What:Penelope Isles w/Sleepy Animals and Sad Bug When: Thursday, 10.24, 7 p.m. Where: Lost Lake Why: Penelope Isles from Brighton, UK recently released its debut album, Until the Tide Creeps In, through Bella Union. The record is a mix of woozy indie pop and fuzzy guitar rock. Its washy dynamics and use of samples and incidental sounds on the record speaks to an almost sound design approach to the recording to convey a sense of place and an experience beyond some pristine studio product. It’s as though you’re hanging out with the band and going for a walk along that shore and trading stories about life. The band’s use of minor progression transitions is sublime making the record more evocative than might seem obvious on first blush and worth delving into for the sheer array of sounds and emotions running through the ten tracks.
What:Emergency Contact w/Debaser and American Culture When: Thursday, 10.24, 9 p.m. Where: Rhinoceropolis Why: Seattle’s Emergency Contact is somewhere betwixt irreverent lo-fi slacker rock and pointed post-punk. Also on the bill is Josh Taylor (former Friends Forever and used to run Monkey Mania) as Debaser playing some strange bass-based songs. Unless it’s something completely different these days which it may be. American Culture is a guitar rock band rooted in indie pop but influenced by the chimy-dreamy-dark post-punk of The Cure. All shredders who care more about songwriting than showing off, which is a rarity.
What:Weathered Statues EP release, Triton FC, Rejekted Kauses When: Thursday, 10.24, 8 p.m. Where: Hi-Dive Why: Weathered Statues is releasing its latest EP, Desolation. Fans of Xmal Deutschland and The Cure will find something to like about this post-punk band whose fluid rhythms and urgent melodies go for the dark places in the psyche as a path to catharsis and healing.
What:Maribou State w/Sea Moya When: Friday, 10.25, 8 p.m. Where: Gothic Theatre Why: English duo Maribou State are known for their remixes of popular artists as well as musical collaborations with the likes of Khruangbin, Holly Walker and Pedestrian on its 2018 album Kingdoms of Colour. The project’s sound could be described as downtempo steeped in non-Western sounds and rhythms mixed with electronic jazz and soul. Its songs have mood aplenty but also an uplifting quality driven by creative song dynamics. Though often described as an electronic project, Maribou State includes live, acoustic drums, guitar and other instrumentation performed by humans and not just a track of well sculpted electronics. Fans of Prefuse 73 and Blockhead may find much to like with Maribou State.
What: Shibui Denver #7: Frank Registrato and Stalebread Scottie When: Sunday, 10.27, 7 p.m. Where: Mutiny Information Café Why: Assuming a blizzard doesn’t descend on Denver, the next edition of Shibui Denver hosted by Queen City Sounds and Art scribe Tom Murphy will include Frank Registrato of The Vanilla Milkshakes who will perform vocal and piano songs for perhaps the first time in the Mile High City. He was once involved in the world of music in Orlando and Disney and in the orbit of Lou Pearlman and his pop music empire and brings a lifetime of vast musical experience into his songwriting and performances. Also on the bill from out of town making a special appearance is Stalebread Scottie of The Drunken Catfish Ramblers, blues folk artist from New Orleans, who appeared in the HBO series Treme.
Tuesday | October 29
What:Today’s Paramount, Samvega, Emily Shreve and Giardia When: Tuesday, 10.29, 7 p.m. Where: Lost Lake Why: Doom/folk/psychedelic band Samvega will perform at this show that features other bands on the spectrum of math rock and experimental like Today’s Paramount and Giardia.
What:Swervdriver w/Criminal Hygiene and Milly When: Wednesesday, 10.30, 7 p.m. Where: Bluebird Theater Why: Of all the bands lumped in with early 90s shoegaze, Swervedriver, like Catherine Wheel, was one those that rocked a little harder than most and its use of car metaphors seemed to vibe with an American sensibility as well. The band’s 1991 debut album Raise yielded classic blazers like “Son of Mustang Ford” and “Rave Down.” Over the course of the next two decades and more the band evolved and explored new vistas of sound and is now touring for its 2019 album Future Ruins. Opening act Criminal Hygiene from Los Angeles sounds like a mix of slowcore delicacy and fuzzy indie pop. Milly, also based in Los Angeles, started as the home recording project of frontman Brendan Dyer when he was living in Connecticut. But the band has fleshed out a spacious and evocative sound employing entrancing gradients of atmosphere and floating melodies. The group recently released its Our First Four Songs EP showing great promise as modern slowcore soundsculptors with an ear for transporting dynamics.
What:Devendra Banhart w/Black Belt Eagle Scout When: Wednesesday, 10.30, 7 p.m. Where: Boulder Theater Why: Psychedelic folk genius Devendra Banhart is now touring in support of his latest album Ma. His shows are always a lush presentation of his fascinatingly colorful and left field compositions. But sharing the bill is Black Belt Eagle Scout. Katherine Paul released the album Mother of My Children under that moniker in September 2018 to great acclaim for its vivid and poetic depiction of the experiences of queer Indigenous people in a sensitive and nuanced manner. Her bright, atmospheric folk songs and gently soulful vocals reveal an inner strength that comes across powerfully. She recently released her new record At the Party With My Brown Friends.
What:Sun Blood Stories, Space Jail, The Teeth of the Hydra and Prayer Hands When: Thursday, 10.17, 7:30 p.m. Where: Glitter City Studio Why: Sun Blood Stories from Boise, Idaho, has been creating its experimental psychedelic music since 2011. Though the band emerged around the time when the most recent wave of psychedelic rock was headed toward its peak, Sun Blood Stories seemed to come from a different place. Its shows feel a bit like you’re seeing what a traveling, shamanistic musical ceremony might be like. Its songs, some rock, some weirdo folk, all informed by an attempt to create a mood and an experience as much as, or more so, than melody. The group is now touring in support of its 2019 album Haunt Yourself.
What:Temples w/Honey Harper When: Friday, 10.18, 8 p.m. Where: Gothic Theatre Why: Temples from Kettering, England made big waves with its debut album Sun Structures at the apex of the neo-psychedelic era. But one thing that has set Temples apart from its peers is its mastery of layered dynamics like an orchestration of oil projections. The Krautrock-like rhythms, the sheets of luminous ethereal sounds, the haunted and the soaring vocals, guitars carrying both melody and texture shimmering throughout, Temples didn’t get stuck playing in an indie folk band that discovered weird pedals one day and jammed out to “Anemone” by the Brian Jonestown Massacre endlessly. Temples perfectly weds pop songcraft with mind-altering sound experiments. Its 2019 album, Hot Motion, finds the band exploring new vistas of evocative soundscaping mixing a palette of classic psychedelic era rock sounds and strong songwriting with modern sensibilities.
What:Riceboy Sleeps (Jónsi & Alex Somers) w/Wordless Orchestra When: Friday, 10.18, 7 p.m. Where: Paramount Theatre Why: Most people probably know Jónsi as a member of Sigur Rós and thus no stranger to transcendent, orchestral music. With his partner Alex Somers he makes experimental ambient music and their latest album, their first with this project in a decade, is 2019’s Lost & Found. The show will be an evocative production with Wordless Orchestra conducted by Robert Ames with orchestra arrangements by David Handler. A mixture of classical, ambient and the avant-garde, the footage from this tour so far has shown a moving performance of uncommon grace and hushed intensity.
What:Aldous Harding w/Hand Habits (solo) When: Saturday, 10.19, 8 p.m. Where: Larimer Lounge Why: Aldous Harding’s weirdo folk songs and compellingly eccentric performances is definitely for fans of Kate Bush and Joanna Newsom. Her 2019 album Designer is a showcase for her storytelling genius.
What:Guerilla Toss w/cindygod and Corner Girls When: Saturday, 10.19, 8 p.m. Where: Hi-Dive Why: A brilliant collision of dub, post-punk and psych-synth imbued disco, Guerilla Toss brings an upbeat yet surreal sensibility to its shows. It’s new record, What Would The Odd Do?released October 18 and this is more or less the band’s tour kickoff show.
