Best Shows in Denver 12/26/19 – 12/31/19

Thursday | December 26

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Sliver, photo by Tom Murphy

What: Sliver w/Sad Bug, The Slacks, Forla De La Luna, Black & White Motion Picture
When: Thursday, 12.26, 7 p.m.
Where: Lost Lake
Why: Lately Sliver frontperson Chris Mercer has been taking vocal lessons from Ed Sheerhan so that they could stop “sounding like I’m totally ripping off Eddie Vedder.” While their songwriting reveals a deep affection for the Everclear catalog the band tries to steer Mercer away from their dreams of having “basically a Silverchair tribute band.” See for yourself if any of this is true tonight.

What: Nektromantic w/Juliet Mission and Plague Garden
When: Thursday, 12.26, 9 p.m.
Where: Shag Lounge
Why: Nekromantic is the bi-monthly post-punk and darkwave night at the Shag Lounge but in the new year those nights will be the second and third Thursday and another night at the Skylark to be announced soon. This evening’s schedule includes a rare live band showcase with Juliet Mission, a post-punk band with roots in the late 80s and early 90s Denver underground scene as all three members were in an early line-up of jazz-inflected shoegaze band Sympathy F. Plague Garden is the post-punk side project of the members of eHpH and Paul Baker of Red Wing Black Bird.

What: Homegrown
When: Thursday, 12.26, 8 p.m.
Where: Grafenberg Sketch Comedy And Improv Theater
Why: This is a live performance from Homegrown, a comedy troupe consisting of contributors of some of the best current comedy television series running with Anne Lane (Rick and Morty), Betsy Sodaro (Disjoined and Bob’s Burgers) and Haley Mancini (Shameless and Powerpuff Girls). Opening the night are Justin Franzen, Nick Ross and Max Schwarz opening

What: Slynger w/Vic N’ The Narwhals and George Cessna
When: Thursday, 12.26,7 p.m.
Where: Larimer Lounge

Friday | December 27

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Green Druid (older), photo by Tom Murphy

What: Green Druid w/Scepter of Eligos and Tricoma
When: Friday, 12.27, 8 p.m.
Where: Lost Lake
Why: Sludge metal night at Lost Lake. Green Druid is more on the psych end of doom and Tricoma on the black metal end of the same.

Saturday | December 28

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DeVotchKa, photo by Jen Rosenstein

What: DeVotchKa w/The Copper Children
When: Saturday, 12.28, 7 p.m.
Where: Bluebird Theater
Why: First of two year end shows for Denver-based, dark cabaret band DeVotchKa who have recently come back from a several years of hiatus in releasing new music with 2018’s excellent This Night Falls Forever. The band has been through several permutations of its development as a creative group from the “gypsy punk” phase early on to its now more orchestral, grand melodrama and broad emotional expression.

What: Velnias w/Gruesome Relics, Fell Harvest
When: Saturday, 12.28, 8 p.m.
Where: Hi-Dive

What: The Born Readies, Elektric Animals and The Ghoulies
When: Saturday, 12.28, 8 p.m.
Where: Lost Lake

Monday | December 30

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Kid Congo Powers & Pink Monkey Birds circa 2014, photo by Tom Murphy

What: Slim Cessna’s Auto Club w/Kid Congo & The Pink Monkey Birds and Hang Rounders
When: Monday, 12.30, 8 p.m.
Where: Hi-Dive
Why: Slim Cessna’s Auto Club is continuing its tradition of New Year’s Eve shows across two nights starting on this date with the same bill both nights. The Denver-based band is part Vaudeville act and dramatic, countrified post-punk with its stylized and compelling live show. Also on the bill is Kid Congo Powers’ classic Chicano rock band. Powers was once a member of Gun Club, The Cramps and Nick Cave and the Bad Seeds but with the Pink Monkey Birds he’s able to shape that into his own musical vision steeped in the aforementioned and glam rock. Hang Rounders is an unabashedly classic country band with a modern flavor.

What: Fuzzy J w/Chris Shrift and Kali Krone
When: Monday, 12.30, 7 p.m.
Where: Lost Lake

Tuesday | December 31

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Chimney Choir, photo courtesy the artists

What: Chimney Choir (light shadow) album release party
When: Tuesday, 12.31, 9 p.m.
Where: Mercury Café
Why: Avant-garde pop group Chimney Choir is releasing its latest album (light shadow) tonight and as per usual, you’re in for the kind of show that pretty much no one else is doing and which will involve multi-media, physical props, costumes and more than likely some inspired audience participation aspect just for this show, probably never to be repeated again.

