Best Shows in Denver and Beyond 11/21/19 – 11/27/19

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Lisa Prank performs at Hi-Dive on November 24. Photo circa 2016 by Tom Murphy

Thursday | November 21

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Wilderado, photo by Grant Spanier


What: Zeta (Venezuela), Clarion Void, Disposal Notice, Its Just Bugs
When: Thursday, 11.21, 9 p.m.
Where: Rhinoceropolis
Why: Venezuelan band Zeta has been developing its experimental hardcore sound since 2003. It’s sound is a parts progressive rock and punk but in a way that’s expressive and moody while not sacrificing the intensity. Currently touring in support of its 2019 album Mochima.

What: Mt. Joy w/Wilderado and Adam Melchor
When: Thursday, 11.21, 7 p.m.
Where: Ogden Theatre
Why: Wilderado’s new single “Surefire” sounds wistful and nostalgic in a way that allows for words to develop into an introspective narrative that blooms into an expansive melody alongside the story. Reminiscent of the way The War On Drugs echoes some of the vibe of Bruce Springsteen’s reflective, diary-like lyrics, this offering from the band builds on the atmospheric experiments of its 2018 EP Favors with more electric instrumentation and a more immersive sound without compromising the group’s use of space as a canvass for its emotional colorings.

Friday | November 22

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Married a Dead Man, photo by Ana Irene Valdes-Behrens

What: Married a Dead Man w/False Report, Dead Characters
When: Friday, 11.22, 8 p.m.
Where: Goosetown Tavern
Why: Denver’s Married a Dead Man is releasing its second album Awakening this night. The group’s sound might be described as somewhere between Xmal Deutschland’s wiry, urgent, dark atmospherics and modern pop melodies. The new set of songs, no doubt honed from live performances, are not just bandwagon new post-punk revival and darkwave. At times Megan Kelley’s performance and songwriting chops from her time as a solo artist infuse the songs with a warmth and coherence that gives the music a broader range than the genre of late can sometimes have with songs like “Burn” having a massive, expansive, dramatic dynamic that stretches the boundaries of what one might this band is capable of at first blush. Worth delving into beyond a casual listen.

What: Wildermiss w/Slow Caves
When: Friday, 11.22, 8 p.m.
Where: Bluebird Theater
Why: Wildermiss is a Denver-based indie rock band that is probably on the verge of much wider circles than simply relatively successful local band status. Its new EP In My Mind captures the spirit of our time now of great contrasts of emotional states and expectations, a mixture of fear and hopefulness that most people are experiencing due to the state of the planet, politics, culture and economics. We stand on the precipice of disaster and promise of a better future if we do not lack the will to make it happen. In My Mind expresses that tension well across its length.

What: Briffaut, Down Time and Inaiah Lujan
When: Friday, 11.22, 8 p.m.
Where: Hi-Dive
Why: Briffaut’s new album A Maritime Odyssey: Heaven is Only a Boat Race Away is a nice capsule of this band’s idiosyncratic songwriting. Fans of both King Krule and Deerhunter will find something to love about the band’s lush and unpredictable song structures and raw, emotional swells of tone and a disregard for whether a song or style or performance fits in with some established aesthetic outside its own. Too much music in the indie world is boringly predictable. Not just the indie world. Imitators of milquetoast artists and already successful formulas are rife in music now as at all times since popular music has been a thing. Thankfully Briffaut and its willingness to embrace its own weirdness has been intact since the beginning and gloriously so on the new album of imaginative soundscapes, completely unconventional songwriting and the ability to utterly transport us outside our usual frames of musical reference.

What: King Diamond w/Uncle Acid and the Deadbeats and Idle Hands
When: Friday, 11.22, 6 p.m.
Where: Fillmore Auditorium

What: Faim, Tuck Knee, Gack
When: Friday, 11.22, 8 p.m.
Where: Mutiny Information Café

What: Atomga w/Dandu, Spellbinder and DJ Yahru
When: Friday, 11.22, 8:30 p.m.
Where: Ophelia’s Electric Soapbox

What: False Cathedrals, Gila Teen, How to Think and Wolf Larva
When: Friday, 11.22, 8 p.m.
Where: Glitter City

What: Sour Boy, Bitter Girl and Dirty Shrines
When: Friday, 11.22, 8 p.m.
Where: The Squire Lounge

What: Broncho w/Hot Flash Heat Wave and Rinse & Repeat
When: Friday, 11.22, 7:30 p.m.
Where: Globe Hall

Saturday | November 23

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Blood Incantation, photo by Tom Murphy

What: Blood Incantation w/Vermin Womb, Dreadnought and Superstition
When: Saturday, 11.23, 8 p.m.
Where: Gothic Theatre
Why: Blood Incantation recently released its new album Hidden History of the Human Race. The Denver-based death metal band is a big of an enigma in that it has been slowly building a cult following for years and playing few local shows. But its songs, especially live, come across as larger than life, psychedelic although imbued with the technical precision of the best death metal, and as oddly accessible as the genre has ever been. The record is a science fiction concept album but one that has a cover designed by Bruce Pennington who did cover art for A Canticle For Leibowitz and the Dune books after the initial novel. Plus the guy did the iconic cover for Gene Wolfe’s landmark science fiction fantasy book The Shadow of the Torturer. Fine stuff for an album that is a thrilling reminder that death metal can still be fun and not a forbidding drag.

What: Black Star Gang ft. Yasiin Bey, Talib Kweli, DJ Premier w/Brother Ali, Evidence and The ReMINDers
When: Saturday, 11.23, 7:30 p.m.
Where: Mission Ballroom
Why: Black Star is a hip hop duo comprised of Talib Kweli and Yasiin Bey (Mos Def), two of the sharpest critics of American culture and innovators in the genre themselves. The project only has one album up to now, 1998’s Mos Def & Talib Kweli Are Black Star, but rumor has it they have another in the works produced by Madlib. So if you’ve caught the recent live performances maybe you’ve heard some of the new material and it seems likely it’ll be on display for this show.

What: Lusine w/JUSCHILL and HU
When: Saturday, 11.23, 8 p.m.
Where: Larimer Lounge

What: Broncho w/Hot Flash Heat Wave and Rinse & Repeat
When: Saturday, 11.23, 7:30 p.m.
Where: Globe Hall

What: Matt Rouch & The Noise Upstairs, Chella & The Charm, The Maykit
When: Saturday, 11.23, 7:30 p.m.
Where: The Skylark Lounge

Sunday | November 24

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The Shift circa 2015, photo by Tom Murphy

What: Lisa Prank w/The Tangles (fka The Tickles) and Horse Girl
When: Sunday, 11.24, 7 p.m.
Where: Hi-Dive
Why: Lisa Prank has established refined and thoughtful emo pop songs as a national artist since starting the project in Denver several years back. Her new record Perfect Love Song is a a little fuzzier, more confident but just as wise and as insightful.

What: Shibui Denver #8: Dead Orchids and The Shift
When: Sunday, 11.24, 6:30 p.m.
Where: Hi-Dive
Why: For this edition of Shibui Denver we will have two bands that don’t get nearly the attention they deserve. The Shift is an improvisational, experimental progressive rock band and includes Esmé Patterson and former Bad Weather California bassist Jeremy Averitt. Dead Orchids’ dark, brooding songs are a vital mix of post-punk and Americana but without the trendy habits that often mar bands trying their hand at either.