What:Get Your Ears Swoll 11: The Vagrant Sea, Landgrabbers When: Saturday, 10.19, 8:30 p.m. Where: The People’s Building Why: The Vagrant Sea is a punk-inflected noise rock band or a noisy punk band. Either way its members are veterans of Denver’s underground rock scene including former members of The Symptoms, Dirty Lookers, Tarmints and many others. Landgrabbers is a honky tonk punk band with emphasis on the latter. At a time when most punks are aiming for a niche subgenre, Landgrabbers refreshingly focus on writing solid songs and leave the fashion show, sonically and otherwise, to those more inclined.
What:The Distillers w/Death Valley Girls When: Saturday, 10.19, 7 p.m. Where: Ogden Theatre Why: The Distillers’ brash punk rock burned bright and flamed out between starting in 1998 and breaking up in 2006 leaving behind a few records of songs about raging against feeling like being kicked to the bottom rung but making that kind of scrappy underdog status seem glorious. Singer Brody Dalle cut a commanding figure and after the band split she spent some time writing music in Spinnerette and under her own name. But as of 2018, The Distillers are back together at a time when maybe its ferocious performances with snotty yet tuneful songs will find a wider audience hungry for something that vital. Also on the bill is Death Valley Girls whose inspirationally bizarre blend of surf rock, post-punk and psychedelia is truly born of an individual collective imagination channeled into spirited performances.
What:Clay Rendering, Weathered Statues, French Kettle Station, Prison Glue When: Saturday, 10.19, 9 p.m. Where: Rhinoceropolis Why: Clay Rendering is often called a mix of dream pop and black metal and that’s fair enough but it might also be considered a rebirth of synth infused death rock. Its 2019 album California Black Vows sounds like what Iceage might have sounded like if it went more darkwave and less in the direction of The Bad Seeds.
What:Jonathan Richman w/Tommy Larkins When: Saturday, 10.19, 7 p.m. Where: Daniels Hall at Swallow Hill Why: Because Jonathan Richman is the godfather of twee pop and radical sincerity in vulnerability in rock music. And he hasn’t exactly toned down that approach as a performer in nearly fifty years. He’s a national treasure.
Sunday | October 21
What:All Your Sisters, Weaken, Voight and Fatal Fantasy (DJ) When: Sunday, 10.20, 8 p.m. Where: The Zodiac (Colorado Springs) Why: All Your Sisters from Los Angeles and Denver’s Echo Beds (playing the Monday show in Denver at Rhinoceropolis) are headed out on a tour to the East Coast. The former released the album Trust Ruins in April 2019 and re-established itself as practitioners of harrowing, industrial death disco. Voight are a jagged machine of sound and sometimes convulsive, sometimes broodily intense sounds that erupt with a barrage of cathartic energy to purge the dulling effects of late capitalism.
What:All Your Sisters w/Echo Beds, Midwife and B|_ank When: Monday, 10.21, 9 p.m. Where: Rhinoceropolis Why: For All Your Sisters see above on October 20. Echo Beds is an alchemical combination of stark hardcore aesthetics and organic industrial post-punk.
What:Whitney w/Lala Lala When: Monday, 10.21, 7 p.m. Where: Ogden Theatre Why: Whitney’s debut album Light Upon the Lake (2016) benefited from both hitting a trend early of the sort of Laurel Canyon, countrified psychedelic pop embraced in the American underground and from its exquisite arrangements and ear for dynamics in a way that has been missing from far too much modern pop music. The follow-up album, 2019’s Forever Turned Around is a tender and sensitive meditation on the fear and confusion hanging in the collective psyche of late complicated by issues of addictions of various kinds, a heavier than expected set of subjects from music that sounds so spacious and heavenly.
What:Chelsea Wolfe w/Ioanna Gika When: Tuesday, 10.22, 8 p.m. Where: Stanley Hotel Why: What could be more perfect than the haunting intensity of Chelsea Wolfe’s songs, performed acoustically as is the style of at least one of her albums, at the haunted Stanley Hotel in advance of Halloween? Wolfe recently released her new album Birth of Violence which features some of her more acoustic songwriting than the heavy drones and atmospheric black metal of her last few offerings. It showcases a more intimate side of Wolfe’s deeply personal storytelling rather than the nightmarish visions with which you might be more familiar with the artist and a testament to her enduring talent.
What:The KVB w/Numb.er and Eventually It Will Kill You When: Tuesday, 10.22, 8 p.m. Where: Larimer Lounge Why: The KVB’s synth-driven post-punk is reminiscent of Fad Gadget’s dark avant-pop with its distorted, urgent soundscapes and brooding, introspective vocals. Currently touring in support of its 2019 album Submersion.
What:Shovels & Rope w/John Paul White (of The Civil Wars) When: Tuesday, 10.22, 7 p.m. Where: Ogden Theatre Why: John Paul White one half of bluesy Americana duo The Civil Wars with Joy Williams. In 2019 he released his third solo album The Hurting Kind. Its flavor is a little more introspective than some of his previous work with The Civil Wars. But the level of detail and warmth of tone is there. Apparently he was inspired by the almost orchestral production and songwriting of early 60s Nashville acts and he brings that sensibility to this new batch of songs by taking his gift for turning simple and spare elements into a lush sound that touches on fine emotional notes. Exquisitely crafted songs by one of America’s premier songwriters. Shovels & Rope is the alternative country band from Charleston, South Carolina comprised of Cary Ann Hearst and former Denverite, and former Tinker’s Punishment frontman, Michael Trent.
What:mxmtoon w/Alexander 23 When: Wednesday, 10.23, 7 p.m. Where: Larimer Lounge Why: mxmtoon went from bedroom pop musician to international renown from 2017 to 2019 initially releasing more humorous songs and moving on to more sincere expressions of feeling. Her 2018 debut EP plum blossom garnered her critical acclaim for her finely composed pop songs that feel spontaneous and insouciant. Through social media and other internet outlets like TikTok, Vine, Snapchat, Soundcloud, mxmtoon, or Maia, has made comedic videos and shared her work connecting with hundreds of thousands of fans. In 2019 she released her debut full-length, self-released, the masquerade. There’s something lighthearted but genuine about her songs and her intuitive knack for an earworm melody and wordplay is consistently impressive.
What:Free Music, Koto Robo, Cop Circles album release, French Kettle Station, J. Hamilton Isaacs When: Wednesday, 10.23, 9 p.m. Where: Rhinoceropolis Why: Cop Circles is the weirdo afrobeat/avant-garde jazz influenced project of one Luke Leavitt. He is releasing his latest album Penultimate Conclusions at this show. Also on the bill is eccentrically brilliant experimental pop project Free Music from Minneapolis, the relentless and inspired adult contemporary/glitch/synth pop hybrid of French Kettle Station, J. Hamilton Isaacs’ transporting modular synth compositions and Koto Robo’s synthesis of 80s video game sounds (though not 8-bit) and synth pop.
What:Built to Spill – Keep It Like a Secret tour w/Orua and Dirt Russell When: Friday, 07.26, 6 p.m. Where: Mishawaka Amphitheater, Bellevue, CO Why: Built To Spill bridged the gap between free improvisational rock, psychedelia and post-punk at a time in the 90s when so much of that was, barring Neil Young, was considered quaint unless you were a fan of wack, mid-90s alternative rock. Built to Spill was very different from some of that more mundane music because when it had album titles like Ultimate Alternative Wavers and songs called “Randy Described Eternity” and “I Would Hurt a Fly” the language of an underground, alternative culture with irreverent humor and an unabashed embrace of the weird and unconventional and out of step with mainstream normality was mincing no words but also not trying to alienate any potential comers. This year the group is touring for the twentieth anniversary of its monumental fourth album Keep It Like a Secret.
