Best Shows in Denver 11/14/19 – 11/20/19

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No Swoon performs at Rhinoceropolis on Novembe 16

Thursday | November 14

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Church Fire, photo by Tom Murphy

What: Church Fire
When: Thursday, 11.14, 6:30 p.m.
Where: Ross-Broadway Library
Why: Denver-based synth-noise-pop doom darlings Church Fire are playing this event sponsored by Titwrench as part of its Surfacing series highlighting female and LGBTQ underground and experimental artists. It’s after hours at the library in the Baker District and free.

What: Roller Disco 3
When: Thursday, 11.14, 9 p.m. – 2 a.m.
Where: Roller City

What: JP Harris w/Bison Bone, White Rose Motor Oil
When: Thursday, 11.14, 8 p.m.
Where: Hi-Dive

Friday | November 15

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Whipporwill, photo by Glenn Ross

What: Whipporwill w/Courtney Hartman
When: Friday, 11.15, 6 p.m.
Where: Washington’s (Fort Collins)
Why: Fort Collins based alternative folk band Whippoorwill distilled its past few years of experiencing the turmoil of the land and the culture into its new album The Nature of Storms. On its 2017 tour the band experienced tornadoes, floods, forest fires, blizzards and the destructive nature of the Trump presidency itself and the polarized social and political climate surrounding it. With the personal lives of its members in disarray as well the trio pulled together and crafted one of the most affecting releases of the year that exceeds expectations for terms like “alternative folk” as the band seems to be channeling the pain and agony of the times into songs that if not exactly exorcising those emotions, brings a compassionate energy to the proceedings. This show celebrates the release of that record and hopefully soon the band will play regional shows in support followed by a tour soon enough.

What: Entrancer LP release Downgrade, Lone Dancer, Techno Allah, Felix Fast4ward, DJ ilind
When: Friday, 11.15, 9:30 p.m.
Where: Rhinoceropolis
Why: It’s been a couple of years or since Denver-based analog synth/techno composer Entrancer has released an album but his latest release on Multidim Records, Downgrade, shows where deep house could go if it followed a more conceptual pathway with a spirit of playfulness.

What: Noise Vs. Doom IV
When: Friday, 11.15, 7 p.m.
Where: Seventh Circle Music Collective
Why: This is the fourth edition of the Noise Vs. Doom event featuring bands that fall loosely into either category. Tonight’s lineup includes Denver noise legends Page 27, doom collective Ice Troll and avant-garde composer Victoria Lundy. Schedule below.

Clark Nova 6-615
Ice Troll 6:30 -6:50
minus X 7:00 – 7:20
Prayer Hands 7:30 -7:50
Haunted Sound Lab 8pm -8:20
Distance Research 8:30-9:00pm
9:15-9:45 Victoria Lundy
10-10:20 Page 27
10:30-11pm Deer Creek

DJ sets PterrorFranklin Soundsystem
(Frank Bell / James Jewkes )

What: Specific Ocean, Panther Martin, Amazing Adventures
When: Friday, 11.15, 7 p.m.
Where: Lost Lake

What: The Kinky Fingers, Serpentfoot, TOOMUCHBLOND and Funk Hunk
When: Friday, 11.15, 8 p.m.
Where: Hi-Dive

What: Kiltro w/Spirettes and Turvy Organ
When: Friday, 11.15, 8:30 p.m.
Where: Broadway Roxy

What: Pink Fuzz EP release w/21 Taras and Star Garbage
When: Friday, 11.15, 8 p.m.
Where: Silo Sound Recording Studio

Saturday | November 16

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Action Friend circa August 2006, photo by Tom Murphy

What: No Swoon, Kissing Party and Voight
When: Saturday, 11.16, 7 p.m.
Where: Rhinoceropolis
Why: No Swoon’s recently released self-titled full length is an example of how 2010s darkwave as evolved beyond the obvious classic reference points into the realm of sophisticated pop songcraft. Its vibrant tones and sense of sonic space is reminiscent of Chromatics but not tapping into feelings of nostalgia as much as a reflective yearning and introspection. Kissing Party is an indie pop band from Denver that has reliably been releasing quality material since the mid-2000s seeming to perpetually be able to draw on a sense of youthful romance and ideal love. Voight has been performing its brand of industrial post-punk noise-gaze since 2015 and is in the process of completing its new album due out in 2020.

What: GYES: Lady Gang, Preparation and Gothsta
When: Saturday, 11.16, 8 p.m.
Where: The People’s Building
Why: The final Get Your Ears Swoll at the People’s Building in Aurora featuring experimental loop and psychedelic folk artist/one-woman band Lady Gang and Gothsta who plays truly unusual covers in a playful style that lives up to the name. The latter is organizer Claudia Woodman who will rename the event for the same location on a different day of the month in 2020.

What: Hi-Dive 16th (and 7th) anniversary w/Wobbles, Rattlesnake Milk, Zebroids, George Cessna, Permanent Boner and DJ Marika
When: Saturday, 11.16, 8 p.m.
Where: Hi-Dive
Why: Hard to believe the H-Dive has been around for sixteen years at this point but it remains a place to see some of Denver’s best underground bands and up and coming artists from around the world. This show brings together stalwarts of the club including Zebroids who are more an obnoxious collective of yobs than strictly a ridiculous but oddly good punk band and George Cessna whose sonically inventive songwriting blows expectations of the son of Slim Cessna in a great way.

What: Noise vs. Doom IV
When: Saturday, 11.16, 8 p.m.
Where: Seventh Circle Music Collective
Why: Second night of Noise Vs. Doom with performances from vinyl-collage sound processor Atari, ambient noise sculptor Blank Human and experimental noise rock prog punk band Action Friend from Los Angeles, formerly from Denver. This evening’s schedule below.

6pm-6:20 Jochanaan
6:30 -6:50 Mismo
7-7:30 Mautam
7:45 -8:05 Atari
8:15- 8:35 Flood Ov Blood
8:45 -8:55 – DJ Yeldarb Franklin
9-9:20 Clutch Plague
9:30-9:50 Voideater
10-10:20 Blank Human
10:30 -10:50 Cosmic Abyss
11pm Action Friend (Los Angeles CA)
DJ sets Mudwulf + Dj Zombie

What: DBUK
When: Saturday, 11.16, 7 p.m.
Where: Tuft Theater at Swallow Hill

Sunday | November 17

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Vetiver, photo by Alissa Anderson

What: Vetiver w/Joe Sampson
When: Saturday, 11.16, 8 p.m.
Where: Ophelia’s Electric Soap Box
Why: Before it became very much a part of the current stream of “indie” music, Andy Cabic was crafting exquisite psych folk songs that incorporated electronic elements in a fully integrated way. His 2019 album Up On High is a fairly stripped down affair but the delicately intricate rhythms and textures with Cabic’s expressive vocals are still there creating an unconventionally atmospheric quality akin to something one might have heard on a Byrds or early Dead record. Maybe something Mitch Easter would have produced in the 80s. But the sensibility is very modern and its emotional immediacy is immediately compelling. Opening the show is Joe Sampson, one of Denver’s most gifted songwriters who some may remember from his days in A Dog Paloma but in the last decade plus he’s been woodshedding his own material while also having played in Bad Weather California.