What: Vérité and YaSi
When: Sunday, 11.24, 7 p.m.
Where: Lost Lake

What: Kris Kristofferson & The Strangers
When: Sunday, 11.24, 5 p.m.
Where: Paramount Theatre

What: Neyla Pekarek’s Rattlesnake w/Chris Fleming, Bluebook and The Newfangled Four
When: Sunday, 11.24, 7 p.m.
Where: Bluebird Theater

What: Goon w/Whiskey Autumn and We Are Not a Glum Lot
When: Sunday, 11.24, 8:30 p.m.
Where: Lion’s Lair

Monday | November 25

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Midwife, photo by Tom Murphy

What: Midwife w/Hogwaller
When: Monday, 11.25, 7 p.m.
Where: Forest Room 5
Why: Midwife is an ambient folk artist of the highest order who was recently tapped to perform at The Flenser showcase at the Roadburn Festival in 2020 with her debut album on that record label later in the year. See her at these small rooms while you still can.

Tuesday | November 26

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HIDE circa 2016, photo by Tom Murphy

What: HIDE w/Echo Beds, Church Fire and Cau5er
When: Tuesday, 11.26, 8 p.m.
Where: Hi-Dive
Why: Confrontational, performance art-oriented industrial band HIDE is the urban dystopian futurist ritual catharsis we need now to burn off the darkness of the modern world. Its new album Hell is Here is a searing, discordant exorcism of the demons that plague the body politic.

What: B. Dolan w/Wheelchair Sports Camp
When: Tuesday, 11.26, 8 p.m.
Where: Ophelia’s Electric Soapbox

Wednesday | November 27

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The Hu, photo by Altankhuyag

What: Pigface w/eHpH, DJ N810, DJ Mudwulf
When: Wednesday, 11.27, 7 p.m.
Where: Summit Music Hall
Why: Pigface is the long-standing industrial supergroup with roots going back to the 80s with members of Ministry, KMFDM and other industrial luminaries. EhpH is a Denver-based duo whose mix of EBM and industrial rock is actually compelling and cathartic and doesn’t come off like its members’ musical imagination got stuck in the early 2000s.

What: Shark Dreams w/Nuancer, The Milk Blossoms and GhostPulse
When: Wednesday, 11.27, 7 p.m.
Where: Larimer Lounge
Why: Best local dream pop line-up in more than a minute with some of Denver’s best. Shark Dreams is more the kind of drifty indie pop with a leg in glittery, slowcore dynamic. Nuancer is as informed by experimental electronic music as pop. The Milk Blossoms are a hip-hop trio disguised as a heartfelt, hyper sincere, experimental indie pop group with a sense of humor and humanity. GhostPulse weaves together downtempo beats, unconventional instrumentation and luminously cloudy atmospherics.

What: The Hu w/Crown Land
When: Wednesday, 11.27, 6 p.m.
Where: The Black Sheep
Why: The Hu is a rock band from Mongolia that performs with traditional instruments, uses throat singing and yet its songs are an exquisite hybrid of Mongolian folk music and heavy metal. Could be corny but it is not, it is powerful, stirring stuff. Fans of Laibach will enjoy the sound of this band even though the styles are so different. Around since 2016 The Hu recently released its debut album The Gereg on Eleven Seven Records.

What: Neon Indian w/Lou Rebecca
When: Wednesday, 11.27, 7 p.m.
Where: Bluebird Theater

What: Emma Mayes & The Hip w/Los Mocochetes and Ghost Tapes
When: Wednesday, 11.27, 8 p.m.
Where: Lost Lake

What: Flaural w/Oko Tygra, Wet Nights and DJ Lexie
When: Wednesday, 11.27, 8 p.m.
Where: Hi-Dive

What: An Evening of Never Kenezzard 2 sets
When: Wednesday, 11.27, 9 p.m.
Where: The Squire Lounge

Best Shows in Denver 06/20/19 – 06/26/19

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Mitski performs at Red Rocks with Death Cab for Cutie on Tuesday, June 25, photo by Bao Ngo

Thursday | June 20

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Future Punx, photo courtesy the artist

What: Glasss Presents the Final Speakeasy Series Season 3: Adam Selene, Abeasity Jones and MYTHirst
When: Thursday, 06.20, 6:30 p.m.
Where: Hooked On Colfax
Why: This is the final edition of the Speak Easy Series not just Season 3 but overall. Each date has been a well-curated showcase of Denver’s underground experimental music underground with a reach covering a lot of that territory in a way few if any other events have in recent years. Tonight’s show includes some of the local scene’s hip-hop and production stars as named above.

What: SCAC with Kid Congo Powers & The Pink Monkey Birds
When: Thursday, 06.20, 8 p.m.
Where: Hi-Dive
Why: Slim Cessna’s Auto Club is the long-running, legendary Americana post-punk band with a theatrical flair and costumes to enhance a strong visual presence on stage. Joining them tonight is Kid Congo Powers & The Pink Monkey Birds. Also favoring matching outfits in the vein of influential Chicano rock bands like Thee Midnighters, the group is fronted and lead by one of rock’s great songwriters and guitarists. Kid Congo Powers brought great finesse, inventiveness and a keen ear for melody and dynamics to groups like Gun Club, The Cramps and Nick Cave & The Bad Seeds.

What: Mystery Lights w/Future Punx and Slynger
When: Thursday, 06.20, 7 p.m.
Where: Globe Hall
Why: Mystery Lights is an odd and fascinating mix of retro synth bands and proto-punk. Give its new record Too Much Tension! a listen. Like early Zen Guerilla but weirder. Future Punx is also on tour from Brooklyn with its synth funk punk akin to Les Savy Fav and The Epoxies but with more synth than the former and less pop punk than the latter. Its own 2019 album The World Is A Mess (which includes an almost brooding cover of “The World’s A Mess (It’s In My Kiss)” by X) sure does sound like some people from the future looking back on the Twentieth Century New Wave and punk era the way some indie rockers have looked back on Laurel Canyon, classic rock and 80s glam rock for inspiration and cherry picked sounds to assemble in idiosyncratic fashion.

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Hembree, photo by Stephen Shireman

What: Bloxx, Hembree and Warbly Jets
When: Thursday, 06.20, 6:30 p.m.
Where: Marquis Theater
Why: Bloxx is a four piece from London whose sound makes one think its members evolved out of the music that defined its early youth and rediscovered 90s alternative rock and mulched it all in favor of a charmingly melodic, fuzzy emo-esque songwriting style reminiscent of newer bands like Culture Abuse. Kansas City’s Hembree rides that line between post-punk and synth pop well and its 2019 album House On Fire is filled with darkly luminous yet urgent dance songs.

Friday | June 21

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Nick Murphy, photo by Willy Lukatis

What: Gasoline Lollipops., Dust Heart and Grayson County Burn Ban
When: Friday, 06.21, 7 p.m.
Where: Oriental Theater
Why: Andy Thomas has been a fixture of Denver music for close to two decades as a member of bands like Ghost Buffalo, The Knew, Tin Horn Prayer, Only Thunder and, more recently, Lost Walks. Around a decade ago he started releasing music under his own name and as Andy Thomas Dust Heart and exploring different facets of his own songwriting. He is now releasing music as simply Dust Heart and tonight he releases his single “Plastic Walls” and “The Last Gap.” Thomas’ command of the musical vocabulary of Americana and punk has long been established. With the new material the songwriter delves further into something more akin to gritty power pop with charged guitar riffs and his always emotionally resonant vocal delivery. He’ll be performing the Punk Is Dad benefit tonight at the Oriental Theater with other like-minded local acts. Look for our interview with Thomas coming soon.