What:The Psychedelic Furs w/James and Dear Boy When: Friday, 07.26, 7 p.m. Where: Ogden Theatre Why: The Psychedelic Furs are apparently on the verge of giving us their first new album in nearly thirty years sometime in the next year or two. While the group did take a hiatus in the 90s its iconic 80s albums aged well because while the band had hits it never really made concessions to trends and Richard Butler’s scrappy yet soulful voice and thought-provoking lyrics and the band’s brooding melodies and expansively energetic live show reconciled the thoughts and emotions everyone has into memorable songs. Since the Furs reconvened in 2000 it may have been skating on its back catalog but its shows felt like they were channeling from a time when they first wrote the music and they didn’t waste our time by trotting out material unworthy of its earlier music. The career of Mancunian rock band James was almost in direct parallel with The Psychedelic Furs with its own history of high emotive and idiosyncratic rock songwriting that evolved considerably across time and recent performances displaying the verve and power of its early days as well.
What: Anne Waldman (w/Adam Baumeister and Roger Green), Wymond Miles, Jeff Suthers and Max & Toni When: Friday, 07.26, 8-10:30 p.m. Where: Pon Pon Why: Anne Waldman is one of the surviving leading lights of the Beat Generation who is also currently involved with running the Naropa Institute (also Jack Kerouac School of Disembodied Poetics) of which she was a founder in 1974. Her poetry has a force and consciousness resonant with the rhythms of music and on this evening she will be joined by Meep Records head Adam Baumeister and experimental guitar composer Roger Green formerly of Idle Mind and The Czars. Also on the bill are Wymond Miles of The Fresh & Onlys in San Francisco and prior to that various Denver bands including Pinkku, and Jeff Suthers, the iconic guitarist of Pale Sun, Bright Channel, Volplane, Moonspeed, Pteranodon and other projects.
What:MDC/Verbal Abuse and Round Eye When: Friday, 07.26, 9 p.m. Where: Streets Denver Why: When you call your band Millions of Dead Cops in 1979 you’re already courting trouble. But MDC has also been taking it on the nose and writing hardcore classics with a righteously political edge from the beginning having penned songs about animal rights, LBGTQ issues, racial issues and invective against capitalism with humor and conviction. Lead singer Dave Dictor is proudly a weirdo who is confrontational with his anti-establishment stance in a creative and engaging and often humorous fashion.
What:Amon Tobin presents Two Fingers DJ Set w/Tsuruda, Keota, Seied and GTillDawn When: Friday, 07.26, 8 p.m. Where: Cervantes’ Masterpiece Ballroom Why: Amon Tobin is a versatile composer whose electronic music runs the gamut of dance, jazz and the avant-garde. Tonight he is performing a DJ set so it’s hard to say exactly what he’ll throw into the mix but given his proclivity for imaginative production it won’t be entirely predictable yet a display of great taste.
Saturday | July 27
What:Black Pistol Fire w/Thunderpussy When: Saturday, 07.27, 8 p.m. Where: Ogden Theatre Why: Black Pistol Fire is a likable enough bluesy garage rock band. But the reason to go is to see opening act Thunderpussy who may in some ways share Black Pistol Fire’s affection for driving, blues-based punk riffs but its deft songwriting is a bit like if The Dead Weather took more than a few cues from T. Rex and the mirrored sides of Zeppelin’s hard rocking and contemplative, introspective songwriting. The Seattle-based group’s 2018 self-titled debut is more than a cut above the relatively recent spate of bands that are tapping into inspiration from hard rock’s 70s heyday by not merely trying to rock but not being willing to push the songwriting beyond the clichés. Thunderpussy is willing to get weird and take you into outer space with its music the way Heart, Cheap Trick and David Bowie were more than able to as well.
What:Anklepants and Electrocado When: Saturday, 07.27, 9 p.m. Where: The Black Box Why: Anklepants is what happens when a guy working in the special effects industry makes an outfit in which a phallus attached as the nose of an alien is a controller for the music which is very sophisticated and experimental dance music in the vein of more adventurous house or techno with elements borrowed from the full spectrum of modern dance styles. If you want to see something you’ll never forget this is the show to go and see because while the visual side of the project is entertaining and unusual enough the music stands on its own with no need for gimmicks—the costume is just a bonus over seeing some guy holding headphones on and waving one hand above his head to hype the crowd.
What:The Appleseed Cast w/Young Jesus and Weathered Statues When: Saturday, 07.27, 7 p.m. Where: Marquis Theater Why: The Appleseed Cast might be the most well-known band out of the under celebrated Lawrence, Kansas music scene. Its own contribution to the development of 90s emo and beyond has been its exquisite, borderline dream pop that bridged the gap between midwestern emo and post-rock. Its luminous melodies and richly expressive and nuanced vocals have given the band a cross genre appeal. In 2019 The Appleseed Cast released its most recent album The Fleeting Light of Impermanence.
Monday | July 29
What:Frank Iero and the Future Violents w/Geoff Rickly When: Monday, 07.29, 7 p.m. Where: Marquis Theater Why: Frank Iero is probably known to most as the guitarist in My Chemical Romance. But seven years hence from that group’s dissolution Iero and his band the Future Violents released their album Barriers produced by Steve Albini. Iero sounds like he dug deep to reinvent himself a little for this new music as it feels raw and heartfelt and even confessional in a way that wasn’t as obvious as his work with MCR. When the songs aren’t brimming with effusive energy there is an introspective mood with music that demonstrate Iero’s keen ear for crafting rock songs with emotional and sonic nuance.
Tuesday | July 30
What:Bad Cop / Bad Cop w/Dog Party and Pity Party When: Tuesday, 07.30, 7:30 p.m. Where: Lost Lake Why: Los Angeles-based punk band Band Cop/Bad Cop have a clever name but one that also reflects its politically and socially subversive lyrics. Its massive hooks and pop punk sound is a perfect vehicle for laying out ideas and concepts in a personal and accessible way without coming off preachy. With any luck the band will have a new album soon but its most recent record is 2017’s Warriors put on Fat Wreck Chords.
Wednesday | July 31
What:Suzanne Vega w/Siobhan Wilson When: Wednesday, 07.31, 7 p.m. Where: Boulder Theater Why: Suzanne Vega is perhaps best known by most people for her 80s singles “Luka” (an unabashed song about child abuse that made the Top 40) and “Left of Center” but her eclectic and varied career has included collaborating with Philip Glass for his weirdo jazz record Songs from Liquid Days and her own impressively broad range as a songwriter with a knack for writing thoughtful, literate songs that have long found a place in college radio and “modern rock” playlists and occupies a similar place in popular music as people like Robyn Hitchcock and Jane Siberry.
What:Old Time Relijun w/Shooda Shook It and Moon Pussy When: Thursday, 05.16, 8 p.m. Where: Hi-Dive Why: Colliding Captain Beefheart-esque outsider atonality with non-western elements of rhythm, Old Time Relijun’s shamanistic, Sun City Girls-esque jazz was unlike much of anything else going on when it launched in the late 90s. Now back together after nearly a decade hiatus, OTR is touring widely in the wake of the release of its 2019 album See Now and Know. Also on the bill for the night is Tucson-based No Wave funk-esque quartet Shooda Shook It and Denver’s confrontational, deconstructionist noise rock stars Moon Pussy.
What:An Evening With Johnny Marr When: Thursday, 05.16, 7/8:30 p.m. Where: Gothic Theatre Why: Johnny Marr is the iconic guitarist from post-punk legends The Smiths. His solo career is also full of worthwhile material in which he gets to show off his gift for complex yet seemingly simple melodies. Live, Marr performs material from across his career and anyone that has seen him might even say the unlikely and point out that his vocals for classic Smiths material are at least as good as Morrissey’s. As the title of the show suggests, an entire evening of Marr’s music and selections from catalog of The Smiths and some choice covers.
What:Glissline When: Thursday, 05.16, 6:30 p.m. Where: Ross-Broadway library Why: Tommy Metz has been making beautiful and affecting ambient/IDM music for over a decade. With Glissline he pushes the production methods further than ever while making very experimental music so accessible it always takes you by surprise.
