What:Glasss Presents the Final Speakeasy Series Season 3: Adam Selene, Abeasity Jones and MYTHirst When: Thursday, 06.20, 6:30 p.m. Where: Hooked On Colfax Why: This is the final edition of the Speak Easy Series not just Season 3 but overall. Each date has been a well-curated showcase of Denver’s underground experimental music underground with a reach covering a lot of that territory in a way few if any other events have in recent years. Tonight’s show includes some of the local scene’s hip-hop and production stars as named above.
What:SCAC with Kid Congo Powers & The Pink Monkey Birds When: Thursday, 06.20, 8 p.m. Where: Hi-Dive Why: Slim Cessna’s Auto Club is the long-running, legendary Americana post-punk band with a theatrical flair and costumes to enhance a strong visual presence on stage. Joining them tonight is Kid Congo Powers & The Pink Monkey Birds. Also favoring matching outfits in the vein of influential Chicano rock bands like Thee Midnighters, the group is fronted and lead by one of rock’s great songwriters and guitarists. Kid Congo Powers brought great finesse, inventiveness and a keen ear for melody and dynamics to groups like Gun Club, The Cramps and Nick Cave & The Bad Seeds.
What:Mystery Lights w/Future Punx and Slynger When: Thursday, 06.20, 7 p.m. Where: Globe Hall Why: Mystery Lights is an odd and fascinating mix of retro synth bands and proto-punk. Give its new record Too Much Tension! a listen. Like early Zen Guerilla but weirder. Future Punx is also on tour from Brooklyn with its synth funk punk akin to Les Savy Fav and The Epoxies but with more synth than the former and less pop punk than the latter. Its own 2019 album The World Is A Mess (which includes an almost brooding cover of “The World’s A Mess (It’s In My Kiss)” by X) sure does sound like some people from the future looking back on the Twentieth Century New Wave and punk era the way some indie rockers have looked back on Laurel Canyon, classic rock and 80s glam rock for inspiration and cherry picked sounds to assemble in idiosyncratic fashion.
What:Bloxx, Hembree and Warbly Jets When: Thursday, 06.20, 6:30 p.m. Where: Marquis Theater Why: Bloxx is a four piece from London whose sound makes one think its members evolved out of the music that defined its early youth and rediscovered 90s alternative rock and mulched it all in favor of a charmingly melodic, fuzzy emo-esque songwriting style reminiscent of newer bands like Culture Abuse. Kansas City’s Hembree rides that line between post-punk and synth pop well and its 2019 album House On Fire is filled with darkly luminous yet urgent dance songs.
Friday | June 21
What:Gasoline Lollipops., Dust Heart and Grayson County Burn Ban When: Friday, 06.21, 7 p.m. Where: Oriental Theater Why: Andy Thomas has been a fixture of Denver music for close to two decades as a member of bands like Ghost Buffalo, The Knew, Tin Horn Prayer, Only Thunder and, more recently, Lost Walks. Around a decade ago he started releasing music under his own name and as Andy Thomas Dust Heart and exploring different facets of his own songwriting. He is now releasing music as simply Dust Heart and tonight he releases his single “Plastic Walls” and “The Last Gap.” Thomas’ command of the musical vocabulary of Americana and punk has long been established. With the new material the songwriter delves further into something more akin to gritty power pop with charged guitar riffs and his always emotionally resonant vocal delivery. He’ll be performing the Punk Is Dad benefit tonight at the Oriental Theater with other like-minded local acts. Look for our interview with Thomas coming soon.
What:Nick Murphy fka Chet Faker w/Beacon When: Friday, 06.21, 7 p.m. Where: Ogden Theatre Why: Nick Murphy announced in 2016 that he would drop his long-running stage name of Chet Faker with the release of his next album, that being 2019’s Run Fast Sleep Naked. The Australian singer and songwriter’s mixture of R&B and downtempo electronic pop struck a chord in the first half decade of his career so far and his new album is the result of some wanderlust and making the music and putting together ideas as he went along. The album is a mixed bag but sometimes such material translates better live than as a loose concept album and you can see for yourself tonight as Murphy transforms the Ogden into a more intimate environment in which his songs can shine in the interpretation of the recorded music.
Saturday | June 22
What:Yeasayer w/Oh, Rose When: Saturday, 06.22, 7 p.m. Where: Gothic Theatre Why: Oh, Rose from Olympia, Washington has been making C86-esque pop songs for around half a decade and garnering some buzz for its emotionally warm and ebullient yet introspective songwriting. Fans of Shop Assistants and perhaps Black Tambourine will find much to like about Oh, Rose in general but especially it’s forthcoming album While My Father Sleeps due out on August 23, 2019 on Park The Van Records. The group is opening for Yeasayer whose genre bending sound makes psychedelic rock, non-Western rhythms and prog work well together by not bothering to recognize a boundary between all of that. The result is what might be considered “indie funk” but with a more imaginative live presentation of the music than those terms together might suggest.
What:TRVE DadFest When: Saturday, 06.22, 1 p.m. Where: Hi-Dive and Mutiny Information Café Why: TRVE Brewing and Dad Fest combined forces for this event to bring a day and night of stars of extreme, doom and experimental (and combinations thereof) metal from Denver and beyond. But as per usual for DadFest, there will music well outside that like ethereal soundscaper Midwife, Denver noise legends Page 27 and beat-driven noise auteur Data Rainbow. Our pick for the later heavy stuff if one must choose? BIG|BRAVE’s 2019 album A Gaze Among Them is a towering locomotive of driving beats that transcends narrow concepts of doom, noise and industrial. But, really, everything on the bill is worth your time—not something one can say about every festival, tastes differing. The event happens at two venues, schedule listed below.
Hi-Dive Schedule (upstairs and downstairs as indicated)
Up: Dreadnought 7:50-8:10
Down: Noctambulist 8:15-8:35
Up: In the Company of Serpents 8:40-9:00
Down: Vale 9:05-9:25
Up: Midwife 9:30-9:50
Down: Of Feather and Bone 9:55-10:15
Up: BIG|BRAVE 10:20-10:50
Up: Wake 11:05-11:25
Up: Vanum 11:40 – finis
Lost Relics 2:00-2:20
New Standards Men 2:35-2:55
Chair of Torture 3:10-3:30
A Light Among Many 3:45-4:05
Flesh Buzzard 5:55-6:05
Heathen Burial 6:20-6:40
Data Rainbow 6:55-7:05
Page 27 7:20-7:40
Sunday | June 23
What:A Vulture Wake w/Joy Subtraction and State Drugs When: Sunday, 06.23, 7 p.m. Where: Lost Lake Why: A Vulture Wake is a sort of melodic punk super group including Chad Price of ALL and Drag the River) and members of Lagwagon and Real McKenzies. But you won’t be getting some odd pop punk or melodic hardcore redo, it’s songwriting goes a bit beyond all of that with technical proficiency used with imaginative and evocative guitar riffs. Joy Subtraction doesn’t play much these days but its punk is borderline post-punk and its sharp take on social and political issues lacks is way more clever and insightful than that of at least two or three other bands. But not just any two or three other bands.
What:Howard Jones w/Men Without Hats and All Hail the Silence When: Sunday, 06.23, 5:30 p.m. Where: Hudson Gardens Why: Howard Jones is a pioneer of synth pop and one who learned to use difficult and temperamental equipment to compose some of the biggest hits of the 1980s like “Things Can Only Get Better,” “No One Is To Blame,” “What Is Love” and “Like to Get to Know You Well.” While for some these may be light pop songs Jones’ voice expressive and highly emotional deliver stood out even back then in the heyday of that music. As a live performer now Jones is surprisingly forceful and charismatic with an expertly crafted light show whose music seems prescient considering the direction synthwave and chillwave has developed.
Monday | June 24
What:Ginger Root w/Oko Tygra and Hi-Fi Gentry When: Monday, 06.24, 7 p.m. Where: Hudson Gardens Why: As Ginger Root, Cameron Lew has been making lush downtempo synth pop that sets itself very much apart with an attention to the low end. It gives his songs a sonic depth and flow that credibly gives a nod to 70s dance music and soul. Frankly, some filmmakers who are trying to nail that 70s and 80s vibe should hit up Lew to score and/or music supervise their projects because more than most people making music now who probably wasn’t alive at that time, he gets it and it’s not just having access to the vintage gear. But listen for yourself to his new singles “Weather” and “Slump” here.
What:Stevie Wonder When: Monday, 06.24, 7 p.m. Where: Red Rocks Why: Stevie Wonder needs no introduction as a legend of soul, funk, R&B and jazz. He’s performing at this Red Rocks show as a fundraiser for SeriesFest.
Tuesday | June 25
What:Death Cab for Cutie w/Mitski When: Tuesday, 06.25, 6:30 p.m. Where: Red Rocks Why: Mitski Miyawaki recently announced that after her fall live bookings she was taking a hiatus from the grinding, album-release-cycle-and-touring of the music industry that allows little time for cultivating one’s life and creativity separate from its considering for delivering up to an audience in a form they are expecting. Miyawaki has had a respectable career and body of work up to now including her 2018 album Be the Cowboy. The latter pushed her songwriting to new heights of creativity in telling stories, self-examination and soundscaping. And a deep level of emotional honesty. With an album as great Be the Cowboy where does a songwriter go without repeating oneself while under the gun to produce something more quickly than one’s brain is prepared to deliver? With any luck she’ll find the time away from the cultural realm that Hunter S. Thompson famously critiqued before it got as bad as it is now by writing: “The music business is a cruel and shallow money trench, a long plastic hallway where thieves and pimps run free, and good [people] die like dogs. There’s also a negative side.” Wherever Miyawaki lands we wish her good fortune and happiness while hoping she comes back with a new set of music that continues her legacy of great songs.
Death Cab for Cutie is a band that helped to define and shape what “indie rock” has meant, sounded like and looked like since at least the late 90s. Now that the group has been fairly commercially successful for several years at this point its songwriting may lack some of the urgency and poignancy of its earlier output at least the band has a few decent songs with every album since the turn of the decade.
Wednesday | June 26
What:Harry Tuft When: Wednesday, 06.26, 6 p.m. Where: Four Mile Historic Park – Shady Grove Why: Harry Tuft is the godfather of bluegrass and folk in Denver having run the Denver Folklore Center in the 60s through the 70s and as a founder of Swallow Hill. He seldomly performs but when he does his interpretations of other people’s songs and standards is always interesting and his originals worthy as well. As a champion of music for decades, Tuft ironically didn’t have many chances to play his own music until his 80s and he does so with emotional power and grace.
What:Die ANGEL, Xambuca, Equine, Ian Douglas Moore and J. Hamilton Isaacs When: Wednesday, 06.26, 8 p.m. Where: Thought//Forms Why: Die ANGEL is Ilpo Väisänen of noise/drone legends Pan Sonic and Dirk Dresselhaus of avant-guitar group Schneider TM. With Die ANGELthe duo explore the kind of noise, ambient, sound environment composition that is an experience in itself in flowing sounds, tones and rumbling low end. It is a physical as well as a psychological experience that will engulf the room at Thought//Forms. Xambuca is a San Francisco-based modular synth and production artist who will bring his own depth of sonic field to the proceedings. Denver’s Equine is Kevin Richards whose avant-garde guitar work has been part of the Mile High City’s underground for nearly two decades as a member of weirdo, jazz/noise post-hardcore band Motheater and blackened noise duo Epileptinomicon. J. Hamilton Isaacs is one of the local music world’s champions of modular synth music as well as a noteworthy artist in his own right producing entrancing (no pun intended for those in the know) synth/dance music that blurs the line between ambient and more academic synth experiments.
What:No Vacation w/Okey Dokey and Hello, Mountain When: Wednesday, 06.26, 7 p.m. Where: Larimer Lounge Why: No Vacation’s take on surf rock-inflected dream pop is truly elegant and transporting like they’re able to relax and let whatever is in them speak through their collective efforts. Of course a lot of practice and playing together was involved but the band makes it look effortless and easy.
What:Old Time Relijun w/Shooda Shook It and Moon Pussy When: Thursday, 05.16, 8 p.m. Where: Hi-Dive Why: Colliding Captain Beefheart-esque outsider atonality with non-western elements of rhythm, Old Time Relijun’s shamanistic, Sun City Girls-esque jazz was unlike much of anything else going on when it launched in the late 90s. Now back together after nearly a decade hiatus, OTR is touring widely in the wake of the release of its 2019 album See Now and Know. Also on the bill for the night is Tucson-based No Wave funk-esque quartet Shooda Shook It and Denver’s confrontational, deconstructionist noise rock stars Moon Pussy.
What:An Evening With Johnny Marr When: Thursday, 05.16, 7/8:30 p.m. Where: Gothic Theatre Why: Johnny Marr is the iconic guitarist from post-punk legends The Smiths. His solo career is also full of worthwhile material in which he gets to show off his gift for complex yet seemingly simple melodies. Live, Marr performs material from across his career and anyone that has seen him might even say the unlikely and point out that his vocals for classic Smiths material are at least as good as Morrissey’s. As the title of the show suggests, an entire evening of Marr’s music and selections from catalog of The Smiths and some choice covers.
What:Glissline When: Thursday, 05.16, 6:30 p.m. Where: Ross-Broadway library Why: Tommy Metz has been making beautiful and affecting ambient/IDM music for over a decade. With Glissline he pushes the production methods further than ever while making very experimental music so accessible it always takes you by surprise.
What:John Catdog and Sobremarcha Musicgroup When: Thursday, 05.16, 6:30 p.m. Where: Hooked On Colfax Why: John Catdog’s boundary pushing mix of what might be described as abstract industrial dance music and noise informed by radical politics. At other times more downtempo and chill but always interesting. Sobremarcha Musicgroup is a project of Amber Gomez, a formerly Chicago-based DJ and producer whose bright, gently urgent tracks will definitely fill out the room and beyond this night.