What: An Evening With Bruce Cockburn
When: Saturday, 11.16, 7 p.m.
Where: Boulder Theater

What: Gort Vs. Goom, Toxi Wife, Trip Lip and Blacker Face (Chicago)
When: Saturday, 11.16, 8 p.m.
Where: Lion’s Lair

Monday | November 18

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A$AP Ferg circa 2018, photo by Tom Murphy

What: A$AP Ferg and Ski Mask the Slump God w/Murda Beatz, MadeinTYO, Pouya, Danny Towers, DJ Scheme
When: Monday, 11.18, 6 p.m.
Where: Mission Ballroom
Why: A$AP Ferg is one of the most influential and creative artists in the world of trap and Ski Mask the Slump God is one of the great innovators in that genre but one who incorporates even more elements of punk and metal into his animated material and performances. Sometimes live rap shows are disappointing but this should very much be an exception.

Tuesday | November 19

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Nots circa 2015, photo by Tom Murphy

What: Nots, Slugger and Dearborn
When: Tuesday, 11.19, 8 p.m.
Where: Lost Lake
Why: Nots is the noise punk band from Memphis, Tennessee that is currently touring in support of its new album 3 out on Goner Records. Guitarist and singer Natalie Hoffman was once the bass player of Ex-Cult where she stood out as a charismatic performer with wiry energy in a band not short on those qualities.

What: Wilco w/Tuomo and Markus
When: Tuesday, 11.19, 6:30 p.m.
Where: Mission Ballroom

Wednesday | November 20

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Helmet, photo by Jacob Blickenstaff, copyright earMUSIC

What: An Evening With Helmet
When: Wednesday, 11.20, 7 p.m.
Where: Summit Music Hall
Why: Helmet is the legendary noise rock/posthardcore band from New York whose 1992 album Meantime yielded a hit single “Unsung” during that period when anything a little different stood a chance of making it to the radio. The group’s blunt and angular riffs and aggressive groove has proven influential on a certain segment of heavy music since.

What: Slayer w/Ministry and Phil Anselmo and the Illegals
When: Wednesday, 11.20, 8 p.m.
Where: Broadmoor World Arena

Best Shows in Denver 6/27/19 – 7/3/19

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Earth performs June 27 at The Marquis Theater, photo courtesy the artist

Thursday | June 27

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Zealot, photo by Tom Murphy

What: Earth w/Helms Alee
When: Thursday, 06.27, 7 p.m.
Where: The Marquis Theater
Why: Earth is as much an influential and pioneering drone metal band as it is an avant-garde blues folk group imbued with mystical overtones. It’s 2019 album Full Upon Her Burning Lips finds the trio channeling more than the usual measure of its crawling, Black Sabbath-esque gloom. Seeing the live show it’s always fascinating to see how Adrienne Davies moves in an orchestrated string of slow sweeping moves and fast, accenting flourishes as Dylan Carlson and their collaborators of the moment drone with a smoky fluidity.

What: Meet the Giant, The Jinjas, Monty O’Blivion and Zealot
When: Thursday, 06.27, 7 p.m.
Where: Thought//Forms Gallery
Why: Zealot would be a Mountain Goats cover band but Luke Hunter James-Erickson would find that too rote so he injects his own eclectic tastes into the songwriting. Recently released the “Snake Goddess” single, a typically eccentric, high energy, angular indie rock gem. Meet the Giant, informed by electronic music and hip-hop beat-making, write and perform deeply evocative, brooding rock songs that maybe now would overlap with the whole darkwave thing except that Meet the Giant often crosses over into the realm of hard rock in a way most of those bands don’t.

What: Cholo Goth Night featuring Dave Parley of Prayers
When: Thursday, 06.27, 9 p.m.
Where: Streets Denver
Why: Just like it says, Cholo Goth Night at Streets Denver with Dave Parley of Cholo Goth and spinning Darkwave and Goth for the evening. When this event happens in the Los Angeles area and select other cities Parley brings in other darkwave musicians of note to guest a set but not for tonight.

Friday | June 28

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Blue October, photo by Chris Barber

What: The Kinky Fingers w/Vic N’ the Narwhals and Colfax Speed Queen
When: Friday, 06.28, 8 p.m.
Where: Hi-Dive
Why: Now that the Denver “party rock” scene has withered away and garage psych/surf is going the way of pop punk in the early 2000s only the strong and more interesting survive. In the case of these three bands it’s partly because their songwriting was always good and their individual sounds not so susceptible to the blowout of trendiness. Each has also evolved.

What: Tyto Alba and Steele Douglas
When: Friday, 06.28, 5 p.m.
Where: Museum of Contemporary Art Denver
Why: Tyto Alba is always surprisingly evocative with music coming from the tender places of the psyche and coloring the tones in warm, incandescent tones and hypnotic rhythms. Seeing them on a rooftop while a thunderstorm threatens to hover in but never does? Seems symbolic and entirely appropriate.

What: Blue October w/Mona
When: Friday, 06.28, 7 p.m.
Where: Ogden Theatre
Why: Blue October has been around for nearly a quarter of a century now and its career has crossed over from the old way of major labels and the album release cycle to the modern mess and disarray of the industry now that offers bands to connect directly to an audience more so than ever before but to earn far less for their efforts. That the group has weathered that period is impressive itself. Oddly enough its own style of power pop seemingly inspired by late 80s proto-alternative rock like Icehouse and The Outfield and their dramatic presentation of being a bit on the outs of true emotional fulfillment but yearning for that special connection with another human with music that is a little too triumphant in tone and uplifting to be sad bastard music. But Blue October didn’t stay trapped in a past style and its newer music reflects a diversity of newer influences.

What: Primal Birth: Hotpiss, Drume, Eyeface, Padfut, Worldwide Dungeon, DJ 7 Heads
When: Friday, 06.28, 10 p.m.
Where: Rhinoceropolis
Why: A bit of a weirdo underground techno show that starts late and goes late like a rave.

Saturday | June 29

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PUP, photo by Vanessa Heins

What: Westword Music Showcase
When: Saturday, 06.29, 12 p.m.
Where: Golden Triangle Neighborhood
Why: This is the longest running music festival of its type in Denver. Held on just one day in the Golden Triangle neighborhood near the Westword offices off Tenth Ave and Broadway, it is arguably the most concise way all year to see a broad spectrum of the local scene without having to walk too far. This year’s line-up includes several of the local luminaries. Here is a list of see-if-you-can acts at each of the stages and a given set time. Tastes will vary and I’m certainly no expert on big chunks of the local music world.