What: Slim Cessna’s Auto Club w/Kid Congo & The Pink Monkey Birds and Hang Rounders
When: Tuesday, 12.31, 8 p.m.
Where: Hi-Dive

What: Devotchka w/Banshee Tree and Kiltro
When: Saturday, 12.28, 7 p.m.
Where: Bluebird Theater

Best Shows in Denver 03/7/19 – 3/13/19

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Low performs at Globe Hall on March 8. Photo by Shelly Mosman

Thursday | March 7

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RUMTUM circa 2016, photo by Tom Murphy

Who: RUMTUM mural unveiling w/Nasty Nachos and DJ YOLOLO
When: Thursday, 03.07, 6:30 p.m.
Where: The Oriental Theater
Why: John Hastings who performs ambient/IDM/instrumental pop music as RUMTUM recently received a commission from Meow Wolf to do a mural at The Oriental Theater. Tonight is the unveiling and the evening will incorporate interactive visual installations by WMD and FOREST and performances/DJ sets from Nasty Nachos and DJ YOLOLO.

Who: Rhadoo w/Peter Blick (Below Radar) and Liminal
When: Thursday, 03.07, 9 p.m.
Where: The Black Box
Why: Rhadoo is known to connoisseurs of electronic music internationally but in his home country of Romania, he’s a star, a legend of his scene, who is all but mainstream. He brings his chill and hypnotic mixture of house and techno to Black Box for a night of music including a set from Peter Blick of Below Radar (a Denver and San Francisco curator of choice underground electronic music events) and the Liminal collective.

Who: Satin Spar, Ruehlen/Seward and TARP
When: Thursday, 03.07, 7 p.m.
Where: Madelife
Why: Experimental music label Shadowtrash Tape Group and the Madelife gallery present this evening of synth and percussion duos.

Friday | May 8

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And the Kids, photo by Guzman

Who: Low w/Rivulets
When: Friday, 03.08, 8:30 p.m.
Where: Globe Hall
Why: For going on three decades Low has written some of the most affecting, emotionally raw, tender and thoughtful music in America. Its influential early albums are classics of slowcore which is to say it was music in direct contrast to the louder and more bombastic trend of popular music of the day. It required and deserved your attention and reflection on the songs. Toward the turn of the century the band’s palette of sounds expanded and it embraced dynamics of volume and its ability to make the ambiance and the mood of a song more nuanced yet immediate. For 2018’s Double Negative, the trio basically reinvented its use of sound. Rather than the pastoral grandeur of years past and the emotionally rich and vibrant offerings of its more rock period, Low seems to have inverted those elements to make something that would be more expected in the realm of abstract industrial music, textured ambient and the avant-garde generally. Except all the songs have a pop quality. Maybe it’s the structures, or the way the band is able to make the dark, fractured music accessible. It is arguably the band’s most interesting album in years from a career that isn’t short on arresting and noteworthy material. What might be even more interesting is how this band will pull off such unusual and challenging material live.

Who: The Playground Ensemble perform 8 Songs For a Mad King
When: Friday, 03.08, 6:30 and 8:30 p.m.
Where: The Mercury Café
Why: Denver’s Playground Ensemble will put on a production of Peter Maxwell Davies’ ambitious, 1969 masterpiece Eight Songs for a Mad King. The work includes unusual vocals, shifting musical styles, pointed depictions of Mad King George III and a theatrical presentation with elaborate stage props. There will be two performances on this night, as indicated above, and it’s guaranteed there won’t be much like this in Denver in 2019.

Who: Judah Friedlander
When: Friday, 03.08, 7 p.m.
Where: Globe Hall
Why: Judah Friedlander is most known for his unusual and brilliant stand-up comedy and for appearing in and writing for some of the most interesting television series of the last twenty years including Wonder Showzen, Spin City, Flight of the Conchords and LateLine. But he is also one of the country’s most sharp and insightful cultural critics and commentators. For this performance there will be plenty of both. Few comedians worth their salt are essentially content free and Friedlander most certainly is not.

Who: Heathen Burial, Masons and Clutch Plague
When: Friday, 03.08, 8 p.m.
Where: Thought//Form
Why: A show that bridges the gap between abstract metal and noise.

