chillwave efforts of artists like Toro Y Moi and Washed Out. Three years later the new Jai Wolf album, The Cure to Loneliness sounds like a massive leap forward evolving the eccentric sonic flourishes of EDM into more interesting features of a song and tighter songwriting with a wider array of instrumentation including guitar and percussion that sounds like a human is behind the performance somewhere. Intact and more fully realized in its expression, though, is Saha’s gift for expressing a sense of wonder and hope, qualities that are much needed given the state of the world. The same line-up same time performs at the Ogden Theatre on Friday, May 3.
What:Speakeasy Series: Denizens of the Deep and Felix Fast4ward When: Thursday, 05.02, 6:30 p.m. Where: Hooked On Colfax Why: This edition of the Speakeasy Series presented by Glasss Recorods are master Denver soundsculptors Denizens of the Deep and Felix Fast4ward. Both fit somewhere in the realm of ambient and electronic dance music and psychedelia without needing to fit in any of those categories.
What:Monolord w/The Munsens and The Well When: Thursday, 05.02, 7 p.m. Where: Hi-Dive Why: Solid doom show including Monolord from Gothenburg, Sweden, a city more well-known for its melodic death metal. Monolord sounds more like they grew up listening to pre-1995 Melvins and that’s a positive.
What:A Rembrance for Brittany Strummer w/Typesetter, Cheap Perfume and Ersatz Robots When: Thursday, 05.02, 7 p.m. Where: 3 Kings Tavern Why: Brittany Strummer was not in bands but as a fan and associate of bands and the punk community and a friend to many she touched many lives nationally and even internationally. For this show some of her friends are getting together to celebrate her life and legacy with live music.
What:Shpongle w/Tipper, Desert Dwellers, Leo P (from Too Many Zooz) When: Thursday, 05.02, 6:30 p.m. Where: Red Rocks Why: Shpongle has kind of a silly name and its fusion of world music, psychedelia and electronic dance music isn’t for everyone but it’s shows are like an idiosyncratic ritual of spectacle and depth of sound. Tipper’s deep ambient abstract dance could be headling this show as well but is only on this first date of Shpongle’s 2-day run at Red Rocks.
Friday | May 3
What:Faces Under the Mirror, Rosegarden Funeral Party, Vio\ator and eHpH When: Friday, 05.03, 8 p.m. Where: Mutiny Information Café Why: Darkwave show of the week with electro-industrial band Faces Under the Mirror, Dallas-based post-punkers Rose Garden Funeral Party, noisy dark industrial project Vio/lator and Denver EBM duo eHpH whose electronic industrial soundscapes have a bit of confrontational energy built into the mix.
What:Jacket of Spiders When: Friday, 05.03, 9 p.m. Where: Denver Art Society Why: The debut show of the new band from former members of Tarmints/Twice Wilted/Cynic’s Bane/Soulbender ,AJ Hathaway, Bobby Jamison and Bobby Bane.
What:Copper Leaf, Bear and the Beasts and Gun Street Ghost When: Friday, 05.03, 9 p.m. Where: BarFly Why: A free show. Somewhere betwixt Americana and late 90s/early 2000s indie pop with a charming richness of musical detail is Copper Leaf. Bear and the Beasts is like-minded but more rock and probably more influenced by the likes of Lucero. Gun Street Ghost is kind of a gritty Americana band but Mike Perfetti’s masterful storytelling and charisma sets any of his projects apart from most other bands.
What:Roller Disco 2 When: Friday, 05.03, 11:30 p.m. Where: Roller City Why: Late night culture is back to being nascent and underground in Denver but this is something along those lines where your entry fee gets you a skate rental and new wave and synth pop songs appropriate to the occasion playing into the wee hours.
What:Tyto Alba album release – Sucker w/Panther Martin and Modern Leisure When: Saturday, 05.04, 8 p.m. Where: Hi-Dive Why: Anyone paying attention to the Denver underground rock scene with any taste or discernment would tell you that Tyto Alba is one of the city’s best bands. Its ear for melody and keen sense of dynamics has resulted in a body of work that is emotionally rich and deeply evocative. Its dream pop is a master class in contrasts between strong rhythms and delicate, gauzy melodies and Melanie Steinway’s thought-provoking lyrics delivered with a gift for expressing nuanced sometimes uncomfortable truths with a vulnerability and strength of conviction that isn’t common enough. The group’s new album Sucker is a showcase for the band’s songwriting versatility. Tyto Alba already had a sound of fascinating contrasts and complexities (moody, bright, melancholic, emotional truthfulness and acceptance of the range of one’s feelings) but Sucker is the band at its peak of development so far. In the hands of other artists some of the material could be brutal but a sense of compassion has also long informed the music.
What:Skating Polly w/MONSTERWATCH and Backseat Vinyl When: Sunday, 05.05, 8 p.m. Where: Streets of London Why: Because Skating Polly had to come up as musicians in an insular way and didn’t come up on trends the way many other musicians have, its almost outsider blend of primal grunge and garage rock is unlike much else in the scenes of the revival of either of the past decade.
Monday | May 6
What:Pedestrian Deposit w/Entrancer, Anime Love Hotel, Sunk Cost When: Monday, 05.06, 8 p.m. Where: Syntax Physic Opera Why: Pedestrian Deposit combines layers of sound to create an engulfing sonic experience. From organic stringed instruments, field recordings, tape collage, harsh noise and electronic instrumentation, the duo from Los Angeles is unlike many bands in the realm of “noise” and its shows border on a kind of ritual born out of urban decay and neglect. Also sharing the bill are techno wizard and ambient artist Entrancer and noise sculptor supreme Sunk Cost.
What:Lolo Zouaï: High Highs to Low Lows Tour w/Jean Deaux When: Monday, 05.06, 7 p.m. Where: Larimer Lounge Why: Lolo Zouaï’s 2018 full-length High Highs to Low Lows is surprisingly downtempo and world weary for an artist in her early 20s. She cites Too Short as an influence so maybe that is a factor. Its lush production and trap-esque and gritty, ethereal flavor bears comparison to Alice Glass’s solo EP of a couple of years ago.
What:Winter w/Ancient Elk When: Monday, 05.06, 8 p.m. Where: Lost Lake Why: Samir Winter and the band that takes its moniker from her surname is fortunately not sticking to one sound for an entire career. Yes, those blissfully atmospheric pop songs from the debut album benefited from Winter’s strong, evocative singing. But the 2018 album Ethereality sounds like the group adopted a bit of the muscular, fuzzy upbeat rock sound of other groups that are tapping into the 90s but Winter’s buoyant yet introspective presence gives it some depth. Denver psychedelic folk band Ancient Elk is changing its name and supposedly this is the show where the new name and presumably new line-up will be launched.
Tuesday | May 7
What:Perturbator w/GOST and Many Blessings When: Tuesday, 05.07, 8 p.m. Where: The Oriental Theater Why: Perturbator takes that sort of analog synth John Carpenter worship soundtrack thing and elevates it with even more dramatic flourish and volume by transforming it into industrial dance music.
What:Real Dom, Terror Pigeon, Techno Allah, Aman When: Tuesday, 05.07, 8 p.m. Where: Rhinoceropolis
Why: Since the late 2000s Terror Pigeon has created bombastic synth poppy dance music with deep grooves like they were some band out of Brooklyn rather than Nashville.
Wednesday | May 8
What:Fasano Twin Film Night When: Wednesday, 05.08, 10 p.m. Where: Mutiny Information Café Why: Charly and Vincent Fasano have been fixtures of the front range art, poetry and music scene for close to three decades. Charly “The City Mouse” will be screening some of his short films while Vinnie “Cheap” will provide musical accompaniment with his experimental jazz group Still Birth of Cool.
Who:The Damned w/Radkey and The Darts When: Thursday, 10.25, 7 p.m. Where: The Gothic Theatre Why: The Damned famously released the first UK punk single “New Rose” on October 22, 1976 through Stiff Records. While the group didn’t cause as much of a stir as the Sex Pistols or garner as much fame as The Clash, it has, long term has arguably been as influential as both on not just punk generally but also post-punk and Goth with its aesthetic, musically and in terms of visual style. After several lineup changes, including founding member Captain Sensible coming and out of the band, The Damned have persisted as a vital live act. In 2018 the group released its first album in a decade: Evil Spirits. Easily the band’s best, most satisfying record since the late 70s, Evil Spirits doesn’t break new ground, it just reaffirms the fact that The Damned may have been punk but it’s also one not short on strong songwriting. Sounding somewhere between a more raw 70s glam band and thoughtful 80s post-punk, the new set of songs from The Damned are a somewhat melancholic take on the state of the world but inside that tonality is a spirit of defiance through creativity. Also on this tour is Radkey, a trio comprised of the Radke brothers whose style of garage punk is more in the vein of early pioneers like Death and, well, The Damned.
Who:Fathers and Muscle Beach Tour Kickoff w/Nightwraith and Limbwrecker When: Thursday, 10.25, 8 p.m. Where: Hi-Dive Why: Two of Denver’s metallic, post-hardcore bands are going on tour and celebrating the occasion with this kickoff tour. Fathers includes now former members of Lords of Fuzz, Black Acid Devil, Cult of the Lost Cause and Native Daughters so its heavy music pedigree is respectable enough. But it’s debut, self-titled record, out in Fall 2017 forged a bit of a different musical identity for its members with music akin to the aggressive and thorny drive and dynamism of bands like Converge and Coalesce. Muscle Beach, especially its newer material, compresses a great amount of energy and movement into a small span of time and cuts out the inessential. In doing so, the trio’s songs defy easy genre designation and despite its relentless energy there is a grace and fluidity to music not really designed to possess either quality.