What:Jenny Lewis On the Line Tour 2019 w/Karl Blau When: Thursday, 05.16, 7 p.m. Where: Ogden Theatre Why:On The Line is Jenny Lewis’ latest record and it is the exquisitely composed, lush pop that Lewis has made so well for years with her usual literary flair. But in promoting the record, Lewis might have struck some people as very unvarnished and disarmingly off-the-cuff. But we kind of need that from more artists these days especially those whose art gives one the impression of their embracing classic forms of art and established ways. Jenny Lewis has always been a bit subversive and a little different in the humor department, one might say a secret weirdo who operates in the open, which is why her creative output remains worthwhile because all the weirdness, the eccentricity is there amid the expertise in presenting a conventional front.
Friday | May 17
What:Nitzer Ebb w/Liebknecht and DJ n810 When: Friday, 05.17, 7 p.m. Where: The Oriental Theater Why: With the stridently urgent rhythms and confrontational feel of its 1987 album That Total Age, Nitzer Ebb, like Front 242 and D.A.F., established a template for much later EBM with any bite and vitality.
What:No Gossip in Braille release show w/Emerald Siam and Weathered Statues When: Friday, 05.17, 8 p.m. Where: Mercury Café Why: No Gossip in Braille is releasing its debut effort Bend Toward Perfect Light on Cercle Social Records at this show. The post-punk duo of Keith Curts of Echo Beds and formerly of Ghost Orchids and Subpoena The Past and Bryan S. Becker formerly of experimental guitar band Annik has crafted a brooding post-punk album of refined emotional expression and lush atmospheres driven by gently urgent electronic percussion. Vocally it’s a bit of a different direction for Curts than most people who have seen his bands in the past two decades are used to as rather than the screaming and highly processed sounds in Echo Beds or Glass Hits, Curts hits some truly melancholic and introspective depths to match the elegant and ethereal guitar work.
What:Duncan Barlow and Natalie Rogers reading When: Friday, 05.17, 8 p.m. Where: Syntax Physic Opera Why: Duncan Barlow is known to many for his time in hardcore and post-hardcore bands (Endpoint, Guilt, By the Grace of God) from Louisville, Kentucky as well as punk and Americana bands from Denver (D. Biddle, Lion Sized). But lately he’s been a professor living in Vermillion, South Dakota teaching at the University of South Dakota and continuing to write literary fiction including his 2019 novel A Dog Between Us. Natalie Rogers is a writer whose diverse work background (911 dispatcher, adult caretaker, teacher etc.) informs her own works of fiction. Both will read selections from their body of work.
What:Calpurnia w/Slow Caves When: Friday, 05.17, 8 p.m. Where: Gothic Theatre Why: Calpurnia’s fuzzy indie rock sounds a bit like a throwback to 70s power/bubblegum pop like The Sweet or The Raspberries though likely filtered through the lens of latter day practitioners of related sounds like Twin Peaks and The Strokes. The band is really young with singer and guitarist Finn Wolfhard turning 17 in December so the band will grow beyond its most obvious current influences. Tracks like “Greyhound,” though, more than hint at promising uses of sound ahead.
What:Fem Fest 2019: 2 Kayla Marque, 3 RAREBYRD$, 4 The Milk Blossoms, 5 YaSi When: Saturday, 05.18, 10 a.m. to 8 p.m. Where: Museum of Contemporary Art Denver Why: The 2019 edition of Fem Fest is a celebration of female identified artists and musicians with workshops, a bazaar, DJs, a photo book and live music throughout the course of the event. Of course attendance is open to people of all ages and genders. The numbers listed above before the band/artist is the time slot in the afternoon/evening you can expect to catch their set. Experimental hip-hop and whatever kind of pop one might like to use to describe The Milk Blossoms. But no matter who you choose to check out there are only some of Denver’s greatest on the festival.
What:KGNU Quarterly Showcase: Tav Falco’s Panther Burns, Florea (solo), Ghost Tapes and The Guest List When: Saturday, 05.18, 8:30 p.m. Where: Lion’s Lair Why: All the local bands on this bill would be worth going to see alone. But the surprise announcement of a performance from Tav Falco’s Panther Burns put the show at the top of our list for this week. The group started in Memphis and its membership included the likes of founding member Alex Chilton of Big Star who performed and toured with the band until 1984 including the well-known 1979 television appearance on Marge Thasher’s Strait Talk program. The host attempts to skewer the band’s performance but Falco deftly turns her criticisms into a chance to make a case for music that truly is rock and roll and not an attempt at following established formula. Falco’s eccentric and brilliant, arty, psychedelic blues punk has exerted a strong infuence on the likes of Jon Spencer, The Oblivians, Spacemen 3, Primal Scream and The Gories. Currently the band is touring in support of its 2018 album of inspired covers (and some originals) ranging 80 years of American music: Cabaret of Daggers. Don’t sleep on this one because a band as legendary and as unique as Tav Falco’s Panther Burns rarely makes an appearance in Denver much less at a small club like Lion’s Lair.
What:Xiu Xiu w/Elyria Sequence When: Monday, 05.20, 7 p.m. Where: The Oriental Theater Why: Since 2012’s Always, Xiu Xiu’s albums have become darker and like collections of harrowing stories commenting on the horrors of society. None more so than 2019’s Girl with Basket of Fruit. It could have had its own season of the now canceled SyFy series Channel Zero. There is the experimental folk side of Xiu Xiu that was compelling and thrillingly emotionally raw, a quality that Jamie Stewart developed further in the context of the synth-driven exorcisms of his most recent records. Reminiscent of Suicide in both evocation of stark psychological spaces and richness of tone and mood, Xiu Xiu now embodies what many darkwave bands would like to be but are not yet there.
What:Florence + The Machine: The High as Hope Tour 2019 w/Christine and the Queens When: Monday, 05.20, 6:30 p.m. Where: Red Rocks Why: Was it an accident that Florence + The Machine are playing Red Rocks the night after the airing of the final episode of Game of Thrones on Sunday, May 19? Probably. But it’s more interesting to speculate that is no coincidence for a band that wrote the chilling ballad “Jenny of Oldstones” based on the quasi-mythical wife of Duncan Targaryen, ancient ancestor of Daenerys, of course. Either way, Florence + The Machine’s music has a deserved reputation for its uplifting and diverse mix of pop styles and expansive moods buoyed by Florence Welch’s refined yet soulful vocals. Opening the show is Christine and the Queens, or, simply, Chris, the performance moniker of Héloïse Adelaide Letissier who has used the project and even the name of the project to experiment with adopting a persona and to discuss in song and performance the nature of identity itself. A heady proposition, perhaps, but it has been very much a part of Letissier’s push to writing pop music that challenges assumptions while somehow remaining incredibly accessible. Fans of David Byrne and Laurie Anderson will appreciate Letissier’s almost free association yet coherent compositional style, especially as manifested on her 2018 album Chris, and the sheer playfulness of her songs and stage persona.
What:The Twilight Sad w/Kathryn Joseph When: Tuesday, 05.21, 7 p.m. Where: Larimer Lounge Why: Being a cult band can be rough going knowing that you’re doing something special and different, pushing music in a similar vein forward by taking chances and not following trends. Well, to some extent anyway, that has paid off for Scotland’s The Twilight Sad. Post-punk and shoegaze has been a crowded field for the past two decades especially lately when it seems everyone that suddenly realized they liked The Cure and dark post-punk started a band. But The Twilight Sad’s willingness to utilize raw noise and sing with urgency instead of with an affectless, almost disengaged style has always seemed vital and reminiscent of bands like The Comsat Angels and The Sound more than some other bands who might claim similar influences. The group nearly called it quits half a decade ago but it started garnering unexpected attention for its then new album, 2014’s Nobody Wants to Be Here and Nobody Wants to Leave, as well as an opening slot on tour with The Cure where the band distinguished itself well. In 2019 the group released its latest album It Won/t Be Like This All the Time and reaffirming itself as a band that doesn’t try to sugarcoat or downplay life’s down sides in its songwriting while providing an excellent soundtrack to work through those times. That part of what informed the writing of the record was tapping into some old Brian Eno songs using Eno’s Oblique Strategy cards as an impetus to writing songs that would be fun to play live sets the new record apart from much of modern rock music by trusting in processes outside of conscious thought to inject creativity into your art.
What:Radkey w/One Flew West and And the Black Feathers When: Wednesday, 05.22, 7 p.m. Where: Larimer Lounge Why: Radkey gets lumped in with punk and, oddly, proto-punk probably because its sound is crunchy, dynamic rock music with great, melodic vocal harmonies. But it is a rock and roll band comprised of three brothers whose songwriting owes no stylistic debt to any particular movement or artist. Maybe you could say its reminiscent of Thin Lizzy combined with a good, modern pop punk band. Wherever Radkey is coming from with its music, its high energy live shows are always entertaining. In 2019 the group released its latest album, No Strange Cats…P.A.W where it switches the pace of the songs up more than ever expanding its already respectable dynamic range.
What:The Faint w/Choir Boy, Closeness and boyhollow When: Wednesday, 05.22, 7 p.m.
Where: Bluebird Theater
Why: Before it became fairly trendy in the late 2000s and 2010s, The Faint was drawing upon 80s synth pop and mixing it with emotionally-charged post-punk. The band’s second proper album Blank-Wave Arcade from 1998 was a bit of an anomaly somehow reminiscent of Falco, Duran Duran, The VSS and the more interesting 90s emo. By the time of 2001’s Danse Macabre the group had refined to perfection a fusion of electronic and post-punk without sounding like much of anyone else. Eighteen years later The Faint is pushing itself in interesting directions as evidenced by the release of its new album Egowerk. The songwriting straddles the world of electronic dance music and post-punk and with lush production and Todd Fink’s always expressive and melodious vocals swimming in atmospheric grandeur. It is the band’s least traditionally rock sounding record and chances are most suited to the group’s visually dynamic light show.
Who:Drink Drank Punk w/Sliver and Denver Meatpacking Company When: Thursday, 12.27, 7 p.m. Where: Lost Lake Why: Drink Drank Punk sounds like a party game of some kind but it’s actually a punk band that sounds like some 90s grunge-inspired musicians decided to call themselves punk because that’s where grunge came from anyway. On the band’s “About” section on Facebook words have semi-randomly capitalized letters and other odd bits of bravado. Listing one of your own other projects as an influence on the band you’re in? Really? Hopefully the band is good. Fortunately, the other two bands, clearly own the influence of grunge and 90s alternative rock and make it their own. Sliver’s fury and emotionally raw performances feel like they come from a very real place. Especially with Demry West on drums playing with a joy that balances out Chris Mercer’s churning anomy. Denver Meatpacking Company could have been a solid pop band but there’s something cathartic about playing music with a bit more grit even if you’re old enough to remember when “Smells Like Teen Spirit” was toppling the glam metal temples in the early 90s without even trying. That comes across in DMC’s songwriting and shows.
Who:Sleepy Animals EP release, Bluebook, Lowfaith When: Thursday, 12.27, 8 p.m. Where: Syntax Physic Opera Why: Sleepy Animals releases its EP Mirrored Polygons today. Its downtempo indie rock is in good company with the avant-garde indie pop of Bluebook and Lowfaith’s gentle and expansively moody post-punk.
Friday | December 28, 2018
Who:Khemmis w/Dreadnought, Green Druid When: Friday, 12.28, 8 p.m. Where: Larimer Lounge Why: Doom band Khemmis has been making waves well beyond Denver for a few years at this point and this weekend is doing a two night run showcasing some of the best metal local metal bands including tonight with Dreadnought and its majestic, folk-inflected, atmospheric doom and Green Druid’s psychedelic tinged brand of heavy music.
Who:Joseph Lamar, Talking Mirrors, My New Dad When: Friday, 12.28, 9 p.m. Where: Denver Bicycle Café Beer Hall Why: Joseph Lamar has been a bit of a musical alchemist and chameleon with his songwriting steeped in dream pop and R&B while taking on various roles as a musician in his band an in other projects. His live show is a mixture of the intimate and the mystical.
Who:Slim Cessna’s Auto Club w/Denver Broncos UK and Midwife When: Friday, 12.28, 8:30 p.m. Where: Globe Hall Why: Slim Cessna’s Auto Club has, since its beginnings in the early 90s, established itself as one of the definitive bands of the Denver music outside the mainstream. With an international fanbase, SCAC, like many of the Mile High City’s best bands, plays small club shows in its hometown. The group’s lively performances of harrowing yet ultimately life-affirming music is reliably compelling, moving and, though highly theatrical, human. For this three night run (also including 12/29 and NYE) the band is bringing in refreshingly different opening act from the usual “same genre” billing. For this show, sure, dark post-punk Americana side project Denver Broncos UK, well worth seeing, but also the delicate, ethereal outsider folk brilliance of Midwife.
Saturday | December 29, 2018
Who:Church Fire: Summer Camp Doom Diary release w/The Milk Blossoms, Wheelchair Sports Camp and Mirror Fears When: Saturday, 12.29, 8 p.m. Where: Hi-Dive Why: Church Fire’s latest album Summer Camp Doom Diary was many years in the making from shedding the quaint but necessary early compositional ideas and methods represented by the phase in which the duo was calling itself Sewing Buttons on Ice Cream. When the band emerged into the type of group that could make powerful tribal, industrial dance music infused with a sophisticated sociopolitical orientation it really found its core audience among people who don’t see why bangers are irreconcilable with rich and thoughtful content. The new record is the apex of Church Fire’s most recent wave of artistic development which, in many bands, is where its future music will plateau even if it’s worth a listen hereafter. But if you’ve seen Church Fire in the last half year you’ve seen hints of the future direction of the band all of which is more than hinted at across Summer Camp Doom Diary like mini-prophecies, Easter eggs, of self-liberation for both the band and listener alike. For this show Church Fire is joined by other local visionary artists in the more experimental realm who make music that stretches the brain and expands your inner horizons.
Who:Khemmis w/Of Feather and Bone and NightWraith When: Saturday, 12.29, 9 p.m. Where: Larimer Lounge Why: Second night of Khemmis’ local showcase with the grindcore-esque Of Feather and Bone and the thrash-core doom of NightWraith.
