Best Shows in Denver and Beyond July 2022

Primitive Man performs at Bluebird Theater on July 15, 2022
Aldous Harding at UMS 2017, photo by Tom Murphy

Friday | 07.01
What: Aldous Harding w/H. Hawkline
When: 7 p.m.
Where: Gothic Theatre
Why: Ever since the release of her 2014 self-titled debut album Aldous Harding has been crafting some of the most unique songs in the realm of indie folk of the past few decades. With each album Harding offers songs that seem like a blend of the deeply personal, the mythical and the conceptual. Her song titles suggest a surreal aesthetic that lends itself to her imaginative story telling and a willingness to seek beyond tropes and clichés for ways of signing about relationships, identity, aspirations and dreams and commenting on society. 2017’s Party and her subsequent North American tour revealed Harding to be a truly and fascinatingly idiosyncratic artist whose emotionally powerful and riveting performances were reminiscent of Joni Mitchell with a touch of Kate Bush. Her latest album Warm Chris (2022) puts the focus on fusing the jazz elements of her songwriting with the avant-garde pop for a set of songs that sound like lounge music from a parallel universe where creative weirdos are in charge and creativity is more valued than affirming popular trends.

Reverb and The Verse, photo by Tom Murphy

Friday | 07.01
What: Yonbre Netz w/Reverb and The Verse
When: 9 p.m.
Where: Broadway Roxy
Why: Yonbre Netz is a Boulder-based hip-hop and experimental electronic artist whose varied collaborations can be heard on his Spotify account where his keen ear for colorful, percussive melodies can be heard. But this is also a rare chance to catch Reverb and The Verse who recently put out their tenth and supposed final album BLACKWALL under this project name. Shane Etter and Jahi Simbai have been at it since the late 90s making hip-hop that has always been rich with creative soundscaping and truly clever wordplay informed by incisive commentary on society and the travails of everyday life. Seemingly never content to repeat the same musical ideas album to album the duo’s catalog of material is a great trail of creative evolution and experimentation. BLACKWALL is a little like if Public Enemy collaborated with Nine Inch Nails with the gift for emotionally charged and politically and poetically astute as that comparison might imply. You may not get many chances to catch those guys in action and the Broadway Roxy would be a great room to make that the opportunity to witness one of the finest hip-hop acts Denver has to offer.

Friday | 07.01
What: Vmthanaachth w/Church Fire, Sell Farm, Ray Diess (album release) and Coma Roulette
When: 8 p.m.
Where: Glob
Why: Vmthanaachth from Dallas, Texas combines ambient music and industrial with classical avant-garde in a way that fans of Pedestrian Deposit will appreciate. Church Fire has been really upping their game with making irresistible bangers that also dismantle status quo sentiments and ways of being. For those not in the know Church Fire is something like an alchemical mixture of synth pop, industrial dance music, confrontational feminist punk and one of the best bands out of Denver or anywhere of the past decade. Ray Diess is releasing his latest album the hyperpop inflected and rawly honest It’ll Always Ache. It sounds like something that might have come out of Manchester in the late 80s or early 90s but with musical references and more obvious inspirations of a couple of decades later. There is some fine shade and ascerbic wit across the album but in the end it’s about seeking the authentic in experiences and embracing one’s own feelings as valid and does so with passion and playfulness.

Spyderland, photo by Tom Murphy

Friday | 07.01
What: Spyderland video/EP release w/Machu Linea and Random Temple
When: 8 p.m.
Where: The Skylark Lounge/Bobcat Room
Why: Spyderland is an electro pop duo comprised of Marie Litton and Drew McClellan. The two have been veterans of the Denver underground scene for years and to their credit this project is really unlike anything else they’ve done. Rather, they’ve taken their strengths as artists and applied then to crafting a different style of music meaning an experimental form of pop that can at times be a bit downtempo but with a spirited sense of play running through how they spark off each other as performers. It comes off as a bit of a musical dialogue which lends itself to a body of imaginative and fresh songwriting. For this show Spyderland is releasing a new animated video and its new EP. Machu Linea is a likeminded artist who can often be seen DJing around town but it turns out Armando Garibay has a gift for assembling beats and sounds that transform popular styles into something far more inventive. The 2020 album HeXotica showcased Garibay’s range as an artist and collaborator with some of the most talented artists in the local hip-hop and electronic music scenes. Random Temple has been in various types of bands over the years but under this moniker his ambient and IDM music freely weaves together textures, tones and even musical structures as a way to deconstruct conventions of genre.