Breckenridge Brewery Stage
12:25 YaSi
6:10 Jai Wolf

White Claw Stage
7:20 CHVRCHES

Vinyl Main
12:50 Techno Allah
2:30 Erin Stereo

#vybe
12:50 Venus Cruz
6:40 Lady Gang
7:30 RARE BYRD$

Stoney’s Main
12:35 Gora Gora Orkestar
5:35 Wes Watkins
7:15 Roka Hueka
8:05 Los Mocochetes

Bar Standard
12:50 Hail Satan
2:30 Ghosts of Glaciers
5:50 Fathers
6:40 Plasma Canvas
7:30 Cheap Perfume

Temple/Mirus Gallery
3:20 Starjammer

Stoney’s South
1:40 Brianna Straut
2:30 Bevin Luna
5:50 Florea

The Church
12:00 eHpH
2:30 Ramakhandra
5 Vic n’ the Narwhals
5:50 Spirettes
6:40 The Hollow

100% Agave
1:40 Bret Sexton
5:50 Los Dog Ensemble
6:40 The Maybe So’s
7:30 Joshua Trinidad Trio

What: PUP w/Ratboys and Beach Bunny
When: Saturday, 06.29, 9 p.m.
Where: Gothic Theatre
Why: PUP started making waves a handful of years ago outside its hometown of Toronto, Ontario among aficionados of pop punk and emo who missed that brashly confessional style of songwriting before the music hit maximum saturation level in the early-to-mid 2000s. When the band began in 2010 a quasi-movement was under way across the North American continent in making fun, melodic punk that was raw and expressive. With PUP and others the key difference was embracing the relatively unrefined side of that songwriting and how that opened possibilities for the music to go where it will rather than fall directly in a worn out style. This has given PUP’s songwriting a freshness that even if at first it seems completely within the realm of standard pop punk. Its new record, 2019’s Morbid Stuff, arguably its best to date, revealed the influence of the more vital garage punk and 2000s lo-fi noise rock on its sound. Like the Reatards and perhaps No Age. Its irreverent spirit and deft local cultural references that are relatable to people who experience similar social phenomena in their own cities makes for a consistently endearing listen.

What: Luxury Hearse, Timelord SFX and blank human
When: Saturday, 06.29, 7 p.m.
Where: Tennyson’s Tap
Why: Luxury Hearse combines the forces of blank human’s ambient/noise sound sculpting and Psychic Secretary’s beat-driven experimental electronic music. What to call it? Some might think industrial because of its sometimes sharp edges but it’s more in the vein of edgier yet dream-like dance music.

What: 5th Annual Colorado Goth Fest: Suicide Commando and Læther Strip w/Offerings to Odin, The Union, The Midnight Marionettes, eHpH and WitchHands
When: Saturday, 06.29, 6 p.m.
Where: Oriental Theater
Why: This edition of the Colorado Goth Fest features headliners who are significant and one might say pioneering artists in the realm of EBM with Suicide Commando and Læther Strip. The local acts are a fairly diverse group as well including death rock band WitchHands from Colorado Springs and Denver’s own EBM/electro-post-punk duo eHpH.

What: Blue October w/Mona ogdentheatre.com/events/detail/369899
When: Saturday, 06.29, 8 p.m.
Where: Ogden Theatre
Why: For Blue October see above for 6.28.

Monday | July 1

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Culture Abuse circa 2018, photo by Tom Murphy

What: Culture Abuse w/Tony Molina, Young Guy, Dare, Regional Justice Center and Cadaver Dog
When: Monday, 07.01, 7 p.m.
Where: Marquis Theater
Why: Culture Abuse has big melodic hooks for a band that came up through the milieu of garage punk. It’s 2018 album Bay Dream greatly expanded its range as a band both tonally, dynamically and emotionally as it’s informed by a sensitivity to the inevitability of the death of those close to you and a wry sense of humor and irony. After all Culture Abuse has a song called “Dave’s Not Here (I Got The Stuff Man)” referencing the classic Cheech & Chong skit. While there’s plenty of wiry punk energy behind the material, especially live, it’s really more of a great power pop record. Tony Molina got started in music playing in hardcore bands but his solo work is more in line with jangle pop and C86 with a sprinkling of The Byrds. His own 2018 record Kill the Lights wouldn’t have been out of place in the same musical realm as Teenage Fanclub circa 1992. Except with more folk-inflected, introspective songwriting throughout.

What: Muscle Beach, Buildings (MN) and Simulators
When: Monday, 07.01, 8 p.m.
Where: Streets Denver
Why: Buildings form Minneapolis is a vital cross between a math-y noise rock and post-hardcore. Muscle Beach is of similar mind but its own version of post-hardcore is a splintery assault on the senses that drags you down emotional pathways that purge angst and personal darkness – all done with a cathartic sense of joy. Simulators are an angular noise rock duo whose music is both cutting and unhinged yet mathematically precise. It’s always an interesting contrast.

Wednesday | July 3

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Total Trash, photo by Tom Murphy

What: Bud Bronson + the Good Timers, The Right Here, Bad Licks, DJ Sara Splatter
When: Wednesday, 07.01, 8 p.m.
Where: Hi-Dive
Why: Bud Bronson + The Good Timers are always surprisingly good. Its earnest power pop sounds like it’s of today but has a quality and a vibe that is reminiscent of the stories and sentiments one heard in the music of late 70s/early 80s Bruce Springsteen and Tom Petty. Also on the bill is Bad Licks who somehow do a kind of psychedelic blues rock that is legitimate and high energy because good songwriting transcends pre-conceptions.

What: Weird Wednesdayl: Total Trash, Pretty Loud, Klaus Dafoe
When: Wednesday, 07.01, 9 p.m.
Where: Bowman’s Vinyl
Why: Total Trash is a band comprised of luminaries of Denver’s indie rock scene going back nearly two decades and yet it’s not all middle aged people. If you remember Fissure Mystic, Fingers of the Sun and Lil’ Slugger, it’s people from those bands. It’s psychedelic, shoegaze-y jangle pop is transporting yet relatable and down to earth. Klaus Dafoe is an instrumental band that collides together 2000s math rock, weirdo punk and indie pop for a sound that is familiar yet unusual.

What: Pale Sun, Palehorse/Palerider, Random Temple and Grass
When: Wednesday, 07.01, 7 p.m.
Where: Lost Lake
Why: Palehorse/Palerider’s drummer Nathan Marcy said to bring earplugs. Good idea, because his own group is the kind of doom/shoegaze/dark desert psych band that makes beautifully dark, atmospheric, consciousness expanding music with ritual/tribal flourishes that is, yes, in fact, quite loud. In good company with gritty psych band Grass and Pale Sun. The latter’s dreamy yet dense rock music will take you to a different psychological space than the one with which you walked into the show. Includes former members of Bright Channel, Space Team Electra and Snake Rattle Rattle Snake.

Best Shows in Denver 02/14/19 – 02/20/19

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Kikagaku Moyo performs at the Hi-Dive on Feb. 18 and The Fox Theatre in Boulder on Feb. 19 with Weeed. Photo by Jamie Wdziekonski

Thursday | February 14, 2019

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Midwife, photo by Tom Murphy

What: An Ambient Valentine’s Day: Benefit for Resilience Rising: School Dance, Allison Lorenzen solo, Midwife, God of Water and Bell Hoss
When: Thursday, 02.14, 8 p.m.
Where: Rosehouse
Why: This show is a benefit women’s shelter Resilience Rising and includes more sonically ethereal and low key artists such as ambient slowcore star Midwife and the like-minded but less abstract artist Bell Hoss who sounds like she fled some pocket dimension that was perpetually the early 80s but where people didn’t get why Joni Mitchell is one of the coolest, most important artists in popular music.

Who: Grivo w/DH and Madelyn Burns
When: Thursday, 02.14, 8 p.m.
Where: Surfside 7
Why: Grivo is an experimental shoegaze/psychedelic rock band from Austin with music out on Holodeck Records.

Who: The Dead & The Daylily w/Turvy Organ, Avifauna and Tiffany Christopher
When: Thursday, 02.14, 7 p.m.
Where: Larimer Lounge
Why: This is Matthew Rossi’s first show as a guitarist in indie rock band Turvy Organ. You’ve seen him play in Tyto Alba assuming you’ve seen that underrated and great Denver dream pop band. Rossi has helped bring to that band a certain elevated emotional tonal palette and he’ll bring some of that to Turvy Organ as well.