Who:Pale Sun, Emerald Siam and Wild Call When: Saturday, 12.29, 8 p.m. Where: Lost Lake Why: When silly people talk about the “end of guitar rock” they should be so lucky as to catch this line-up with Pale Sun’s hypnotic and moving post-shoegaze ambient rock, Emerald Siam’s left field stretch beyond brooding post-punk by incorporating hooks and emotional depth and Wild Call’s gritty, dreamy, visceral songwriting.
Who:Itchy-O w/PPL MVR When: Saturday, 12.29, 8 p.m. Where: The Oriental Theater Why: Itchy-O is doing a three night run for the new year beginning tonight with costume weirdo metal band PPL MVR. While a lot of its music is some kind of sludgy hard rock the yeti-looking group freely plays with sounds and methods from other styles of music including psychedelia and hip-hop.
Who:Slim Cessna’s Auto Club w/Munly & The Lupercalians and Voight When: Saturday, 12.29, 8:30 p.m. Where: Globe Hall
Why: This second night of three of SCAC’s NYE run at Globe Hall includes performances from the spooky, costumed ritual folk band Munly & The Lupercalians and shoegaze/industrial post-punk duo Voight.
Sunday | December 30, 2018
Who:Textures: Brother Saturn, Cloudless Rain, Gutter Spirits When: Sunday, 12.30, 7:30 p.m. Where: Mutiny Information Café Why: The final Textures ambient showcase of 2018 with performances from post-rock/loop-shoegaze/electro ambient project Brother Saturn and Cloudless Rain whose own music seems to be one of freefloating, endless horizons as one would expect from a persistent virtual world chillout zone.
Who:Wildermiss w/The Solid Ocean and Panther Martin When: Sunday, 12.30, 8 p.m. Where: Larimer Lounge Why: Red Fox Run was a promising band that realized that ambition when some of those guys got together with Emma Cole to form Wildermiss. It’s upbeat, earnest indie rock with interesting tonal flourishes and imaginative song dynamics that separate its musical offerings from the current spate of cookie cutter indiedom. The Red Fox Run guys also bring to the project much of what they learned about promoting themselves beyond just overplaying and oversaturating the local scene in the seemingly aimless manner of many of their peers. This is the first night of a two night run to ring in the new year.
Who:The Beach Boys When: Sunday, 12.30, 6 p.m. Where: Paramount Theatre Why: It is indeed The Beach Boys probably performing choice cuts from across its career with some surprises thrown in because Brian Wilson isn’t a rote creative talent.
Who:Itchy-O w/Radio Scarlet When: Sunday, 12.30, 8 p.m. Where: The Oriental Theater Why: Second night of Itchy-O’s run at The Oriental, this night Denver deathrock band Radio Scarlet will open the show.
Who:cindygod EP release When: Sunday, 12.30, 9:30 p.m. Where: Pon Pon Why: cindygod is the newest band from the former members of noise rock band Gauntlet Hair. When the group emerged in the spring/summer of 2018 it had grown to a four-piece with a new name but with sounds that fans of the old band would find immediately likeable. Live, cindygod has been a reminder of what a great band Gauntlet Hair was but one that has evolved beyond that era of musical development but with the same frantic yet nuanced dynamics and joyous outpouring of sound. The group recently released the digital version of its debut EP with the vinyl available at this event.
Monday | December 31, 2018
Who:Rubedo w/Fed Rez, R A R E B Y R D $, DJ Polyphoni When: Monday, 12.31, 8 p.m. Where: Lost Lake Why: Rubedo doesn’t play too many Denver shows these days. Its winning, accessible and energetic mixture of funk, noise rock and prog has found an audience beyond Denver. In 2017 Rubedo released Vaca, a sort of farewell album to the trio’s late mentor and musical partner Isaiah “Ikey” Owens. Perhaps this show will include some of the material that will make up its next chapter. For this NYE show you also get to see raucous, insightful and witty hip-hop group Fed Rez and R A R E B Y R D $, another hip-hop group but one whose soulful, even spiritual, sound is rooted in an ability to channel pure emotion in nuanced, gentle yet powerful ways.
Who:Wildermiss w/Retrofette, Coastal Wives, Levi Double U When: Monday, 12.31, 8 p.m. Where: Larimer Lounge Why: This second night of Wildermiss’ NYE run at Larimer Lounge will include performances from synth pop band Retrofette, indie blues rock band Coastal Wives and hip-hop production-influenced house music artist Levi Double U.
Who:Itchy-O w/Mr. Pacman When: Monday, 12.31, 9 p.m. Where: The Oriental Theater Why: Itchy-O concludes its three-night run of shows this NYE with peformance art/synth pop group Mr. Pacman. Traditionally the 3 or 4 members of the latter have performed in costume like something out of an 80s cartoon cosplay demonstration but the confrontational performance will fit in well with what follows with the onslaught of Itchy-O.
Who:Weird Wednesday: Adam Selene, The Jinjas, Vampire Squids From Hell When: Wednesday, 01.02, 9 p.m. Where: 3 Kings Tavern Why: This is the first Weird Wednesday of 2019. The series, curated by independent, underground promoter Claudia Woodman, aims to highlight the stranger or more eccentric and/or more experimental music happening in Denver or dropping in on tour. For this show it’s poet/hip-hop artist Adam Selene whose beats are definitely not the standard faire and incorporates a broad palette of sounds and instrumentation, being more akin to the likes of Eyedea & Abilities and other hip-hop projects that don’t hesitate to use straight up rock and other noisy samples to give the music some edge. A good pairing with synth rock/pop weirdos The Jinjas. Psych/Americana-twinged surf rock band Vampire Squids From Hell aren’t overtly weird except when you consider that at times the group sounds like a strange hybrid of The Brian Jonestown Massacre and a mellower Man Or Astroman?
Who:Ryanhood w/Matt Cox When: Thursday, 06.07, 7 p.m. Where: Walnut Room Why: Ever since Mumford and Sons and The Lumineers, at a minimum, popularized folk pop to a massive audience more than a few musicians have tried their hands at that style of music. But Ryanhood predates that wave having started in 2003 in Boston (now based in Tucson, AZ where Green and Cameron Hood met in high school). And beyond that, Ryanhood has established itself as a popular live act on the college and small club circuit. Ryan Green’s proficiency with guitar got him a scholarship to Berklee but as a songwriter it gives some dimensionality to the songwriting that might not be there with a musician who came to playing more casually. Green’s songs with Hood, at this point, have the polish and tunefulness of anything you’re likely to hear on mainstream radio combined with the synergy that mostly comes from musicians who have known each other for a good deal of their lives growing together as artists. The duo’s 2017 album Yearbook is a record diverse in its emotional colorings and songwriting dynamics giving its positive sheen depth and listening longevity.
Who:Stella Luce 7” release for Gloria w/Señorita Sometimes and Seven Inches of Heaven When: Thursday, 06.07, 9 p.m. Where: Surfside 7 Why: Stella Luce is presenting its sixth release, the Gloria seven inch, tonight at Surfside 7. The Fort Collins-based experimental rock band combines an Eastern European musical sensibility with the kind of baroque pop that The Dresden Dolls and DeVotchKa perfected. Stella Luce, though a little weirder than both, and noisier, has created a body of work thus far with the same cinematic sweep and nuanced emotional colorings.
Friday | June 8, 2018
What:71 Grind IV Day 1 (see below) When: Friday, 06.08, 2 p.m. Where: The Black Sheep and Triple Nickel Tavern Why: This is the major metal festival in Colorado. Independently run and promoted it features some of the most interesting acts in extreme and death metal, doom and grindcore. Things get kicked off at 2 p.m. at The Black Sheep and finishes in the late night hours at The Triple Nickel Tavern. For this first day you can catch Denver’s deathgrind stars Of Feather And Bone at the Black Sheep at 6:40 p.m.. The trio just started its tour in the wake of the release of its latest album, Beastial Hymns of Perversion. Immediately after at 7 p.m. on the main stage is Seattle’s black/folk metal act Isenordal will bring its layered, orchestral sound. For fans of Giant Squid and SubRosa. You can’t really miss with any of the bands but it would also be a good chance to see Wyoming’s great, grind-y, post-hardcore band Euth, Denver’s melodic doom giants, Wayfarer and Denver D-beat/thrash juggernauts Rotstrotter. Full schedule below.
Black Sheep Side Floor Stage
5-5:20 Portrayal Of Guilt
6:40-7 Of Feather And Bone
7:30-7:50 Void Omnia
8:20-8:40 Closet Witch
2:20-2:40 Full Bore
3-3:20 Salems Bend
8:40-9:10 Transient w/Bastard Noise
11:30-11:50 Ice Sword
1-1:30 Tejon St. Corner Thieves
Who:Today’s Paramount, Samvega and Archipelaghost When: Friday, 06.08, 9 p.m. Where: Goosetown Tavern Why: This is a bill where none of the bands really fit in any musical subscene. Nor are they trying and the show is the better for that. Today’s Paramount has bits of gypsy folk, Americana, psychedelia and metal but really it’s more like some kind of odd glam prog band that dresses up like they’re all lead gumshoes in a noir novel. Samvega similarly skirts the edges of sludge metal, psychedelic rock and prog without being tied down by the conventions of any of it. Its sonically powerful shows feel orchestrated but only in that they have played the music so much they’re comfortable executing it in a way that leaves plenty of room to change moods, tempos and emotional colorings to fit the environment. If Archipelaghost’s recent single “Spinach” is any indication, those guys listen to a lot of the better hip-hop utilizing trap tracks while crafting their own electronic beats and burned the memo on not using kinda crap autotune. Archipelaghost takes musical ideas that shouldn’t work and puts it together in a way that seems more like a beyond ironic to legit and inventive take on electronic indie pop. Meta in its musical touchstones to the point of avant-garde.
Who:The Descendents w/The Potato Pirates and In the Whale When: Friday, 06.08, 7 p.m. Where: Boulder Theater Why: The Descendents’ story sounds like it couldn’t be true. Drummer Bill Stevenson met future Black Flag and Circle Jerks vocalist Keith Morris before the latter’s stint in Black Flag and worked for Morris’ father as a fisherman. Of course Stevenson would spend some years as Black Flag’s drummer while also playing in The Descendents, a band he started with some friends from school when most of them were still in high school. The band’s blend of pop, surf rock and punk made for one of the earliest pop punk bands and its sound and lyrics throughout the 80s articulated teen angst, insecurities and simple aspirations better than a lot of music in the mainstream ever could and thus the band’s enduring popularity and viability. Even as its music is framed in the teen experience there was an evolution in thought and complexity of emotion that happened during the course of the band’s career. These days, seeing The Descendents is a great reminder that punk, even pop punk, can be silly, kinda dumb, but also thoughtful and vibrantly energetic in ways that don’t seem tamed by the compromises mainstream commercial success has exacted on some of the bands The Descendents have influenced.
What:Intendence Film Fest Opening Party with Sympathy F When: Friday, 06.08, 9:30 p.m. Where: Denver Open Media Why: When Sympathy F began in the early 90s Denver was in the prime of its period of urban decay. LoDo as we came to know it in the mid-90s didn’t exist. Squatters lived in buildings downtown and the Fifteenth Street and Twentieth Street viaducts led to areas of glorious industrial yesteryear. Denver felt dark, a little grimy and gritty while not as dangerous as larger cities. The band’s music, a moody, jazz-inflected post-punk, fit that milieu perfectly and it was one of the era’s classic alternative rock bands and one of the very few to have survived through the decades to now. Until a few years ago, the band had only released one record and soon it will release a third. Live, the band creates a lush but electrifying sound and for those that remember those older times in Denver, it’s like getting a taste of that vibe for the time the band drifts into its set.
Saturday | June 9, 2018
Who:71 Grind IV Day 2 (see below for lineup) When: Saturday, 06.09, 1 p.m. Where: Black Sheep and The Triple Nickel Tavern Why: This second day of 71 Grind IV includes performances from powerviolence pioneers Infest, longtime Albuquerque grind legends Noisear and Colorado Springs death grind band 908 which includes 71 Grind organizer Bryan Ostrow. Things get started at 1 p.m. at The Black Sheep and finishes once again in the late hours at Triple Nickel.
Black Sheep Side Floor Stage
1-1:20 Aerial Ruin
1:40-2 Nite Kidz
3-3:20 Minimum Wage Assasins
3:40-4 Sentient Divide
4:20-4:40 Funeral Chic
5:40-6 Pavel Chekov
9-9:30 Stapled Shut
12:40-1 Modern Color
1:20-1:40 Fortunes Fool
4-4:20 Badr Vogu
4:40-5 Apocalyptic Noise Syndicate
5:20-5:40 Cryptic Void
6-6:30 Dead In The Manger
8:30-9 Despise You
10:30-10:50 The Stalk
11:30-12 Anonymous Inc.
Who:The Corner Girls (single release) w/Vic N’ The Narwhals, Kinky Fingers and Cocordion When: Saturday, 06.09, 7:30 p.m. Where: Lost Lake Why: A year after excellent 2017 Popcorn EP, The Corner Girls release the “Boyfriend” single. Given the band’s gift for giving songs with incisive and irreverent lyrics titles that could come from a vapid pop song, “Boyfriend” probably isn’t just a song about someone’s boyfriend in that tired, classic vein. From the imagery of the band’s artwork to its surf-y punk sound, The Corner Girls aesthetic resonates with that of early K Records bands and 90s indie pop, which in its time was a rejection of the masculine rock world. It isn’t an attack on the latter as much as creating something not defined by it.
Who:Screwtape, Gutter Villain, The Uglys and No Chance When: Saturday, 06.09, 7:30 p.m. Where: Lion’s Lair Why: The Uglys somehow mixed screamy posthardcore with sludgy riffs for a sound that is like what would have happened had grunge developed a decade and a half later with The Deftones as an influence. That sort of desperation delivered with a manic intensity fits in well on a bill with Denver hardcore stars Screwtape whose songs blur the radical political with the personal in a way we need to see more of right now.