Who: And The Kids w/Toth and Corsicana
When: Friday, 03.08, 8 p.m.
Where: Larimer Lounge
Why: And The Kids’ When This Life is Over has one of the most fetching album covers of 2019. Fortunately it represents well the reticence and exuberance and sensitivity informing the music within. Musically it’s fuzzy, upbeat rock in the modern indie vein but And The Kids are willing to veer off the mid-tempo, safe path and indulge passages that sound like they could go off the song’s rails. Also, in “Champagne Ladies” we get lyrics like “Life is a bastard, life wants to kill you/Don’t get old/Life is a bastard, it wants to kill you/Don’t let go.” Which about sums up too much of life for people grinding away and struggling to not just survive but create for oneself a life worth living even with seemingly insurmountable challenges in place. Also on the bill is Toth, the side project of Rubblebucket’s Alex Toth whose eclectic instrumentation and gift for utilizing space in his songwriting shines with this project as well. The deeply imaginative and soothing debut full-length from Toth, Practice Magic and Seek Professional Help When Necessary comes out on May 10.

Saturday | March 9

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Cloud Catcher circa 2016, photo by Tom Murphy

Who: Chimney Choir w/Ramakhandra
When: Saturday, 03.09, 8 p.m.
Where: Ophelia’s Electric Soapbox
Why: Superficially one might describe Chimney Choir as an experimental folk band. But the thought and creativity that goes into the songwriting and especially the always captivating live shows, most of them interactive and often involving elaborate sets and costumes, sets the band apart from most its peers but not competitively, not by setting the bar higher for others to reach but as an example of what’s possible if you’re willing to challenge yourself and put in the time as a creative person to achieve something for yourself that hopefully resonates with others.

Who: Cloud Catcher EP release w/Bleakheart, Cadaver Dog
When: Saturday, 03.09, 9 p.m.
Where: Tooey’s Off Colfax
Why: Cloud Catcher is supposedly breaking up later this year so this is one of your last chances to catch the great Denver sludge metal act with bands that may not be in its usual wheelhouse like the hardcore outfit Cadaver Dog. Cloud Catcher is also gifting us with one final EP available at the show. Perhaps we’ll also hear what Rory Rummings and company are up to next soon.

Who: Graves w/Hex Cougar and Gangus
When: Saturday, 03.09, 8:30 p.m.
Where: Larimer Lounge
Why: Not the post-Misfits band, Graves is DJ and producer Christian Mochizuki, He did production work with Kanye West, Kid Cudi and Big Sean, for example, and his hybrid hip-hop and progressive trance style of bass music has earned him an audience of his own. He’ll probably be doing sets at bigger venues before too long so if this is your thing, catch it at a small club like Larimer Lounge.

Who: Ned Garthe Explosion, The Savage Blush and Palo Santo
When: Saturday, 03.09, 8 p.m.
Where: Lost Lake
Why: After many of the lesser psychedelic garage rock bands have passed into irrelevance, three of the standouts from Denver are playing on a bill together tonight. Ned Garthe Explosion is clearly the craziest, weirdest and funniest of the bunch. But The Savage Blush makes the most of its minimalist instrumentation and Palo Santo always sounds like it’s from a few decades ago but yet not a throwback.

Sunday | March 10

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Tuck Knee, photo by Tom Murphy

Who: Tuck Knee w/No Sign of Remorse, Secticide and didaktikos
When: Sunday, 03.10, 8 p.m.
Where: Thought//Forms Gallery
Why: Tuck Knee is releasing its debut album. Fans of Minor Threat may cry foul at the comparison but Tuck Knee has that kind of energy and conviction and instincts for fairly non-doctrinaire hardcore songwriting. Didaktikos? No slouches in that vein either.

Who: The Sound of Animals Fighting w/Planes Mistaken for Stars and Lorelei K
When: Sunday, 03.10, 7 p.m.
Where: The Ogden Theatre
Why: The Sound of Animals Fighting was a brilliant amalgamation of math-y post-hardcore and ambient. Comprised of prominent musicians in the post-hardcore world and lead by Rich Balling of Rx Bandits, the group operated between 2004 and 2009. Also on this tour is one of post-hardcore greatest bands, Planes Mistaken for Stars from Denver. That band’s emotionally searing songs were anthems for the pulsing and tortured collective heart of underground punk in the 2000s.