What:John Catdog and Sobremarcha Musicgroup When: Thursday, 05.16, 6:30 p.m. Where: Hooked On Colfax Why: John Catdog’s boundary pushing mix of what might be described as abstract industrial dance music and noise informed by radical politics. At other times more downtempo and chill but always interesting. Sobremarcha Musicgroup is a project of Amber Gomez, a formerly Chicago-based DJ and producer whose bright, gently urgent tracks will definitely fill out the room and beyond this night.
What:Jenny Lewis On the Line Tour 2019 w/Karl Blau When: Thursday, 05.16, 7 p.m. Where: Ogden Theatre Why:On The Line is Jenny Lewis’ latest record and it is the exquisitely composed, lush pop that Lewis has made so well for years with her usual literary flair. But in promoting the record, Lewis might have struck some people as very unvarnished and disarmingly off-the-cuff. But we kind of need that from more artists these days especially those whose art gives one the impression of their embracing classic forms of art and established ways. Jenny Lewis has always been a bit subversive and a little different in the humor department, one might say a secret weirdo who operates in the open, which is why her creative output remains worthwhile because all the weirdness, the eccentricity is there amid the expertise in presenting a conventional front.
Friday | May 17
What:Nitzer Ebb w/Liebknecht and DJ n810 When: Friday, 05.17, 7 p.m. Where: The Oriental Theater Why: With the stridently urgent rhythms and confrontational feel of its 1987 album That Total Age, Nitzer Ebb, like Front 242 and D.A.F., established a template for much later EBM with any bite and vitality.
What:No Gossip in Braille release show w/Emerald Siam and Weathered Statues When: Friday, 05.17, 8 p.m. Where: Mercury Café Why: No Gossip in Braille is releasing its debut effort Bend Toward Perfect Light on Cercle Social Records at this show. The post-punk duo of Keith Curts of Echo Beds and formerly of Ghost Orchids and Subpoena The Past and Bryan S. Becker formerly of experimental guitar band Annik has crafted a brooding post-punk album of refined emotional expression and lush atmospheres driven by gently urgent electronic percussion. Vocally it’s a bit of a different direction for Curts than most people who have seen his bands in the past two decades are used to as rather than the screaming and highly processed sounds in Echo Beds or Glass Hits, Curts hits some truly melancholic and introspective depths to match the elegant and ethereal guitar work.
What:Duncan Barlow and Natalie Rogers reading When: Friday, 05.17, 8 p.m. Where: Syntax Physic Opera Why: Duncan Barlow is known to many for his time in hardcore and post-hardcore bands (Endpoint, Guilt, By the Grace of God) from Louisville, Kentucky as well as punk and Americana bands from Denver (D. Biddle, Lion Sized). But lately he’s been a professor living in Vermillion, South Dakota teaching at the University of South Dakota and continuing to write literary fiction including his 2019 novel A Dog Between Us. Natalie Rogers is a writer whose diverse work background (911 dispatcher, adult caretaker, teacher etc.) informs her own works of fiction. Both will read selections from their body of work.
What:Calpurnia w/Slow Caves When: Friday, 05.17, 8 p.m. Where: Gothic Theatre Why: Calpurnia’s fuzzy indie rock sounds a bit like a throwback to 70s power/bubblegum pop like The Sweet or The Raspberries though likely filtered through the lens of latter day practitioners of related sounds like Twin Peaks and The Strokes. The band is really young with singer and guitarist Finn Wolfhard turning 17 in December so the band will grow beyond its most obvious current influences. Tracks like “Greyhound,” though, more than hint at promising uses of sound ahead.
What:Fem Fest 2019: 2 Kayla Marque, 3 RAREBYRD$, 4 The Milk Blossoms, 5 YaSi When: Saturday, 05.18, 10 a.m. to 8 p.m. Where: Museum of Contemporary Art Denver Why: The 2019 edition of Fem Fest is a celebration of female identified artists and musicians with workshops, a bazaar, DJs, a photo book and live music throughout the course of the event. Of course attendance is open to people of all ages and genders. The numbers listed above before the band/artist is the time slot in the afternoon/evening you can expect to catch their set. Experimental hip-hop and whatever kind of pop one might like to use to describe The Milk Blossoms. But no matter who you choose to check out there are only some of Denver’s greatest on the festival.
What:KGNU Quarterly Showcase: Tav Falco’s Panther Burns, Florea (solo), Ghost Tapes and The Guest List When: Saturday, 05.18, 8:30 p.m. Where: Lion’s Lair Why: All the local bands on this bill would be worth going to see alone. But the surprise announcement of a performance from Tav Falco’s Panther Burns put the show at the top of our list for this week. The group started in Memphis and its membership included the likes of founding member Alex Chilton of Big Star who performed and toured with the band until 1984 including the well-known 1979 television appearance on Marge Thasher’s Strait Talk program. The host attempts to skewer the band’s performance but Falco deftly turns her criticisms into a chance to make a case for music that truly is rock and roll and not an attempt at following established formula. Falco’s eccentric and brilliant, arty, psychedelic blues punk has exerted a strong infuence on the likes of Jon Spencer, The Oblivians, Spacemen 3, Primal Scream and The Gories. Currently the band is touring in support of its 2018 album of inspired covers (and some originals) ranging 80 years of American music: Cabaret of Daggers. Don’t sleep on this one because a band as legendary and as unique as Tav Falco’s Panther Burns rarely makes an appearance in Denver much less at a small club like Lion’s Lair.
What:Xiu Xiu w/Elyria Sequence When: Monday, 05.20, 7 p.m. Where: The Oriental Theater Why: Since 2012’s Always, Xiu Xiu’s albums have become darker and like collections of harrowing stories commenting on the horrors of society. None more so than 2019’s Girl with Basket of Fruit. It could have had its own season of the now canceled SyFy series Channel Zero. There is the experimental folk side of Xiu Xiu that was compelling and thrillingly emotionally raw, a quality that Jamie Stewart developed further in the context of the synth-driven exorcisms of his most recent records. Reminiscent of Suicide in both evocation of stark psychological spaces and richness of tone and mood, Xiu Xiu now embodies what many darkwave bands would like to be but are not yet there.
What:Florence + The Machine: The High as Hope Tour 2019 w/Christine and the Queens When: Monday, 05.20, 6:30 p.m. Where: Red Rocks Why: Was it an accident that Florence + The Machine are playing Red Rocks the night after the airing of the final episode of Game of Thrones on Sunday, May 19? Probably. But it’s more interesting to speculate that is no coincidence for a band that wrote the chilling ballad “Jenny of Oldstones” based on the quasi-mythical wife of Duncan Targaryen, ancient ancestor of Daenerys, of course. Either way, Florence + The Machine’s music has a deserved reputation for its uplifting and diverse mix of pop styles and expansive moods buoyed by Florence Welch’s refined yet soulful vocals. Opening the show is Christine and the Queens, or, simply, Chris, the performance moniker of Héloïse Adelaide Letissier who has used the project and even the name of the project to experiment with adopting a persona and to discuss in song and performance the nature of identity itself. A heady proposition, perhaps, but it has been very much a part of Letissier’s push to writing pop music that challenges assumptions while somehow remaining incredibly accessible. Fans of David Byrne and Laurie Anderson will appreciate Letissier’s almost free association yet coherent compositional style, especially as manifested on her 2018 album Chris, and the sheer playfulness of her songs and stage persona.