Sunday | June 10, 2018
Who:71 Grind IV Day 3 When: Sunday, 06.10, 12 p.m. Where: The Triple Nickel Tavern Why: This third and last day of 71 Grind takes place at Triple Nickel and sort of a showcase of some of Colorado’s heavy bands. Still Valley is the kind of band that maybe got inspired by the stoner/sludge rock bands with that steady, slow cymbal work going like a hypnotic metronome but its sound is more uplifting, more melodic and ultimately more transporting. In that way Still Valley has a lot in common with Earth, taking the blues roots of the music and exploring its outer possibilities. Tricoma from Denver has similar influences but its sound is more like a fierce thrash/crossover and its heaviness more cutting. The Munsens’ 2016 album Abbey Rose sounds like a doom meditation on the darkened passages and cosmic terror merely hinted at by early Gothic literature, for example Horace Walpole’s The Castle of Otranto. But whatever band or bands you catch, it’ll be a great slice of heavy music’s current underground scene.
12:30-12:50 Still Valley
1:30-1:50 The Munsens
2-2:20 Innoculated Life
4:30-4:50 Remain & Sustain
5-5:20 Bonus Surprise!
6:30-6:50 Article 15
7-7:20 The Mutations
7:30-7:50 Broken Dead
10:30-11 Dead Set
Who:Daikaiju w/TripLip and The Savage Blush When: Sunday, 06.10, 9 p.m. Where: Tennyson’s Tap Why: Daikaiju is a surf rock band that on the surface sounds like a band in that vein with some punk oomph behind it. But its shows are famously tribal affairs during which the band performs in kabuki masks, uses pyrotechnics in its sets and otherwise brings those who show up into a ritual of rock and roll chaos. Experimental jazz thrash prog band TripLip and surf rockers The Savage Blush will ably set the stage for the mayhem to follow with Daikaiju.
Monday | June 11, 2018
Who: Sleep w/Primitive Man and Oryx When: Monday, 06.11, 7 p.m. Where: The Ogden Theatre Why: Nearly twenty years after the release of its most recent album, 1999’s until then posthumous release, Dopesmoker, the princes (naturally the kings being Black Sabbath) of stoner rock/doom Sleep released a new album in 2018 called The Sciences. Of course its laden with fanboy references to Sabbath (there’s a song called “Giva Butler”), science fiction and arcane knowledge. Oh, and cannabis. “Marijuananaut’s Theme” begins with someone taking a hit off a bong. But it seems as though Sleep has sculpted its sound ever so slightly giving it greater dynamism and fluidity. Don’t worry, the guitars still sound like the tone is in a constant state of splintering and the rhythms are off enough in the right places to be hypnotic and deftly launch the main melodies into spaces that Moebius might have drawn for one of his lost Jodorowsky collaborations—psychedelic, alien and raw. That deathgrind titans Primitive Man and doomdeath stars Oryx are on the bill just make the whole show twice as good.
Who:Violent Femmes When: Monday, 06.10, 6:30 p.m. Where: Denver Botanic Gardens (York Street) Why: Four decades on, Violent Femmes went from jazz-inspired folk-punk-pop weirdos who were perfect for the college rock world of the 80s to a still surprisingly powerful live band whose sound has been influential but not widely imitated. On recordings and on stage the Femmes bring in more than the usual rock instruments and since its early days the band has brought on a group of people called The Horns of Dilemma to play raw, chaotic sounds on a couple of songs in the set. For the Denver dates of the past several years The Horns of Dilemma has included avant-garde improvisational band Animal / object, a group in which Femmes singer Gordon Gano has been known to play violin. Several of the Femmes’ songs have entered the lexicon of popular music through the college and alternative rock path and even if you weren’t around or old enough for the band’s music to impact you the first time it was coming around its music has held up well because it was never grounded in any trendy sound or style but rather an premium on creativity and imagination. Go and be surprised by how of the moment and so not rote the Femmes remain today.
Who:Yes (Howe, Downes and White iteration) When: Monday, 06.10, 2 p.m. Where: The Paramount Theatre Why: Progressive rock has a reputation as an overly intellectual music made by snobs for other technically proficient musicians and fans capable of appreciating the intricacies and compositional sophistication of the music. But most of those bands were seeking to create something deeply imaginative and capable of expressing ideas and emotions beyond the bare bones rock and roll sonic vocabulary. Yes wrote music that aimed to explore and articulate the dreams and aspirations of humankind. Sure, some of it got pretty out there and abstract but largely its songs came from a personal place writing about love, anxiety, fear and a broad range of emotions and the very individual experience of our struggles and triumphs. Yes just didn’t dumb it down. For this show you’ll get to see master guitarist Steve Howe, Alan White’s drumming wizardry and Geoff Downes’ gift for weaving together various keyboard and synth elements to create one of the sounds that has established Yes as a legendary live act for the past few decades.
Tuesday | June 12, 2018
Who:Covenhoven album release w/The Still Tide When: Tuesday, 06.12, 7 p.m. Where: The Bluebird Theater Why: Joel Van Horne has been writing beautifully introspective songs under the moniker Covenhoven for several years and now, with A Kind of Revelation, three records. It was within a week of finishing the mixes for A Kind of Revelation that Van Horne’s brother Ben died from a pulmonary embolism following years of struggling with ulcerative colitis. As with his previous releases (the 2013 self-titled album and 2015’s The Wild and Free), Van Horne immersed himself in a natural environment, taking in the patterns, energies of the place and as much of its essence as possible to drive his creative inspiration. For A Kind of Revelation that place was Olympic National Park and Big Sur. Perhaps a kind of pastoral folk and pop is the form of Van Horne’s songs but the musical language feels like an emotional recreation of the places that influenced their writing. Since it’s at the Bluebird, chances are it’ll be a full band presentation of the music where Covenhoven will share the evening with dream pop/rock band The Still Tide.
Who:Calexico w/Julia Jacklin When: Tuesday, 06.12, 7 p.m. Where: Boulder Theater Why: Calexico and Mojave 3 were doing psych-folk-inflected pop Americana before it became a massive feature of “indie” radio in the past ten to fifteen years. Calexico, though, also absorbed a good deal of Mexican folk stylistic flourishes giving its sound a more exotic edge. The group released its latest record, The Thread That Keeps Us, in January 2018. Employing keyboards and synths alongside more traditional instruments has been one of Calexico’s hallmarks from its early days but the new record feels even more expansive and open as though maybe somewhere the band aimed to simplify its sound without sacrificing its full and rich tones.
Wednesday | June 13, 2018
Who:Of Feather and Bone tour kickoff w/Tomb Mold and Casket Huffer When: Wednesday, 06.13, 8 p.m. Where: Hi-Dive Why: Denver deathgrind band Of Feather and Bone played 71 Grind in Colorado Springs this past weekend and it will kick of its tour in support of its new album Beastial Hymns of Perversion with this show at the Hi-Dive alongside like-minded bands Tomb Mold, from Toronto, Ontario and Casket Huffer from Cheyenne, Wyoming.
Who:Sunmonks, Ancient Elk, Avifauna and GALLERIES When: Wednesday, 06.13, 7 p.m. Where: Lost Lake Why: Sacramento’s Sunmonks has been honing its blend of R&B, indie pop and world music since 2012. Entertainment Weekly said the band was a “Worthy successor to the Talking Heads.” That seems like hyperbole and lack of life experience and knowledge of recent and older music history. Nevertheless, the band’s willingness to experiment with the form of pop music across various cultures as well as the sound and rhyme schemes to great effect makes it one of the most interesting bands to have bypassed being a psychedelic rock band but effectively making psychedelic pop music. Also on the bill is experimental, psychedelic folk band Ancient Elk, psych hard rock band GALLERIES and the windswept electropop soundscapes of Avifauna.
Who:tUnE-yArDs w/My Brightest Diamond When: Thursday, 04.26, 7:30 p.m. Where: Boulder Theater Why: When tUnE-yArDs toured in the wake of the release of the 2009 album Bird-Brains, Merrill Garbus’ soulful singing amid what seemed like a raw combination of loops, percussion and Nate Brenner’s liquid bass lines seemed like something right out of that period’s vibrant bedroom recorder world and so idiosyncratic yet accessible that the duo connected with people that wanted to see something different that didn’t fit in immediately with something we’ve all seen hundreds of times already. The band’s unconventional pop songs seemingly drawing from several musical traditions ended up garnering a wide audience after the release of the 2011 album Whokill. In 2018 the band issued I Can Feel You Creep Into My Private Life, an album on which Garbus, according to an interview with Vox, challenges her own white privilege and other privileges as an artist that has been directly inspired by music made people who didn’t enjoy a similarly privileged existence. Whatever one thinks of such gestures and self-examination and confession, as usual, the tUnE-yArDs record is still refreshingly out of step with a whole swath of popular music except rather than the lo-fi aesthetic of old, the new album has a larger, fuller sound. And Garbus’ words aren’t eyeroll-worthy examples of self-hate and self-flagellation—they’re pointed and self-critical but not cruel.
Who:Glasss Presents: Eraserhead Fuckers w/prettyinpink w/roaddawg, VC Hearts and Shamwow When: Thursday, 04.26, 10 p.m. Where: Mutiny Information Café Why: If you’ve been wondering where the weirdo hip-hop has been hiding (it hasn’t been hiding), this would be a great show to check out some of the weirdest. Eraserhead Fuckers is a noise-hip-hop project that somehow lives up to the name with his confrontational performance style and brutal beats. Prettyinpink and roaddawg are doing a collaborative set and their vibe is something in the vein of Earl Sweatshirt or Vince Staples—moody, synth heavy and a little on the gritty side with the words.
Who:Glasss Presents the Speakeasy Series Season 2: Princess Dewclaw, Church Fire, Surf Mom When: Thursday, 04.26, 7 p.m. Where: Hooked On Colfax Why: The Speakeasy Series edition for this week includes Princess Dewclaw, a band that combines melodic synth compositions with punk rock stridency and a clever dismantling of patriarchal tropes. Church Fire is a duo steeped in noise, electronic dance music, fiery performances and lyrics that feel like a direct line to a celebratory outage and melancholic anthems of healing through honoring the hurting. Surf Mom should probably change its name because it’s beyond surf at this point. Except for the fact that it’s a great band name. The two-piece uses a thorny pop format to comment on social issues and personal struggles in a way that comes off as punk but isn’t stuck with the musical baggage of the same.
Friday | April 27, 2018
Who:Vulfpeck, Kamasi Washington and Knower When: Friday, 04.27, 6 p.m. Where: Red Rocks Why: Despite the fact that Vulfpeck is essentially trying to channel a 1970s and 1980s live concert television broadcast program format in presenting its music, and drawing upon that era for musical inspiration as well, even its session-musician-worthy chops don’t diminish its ear for lively and emotionally engaging funk. A bit like Average White Band but no horns, better low end and more unconventional chord progressions. Sharing the bill is one of modern jazz’s bright stars, Kamasi Washington. Perhaps known to many people as a musician and arranger on albums by Pulitzer Prize winning hip-hop artist Kendrick Lamar (including To Pimp a Butterfly and DAMN.), Flying Lotus, Thundercat and Run the Jewels, Washington’s own output is impressive in its own right. His 2015 album The Epic had a classic sensibility without sounding like a throwback. Rather, Washington’s emotionally expressive and musically adept compositions articulate a yearning quality, a sense of resignation to reality and the blue feeling that accompanies all such realizations, a harboring of hope and dreams of a better future glimpsed winking in the distance. It was simply a musically ambitious and expansive jazz album but one that had the accessibility of a should-have-been collaboration between Sonny Rollins, Stan Getz and Lalo Schifrin. In 2018, Washington will release his new album, Heaven and Earth.
What:LEAF (Lafayette Electronic Arts Festival) When: Friday, 04.27 and Saturday 4.28 Where: Center for Musical Arts Why: This multi-media festival is all ages and free and runs through the weekend with performances, art demonstrations and film. For more information, you can read our interview with festival curator Dave Fodel here.
Who:Ghost Tapes, The Milk Blossoms, Kdubbs When: Friday, 04.27, 8 p.m. Where: Syntax Physic Opera Why: Ghost Tapes has been honing its dusky downtempo jazz/hip-hop/soul sound for a few years around town at house shows, DIY spaces, dive bars and smaller clubs. But even early on the band had a surprising level of sophistication in its musicianship and performance. Its 2017 self-titled album demonstrated hints of Baduizm period Erykah Badu in the poetic wordplay imbued with a thoughtfulness and wisdom that music like that doesn’t get nearly enough credit with possessing. Fitting that Ghost Tapes is sharing the stage with The Milk Blossoms, a band that incorporates elements of hip-hop, indie pop, folk and R&B into its overall sound while also seeming so idiosyncratic to the point of almost being outsider music if not for the band’s command of classic songcraft. The Milk Blossoms’ tender yet emotionally rich and affecting songs make the band pretty much impossible to forget.
Who:Neil Haverstick When: Friday, 04.27, 7 p.m. Where: The Tuft Theater at Swallow Hill Why: Colorado’s dean of microtonal guitar, Neil Haverstick, is playing a rare show at Swallow Hill. Haverstick is adept at so many musical styles it’s difficult to say what his focus will be this time out but no matter if it’s avant-garde, classical, blues, jazz or whatever seems to interest Haverstick the most at the moment, it’ll be a worthwhile show to attend.
Who:Commander Cody w/Howlin’ Goatz When: Friday, 04.27, 7:30 p.m. Where: The Caribou Room, Nederland Why: Commander Cody and His Lost Planet Airmen formed in 1967 in Ann Arbor, Michigan and in its early incarnations operating at a time when Ann Arbor and Detroit were experiencing a kind of golden age of music. Between Motown, Alice Cooper, MC5, Stooges and other notables of the time, that part of the country was the place of origin and home to some of the most important music of the era. It would be an exaggeration to say that Commander Cody and his country rock band was as long term impactful as the aforementioned. But it did yield a couple of novelty hits in its career that are well-remembered by anyone that heard them. “Hot Rod Lincoln” from the band’s 1971 debut album Lost in the Ozone was in the US Top 10 and its 1981 hit “2 Triple Cheese (Side Order of Fries)” from the 1980 album Lose It Tonight had a music video that reached anyone that saw Turkey Television on the Nickelodeon network in the early 80s. There’s a good chance Commander Cody will play both even without His Lost Planet Airmen among a choice selection of his extensive and prolific back catalog.