sleepdial in June 2022, photo by Tom Murphy

Monday | 07.04
What: Zach Rowden, Terravault Network, Tripp Nasty and sleepdial
When: 9 p.m.
Where: Glob
Why: Zach Rowden is a member of collaborative improvisational project Crazy Doberman that began life as a series of collaborations with John Olson of Wolf Eyes fame. But since its inception in the late 2010s Crazy Doberman has had a prolific output of recordings. Under his own name or with Tongue Depressor Rowden has been running experiments in texture and environmental sounds as they intersect with a hypnotic, almost ritualistic form of ambient. Terravault Network is Eli Windler (Spectral Voice, City Hunter, No Thought and others) and Kevin Wesley (Hot White) making industrial ambient soundscapes that sound like abstracted and processed environmental field recordings at a distance from an active factory late night near the train tracks and processed to preserve rhythms and an enigmatic mood. Tripp Nasty has had quite the eclectic run of music experiments over the years from modern classical music to performance art, weirdo punk and now an almost academic analog/modular synth composition project that he recently displayed opening for legendary avant-garde musician William Basinski. Sleepdial is Luke Thinnes’ musical alter ego to French Kettle Station. Whereas the latter pushes the boundaries of electronic dance music and new age pop, the former is Tim Hecker-esque textured ambient music that layers subtle running pulses and flowing drifts of white noise and purely abstract melody that conveys a sense of endless space and wonder.

Darkest Hour, photo by Rick Ceauliue

Tuesday | 07.05
What: Darkest Hour w/Toxic Holocaust and Necropanther
When: 7 p.m.
Where: The Marquis Theater
Why: Darkest Hour from Washington D.C. has been evolving its particular flavor of melodic death metal mixed with post-hardcore since its inception in 1995. Its epic guitar progressions and apocalyptic visual style makes the band sound and look like something from the near future after the fallout of the collapse of worldwide civilization as we know it has been sorted out. This tour represents the group’s first with new lead guitarist Nico Santora and Darkest Hour will perform its 2007 album Deliver Us in its entirety and subsequent to the tour the group will return to the studio to record its tenth album. Opening the show is blackened death thrash mutants Necropanther from Denver as well as veteran thrash band Toxic Holocaust from Portland, Oregon whose own music has more than a leg in hardcore and grind as evidenced by its blast beats fused with acidic, Venom-esque menace.

Grief Ritual October 2021, photo by Tom Murphy

Tuesday | 07.05
What: Under the Pier, The God Awful Truth, Vexing and Grief Ritual
When: 7 p.m.
Where: Hi-Dive
Why: Under the Pier is a math-y post-hardcore outfit from Baltimore whose songs feel chaotic even as they are guided by a bizarre precision of execution. Vexing from Denver is difficult to pin down even though it clearly has roots in extreme metal and post-hardcore mainly because it also comes off like a grindcore band that’s dialing back the onslaught a little to let sounds hang in the air and hit you differently than a persistent force. Makes its gruff vocals and mathematically precise accents in a riff seem more nuanced and creative. Grief Ritual is going through some transitions since long time guitarist Mykel Monroe is departing but this may be a last chance to check out his guitar wizardry with Grief Ritual. Its own hardcore stylings have a brutal elegance from guitar pyrotechnics, to finely executed, cathartic vocals to surprisingly spare yet interlocking rhythms that allow for the songs to switch moods and focus of forcefulness with great flexibility. Its most recent album The Gallows Laugh may be more in the realm of metallic hardcore but has the beautifully confrontational and caustic quality of a melodic black metal record.

Puscifer, photo by Travis Shinn

Wednesday | 07.06
What: Puscifer w/Moodie Black
When: 7 p.m.
Where: Mission Ballroom
Why: Puscifer is Maynard James Keenan’s vehicle for a plethora of creative musical ideas that don’t really fit in with the art prog of his more famous band Tool. So he’s been able to infuse it with some of his more innovative experiments in sound and theatrical performance. The group hasn’t toured the U.S.A. since 2016 and reports of shows and footage that has made it onto the internet reveals what you might hope for and expect with elaborate sets and Maynard performing almost like a cosmic variety show host and his cohort of weirdos. The most recent Puscifer album Existential Reckoning (2020) must have been a head scratcher for anyone expecting industrial rock or hard rock in general. Its extensive and evocative use of synths and other keyboards as the drivers of melody and dramatic vocals is tempting to compare to something Peter Gabriel might be doing now but also not unlike something Gary Numan might do and really one of the most sonically fascinating records of Keenan’s career thus far.