Monday | March 11

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Animal / object circa December 2017, photo by Tom Murphy

What: Freq Boutique 024
When: Monday, 03.11, 8 p.m.
Where: Fort Greene
Why: This is the twenty-fourth edition of Freq Boutique, the WMD-sponsored showcase of synthesizer tech and gear as well as a sort of open mic for which one can sign up on the event page.

What: Solos/Duos – Denver Avant-Garde Music Society featuring Animal / object
When: Monday, 03.11, 7 p.m.
Where: Thought//Forms Gallery
Why: This is the monthly avant-garde open mic curated by Denver Avant-Garde Music Society. The evening opens with a performance from Animal / object, the spontaneous composition group whose evolving membership includes long-time Denver avant-garde musician Kurt Bauer at the core often with contributions from Paul Mimlitsch, Arnie Swenson, Reed Weimer and Gordon Gano.

Tuesday | March 12

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Carlos Medina, photo courtesy Meow Wolf

Who: Carlos Medina w/Pink Hawks and The Savage Blush
When: Tuesday, 03.12, 7 p.m.
Where: Hi-Dive
Why: Carlos Medina, the “psychedelic Mariachi” has already built a sizeable underground following for his unique brand of music that is rooted in Mariachi but with pop flourishes and a fascinating takes on rhythm and use of tone to set the music outside the realm of pure tradition. His touring circuit has taken him to a wide variety of venues treating audiences (knowing or otherwise) to his corridos psicodélicos. As an artist-in-residence at George RR Martin’s Jean Cocteau Cinema in Santa Fe, New Mexico, Medina had a direct connection to the Meow Wolf collective who produced and released his debut full-length El Cantador. Perhaps his exquisitely crafted songs don’t scream out “psychedelic” to those that don’t speak Spanish. But check out the darkly beautiful video for “No Le Digan” and you get a taste of the creative context of the music and Medina’s rich vision that sees the imaginative possibilities inherent in his cultural background and his place as an artist within it. Medina gets compared to Tom Waits but probably because he too is an interpreter and re-interpreter of culture par excellence.

Who: A Night to Survive: Right to Survive Campaign Kickoff Concert
When: Tuesday, 03.12, 6:30 p.m.
Where: The Oriental Theater
Why: This is a “Yes on 300” fundraiser/kickoff featuring musical performances from some of Denver’s finest: Esmé Patterson, Laura Goldhamer, Wheelchair Sports Camp.

Wednesday | March 13

Who: Sandy Ewen (NYC) + Ryan Seward, Cash/Westerman, Channel Worker
When:Wednesday, 03.13, 8 p.m.
Where: Thought//Forms
Why: Sandy Ewen is, according to the bio on her website, a “sound artist, visual artist and architect who moved to New York City from Houston in 2018. Her sound art incorporates the use of prepared guitar, the use of textures and objects not conventionally associated with music (like railroad spikes, steel wool, bolts and so on) as well as an array of offbeat instruments used as vessels or raw sound to create an environment and experience. If you’re looking for conventional music, this show won’t be that. Rather, how sound can be an artform that doesn’t fit within the confines of song structure in any tradition.

Best Shows in Denver 1/10/18 – 1/16/18

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Voight, performs Monday, January 14, at DATELINE gallery. Photo by Tom Murphy

Thursday | January 10, 2019

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Nekrofilth, photo courtesy the artist

Who: Nekrofilth album release w/Phallic Meditation and Keef Duster
When: Thursday, 01.10, 8 p.m.
Where: Hi-Dive
Why: Nekrofilth releases its new album Worm Ritual tonight at a show with heavy psychedelic bands Phallic Meditation and Keef Duster. Nekrofilth’s sound is more akin to classic early thrash and black metal. On the new record the band does cover “Poison” by Venom, after all. Like the latter and Slayer, Nekrofilth has a playful quality to its aggression and ripping guitar work. Song titles like “Vomit Dog,” “They Took My Skin,” “Ready to Defile” and “Severed Eyes” suggest a healthy sense of the viscerally absurd with an unironic joy in the cartoonishly horrific the way one might enjoy the gnarliest B horror movie. Fans of blackened thrash rejoice, Nekrofilth has what you’re looking for.