Friday | October 26, 2018
Who:Kamasi Washington w/Victory When: Friday, 10.26, 7 p.m. Where: The Ogden Theatre Why: Kamasi Washington is reaping the benefits of a lifetime of learning and honing his craft and bringing to the playing of saxophone and composing music a creativity that has some critics and fans placing him among the jazz legends of yesteryear. History will decide if Washington is worthy of such accolades but his body of work and his various collaborations in the worlds of jazz and hip-hop speaks for itself. He is among one of the true talents bridging various realms of music with equal aplomb. In that way he and bassist Thundercat have much in common as both have contributed to albums by the likes of Pulitzer Prize-winning hip-hop producer and rapper Kendrick Lamar as well as releasing acclaimed and innovative albums in their own rights. In 2018, released both a full-length with Heaven and Earth and a companion EP The Choice. Difficult to assess Washington’s legacy at this point but this is a chance to witness his music live at a medium-sized venue either at The Ogden Theatre or tomorrow night in Boulder at The Boulder Theater.
Who:Sharone & The Wind’s Night of Terror 2 w/Shattered Halo, Married a Dead Man, Dead But Fancy, Rotten Reputation When: Friday, 10.26, 8 p.m. Where: Moe’s Original BBQ, Englewood Why: As Sharone & The Wind have developed over the past two years as a band, it has also established itself as a theatrical live act. No holiday is more suited to the group’s dark, emotionally-charged, art metal than Halloween. For the second year running, the band has assembled friends and peers to share a set at Moe’s Original BBQ to ring in the holiday with what will surely be a set that will include props and go beyond a band merely getting on stage and rocking.
Who:1st Annual Halloween Throwdown Night 1: Dragondeer Vs. Bowie w/Def Knock and The Milk Blossoms When: Friday, 10.26, 8:30 p.m. Where: Globe Hall Why: If the members of Dragondeer weren’t incredibly talented musicians they wouldn’t be able to play their own brand of psychedelic blues much less take on the musical identities of two bands whose music is part of the DNA of international rock music whether acknowledged or not. On Friday night, the group will play songs from the catalog of David Bowie, an artist whose musical corpus combined exquisite, thoughtful, pop music and the avant-garde in various proportions with little regard to strict genre conventions. Opening this first night is The Milk Blossoms, a band whose emotionally tender yet fierce pop songs show how you can seem to be writing from secret places but have the requisite personal bravery to bare the art made from there to the world.
Who:Bluebook EP release w/Shark Dreams and Midwife When: Friday, 10.26, 8 p.m. Where: Fort Greene Bar Why: It’s been a minute since Bluebook released anything. Julie Davis has been busy with other, equally fascinating projects and having a child, among other things. The new Bluebook material, part of which can be heard on the new EP The Astronaut’s Wife, was written with Jess Parsons and while it contains some of the familiar elements that have made Davis’ music interesting from very early on like her vivid, commanding voice and her use of a difficult to manage and master instrument like upright bass along with various loops and the sounds that Parsons brings to the project. There is a mysterious quality to the band’s presentation of the music these days too and that just gives the storytelling a bit of an atmospheric edge. Also on the bill is one of Denver’s most interesting songwriters and organic soundscapers, Midwife.
Who:Fidlar w/Dilly Dally and Side Eyes When: Friday, 10.26, 8 p.m. Where: Gothic Theatre Why: Fidlar could have just been another garage punk band except that Zac Carper and Elvis Kuehn met while working at a recording studio and thus had a better than average sense of what made recordings sound good and what kind of preparation a band might need to undertake in order to not waste a lot of time not getting what they want out of that process. Nevertheless, there is a freshness to its sound that has as much in common with 2010s indie pop as it does with post-Reatards garage punk—catchy tunes, a little loose around the edges, irreverent and self-deprecating. The group will release its new record Almost Free on January 25, 2019 but you’ll get to hear a good deal of it first on this tour.
Who:Rot Congress When: Friday, 10.26, 9 p.m. Where: The Skylark Lounge Why: Hot Congress was the promising indie rock label that, for a time in the late 2000s and early 2010s, galvanized a certain segment of the Denver music scene with releases, promotion, events featuring its artists and an eccentric yet striking aesthetic. The label hasn’t been active in years but it maintains its Halloween tradition of gathering local Denver bands associated with Hot Congress for a show called Rot Congress at which the bands dress up and have, on occasion, taken up humorous alternate names. Here is a schedule for this year’s event, all times p.m.: 9:30 Zealot, 10:15 Kissing Party, 11 The Interesting Times Gang, 11:45 The Jinjas.
Saturday | October 27, 2018
Who:Ian Sweet w/Young Jesus When: Saturday, 10.27, 8 p.m. Where: Hi-Dive Why: Ian Sweet is Jillian Medford’s vehicle for exploring the intersections between one’s own neuroses and her responsibilities to others, some of whom she has taken on a type of caretaker role. Or so she so poetically articulates on her 2018 sophomore record Crush Crusher. With luminous melodies, gentle and textured rhythms and lush soundscapes, Medford crafts songs that reflect a strength of character of necessity balanced against the crushing anxiety that develops when battling your own demons and making sure those under your care, formally or otherwise, don’t go neglected. It’s rock, it’s indie pop., it’s dreamy stuff but because of the subject matter and Medford’s imaginative songwriting it has a heft yet uplifting quality suggesting a complexity not heard enough in popular music. Also on the bill, Young Jesus whose what one might call indie prog songs recall late 90s math rock where that music mixed with 90s emo. A bit like Minus the Bear but more melancholy.
Who:1st Annual Halloween Throwdown Night 2: Dragondeer Vs. The Dead w/Dog City Disco When: Saturday, 10.27, 8:30 p.m. Where: Globe Hall Why: This second night of Dragondeer’s Halloween show features the band taking on the challenging repertoire of the Grateful Dead. As pioneers of DIY, independent music having a viable existence and the soundtrack to a real moment of American counterculture, the Grateful Dead’s can be polarizing. But its blend of psychedelia, bluegrass and improvisational jazz has often been imitated by hundreds of bands with mixed results. But if you go and check out any one of the group’s early records without having some bias getting in the way, it’s interesting stuff unlike much of anything else going on at the time with truly masterful improvisational live performances captured on some bootlegs and its own official live releases, particularly Europe ’72. Will Dragondeer be up to the challenge and not be like so many wack wannabes in the jam band scene? Likely so given the level of talent involved.
Who:The Crüxshadows, Seraphim Shock, Radio Scarlet and DJ Mudwulf When: Saturday, 10.27, 8 p.m. Where: The Oriental Theater Why: The Crüxshadows are one of the very few bands that combine trance and dark wave that doesn’t immediately inspire a chuckle. Mainly because the band has found a way to make that sound good rather than the laughable EBM/Future Pop thing that plagued the late 90s and the 2000s. Joining the Florida band for this show are two Denver bands. Industrial rock/trashy vampire costume performance art band Seraphim Shock are legends in certain Goth circles in Denver. Since the mid-90s, the group has somehow made the schlocky-ness of industrial rock, pop metal and Gothic aesthetics as manifested in the popularity of vampire mythos in the 90s with the novels of Anne Rice and the RPG Vampire: The Masquerade, maybe even Nancy Collins’ Sonja Blue novels, seem not so hokey or gloriously so. Seraphim Shock has been that band to synthesize all of it and make it highly entertaining for over two decades now. Radio Scarlett might be the only legit death rock band in the Mile High City. Even if it turns out it’s the only one, it’s at least good. Okay, there’s Grave Moss too and both are excellent bands.
Who:Cyclo-Sonic, The Gurkhas, Cyanidols and Gata Negra When: Saturday, 10.27, 8:30 p.m. Where: The Skylark Why: Some of Denver punk’s elder, but not elderly, punk musicians who are still playing in respectable bands will take the stage at The Skylark tonight. Cyclo-Sonic includes former members of The Choosey Mothers, The Fluid, The Frantix and Rok Tots and they can still pull off a spirited performance. Cyanidols include a handful of Denver punk and indie rock veterans including former Tarmints and The Symptoms bassist/vocalist Sonya Decman and Chris Kieft and Oscar Pop who have played in too many notable bands to name going back to the 80s Denver punk underground. Gata Negra is Whitney Rehr’s bluesy punk/power pop band when she’s not also playing in I’m A Boy.
Sunday | October 28, 2018
Who:Textures: Herpes Hideaway, Haunted Sound Lab, Victoria Lundy When: Sunday, 10.28, 7:30 p.m. Where: Mutiny Information Café Why: This edition of Textures will feature a special encore presentation of Herpes Hideaway’s creepy diorama and puppet set to accompany his dark ambient music and usual witches’ costume. Appropriately enough Haunted Sound Lab will perform as well as Victoria Lundy who will grace the night with her haunting, classically-inspired Theremin and synth compositions. Maybe she’ll reprise parts of her Miss American Vampire release show.
Who:Insane Clown Posse w/Clownvis Presley, Dirty Rotten Rhymers, Swizzy J and Hex Rated (LSP) When: Sunday, 10.28, 7:30 p.m. Where: Stampede Why: Insane Clown Posse brings its dark carnival to Aurora, Colorado for a show at Stampede. The latter is a club that has in years past been known more as a home to country music. But its large dance floor and upper floor open to the performance space lends itself well to larger shows in general. No need to explain ICP but it’s live shows are highly entertaining with lots of over the top stage antics and a high level of surreal kitsch and fun even if you’re not into the music. Clownvis Presley is, yes, an Elvis tribute act with a clown version of Elvis providing the vocals and the name of the band. ICP hasn’t been to the Denver area for a long time despite the Mile High City being a place in America where it is most popular so maybe the guys have something special in store for this tour around Halloween.