What:The Twilight Sad w/Kathryn Joseph When: Tuesday, 05.21, 7 p.m. Where: Larimer Lounge Why: Being a cult band can be rough going knowing that you’re doing something special and different, pushing music in a similar vein forward by taking chances and not following trends. Well, to some extent anyway, that has paid off for Scotland’s The Twilight Sad. Post-punk and shoegaze has been a crowded field for the past two decades especially lately when it seems everyone that suddenly realized they liked The Cure and dark post-punk started a band. But The Twilight Sad’s willingness to utilize raw noise and sing with urgency instead of with an affectless, almost disengaged style has always seemed vital and reminiscent of bands like The Comsat Angels and The Sound more than some other bands who might claim similar influences. The group nearly called it quits half a decade ago but it started garnering unexpected attention for its then new album, 2014’s Nobody Wants to Be Here and Nobody Wants to Leave, as well as an opening slot on tour with The Cure where the band distinguished itself well. In 2019 the group released its latest album It Won/t Be Like This All the Time and reaffirming itself as a band that doesn’t try to sugarcoat or downplay life’s down sides in its songwriting while providing an excellent soundtrack to work through those times. That part of what informed the writing of the record was tapping into some old Brian Eno songs using Eno’s Oblique Strategy cards as an impetus to writing songs that would be fun to play live sets the new record apart from much of modern rock music by trusting in processes outside of conscious thought to inject creativity into your art.
What:Radkey w/One Flew West and And the Black Feathers When: Wednesday, 05.22, 7 p.m. Where: Larimer Lounge Why: Radkey gets lumped in with punk and, oddly, proto-punk probably because its sound is crunchy, dynamic rock music with great, melodic vocal harmonies. But it is a rock and roll band comprised of three brothers whose songwriting owes no stylistic debt to any particular movement or artist. Maybe you could say its reminiscent of Thin Lizzy combined with a good, modern pop punk band. Wherever Radkey is coming from with its music, its high energy live shows are always entertaining. In 2019 the group released its latest album, No Strange Cats…P.A.W where it switches the pace of the songs up more than ever expanding its already respectable dynamic range.
What:The Faint w/Choir Boy, Closeness and boyhollow When: Wednesday, 05.22, 7 p.m.
Where: Bluebird Theater
Why: Before it became fairly trendy in the late 2000s and 2010s, The Faint was drawing upon 80s synth pop and mixing it with emotionally-charged post-punk. The band’s second proper album Blank-Wave Arcade from 1998 was a bit of an anomaly somehow reminiscent of Falco, Duran Duran, The VSS and the more interesting 90s emo. By the time of 2001’s Danse Macabre the group had refined to perfection a fusion of electronic and post-punk without sounding like much of anyone else. Eighteen years later The Faint is pushing itself in interesting directions as evidenced by the release of its new album Egowerk. The songwriting straddles the world of electronic dance music and post-punk and with lush production and Todd Fink’s always expressive and melodious vocals swimming in atmospheric grandeur. It is the band’s least traditionally rock sounding record and chances are most suited to the group’s visually dynamic light show.
Who:Daughters w/Echo Beds When: Thursday, 11.15, 9 p.m. Where: Larimer Lounge Why: When noise/experimental rock band Daughters reunited in 2013 there was no guarantee the group would do more than play a limited number of shows before going on hiatus again. Its first attempt at a record was scrapped because it didn’t feel, according to vocalist Lex Marshall, authentic to what the band was about. Its music was confrontational and visceral, executed with a savage precision and it didn’t fit too well into the boxes in which the group was often thrown: grindcore, math rock, art-metal, post-hardcore. Daughters bridged the gap between the disorientingly surreal and amped emotional immediacy. Its 2018 record You Won’t Get What You Want pushes the band’s sound into greater vistas of experimentation with its core sound, coming upon what sounds like some forgotten chapter of an industrial, post-punk and noise hybrid from the 80s. The words and the sounds of the record, however are very much of the now with a world teetering on the brink of chaos, a darkly liminal period that might make for the perfect backdrop to a J.G. Ballard novel. That Echo Beds, which recently released its own similarly-minded record, Buried Language, will open the show and set the stage for the sonic mayhem to follow.
Who:Claudio Simonetti’s Goblin When: Thursday, 11.15, 9 p.m. Where: The Gothic Theatre Why: Claudio Simonetti and his band Goblin created some of the most iconic horror movie soundtracks of all time having done those for Dario Argento’s Deep Red as well as the European release of George A. Romero’s Dawn of the Dead. But perhaps the group’s crowning musical achievement was the score for Argento’s 1977 supernatural horror classic Suspiria. The haunting music and unsettling vocalizations (often done by Simonetti himself) was the perfect companion to a movie not short on rich color and deeply affecting atmosphere. This version of Goblin lead by Simonetti will perform the soundtrack live during a screening of Suspiria with what Simonetti jokes about as Goblin’s other “greatest” hits following the film.
Who:Galleries, Grass and Wild Call When: Thursday, 11.15, 9 p.m. Where: Hi-Dive Why: There was a time not so long ago that Denver had, to put it charitably, way too many “psych rock” bands in the trendy mold. But lurking around in that world and a step or more apart from it were bands developing decidedly in their own directions while still rooted somewhat in the realm of psychedelic rock. Wild Call’s gritty, atmospheric, emotionally-charged songs seem like something from another era when subgenre’s didn’t matter so much as ethos and approach, finding your own voice rather than operating in a style even if you pulled from various styles in your songwriting but having something meaningful to say and an interesting way to say it. Grass borrowed a bit of that warped warble from My Bloody Valentine but sounds more like it learned a lot about edgy and nearly unraveled sounds from some of the more blustery bands on Siltbreeze in the 2000s like Times New Viking and Psychedelic Horseshit. Maybe a few nods in the direction of the Reatards. A maximalist lo-fi. Galleries is more like a band re-imagining classic rock through the lens of the influence of grunge and 2000s garage rock so it sure does sound a little different from any of that.
Friday | November 16, 2018
Who:The Flux Crew in concert When: Friday, 11.16, 8 p.m. Where: Pine Street Church Boulder 1237 Pine Street Why: Dino J.A. Dean will be the conductor of this fifteen piece ensemble that will engage in, according to the Facebook event page “real time collaborative composition.” What this means is essentially improv in the overlapping contexts of jazz, contemporary classical and the avant-garde. The musicians performing come from a broad spectrum of local artists from noise, jazz, classical, funk, folk, rock etc. all sonically synergizing toward a mutual musical goal. Dean’s illustrious career in theater, jazz, punk, dance and experimental music of a broad stripe from when he was in funk bands in the Los Angeles area, working as a sideman for Ike and Tina Turner and in the 80s playing trombone controlled synthesizer in the 80s with Jon Hassell. Dean has also worked with the late jazz great Butch Morris, acclaimed playright/actor/director Sam Shepard and modern dance choreographer Colleen Mulvihill. To name a few. Dean will bring that experience in collaborating with other artists in guiding the proceedings in this unique performance with his musical group The Flux Crew.
Who:Gouge Away, Drug Church, Heart Attack Man and Cheap Perfume When: Friday, 11.16, 8 p.m. Where: Hi-Dive Why: Drug Church is an hardcore band from Albany, NY, but one that isn’t on the nostalgia trip that some hardcore has been on in recent years. Drug Church has more in common with IDLES from the UK whose own expansively sonic songs tackle personal and social issues with an unbeatable combination of wry wit and sheer emotional intensity. Gouge Away from Fort Lauderdale has been making some of the most powerfully compelling punk of the last few years. But, and especially on its 2018 album Burnt Sugar, Gouge Away brings a particularly imaginative approach to its headlong rush of energy by not just writing most songs with the same dynamic, injecting atmosphere into its sustained bursts of fiery noise. In that way it has more in common with 90s noisy punk bands like Unwound and Karp. Unabashedly political, minus any boring didactic perspectives, Gouge Away is one of the bands keeping punk relevant a quarter a decade after it seemed to have been co-opted by the mainstream.
Who:The Motet w/Escort When: Friday, 11.16, 8 p.m. Where: The Ogden Theatre Why: The Motet is celebrating its twentieth year as a band in 2018. Founded by drummer/arranger Dave Watts, the group’s blend of Afrobeat, jazz and funk may be something one would expect from a band from Boulder but it’s also surprisingly fresh and the musicianship legitimately respectable. Also joining the veteran Colorado band is Escort from Brooklyn. Like-minded in some ways, Escort performs music that one can trace roots to back to when 70s funk and disco met in fruitful rather than laughable ways. Think more in the vein of Commodores and Chic but updated after American musicians absorbed European influences and the resurgence of jazz reclaimed from academia and the ossified old commercial jazz market. The Motet performs same time same venue on Saturday, November 17 The Motet but with with Cory Wong who will include special guest Antwaun Stanley of Vulfpeck in the line up.