Who: Random Temple w/Thistledown
When: Thursday, 01.10, 9 p.m.
Where: Black Buzzard
Why: “Rhythm & Folk” band Thistledown will perform with Random Temple’s more production-oriented electronic project under his own name.

Friday | January 11, 2019

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Product Lust circa 2017, photo by Tom Murphy

Who: Product Lust album release show w/Goon, Herse, Candy Apple
When: Friday, 01.11, 7 p.m.
Where: Seventh Circle Music Collective
Why: Product Lust’s feral and driving 2018 album Year of the Rat is being celebrated tonight with a now rare live show as vocalist Kat Salvaggio is attending school out of Colorado. The seething post-punk band’s wiry energy fits in well with weirder hardcore and punk and thus this bill with Goon, Herse and Candy Apple is an opportunity to see bands that have punk of some stripe as their root but who are taking that spark in interesting directions.

Who: Lazarus Horse
When: Friday, 01.11, 8 p.m.
Where: Mutiny Information Café
Why: Lazarus Horse is the band that comes about when someone with good taste in music and good creative instincts writes a bunch of experimental rock music that doesn’t seem obviously influenced by anything else but creative flights of fancy, escaping to daydreams while doing meaningless work as a tool for staying sane in a civilization that’s grinding its best people into the dirt. It’s the soundtrack to that internal rebellion that becomes contagious.

Saturday | January 12, 2019

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Chromadrift’s Drew Miller as Brother Saturn circa 2018, photo by Tom Murphy

Who: Glasss Presents: Chromadrift album release w/Gold Trash and Bowshock
When: Saturday, 01.12, 8 p.m.
Where: Mutiny Information Café
Why: Chromadrift’s Cloudless Mind is the bright, ethereal flow of textured melodies that eases the freeze of winter. Fans of IDM and more abstract post-rock will appreciate Drew Miller’s blend of processed guitar, live synths and sequencing. Though the album dropped on January 3, this will be your first chance to see this music live in the new year. Also performing is noisy electroclash duo Gold Trash and downtempo jazz improv group Bowshock.

Who: NightWraith album release w/Glacial Tomb, BleakHeart
When: Saturday, 01.12, 8 p.m.
Where: Hi-Dive
Why: NightWraith’s self-titled, debut full length is coming out on color vinyl. The Denver-based group’s left of center mix of folky black metal, thrash and psychedelic doom is steeped in pastoral mythology.

Who: e-scapes, Zealot and The Far Stairs
When: Saturday, 01.12, 7:30 p.m.
Where: The People’s Building
Why: This’ll be probably the first indie rock show worth checking out in Aurora, Colorado since The Masculine organized one in 2009 at the old Other Side Arts space in downtown. The People’s Building is also downtown and across the street from Aurora Fox Theater. Zealot includes former members of The Don’ts and Be Carefuls, The Pseudo Dates, Violent Summer, Ideal Fathers and other bands most people haven’t heard of but should check out. The Far Stairs is a band that makes strange music sound more catchy and accessible than it has any right to.

Who: Pink Hawks, Atomga, Roka Hueka
When: Saturday, 01.12, 8 p.m.
Where: The Bluebird
Why: The local Afrobeat band all-star line-up.

Who: Pineross EP release w/Lady Gang
When: Saturday, 01.12, 7 p.m.
Where: Ubisububi Room
Why: Kevin Larkin of Chimney Choir fame is releasing his most recent EP Esplanade at this show in the extra intimate and cozy Ubisububi Room underneath the Thin Man and St. Mark’s. Lady Gang sounds like a full band but is just Jen Korte making maximum creative use of a loop station to augment her already considerable talents as a singer-songwriter.

Who: Luke Vibert, Seied and Kanyon Walker
When: Saturday, 01.12, 7:30 p.m.
Where: The Black Box
Why: Luke Vibert has long been on the forefront of modern experimental electronic dance music in various forms. Fans of Dilla, Flying Lotus and Blockhead will find a lot to like in Vibert.

Sunday | January 13, 2019

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Crushed!?, photo by @scenesplitter

Who: Crushed!? W/The Uglys, Tides, Stonewall BLVD and Arctobog
When: Sunday, 01.13, 7 p.m.
Where: Seventh Circle Music Collective
Why: Originally from the much smaller nearby town of Belen, Crushed!? is now based out of Albuquerque. Its post-hardcore sound has more in common with the likes of a more melodic At the Drive-In or Touché Amoré than the more screamo end of that music. Initially the music reminds one a bit of the great punk bands of the late 90s and early 2000s who adopted a bit of the math rock thing. But its rhythms are more inventive and wide-ranging like something one might have expected out of 90s DC and other East Coast rock like Versus, Helium and The Dismemberment Plan. The group’s 2018 album Sins of the Father is refreshingly difficult pin with a specific genre designation.