What: Nick Murphy fka Chet Faker w/Beacon
When: Friday, 06.21, 7 p.m.
Where: Ogden Theatre
Why: Nick Murphy announced in 2016 that he would drop his long-running stage name of Chet Faker with the release of his next album, that being 2019’s Run Fast Sleep Naked. The Australian singer and songwriter’s mixture of R&B and downtempo electronic pop struck a chord in the first half decade of his career so far and his new album is the result of some wanderlust and making the music and putting together ideas as he went along. The album is a mixed bag but sometimes such material translates better live than as a loose concept album and you can see for yourself tonight as Murphy transforms the Ogden into a more intimate environment in which his songs can shine in the interpretation of the recorded music.

Saturday | June 22

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Oh, Rose at Treefort Music Fest, photo courtesy the artist

What: Yeasayer w/Oh, Rose
When: Saturday, 06.22, 7 p.m.
Where: Gothic Theatre
Why: Oh, Rose from Olympia, Washington has been making C86-esque pop songs for around half a decade and garnering some buzz for its emotionally warm and ebullient yet introspective songwriting. Fans of Shop Assistants and perhaps Black Tambourine will find much to like about Oh, Rose in general but especially it’s forthcoming album While My Father Sleeps due out on August 23, 2019 on Park The Van Records. The group is opening for Yeasayer whose genre bending sound makes psychedelic rock, non-Western rhythms and prog work well together by not bothering to recognize a boundary between all of that. The result is what might be considered “indie funk” but with a more imaginative live presentation of the music than those terms together might suggest.

What: Alphabeat Soup #41: Rico Eva (Riq Squavs), MYTHirst, Yung Lurch, Furbie Cakes and Love Cosmic Love
When: Saturday, 06.22, 8 p.m.
Where: Thought//Forms
Why: With the demise of Deer Pile, Alphabeat Soup, the periodic showcase of some of Denver’s most forward-thinking electronic music producers, is finding a new home at Thought//Forms.

What: TRVE DadFest
When: Saturday, 06.22, 1 p.m.
Where: Hi-Dive and Mutiny Information Café
Why: TRVE Brewing and Dad Fest combined forces for this event to bring a day and night of stars of extreme, doom and experimental (and combinations thereof) metal from Denver and beyond. But as per usual for DadFest, there will music well outside that like ethereal soundscaper Midwife, Denver noise legends Page 27 and beat-driven noise auteur Data Rainbow. Our pick for the later heavy stuff if one must choose? BIG|BRAVE’s 2019 album A Gaze Among Them is a towering locomotive of driving beats that transcends narrow concepts of doom, noise and industrial. But, really, everything on the bill is worth your time—not something one can say about every festival, tastes differing. The event happens at two venues, schedule listed below.

Hi-Dive Schedule (upstairs and downstairs as indicated)
Up: Dreadnought 7:50-8:10
Down: Noctambulist 8:15-8:35
Up: In the Company of Serpents 8:40-9:00
Down: Vale 9:05-9:25
Up: Midwife 9:30-9:50
Down: Of Feather and Bone 9:55-10:15
Up: BIG|BRAVE 10:20-10:50
Up: Wake 11:05-11:25
Up: Vanum 11:40 – finis

Mutiny Schedule
Lost Relics 2:00-2:20
New Standards Men 2:35-2:55
Chair of Torture 3:10-3:30
A Light Among Many 3:45-4:05
Livid 4:20-4:40
Whilt 4:55-5:05
909 5:20-5:40
Flesh Buzzard 5:55-6:05
Heathen Burial 6:20-6:40
Data Rainbow 6:55-7:05
Page 27 7:20-7:40

Sunday | June 23

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Howard Jones circa 2017, photo by Tom Murphy

What: A Vulture Wake w/Joy Subtraction and State Drugs
When: Sunday, 06.23, 7 p.m.
Where: Lost Lake
Why: A Vulture Wake is a sort of melodic punk super group including Chad Price of ALL and Drag the River) and members of Lagwagon and Real McKenzies. But you won’t be getting some odd pop punk or melodic hardcore redo, it’s songwriting goes a bit beyond all of that with technical proficiency used with imaginative and evocative guitar riffs. Joy Subtraction doesn’t play much these days but its punk is borderline post-punk and its sharp take on social and political issues lacks is way more clever and insightful than that of at least two or three other bands. But not just any two or three other bands.

What: Howard Jones w/Men Without Hats and All Hail the Silence
When: Sunday, 06.23, 5:30 p.m.
Where: Hudson Gardens
Why: Howard Jones is a pioneer of synth pop and one who learned to use difficult and temperamental equipment to compose some of the biggest hits of the 1980s like “Things Can Only Get Better,” “No One Is To Blame,” “What Is Love” and “Like to Get to Know You Well.” While for some these may be light pop songs Jones’ voice expressive and highly emotional deliver stood out even back then in the heyday of that music. As a live performer now Jones is surprisingly forceful and charismatic with an expertly crafted light show whose music seems prescient considering the direction synthwave and chillwave has developed.

Monday | June 24

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Ginger Root, photo by Seannie Bryan

What: Ginger Root w/Oko Tygra and Hi-Fi Gentry
When: Monday, 06.24, 7 p.m.
Where: Hudson Gardens
Why: As Ginger Root, Cameron Lew has been making lush downtempo synth pop that sets itself very much apart with an attention to the low end. It gives his songs a sonic depth and flow that credibly gives a nod to 70s dance music and soul. Frankly, some filmmakers who are trying to nail that 70s and 80s vibe should hit up Lew to score and/or music supervise their projects because more than most people making music now who probably wasn’t alive at that time, he gets it and it’s not just having access to the vintage gear. But listen for yourself to his new singles “Weather” and “Slump” here.

What: Stevie Wonder
When: Monday, 06.24, 7 p.m.
Where: Red Rocks
Why: Stevie Wonder needs no introduction as a legend of soul, funk, R&B and jazz. He’s performing at this Red Rocks show as a fundraiser for SeriesFest.

Tuesday | June 25

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Mitski, photo by Bao Ngo

What: Death Cab for Cutie w/Mitski
When: Tuesday, 06.25, 6:30 p.m.
Where: Red Rocks
Why: Mitski Miyawaki recently announced that after her fall live bookings she was taking a hiatus from the grinding, album-release-cycle-and-touring of the music industry that allows little time for cultivating one’s life and creativity separate from its considering for delivering up to an audience in a form they are expecting. Miyawaki has had a respectable career and body of work up to now including her 2018 album Be the Cowboy. The latter pushed her songwriting to new heights of creativity in telling stories, self-examination and soundscaping. And a deep level of emotional honesty. With an album as great Be the Cowboy where does a songwriter go without repeating oneself while under the gun to produce something more quickly than one’s brain is prepared to deliver? With any luck she’ll find the time away from the cultural realm that Hunter S. Thompson famously critiqued before it got as bad as it is now by writing: “The music business is a cruel and shallow money trench, a long plastic hallway where thieves and pimps run free, and good [people] die like dogs. There’s also a negative side.” Wherever Miyawaki lands we wish her good fortune and happiness while hoping she comes back with a new set of music that continues her legacy of great songs.