Saturday | April 28, 2018
Who:FoCoMX pick: Animal / object (Kurt Bauer and Karen Sheridan) When: Saturday, 04.28, 6:30 p.m. Where: The Dome Why: FoCoMX is an annual music festival held in Fort Collins that mostly showcases Colorado-based acts along the front range from a broad spectrum of musical styles. Perhaps not booked at enough local music festivals is Animal / object. The latter is Denver’s premiere spontaneous composition band. Lead by Kurt Bauer formerly of 1980s post-punk band Susan and God, the group has included sculptor/painter Steven Gordon (who will not be performing this particular show), winds player Paul Mimlitsch, novelist Gordon Pryor, experimental electronic musician/graphic designer David Britton, prolific outsider musician Chris Culhane of Lords of Howling and Violent Femmes frontman/guitarist Gordon Gano. For this show, Bauer will perform with Karen Sheridan, formerly of Denver death rock/punk band Your Funeral and atmospheric noise/industrial project Corpses As Bedmates. Always a different show, always interesting and rewarding.
Who:Of Feather and Bone w/Suffering Hour, Wayfarer and Many Blessings When: Saturday, 04.28, 8:30 p.m. Where: Hi-Dive Why: Of Feather and Bone’s new album Beastial Hymns of Perversion should solidify the band’s reputation as one of the most interesting and innovative grindcore bands going today. Yes, the sonic brutality is there, the relentless pace and the animalistic vocals. But there is a hauntedness, a spookiness to much of the group’s music. Like the darkness is coming from a personal place. Yes, the disgust with human civilization is abstracted a bit through fantastical song titles and the flood of sounds but its visceral and real. Of Feather and Bone celebrates the release of the album with fellow purveyors of extreme, heavy sounds Suffering Hour and Wayfarer. Many Blessings isn’t a grind band per se even though Ethan McCarthy is in one of the heaviest bands in the world in Primitive Man. Many Blessings is an atmospheric noise project with its sound generation based in tools similar to those McCarthy employs with his more well-known projects. But it’s just as heavy as anything else on the bill.
Who:Of Montreal w/Locate S, 1 When: Saturday, 04.28, 8 p.m. Where: The Bluebird Theater Why: Of Montreal is an older band but it’s basically like the psychedelic pop equivalent of Ty Segall in some ways in terms of its prolific and diverse output. And that that prolific stream of work is actually worth exploring. For the 2018 album White is Relic/Irrealis Mood, band leader Kevin Barnes dispensed with the old band format approach to recording and composing so that the record sounds like something that might have been crafted in a virtual environment with Barnes having access to some futuristic, immersive form the the internet in which he can take in/experience knowledge in a way that is more and deeper than mere 3D. Musically it sounds like an indie pop Howard Jones album with touches of glam rock. Most Of Montreal shows are wonderfully colorful and weird and a real experience and with the material for the new album, Barnes and company probably have something spectacular and unexpected for the live show.
Who:Blockhead w/MIDIcinal, Big J. Beats, Lost Glory When: Saturday, 04.28, 8 p.m. Where: Cervantes’ Other Side Why: Tony Simon aka Blockhead is a DJ and record producer whose name is often associated with production he’s done for Aesop Rock. His music separate from production work he does for other artists tends toward an imaginative downtempo approach like a radio station for an ultra hip radio station in a hidden part of a city in a weird multiple user video game. Any of his albums will do, whether it’s 2007’s Uncle Tony’s Coloring Book or 2017’s Funeral Balloons, for a trip into a brighter, more chill, yet not soporific, universe.
Who:Rolling Blackouts Coastal Fever w/Turvy Organ and Serpentfoot When: Saturday, 04.28, 8 p.m. Where: Larimer Lounge Why: Rolling Blackouts Coastal Fever from Melbourne, Australia was a band that you could either like or find meh based on your feeling toward modern indie rock. Its post-surf post-punk jangle rock, at least through the 2017 album The French Press, was reminiscent of The War On Drugs in that you could hear the influence of 80s power pop and maybe even Bruce Springsteen and Tom Petty. And there seemed to be so much more emotional depth to the songwriting than some you’d get out of some kind of half-baked party rock band. In that way Rolling Blackouts Coastal Fever has much more in common with Beach Slang than so many of the neo-pop-punk bands. And hey, sometimes the most interesting period in a band’s life is when it’s still trying to figure out its own voice. On its forthcoming Hope Downs the group strikes a New Romantics tone on the Talking Straight single and in moments has a vibe akin to that of Soft Boys or even solo Robyn Hitchcock.
Sunday | April 29, 2018
Who:Textures: Hymen, Keldari Station and Shawn Mlekush When: Sunday, 04.29, 7 p.m. Where: Mutiny Information Café Why: Shawn Mlekush will perform a set of ambient improv for this show. But he’s known around certain Denver circles as a non-conventional composer of electronic music and his not very active band Jackson Induced Mutant Laboratory fit in with the noise scene even if it was more in the realm of avant-garde electronic music. Keldari Station is an unlikely yet vital combination of dub, glam rock, synth pop and post-punk.
Who:Parquet Courts w/The Teeth of the Hydra When: Sunday, 04.29, 7 p.m. Where: Gothic Theatre Why: It would be facile to say Parquet Courts is like a new version of Pavement. Because the bands aren’t much alike except for a fearless and creatively musical use of atonality in guitar and vocals, a nearly reckless employment of imprecision in crafting interlocking guitar melodies and a nearly unpredictable high energy and tripping, hanging moments. Like machines on the brink of collapse trying desperately to cross a bridge on the verge of the same. In both cases the result has been some of the most interesting and eclectic rock music of their time. On May 18, 2018 Parquet Courts will release Wide Awake! So chances are you’ll get to see some of the new album live before it’s out.
Monday | April 30, 2018
Who:IAMX When: Monday, 04.30, 7 p.m. Where: The Bluebird Theater Why: When Chris Corner went solo following the dissolution of his well-known trip-hop band Sneaker Pimps in 2004, he was able to not only push his music in a more experimental direction but he was able to fully incorporate the sonic and visual aesthetic of his art into a unified multi-media and theatrical presentation not limited by any preconception of musical genre in which he’d need to fit his music. The resulting musical output has been eclectic but consistent with Corner’s desire to create a theatrical and immersive musical experience. The latest IAMX album is 2018’s Alive In New Light, coming on the heels of the September 2017 album Unfall.
Who:Morbid Angel w/Dreaming Dead and Hate Storm Annihilation When: Monday, 04.30, 7 p.m. Where: The Marquis Theater
Why: Morbid Angel was one of the foundational bands of death metal. Based in Tampa, Florida and putting to tape most of its iconic recordings, including its influential 1989 debut full-length Altars of Madness, at Morrisound Recording? Founded the same year, 1983, as Death from Orlando, Possessed from San Francisco and Necrophagia from Wellsville, Ohio? Seems like some dark cosmic energy that Death metal’s early big hitters emerged so close together. Trey Azagthoth’s brutal yet psychedelic guitar sound has been the constant of the band from the beginning but this time around later-era singer Steve Tucker has returned and provided vocals on the 2017 album Kingdoms Disdained. Live there actually is a spooky quality to the music and both Tucker and former singer David Vincent provided a sepulchral vocal style that could be silly but never Cookie Monster enough to not find somewhat discomforting and perfectly suited to the music.
Tuesday | May 1, 2018
Who:Gus Dapperton w/Oko Tygra When: Tuesday, 05.01, 7 p.m. Where: Lost Lake Why: Gus Dapperton isn’t breaking and new ground with his pop songs. Post-surf rock jangle guitar? Jazz-lite rhythms? Bright, melodic synth flourishes? De rigueur with modern indie rock. But something about how he pulls it all together with his band has a simple charm that sets it apart as does Gus Dapperton’s off the cuff yet confident stage banter. Opening the show is Denver dream pop/post-punk band Oko Tygra. Joshua Novak’s command of mood and the warmth of his vocal delivery gives music that can sometimes be beautifully icy a human core that elevates the mood. Also, in the last two or three years the band has pared back and simplified its sonic signature making for more spacious and emotionally stirring songs.
Wednesday | May 2, 2018
Who:Dessa w/Monakr When: Wednesday, 05.02, 7 p.m.
Where: The Bluebird Theater
Why: Though not a founder of influential hip-hop collective Doomtree Dessa has been an integral part of that crew for years. She is after all CEO of Doomtree these days. But as a solo artist she is able to demonstrate her gift for producing beats and a deft and creative use of words shifting between singing, rapping and spoken word. There is a confidence and fluidity to her delivery that bring to her evocative storytelling a vivid quality as though she’s conceived of her albums as a films she’s directing and in which she’s acting. Her new album, 2018’s Chime, her first in five years, has spare titles but inside each track her words are incisive and impactful and the beats cinematic.
Who:Open to the Hound, The Lacuna Brotherhood and Room 204 When: Wednesday, 04.30, 7 p.m. Where: Lost Lake Why: Open to the Hound sounds like the band all got together and went off to a cabin in the mountains to write their songs and had plenty of time to be away from the haze of civilization and touched by starlight and moss. Sometimes the results are trippy, fuzzy grunge rock, other times, introspective and minimal freak folk/indie pop campfire compositions. They even have some ambient-rock-downtempo songs that some musically unsophisticated people might call “shoegaze.” The trio lists The Microphones as an influence and the part-rock-song-part-sound-collage aesthetic of some of the band’s music bears this out in a way that is refreshingly not so obvious.
Who:L.A. Witch w/Honduras and Palo Santo When: Thursday, 11.16, 7 p.m. Where: Lost Lake Why: L.A. Witch’s 2017 self-titled album has a kind of post-Loaded-era Velvet Underground stark shimmery pop grit coupled with a languid psych spookiness. In the songs there is a strong, often urgent, rhythm giving the songs some oomph even when they’re introspective. Any roots the band may have in surf rock or psych garage or whatever trendy of the sounds of the past five to ten years, it has definitely moved on. “Drive Your Car” could be an updated Wipers song. Singer/guitarist Sade Sanchez has a smoky cool voice reminiscent of a world weary Hope Sandoval. Whatever comparisons seem valid, L.A. Witch has turned tired conventions on their head into an incredibly compelling sound. Denver’s Palo Santo is cut from a similar cloth in every way with haunting yet fiery guitar work and Mimi Nissan’s trance-state style vocals.
Who:Revolting Cocks (Big Sexy Land Tour) and Front Line Assembly w/CHANT, DJ Slave 1 and Ritual Aesthetic When: Thursday, 11.16, 7 p.m. Where: Summit Music Hall Why: This show signals the end of the train of noteworthy industrial bands, newer and more established, that came through Denver in 2017. Revolting Cocks started with Front 242’s Richard 23 and Luc Van Acker writing music produced by Al Jourgensen, who was often a collaborator. While clearly irreverent at its heart given the band’s name and album titles like Beers, Steers, and Queers and Linger Ficken’ Good the former of which includes a cover of Olivia Newton John’s “(Let’s Get) Physical,” the latter a cover of “Do Ya Think I’m Sexy?” by Rod Stewart, Revolting Cocks have interesting and respectable and influential original music across its spate of albums. The current lineup includes Richard 23 and Van Acker, of course, but also former Ministry and Blackouts bassist Paul Barker and longtime Cocks partner in crime, Chris Connelly whose 2008 memoir Concrete, Bulletproof, Invisible, and Fried: My Life As A Revolting Cock was a candid, amusing and revelatory account of being in the industrial and alternative music world in general from the 80s forward.
Front Line Assembly’s vision of dystopian global civilization has unfortunately borne out since it sprang to life in 1986. Up to that time frontman Bill Leeb had been a member of Skinny Puppy and his subsequent music in FLA continued that quality that’s difficult to completely nail to a sub-genre of industrial music. The samples put into the music mirrored the influence of hip-hop production on Skinny Puppy, the extensive use of electronic instruments and synths right in line with that like the EBM bands of that day as well as FLA’s imaginative blending of it all to comment on the nature of technology and its impact on human civilization and our everyday lives. Turns out it has continued to be a fruitful subject for not only FLA but science fiction writers mining that rich dystopian nugget of inspiration.
Who: Cindy Wilson (of B-52s) w/Olivia Jean and Battle Pussy
When: Thursday, 11.16, 8 p.m.
Where: The Marquis Theater
Why: Cindy Wilson is a member of influential new wave band The B-52s and her unique vocal style alongside that of bandmates Kate Pierson and Fred Schneider made for some arresting melodies amid the incredibly dance-worthy pop songs that were so idiosyncratic in the specific subject matter, no one else could have made it. And yet there was a universal quality to that individual vision that resonated with the oddball and eccentric inside of most people. Currently, Wilson is touring her solo material. Earlier in 2017 Wilson released a fairly experimental, electronic pop EP called Supernatural and on December 1st she is putting out her debut solo album Change, some 41 years into her music career. If the song “Mystic” is any indication, Wilson still has plenty of relevant and inventive music left in her.
Who:Today’s Paramount, Samvega, Alex Culbreth, Buffalo Party, Mynewt When: Thursday, 11.16, 7 p.m. Where: 7th Circle Music Collective Why: Samvega from Napa Valley, California doesn’t fit in a simple box: Its music is heavy, it’s psychedelic, it’s avant-garde and bluesy. Melissa and Mercedes Baker are unconventionally charismatic singers who sound like and come off like they spent a couple of decades touring with Heart and went on to do something weirder. The band’s 2016 album The King is Asleep was one of that year’s most interesting rock albums for its diversity and obvious care for making it a unique from the songwriting to the painting for the cover art. Also on the bill is experimental rock band Today’s Paramount. They look like they might be in a ska band, and maybe on the side some of them are, but their weirdo take on prog, jazz and psych is not like much of anything going on in Denver.