Monday | January 14, 2019

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Entrancer (right) with Docile Rottweiler (left) at Synesthesia 2014. Photo by Tom Murphy

Who: R.Ariel, Kafari, Entrancer and Voight
When: Monday, 01.14, 7:30 p.m.
Where: DATELINE
Why: This event is a combination of touring art installation courtesy and musical performances at DATELINE art gallery. R.Ariel’s new album Where You Are is an emotionally uplifting album of ethereal sounds and buoyant flow of bright tones. Kafari’s 2018 album Beholding is a masterpiece of minimalism like it was composed while somehow spending contemplative mornings underwater and absorbing a deep sense of peace. Entrancer has been spending years honing the ability to explore whatever directions his mastery of synthesis and beatmaking takes him. His 2018 album Decline Vol. 1 is true soundscaping that draws you into a sonic journey that while impressionistic and composed of deep layers of tone and texture conveys a sense of place physically and emotionally. Is the “Decline” of the title something to dread or something to greet as the inevitable cycle of life and death? The album offers no pat answers but it certain captures the ineffable moments of decline of a phase of one’s life, of civilizations and of all authoritarian orders. Voight may finally play a deep house/techno set. If not, it’ll be, by far, the loudest project of the night with its fiery and intense industrial post-punk shoegaze.

Who: Solos/Duos – Denver Avant Garde Music Society
When: Monday, 01.14, 8 p.m.
Where: Thought//Forms
Why: This night, long held at other venues over the years, has re-emerged at Thought//Forms gallery. You never know what you’ll see but this night you’ll also get to see a set from Denver’s premiere spontaneous composition band Animal / object.

Who: Freq Boutique
When: Monday, 01.14, 8 p.m.
Where: Fort Greene
Why: This reoccurring event organized by electronic equipment company WMD, this night is sort of an open mic for synthesizer enthusiasts. This night’s festivities may include a set from hip-hop/experimental electronic dance artist Strange Powers.

Tuesday | January 15, 2019

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Mick Jenkins, photo by Sam Schmieg

Who: Mick Jenkins w/Kari Faux
When: Tuesday, 01.15, 7 p.m.
Where: The Bluebird Theater
Why: Mick Jenkins 2018 sophomore album Pieces of a Man is a bit of a tribute to Gil Scott-Heron’s 1971 album of the same name. Like Scott-Heron, Jenkins offers snapshots of the world around him in words with musical accompaniment to set the vibe. The organization of the album and the experience of listening to it is something like a hip jazz and poetry night. The opening track is called “Heron Flow” as a nod to Gil and his record’s opening track, the influential song poem “The Revolution Will Not Be Televised.” Jenkins and his collaborators evoke the feel of a hazy after hours jazz club across the record with a sense of blending old school production and present day wordsmithing. Jenkins makes fairly mundane life experiences seem mythic and cool as Scott-Heron did in his day. Also on this bill is one of modern hip-hop’s greatest talents, Kari Faux. Her EPs, partly boosted by music appearing in the comedy series Insecure, combine a rebellious swagger with an otherworldly and mysterious quality – a rarity in music generally.

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Ensiferum, photo by Andy Whittle

Who: Ensiferum w/Septicflesh and Arsis
When: Tuesday, 01.15, 7 p.m.
Where: The Oriental Theater
Why: Helsinki, Finland’s Ensiferum is a melodic death metal band in the vein of the Gothenburg style but on the more orchestral end. Its use of acoustic guitars and folk structure and progressions give its music an expansive feel that evokes images of standing at the helm of one’s longboat charging toward unsuspecting European enclaves in the ninth century. Fans of Enslaved may enjoy Ensiferum’s similarly joyful performances.