Saturday | November 17, 2018
Who: Wax Trax Fortieth Anniversary w/Slugger When: Saturday, 11.17, 7 p.m. Where: The Mercury Café Why: Wax Trax might be the longest running record/music store in the Denver metropolitan area. While music stores might be considered a bit of an anachronism today they still serve an important function as a place to discover stuff you may not know about without the awkwardness of algorithms making suggestions based on what you view on a website. They are also places where you can meet other humans who might have a shared interest and where one might encounter something as quaint as a flyer for a show for bands you know nothing about and might find interesting. Also, not all local bands worth your time have a robust, easily found online presence. Besides, what music fan doesn’t enjoy organically finding something by browsing and not having something specific in mind? Wax Trax has been more than that. It has employed local musicians, one of its owners, Duane Davis, wrote incisive music reviews and other articles for several years and he and others at Wax Trax were involved in the local imprint Local Anaesthetic which put out records by some of the best punk and post-punk bands of the 80s. With the documentary about the store and the label that emerged out of that when the store’s founders moved to Chicago having screened in Denver last weekend it only seemed reasonable to have the actual celebration of the store’s first forty years at the Mercury Café. In the 80s both businesses were neighbors on 13th Avenue and Mercury Café was a hub for live, underground music—the relationship was somewhat synergistic. While there may not be a lot of live music for this event, aside from the psychedelic rock band Slugger fronted by current Wax Trax employee Gabriel Abelo, some of the memorabilia and stories shared will be worth attending to witness.
Who:J Mascis w/James Elkington When: Saturday, 11.17, 8 p.m. Where: Ophelia’s Electric Soapbox Why: J Mascis is rightfully known as the influential guitar shredder extraordinaire of influential rock band Dinosaur Jr. His buried vocals amidst blistering yet melodic songs turned out to be perfectly capable of laid back utterances that articulated the feelings and thoughts of someone that was checked out of the sanitized insipidity of much of 80s popular culture, offering an alternative, more personal, and ultimately more truthful perspective of living as a kind of weirdo in Reagan’s/Bush’s America. Mascis wrote most of those songs and for years he’s established a solo career that parallels the subject matter he has explored with Dinosaur except he’s able to be more nuanced in his vocal delivery and in later years, his broad songwriting palette has become more obvious. The 2018 record Elastic Days is lush and eclectic with contributions from Pall Jenkins of Black Heart Procession, Miracle Legion’s Mark Mulcahy and Zoë Randell of Luluc. But on the road, and for this show, it’ll be J and what he describes as “a little fort around” himself of amps, various stands and other refinements. At Ophelia’s the intimacy of the room will surely make this a memorable show.
Who: Hive w/Weathered Statues, Rotstrotter, Aseethe and Vexing
When: Saturday, 11.17, 8 p.m.
Where: Syntax Physic Opera
Why: Hive from Minneapolis is a melodic crust band not to be confused with the band HIVE from Chicago who are also from the Midwest and no strangers to blackened metal. So the excellent Denver-based crust/grind band Rotstrotter is a good fit on the bill as is the like-minded Vexing. Iowa’s Aseethe is a doom band and not too far removed from the same milieu of heavy music. Weathered Statues, though, are a dark, post-punk band whose musical DNA seems to include Xmal Deutschland, The Cure and DA! But there’s an undercurrent of dance rhythms that thankfully are nothing like what all these post-punk revival era “dance punk” bands were peddling. Just a clear sense of rhythm and pacing that draws you into the song as surely as its dusky atmosphere’s and Jennie Mather’s commanding vocals. Weathered Statues plays first and may confuse some people expecting all conventionally heavy music for the night.
Who:Municipal Waste w/Toxic Holocaust and Haunt When: Saturday, 11.17, 6 p.m. Where: The Oriental Theater Why: At a time when metalcore was reaching its apex, Richmond, Virginia’s Municipal Waste was making the kind of crossover music that would come back into vogue again nearly a decade after its 2001 inception. For the uninitiated, that crossover meaning the kind of music that emerged around the mid-80s when bands like DRI, which may have started out as hardcore punk, fed into its metallic instincts and synthesized hardcore and thrash metal, which itself was informed by punk. Because it was an early re-adopter, Municipal Waste became a bit of a cult band. Toxic Holocaust’s Joel Grind was also someone who was tapping back into that crossover sound in the late 90s but injected into his songwriting some of the evil sound and brutality of black metal.
Sunday | November 18, 2018
Who:Wrong, Portrayal of Guilt, Abrams, False Cathedrals When: Sunday, 11.18, 7 p.m. Where: Mutiny Information Café Why: Wrong is the kind of noise rock band that probably wouldn’t have quite happened in the 90s or earlier. While the Unsane and Helmet influence is there giving the music a precise yet savage edge, one can hear the stretch of sounds into distended otherworldliness as though steeped in the industrial psychedelia of post-Twitch Ministry and the haunted sludge of pre-Superunknown Soundgarden. It also has a bit of the near hysteria catharsis one hears in Daughters. The band’s 2018 album Feel Good has positive intentions but the songs themselves are all about feeling bad and purging that low end of one’s life.
Portrayal of Guilt’s 2018 album Let Pain Be Your Guide is a nightmarish set of pronouncements about the acceptance of life’s seemingly unacceptable but all too real aspects. It’s not all relentless, grind-y hardcore because there’s a nuance of sounds and dynamics that give harsh and brutal music a fascinating dimensionality that makes what might be forbidding music to many an accessibility built on how relatable the lyrics really are in the current social and political climate worldwide. Many songwriters express well the pains of some aspects of existence, Portrayal of Guilt’s songs sound like a direct line to that experience in case anyone is confused.
Tuesday | November 20, 2018
Who:Shallou w/Japanese Wallpaper When: Tuesday, 11.20, 7 p.m. Where: The Bluebird Theater Why: Melbourne, Australia’s Japanese Wallpaper is Gab Strum who seems to be a bit of an electronic music prodigy. In 2014, when he was a mere 17 years old, his song “Breathe In (ft. Wafia)” was featured in Zach Braff’s film Wish I Was Here. Strum’s brightly ethereal compositions sound like the next two steps in the evolution of chillwave and informed by the same production methods born out of hip-hop that informed that musical movement. Soothing without being soporific, Strum’s songs would be perfect for when you want to take some time to contemplate something important with clarity of mood and mind. Some of his newer material like “Fooling Around” is celebratory yet introspective and reveals Sturm’s clear evolution as an artist into realms of music beyond the tranquil minimalism of his earlier offerings.
Who:Odonis Odonis w/Church Fire and Voight When: Tuesday, 11.20, 7 p.m. Where: Lost Lake Why: Toronto’s Odonis Odonis sounds like DAF reborn in the techno/rave scene of Detroit 90s. At least on its latest album, 2017’s ominously luminous No Pop. The duo is joined this night by two Denver bands whose own music embody a similar wedding of darkwave industrial beats and a masterful command of incorporating noise with the more electro-dance-oriented Church Fire whose cathartic live show never disappoints and the post-punk/dark techno band Voight who are arcing out of a long period of legit A Place to Bury Strangers worship into more fascinatingly beat-driven territory.
Wednesday | November 21, 2018
Who:Kyle Emerson, Stelth Ulvang and Down Time When: Wednesday, 11.21, 8 p.m. Where: Hi-Dive Why: If Kyle Emerson isn’t already making waves on the indie touring circuit, he should be soon. The veteran Denver songwriter has been paying serious dues for a few years now touring small clubs and venues across America. His psychedelic folk pop are imbued with emotional warmth and insight as heard most recently in recorded form on his 2017 full-length album Dorothy Alice. The album closer “Post Egomania” is a perfect way to sum up the emotional and spiritual journey of the rest of the album. For this homecoming show from his most recent tour Emerson will share the stage with Stelth Ulvang of The Lumineers and one of Denver’s best indie rock bands, the not-so-obviously-but-unmistakably experimental Down Time.