Tuesday | October 30, 2018
Who:Black Moth Super Rainbow w/The Stargazer Lilies and Air Credits When: Tuesday, 10.30, 7 p.m. Where: The Bluebird Theater Why: Black Moth Super Rainbow amalgamated Tom Fec’s sound experiments with making the musical equivalent of collage art, giving it an even more organic and fuzzy around the edges, analog quality than simply processed sampling. As with other artists who mastered their own production style in a like-minded vein such as Boards of Canada, cLOUDED and J Dilla, Fec and BMSR created an otherworldly and transporting sound with a sense of innocence about it yet often profane and frank in content. Adopting stage names (Tobacco and Seven Fields of Aphelion, for instance), BMSR’s shows are often an immersive experience creating an emotional and imaginative zone for the night. The band’s latest full-length, 2018’s Panic Blooms, is an even further reach into abstraction as a means of conveying a direct link into the realms of imagination and emotion. BMSR has always been an alchemical blend of hip-hop, psychedelic electronic music and IDM but one grounded in a working class culture in middle America where a sense of one’s isolation breeds aspirational daydreaming and/or drug abuse as a means of escaping the dream shattering mundanity of everyday life. Where you can see on TV and in media a more glamorous life that seems out of reach of everyone you know and you look at your own life and think, “Is this it? Forever?” BMSR’s music honors that desperation and melancholy while making music suggesting other options and possibilities and finding the extraordinary even within your own psychic angst and disappointment.
Who:Sugar Candy Mountain, Ancient Elk and Palo Santo When: Tuesday, 10.30, 7 p.m. Where: Globe Hall Why: Sugar Candy Mountain’s hazy tropicalia and psych folk pop sounds like what a handful of their music videos look like—the soundtrack to a road trip across the American west in a future imagined by Jim Jarmusch. The band’s new record Do Right takes its songwriting beyond the languid, single note picking that is the specialty of bands nicking the Laurel Canyon inspired garage rock vibe for a kind of retrofuturist sound that might be compared to Kim Stanley Robinson’s Three California’s trilogy, in particular 1988’s The Gold Coast. Nerdy science fiction comparison’s aside, Sugar Candy Mountain may on the surface sound like another pop psychedelia band but its imaginative songwriting and knack for capturing a modern sense of wanderlust and dissatisfaction without going dark is not just refreshing but extraordinary.
Who:Amigo the Devil w/Harley Poe When: Tuesday, 10.30, 7 p.m. Where: The Marquis Theater Why: Amigo the Devil’s latest album, Everything is Fine, as in not, is like a collection of modern noir short stories with a darkly humorous bent. That it’s pretty much just Danny Kiranos and his acoustic guitar (with some very minimal percussion and piano on various songs) is even more impressive because it feels full and that anything more would take away from the stark beauty of the songwriting. There’s a song called “Cocaine and Abel,” another called “Hungover in Jonestown,” yet another called “I Hope Your Husband Dies”—all suggesting skullduggery and over-the-top scenes. But there’s a tenderness and sensitivity there too, a nuance of emotion that hits you unexpectedly like the quieter moments in a Cormac McCarthy novel. A great set of music for Halloween week but also enjoyable beyond any seasonal appeal because Kiranos’ music comes from the heart and not a sense of lurid kitsch.
Wednesday | October 31, 2018
Who:Itchy-O Hallowmass w.Echo Beds When: Wednesday, 10.31, 8 p.m. Where: Summit Music Hall Why: Itchy-O recently released its best album to date with Mystic Spy | Psykho Dojo. It doesn’t capture the live show because no recording could but as a listening experience it takes you into realms of experience that are an analogue and a companion to the live show that is enjoyable on its own. If you can’t witness the spectacle of a thirty plus member band dressed up as operatives of an inter-dimensional band of mystics and penitents of a an ethos dedicated to human liberation and artistic exploration through group performance art for yourself the record is plenty rewarding on its own. But if you can, make it to one of the band’s infrequent shows and take in its controlled chaos on its terms. For this show the group will share the stage with Echo Beds, the Denver industrial punk band whose own new album, Buried Language, is a leap forward for the band’s presentation in the recorded format. Live, with the oil drum and vocal caterwaul, electronic percussion and cutting guitar work, Echo Beds is as thrilling and forbidding as its recordings suggest and a perfect parallel artist for the way the records translate on the part of Itchy-O.
Who: Amigo the Devil w/Harley Poe
When: Wednesday, 10.31, 7 p.m.
Where: The Marquis Theater
Why: For Amigo the Devil, see above for 10/30/18.
Who:Danzig 30 Year Anniversary w/Venom Inc., Power Trip and Mutoid Man When: Wednesday, 10.31, 6:30 p.m. Where: Fillmore Auditorium Why: Danzig will perform cuts from across his solo career. Sometimes the music borders on corny but really melodramatic in the best sense but always dark and honest about that side of Danzig’s psyche. On other tours the band plays the hits but for this one the group will dig a little deeper into the catalog.
Who:Colfax Speed Queen, Ned Garthe Explosion, Vic N’ The Narwhals and Spirit Award When: Wednesday, 10.31, 8 p.m. Where: Syntax Physic Opera Why: Spirit Award’s new album Muted Crowd is a good one for the Halloween holiday considering the song “Supreme Truth” is about Japan’s terror cult Aum Shinrikyo and “Witching Hour” is based on singer/guitarist Daniel Lyon’s encounters with the paranormal in a house in Seattle. But the music isn’t spooky so much as dense with energized atmospheres, echoing vocals and urgent rhythms. The Seattle-based trio will be joined by three of Denver’s own off beat rock and roll bands with Colfax Speed Queen’s post-psych garage, Ned Garthe Explosion’s humorous yet intense and colorful take on psychedelic rock and Vic N’ The Narwhals time traveling southern California via the American southwest presentation of R&B-inflected surf rock.
Who:Lady Gang EP release w/Venus Cruz & Ginger Perry and R A R E B Y R D $ When: Thursday, 08.9, 9 p.m. Where: Syntax Physic Opera Why: Jen Korte has long been known as a respected and talented songwriter in Denver with her inventive songwriting and vivid lyrics. Known mostly for her Americana solo output and her brilliant collaborations with other artists including stints in Gin Doctors and as a guitarist in experimental rock band Teacup Gorilla. Lady Gang is Korte branching out as a songwriter and, this time around, as a producer. It’s a solo project in which Korte uses “a beat machine, a loop pedal, bass guitar, electric guitar and her signature voice.” That voice has some grit, character and confidence. The project’s new EP, released tonight, is Simple Truths, is truth in advertising with Korte finding direct ways of discussing the world in its incredible disarray. The songs resist simple classification. “How Do You Sound” has elements of bluesy psychedelia and hip-hop as interpreted through someone like MC 900 Foot Jesus. “Preface This” like a long lost Helium track with its electro-lounge and mysterious melodic strains. Sharing the stage for the occasion of this release is a collaborative set with two of Denver’s most noteworthy musical figures in jazz/soul/hip-hop phenom Venus Cruz, host of the Jazz Odyssey program on KUVO (one of the most forward thinking radio programs in Denver) and Ginger Perry, one of the Mile High City’s great DJs and not just the kind that shows up with a simple playlist. Oh, and R A R E B Y R D $, one of the most interesting hip-hop crews going that’s injecting a rich spectrum of quality imagination and emotional content into the genre.
Who:Lupe Fiasco w/Mickey Factz, Bill Blue, Dylan Montayne, Connor Ray When: Thursday, 08.9, 7 p.m. Where: The Ogden Theatre Why: It’s for the best that Lupe Fiasco didn’t actually quit music as he had intended in 2016 after the controversy over “N.E.R.D.” and the infamously supposed anti-Semitic line. In a time when white supremacy has made a curious rise in American political life, it’s essential to have voices who are articulate and unabashed critics of such nonsense not to mention Fiasco’s sharp critique of the down side of America’s actions on the international stage. Initially shelved, 2017’s Drogas Light was described as a prequel to the 2011 album Lasers. Perhaps for this tour Lupe Fiasco will unveil a bit of his new direction as creatively moving forward certainly suits him.
Who:Angélique Kidjo’s Remain In Light and Femi Kuti & Positive Force When: Thursday, 08.9, 6:30 p.m. Where: Denver Botanic Gardens (York Street) Why: Two giants of world music on one bill in a beautiful setting? Both Kidjo and Kuti have deep roots in the development of world music in general but Afrobeat in particular. Obviously Femi Kuti’s father Fela was the founder of Afrobeat and Femi played in Fela’s band starting in his teen years. Kidjo was “discovered” as a jazz musician in Paris but quickly made a name for herself internationally for her powerful voice and inimitable personal style. A rare opportunity in Denver.
Friday | August 10, 2018
Who:Meet the Giant vinyl release w/Church Fire and The Patient Zeros When: Friday, 08.10, 9 p.m. Where: Syntax Physic Opera Why: Denver-based rock band Meet the Giant releases the vinyl edition of its self-titled debut album tonight with a show at Syntax. The record is a synthesis of moody, deeply atmospheric dream pop, downtempo and fuzzy hard rock. Live the band’s songs have a mysterious yet emotionally vibrant quality accented by a broad dynamic range between the trio’s players. For the occasion Meet the Giant is joined by two of Denver’s best bands. The Patient Zeros emerged from the glut of neo-classic rock, throwback 60s psych-nostalgia and garage rock that seemed to dominate the past several years with its own musical identity and more bluesy like Cream and not a cut-rate Brian Jonestown Massacre. Church Fire is the rare band that bridges electronic dance music, noise, industrial and synth pop and infuses it with a passionate intensity and shamanic stage presence.