Who:Melkbelly w/Super Bummer, Princess Dewclaw When: Thursday, 11.16, 7 p.m. Where: Larimer Lounge Why: Initially, Melkbelly may sound like yet another modern rock band copping the vibe of 90s post-grunge underground music. But Melkbelly is way weirder than that and its jazz underpinnings and willingness to sculpt pure noise into something musical is what makes its 2017 album Nothing Valley so listenable to anyone looking for a band that isn’t trying to go full retro these days. One might liken Melkbelly’s sound to stuff like Magik Markers or Shearing Pinx but Melkbelly is often more melodic than that even if it sounds like it too took some cues from Unwound’s sonic fearlessness. Opening are excellent Denver bands Super Bummer with its melancholic, lo-fi, soaring songs of heartbreak and isolation and Princess Dewclaw, who seem to have found a new way to combine noise rock, punk, synthesizers and elemental vocals into something both confrontational and rivetingly fragile.
Who:Roska with Rabit, Trisicloplox, Ulmo, Rameau Contnrol, Laru and ilind When: Thursday, 11.16, 9 p.m. Where: The Black Box Why: Rameau Control you can’t really fit into a narrow category of electronic music from melodic bass, dub techno, straight techno to whatever. Calling this bill merely “experimental electronic” does a disservice to the individual artists who all come at electronic music partly from a dance perspective but also as composers of music that absorb ideas and exchange methods and sounds with like-minded artists and co-influencing each other whether from Denver or otherwise. For example, ilind is Isaac Linder who often played Denver DIY venues as a noise and performance artist but one who was into house music.
Friday: November 17, 2017
Who:Tommy Stimson’s Cowboys in the Campfire When: Friday, 11.17, 7 p.m. Where: Bruz Beers Why: Cowboys in the Campfire is Tommy Stimson of The Replacements fame (he has also played in numerous other bands including Guns N’ Roses) and Chip Roberts of Uncle Sippy playing songs together as the name suggests but usually electric. Country punk? For fans of NRBQ? Whatever it is, it’s Stimson and Roberts playing lively, fun songs in a duo format in small venues, record stores, private homes and various other situations across the country this tour. Next time you see Stimson play it’ll probably be in a large theater or bigger so hey, make it to this and you might even get to interact with the musicians, something that would probably never happen at Red Rocks or The Fillmore without paying for some kind of wack VIP access ticket.
Who:Flobots w/Wesley Watkins & Grumpy Uncle (Wesley Watkins and Kalyn Heffernan) When: Friday, 11.17, 8 p.m. Where: Larimer Lounge Why: Yes, the famous hip-hop band from Denver, Flobots, playing at Larimer Lounge. The opening act, though, is a collaboration between former Night Sweats trumpet player, and leader of The Other Black, Wesley Watkins and Kalyn Heffernan of Wheelchair Sports Camp. So expect something wonderfully weird but with solid songcraft and inspired lyrics.
Who:The Blasters night 1 w/Reno Divorce When: Friday, 11.17, 9 p.m. Where: Lion’s Lair Why: The Blasters were and are a respected blues-roots band from Los Angeles where it rubbed shoulders with the punk world, paisley underground and early alt-country acts. The Blasters’ sheer skill and energy made a big impression on everyone that saw them even if the band never quite became a household name. Reno Divorce, a rootsy punk band from Denver, opens this night of a two night residency at Lion’s Lair.
Who:Lost Walks w/Midwife When: Friday, 11.17, 9 p.m. Where: Mercury Café Why: Lost Walks is sort of a high concept Americana-esque band. High concept in that there is a prepared theatrical element to the live shows as the band collaborates with a visual arts group. Also, the lyrics, steeped in a pastoral and noir literature aesthetic, lend themselves to dramatic performance and grand, emotive gestures from the band’s various vocalists including former Bad Luck City frontman, Dameon Merkl. The band’s debut album, 2017’s Wolf, Woman, Man, is a fascinating contrast of bright, dark, moody, reflective and observational. Opening the show is avant-folk artist Midwife whose own 2017 debut, Like Author, Like Daughter, is one of the the best albums of the year for its delicate, fragile evocation of emotions so broad and deep that it always catches you by surprise with its subtle but irresistible power.
Who:Slow Magic w/Point Point and Qrion When: Friday, 11.17, 8 p.m. Where: Gothic Theatre
Why: Slow Magic exists outside of time. The interdimensional creature occasionally releases albums like 2017’s ultra-chillout pop extravaganza Float. You can witness the superstring hopper yourself tonight at The Gothic Theatre.
Who:Big Lo (Florida), RAREBYRD$, iiwii and Brett Gretsky When: Friday, 11.17, 8 p.m. Where: Tennyson’s Tap Why: An experimental hip-hop show at Tennyson’s Tap isn’t unheard of and this time it’s Big Lo from Florida whose beats include a mix of samples and turntablism to create a sense of introspection in the face of impending danger. Before and since moving from Saint Louis to Denver, Rooster Jake has been involved in various hip-hop and experimental projects over the years, his latest being iiwii. Brett Gretzky recently migrated to Denver from Saint Louis as well bringing their mixture of hip-hop and soul. RAREBYRD$ will break your heart with sincerely, deeply felt yet gentle expressions of the lowest points a person can reach in the psyche and still come back with one’s soul intact. They use drum machines, synths and sequencers but it always sounds like it’s coming right out of their imagination and plugged into the P.A..
Who:Ice Troll, Never Kenezzard, Heathen Burial and White Dwarf When: Friday, 11.17, 8 p.m. Where: Pit Stop Tavern Why: Doom shows don’t happen in far West Denver much but tonight doom orchestra Ice Troll will play Pit Stop Tavern along with sludge metal thrashers Never Kenezzard, noisy death metal trio Heathen Burial and stoner rock outfit White Dwarf.
Saturday: November 18, 2017
Who:Dead Boys 40th Anniversary tour w/The Roxy Suicide When: Saturday, 11.18, 8 p.m. Where: Streets of London Why: For four years Dead Boys were one of the most outrageous and influential of the early punk bands. With just two albums under its belt, 1977’s Young Loud and Snotty and 1978’s We Have Come for Your Children, Dead Boys set a high bar for inventive guitar work between Cheetah Chrome and Jimmy Zero, a primitivistic yet inspired rhythm section in Johnny Blitz and Jeff Magnum and literate yet gritty lyrics from charismatic frontman Stiv Bators. The original band split in 1979 but in its wake a lot of the more interesting and scary punk bands of the 80s emerged. In 2017 the band officially re-formed and issued a re-recording of Young Loud and Snotty called Still Snotty: Young, Loud and Snotty at 40 with its new lineup including Chrome and Blitz as well as new members Jason Kottwitz on guitar, Ricky Rat on bass and frontman Jake Hout. The original record was meant as a demo and the new record is of a much higher quality if missing the genius alchemy of the original band. But you’re not getting a second rate re-tread this time around. This version of the Dead Boys may be older but it still packs a punch.
Who: Galaxy Express 555 (MN), Hippies Wearing Muzzles, J. Hamilton Isaacs When: Saturday, 11.18, 6:30 p.m. Where: Historic Grant Avenue Church Why: Galaxy Express 555 is Christopher Farstad’s project that incorporates elements of ambient music, experiential sound environment composition, sampling and loops to create music that has the effect of being a soundtrack to some non-dystopian future society of wide open spaces and minds. Hippies Wearing Muzzles is a modular synth project from Denver. J. Hamilton Isaacs is basically Dugout Canoe so you know the beats and analog synth combination will be beautifully transporting yet feel grounded at the same time. All of this is taking place in church where the natural acoustics will give otherwise electronic music a warmth it doesn’t often project.
Who:Glasss Presents: The Speakeasy Series featuring Equine w/Mondo Obscura When: Saturday, 11.18, 7 p.m. Where: Hooked on Colfax Why: This is the latest in Glasss’s Speakeasy Series in the basement of Hooked on Colfax. This time with ambient duo Mondo Obscura and experimental guitar minimalist Equine. Kevin Richards of the latter played drone guitar for years as Temples after having spent several years in weirdo post-hardcore outfit Motheater where he made strange jazz chords fit into a punk context. This show will be a collaborative set between the two projects.
Who:King Eddie – Holographic Universe Album release w/Kyle Emerson, Panther Martin and déCollage DJ set, visuals by DenVR When: Saturday, 11.18, 8:30 p.m. Where: Hi-Dive Why: King Eddie is releasing its debut album Holographic Universe and celebrating the occasion with friends Kyle Emerson (whose pastoral psych pop songs are graced with Emerson’s insightful, observational lyrics) and Panther Martin (if indie rock could have come out of late 1970s New York City, it might have sounded like Panther Martin). King Eddie’s songs sound like the band synthesized modern psychedelic rock with math rock rhythms as though assembling a beat over which the band created a colorful and transporting imagery. Reed Fuchs of déCollage will do one of his unique DJ sets and be prepared for some truly unusual and inspired images from DenVR.
Who:It’s Just Bugs, Nearby Liars, Mouthfeel, Falsetto Boy When: Saturday, 11.18, 9 p.m. Where: The Skylark Lounge Why: This’ll be a weird one for some people because few of the bands are anything alike. It’s Just Bugs is an industrial hip-hop band. Nearby Liars are somewhere between slowcore and late 90s emo with all the glitter and drifty, sweeping, swelling, dramatic emotional experiences you’d want vicariously from that kind of music to purge the Fall blues. Mouthfeel includes members of Wrinkle, Altered State and Laurium. Falsetto Boy is some post-emo, lo-fi singer songwriter type of music.
Who:The Blasters w/O.G. Country When: Saturday, 11.18, 9 p.m. Where: Lion’s Lair Why:The Blasters were and are a respected blues-roots band from Los Angeles where it rubbed shoulders with the punk world, paisley underground and early alt-country acts. The Blasters’ sheer skill and energy made a big impression on everyone that saw them even if the band never quite became a household name. Its 1980 debut album American Music really was a demonstration of how much American music the Alvin brothers, Bill Bateman and John Bazz had absorbed, learned, reinterpreted, amalgamated and reinvented. O.G. Country from Denver, opens this second night of a two night residency at Lion’s Lair.
Who:Liam Gallagher w/Warbly Jets When: Saturday, 11.18, 8 p.m. Where: Gothic Theatre Why: Oasis’ 1995 hit “Wonderwall” made way too many people think maybe they too can sing in a pop band. Part of it was Liam Gallagher’s borderline tone deaf vocal delivery. But Gallagher is a gifted, powerful singer with some charming rough edges to his voice. And to his personality, for that matter. His conflict with brother Noel was the stuff of tabloid news. But one thing we can thank Oasis for was in finishing off some real dreck in popular music by offering something better and more genuine because you knew the Gallagher brothers weren’t faking it. Endless naff covers of “Wonderwall” plaguing karaoke nights and dire YouTube videos aside, Liam Gallagher’s real legacy was not just his music but some truly amazing moments of comedy and inspiredly uncharitable bits of rhetoric over the years as well as tender and earnest expressions of appreciation for other artists even when, such as the case with The Verve in recent years, those expressions come off as a bit of a headscratcher. He probably had a good laugh about that. Gallagher’s debut solo album, As You Were, came out in October 2017. It’s a bit reminiscent of 60s blue eyed soul and David Bowie’s more R&B moments but the songwriting is solid.
Opening the show is Warbly Jets from Los Angeles. It’s self-titled debut album is a bit slick and polished for a bunch of young musicians who clearly have it in them to go full on into the kind of gritty yet tuneful rock and roll that inspired them. But that’s what happens in the music industry often enough and you just have to check out the band in their, one would presume, element, on stage. With any luck you’ll see a band that has shed the self-conscious quality of the record and even where it might be derivative, play like the band believes in itself.
Sunday: November 19, 2017
Who:Chad VanGaalen w/NE-HI When: Sunday, 11.19, 8 p.m. Where: Hi-Dive Why: Chad VanGaalen may not necessarily be known for this now but at some point in the future he may be more widely acknowledged as one of the most influential guitarists and producers of his generation. His bedroom recordings for Infiniheart was picked up by SubPop in 2005. His gift for articulating the anxiety and alienation of the modern era clearly struck a chord and his subsequent music has explored some dark and some merely troubling corners of the human psyche with an ear for the perfect harmonic atmospherics and texture. In 2008, Van Gaalen began his relationship with the math rock/post-punk band Women, a band now oft-cited by younger guitar bands as an influence for its creative use of tone, angular rhythms and dynamics. Members of Women are now in Preoccupations. VanGaalen’s 2017 album Light Information sounds like he’s been listening to a lot of Mission of Burma, Helium, 80s minimal synth music and various Jay Reatard projects but the alchemy of that and his own well-developed aesthetic has rendered the songs into something that sounds like something from a long time ago in a place some of us wish existed. It has the kind of vintage sheen like a Ti West film.
Chicago’s NE-HI put out one of the years most repeatedly listenable albums of the year with OFFERS. It’s labyrinthine melodies and straightforward rhythms are a winning combination because it transforms lo-fi garage rock into something extraordinary. Comparisons could be made to Palm, Pavement and Parquet Courts. But its urgent jangle is coming from a different place and that’s what sets the band apart.
Who:Tori Amos w/Scars on 45 When: Sunday, 11.19, 6:30 p.m. Where: Paramount Theatre Why: Tori Amos was one of the earliest artists to attain mainstream commercial success to sing about sexual abuse, her struggle to attain her own creative liberation in a sexist music industry that often could (and often can, truth be told) value women as objectified entities that must fit a fairly narrow mold to present to potential audiences. And otherwise just refreshingly vulnerable and honest depictions of life. Though Amos spent much of the rest of her career exploring and writing thoughtfully on these subjects, in the 2000s, Amos put more focus on more mythical expressions, giving her work new dimensions only hinted at in her earlier work. 2017’s Native Invader is about how we can heal ourselves and the world through facing our challenges and conflicts honestly—which has more or less been Amos’ core message as a songwriter since her solo debut album, 1992’s Little Earthquakes.