Death Cab for Cutie is a band that helped to define and shape what “indie rock” has meant, sounded like and looked like since at least the late 90s. Now that the group has been fairly commercially successful for several years at this point its songwriting may lack some of the urgency and poignancy of its earlier output at least the band has a few decent songs with every album since the turn of the decade.

Wednesday | June 26

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J. Hamilton Isaacs, photo by Tom Murphy

What: Harry Tuft
When: Wednesday, 06.26, 6 p.m.
Where: Four Mile Historic Park – Shady Grove
Why: Harry Tuft is the godfather of bluegrass and folk in Denver having run the Denver Folklore Center in the 60s through the 70s and as a founder of Swallow Hill. He seldomly performs but when he does his interpretations of other people’s songs and standards is always interesting and his originals worthy as well. As a champion of music for decades, Tuft ironically didn’t have many chances to play his own music until his 80s and he does so with emotional power and grace.

What: Die ANGEL, Xambuca, Equine, Ian Douglas Moore and J. Hamilton Isaacs
When: Wednesday, 06.26, 8 p.m.
Where: Thought//Forms
Why: Die ANGEL is Ilpo Väisänen of noise/drone legends Pan Sonic and Dirk Dresselhaus of avant-guitar group Schneider TM. With Die ANGELthe duo explore the kind of noise, ambient, sound environment composition that is an experience in itself in flowing sounds, tones and rumbling low end. It is a physical as well as a psychological experience that will engulf the room at Thought//Forms. Xambuca is a San Francisco-based modular synth and production artist who will bring his own depth of sonic field to the proceedings. Denver’s Equine is Kevin Richards whose avant-garde guitar work has been part of the Mile High City’s underground for nearly two decades as a member of weirdo, jazz/noise post-hardcore band Motheater and blackened noise duo Epileptinomicon. J. Hamilton Isaacs is one of the local music world’s champions of modular synth music as well as a noteworthy artist in his own right producing entrancing (no pun intended for those in the know) synth/dance music that blurs the line between ambient and more academic synth experiments.

What: No Vacation w/Okey Dokey and Hello, Mountain
When: Wednesday, 06.26, 7 p.m.
Where: Larimer Lounge
Why: No Vacation’s take on surf rock-inflected dream pop is truly elegant and transporting like they’re able to relax and let whatever is in them speak through their collective efforts. Of course a lot of practice and playing together was involved but the band makes it look effortless and easy.

Best Shows in Denver 5/23/19 – 5/29/19

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Spirit of the Beehive performs at Larimer Lounge on Saturday, May 25. Photo by Emily Burtner.

Thursday | May 23

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Church Fire, photo by Tom Murphy

What: Onkilter 1 release: Church Fire, Data Rainbow, Felix Ayodele, J. Hamilton Isaacs, Offthesky, Otem Rellik & Patrick Lee followed by DJ Ilind
When: Thursday, 05.23, 8 p.m.
Where: Syntax Physic Opera
Why: Multidim is a Denver-based experimental electronic record label that recently released its debut compilation of some of the Mile High City’s most interesting and inventive projects. The compilation, as well as this showcase, will donate all proceeds to the non-profit Youth On Record, an organization whose mission is to provide at risk youth with music education from performance, composition, production and the business end of things as well.

What: Glasss Presents the Speakeasy Series Season 3: Equine and Julien Miller
When: Thursday, 05.23, 6:30 p.m.
Where: Hooked On Colfax
Why: This latest edition of the Speakeasy Series features guitar wizard Kevin Richards’ project Equine. By introducing left field methods, chord structures, signal manipulation and unconventional composition methods in general, Richards is pushing the frontier of the styles and sonics of guitar-base sound art.

What: Necromantic
When: Thursday, 05.23, 9 p.m.
Where: Shag Lounge
Why: Necromantic is an old school Goth DJ night with plenty of the best of the newer darkwave and industrial music mixed in. Each second and fourth Thursdays of every month you can partake of the evening’s main DJs as well as select guests to bring a little bit of that old Denver flavor back into downtown.

Friday | May 24

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Refused circa 2012, photo by Tom Murphy

What: The Hives and Refused w/Bleached
When: Friday, 05.24, 9 p.m.
Where: Gothic Theatre
Why: Two power houses of punk and garage rock, Refused and The Hives respective, will make this a memorable night where you will probably be not just pleasantly surprised but inspired by the sheer energy and charisma of both bands. Refused in particular pioneered multiple genres of punk on its 1998 masterpiece The Shape of Punk to Come. Bleached includes former members of irreverent noise punks extraordinaire Mika Miko. And the group went through a phase of exploring various sounds before fully developing its knack for intimate pop songs with some bite, attitude and punk energy.

What: Tommy Wright III
When: Friday, 05.24, 9 p.m.
Where: Rhinoceropolis
Why: Tommy Wright III must be considered one of the early progenitors for the style of underground hip-hop that one hears echoing in the work of the various members and associates of A$AP, Odd Future and Migos. The creatively profane lyrics and subject matter of his songs, the lo-fi-but-deep production style with the finely treated loops as heard in so much modern trap is present in one form or another in Wright’s 90s output through today. This is a rare chance to see the legendary producer live in Denver and witness his mastery of outsider gangster rap up close and personal.

What: Cloud Rat, Gadget, Immortal Bird and 908
When: Friday, 05.24, 8 p.m.
Where: Syntax Physic Opera
Why: Sort of a deathgrind show given Gadget from Sweden and Cloud Rat from Michigan are on the bill. 908 from Colorado Springs definitely fits into what will be a night of short, furious sets.

Saturday | May 25

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Rowboat, photo by Tom Murphy

What: Slugger and Michael Thompson
When: Saturday, 05.25, 2-4 p.m.
Where: Wax Trax – Sidewalk outside
Why: Slugger is basically showing where psychedelic rock can go when the musicians focus on the songwriting over adhering to some style. Michael Thompson of Arc Sol will also perform a solo set of his songs informed by a broad range of unusual music.
What: LUTHI at Denver Day of Rock
When: Saturday, 05.25, 6-7 p.m.
Where: 16th Street Mall
Why: The Denver Day of Rock will have plenty of bands, local and otherwise, to see throughout the day and evening all along the 16th Street Mall. In the early evening you can catch LUTHI from Nashville, Tennessee. The seven-piece band perform music that’s a compelling blending of funk, downtempo pop and what might be called post-Daft Punk psychedelia. There’s some unusual X-factor about the band that keeps it well apart from “party” bands in general while also providing suitable music for a dance party.

What: Jello Biafra’s Incredibly Strange Dance Party
When: Saturday, 05.25, 9 p.m.
Where: Lion’s Lair
Why: Jello Biafra needs no introduction and this is an edition of his Incredibly Strange Dance Party where he’ll bring some of the most bizarre dance tracks to DJ at the Lion’s Lair and knowing Biafra he may even join in on the dancing, adding to the strangeness.

What: Spirit of the Beehive w/Strange Ranger, Cuckoo and Rowboat
When: Saturday, 05.25, 8 p.m.
Where: Larimer Lounge
Why: Spirit of the Beehive could be something like a light psych indie rock band but its aesthetic has a bit of a collage element and its songs sound out of phase with the contemporary world and its sometimes ennervating cultural climate. It’s music is a side step into spaces more dreamlike and mysterious. The rock instruments integrating perfectly with the warping and wefting electronic compositions is beautifully disorienting. In 2018 the band released Hypnic Jerks, a title and songs suggesting the band is coming at the world from a different angle than a lot of people. Like Unknown Mortal Orchestra but more grounded in American 90s weirdo indie pop.