Who: Codename: Carter w/Tonguebyte
When: Thursday, 02.14, 7 p.m.
Where: Lost Lake
Why: Spy-surf phenoms Codename: Carter don’t play so often but when they do, it’s a worthy catching because they coordinate outfits and write songs that remind you that surf rock can have chops and imagination behind it.

Friday | February 15, 2019

Who: Scream Screen: Poltergeist
When: Friday, 02.15, 8 p.m.
Where: Sie FilmCenter
Why: The latest in Theresa Mercado’s Scream Screen series celebrating the life of master horror filmmaker Tobe Hooper. Tonight, 1982’s haunting classic Poltergeist.

Who: The Pollution, Perry Weissman 3 and DJ AKA Miggy
When: Friday, 02.15, 9 p.m.
Where: Goosetown Tavern
Why: The Pollution is rooted in the politically conscious but non-didactic punk of the 80s DC scene but influenced by psychedelic rock and weirdo 70s prog. Perry Weissman 3 is definitely within the experimental wing of jazz. Not necessarily free jazz but that element is in there too.

Who: Maya Jane Coles
When: Friday, 02.15, 9 p.m.
Where: The Church
Why: Maya Jane Coles is the UK DJ whose production and engineering work is noteworthy separate from her career as music maker. In the latter capacity Coles is known for her dark techno sets with a deep house and dub sensibility. Her compositions usually have a gently urgent quality amid moody synth swells and a finely crafted and separation of tones and textures as part of her layers of rhythm bumped along by expertly sculpted low end. Which is just another way of saying her music sounds like something you’d want to hear in the inevitable virtual experiential product of the future that tries to convey what it was like to go to a 2000s underground experimental dance music event in an illegal but safe warehouse in the middle of fall. Plenty of sonic allusions and nods to style can be found in one of her sets for the heads that work well whether you’re familiar with those references or not.

Saturday | February 16, 2019

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Turkuaz, photo by Dani Brandwein

Who: Turkuaz with Eminence Ensemble
When: Saturday, 02.16, 8 p.m.
Where: The Ogden Theatre
Why: Turkuaz is a nine-piece, Brooklyn-based funk band whose sound is as eclectic as it is layered and multi-cultural. Though incorporating elements of psychedelia, R&B and rock Turkuaz’s sound can be readily compared to like-minded bands more associated within the cross section of jam bands end electronic dance music. Think on the more interesting end like Lotus, STS9 and The Disco Biscuits. That kind of flow of sounds and rhythms but rooted in executing the sounds with all live instrumentation and sounding more akin to Kool and the Gang or a Bernie Worrell band than something that has much in common with the EDM realm.

Who: KGNU Quarterly Showcase: The Milk Blossoms, Lady Gang, My New Dad (members of Dandu), Joshua Trinidad and Gregg Ziemba – DJs Joel Davis aka The Vibrarian and TerraSonic
When: Saturday, 02.16, 8:30 p.m.
Where: Lion’s Lair
Why: This edition of the KGNU Quarterly Showcase is, reliably, a fantastic showcase of some of the more interesting artists in Denver. The Milk Blossoms provide a gentle yet heartfelt emotional catharsis with every show with meaningful and experimental pop music by not trying to fit in any genre and giving you the raw, delicately rendered experience. Lady Gang is Jen Korte’s one woman, loop station composition extravaganza. Joshua Trinidad and Gregg Ziemba will kick the serious space jazz science and stretch the boundaries of consciousness in the process.

Who: Le Butcherettes w/Stars at Night and Viretta
When: Saturday, 02.16, 8:30 p.m.
Where: Larimer Lounge
Why: Le Butcherettes make weirdo prog punk within the context of what always seems like inspired performance art as Teri Genderbender channels rock and roll and mythological archetypes of her own creation at every show. Earlier this month the group released its latest album bi/MENTAL, a typically otherworldly and cathartic offering that isn’t much like anything else in rock in re-contextualizing and re-purposing tropes of the genre in creative ways.

Monday | February 18, 2019

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Sharon Van Etten, photo by Ryan Pfluger

 

Who: Kikagaku Moyo w/Weeed
When: Monday, 02.18, 8 p.m.
Where: Hi-Dive
Why: Kikagaku Moyo is a Tokyo-based psychedelic rock band whose 2018 album Masana Temples demonstrated further the band’s subtly eclectic sound rooted not just in 70s prog and psychedelic rock but also Japanese traditional music and perhaps 70s Japanese folk artists like Happy End, Karuomi Hosono, Itsutsu No Akai Fusen and Nobuyasu Okabayashi. There is a very organic quality to the band’s music, especially in the live setting where layers of sound are presented in a way that is deceptively simple. Definitely not informed so much by the trendy psychedelic rock wave of recent years. This Hi-Dive show is sold out but there is another day the next night in Boulder at The Fox Theatre.

Who: Sharon Van Etten w/Nilüfer Yanya
When: Monday, 02.18, 7 p.m.
Where: The Gothic Theatre
Why: Sharon Van Etten has been releasing worthwhile and wise records for close to a decade and a half now but her 2019 album Remind Me Tomorrow is her best work to date. The rough warble reminiscent of Marianne Faithful in her prime heard in “Seventeen” is thrillingly raw and the words imbued with a deeply painful letting go of ideas and associations once deep in one’s heart but no longer useful while the ghosts of those connections remain. But the whole record is flowing with the spirits of loves past and the album a gentle purging and reconciliation.

Tuesday | February 19, 2019

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Men I Trust circa 2018, photo by Tom Murphy

Who: Kikagaku Moyo w/Weeed and Ashley Koett
When: Tuesday, 02.19, 8:30 p.m.
Where: The Fox Theatre
Why: See above for the 2.18 Hi-Dive show entry for more information on Kikagaku Moyo.

Who: Men I Trust w/Michael Seyer
When: Tuesday, 02.19, 7 p.m.
Where: Globe Hall
Why: Men I Trust has been described any number of ways but the live band evokes the mood of dusky nightclub R&B and soft lighting. But without evoking the early 70s Laurel Canyon pop sound so much in vogue lately. The band’s videos look like some kind of cinematic rendering of 1980s home movies and in a way reminds one of fan videos various people have made for Boards of Canada. It’s not often a band can maintain some sense of mystique these days but Men I Trust definitely has some.

Wednesday | February 20, 2019

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Alien Boy, photo by Sam Gehrke

Who: Sundressed, Awakebutstillinbed, Alien Boy and Sunsleeper
When: Wednesday, 02.20, 7 p.m.
Where: Larimer Lounge
Why: Around the turn of the century pop punk had all but burned out any appeal to anyone but the most die hard fans because it seemed like every other band was still mining that musical territory hoping to play Warped Tour. But then that tide went out. Toward the end of the first decade of the 2000s some musicians in the punk world embraced melody in their songwriting and the relatable and emotionally resonant and urgent quality that the best pop punk and emo had. In the decade since there’s been a renaissance of that style of music but with musicians freely incorporating elements of other musical styles and ideas. This is a good showcase of that development now long since established. Alien Boy, however, has strayed the furthest from the sonics of punk canon and thus, for this writer, it is the most interesting band on the bill with its unabashed use of moody musical ideas from punk, shoegaze, post-punk and its own focus on the most poignant moments of their lives as a loci of inspiration. The band’s 2018 album Sleeping Lessons firmly established it as one of the most interesting punk bands of recent years. Awakebutstillinbed’s crackling and ragged energy also sounds promising for the performance like a less art/space rock Rainer Maria. It’s gloriously titled 2018 album what people call low self-esteem is really just seeing yourself the way that other people see you is the things of which modern emo legends are made.