Who:Melvins w/WE Are The Asteroid When: Friday, 08.10, 7:30 p.m. Where: Gothic Theatre Why: Melvins have managed to spend its 35 years as a band not just developing its signature sludgy, heavy rock and influencing generations of musicians, it has taken the opportunity to collaborate with other artists in various realms of music. Whether that’s with experimental electronic artist Lustmord or Jello Biafra, Melvins seem to have long realized that you have to keep doing stuff you find interesting and following your curiosity and trying different things along the way. 2017’s A Walk With Love and Death was a double album with half of it being a noisy soundtrack to a forthcoming film in which the band is involved. Now, Melvins are touring its latest record, 2018’s Pinkus Abortion Technician. Reliably great live, do yourself a favor and see Melvins this weekend or if not this weekend sometime if you’ve not before.
Who:Witch Mountain w/False Cathedrals and Wild Call When: Friday, 08.10, 8 p.m. Where: Hi-Dive Why: Witch Mountain is a doom band from Portland, Oregon currently touring in support of its recently-released self-titled album. The quartet has technically been around since the late 90s but with an early 2000s hiatus giving band members some time to pursue other projects, the group reconvened this past decade with female lead singers who really help coalesce the drifty heavy riffs into mythical anthems. Also on board for the show is Denver doom band False Cathedrals and Wild Call who, while not doom, more psych or shoegaze, have an edge and heaviness to its atmospheric rock that will fit right in.
Who:Parker Millsap w/Plain Faraday When: Friday, 08.10, 8 p.m. Where: The Bluebird Theater Why: Parker Millsap is definitely operating with a tradition of music that includes blues rock artists of his youth like Eric Clapton and Stevie Ray Vaughan who were doing their level best to tap into the original blues artists of the American South and Midwest. But instead of getting stuck there, it’s obvious Millsap took some time to explore traditional folk and country and more modern practitioners of that art who brought their own ghosts and haunted quality and soul to their own music. Like Townes Van Zandt and Jeff Buckley. Millsap’s own voice and playing has a an impressive subtlety and spectrum of detail, texture and emotional colorings and has established himself as a real talent in his realm of music. In May 2018 he released his latest record Other Arrangements.
Saturday | August 10, 2018
Who:Itchy-O Record Release w/Codename: Carter When: Saturday, 08.11, 8 p.m. Where: Gothic Theatre Why: The Itchy-O’s new full-length Mystic Spy | Psykho Dojo, like any recorded work, could never fully capture the exuberant mayhem and visceral impact of a thirty plus member band in elaborate costumes generating an orchestra of rhythms and tones designed to disorient and inspire. Nevertheless, the new album offers listeners a foray into deep sound design that conveys the sheer detail and atmospheric experience of the band in a different context. It’s the band’s most forward thinking set of songs to date and rendered in a way that is as easy to get lost in on its own terms as the band is live. Each of the band’s albums have been impressive works in their own right in terms of recording and execution as a separate experience from the live show but Mystic Spy | Psykho Dojo is much more than an addendum to an Itchy-O concert, it is the realization of the concept of an esoteric spy film soundtrack and sonic training rhythms for tribal psychics to manifest a more vital future. Joining Itchy-O for this occasion is spy rock/surf band extraordinaire Codename: Carter.
Who:Valley Queen w/Tyto Alba When: Saturday, 08.11, 8:30 p.m. Where: Lost Lake Why: Valley Queen has been honing its live show and songwriting for four years with numerous national tours under its belt to road test its music. Its gift for reinventing a type of rock music that isn’t part of a subgenre and isn’t necessarily trying to remanifest some older style of music is impressive. The band may have borrowed some from its retro peers and 2000s indie rock but with the release of its debut album, Supergiant (2018), the Los-Angeles based band demonstrated it’s perfectly capable of establishing a signature sound of layered melodies and Natalie Carol’s commanding vocals. Valley Queen is no stranger to Denver having made the Mile High City a regular stop on its tours and tonight the group will share the stage with one of America’s most promising rock bands, the warmly moody and emotionally stirring Tyto Alba from Denver.
Who:Great American House Fire and Sophisticated Boom Boom split release When: Saturday, 08.11, 8 p.m. Where: Bowman’s Vinyl and Lounge Why: It wouldn’t be accurate to say that Great American House Fire and Sophisticated Boom Boom are punk but its roots lie in a similar Denver punk and emo scene of the past two decades. GAHF has a bit more soul and Americana in its sound while SBB is more in the vein of power pop. Both celebrate the release of their split seven inch tonight at Bowman’s.
Who:GhostPulse (single premiere) w/Plume Varia and Ramakhandra When: Saturday, 08.11, 8 p.m. Where: Syntax Physic Opera Why: GhostPulse is premiering its new single “Dreaming In Hypersleep” tonight. The song is a leap forward for a band that was evolving out of its roots in excellent post-rock/instrumental rock band Lucida Tela. The more electronic, soundscape-y sound of its newer material is very welcome in a city where music rooted in mundane reality currently dominates. Plume Varia will compliment the evening well with its own downtempo dream pop and space jazz/Flying Lotus/Gil Scott-Heron-esque band Ramakhandra will keep things in the outer realms of the imagination as well.
Who:Goon, faim, Soul Vice When: Sunday, 08.12, 6 p.m. Where: Mutiny Information Café Why: This benefit for the Colorado Immigrant Rights Coalition features some of the more interesting local hardcore acts including Goom and Faim from Denver and Soul Vice from Colorado Springs. Yes, the bands are doing a benefit for a political organization but their own songwriting is non-didactic and address social and interpersonal issues in a poignant and powerful way. For instance, faim’s great song “All Talk” takes to task the people in its own world and scene who talk a big game and make a major display of what they want people to think they’re about without doing anything concrete in the real world and in their own lives to address those issues in meaningful way.
Who:Cannons w/Echo Beds (album release), Limbwrecker, In The Company of Serpents When: Sunday, 08.12, 9 p.m. Where: Mutiny Information Café Why: Over two years after the release of its debut full-length New Icons of a Vile Faith, Denver’s Echo Beds finds its starkly menacing clamor evolving in new directions with its 2018 album Buried Language (officially out on 8.17 through The Flenser). Still in place is the physicality of the music and its inventive and visceral use of percussion and rhythmic sound but added to the mix is a greater sense of the use of production in executing that aesthetic in a way that is an even more full spectrum stimulation of the senses. This show is a bit of a record release and tour kickoff for the band but also a chance to share the stage with like-minded acts. Cannons was an excellent noise rock/post-hardcore act that was most active nearly a decade ago in Denver. In the Company of Serpents is a doom band but its wall of sound is so colossal and caustic it’s almost more like death metal or grindcore slowed down to the pace of magma. Limbwrecker could be said to be a powerviolence band with a sense of humor.
Tuesday | August 14, 2018
Who:The Chamanas w/Picture the Waves, Vic N’ The Narwhals, Los Mocochetes and Ghost Tapes When: Tuesday, 08.14, 7 p.m. Where: Globe Hall Why: The Chamanas is an indie pop band if indie pop were born out of being influenced by not just the type of music that formed the DNA of C86 and American indie pop bands of the 90s (garage rock, psychedelia, folk, noise etc.) but if the folk underpinnings of that music included traditional Mexican music, the various pop traditions of Latin America and Cuban dance music. It’s that mixture that gives the band’s music not only a uniquely eclectic flavor but one that has an immediate connection for fans of earlier and more modern indie pop. Manuel Calderon and Hector Carreon met as sound engineers at Sonic Ranch near El Paso, Texas and after working on projects by other artists the two finally issued their own album as The Chamanas in 2015, Once Once. In 2017 the band released its second album, NEA, titled after the nickname of Carreon’s brother who had recently passed with songs that reflected that loss. With 2018’s NEA II, The Chamanas re-rendered several of NEA‘s songs with five new tracks. Also on this bill are some of the best bands in the Denver music scene whose own music is a brilliant synthesis of musical traditions in Vic N’ The Narwhals, Los Mocochetes and Ghost Tapes.
Who:Wino, Xasthur and Phallic Meditation When: Tuesday, 08.14, 9 p.m. Where: 3 Kings Tavern Why: Robert “Wino” Weinrich will perform some of his starkly evocative solo material at this show. Better known, perhaps, for his tenure in doom legends Saint Vitus and The Obsessed, his solo acoustic material showcases his raw gift for songwriting. Xasthur’s spare black metal with acoustic instrumentation came to Denver in 2017 with a haunting performance capable of deep musical darkness without the usual instrumentation and sound one associates with a similar aesthetic. Denver’s Phallic Meditation is more a doomy psychedelic band but with some experimental noisiness that sets it apart from similarly-minded groups.
Who:Lil Ugly Mane, Kahlil Cezanne, Curta, Cadaver Dog, Many Blessings, Videodrome When: Tuesday, 08.14, 8 p.m. Where: Hi-Dive Why: When Travis Miller released his debut album as Lil Ugly Mane, 2012’s Mista Thug Isolation, he had already garnered some praise from members of the Odd Future collective for his absurdist imagery and inventive production that really didn’t obey then mainstream hip-hop conventions with his use of noise and black metal soundscapes/samples in some of the beats. So it’s fitting that on this bill are experimental/noise hip-hop artist Curta, hardcore bands Cadaver Dog and Videodrome and noise soundscaper Many Blessings. If there’s a show demonstrating how all those worlds and their various aesthetics aren’t so far apart this whole year so far, this is it.