What: Lav Andula, Asymptote, I Hate It Here, Causer and Tepid
When: Saturday, 05.25, 9 p.m.
Where: Rhinoceropolis
Why: A night of experimental techno and noise including the debut of Tepid, the solo project of Voight’s Nick Salmon.

Sunday | May 26

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Shocker Mom, photo by Tom Murphy

What: Shibui Denver #3; Shocker Mom, Space Geist and DJ Vahco
When: Sunday, 05.26, 7 p.m.
Where: Mutiny Information Café
Why: Shibui Denver is a monthly event last Sundays of the month at Mutiny Information Café. It’s designed to start and end early and aims to showcase some of the best Denver underground acts and the occasional touring band that fits the format of being a little different. Tonight’s featured guests are Shocker Mom, Robin Walker’s ambient beat driven pop act whose album >^^< will be included in our much belated Favorite Albums of 2018 listing. Walker has been a prolific songwriter and collaborator in Denver as a solo artist under her given name, while a member of indie pop duo Cougar Pants, in hip-hop outfit Nighttimeschoolbus, sitting in with rapper Time and folk pop artist Jason Horodyski. Vahco Before Horses heads Glasss Records through which he boosts, produces and finds spaces to showcase the music of some of Denver’s most forward thinking underground artists. This night he will DJ Denver bands and several from the Glasss Roster. Space Geist is a solo guitar band in which riffs will be looped and manipulated in post to produce, with any luck, disorienting tones and rhythms.

What: Alien Weaponry w/Dreadnought and Palehorse/Palerider
When: Sunday, 05.26, 6:30 p.m.
Where: Bluebird Theater
Why: Alien Weaponry is a band from Waipu, New Zealand. While operating somewhat in the realm of melodic thrash its lyrics are often in Maori because its three members are of that extraction and it suits the music in a way for which English sometimes seems inadequate. Opening the show are psychedelic doom folk band Dreadnought and heavy ambient noise/industrial dark psychedelic band Palehorse/Palerider also from the Mile High City.

Tuesday | May 28

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Sebadoh, photo by Justin Pizzoferrato

What: Sebadoh w/Flower and Race to Neptune
When: Tuesday, 05.28, 7 p.m.
Where: Globe Hall
Why: Sebadoh didn’t invent lo-fi rock but in the early 90s it helped to chart the direction much of that style of music would go by incorporating field recordings alongside off the cuff recording and an emphasis on feeling over precise capture of “professional” fidelity in the studio. Naturally the band went on to take that aesthetic into actual recording studios but the spirit of play and fidelity to emotional honesty and spontaneous energy remained. Currently Sebadoh is touring in support of its newly released record Act Surprised. Flower was and is now again from New York City that in the 80s reflected the city of legend and its mixture of evolving Bohemian subcultures, melting pot ethnicity, gritty urban decay, a sense of possibilities and the avant-garde alongside emerging popular culture. Musically that meant Flower was well within the realm of post-punk at the time. It wasn’t so far in the past that The Ramones, Patti Smith Group, Television, Blondie, Talking Heads, Suicide and countless others had built the foundation of what punk could be and even less far back since the bands that emerged out of that milieu, directly inspired by it in various ways like the No Wave groups, Sonic Youth, SWANS, Live Skull, Bush Tetras, Arthur Russel, Liquid Liquid, ESG, The Lounge Lizards and other unfortunately less-well-known bands that made up the ecosystem of the New York underground. Flower formed in 1986 while Richard Balulyut was still in college and its sound fit into the rich diversity of the then NYC scene. The group split in 1990 soon after which Balulyut and two of his brothers formed indie/alternative rock band Versus which went on to some acclaim in the 90s. The latter band reconvened in 2017 and it dawned on Balulyut that he could write new music in the more post-punk, some might now say darkwave, style of Flower and now the band is on tour in support of its new material and there’s a better than half a chance you’ll get to see some of its older material live as well.

What: Closet Witch, Law of the Night and Bi-Proxy
When: Tuesday, 05.28, 7 p.m.
Where: Mutiny Information Café
Why: Kind of a grind-y hardcore night including a set from Closet Witch from southeast Iowa. Molly Piatetsky’s feral vocals are something to witness.

Update: This show was combined with another at Syntax Physic Opera at 8 p.m. with a line up that is now Full of Hell, Primitive Man, Genocide Pact, In The Company of Serpents and Closet Witch.

Wednesday | May 29

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Skeletonwitch, photo by Nico Poalillo

What: Sleep w/Big Business
When: Wednesday, 05.29, 7:30 p.m.
Where: Boulder Theater
Why: Sleep is one of the most influential bands out of the world of doom metal. Though its sound was lumped in with “stoner rock,” which seems apt seeing as it’s until recently latest album was called Dopesmoker comprised of a single track over an hour long. Its psychedelic, towering drones live up to the hype as do the more concise songs, like those on the 1992’s Sleep’s Holy Mountain. Sleep is almost as heavy as it gets and its high volume show as engulfing as you would hope for. Big Business is a sludge rock band well suited to the bill. The members of the band were part of The Melvins for around a decade and recently released a new record. The Beast You Are is a collection of dynamic, triumphant songs with unconventional melodies and an elevated updraft of tone. Big Business has always been, if nothing else, heavy but buoyant. On The Beast You Are, Big Business experiments further in the songwriting with its use of space and pacing. There’s still the headlong rush you’d expect from the band but also an imaginative application of its palette of sound that has kept the band from being predictable, an uncommon quality in heavy music. For Big Business it is not enough to pummel with its colossal sound but to have emotional and thoughtful intentionality behind it.

What: Skeletonwitch w/Soft Kill and Wiegedood
When: Wednesday, 05.29, 7 p.m.
Where: The Marquis Theater
Why: Skeletonwitch has been perfecting and then evolving its technical melodic death metal sound since its inception in 2003. Its latest record, 2018’s Devouring Radiant Light finds the band bringing in even more unconventionally atmospheric elements into its brutal and unrelenting soundscape. All while maintaining the dark imagery and animalistic, distorted vocals like they are telling stories of a mythical past in our current impending, post-apocalypse after climate change has cleansed the earth of much of human civilization.

Best Shows in Denver 12/27/18 – 1/2/18

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Church Fire drops Summer Camp Doom Diary @ Hi-Dive this Saturday, 12/29/18.                       Photo by Tom Murphy

Thursday | December 27, 2018

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Sliver, photo by Tom Murphy

Who: Drink Drank Punk w/Sliver and Denver Meatpacking Company
When: Thursday, 12.27, 7 p.m.
Where: Lost Lake
Why: Drink Drank Punk sounds like a party game of some kind but it’s actually a punk band that sounds like some 90s grunge-inspired musicians decided to call themselves punk because that’s where grunge came from anyway. On the band’s “About” section on Facebook words have semi-randomly capitalized letters and other odd bits of bravado. Listing one of your own other projects as an influence on the band you’re in? Really? Hopefully the band is good. Fortunately, the other two bands, clearly own the influence of grunge and 90s alternative rock and make it their own. Sliver’s fury and emotionally raw performances feel like they come from a very real place. Especially with Demry West on drums playing with a joy that balances out Chris Mercer’s churning anomy. Denver Meatpacking Company could have been a solid pop band but there’s something cathartic about playing music with a bit more grit even if you’re old enough to remember when “Smells Like Teen Spirit” was toppling the glam metal temples in the early 90s without even trying. That comes across in DMC’s songwriting and shows.