Best Shows in Denver 1/10/18 – 1/16/18

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Voight, performs Monday, January 14, at DATELINE gallery. Photo by Tom Murphy

Thursday | January 10, 2019

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Nekrofilth, photo courtesy the artist

Who: Nekrofilth album release w/Phallic Meditation and Keef Duster
When: Thursday, 01.10, 8 p.m.
Where: Hi-Dive
Why: Nekrofilth releases its new album Worm Ritual tonight at a show with heavy psychedelic bands Phallic Meditation and Keef Duster. Nekrofilth’s sound is more akin to classic early thrash and black metal. On the new record the band does cover “Poison” by Venom, after all. Like the latter and Slayer, Nekrofilth has a playful quality to its aggression and ripping guitar work. Song titles like “Vomit Dog,” “They Took My Skin,” “Ready to Defile” and “Severed Eyes” suggest a healthy sense of the viscerally absurd with an unironic joy in the cartoonishly horrific the way one might enjoy the gnarliest B horror movie. Fans of blackened thrash rejoice, Nekrofilth has what you’re looking for.

Who: Random Temple w/Thistledown
When: Thursday, 01.10, 9 p.m.
Where: Black Buzzard
Why: “Rhythm & Folk” band Thistledown will perform with Random Temple’s more production-oriented electronic project under his own name.

Friday | January 11, 2019

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Product Lust circa 2017, photo by Tom Murphy

Who: Product Lust album release show w/Goon, Herse, Candy Apple
When: Friday, 01.11, 7 p.m.
Where: Seventh Circle Music Collective
Why: Product Lust’s feral and driving 2018 album Year of the Rat is being celebrated tonight with a now rare live show as vocalist Kat Salvaggio is attending school out of Colorado. The seething post-punk band’s wiry energy fits in well with weirder hardcore and punk and thus this bill with Goon, Herse and Candy Apple is an opportunity to see bands that have punk of some stripe as their root but who are taking that spark in interesting directions.

Who: Lazarus Horse
When: Friday, 01.11, 8 p.m.
Where: Mutiny Information Café
Why: Lazarus Horse is the band that comes about when someone with good taste in music and good creative instincts writes a bunch of experimental rock music that doesn’t seem obviously influenced by anything else but creative flights of fancy, escaping to daydreams while doing meaningless work as a tool for staying sane in a civilization that’s grinding its best people into the dirt. It’s the soundtrack to that internal rebellion that becomes contagious.

Saturday | January 12, 2019

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Chromadrift’s Drew Miller as Brother Saturn circa 2018, photo by Tom Murphy

Who: Glasss Presents: Chromadrift album release w/Gold Trash and Bowshock
When: Saturday, 01.12, 8 p.m.
Where: Mutiny Information Café
Why: Chromadrift’s Cloudless Mind is the bright, ethereal flow of textured melodies that eases the freeze of winter. Fans of IDM and more abstract post-rock will appreciate Drew Miller’s blend of processed guitar, live synths and sequencing. Though the album dropped on January 3, this will be your first chance to see this music live in the new year. Also performing is noisy electroclash duo Gold Trash and downtempo jazz improv group Bowshock.

Who: NightWraith album release w/Glacial Tomb, BleakHeart
When: Saturday, 01.12, 8 p.m.
Where: Hi-Dive
Why: NightWraith’s self-titled, debut full length is coming out on color vinyl. The Denver-based group’s left of center mix of folky black metal, thrash and psychedelic doom is steeped in pastoral mythology.

Who: e-scapes, Zealot and The Far Stairs
When: Saturday, 01.12, 7:30 p.m.
Where: The People’s Building
Why: This’ll be probably the first indie rock show worth checking out in Aurora, Colorado since The Masculine organized one in 2009 at the old Other Side Arts space in downtown. The People’s Building is also downtown and across the street from Aurora Fox Theater. Zealot includes former members of The Don’ts and Be Carefuls, The Pseudo Dates, Violent Summer, Ideal Fathers and other bands most people haven’t heard of but should check out. The Far Stairs is a band that makes strange music sound more catchy and accessible than it has any right to.

Who: Pink Hawks, Atomga, Roka Hueka
When: Saturday, 01.12, 8 p.m.
Where: The Bluebird
Why: The local Afrobeat band all-star line-up.

Who: Pineross EP release w/Lady Gang
When: Saturday, 01.12, 7 p.m.
Where: Ubisububi Room
Why: Kevin Larkin of Chimney Choir fame is releasing his most recent EP Esplanade at this show in the extra intimate and cozy Ubisububi Room underneath the Thin Man and St. Mark’s. Lady Gang sounds like a full band but is just Jen Korte making maximum creative use of a loop station to augment her already considerable talents as a singer-songwriter.

Who: Luke Vibert, Seied and Kanyon Walker
When: Saturday, 01.12, 7:30 p.m.
Where: The Black Box
Why: Luke Vibert has long been on the forefront of modern experimental electronic dance music in various forms. Fans of Dilla, Flying Lotus and Blockhead will find a lot to like in Vibert.

Sunday | January 13, 2019

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Crushed!?, photo by @scenesplitter

Who: Crushed!? W/The Uglys, Tides, Stonewall BLVD and Arctobog
When: Sunday, 01.13, 7 p.m.
Where: Seventh Circle Music Collective
Why: Originally from the much smaller nearby town of Belen, Crushed!? is now based out of Albuquerque. Its post-hardcore sound has more in common with the likes of a more melodic At the Drive-In or Touché Amoré than the more screamo end of that music. Initially the music reminds one a bit of the great punk bands of the late 90s and early 2000s who adopted a bit of the math rock thing. But its rhythms are more inventive and wide-ranging like something one might have expected out of 90s DC and other East Coast rock like Versus, Helium and The Dismemberment Plan. The group’s 2018 album Sins of the Father is refreshingly difficult pin with a specific genre designation.

Monday | January 14, 2019

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Entrancer (right) with Docile Rottweiler (left) at Synesthesia 2014. Photo by Tom Murphy

Who: R.Ariel, Kafari, Entrancer and Voight
When: Monday, 01.14, 7:30 p.m.
Where: DATELINE
Why: This event is a combination of touring art installation courtesy and musical performances at DATELINE art gallery. R.Ariel’s new album Where You Are is an emotionally uplifting album of ethereal sounds and buoyant flow of bright tones. Kafari’s 2018 album Beholding is a masterpiece of minimalism like it was composed while somehow spending contemplative mornings underwater and absorbing a deep sense of peace. Entrancer has been spending years honing the ability to explore whatever directions his mastery of synthesis and beatmaking takes him. His 2018 album Decline Vol. 1 is true soundscaping that draws you into a sonic journey that while impressionistic and composed of deep layers of tone and texture conveys a sense of place physically and emotionally. Is the “Decline” of the title something to dread or something to greet as the inevitable cycle of life and death? The album offers no pat answers but it certain captures the ineffable moments of decline of a phase of one’s life, of civilizations and of all authoritarian orders. Voight may finally play a deep house/techno set. If not, it’ll be, by far, the loudest project of the night with its fiery and intense industrial post-punk shoegaze.