Wednesday | August 8, 2018
Who:Yakuza, Aseethe, Oryx, Terminator 2 When: Tuesday, 08.14, 8 p.m. Where: Hi-Dive Why: Aseethe’s 2017 album Hopes of Failure is a great example of how one can create an immersive experience with heavy music if you’re willing to go beyond how that music has often been conceived in an earlier era. Not just doom or a subgenre of that subgenre, Aseethe’s music is now more like sound design in the form of songs to render an experience through sound and, live, through the visceral dynamics of how that sound is executed. It would be imprecise and wannabe inclusive to call it ambient. It’s not that. It’s not music that can be easily shuffled off into the background if you wish. Aseethe is in good company for this show with Chicago’s Yakuza, a band that has long been pushing the boundaries of heavy music and Denver’s Oryx and Terminator 2 who both don’t just make experimental metal but whose own songs expand what heavy music can be and the forms it can take when the dynamics aren’t essentially the same trying to fit into what doom or grind are “supposed” to sound like.
Who:Beach House w/Sound of Ceres When: Tuesday, 08.14, 8 p.m. Where: The Ogden Theatre Why: It could be argued that Beach House has been in something of a creative rut since 2012’s Bloom, or, less charitably, sine 2008’s Devotion. While it’s albums have been enjoyable and yielding worthwhile songs, and the live shows have been reliably moving, the songwriting was starting to get a little stale. With 2018’s 7, it’s like the band reinvented itself. Maybe with the help of producer Sonic Boom, former member of Spacemen 3 and Spectrum, but this set of songs sounds like Victoria Legrand and Alex Scally recognized a need to break their own boundaries as the songs are far more experimental and adventurous than the duo has ever been. The band’s previous two albums were nice but Beach House is better than merely nice and has now proven it. Sound of Ceres is now based out of New York but the band is originally from Fort Collins, Colorado and its own dreamlike pop music shares the quality of intimate sound and mood and personal mythology that has made Beach House’s music so resonant for anyone with a rich inner life and imagination.
Who:Father John Misty with TV On the Radio When: Tuesday, 08.14, 6:30 p.m. Where: Red Rocks Why: Love him, hate him or find him mundane, at least Father John Misty has some self-awareness of his own creative output. Joshua Tillman, Misty, recently released his new album God’s Favorite Customer and ditched the unifying concept approach to writing the album, which Tillman told Consequence of Sound in April 2018 was “pretentious.” You have to honor that level of frankness and honesty in an artist. Whatever intentionality went into God’s Favorite Customer, the record is a sonically and emotionally rich listen with collaborations with the likes of Haxan Cloak and Weyes Blood. That visionary art rock/downtempo/experimental R&B band TV On the Radio is on the bill too is more than just a bonus.
Who:The Black Angels w/Ron Gallo When: Thursday, 10.26, 7 p.m. Where: The Ogden Theatre Why: The cover of The Black Angels’ new record, Death Song, itself is a commentary on what’s going on in American culture now and its ripple effect beyond the nation’s borders. Red, white and blue in repeating, circles within larger circles, hypnotic and disorienting, an image suggesting chaos but one that also hints at the possibility of a return to some semblance of coherence and peace. The image, designed by guitarist Christian Bland, is part graphic design style and part minimalist art, much like his work on previous Black Angels albums, but one that suggests movement and confused stasis.
The album’s music bears out those qualities with some of the group’s heaviest and most politically pointed, but never preachy, material to date. The Black Angels were one of the bands that pre-dated the relatively recent wave of psychedelic rock having begun life in 2004 and its own career helped to influence and shape the sound of modern psych with its own music and direct advocacy through Levitation (formerly Austin Psych Fest) and The Reverberation Appreciaion Society. While one of the bigger acts out of psychedelic rock today, The Black Angels and other psych acts make the kind of music that resists full commercial co-optation.
As a live act The Black Angels has always been one that integrates the visual presentation of the music with the sounds so that the experience of the show is one that reflects the experience intended with the creation of the music. This time out the urgency, the heaviness, the fear, anxiety and the catharsis that we all hope comes about on the other end of the current national and international nightmare unfolding as we speak.
Who:Me Me Monster, Gort Vs. Goom and Television Generation When: Thursday, 10.26, 9 p.m. Where: Your Mom’s House Why: Gort Vs. Goom is a bass and drums duo who perform a kind of eccentric punk and jazz hybrid that may remind some listeners of Primus but it’s weirdness has as much to do with one of that band’s influences, The Residents, as with any post-Mr. Bungle art rock band. GvG (for MMO nerds even if not fully intentional on the part of the band) also often perform in costume or some sort of get-up. And Me Me Monster and its commitment to theater and spectacle is a good fit but its own warped hard rock sounds like what might happen if Neil Young got into making psychedelic prog but went through a weirdo jazz phase teaming up with Robin Trower. Television Generation isn’t overtly weird. It’s brand of fuzzy punk, psychedelic garage rock and pop bears some comparison to Love Battery but there is even more of a sardonic sense of humor informing its songwriting and presentation.
Who:Perry Weissman 3, Roger Green and Andy Monley When: Thursday, 10.26, 9 p.m. Where: Syntax Physic Opera Why: Perry Weissman 3 is a long-running avant-garde jazz and rock band that was perhaps most active in the 90s and earl 2000s. Roger Green is the genius guitarist and avant-garde composer who may be best known for his stint in local slowcore band The Czars, which included experimental pop songwriter John Grant. And hey, while we’re talking about former members of The Czars, the band’s other guitarist and vocalist, Andy Monley, is on this bill as well. Monley, however, has plenty of respectable music outside The Czars including his still going tenure with alternative rock band/country punk weirdos, Jux County and his exquisitely written and thoughtful solo material.
Who:Jerkagram, The Uglys, Chromadrift, Sleeping Bears and December Eleventh When: Thursday, 10.26, 8 p.m. Where: Bar Bar (Carioca Café) Why: Jerkagram from Los Angeles is one of those bands that didn’t really fit in a single genre of music so its styles can be all over the place and all at once. But loosely more on the heavier and math-y end of things. In some ways the band is reminiscent of former Denver art rock weirdoes Action Friend who now live and play in L.A.. The Uglys get dubbed this and that and probably haven’t fully decided what they are themselves. How a band can remind you of both Mudhoney, At the Drive-In and Fu Manchu all at once I don’t know but that’s The Uglys for you. Some screamy stoner rock, if you will. Chromadrift? As in Drew Miller? The IDM/ambient artist whose music is so ethereally beautiful it immediately transports you to a better place? Indeed. Filling out the bill are Sleeping Bears and December Eleventh, progressive metal bands from Georgia.
Friday: October 27, 2017
Who:Brujeria w/Powerflo and Piñata Protest When: Friday, 10.27, 8 p.m. Where: Bluebird Theater Why: Brujeria is almost pure schtick as a North Mexico drug cartel/national liberation group/band. Death metal, grindcore, unabashed takedowns of questionable politicians like Donald Trump (pre/post-presidency) and lots of cartoonishly dark humor. But the music to some extent transcends the joke because the musicians are members of other well-known heavy acts like Napalm Death, Carcass, Cradle of Filth, Criminal and others. Opening act Piñata Protest is a highly entertaining hybrid of ska punk and Norteño.
Who:Chelsea Wolfe and Youth Code When: Friday, 10.27, 8 p.m. Where: Gothic Theatre Why: Chelsea Wolfe has spent her career writing in a variety of musical styles but all of it has been a vehicle for her stark rendering of emotional turmoil and channeling that into challenging yet entrancing works of art. Wolfe’s last few records have brought forth in explicable form the subconscious ghosts that have long haunted the songwriter. Her latest, 2017’s Hiss Spun, is the heaviest set of songs Wolfe has yet released. Heavy but also heady and sonically expansive. If some of Wolfe’s previous records could feel and sound claustrophobic as a reflection of an insular creative vision, Hiss Spun is that vision opened up and shared more fully with anyone who might want to share in that experience as someone well-acquainted with personal demons and/or as someone that appreciates an authentic emotional experience so intensely realized.
Youth Code while a different animal musically, is a great fit for this tour because Sarah Taylor’s own unrelenting emotional intensity on stage is something to witness. The band’s dark, industrial bursts of tones and rhythm have evolved considerably since its earliest recordings and 2016’s Commitment to Complications revealed a band that is more than a thrilling jackhammer of aggressive music. There is a moody underbelly and a catharsis of internalized melancholy alongside the desperation you’d expect.
Who:Church Fire and Motion Trap When: Friday, 10.27, 9 p.m. Where: Black Shirt Brewery Why: It could be argued that both of the bands on the bill are electronic dance bands of the highest order because they are. Motion Trap, though, is tends toward bright tones and more keyed into the kind of aesthetic for dance clubs because it is very upbeat. But its music is way too steeped in strong pop songwriting to fully fit in that world. One of the few bands it does seem to fit in with is Church Fire whose dark undertones, politically-charged, noisy synth pop is one of the most exciting bands in Denver or anywhere right now. It’s own unabashed embrace of hip-hop beat production and industrial and dance music isn’t necessarily obvious. This will be an outdoor show starting at 8 p.m. so bring warm clothing.