Who:Reverb & The Verse When: Wednesday, 11.21, 7 p.m. Where: Bonacquisti Wine Why: Reverb & The Verse is one of the longer running hip-hop crews in Denver and one of the most diverse and boundary pushing in a way that’s difficult to say where the root of its music might lay beyond that of the breadth of palette that exists in hip-hop. Shane Etter, one of the band’s main producers from its early days is well-versed in a wide range of electronic music and recently did mastering on the 2018 album from literate documentarians of dystopian America, hip-hop duo Curta. Here is an infrequent opportunity to catch one of Denver’s finest live.
Who:Glasss Presents the Speakeasy Series Season 2: Venus Cruz & What Young Men Do, Abeasity Jones When: Thursday, 05.10, 7 p.m. Where: Hooked On Colfax Why: Abeasity Jones’ songs sound like maybe he spends part of his day working in some high rise office in downtown Denver and/or in some media tech office nearby where maybe things are comfortable but there’s an element of compromise and alienation. And while working and tending to the demands of his personal and family life he allows his imagination an escape into chill spaces where he can explore and write stories about his struggles, concerns and daydream life. The beats are downtempo and ethereal and the subject matter often delivered with a sense of acceptance like depleted melancholy. Yet, Jones’ sense of humor and thoughtfulness lifts up the music and his live performance has a positive energy giving the songs a dimensionality that some hip-hop seemingly recorded at home lacks.
Also playing this show is one of Denver jazz and hip-hop’s true luminaries: Venus Cruz. But this time out with the band What Young Men Do. Cruz’s versatile talent has found a place singing, producing and performing music in a wide variety of contexts. Her long-running stint with the Jazz Odyssey program on KUVO on Wednesday nights is an outlet for fans of jazz and the sensibility of jazz outside the classic format. What Young Men Do is more of a funk, soul and jazz-inflected hip-hop project so it’ll be something pretty different for the Speakeasy Series and Hooked On Colfax both.
Who:Musical Mayhem: Bonnie Weimer and The Pollution When: Thursday, 05.10, 9 p.m. Where: Skylark Lounge Why: Bonnie Weimer released her first single in probably several years, maybe even her first released music since her time in folk-punk-Americana group Potato Farmers, in April 2018 with “Pajama Top Man,” a winsome, humorous, self-effacing story song about an awkward would-be romantic encounter set to a spare, banjo melody. Fans of outsider music will find a lot to like about the song even though that designation doesn’t necessarily fit Weimer’s entire musical output. In an interesting pairing, not unusual for Claudia Woodman’s Musical Mayhem night at the Skylark, is The Pollution. Jay Fox was in one of the early DC punk bands, United Mutation, but the latter was never part of the Dischord scene and didn’t play out often even if its blend of psychedelic rock and punk was becoming a thing as bands like Butthole Surfers and Alice Donut were making waves in the underground. Decades hence, Fox, now living in Denver for several years, has set about trying to make bands for whom the intensity, energy, anti-authoritarian spirit and creative fire of punk and psychedelic seemed completely compatible qualities that needn’t be separated by stylistic sectarianism.
Who:Gold Trash, Violent Vickie, R A R E B Y R D $, Pearls and Perils and EVP When: Thursday, 05.10, 8 p.m. Where: Independent Records Why: Glasss is bringing some of its artists to Colorado Springs tonight. Gold Trash is sort of a samples/live electronics take on the kind of collage, trash sound/culture guitar rock barrage that was Royal Trux. Pearls and Perils is lush downtempo beats and the sultry vocals of Olivia Perez who most won’t remember from her old, experimental rock band Gloam. But with Pearls and Perils she gets to put more of herself into the music undiluted by anyone else’s vision and the result is an emotionally cleansing body of work. Like most Glasss artists, EVP is impossible to tag with one genre designation. Part industrial, part pop, part punk, EVP sounds like the kind of music made by people living in a dystopian near future where kids have overtaken the crumbling, cheap housing units made during Denver’s current fake economic boom (real economic booms benefit everyone pretty equally) but then abandoned—scrappy, often angry and melancholy stuff. R A R E B Y R D $ is probably the Denver band now that will attain the underground mythical status of acts like Fissure Mystic and Hot White by the sheer excellence of its material and live shows except it’s an experimental hip-hop group. Its enveloping, rich beats stir the heart and the imagination and the emotional resonance of its lyrics and KoKo La’s and Key Lady’s singing and rapping has the irresistible power of a Kimya Dawson.
Who:Esmé Patterson, Emily Ritz and Eleanor Perry When: Friday, 05.11, 7 p.m. Where: Leon Gallery Why: Most of the time to see Esmé Patterson’s evocative storyteller pop you’d have to go to some kind of bigger bar venue or small theater. But this performance will happen at the much more intimate Leon Gallery. Patterson spent many years honing her craft as a member of the baroque pop group Paper Bird, but since she’s broke out on hr own for the last several years her imaginative songwriting has developed into a vehicle for writing with a warmth and wisdom on uncomfortable subjects.
Who:Charly Bliss w/Skating Polly When: Friday, 05.11, 7 p.m. Where: The Marquis Theater Why: Charly Bliss’s 2017 album Guppy sounds like the band wood shedded its material in a cabin in a remote location far from its Brooklyn homebase with only 90s fuzzy alternative rock/power pop on hand for its listening diet. Obvious touchstones like Liz Phair, Velocity Girl, The Breeders and Veruca Salt. Even the music video for “Ruby” reinforces that impression looking like something that might have been produced for a segment of The Ben Stiller Show. But there’s no mistaking Charly Bliss’s exuberant energy for a pure nostalgia trip. The songs may rock but like many of the bands that likely influenced Charly Bliss, the lyrics have a raw vulnerability that gives it more depth than might otherwise be obvious. The same could be said for Oklahoma City band Skating Polly whose style of music is probably punk by default but so individual it would be problematic to say the trio consciously tried to be punk as a genre. The latter recently released its latest album, The Make It All Show. Skating Polly shows look like they might blow apart from the sheer, wiry energy of the performance and, of course, that’s what makes for great, scrappy punk rock.
Who:Girls Rock Denver: Showcase Series: Gold Trash, RAREBYRD$, EVP and Nighttimeschoolbus When: Friday, 05.11, 7 – 11 p.m. Where: Spectra Art Space Why:Girls Rock Denver will happen in the summer but these events are a showcase to perhaps make being a musician beyond the camp and beyond those likely temporary bands an attainable goal. Which is crucial because a world where most music and art is still being made mostly by males seems bizarre and past its due date at this point in history. This night features some of the best artists in Denver in the realm of electronic, hip-hop, experimental and industrial music. Most of the artists on the bill were written up earlier in this column but all are worth your time.
Who:Slim Cessna’s Auto Club w/Echo Beds and Weathered Statues When: Friday, 05.11, 8 p.m. Where: Hi-Dive Why: Slim Cessna’s Auto Club, one of Denver’s longest running bands and one of its most lively and entertaining, is doing a mini-residence at the Hi-Dive this weekend. Although the Auto Club is a kind of punk Americana with literary lyrics and a joyful, emotionally charged, theatrical live show, it’s been booking opening bands well outside the expected circles of Gothic Americana. This night, organo-industrial darkwave band Echo Beds will bring the punishing beats and cathartic drones and Weathered Statues will deliver its brand of moody but urgent post-punk.
Saturday | May 12, 2018
What:Fem Fest When: Saturday, 05.12, 8 p.m. Where: MCA Denver Why: Fem Fest is an all-ages, all-genders welcome event that includes various workshops, a bazaar, tarot and astrology readings and more but also musical performances in the evening and night. Fem Fest because representation matters in a truly healthy and just society. There are plenty of, in essence, Men Fests because of booking and conception most of the rest of the year so don’t get caught up on the name and miss out on some of Denver’s best bands and the headliner, Red Aunts. Music kicks off at 5 p.m. with a Girls Rock Denver showcase followed by space angel/earth mother energy hip hop group R A R E B Y R D $ at 6. Princess Dewclaw, Denver’s own electro fuzz punks at 7 with “pastel punk” surf rock trio The Corner Girls at 8. The evening tops off at 9 with Red Aunts.