Who: Solos/Duos – Denver Avant Garde Music Society
When: Monday, 01.14, 8 p.m.
Where: Thought//Forms
Why: This night, long held at other venues over the years, has re-emerged at Thought//Forms gallery. You never know what you’ll see but this night you’ll also get to see a set from Denver’s premiere spontaneous composition band Animal / object.

Who: Freq Boutique
When: Monday, 01.14, 8 p.m.
Where: Fort Greene
Why: This reoccurring event organized by electronic equipment company WMD, this night is sort of an open mic for synthesizer enthusiasts. This night’s festivities may include a set from hip-hop/experimental electronic dance artist Strange Powers.

Tuesday | January 15, 2019

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Mick Jenkins, photo by Sam Schmieg

Who: Mick Jenkins w/Kari Faux
When: Tuesday, 01.15, 7 p.m.
Where: The Bluebird Theater
Why: Mick Jenkins 2018 sophomore album Pieces of a Man is a bit of a tribute to Gil Scott-Heron’s 1971 album of the same name. Like Scott-Heron, Jenkins offers snapshots of the world around him in words with musical accompaniment to set the vibe. The organization of the album and the experience of listening to it is something like a hip jazz and poetry night. The opening track is called “Heron Flow” as a nod to Gil and his record’s opening track, the influential song poem “The Revolution Will Not Be Televised.” Jenkins and his collaborators evoke the feel of a hazy after hours jazz club across the record with a sense of blending old school production and present day wordsmithing. Jenkins makes fairly mundane life experiences seem mythic and cool as Scott-Heron did in his day. Also on this bill is one of modern hip-hop’s greatest talents, Kari Faux. Her EPs, partly boosted by music appearing in the comedy series Insecure, combine a rebellious swagger with an otherworldly and mysterious quality – a rarity in music generally.

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Ensiferum, photo by Andy Whittle

Who: Ensiferum w/Septicflesh and Arsis
When: Tuesday, 01.15, 7 p.m.
Where: The Oriental Theater
Why: Helsinki, Finland’s Ensiferum is a melodic death metal band in the vein of the Gothenburg style but on the more orchestral end. Its use of acoustic guitars and folk structure and progressions give its music an expansive feel that evokes images of standing at the helm of one’s longboat charging toward unsuspecting European enclaves in the ninth century. Fans of Enslaved may enjoy Ensiferum’s similarly joyful performances.

Who: Supersuckers w/The Hangmen and Reno Divorce
When: Tuesday, 01.15, 7 p.m.
Where: Larimer Lounge
Why: Supersuckers started playing its brand of fuzzy cowpunk in Tucson, Arizona in 1988 before moving to Seattle in 1989 near the beginning of when more than a few music journalists from beyond the Pacific Northwest were starting to take not of happenings in the Emerald City’s underground. The band never made the big time the way the grunge bands everyone has heard of did but it has been able to carve out a career for itself and its wiseacre, intentionally lowbrow humor. Who else would start off their 1992 album on Sub Pop, The Smoke of Hell, with a song called “Coattail Rider” at the peak of the alternative rock explosion? Such chutzpah must continue to be honored. Oh yeah, the trio’s 2018 album, out on Acetate Records, is called Suck It. That the underground rock world has come back around to the sound Supersuckers perfected three decades ago is surely not lost on the band as a choice bit of irony. The song “History Of Rock n’ Roll” in which Eddie Spaghetti sings about how Supersuckers, the greatest band in the world is a footnote in the history of rock ‘n roll suggests they’re well aware.

Best Shows in Denver 08/9/18 – 08/15/18

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Echo Beds album release Sunday, August 12, 2018 at Mutiny Information Café

Thursday | August 9, 2018

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Lady Gang, photo courtesy Jen Korte

Who: Lady Gang EP release w/Venus Cruz & Ginger Perry and R A R E B Y R D $
When: Thursday, 08.9, 9 p.m.
Where: Syntax Physic Opera
Why: Jen Korte has long been known as a respected and talented songwriter in Denver with her inventive songwriting and vivid lyrics. Known mostly for her Americana solo output and her brilliant collaborations with other artists including stints in Gin Doctors and as a guitarist in experimental rock band Teacup Gorilla. Lady Gang is Korte branching out as a songwriter and, this time around, as a producer. It’s a solo project in which Korte uses “a beat machine, a loop pedal, bass guitar, electric guitar and her signature voice.” That voice has some grit, character and confidence. The project’s new EP, released tonight, is Simple Truths, is truth in advertising with Korte finding direct ways of discussing the world in its incredible disarray. The songs resist simple classification. “How Do You Sound” has elements of bluesy psychedelia and hip-hop as interpreted through someone like MC 900 Foot Jesus. “Preface This” like a long lost Helium track with its electro-lounge and mysterious melodic strains. Sharing the stage for the occasion of this release is a collaborative set with two of Denver’s most noteworthy musical figures in jazz/soul/hip-hop phenom Venus Cruz, host of the Jazz Odyssey program on KUVO (one of the most forward thinking radio programs in Denver) and Ginger Perry, one of the Mile High City’s great DJs and not just the kind that shows up with a simple playlist. Oh, and R A R E B Y R D $, one of the most interesting hip-hop crews going that’s injecting a rich spectrum of quality imagination and emotional content into the genre.

Who: Lupe Fiasco w/Mickey Factz, Bill Blue, Dylan Montayne, Connor Ray
When: Thursday, 08.9, 7 p.m.
Where: The Ogden Theatre
Why: It’s for the best that Lupe Fiasco didn’t actually quit music as he had intended in 2016 after the controversy over “N.E.R.D.” and the infamously supposed anti-Semitic line. In a time when white supremacy has made a curious rise in American political life, it’s essential to have voices who are articulate and unabashed critics of such nonsense not to mention Fiasco’s sharp critique of the down side of America’s actions on the international stage. Initially shelved, 2017’s Drogas Light was described as a prequel to the 2011 album Lasers. Perhaps for this tour Lupe Fiasco will unveil a bit of his new direction as creatively moving forward certainly suits him.

Who: Angélique Kidjo’s Remain In Light and Femi Kuti & Positive Force
When: Thursday, 08.9, 6:30 p.m.
Where: Denver Botanic Gardens (York Street)
Why: Two giants of world music on one bill in a beautiful setting? Both Kidjo and Kuti have deep roots in the development of world music in general but Afrobeat in particular. Obviously Femi Kuti’s father Fela was the founder of Afrobeat and Femi played in Fela’s band starting in his teen years. Kidjo was “discovered” as a jazz musician in Paris but quickly made a name for herself internationally for her powerful voice and inimitable personal style. A rare opportunity in Denver.

Friday | August 10, 2018

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Meet The Giant, photo by Tom Murphy

Who: Meet the Giant vinyl release w/Church Fire and The Patient Zeros
When: Friday, 08.10, 9 p.m.
Where: Syntax Physic Opera
Why: Denver-based rock band Meet the Giant releases the vinyl edition of its self-titled debut album tonight with a show at Syntax. The record is a synthesis of moody, deeply atmospheric dream pop, downtempo and fuzzy hard rock. Live the band’s songs have a mysterious yet emotionally vibrant quality accented by a broad dynamic range between the trio’s players. For the occasion Meet the Giant is joined by two of Denver’s best bands. The Patient Zeros emerged from the glut of neo-classic rock, throwback 60s psych-nostalgia and garage rock that seemed to dominate the past several years with its own musical identity and more bluesy like Cream and not a cut-rate Brian Jonestown Massacre. Church Fire is the rare band that bridges electronic dance music, noise, industrial and synth pop and infuses it with a passionate intensity and shamanic stage presence.