Who:Mux Mool, atruc, RUMTUM and Brotherhood of Machines When: Friday, 10.27, 8 p.m. Where: Fort Greene Why: Kind of a more leftfield live dance music/hip-hop night with progressive beat maker Mux Mool, alternative hip-hop duo Curta playing as atruc, electro-guitar-based ambient solo act RUMTUM and Brotherhood of Machines. The latter’s combination of ambient, IDM and dubtechno-flavored beats is always very different from many of the acts in whose company he finds himself. The 2016 album III Pillars was a triptych of hypnotic noise and textured atmospheres that established a sense of place. Except that place wasn’t in normal reality.
Who:Rot Congress Night 1: Loanword, Boat Drinks, Jobless, The Far Stairs, Fake Awake When: Friday, 10.27, 9 p.m. Where: The Skylark Lounge Why: Hot Congress, the long-running indie rock collective, has been hosting this Halloween-themed event for years with some of the best bands out of that corner of the Denver music scene. This first night includes ambient project Loanword is on tap as is lo-fi band Jobless and former Hindershot keyboardist Jesse Livingston’s experimental synth pop band The Far Stairs.
Saturday: October 28, 2017
Who:Cults w/Cullen Omori and Hideout When: Saturday, 10.28, 8 p.m. Where: Globe Hall Why: Cults made a bit of a splash with its debut EP and “Go Outside” single in 2010. Its evocation of upbeat, breezy 60s pop mixed with a sense of the otherworldly. Like an alternative history science fiction story born out of heartbreak, personal trauma or simply plain wanting to recast a drab and depressing present with something more romantic and meaningful without the cheese factor that often accompanies such impulses and creative work that comes out of them. Cults latest record, 2017’s Offering, finds the band maintaining that Julee Cruise-esque, dreamlike, nostalgic tone but this time with a broader palette of sounds and rhythms. Where some of the earlier music sounded like it was tapping into some of Phil Spector’s Gold Star Studios years’ vibe, Offering sounds more present and immediate. Opener Cullen Omori was once a member of up-and-coming pop/rock band Smith Westerns. When that band split in 2014, Omori continued writing and performing under his own name. The music wasn’t radically different but the tone seemed to shift. Smith Westerns was very rooted in 70s rock. Omori’s solo output is more reminiscent of a modern version of a New Wave band with a gently psychedelic overtone. More synth, more lush sounds overall. His 2016 album, New Misery, sounded like an artist who wasn’t creatively cutting all ties with his old band so much as reinventing it and, um, culling the elements that didn’t work for him the first time around.
Who:TR/ST When: Saturday, 10.28, 8 p.m. Where: Bar Standard Why: Robert Alfons doesn’t yet have a new record out but TR/ST released a new single, “Bicep,” over the summer. The new track sounds like Alfons is wending more in the direction of EBM than the synth/dance pop of his first two records. TR/ST was one of the few bands that Goth DJs in Denver would play out of the wave of dark electro music that has been very much part of the indie underground since the second half of the 2000s. No, it didn’t sound like Depeche Mode or even Erasure but Alfons’ songs were as dark and moody as anything the former has ever released and as celebratory yet thoughtful as the latter’s best material. When TR/ST recently played Denver it was a well-attended show at The Bluebird so here’s a chance to see the project at a much smaller venue.
Who:Mehvana (as Nirvana), Denver Meatpacking Company (as Hüsker Dü) and Lawsuit Models (as Jimmy Eat World) When: Saturday, 10.28, 9 p.m. Where: 3 Kings Tavern Why: Bands performing covers sets for Halloween isn’t the most original thing in the world but all the bands on the bill for this show are at least trying out something different with grunge-esque band Denver Meatpacking Company doing a set of Hüsker Dü songs probably focusing on the middle era. It’s not a huge leap for pop punk band Lawsuit Models to a Jimmy Eat World set but putting yourself in someone else’s creative head space even if you’re influenced by their work takes some effort when you’re not some session musician or someone that generally plays in cover bands.
Who:Sharone & The Wind (“Night of Terror”) w/Black July, 21 Taras and Married a Dead Man When: Saturday, 10.28, 8 p.m. Where: Moe’s Original Bar B Que Why: It’s a Halloween show that Sharone & The Wind is advertizing as their “Night of Terror” so expect some theatrical shenanigans from the Denver hard rock band. In recent months the band has reinvented itself in a direction more like a cross between a proto-death rock band and a blues-inflected emo group. Sounds like it shouldn’t work but it does. Married a Dead Man is a Goth/death rock band that came out of people who played in the punk and hardcore scene beforehand. Sonically, sort of reminiscent of Sunshine Blind but rougher around the edges at the moment—you know, that ethereal synth with some metallic guitar with a female vocalist who sounds like she is no stranger to belting it a little.
Who:Bob Log III w/Colfax Speed Queen When: Saturday, 10.28, 8 p.m. Where: Lost Lake
Why: Bob Log III used to freak people out as the confrontational frontman of Doo Rag. The Crash Worship crowds for whom the duo played probably got it but the Lollapalooza crowd probably wasn’t used to seeing weirdo blues quite that raw and primal. As a solo artist, Bob Log III has only pushed the theatrical side of his act further with strange costumes like a carnie, blues punk Dex Romweber. Denver’s Colfax Speed Queen won’t be quite as stripped down but it’s own psychedelic garage rock is surprisingly forceful and disorienting in its own way.
Who:Lee “Scratch” Perry + Subatomic Sound System w/Gracie Bassie, TNERTLE (solo) When: Saturday, 10.28, 8 p.m. Where: Cervantes’ Other Side Why: Lee “Scratch” Perry is one of the architects of modern music as we know it. As the producer at the now defunct Black Ark in Jamaica, Perry was one of the pioneers of dub, which is a radical remixing and reproduction of existing music and represents one of the earliest forms of electronic music and a creative use of an early version of sampling. Directly or indirectly, as an engineer, producer or musician, Perry shaped the sound of much of reggae music and through that of punk, hip-hop and electronic music from the 70s forward. In recent years, Perry has collaborated with house/experimental electronic band The Orb on original material. His live show is a masterful delivery of his imaginative soundscaping and hypnotic rhythms.
Sunday: October 29, 2017
Who:Ministry w/Death Grips When: Sunday, 10.29, 8 p.m. Where: The Fillmore Auditorium Why: Ministry somehow made the crossover from synth pop (With Sympathy) to EBM (Twitch and to some extent The Land of Rape and Honey) to industrial rock (by the time of The Mind Is A Terrible Thing to Taste) in the course of seven years. It’s a remarkable transformation and at each stage Ministry was one of the very best bands in those respective genres. Since then Ministry’s newer material has been on the heavier end of music though arguably more difficult to neatly classify. The current touring incarnation of Ministry is focusing on material post-1988. If you’ve been switched off for 30 years and are expecting tracks from the EBM era and would be disappointed not to see it live, don’t go. But if you appreciate Al Jourgensen’s mutant heavy music from The Mind forward, it’ll be a worthy selection of material. Death Grips is an industrial hip-hop band with a charismatic frontman in MC Ride and one of modern popular music’s greatest drummers in Zach Hill. Even if you’re not into hip-hop for some reason Death Grips is really more of an experimental band that doesn’t really bother with splitting hairs between the aesthetics of hip-hop, noise, industrial music or whatever its own style might be that comes out of that.
Who:Haunted Sound Laboratory, Unbridled Sonic Anarchy, Chris Sessions, Jonathan Cash When: Sunday, 10.29, 7 p.m. Where: Mutiny Information Café Why: Textures is an ambient showcase that happens at Mutiny the final Sunday of every month. This time, host Wesley Davis’ own Unbridled Sonic Anarchy will be performing alongside Jonathan Cash who some may know more for his noise project Break Dancing Ronald Reagan.
Who:Vanilla Milkshakes, Denver Meatpacking Company and Uncle Bad Touch When: Sunday, 10.29, 8 p.m. Where: Lion’s Lair Why: This is another Halloween-themed show and apparently grunge/punk band Vanilla Milkshakes will treat those in attendance with its take on The Ramones and DMC will reprise its Hüsker Dü cover set from the night before.
Who:2Mex, Onry Ozzborn, Early Adopted and Curta When: Sunday, 10.29, 8 p.m. Where: Larimer Lounge Why: 2Mex may not be a household name but in the alternative hip-hop scene of the 1990s (and now for that matter) he has long been a star. His witty and imaginative wordplay was honed at the open mic nights at Good Life Café in South Central Los Angeles and he has been willing to couch it in beats that reflect popular music of the time. More importantly his raps criticize his own music culture, American culture in general and himself with humorously poetic sensibility. Onry Ozzborn is a respected alternative hip-hop artist in his own right whose music seems to favor darker tones and downtempo beats. As a member of Grayskul and Dark Time Sunshine Ozzborn’s gritty stories were reminiscent of Aesop Rock’s literary output, and of course the two rappers have collaborated. Opening act, Denver’s Curta, incorporates a more industrial and psychedelic/experimental electronic flavor into its beats. Apparently this will be the last show with founding keyboardist/guitarist Brent Larsen, aka 4Digit who is moving out of town.
Who:Governor Mortimer Leech (Widow’s Bane) undead and unplugged When: Sunday, 10.29, 6 p.m. Where: Ophelia’s Electric Soap Box Why: Widow’s Bane is the undead pirate band from Boulder. They do interviews in character and perform in character. Is it “character”? Anyway, Governor Mortimer Leech will be performing a rare acoustic show early at Ophelia’s and it’s free.