Who: Sleepy Animals EP release, Bluebook, Lowfaith
When: Thursday, 12.27, 8 p.m.
Where: Syntax Physic Opera
Why: Sleepy Animals releases its EP Mirrored Polygons today. Its downtempo indie rock is in good company with the avant-garde indie pop of Bluebook and Lowfaith’s gentle and expansively moody post-punk.

Friday | December 28, 2018

 

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Green Druid, photo by Tom Murphy

Who: Khemmis w/Dreadnought, Green Druid
When: Friday, 12.28, 8 p.m.
Where: Larimer Lounge
Why: Doom band Khemmis has been making waves well beyond Denver for a few years at this point and this weekend is doing a two night run showcasing some of the best metal local metal bands including tonight with Dreadnought and its majestic, folk-inflected, atmospheric doom and Green Druid’s psychedelic tinged brand of heavy music.

Who: Joseph Lamar, Talking Mirrors, My New Dad
When: Friday, 12.28, 9 p.m.
Where: Denver Bicycle Café Beer Hall
Why: Joseph Lamar has been a bit of a musical alchemist and chameleon with his songwriting steeped in dream pop and R&B while taking on various roles as a musician in his band an in other projects. His live show is a mixture of the intimate and the mystical.

Who: Slim Cessna’s Auto Club w/Denver Broncos UK and Midwife
When: Friday, 12.28, 8:30 p.m.
Where: Globe Hall
Why: Slim Cessna’s Auto Club has, since its beginnings in the early 90s, established itself as one of the definitive bands of the Denver music outside the mainstream. With an international fanbase, SCAC, like many of the Mile High City’s best bands, plays small club shows in its hometown. The group’s lively performances of harrowing yet ultimately life-affirming music is reliably compelling, moving and, though highly theatrical, human. For this three night run (also including 12/29 and NYE) the band is bringing in refreshingly different opening act from the usual “same genre” billing. For this show, sure, dark post-punk Americana side project Denver Broncos UK, well worth seeing, but also the delicate, ethereal outsider folk brilliance of Midwife.

Saturday | December 29, 2018

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Mirror Fears at UMS, July 30, 2017, photo by Tom Murphy

Who: Church Fire: Summer Camp Doom Diary release w/The Milk Blossoms, Wheelchair Sports Camp and Mirror Fears
When: Saturday, 12.29, 8 p.m.
Where: Hi-Dive
Why: Church Fire’s latest album Summer Camp Doom Diary was many years in the making from shedding the quaint but necessary early compositional ideas and methods represented by the phase in which the duo was calling itself Sewing Buttons on Ice Cream. When the band emerged into the type of group that could make powerful tribal, industrial dance music infused with a sophisticated sociopolitical orientation it really found its core audience among people who don’t see why bangers are irreconcilable with rich and thoughtful content. The new record is the apex of Church Fire’s most recent wave of artistic development which, in many bands, is where its future music will plateau even if it’s worth a listen hereafter. But if you’ve seen Church Fire in the last half year you’ve seen hints of the future direction of the band all of which is more than hinted at across Summer Camp Doom Diary like mini-prophecies, Easter eggs, of self-liberation for both the band and listener alike. For this show Church Fire is joined by other local visionary artists in the more experimental realm who make music that stretches the brain and expands your inner horizons.

Who: Khemmis w/Of Feather and Bone and NightWraith
When: Saturday, 12.29, 9 p.m.
Where: Larimer Lounge
Why: Second night of Khemmis’ local showcase with the grindcore-esque Of Feather and Bone and the thrash-core doom of NightWraith.

Who: Pale Sun, Emerald Siam and Wild Call
When: Saturday, 12.29, 8 p.m.
Where: Lost Lake
Why: When silly people talk about the “end of guitar rock” they should be so lucky as to catch this line-up with Pale Sun’s hypnotic and moving post-shoegaze ambient rock, Emerald Siam’s left field stretch beyond brooding post-punk by incorporating hooks and emotional depth and Wild Call’s gritty, dreamy, visceral songwriting.

Who: Itchy-O w/PPL MVR
When: Saturday, 12.29, 8 p.m.
Where: The Oriental Theater
Why: Itchy-O is doing a three night run for the new year beginning tonight with costume weirdo metal band PPL MVR. While a lot of its music is some kind of sludgy hard rock the yeti-looking group freely plays with sounds and methods from other styles of music including psychedelia and hip-hop.

Who: Slim Cessna’s Auto Club w/Munly & The Lupercalians and Voight
When: Saturday, 12.29, 8:30 p.m.
Where: Globe Hall
Why: This second night of three of SCAC’s NYE run at Globe Hall includes performances from the spooky, costumed ritual folk band Munly & The Lupercalians and shoegaze/industrial post-punk duo Voight.

Sunday | December 30, 2018

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Cloudless Rain (left) with Sheet Metal Skin Graft (left) circa 2017, photo by Tom Murphy

Who: Textures: Brother Saturn, Cloudless Rain, Gutter Spirits
When: Sunday, 12.30, 7:30 p.m.
Where: Mutiny Information Café
Why: The final Textures ambient showcase of 2018 with performances from post-rock/loop-shoegaze/electro ambient project Brother Saturn and Cloudless Rain whose own music seems to be one of freefloating, endless horizons as one would expect from a persistent virtual world chillout zone.

Who: Wildermiss w/The Solid Ocean and Panther Martin
When: Sunday, 12.30, 8 p.m.
Where: Larimer Lounge
Why: Red Fox Run was a promising band that realized that ambition when some of those guys got together with Emma Cole to form Wildermiss. It’s upbeat, earnest indie rock with interesting tonal flourishes and imaginative song dynamics that separate its musical offerings from the current spate of cookie cutter indiedom. The Red Fox Run guys also bring to the project much of what they learned about promoting themselves beyond just overplaying and oversaturating the local scene in the seemingly aimless manner of many of their peers. This is the first night of a two night run to ring in the new year.

Who: The Beach Boys
When: Sunday, 12.30, 6 p.m.
Where: Paramount Theatre
Why: It is indeed The Beach Boys probably performing choice cuts from across its career with some surprises thrown in because Brian Wilson isn’t a rote creative talent.

Who: Itchy-O w/Radio Scarlet
When: Sunday, 12.30, 8 p.m.
Where: The Oriental Theater
Why: Second night of Itchy-O’s run at The Oriental, this night Denver deathrock band Radio Scarlet will open the show.

Who: cindygod EP release
When: Sunday, 12.30, 9:30 p.m.
Where: Pon Pon
Why: cindygod is the newest band from the former members of noise rock band Gauntlet Hair. When the group emerged in the spring/summer of 2018 it had grown to a four-piece with a new name but with sounds that fans of the old band would find immediately likeable. Live, cindygod has been a reminder of what a great band Gauntlet Hair was but one that has evolved beyond that era of musical development but with the same frantic yet nuanced dynamics and joyous outpouring of sound. The group recently released the digital version of its debut EP with the vinyl available at this event.