Who: Melvins w/WE Are The Asteroid
When: Friday, 08.10, 7:30 p.m.
Where: Gothic Theatre
Why: Melvins have managed to spend its 35 years as a band not just developing its signature sludgy, heavy rock and influencing generations of musicians, it has taken the opportunity to collaborate with other artists in various realms of music. Whether that’s with experimental electronic artist Lustmord or Jello Biafra, Melvins seem to have long realized that you have to keep doing stuff you find interesting and following your curiosity and trying different things along the way. 2017’s A Walk With Love and Death was a double album with half of it being a noisy soundtrack to a forthcoming film in which the band is involved. Now, Melvins are touring its latest record, 2018’s Pinkus Abortion Technician. Reliably great live, do yourself a favor and see Melvins this weekend or if not this weekend sometime if you’ve not before.

Who: Witch Mountain w/False Cathedrals and Wild Call
When: Friday, 08.10, 8 p.m.
Where: Hi-Dive
Why: Witch Mountain is a doom band from Portland, Oregon currently touring in support of its recently-released self-titled album. The quartet has technically been around since the late 90s but with an early 2000s hiatus giving band members some time to pursue other projects, the group reconvened this past decade with female lead singers who really help coalesce the drifty heavy riffs into mythical anthems. Also on board for the show is Denver doom band False Cathedrals and Wild Call who, while not doom, more psych or shoegaze, have an edge and heaviness to its atmospheric rock that will fit right in.

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Parker Millsap, photo by James Coreas

Who: Parker Millsap w/Plain Faraday
When: Friday, 08.10, 8 p.m.
Where: The Bluebird Theater
Why: Parker Millsap is definitely operating with a tradition of music that includes blues rock artists of his youth like Eric Clapton and Stevie Ray Vaughan who were doing their level best to tap into the original blues artists of the American South and Midwest. But instead of getting stuck there, it’s obvious Millsap took some time to explore traditional folk and country and more modern practitioners of that art who brought their own ghosts and haunted quality and soul to their own music. Like Townes Van Zandt and Jeff Buckley. Millsap’s own voice and playing has a an impressive subtlety and spectrum of detail, texture and emotional colorings and has established himself as a real talent in his realm of music. In May 2018 he released his latest record Other Arrangements.

Saturday | August 10, 2018

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Itchy-O, photo by Christopher Cleary

Who: Itchy-O Record Release w/Codename: Carter
When: Saturday, 08.11, 8 p.m.
Where: Gothic Theatre
Why: The Itchy-O’s new full-length Mystic Spy | Psykho Dojo, like any recorded work, could never fully capture the exuberant mayhem and visceral impact of a thirty plus member band in elaborate costumes generating an orchestra of rhythms and tones designed to disorient and inspire. Nevertheless, the new album offers listeners a foray into deep sound design that conveys the sheer detail and atmospheric experience of the band in a different context. It’s the band’s most forward thinking set of songs to date and rendered in a way that is as easy to get lost in on its own terms as the band is live. Each of the band’s albums have been impressive works in their own right in terms of recording and execution as a separate experience from the live show but Mystic Spy | Psykho Dojo is much more than an addendum to an Itchy-O concert, it is the realization of the concept of an esoteric spy film soundtrack and sonic training rhythms for tribal psychics to manifest a more vital future. Joining Itchy-O for this occasion is spy rock/surf band extraordinaire Codename: Carter.

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Princess Dewclaw, photo by Tom Murphy

What: Washout Fest at Globe Hall: Muscle Beach, Rotten Reputation, Sliver, Moon Pussy, Princess Dewclaw, Sonic Vomit, Morlox, Ultraviolet, Eraserhead Fuckers, Bert Olsen, Juice Up, Lepidoptera, Fever Dreams, Saddy, Freak//When//Scene, Monty O’Blivio, Clutch Plague, Television Generation, King Slug and Wayward Sun
When: Saturday, 08.11, 12 p.m.
Where: Globe Hall
Why: Hands down the most eclectic music festival to happen in Denver in 2018. While many try to encapsulate too many genres with not enough interesting artists, others focus on indie rock and NPR-friendly pop, yet others an uninspired and obvious selection of popular artists and token local artists who aren’t going to ruffle any feathers, the organizers of Washout Fest have dug a little deeper. But more than that, not just artists on the Glasss imprint. It includes notable local noise artist Morlox, ambient project Lepidoptera, noisy psych punk group Princess Dewclaw, the industrial noise rock of Moon Pussy, dream psych pop group Fever Dreams, experimental metal band Sonic Vomit, unconventional punk bands Rotten Reputation and Muscle Beach, fuzz rock bands Sliver and Television Generation, noise hip-hop weirdo Eraserhead Fuckers and much more. The more conventionally-minded festivals have their place, especially when they have a local focus like The UMS and Westword Music Showcase, but this is one where radio-friendly wasn’t the consideration, just quality and putting one’s reputation on the line for declaring the bands as such.

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Valley Queen, photo by Pooneh Ghana

Who: Valley Queen w/Tyto Alba
When: Saturday, 08.11, 8:30 p.m.
Where: Lost Lake
Why: Valley Queen has been honing its live show and songwriting for four years with numerous national tours under its belt to road test its music. Its gift for reinventing a type of rock music that isn’t part of a subgenre and isn’t necessarily trying to remanifest some older style of music is impressive. The band may have borrowed some from its retro peers and 2000s indie rock but with the release of its debut album, Supergiant (2018), the Los-Angeles based band demonstrated it’s perfectly capable of establishing a signature sound of layered melodies and Natalie Carol’s commanding vocals. Valley Queen is no stranger to Denver having made the Mile High City a regular stop on its tours and tonight the group will share the stage with one of America’s most promising rock bands, the warmly moody and emotionally stirring Tyto Alba from Denver.

Who: Great American House Fire and Sophisticated Boom Boom split release
When: Saturday, 08.11, 8 p.m.
Where: Bowman’s Vinyl and Lounge
Why: It wouldn’t be accurate to say that Great American House Fire and Sophisticated Boom Boom are punk but its roots lie in a similar Denver punk and emo scene of the past two decades. GAHF has a bit more soul and Americana in its sound while SBB is more in the vein of power pop. Both celebrate the release of their split seven inch tonight at Bowman’s.

Who: GhostPulse (single premiere) w/Plume Varia and Ramakhandra
When: Saturday, 08.11, 8 p.m.
Where: Syntax Physic Opera
Why: GhostPulse is premiering its new single “Dreaming In Hypersleep” tonight. The song is a leap forward for a band that was evolving out of its roots in excellent post-rock/instrumental rock band Lucida Tela. The more electronic, soundscape-y sound of its newer material is very welcome in a city where music rooted in mundane reality currently dominates. Plume Varia will compliment the evening well with its own downtempo dream pop and space jazz/Flying Lotus/Gil Scott-Heron-esque band Ramakhandra will keep things in the outer realms of the imagination as well.