Monday: October 30, 2017
Who:Cobalt, Worry and Fathers When: Monday, 10.30, 7:30 p.m. Where: Hi-Dive Why: Greeley-based black metal band Cobalt didn’t play much in the first decade or so of its existence and nevertheless garnered a bit of an international following. Founding member Phil McSorley left the project in 2014 but Erik Wunder (who also plays in one of Jarboe’s bands) and Charlie Fell (formerly of Lord Mantis, Nachtmystium and Abigail Williams) have kept the band going and completed its best album to day, 2016’s Slow Forever. The band’s previous records were boundary pushing in what can be an insular musical style and Slow Forever‘s expansive dynamism sacrificing none of the bleakness and brutality was something of a new chapter for the band. Colorado Springs-based deathgrind band Worry and Denver’s heavy band super group (with members of Native Daughters, Cult of the Lost Cause and Lords of Fuzz) round out the bill.
Who:Ghoulfriend, Corner Girls, Page 27, art by Katherine Louise, Jesse Nickell and poetry by Kelsey Carolyn Bowe When: Monday, 10.30, 7:30 p.m. Where: Syntax Physic Opera Why: Ghouloween 2017 will be held in the basement of Syntax for extra spookiness. It’ll be a night of art, music and poetry. Chances are you won’t see the bands on the same bill again any time soon. Ghoulfriend is weirdo guitar project of Trey Tafoya of Ancient Elk and déCollage. Some bands play psychedelic rock, Ghoulfriend takes the concept of using guitar to expand sound palettes to a higher and more original level while still making it accessible. Page 27 is one of Denver’s, and the world’s, longest-running noise bands. Now, P27’s soundscape has included harsh noise and sometimes still does but it’s more like a hypnotic, modulated drone that pulls in sounds that one does not often associate with the genre called drone. Corner Girls is an excellent surf rock/punk band whose lyrics are often enough an irreverent take-down of patriarchal cultural features that should have been weeded out of our collective unconscious decades ago but somehow still linger and affect people’s everyday lives. Addressing it with music is simply a peaceful and creative way to discuss the issues.
Tuesday: October 31, 2017
Who: Alvvays w/Jay Som bluebirdtheater.net/events/detail/337225 When: Tuesday, 10.31, 7 p.m. Where: The Bluebird Theater Why: Alvvays’ self-deprecating pop songs could be glum but Molly Rankin and company seem to realize that wallowing in despair rather than finding the humor in life’s downstrokes is more boring than transforming those moments of intense emotions into something creative. The Toronto band’s promising 2014 debut sounded like a band fully formed and tapping a bit into the pop music that came out of the C86 era in its sophisticated simplicity and unabashed embrace of bright and breezy, catchy melodies. The 2017 album, Antisocialites is highlighted with neon-sounding synths like someone in the band has started listening more closely to Missing Persons including the flourishes of tastefully intricate micro guitar solos. The subtle details make it a consistently rewarding listen. Along for this leg of the Alvvays tour is Jay Som whose lo-fi anthems about identity, self-discovery, self-definition and personal liberation seem very relevant in a time when the boorish, hateful and oppressive side of modern American culture has reared its ugly head in a big way. 2017’s Everybody Works is a bracing antidote to all of that even if it may sound like a gentle indie rock record to many.
Who:Itchy-O w/Altas When: Tuesday, 10.31, 8 p.m. Where: Summit Music Hall Why: For the uninitiated, Itchy-O is a roughly 32 member avant-garde music performance troupe that plays its shows entirely in costume like mariachi mystics. The band has a full drum corps and other percussion, a taiko section, bass, guitar, synths, processed vocals and other noises and “dancers” that creep about the crowd during the show. It’s a real spectacle and really unlike other bands in every way. That it can release albums that could be worthy of the live show seems implausible but the band recently released its second full-length album, From the Overflowing, on Alternative Tentacles. The records are no replacement for the experience of the band but fascinating listening nevertheless. Instrumental rock band Altas opens the show with its dynamic, cinematic compositions.
Who: Space In Time, Keef Duster, Colfax Speed Queen and Wild Call When: Tuesday, 10.31, 8 p.m. Where: Hi-Dive Why: Space in Time is a hard rock band whose sound harkens to a time when early metal and psychedelic rock were not at all far apart. Obvious touchstones for Space in Time would be Deep Purple, Captain Beyond (which included ex-members of Deep Purple and Iron Butterfly) and Uriah Heep with both bands’ gift for writing melodic heavy rock with a fluidly trippy groove. Keef Duster’s music draws on similar inspirations but wends more toward the doom end of the heavy spectrum. Fronted by Kim Phat, who some may know from garage rock punks Dirty Few, Keef Duster is more than a clever name even though it recently released a song called “Hash Hive.” The latter was mixed and produced by Matt Loui of psychedelic garage rock band Colfax Speed Queen, also on the bill.
Who:Captured! By Robots w/908, Bewitcher and Night of the Living Shred When: Tuesday, 10.31, 9 p.m. Where: 3 Kings Tavern Why: Captured! By Robots at this point is a great metal band, bordering on death metal and industrial. Most of the band is comprised of robots constructed by JBOT but a lot of the kitsch factor of the earlier part of the project’s life are gone and the performance is much more focused on doing something that isn’t a complete gimmick. Internationally known deathgrind band 908, from Colorado Springs, shares the bill as does skate thrash band Night of the Living Shred. So basically Bryan Ostrow will be doing throat destroying vocals for two bands this night because he’s the Nivek Ogre of extreme metal.
Who: Bronze, Terminals, Master Ferocious, The Pollution and The Stunning Cuntz When: Tuesday, 10.31, 9 p.m. Where: Mutiny Information Café Why: Three of the handful of good sludge metal bands from Denver at Mutiny? We’ll have to assume some books will fall off shelves at some point. Bronze is named in reference to Mad Max and its heavy music is more tied to bands from the 70s and early 80s with strong songwriting and good vocals rather than the 90s and 2000s stoner rock bands it may sound like. When there seemed to be way too many stoner rock bands in Denver from roughly 2000-2010, Bronze stood out. Members of Master Ferocious came out of some of the better bands of that era too like The Angry Hand of God. Out of the latter, guitarist Mark Pilloud and bassist Brian Kennedy were involved in the founding of Master Ferocious in 2014 and the newer band still seems to write dystopian songs about the present with guitar work that demonstrates an interesting co-influence from, of course, Black Sabbath and late 70s Judas Priest.
Wednesday: November 1, 2017
Who:Slowdive w/Cherry Glazerr When: Wednesday, 11.01, 7 p.m. Where: Ogden Theatre Why: Of all the shoegaze bands of the late 80s and early 90s, Slowdive was an early adopter of an ambient and electronic music aesthetic. When the group started as a kind of indie pop band called Pumpkin Fairies, its songwriting, inspired in part by atmospheric post-punk bands like Siouxsie and the Banshees (the song of whom the fledgling band borrowed its then new name), The Cure and Cocteau Twins. For the 1991 debut full-length, Just For A Day, the ethereal vocals that one now associates with the shoegaze genre was very much in place and so were the expansive, towering guitar drones that the band had developed on its previous EPs.
By the time of the 1993 follow-up, Souvlaki, Slowdive was working with ambient music godfather Brian Eno and had all but abandoned conventional rhythm structure in favor of more organic rhythms giving songs like “Sing” and “Souvlaki Space Station” a quality that melds the tone and the atmosphere into what might later be described as a beat-driven approach to the songwriting. Those musical instincts reached their peak with Slowdive on what might have been its final, and in some ways most daring and interesting album, 1995’s Pygmalion. The latter came out at a time when the alternative music world had long gone down the rockist path with a set of songs based in what seemed like a sonic recreation of pure emotion cast in minimalist textures. It was like a post-rock album seemingly inspired by and synthesizing IDM, abstract dub and ambient house music. The innovative record lost the band their label contract with Creation records and the members of Slowdive went on to other musical concerns over the years including Mojave 3, Monster Movie and The Sight Below.
Perhaps inevitably, Slowdive reunited in 2014 but under its own terms and with the aim of recreating its heart and imagination-stirring music authentically. And its subsequent tours have borne that goal out. Making no promises until the possibility was a bit of a concrete reality, the band didn’t announce new material until Spring 2016. The forthcoming self-titled album, released in May 2017, was not a rehash of the band’s past. It was not an attempt to outdo the sheer experimentalism of Pygmalion. Rather, it was a strong set of songs worthy of all of its earlier music. The music doesn’t feel like nostalgia, it feels like the band knew it had to do something that wouldn’t reject the past but also not be yoked to expectations of any lack of artistic growth on the part of the musicians over the previous twenty-two years. So if you go to the show, and you should if you’re a fan of highly emotionally stimulating music that is an unexpectedly visceral experience, no need to dread any newer, inferior material because the most recent Slowdive songs are far from subpar.
Who: Robot Peanut Butter & The Shooting Stars, Ice Troll, Dear Rabbit and Open to the Hound When: Wednesday, 11.01, 9 p.m. Where: 3 Kings Tavern Why: This might be the deluxe edition of Claudia Woodman’s Weird Wednesday series for the first half of the month. Robot Peanut Butter & The Shooting Stars is “Electronica Glam Rock” that includes contributions from Never Kenezzard’s Ryan Peru. Ice Troll is a sort of doom rock orchestra. Dear Rabbit is lo-fi avant-garde folk. Open to the Hound is what might happen if Lloyd Cole formed a band that took some cues from The The and Slim Cessna’s Auto Club. It’s just that weird but grounded in classic songwriting sensibilities.