Tuesday: November 21, 2017
Who:In the Company of Serpents, Goya, Matriarch and Palehorse/Palerider When: Tuesday, 11.21, 7 p.m. Where: Hi-Dive Why: A handful of Denver’s best heavy bands are on this bill. Matriarch is a doom/drone band whose 2015 album Magnumus: The 44th Scribe and Lorde of the Hallucinauts has two tracks. And it’s not an EP. It’s also just two lengthy songs that take you on a journey of crushing epics like the soundtrack to Vikings exploring the lands of Irish legend set in South America. Blend all that imagery together and that’s the Matriarch sound. In the Company of Serpents has cracked the monolith of its own sound this past year and the result is 2017’s Ain-Soph Aur, where the band’s songwriting beyond devastating riffs emerges for some of ITCOS’ best songs to date. Palehorse/Palerider is the kind of band where people who have generally played more punk-oriented music got into the soundcaping possibilities of heavy music whether metal or the deep atmospherics of the best shoegaze and post-rock music. Its own 2017 epic masterpiece is Burial Songs.
Who:Mom Jeans. (Side One Dummy), Prince Daddy & The Hyena (NY), Kississippi (PA), Old Sport and Blue Lane Frontier When: Tuesday, 11.21, 7 p.m. Where: 7th Circle Music Collective Why: The lazy thing to do would be to say this is an emo show. Mom Jeans from Berkeley, California is unabashedly so and thus part of that band’s appeal. And more like the late 90s, borderline indie rock variety with the spidery, jangly guitar work. Old Sport from Denver is on the more math-y end of emo with intricate guitar work and song dynamics that sound like someone is thinking in terms of film editing with dramatic drop-outs and sparkling guitar melodies, emotionally charged vocals and a variety of rhythm and texture not common enough in punk generally. Kississippi from Philadelphia is fronted by singer and primary songwriter Zoe Reynolds whose lyrics possess an impressive insight into her own emotional landscape and the ability to translate that into instantly relatable songs.
Wednesday: November 22, 2017
Who:Git Some, Zebroids, Fast Eddie, Jane Doe When: Wednesday, 11.22, 9 p.m. Where: The Oriental Theater Why: Post-hardcore band Git Some has been around for well over a decade when it started in Chicago in the early 2000s. Through various line-up changes members of the band (Charles French and Neil Keener) have also become members of Wovenhand, bringing another level of grit and intensity to a project not short on that already. It’s essentially noise rock with a sense of humor. Speaking of humor, punk band Zebroids is essentially a ridiculous joke of a punk rock band with absurd lyrics and an equally absurd stage presence. Nevertheless, the band is a lot of fun. Jane Doe is a combination of dark, starkly intense poetry, jagged noise rock and free jazz sensibilities. Fronted by the charismatic Becca Mhalek, Jane Doe is one of Denver’s best kept secrets. For now. Fast Eddie is a hard rock band from Denver which includes Micah Morris who some may know as one of the main people behind Barf magazine. Silly name, perhaps, with some fairly absurdist content, but the magazine has provided some of the better content about Denver music and beyond of recent years
Who:Cannibal Corpse w/Power Trip, Gatecreeper and Of Feather and Bone When: Wednesday, 11.22, 7 p.m. Where: Summit Music Hall Why: Cannibal Corpse has been getting under the skin of cultural conservatives and squeamish faux-do-gooders for years with music that itself isn’t something we’re going to hear much of any time soon on commercial radio. But the lyrics, quotable by gore horror fans and metalheads for years, almost gleefully crafted to outrage with being so cartoonishly over the top, is what has landed Cannibal Corpse in some hot water with would-be censors. But the live show isn’t littered with corpses and zombies or anything like that so just go expecting one of death metal’s greatest bands. Opening the show are Dallas-based thrash band Power Trip, Arizonan death metallers Gatecreeper (whose music video for “Desperation” from 2016’s Sonoran Depravation is a harrowing depiction of violence and a bit of a commentary on what leads to that sort of thing), and Denver’s deathgrind powerhouse, Of Feather and Bone.
October continues to be the busiest live music month for Denver but one with few if any festivals, thank goodness. As usual here are several offerings worthy of your attention.
Thursday: October 19, 2017
Who:Din Virulent & MGNLP w/Rasmussen and Juice Up When: Thursday, 10.19, 7 p.m. Where: 7th Circle Music Collective Why: This is basically a harsh noise show but one thing lost on people that either actively despise it or don’t get it at all is that most noise artists are completely unlike every other noise artist. Juice Up has some disorienting arrangements of samples and sounds that’s something like a completely unconventional rhythm but there is a humorous playfulness there. Rasmussen is John Rasmussen of Denver noise legends Page 27. Rasmussen’s solo output is so diverse in texture and tone that even his “harsh” noise sets tend to have a subtlety and nuance that suggests the serious composition and planning that undergirds sounds that aren’t trying to fit at all into a pop song format. Din Virulent sounds like what happens when you chain a few delay pedals together and have them feed back off each other while manipulating the signal for an effect like watching white noise on TV if that image was sound and occasionally felt like it was aggressively charging out at you.
Friday: October 20, 2017
Who:Tera Melos w/Speedy Ortiz, Holophrase and Meet Me In Montauk When: Friday, 10.20, 8 p.m. Where: Larimer Lounge Why: Tera Melos might be one of the more misunderstood bands of the last several years because it sounds like its member spent some time playing in one of Trey Spruance’s projects: lots of unusual rhythms and dynamics requiring a precise musicianship while not sounding too in the pocket; heavy guitars, disorienting tones and an alternating driving and and hanging melodies. Its 2017 album, Trash Generator, is like a math rock shoegaze album with a touch of brutal psychedelia. In that way Tera Melos could be said to be a bit of a musical cousin to noise rock phenoms Deerhoof. Speedy Ortiz sounds like it picked up where The Breeders and Throwing Muses left off in the mid-to-late 90s with captivating, fuzzy melodic songs that take a walk out of every day mundane life while commenting on that life with with and sensitivity. Holophrase is a Denver band that has come out of being a guitar-based indie rock band (albeit one that didn’t sound much like anything contemporary and only slightly like Magazine) into being a mostly electronics-based band with deep atmospheres and Malgorzata Stacha’s layered vocal melodies serving as an emotional and sonic locus for the group’s hypnotic, chilly soundscapes.
Who:Thurston Moore w/The Diary of Ic Explura When: Friday, 10.20, 8 p.m. Where: Larimer Lounge Why: It is indeed Thurston Moore of influential No-Wave-and-punk-inflected rock band Sonic Youth. His new album, Rock and Roll Consciousness, showcases Moore’s gift for writing moody pop songs bolstered by dynamic and complex yet tasteful guitar work. It’s melancholy stuff but much of Moore’s best material is yet he also manages to lend his songwriting a thoughtfulness not mired by despair. He can create a gritty image and imbue it with some future hopefulness not yet obvious in the moment he documents in his words—being in the moment but knowing that you can never fully get stuck there unless you try really hard. The Diary of Ic Explura is Toni Oswald’s ambient, sound collage experiments that she sculpts into coherent songs by adding instrumentation to elements that aren’t necessarily inherently musical. Like musique concrète with a soundtrack. Which is nothing new in the world of avant-garde music but Oswald’s vibrant and transporting music demonstrates well how noise and composition can work together.
Who:The Juan MacLean When: Friday, 10.20, 8 p.m. Where: Bar Standard Why: Deep Club 3rd Fridays brings The Juan MacLean to a relatively small venue. John MacLean’s first chapter in influential music came with his tenure as a guitarist for Providence, Rhode Island-based, experimental post-hardcore band Six Finger Satellite. The band was an early practitioner of fusing electronic elements with the usual punk rock instrumentation and operating in the same musical realm as bands like Arab On Radar, Lightning Bolt and Mindflayer—though predating them all. When SFS split near the turn of the century, MacLean left music for a few years before Six Finger Satellite’s sound engineer, James Murphy (who some may know as starting DFA Records and as a member of LCD Soundsystem) helped convince him to make music again. But instead of doing the noisy punk stuff he’d been doing, MacLean focused instead on forward thinking electronic music and a mutant form of modern disco. And that’s what you can more or less expect at this event.
Who:Don Strasburg, Cuckoo, Ashley Koett When: Friday, 10.20, 8 p.m. Where: Denver Bicycle Cafe Why: Don Strasburg isn’t just a clever name for a band. The Boulder-based outfit doesn’t bother to trace any lines on the punk rock spectrum but fans of modern, mathy emo will find something to like but so will anyone that is into the most genre-bending, noisy post-hardcore. Cuckoo is lo-fi dream pop that would have fit in well on the Siltbreeze imprint or so it’s 2016 album Mermaid’s Don’t Exist would suggest. For fans of stuff like early Sebadoh, Eat Skull, Times New Viking, No Age and Microphones. — update, Don Strasburg no longer on the bill, now Terremoto.
Who:Allout Helter & Black Dots FEST sendoff w/faim, The Larimers, Andy Thomas’ Dust Heart When: Friday, 10.20, 8 p.m. Where: Hi-Dive Why: The Fest has been happening in Gainesville every year since 2002. It’s a mostly punk festival and this year’s festival includes the likes of Against Me!, Pegboy, Hot Water Music, Beach Slang, City of Caterpillar, Hum, Snapcase, Atom and His Package and Rainer Maria. But it will also feature Denver political punk thrashers Allout Helter and melodic hardcore band Black Dots. Sure, both bands play Denver regularly but here they are on one bill to send them on their way to one of punk’s most prestigious festivals.
Saturday: October 21, 2017
Who:Afghan Whigs w/Har Mar Superstar When: Saturday, 10.21, 8 p.m. Where: Gothic Theatre Why: Afghan Whigs both predated and embodied what was great about the alternative rock era. The group started as a kind of garage rock band but infusing that sound with soul and R&B, with lyrics revealing a keen insight into human psychology, yielded some of the best records of the 90s. 1993’s Gentlemen was the band’s major label debut, after an independently released 1988 debut and two fine records for Sub Pop, and the record that was a departure from the fuzzy psychedelia of its earlier efforts. As “alternative rock” was running out of steam by the middle of the decade, Afghan Whigs continued to write and record vital music for 1996’s Black Love and 1998’s 1965 before the band amicably split in 2001. Singer Greg Dulli kept on battling his personal demons in other projects throughout the 2000s but in 2011 Afghan Whigs announced it was reuniting. A lot of bands from the alternative rock world have reunited and most of them have had respectable tours and the Whigs were no different. Dulli was and is an electrifying frontman and the band’s performance startlingly powerful overall. Currently the group is touring in support of its 2017 release In Spades. Har Mar Superstar has stylistically been all over the map from silly hip-hop early in the life of the project (Sean Tillman is also in pop band Sean Na Na) to a more Motown-esque soul and R&B sound while often performing all but nude and making an oddly compelling spectacle of himself. But the music is legit and if it’s tongue in cheek it is in the way that only someone with a deep respect for the musical style could pull off.
Who:Sound of Ceres album release of The Twin, Plume Varia and The Milk Blossoms When: Saturday, 10.21, 9 p.m. Where: Syntax Physic Opera Why: When Ryan and Karen Hover started Sound of Ceres in 2015, setting aside their dreamy indie pop band Candy Claws for the time being, they seemed to be tapping into a daydream realm of freely associating ideas and sounds and something about the purity, honesty and transcendent beauty of the music translated well onto the recording of 2016’s Nostalgia for Infinity. On the 2017 follow-up, The Twin, the band is spending less time drifting through shimmering gossamer and luminous fog. The minimalist songwriting approach this time leaves enough space for greater clarity of tone and distinctness of sounds working in conjunction with each other. It is not a better record but it sounds very focused. Denver dream pop greats Plume Varia and The Milk Blossoms open the show potentially opening a vortex into some realm Lord Dunsany would have written about. At least emotionally speaking. Vampires and werewolves aren’t real either, kids.
Who:Torres w/The Dove & The Wolf When: Saturday, 10.21, 8 p.m. Where: Larimer Lounge Why: Torres is an artist like PJ Harvey, Aldous Harding, EMA or John Vanderslice who are difficult to pigeonhole, whose high imaginative and powerful work cannot be reduced to a simple genre. Mackenzie Scott, the person behind Torres, doesn’t limit her songwriting to a single instrument so her sound has a layered cohesion even as it sounds like she’s going off the rails. There is an honesty, power and vulnerability to her music that comes across perhaps most vividly on her new record, Three Futures. Interestingly enough, Mackenzie got Rob Ellis, a longtime collaborator with PJ Harvey, as well as Portishead’s Adrian Utley.
Who:The Rotten Blue Menace reunion show w/Short Bus Rejects, The Beat Seekers, The Beeves and Sentry Dogs When: Saturday, 10.21, 7 p.m. Where: 7th Circle Music Collective Why: The Rotten Blue Menace spent a few years being one of the most entertaining and active ska bands in Denver so it’s only appropriate that it would have its reunion show sharing the stage with a band it likely influenced, Short Bus Rejects, who are playing their final show this night. It won’t all be ska or ska punk because street punkers Sentry Dogs and melodic grunge wonders The Beeves will fill out the bill.
Who:Kitty Crimes (DJ set), Snubluck, DJ Polyphoni and Just, Kevin When: Saturday, 10.21, 8 p.m. Where: Fort Greene Why: Kitty Crimes is normally a fast rapper with some explicit content in her lyrics and always pretty entertaining. For the DJ set who knows what might be in the mix because Maria Kohler, aka Kitty Crimes, has fairly diverse taste in music and the rest of the night will be some form of electronic dance music including experimental beatmaker and soundscaper, Snubluck.