Who: Melvins w/WE Are The Asteroid
When: Saturday, 08.11, 8 p.m.
Where: The Aggie Theatre
Why: See above for 8.10 on Melvins.

Sunday | August 12, 2018

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Cannons circa 2010, photo by Tom Murphy

Who: Goon, faim, Soul Vice
When: Sunday, 08.12, 6 p.m.
Where: Mutiny Information Café
Why: This benefit for the Colorado Immigrant Rights Coalition features some of the more interesting local hardcore acts including Goom and Faim from Denver and Soul Vice from Colorado Springs. Yes, the bands are doing a benefit for a political organization but their own songwriting is non-didactic and address social and interpersonal issues in a poignant and powerful way. For instance, faim’s great song “All Talk” takes to task the people in its own world and scene who talk a big game and make a major display of what they want people to think they’re about without doing anything concrete in the real world and in their own lives to address those issues in meaningful way.

Who: Cannons w/Echo Beds (album release), Limbwrecker, In The Company of Serpents
When: Sunday, 08.12, 9 p.m.
Where: Mutiny Information Café
Why: Over two years after the release of its debut full-length New Icons of a Vile Faith, Denver’s Echo Beds finds its starkly menacing clamor evolving in new directions with its 2018 album Buried Language (officially out on 8.17 through The Flenser). Still in place is the physicality of the music and its inventive and visceral use of percussion and rhythmic sound but added to the mix is a greater sense of the use of production in executing that aesthetic in a way that is an even more full spectrum stimulation of the senses. This show is a bit of a record release and tour kickoff for the band but also a chance to share the stage with like-minded acts. Cannons was an excellent noise rock/post-hardcore act that was most active nearly a decade ago in Denver. In the Company of Serpents is a doom band but its wall of sound is so colossal and caustic it’s almost more like death metal or grindcore slowed down to the pace of magma. Limbwrecker could be said to be a powerviolence band with a sense of humor.

Tuesday | August 14, 2018

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The Chamanas, photo by Brett Muñoz

Who: The Chamanas w/Picture the Waves, Vic N’ The Narwhals, Los Mocochetes and Ghost Tapes
When: Tuesday, 08.14, 7 p.m.
Where: Globe Hall
Why: The Chamanas is an indie pop band if indie pop were born out of being influenced by not just the type of music that formed the DNA of C86 and American indie pop bands of the 90s (garage rock, psychedelia, folk, noise etc.) but if the folk underpinnings of that music included traditional Mexican music, the various pop traditions of Latin America and Cuban dance music. It’s that mixture that gives the band’s music not only a uniquely eclectic flavor but one that has an immediate connection for fans of earlier and more modern indie pop. Manuel Calderon and Hector Carreon met as sound engineers at Sonic Ranch near El Paso, Texas and after working on projects by other artists the two finally issued their own album as The Chamanas in 2015, Once Once. In 2017 the band released its second album, NEA, titled after the nickname of Carreon’s brother who had recently passed with songs that reflected that loss. With 2018’s NEA II, The Chamanas re-rendered several of NEA‘s songs with five new tracks. Also on this bill are some of the best bands in the Denver music scene whose own music is a brilliant synthesis of musical traditions in Vic N’ The Narwhals, Los Mocochetes and Ghost Tapes.

Who: Wino, Xasthur and Phallic Meditation
When: Tuesday, 08.14, 9 p.m.
Where: 3 Kings Tavern
Why: Robert “Wino” Weinrich will perform some of his starkly evocative solo material at this show. Better known, perhaps, for his tenure in doom legends Saint Vitus and The Obsessed, his solo acoustic material showcases his raw gift for songwriting. Xasthur’s spare black metal with acoustic instrumentation came to Denver in 2017 with a haunting performance capable of deep musical darkness without the usual instrumentation and sound one associates with a similar aesthetic. Denver’s Phallic Meditation is more a doomy psychedelic band but with some experimental noisiness that sets it apart from similarly-minded groups.

Who: Lil Ugly Mane, Kahlil Cezanne, Curta, Cadaver Dog, Many Blessings, Videodrome
When: Tuesday, 08.14, 8 p.m.
Where: Hi-Dive
Why: When Travis Miller released his debut album as Lil Ugly Mane, 2012’s Mista Thug Isolation, he had already garnered some praise from members of the Odd Future collective for his absurdist imagery and inventive production that really didn’t obey then mainstream hip-hop conventions with his use of noise and black metal soundscapes/samples in some of the beats. So it’s fitting that on this bill are experimental/noise hip-hop artist Curta, hardcore bands Cadaver Dog and Videodrome and noise soundscaper Many Blessings. If there’s a show demonstrating how all those worlds and their various aesthetics aren’t so far apart this whole year so far, this is it.

Wednesday | August 8, 2018

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Aseethe, photo by Karlee Barr

Who: Yakuza, Aseethe, Oryx, Terminator 2
When: Tuesday, 08.14, 8 p.m.
Where: Hi-Dive
Why: Aseethe’s 2017 album Hopes of Failure is a great example of how one can create an immersive experience with heavy music if you’re willing to go beyond how that music has often been conceived in an earlier era. Not just doom or a subgenre of that subgenre, Aseethe’s music is now more like sound design in the form of songs to render an experience through sound and, live, through the visceral dynamics of how that sound is executed. It would be imprecise and wannabe inclusive to call it ambient. It’s not that. It’s not music that can be easily shuffled off into the background if you wish. Aseethe is in good company for this show with Chicago’s Yakuza, a band that has long been pushing the boundaries of heavy music and Denver’s Oryx and Terminator 2 who both don’t just make experimental metal but whose own songs expand what heavy music can be and the forms it can take when the dynamics aren’t essentially the same trying to fit into what doom or grind are “supposed” to sound like.

Who: Beach House w/Sound of Ceres
When: Tuesday, 08.14, 8 p.m.
Where: The Ogden Theatre
Why: It could be argued that Beach House has been in something of a creative rut since 2012’s Bloom, or, less charitably, sine 2008’s Devotion. While it’s albums have been enjoyable and yielding worthwhile songs, and the live shows have been reliably moving, the songwriting was starting to get a little stale. With 2018’s 7, it’s like the band reinvented itself. Maybe with the help of producer Sonic Boom, former member of Spacemen 3 and Spectrum, but this set of songs sounds like Victoria Legrand and Alex Scally recognized a need to break their own boundaries as the songs are far more experimental and adventurous than the duo has ever been. The band’s previous two albums were nice but Beach House is better than merely nice and has now proven it. Sound of Ceres is now based out of New York but the band is originally from Fort Collins, Colorado and its own dreamlike pop music shares the quality of intimate sound and mood and personal mythology that has made Beach House’s music so resonant for anyone with a rich inner life and imagination.

Who: Father John Misty with TV On the Radio
When: Tuesday, 08.14, 6:30 p.m.
Where: Red Rocks
Why: Love him, hate him or find him mundane, at least Father John Misty has some self-awareness of his own creative output. Joshua Tillman, Misty, recently released his new album God’s Favorite Customer and ditched the unifying concept approach to writing the album, which Tillman told Consequence of Sound in April 2018 was “pretentious.” You have to honor that level of frankness and honesty in an artist. Whatever intentionality went into God’s Favorite Customer, the record is a sonically and emotionally rich listen with collaborations with the likes of Haxan Cloak and Weyes Blood. That visionary art rock/downtempo/experimental R&B band TV On the Radio is on the bill too is more than just a bonus.