Who: Supersuckers w/The Hangmen and Reno Divorce
When: Tuesday, 01.15, 7 p.m.
Where: Larimer Lounge
Why: Supersuckers started playing its brand of fuzzy cowpunk in Tucson, Arizona in 1988 before moving to Seattle in 1989 near the beginning of when more than a few music journalists from beyond the Pacific Northwest were starting to take not of happenings in the Emerald City’s underground. The band never made the big time the way the grunge bands everyone has heard of did but it has been able to carve out a career for itself and its wiseacre, intentionally lowbrow humor. Who else would start off their 1992 album on Sub Pop, The Smoke of Hell, with a song called “Coattail Rider” at the peak of the alternative rock explosion? Such chutzpah must continue to be honored. Oh yeah, the trio’s 2018 album, out on Acetate Records, is called Suck It. That the underground rock world has come back around to the sound Supersuckers perfected three decades ago is surely not lost on the band as a choice bit of irony. The song “History Of Rock n’ Roll” in which Eddie Spaghetti sings about how Supersuckers, the greatest band in the world is a footnote in the history of rock ‘n roll suggests they’re well aware.

Best Shows in Denver August 10-August 15

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Yeah, sure, A Tribe Called Quest is playing Red Rocks and it’s probably sold out so if you didn’t already know about it and want to go see one of the most important artists in the history of hip-hop, and probably music generally, there’s always other ways of getting tickets. But fear not, there are plenty of worthy options in the Mile High City this coming week starting tonight and here are ten.
1.
Who: Teacup Gorilla w/The Proto Whats? and Time Traveler
When: Thursday, 8.10, 9 p.m.
Where: The Skylark Lounge
Why: On 2nd Thursdays at The Skylark, Claudzilla aka Claudia Woodman curate a show called Musical Mayhem that highlights some of the more interesting leftfield artists in Denver or touring acts that are beneath even the usual small club radar. This time experimental rock band Teacup Gorilla brings its outsider psychedelic glam to the event. Strong songwriting and equally vital and wild imagination is a rare combination and Teacup Gorilla is not short on either.

2.
Who: Chimney Choir w/Alright Alright, Wildermiss and Anthony Ruptak
When: Thursday, 8.10, 9 p.m.
Where: Syntax Physic Opera
Why: It’s a Project Worthmore Benefit and in an era when refugees face a hostile world beyond the situation they faced at home it’s a cause to support onits own. But you get to see talented songwriter Anthony Ruptak as well as Chimney Choir. The experimental Americana band always brings a show that goes beyond the usual get up on stage and perform some songs well. A Chimney Choir performance is almost always high concept and involves an element of theater. Also, it’s not just a gimmick, it’s an extension of the excellent songwriting taking the experience of that music into new dimensions that usually encourage audience participation.

3.
Who: Muscle Beach, Product Lust, Zeta (Venezuela), Alumine (FL)
When: Friday, 8.11, 9 p.m.
Where: Flux Capacitor, 25 W. Kiowa, Colorado Springs
Why: Colorado Springs DIY space Flux Capacitor was shut down in December 2016. But with a partnership through the Pikes Peak Library District, Flux is now again open in a building on the property of the Penrose branch east of I-25 and Kiowa. Park around back. The reason to go to this show is to see some punk that’s bursting the boundaries of the sound and the style. Muscle Beach is easily one of the best punk bands from Denver disregarding rules about how much metal can be in the punk and vice versa and how “arty” a punk band is allowed to be. Turns out plenty. Same with Product Lust which could be considered a hardcore band with its energy and confrontational performance style but it’s rhythms are so beyond the punk mold and the guitar sound goes through more changes and tones to be shackled by the usual hard and fast rules of the genre.

4. 
Who: First Timers with Charming Disaster
When: Friday, 8.11, 9 p.m.
Where: Syntax Physic Opera
Why: First Timers is a trio that combines Bossanova rhythms and dusky tones with punk rock attitude. No surprise considering the lineage: guitarist and vocalist Andrew Koch was in Tiger Beat in the 90s as well as weirdo punk group Veronica; drummer Denise Andert used to play in The Get It and Turbo Knife Fight; bassist Sid Pink has been a bit of a personality around Denver and played in various bands, most notably and most recently with American Fucktape. The sound sits in a nice place that bears comparison to the countrified end of Yo La Tengo, Duster’s hushed introspection and Wilco’s explorations of inner space with its unabashed blend of Americana and electronica.