Who:Dirty Junk, Great American House Fire, Married a Dead Man When: Saturday, 05.11, 9 p.m. Where: The Curtis Club Why: Dirty Junk is a duo from Minneapolis on its 2017 album Snot is the kind of messy, noisy, collage-esque punk-inspired music that we haven’t heard much of since Get Hustle was active. Or like a weirder and noiser version of that raw punk Sleater-Kinney was doing on its first two records. Interesting putting the band together with Great American House Fire, a group that combines a melancholic Americana with moody posthardcore and soulful singing. Married a Dead Man is a post-punk band unabashedly influenced by music out of the Goth world.
Who:Sorted #8: Pangaea, Ganesa & Squane, Newnumbertwo When: Saturday, 05.12, 10 p.m. Where: TBA Why: Kevin McAuley calls London home but tonight he’s performing at the eight edition of sorted, the underground electronic music event that Veronica Lamaak and company put together periodically to showcase some of the most interesting house, techno and more experimental dance music in general happening now. Also on the bill are Jelly Bean Farm artists Ganesa & Squane. Ganesa is the label head of Jelly Bean Farm and her DJ sets tend to be eclectic and futuristic-sounding. Squane’s sound tends to be more low end heavy with thick, dubby bass beats but he and Ganesa share a seeming love of bright, mid-to-upper register melodically ethereal melodies. Newnumbertwo is a resident artist with Sorted whose deep house/dubstep sound mixes in elements of a gentle kind of breakcore.
Who:Slim Cessna’s Auto Club w/Palehorse/Palerider When: Saturday, 05.11, 8 p.m. Where: Hi-Dive Why: The second night of the Auto Club residency at the Hi-Dive this weekend but this time with Palehorse/Palerider, a band who are superficially an alchemical mixture of doom/drone and shoegaze but with an industrial/tribal element they bring in for a song or two in the set. Which doesn’t mean much when your sets have three or four songs but nevertheless gives a set of otherwise densely beautiful and crushing songs an expansive sensibility.
Sunday | May 13, 2018
Who:Modest Mouse w/Mimicking Birds When: Sunday, 05.13, 6 p.m. Where: Red Rocks Why: For a band that is one of the definitive incarnations of the too-broad-too-vague-yet-fittingly-umbrella quasi-genre of indie rock, Modest Mouse sure put in a lot of time developing its sound and songwriting style before becoming one of the style’s most iconic groups. Modest Mouse began when its founders were still in high school, it released its first seven inch on K Records, its first two full-lengths on Seattle indie imprint Up Records including its 1997 “breakthrough” album Lonesome Crowded West and every album since through major label Epic Records. Quite an arc for a band whose work remained fairly idiosyncratic, emotionally raw and imaginative even up to its most recent album, 2015’s Strangers to Ourselves. In its first decade or so of its existence, Modest Mouse was a notoriously inconsistent live band. But since then the act has seemingly harnessed the chaos and unpredictability of its youth when maybe there seemed to be less and stake and less to lose if it did all fall apart and channeled that spirit into music more coherent and accessible to a wider audience without having to sacrifice its uniqueness.
Monday | May 14, 2018
Who:Petrification w/Rotstrotter, Alone and Noctambulist When: Monday, 05.14, 8 p.m. Where: Hi-Dive Why: Petrification is a death metal/grind band from Portland, Oregon on its way to Maryland Death Fest and making a stop in Denver to play with some of the local heavy hitters in that realm of music. The band called its 2017 cassetteSummon Horrendous Destructionwith a rotting zombie face rendered in black and white as the cover. At times the guitar riffs wander into the realm of The New Order-esque period Testament. But that is no bad thing. Rotstrotter have been one the longest-running, and frankly best, D-Beat bands in Denver. Sounding somewhere between SSD and early Discharge, Rotstrotter looks and sounds like they live it and that it’s not a simply a shallow lifestyle choice.
Who:Farrell Lowe Group, Latex Cupcake, Seward / Sexton, Gil Selinger When: Monday, 05.14, 8 p.m. Where: Seventh Circle Music Collective Why: This is a rare opportunity to see some of Colorado’s avant-garde improvisation legends at a DIY space. Farrell Lowe Group includes, of course, Farrell Lowe, Mark Raynes, Dave Willey and Mark Harris. The latter two are members of internationally renowned avant-prog band Thinking Plague. Latex Cupcake is Jennifer Bobola, John T. Nething, Bret Kuyper and Mark Emmons, all of whom have been around Denver playing in various capacities but this is the project’s first show and its, one might say, mutant version of experimental jazz/modern classical will be a great fit on this lineup including a solo cello performance with Gil Selinger and Seward / Sexton, which will be accessible and in the vein of lounge jazz but inspired more by Captain Beefheart and The Fugs than a standard jazz group.
Tuesday | May 15, 2018
Who:Cullen Omori w/The Gloomies and Rowboat When: Tuesday, 05.15, 8 p.m. Where: Lost Lake Why: Cullen Omori’s 2016 album New Misery at least lets you know what you’re in for. As in imagine you were in one of the most buzzed about indie rock bands of the first half of the 2010s and then your band breaks up and you didn’t regroup with any of the other members. You’re left to pick up the pieces and try to figure out a way to keep doing the only thing that gave your life any real resonance. Perhaps a bit of a stretch but one can only imagine it’s something like the scene in Apocalypse Now where Willard discusses why he stayed in Vietnam and how it beat working in a factory in Ohio. To go from Smith Westerns and, in Denver anyway, playing the Ogden to playing small clubs. Willard dealt with it through self-harm and self-medication. Maybe Omori did some of that too, who’s to say? But what we do know is that despite its flaws and shortcomings, New Misery is the product of Omori’s tangling with the fallout, personal and creative, of going from being in a band on the verge of mainstream success to having to find a place for oneself doing the thing you love but which is also the source of some of your pain. That quality gives the record a bit of an uneven and at times cringeworthily honest quality but you don’t often get to hear that on what is essentially a pop record. For this show, you can see some of that music live but also, with any luck, a good deal of what Omori has been cooking up since then.
Who:Film On the Rocks: The Last Jedi feat. Church Fire When: Tuesday, 05.15, 6 p.m. Where: Lost Lake Why: Church Fire’s music sounds like it’s from some future, way-past-post-apocalypse-to-civilizational-rebirth dance club scene. Like synth pop delivered with a fiery intensity and noisy abandon. Sure, a lot of people are going to see a movie during the rainy season for some reason at a place where the wind will doppler the sound and the storms will make watching a movie borderline miserable. Or not. It is Colorado after all. But seeing Church Fire in that environment will make sense as the sun is setting and the diminishing rainclouds provide the perfect backdrop.
Wednesday | May 16, 2018
Who:TV Girl w/Wished Bone and Hairclub When: Wednesday, 05.16, 8 p.m. Where: Hi-Dive Why: The enigmatic pop band TV Girl makes a stop at the Hi-Dive this night. Its sound is like a hyper/surreal, tropicalia-inflected lounge pop. Like a Los Angeles sister band to Sweden’s Death And Vanilla. If someone could make music for a TV show about an America where the 80s never ended and we somehow had Ike back as the president. If Mad Men was a cyberpunk show but took place at a resort with none of the usual dystopian trappings, just life with everyday dramas set in a dreamlike place, an almost too clean place as exists in 60s 70s British science fiction shows. The band’s new album, Death of a Party Girl (read the statement on why the vinyl isn’t yet out because it’s dead on and witty) is an indie pop album that sounds like something that could only really come out of Southern California – hazy atmospheres, downtempo, wistful and soothing – but without any of the creeping insipidity that happens when too much industry input leeches music of any of its inherent character.