Sunday: October 22, 2017
Who:Daikaiju w/TripLip, Kenaima and Chaff When: Sunday, 10.22, 8 p.m. Where: Streets of London Why: Since 1999, surf rock band Daikaiju from Huntsville, Alabama, has been performing shows that are the stuff of legend. Fire, acrobatics, the kind of exuberant energy that’s impossible to not be swept up in at the show. They play in costume so you might think of them being, overall, something like Peelander Z and Crash Worship, lucha libre and kabuki. People often use the word “chaotic” to describe the show and fair enough but more like an explosion of fun. Also playing the show is TripLip, which is comprised of people who used to live at the late, great Five Points Denver DIY venue Mouth House. TripLip is more psych and prog but very much in the same spirit as Daikaiju, a band that somehow hosted Daikaiju’s wild live show more than once in a residential neighborhood.
Who:A Giant Dog w/SPELLS and Class President When: Sunday, 10.22, 8 p.m. Where: Hi-Dive Why: It’s odd that Austin’s A Giant Dog hasn’t broken to a much larger audience. But for now count yourself lucky you’re getting to see the band in smaller venues in Denver for now. Its rowdy, tuneful mélange of early glam rock, punk and power pop is celebratory without coming off insincere. That’s probably because the songs are about things that anyone that isn’t living a glamorous or pampered life can relate to and delivered with an unlikely combination of vulnerability and conviction. In 2017, A Giant Dog released Toy, its most fully-realized album to date, through Merge Records. Denver’s SPELLS is cut from a similar cloth as a brash, minimalist punk band not short on melody in its own right.
Monday: October 23, 2017
Who:Daikaiju, TripLip and Today’s Paramount When: Monday, 10.23, 7 p.m. Where: 7th Circle Music Collective Why: For Daikaiju and TripLip see above. Today’s Paramount is sort of a psychedelic jazz rock band with touches of carnival music and ska. But it works and Today’s Paramount doesn’t sound much like anything else in Denver except for maybe a band where the chops, songwriting and humor are blended together well and developed to a high degree like The Inactivists.
Who:Shadows Tranquil, Voight, Equine When: Monday, 10.23, 8 p.m. Where: Syntax Physic Opera Why: Shadows Tranquil is a band including longtime music fan, often threatening to be musician, finally is, Doran Robischon, and this is the band’s EP release show. Knowing Robischon’s taste for noise, witchouse, dark atmospheric music and stuff on the moody spectrum of all of that, his band will probably be interesting. Voight is the post-punk band that has interwoven strong strains of noisy shoegaze and industrial. Equine is the solo project of Kevin Richards and it’s guitar soundscaping stuff that comes off like a sculpted version of ambient and musique concrète.
Who:Hissing w/SUTEKH HEXEN, Of Feather and Bone, Worm Ouroboros, Vermin Womb and Casket Huffer When: Monday, 10.23, 8 p.m. Where: Hi-Dive Why:Hissing and Sutekh Hexen recently released a split record, fitting since both are more on the brooding end of death grind. Disorienting, hypnotic pummeling through sound and rhythm. Minimalistic yet loud and aggressive. Both are in good company with the rest of this bill. Of Feather and Bone is certainly the more in-your-face style of deathgrind that is thankfully too alienating for casual fans of metal. Vermin Womb is similarly-minded but has more hanging dynamics and sounds closer to the roiling chaos bordering on nasty atmospherics in some black metal. Cheyenne, Wyoming’s Casket Huffer has a flavor that still has some connection to thrash, at least in the guitar work. Oakland’s Worm Ouroboros, however, will be a bit of an anomaly with its beautifully expansive, minimalistic and melodic, ethereal metal rooted in themes of nature and humankind’s relationship with the environment. If you’re fans of SubRosa, Dreadnought and Wolvserpent you’ll probably find something to like about Worm Ouroboros. Update: Worm Ouroboros no longer on the bill, instead Un, the “Aetherical Doom” band from Seattle. Also, it appears Sutekh Hexen dropped out of the show too.
Tuesday: October 24, 2017
Who:Hans-Joachim Roedelius w/Xambuca and Dream Hike When: Tuesday, 10.24, 10 p.m. Where: Mercury Café Why: Hans-Joachim Roedelius is one of the true pioneers of krautrock and synthesizer-based music generally. His diverse body of work influenced the development of the aforementioned as well as new age music, psychedelic rock, ambient and electronic music generally. He was one of the co-founders of Zodiak Free Arts Lab in West Berlin in 1968, one of the most important spots for experimental music and the avant-garde of its time. Along with Conrad Schnitzler and Dieter Moebius he formed Kluster (later Cluster after Schnitzler left the group), a band for which any idea seemed a go and its’ mixture of standard rock band instrumentation (albeit used toward unorthodox ends), cello, synths, feedback manipulation and unusual devices to use in music like car batteries and signal generators. Kluster didn’t exactly hit the charts but its legacy of experimentation and recontextualizing sounds continues to this day.
Roedelius has since then been a prolific artist whose projects (solo and otherwise) and collaborations have pushed the boundaries and horizons of experimental music and synthesizers. With Cluster and Harmonia, Roedelius took truly unusual and groundbreaking musical ideas and made them accessible. Cluster collaborated with Brian Eno on 1978’s ambient music classic After the Heat. In the next decade Roedelius’ work helped to refine and further define the aesthetic of techno. But, interestingly enough, Roedelius’ most prolific years came in his mid-sixties around the turn of the century. This is a rare opportunity to witness one of the founders of modern music and especially at a small and intimate venue like The Mercury Café.
Who:Ariel Pink w/Bite Marx When: Tuesday, 10.24, 7 p.m. Where: Hi-Dive Why: Ariel Pink as much as Animal Collective and Deerhunter can be said to have been responsible for inspiring a whole generation of musicians to use reverb on their vocals and guitars in an attempt to create a dreamlike soundscape that pre-dated the full-on psychedelic rock revival by half a decade. Except that those three acts did that and pushed the aesthetic further than most of the people they influenced. AC released a few of Ariel Pink’s earlier records before he was a touring act or one that played live much at all. To his credit, like Animal Collective and Deerhunter, every one of Ariel Pink’s albums pushes his own envelope and his new record, Dedicated to Bobby Jameson, is a fitting homage to the late, great cult songwriter of transporting psych folk.
Who:Dinosaur Jr w/Easy Action When: Tuesday, 10.24, 7 p.m. Where: The Gothic Theatre Why: Dinosaur Jr is the clear draw for this show and rightfully so. The band has inspired more great guitar music to have come along since the early 80s out of proportion to their level of fame than most other bands you could name. Certain an influence on shoegaze, noise rock, alternative rock in general and any kind of left field music that dares to use guitar sounds with a nod to classic rock virtuosity and punk rock’s willingness to repurpose and deconstruct rock tropes. But get there early and catch one of the greatest frontmen in the history of rock music in John Brannon of Easy Action. One, the band is like a psychedelic version of Black Flag with that kind of forcefulness and ability to write guitar riffs that also disorient the senses. Brannon first came to the attention of most people in the know with his hardcore band Negative Approach. But in the mid 80s, Brannon formed legendary noise rock band Laughing Hyenas with the late Larissa Stolarchuk, Jim Kimball and Kevin Munro. For a decade the band set a high bar for intense live performances and songs that really articulated the harrowing struggle between desperation, inspiration and dreams of a more meaninful existence. Easy Action formed near the turn of the century and alongside a re-formed version of Negative Approach it has been Brannon’s outlet for his unique vocal style that is as terrifying as it is riveting.
Who:Tei Shi w/Twelve’len When: Tuesday, 10.24, 7 p.m. Where: The Gothic Theatre Why: Valerie Teicher was born in Buenos Aires and spent part of her childhood in Bogotá and Vancouver, BC. So maybe somewhere along the line her knack for gently but vibrantly soulful vocals started to develop. However it happened, her early singles as Tei Shi found an audience among fans in her then adopted home city of New York, where she moved after attending Berklee. After a string of acclaimed EPs, Teicher released her 2017 full-length Crawl Space. It is an expansive gem of a downtempo, R&B-inflected synth pop album named after a place Teicher used to go to confront her fears of darkness. An apt metaphor for the various situations (emotional, social, professional, personal and so forth) Teicher discusses with nuance and insight across the album’s fifteen tracks.
Who:Dayglo Abortions w/Serial Killer Sunday School, The New Narrative and Self Service When: Tuesday, 10.24, 9 p.m. Where: Streets of London Why: With a name like Dayglo Abortions the Canadian punk band was never going to have to worry about being co-opted by mainstream music outlets. During its existence, Dayglo Abortions have been punk, hardcore and crossover but its messaging has been the same—a big middle finger of irreverence for mainstream normalcy. Read the track list to the 1986 classic Feed Us a Fetus and you might even wonder where this band is coming from except for a healthy and vitriolically humorous disdain for right wing politics and racism and other aspects of Western culture that make it a bummer for anyone trying to live an authentic life. This is also the band that named its 1991 album Two Dogs Fucking. That level of surrealistic humor and pointed political statements didn’t exactly end, thank goodness. Opening the show are Denver’s Serial Killer Sunday School, The New Narrative and Self Service, all great punk bands that aren’t just irreverently funny but who have some fairly pointed commentary on the ills of American society.
Who:My Life With the Thrill Kill Kult w/Ritual Aesthetic and DJ Ritual When: Tuesday, 10.24, 8:30 p.m. Where: Streets of London Why: My Life With the Thrill Kill Kult is celebrating its 30 year anniversary with this tour so they’ll be playing a whole lot of early albums Confessions of a Knife (1990) and I See Good Spirits And I See Bad Spirits (1988) so you’ll get to see some vintage material. The show is the best kind of spectacle and it perfectly blends B-movie horror kitsch, a carnival, trash culture and industrial dance music into an inspired whole. Chances are it will be one of the most fun shows you’ll see all year even if you’re not necessarily into industrial music. DJ Ritual will spin his relatively eclectic set at the show and between bands. Ritual Aesthetic is an industrial rock band from Denver in the vein of stuff like Electric Hellfire Club and Stabbing Westward when that band is more industrial than metal.
Wednesday: October 25, 2017
Who:Arcade Fire w/Bomba Estereo When: Wednesday, 10.25, 6:30 p.m. Where: Fillmore Auditorium Why: Arcade Fire quickly became one of the most popular of early 2000s indie rock bands following the release of its 2004 debut album Funeral. On that tour the band played in Denver at Hi-Dive and Larimer Lounge. By the time Neon Bible came out in 2007, Arcade Fire had become too commercially successful to play small clubs. And that’s where it cold have ended with all the pressures of the music industry guiding the band into tried and true territory. But Arcade Fire actually risked alienating fans with 2013’s Reflektor and its emphasis on the electronic side of the band’s soundscapes. For 2017’s Everything Now, the band recruited Pulp’s Steve Mackey, Thomas Bangalter of Daft Punk and Geoff Barrow of Portishead to come in and do production work and the resulting set of songs is lush and has a warm, sweeping quality that one might expect out of a 70s glam rock record. As such the live show is sure to not skimp on a visual component to aid in the elevated tone of the songwriting. It’s kind of a past time of music critics and older fans to trash Arcade Fire today but it’s arguable the band is writing the most interesting music of its career by being willing to push forward instead of sticking to what some people think is what they do best. Bomba Estéreo is an alternative Cumbia band from Colombia.
Who:KMFDM w/OhGr and DJ Ritual at Summit Music Hall When: Wednesday, 10.25, 7 p.m. Where: Summit Music Hall Why: Kein Merheit Für Die Mitleid does not in fact mean “Kill Mother Fucking Depeche Mode,” per the long-running joke. The industrial band was founded in Hamburg, Germany in 1984 and has undergone numerous incarnations and stylistic shifts from its early performance art-oriented shows to its full embrace of bombastic kitsch, sardonic humor and thoughtful social critique. You can probably start anywhere to get an idea of what the band’s music is about but for beginners give 1997’s Symbols a listen. Which is appropriate enough because Ogre from Skinny Puppy will perform his solo material as OhGr as a kind of co-headliner for this show. His set lists have included a good deal of material from Welt and SunnyPsyOp. And it’s Ogre so his set will have plenty of the inspired weirdness that has made him one of industrial music’s most interesting performers and artists. And who knows, maybe he’ll join KMFDM on stage for “Torture” as he did during KMFDM’s tour for that album in the 90s.
Who:Guided by Voices When: Wednesday, 10.25, 8 p.m. Where: Fillmore Auditorium Why: Robert Pollard is by now both a godfather of modern lo-fi rock and one of its most accomplished and prolific artists. Had he ended Guided By Voices after 1994’s epochal Bee Thousand he would still be a legend. But 18 albums later, Pollard is still going strong with two 2017 albums: August By Cake (Pollard’s 100th recorded album) and How Do You Spell Heaven. Not every song is a winner but even Bob’s “lesser” material is worth a spin. The live show is an unabashed flood of splintery rock and roll in an era when there’s too much emphasis on being smooth and polished or faking grit. There’s no fake grit with Guided by Voices except maybe as an inside joke with fans and the audience.
Who: Bell Witch w/Primitive Man, Urn and Oryx When: Wednesday, 10.25, 8:30 p.m. Where: Hi-Dive Why: Seattle-based doom band Bell Witch released one of the genre’s most haunting and crushing albums of 2017 with Mirror Reaper. The duo manage to conjure spectral horror and primal energies crying out in drawn out triumph with processed bass, drums and vocals. A perfect pairing with tourmates Primitive Man from Denver whose own 2017 album Caustic not only beyond lives up to and embodies the album title, it is an evocation of sustained despair, desperation and frustrated rage transmogrified into colossal and punishing songs that somehow also serve as a catharsis and a channel into an inner peace that are the opposite of the songs themselves. Opener Oryx is a sort of doom grind duo and the other opening act, Urn, injects some psychedelic elements into its own brand of doom. Probably the loudest show of the week outside of that Dinosaur Jr and Easy Action show on October 24 but also easily one of the best lineups of heavy music all month.