5.
Who: EyeHateGod and Primitive Man, Fathers and Boar Worship
When: Friday, 8.11, 5:30 p.m.
Where: The Marquis Theater
Why: Primitive Man is really taking Denver music out into the world with its inimitable, nightmarish doom metal. At the live show it’s easy to appreciate how Ethan McCarthy, Jonathan Campos and Joe Linden create atmospheres so dense and harrowing it might be the soundtrack to the world beyond the interdimensional gate in Phantasm. Primitive Man drops its fantastic new record Caustic on October 6 on Relapse Records. Also, EyeHateGod melds harrowing poetry with swampy sludge rock in a way that transports you into both emotional lows and highs at once. It’s the kind of heavy show for people who aren’t into metal but metalheads will find plenty to love as well.

6.
Who: Priests w/Lithics and Princess Dewclaw
When: Saturday, 8.12, 8 p.m.
Where: Larimer Lounge
Why: DC-based Priests do that uncommon thing of writing songs that are charged with political and socially critical sentiments without coming across like they’re preaching. They’re just telling it like it is in the world today and there’s plenty to talk about without having to look too far for material that affects your everyday life as well that would resonate with other people. Is it punk? It is in spirit. In sound it’s more like the better late 90s/early 2000s emo bands like Rainer Maria and Milemarker in that there don’t seem to be moods, atmospheres and sounds off the palete of expression. And the live show is refreshingly raw and engaging, thus making Priests one of the most interesting and exciting rock bands going now. Denver-based art/noise punk outfit Princess Dewclaw open the show.

7.
Who: Spiritual Cramp featuring: David J. DJ set, Echo Beds, Tragic Black, The BrickBats, Lucas Lanthier, The Pirate Twins (Scary Lady Sarah and William Faith), DJ Malefic (Memento Mori), Wake the Dead (DJs Mr. and Mrs. HoodBats and JunkYard), DJ Rickbats, Davey Bones (The Hanging Garden), Boyhollow, DJ Roland, DJ Slave1, DJ Matte Blacke and Batboy, DJ Mudwulf, DJ Vision
When: Sunday, 8.13, 4 p.m. start
Where: The Church (nightclub)
Why: It’s a kind of Goth festival heavy on DJs but hey, David J of Bauhaus/Love and Rockets, William Faith of Faith & The Muse and Christian Death. Among other luminaries including locals like Boyhollow of Lipgloss fame, DJ Roland, DJ Slave1 and DJ Mudwulf. That would be worth checking out on its own if the curated DJ set is your thing. But Echo Beds is playing a live set bridging the gap between the older Denver Goth scene and the current wave of industrial/darkwave/post-punk coming out of Denver and elsewhere that has no real connection to the older Goth world. Echo Beds is arguably the most prominent industrial band in Denver at the moment but think more like Einsturzende Neubauten and Test Department more so than some 90s EBM garbage and future pop.

8.
Who: Product Lust, Entry and faim
When: Sunday, 8.13, 8 p.m.
Where: Mutiny Information Café
Why: If you didn’t feel like going to Colorado Springs on Friday (see above) you can catch Product Lust in Denver at Mutiny.

9. Who: Barbarian w/Peucharist, Nekrofilth and Morgue Whore
When: Monday, 8.14, 7 p.m.
Where: Lost Lake Lounge
Why: Metal can get a bit tedious when bands stick to a narrow formula and traditions of style. But that’s true for all kinds of music. Fortunately, bands like Italy’s Barbarian didn’t get the memo to just do thrash or death or black metal. Same for Vermont’s Peucharist. And in Denver and Colorado generally people tend to grow in their own directions musically so you get a bands like death/black metal ragers Nekrofilth and Morgue Whore. The latter also apparently realized that writing solid hooks and well-crafted songs needn’t mean you’re settling for being yet another classic rock wannabe. Its 2016 self-titled debut was striking as not just a metal album but as a great set of rock and roll songs.

10.
Who: Melvins with Spotlights
When: Tuesday, 8.15, 7 p.m.
Where: The Gothic Theatre
Why: Thank goodness weirdoes like the guys in Melvins have kept at putting out heavy music that refuses to stay in a boring pigeonhole. Its recently released A Walk With Love and Death is its first double record that paired the kind of psychedelic noise rock you might expect from the band with an soundtrack to a forthcoming short film the band is making with Jesse Nieminen. Don’t go expecting the latter, go expecting to see a band you’ve either never seen but heard about or have seen several times and not being surprised by how Melvins manage to keep their show exciting and fresh.