Monday | December 31, 2018

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Rubedo at We Labs with Ikey Owens (3rd from left), November 15, 2013. Photo by Tom Murphy

Who: Rubedo w/Fed Rez, R A R E B Y R D $, DJ Polyphoni
When: Monday, 12.31, 8 p.m.
Where: Lost Lake
Why: Rubedo doesn’t play too many Denver shows these days. Its winning, accessible and energetic mixture of funk, noise rock and prog has found an audience beyond Denver. In 2017 Rubedo released Vaca, a sort of farewell album to the trio’s late mentor and musical partner Isaiah “Ikey” Owens. Perhaps this show will include some of the material that will make up its next chapter. For this NYE show you also get to see raucous, insightful and witty hip-hop group Fed Rez and R A R E B Y R D $, another hip-hop group but one whose soulful, even spiritual, sound is rooted in an ability to channel pure emotion in nuanced, gentle yet powerful ways.

Who: Wildermiss w/Retrofette, Coastal Wives, Levi Double U
When: Monday, 12.31, 8 p.m.
Where: Larimer Lounge
Why: This second night of Wildermiss’ NYE run at Larimer Lounge will include performances from synth pop band Retrofette, indie blues rock band Coastal Wives and hip-hop production-influenced house music artist Levi Double U.

Who: Itchy-O w/Mr. Pacman
When: Monday, 12.31, 9 p.m.
Where: The Oriental Theater
Why: Itchy-O concludes its three-night run of shows this NYE with peformance art/synth pop group Mr. Pacman. Traditionally the 3 or 4 members of the latter have performed in costume like something out of an 80s cartoon cosplay demonstration but the confrontational performance will fit in well with what follows with the onslaught of Itchy-O.

Who: Slim Cessna’s Auto Club w/Wayfarer and George Cessna (solo)
When: Monday, 12.31, 8:30 p.m.
Where: Globe Hall
Why: The third and final show of SCAC’s NYE residency featuring opening sets from Denver doom band Wayfarer and George Cessna performing a solo set.

Wednesday | January 2, 2019

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Adam Selene, photo by Spookie Darling of Darling House Media

Who: Weird Wednesday: Adam Selene, The Jinjas, Vampire Squids From Hell
When: Wednesday, 01.02, 9 p.m.
Where: 3 Kings Tavern
Why: This is the first Weird Wednesday of 2019. The series, curated by independent, underground promoter Claudia Woodman, aims to highlight the stranger or more eccentric and/or more experimental music happening in Denver or dropping in on tour. For this show it’s poet/hip-hop artist Adam Selene whose beats are definitely not the standard faire and incorporates a broad palette of sounds and instrumentation, being more akin to the likes of Eyedea & Abilities and other hip-hop projects that don’t hesitate to use straight up rock and other noisy samples to give the music some edge. A good pairing with synth rock/pop weirdos The Jinjas. Psych/Americana-twinged surf rock band Vampire Squids From Hell aren’t overtly weird except when you consider that at times the group sounds like a strange hybrid of The Brian Jonestown Massacre and a mellower Man Or Astroman?

Best Shows in Denver 7/5/18 – 07/11/18

 

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Pearls and Perils performs 7/5/18 at Mutiny Information Café. Photo by Tom Murphy

Thursday | July 5, 2018

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Surrender Signal, photo by Tom Murphy

Who: Empath, Shiii Whaaa and Surrender Signal
When: Thursday, 07.05, 7 p.m.
Where: Lost Lake
Why: Empath’s 2018 EP Liberating Guilt and Fear (on Philadelphia-based queer DIY label Get Better Records) is a good reminder that not every younger band disappeared into any kind of boring and creatively stultifying/ossifying morass of subgenre aspirational adherence. Some of its closest sonic cousins of a decade ago might be No Age and Ponytail for the sheer enthusiasm and willingness to embrace raw noise as part of its songwriting. Don’t expect the band’s songs to fit comfortably within the box of noise rock either. Empath doesn’t worry over boundaries like that and you can bet part of its show will be a float into organic sounds, ambient aesthetics and an environmental approach to composition well outside rock-ist and pop-ist aesthetics. Angular noise rock outfit Surrender Signal from Denver is on the bill as well as post-Reatards/noise surf weirdos Shiii Whaaa from Colorado Springs.

Who: Jeremy Enigk w/Chris Staples
When: Thursday, 07.05, 7 p.m.
Where: Larimer Lounge
Why: Jeremy Enigk is the singer/guitarist for Sunny Day Real Estate, the Seattle band that in the early 90s helped to establish the aesthetic and sensibilities of emo before it morphed into the version most people came to know in the early 2000s. When Sunny Day broke up in 1995, Enigk embarked upon a distinguished solo career beginning with his 1996 album Return of the Frog Queen. Its sound, while a logical next step from SDRE, was even more meditative and introspective. Sonically it had more in common with the pop-songcraft and sound experimentation heard in artists affiliated with the Elephant 6 collective than anything else going on around that time. Not psychedelic so much as emotionally tender and not hiding behind loud sounds to mask genuine feelings, rather, an embrace of them. For this tour Enigk is celebrating the twenty-second anniversary of that debut solo record so expect to hear all or most of it at this show.

Who: The Rememberables, Blacksage, Pearls & Perils, Zealot and Broken Record
When: Thursday, 07.05, 9 p.m.
Where: Mutiny Information Café
Why: Baltimore’s Blacksage paired the singing chops of folk vocalist Josephine Olivia with the electronic music compositional and technical prowess of producer Drew Scott to make the kind of minimal synth dance pop that should be dominant in mainstream music since Lorde, Grimes and Purity Ring have already made inroads that way. But for now, the band bridges the shortening chasm between modern darkwave and indie pop. Currently the duo is on tour with Washington D.C.’s The Rememberables. Sure, the guys look like they are in some kind of hip motorcycle gang that maybe listen to Catherine Wheel and Smashing Pumpkins instead of only Skynyrd and the Nuge. And its huge, fuzzy riffs bear that out a bit as evidenced by its self-titled 2017 album rememberables.bandcamp.com. However, the vibe is more self-aware and melancholic in a way that makes one wonder how members of noteworthy DC hardcore band Coke Bust went from that blistering, noisy discharge of anger and outrage to this more nuanced music and yet liking the change all the same. Also on the bill is Denver rock band Zealot which deserves a longer mention as it includes former members of The Don’ts And Be Carefuls and Ideal Fathers. And Pearls & Perils is the best solo soul/downtempo project in Denver with the mighty Olivia Perez who used to front the experimental prog/hard rock band Gloam a decade ago. Her music is as soothing as it is hypnotic and riveting.

Friday | July 6, 2018

 

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Slim Cessna’s Auto Club, photo by Tom Murphy

Who: Slim Cessna’s Auto Club w/Strange Americans
When: Friday, 07.06, 6 p.m.
Where: Levitt Pavilion
Why: Slim Cessna’s Auto Club will bring its curiously bright and lively yet haunted cowboy punk/Gothic Americana glam show to the outdoor theater Levitt Pavillion tonight. In an Auto Club show you will experience the broad spectrum of the human emotional drama with a triumphant energy born of knowing life’s low points. Without the hokey-ness, SCAC’s musical output is an acceptance and embrace of life as it is.