Who:Chicano Batman w/Khruangbin and The Shacks When: Wednesday, 11.01, 7 p.m. Where: Gothic Theatre Why: To say Chicano Batman is sort of a psychedelic soul band doesn’t quite do it justice because its music comes out of tropicalia, old timey rock and roll and funk without sounding like it’s trying too hard to please everyone. Live, the group presents a unified visual image with matching outfits as one might expect from 60s and 70s Chicano rock bands like Thee Midnighters and Sunny & The Sunglows. Early on championed by the late, great, Ikey Owens, Chicano Batman got a leg up reaching a wider audience through a 2015 tour with Jack White, with whom Owens had been playing before his untimely death in October 2014. The group’s 2017 album, Freedom is Free, is a bracing antidote to the climate of chaos, desperation and despair that many people have been experiencing with the Trump administration by offering an alternative vision for a better America and a world.
Houston’s Khruangbin is a Thai surf-funk-soul band so it and Chicano Batman are a perfect compliment to one another as Kruangbin’s music isn’t grounded in the same influences even if the music it’s music is also not inspired by music from just one place and one time. Inspired initially by Thai funk cassettes from the 60s and 70s, Khruangbin has found fuel for its creativity in the music that influenced those bands and the music that resulted from those roots that manifested in various ways. Dub, Afrobeat, reggae and hip-hop, among others.
If, like many of us, you aren’t super flush with money and couldn’t sell enough blood plasma this past year to afford half the ticket price of the Depeche Mode show tonight at Pepsi Center, you have plenty of options should the live music experience be what you’re seeking. Not just the Titwrench festival at the Mercury Café starting tonight August 25, continuing tomorrow, August 26, but plenty of others including the following.
One Who:Itchy-O and SPELLS When: Saturday, 8.26, 9 p.m. Where: Gothic Theatre Why: Itchy-O, the cult/sprawling experimental band/spectacle including over thirty members, has toured America, played in Tasmania and is arguably the most well-known weirdo band from Denver. Now the group is finally releasing its sophomore record, From the Overflowing, the follow up to 2014’s Burn the Navigator. Both albums have a home at Jello Biafra’s long-running indie label Alternative Tentacles but you can buy one in person this night and experience Itchy-O’s ever evolving live show. You can also catch openers, SPELLS, fronted by comedian Ben Roy who, with any luck, will do and say something memorably ridiculous.
Two Who:Sliver, Television Generation, Quantum Creep and Stasis of Seasons When: Saturday, 8.26, 9 p.m. Where: Moe’s Original Bar B Que Why: Sliver and Television generation play together often but that’s no bad thing because both groups have managed to basically reinvent grunge for the Rocky Mountain West. 20 years ago, maybe you would roll your eyes at such a throwback impulse in sound. But both bands are energetic and seem to be coming from a sincere and pure place that bypasses notions of misguided nostalgia. TG even worked with grunge scene engineer par excellence Jack Endino on its 2015 Digital Static EP. Quantum Creep is a noise pop band that is comprised of veteran members of Denver area indie rock and indie pop bands. Rather than just basically retreading prior efforts, the members of Quantum Creep challenged themselves to focus not just on solid songwriting but in expanding what indie rock can and should sound like. Also, kudos for the nerdly science reference, people!
Three Who:Laetitia Sadier Source Ensemble w/Heather Trost and Pattern Language When: Saturday, 8.26, 8 p.m. Where: Lost Lake Why: Laetitia Sadier was once the charismatic frontwoman of Stereolab, a band that combined Krautrock, avant-garde electronic music, bossa nova, punk and pop for an otherworldly listening experience with every record. Since that group split up nearly a decade ago, Sadier has forged her own music path with songs creatively worthy of Stereolab but more a reflection of her nuanced, further exploration of a cross-cultural blend of sounds and thoughtful commentary on life and the modern political landscape. Heather Trost, whom some may know for being in A Hawk and a Hacksaw, perfectly compliments Sadier’s own blend of diverse influences. The what one might call electronica exotica of Boulder, Colorado’s Pattern Language, as one can find on the 2017 EP Total Squaresville, is a great introduction to the whole evening.
Four Who:Kevin Morby and Shannon Lay When: Saturday, 8.26, 9 p.m. Where: Globe Hall Why: Before ever joining experimental folk band Woods on bass in 2009, Kevin Morby was writing his own music from a very young age. After leaving Woods in 2013 to forge his own way, Morby has proven himself to be a gifted crafter of introspective pop songs with a rare full use of low end in his compositions. Currently on tour in support of 2017’s City Music, Morby is finally writing and performing with the confidence that comes from not making music in the shadow of his previous musical projects.
Five Who: Speakeasy Series: EVP and Nighttimeschoolbus When: Saturday, 8.26, 6-9 p.m. Where: Hooked On Colfax Why: Nighttimeschoolbus is not too well known in Denver, much less elsewhere, but if quality of music is ever an indicator of success in that realm it should be. However, the duo comprised of Robin Walker and Toby Hendricks has few widely available recordings. They play few shows and don’t seem to have a shred of the careerist ambitions that bands trying to “make it” in any way seem to need to go beyond being asked by friends to play small shows. Walker, one of Colorado’s most talented musicians and vocalists, released solo albums in the past and with her indie pop band Cougarpants. Hendricks has several releases under his solo hip-hop moniker Otem Rellik. And together it’s an amalgamation of that underground hip-hop beatmaking and Walker’s avant-garde pop sensibilities. Also on this bill is EVP, another duo, but in this case, the band has elements of industrial music, witch house and post-punk. Amanda Baker’s vocals are reminiscent of Gitane Demone and the music has an 80s death rock vibe informed by a modern dance music production sensibillity.
Six Who:Reggae on the Rocks featuring Sublime With Rome, The Mighty Mighty Bosstones, Fishbone, Inner Circle, Landon McNamara and Judge Roughneck When: Sunday, 8.27, 2 p.m. Where: Red Rocks Why: In an annual tradition going back several years, Reggae on the Rocks will get started early Sunday afternoon. Whether the musical form is your thing, or whether or not all of these bands appeal to you, there’s not likely to be another chance to see punk/reggae legends Fishbone, much less a worthy band they influenced like The Mighty Mighty Bosstones on the same bill. Maybe some people will even figure out that Inner Circle has excellent songs beyond “Bad Boys.” The band, after all, has roots in the earliest days of reggae and had a whole career before 1986 when its most famous song was released. Local reggae powerhouse Judge Roughneck is also on the bill. While much local reggae is deservedly the butt of scorn and disdain, Judge Roughneck has garnered respect for its own music which never seems like a misguided appropriation.
Seven Who:Bleached w/Springtime Carnivores and The Corner Girls When: Sunday, 8.27, 7 p.m. Where: Larimer Lounge Why: Jennifer and Jessica Clavin were once members of the great art punk band Mika Miko. When they formed Bleached in the wake of the dissolution of the latter, they embraced a kind of songwriting style that reflected the myth of Southern California—bright and easy melodies—while never trying to pretend there isn’t a darker side to California or a more gritty aspect of everyday living. The group’s latest album, 2016’s Welcome the Worms, is a heavy album that manages not to weigh you down. Denver’s The Corner Girls also take a sort of punk and surf rock aesthetic and make it a vehicle for commenting on serious issues in a way that doesn’t sugarcoat anything but also doesn’t unproductively wallow in despair.
Eight Who:Silver Face w/Mugen Hoso and Palo Santo When: Monday, 8.28, 9 p.m. Where: Silver Spur Saloon Why: Tokyo’s Mugen Hoso could be a punk band or a rockabilly band but in fine Japanese tradition, distinct categories don’t matter and the art statement of kind of cutting loose in a culture that frowns on such emotive gestures is plenty rebellious on its own. Silver Face, the Denver psychedelic rock band, is also on the bill. By not trying to be a psych band in the same mold as so many bands have in the last 10 years when more people discovered that music by listening to the Black Angels and realizing that The Brian Jonestown Massacre is a great band and not just a living caricature of a band in the excellent 2004 documentary Dig!, Silver Face is writing valid songs with real roots in an earlier era of rock and roll.
Nine Who:The Cutthroat Drifters (final show) w/The Patient Zeros and To Be Astronauts When: Wednesday, 8.30, 7:30 p.m. Where: Larimer Lounge Why: Since around 2003 way too many bands have mined the “classic rock” sound and attitude. Like Civil War recreation societies for rock and roll. The results have been mixed. The guys in Cutthroat Drifters, though, never seemed to forget that it’s not enough to play music inspired by that era of great songwriting or to just live an irresponsible lifestyle. These Drifters wrote many a worthy rock and roll song of their own and the live show was surprisingly forceful with a talented vocalist and frontman in Nicolas Kjolhede who danced with an unaffected yet theatrical flair as his equally skilled bandmates provided the context for that performance to work. After nearly a decade of rocking and sweating on multiple Denver stages, this is their last show. We hardly knew ye, Drifters.
Ten Who:Wovenhand with Emma Ruth Rundle and Jaye Jayle When: Thursday, 8.31, 8 p.m. Where: The Marquis Theater Why: Wovenhand has evolved into a more noisy, haunted, post-punk band from its more Gothic Americana beginnings a decade and a half ago. Live, the band’s music is a journey through harrowing emotional landscapes guided by singer David Eugene Edwards’ dark vision aiming toward spiritual catharsis. Sharing the bill are Emma Ruth Rundle and Jaye Jayle. The two songwriters had a collaborative album earlier this year but separately, Rundle has a ghostly purity at the heart of her dark, moody songs that evokes Julee Cruise while sounding more like Marissa Nadler. As a member of Red Sparrowes with roots in folk music, Rundle masterfully navigates a broad and deep vista of emotional expression. Evan Patterson, Jay Jayle, is no stranger to heavy music himself as a member of Young Widows and Breather Resist, and his burnished blues folk is the stuff of Jodorowsky soundtracks.