Who: Roka Hueka w/Los Mocochetes and Blue Kings
When: Friday, 07.06, 8 p.m.
Where: Ophelia’s Electric Soapbox
Why: Fortunately the Afrobeat and Latin funk bands in Denver tend to be pretty legit. Granted, Roka Hueka is a ska band it’s style is more in line with the world of jazz and Los Mocochetes may be a funk band but it isn’t just about the party and a good time, though that is certainly part of its appeal, its songs integrate so many styles of art and music into presenting vibrant ideas that challenge the dominant paradigm.

Saturday | July 7, 2018

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Brother Dege, photo by Adrien Berthet

Who: Brother Dege
When: Saturday, 07.07, 6 p.m.
Where: Broken Shovels Farm
Why: At first blush Brother Dege can seem like any other modern blues artist but give the guy’s songs a chance to work and ride with him a little and you’ll discover he’s someone that actually takes the form and the sounds of blues and does something affecting and magical with them. This could be that he’s from rural Louisiana and went through his own real life travails long before, you know, writing “Too Old To Die Young” for his 2010 album Folksongs of the American Longhair, which was included on the soundtrack for Quentin Tarantino’s 2012 film Django Unchained. But Brother Dege’s tonal shifts and song dynamics elevate his music to the mythical level at which the most interesting blues artists have always operated. Brother Dege is now touring in support of his thought-provoking 2018 album Farmer’s Almanac. This show is at Broken Shovels Farm on the edge of Denver metro yet still in city limits but it’s going to feel like you’re seeing this music in the rural west and given the weather in Denver of late, with a lightning backdrop.

Who: Sailor Records 7 Year Anniversary
When: Saturday, 07.07, 2 p.m.
Where: 3 Kings Tavern
Why: Heavy music imprint Sailor Records is celebrating its seventh year with a showcase of many of its artists at this event. On tap for the occasion will be Native Daughters, Dreadnought, Muscle Beach, Greenbeard, Fathers, Joy Subtraction, Abrams, Plastic Daggers, Sugar Skulls and Marigolds, Low Gravity, Unicorn Pussy, It’s Just Bugs and Oscar Ross

Sunday | July 8, 2018

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Cowboy Junkies, photo courtesy Latent Recordings

Who: Cowboy Junkies 
When: Saturday, 07.08, 1 p.m.
Where: Twist & Shout
Why: Cowboy Junkies formed in 1986 in Toronto, Canada and quickly recorded its first album, a collection of mostly covers, called Whites Off Earth Now!! In the era, the band struck a chord on the college rock circuit where it remained a staple of college radio for over a decade. For the 1988 album The Trinity Session the group recorded, as with its first record, live with a stereo mic to a 2 t-track RDAT as a reaction against the humanity seemingly having been produced out of then commercial music. And that’s been the band’s consistent appeal—moody, sometimes brooding music, a mixture of blues, country and folk but rendered into a form and style that didn’t sound like it was adhering too much to the past. In that way, what Cowboy Junkies and like-minded bands of the era were doing is not unlike what many modern avant-bluegrass and mutant Americana bands have been doing for the past two decades and putting the human element to the forefront as a means of immediate connection. This show at Twist & Shout can be attended in its full glory can be attended with a wristband you can get with a pre-purchase new album at the store. The band will perform its full set with full sonic definition this night in Boulder.

Who: An Evening With Cowboy Junkies
When: Sunday, 07.08, 7 p.m.
Where: Boulder Theater
Why: See above for why this show might be of interest to you. Also, Boulder Theater, a beautiful room with solid acoustics and the full set from this noteworthy band.

Who: Carry Illinois w/Brianna Straut
When: Sunday, 07.08, 8:30 p.m.
Where: Lion’s Lair
Why: See our interview with Lizzy Lehman here. But otherwise, Carry Illinois is an Austin-based pop band whose emotionally stirring, sometimes harrow, always healing songs tap into Lehman’s specific struggles with mental health issues and loss but whose expression renders those struggles into a vivid sonic experience that anyone with any sense of self-awareness will find relatable and illuminating.

Tuesday | July 10, 2018

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Carry Illinois, photo by Katrina Barber

Who: Carry Illinois
When: Tuesday, 07.10, 8 p.m.
Where: Magic Rat
Why: See above for Carry Illinois and our interview with singer Lizzy Lehman here. This is the band’s only other show in Colorado.

Who: Invertebrate, Grimy and Berated
When: Tuesday, 07.10, 6 p.m.
Where: Chain Reaction Records
Why: It’s not so common to find a grindcore show in Denver these days outside of Mutiny Information Café and Seventh Circle Music Collective. This one will include Oakland’s grind-powerviolence trio Invertebrate, Denver’s Grimy (which includes former members of Doperunner) and Denver-based power violence act Berated.

Who: Das Ich w/The Midnight Marionettes, DJ Katastrophy
When: Tuesday, 07.10, 8:30 p.m.
Where: 3 Kings Tavern
Why: Germany’s Das Ich brings together the aesthetics of electro-industrial dance music, cabaret theater and an occult horror movie down to the demonic stage personae of Bruno Kramm and Stefan Ackermann. It’s the kind of music and show you’ll either love for the camp or find silly. But Kramm has been an active participant in humanist leftist politics in Germany and Das Ich’s music often reflects this perspective with 2002 album Anti’christ a pointed critique of world politics of the time.

Wednesday | July 11, 2018

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Glassjaw, photo by Julian Gilbert

Who: Quicksand w/Glassjaw and Spotlights
When: Wednesday, 07.11, 6:30 p.m.
Where: The Ogden Theatre
Why: Quicksand and Glassjaw are two of the giants of 90s New York post-hardcore. Both established a hard-edged, emotionally harrowing sound delivered with an expert use of a song dynamic that utilized a hovering/hanging delay of the most crushing and driving aspects of the songs. Quicksand, which formed earlier in 1990, have an elastic groove in its specific style, a sinewy rhythm the likes of which some later nü metal bands used with often less interesting results. That because with Quicksand while the lyrics are a discharge of anger and anxiety it’s about a place in life and not a celebration of that anger aimed squarely at someone the singer believes wronged him. After splitting in the 90s, Quicksand returned in 2012 seemingly better than ever with a new album, Interiors, released in 2017.

Glassjaw’s sound by comparison wasn’t a groove so much as a steady, relentless burn with a pause for breath between layers of blistering guitars, echoing yet urgent vocals balanced by drums providing a relatively fluid and nuanced flow of percussion intertwined with fast and dub-like bass lines. Often enough the guitars are used in a way that sound more like musical sound effects giving the band a broad range of sounds and moods for a group playing heavier music. Glassjaw, too, released a 2017 album, Material Control, its first in fifteen years.

Who: Neko Case w/The Space Lady
When: Wednesday, 07.11, 7 p.m.
Where: The Gothic Theatre
Why: Neko Case has lead quite a storied life as a musician and hopefully a book is coming out someday. Most people rightfully know her as a writer of poetic, emotionally nuanced and powerful pop songs the likes of which can be sampled well on her new album, 2018’s Hell-On. But early in her life in music, Case was a drummer for several punk bands as an art student in Vancouver, British Columbia. She also played in various other projects and perhaps most notably with indie rock band The New Pornographers (with whom Case still occasionally records). As a solo artist, Case has shown an uncommon arc of personal growth and artistic development across her whole career as someone who seems to want to explore beyond previous parameters. While it would be inaccurate to say her body of work is avant-garde it is illuminating and inventive. On this date of the tour Colorado-based outsider musician The Space Lady is opening with her otherworldly synthesizer pop including her unique group of covers of classic songs.