Thursday | 07.07
What: The Pine Hill Haints w/Glueman and George Cessna
When: 8 p.m.
Where: Hi-Dive
Why: The Pine Hill Haints from Auburn, Alabama perform fairly traditional bluegrass and folky country with great the intensity and energy. Fans of rockabilly will probably appreciate what the Haints have to offer but its music also seems just slightly out of frame of normalcy to be interesting. Opening the show is George Cessna whose 2021 album Lucky Rider is a beautifully and paradoxically warmly haunting piece of work that transcends “alt-country” into the realm of slowcore and pastoral, Lanois-esque Americana that feels like reading an idiosyncratic noir novel comprised of impressionistic vignettes about navigating a culture and society in decline and trying to do something worthwhile with integrity in spite of one’s personal limitations and the weight of one’s history and attachment to tradition and sentimental notions.

Gila Teen, photo by Tom Murphy

Friday – Sunday | 07.08 – 07.10
What: Compost Heap Music Festival V
When: 3-11 p.m.
Where: Seventh Circle Music Collective
Why: Can’t sum up why better than the verbiage from the FB event below which includes set times and other information.

“It’s happening again! July 8th, 9th, and 10th! One of the biggest temporary DIY music festivals you’ll ever see! Three days of great music from underground bands from across the nation and local support that you may have never heard of but you will definitely love!

ACCESSIBILITY INFO: This event will be wheelchair accessible. ADA portapotty onsite. Proof of vaccination is required. Masks are strongly encouraged. Denver will be hot and dry, dress in breathable and moisture wicking clothing and avoid dark colors. There will be shade provided and cooling misting fans throughout the day. This event will be live-streamed.
We created this festival with a goal, it’s organized to center and amplify the music and art of marginalized folks, and to celebrate radical perspectives and ideologies in general. It’s focus is to try and raise awareness about oppressive institutions that stunt our ability to flourish as individuals and communities, and to come together to resist against them for our collective liberation, express solidarity and make some new friends.

FRIDAY, JULY 8TH
4:00-4:25 Team Nonexistent
4:35-5:00 Mx Wander (PA)
5:10-5:35 Old Scratch & The Holy Mess (AZ)
5:45-6:10 Bird Teeth (WA)
6:20-6:45 Chatterbox and the Latter Day Satanists
6:55-7:20 Endless, Nameless
7:30-7:55 Gutter Town (AZ)
8:05-8:30 Fables of the Fall
8:40-9:05 Shooting Tsars (TX)
9:15-9:45 RAT BATH (WI)
10:00-10:30 Ceschi Ramos (CT)
10:45-11:15 Crow Cavalier

SATURDAY, JULY 9TH
3:00-4:00 OPEN MIC
4:00-4:25 Marissa.
4:35-5:00 Loud in the Morning (WA)
5:10-5:35 Sunnnner
5:45-6:10 HappyHappy (IN)
6:20-6:45 Fruiting Body of the Larger
6:55-7:20 Straight Line Arrival (ND)
7:30-7:55 Gila Teen
8:05-8:30 Danbert Nobacon (WA) (x Chumbawamba)
8:40-9:05 Ludlow (OR)
9:15-9:45 Self Neglect (NM)
10:00-10:30 Lo Cash Ninjas (NN)
10:45-11:15 Doom Scroll

SUNDAY, JULY 10TH
3:00-4:00 OPEN MIC
4:00-4:25 The Michael Character (MA)
4:35-5:00 Rumbletramp (NC)
5:10-5:35 Hello the Camp (ID)
5:45-6:10 Helga Pataki
6:20-6:45 Gone Full Heathen
6:55-7:20 The Ragetones
7:30-7:55 Mr. Atomic
8:05-8:30 Dana Skully and the Tiger Sharks (IN)
8:40-9:05 Caustic Soda
9:15-9:45 Noogy (TX)
10:00-10:30 Plasma Canvas
10:45-11:15 Anxiety Cat (LA) (x Taxpayers)

Compost Heap music festival is a not-for-profit event. All festival revenue will be used to pay touring bands, or donated to the Harm Reduction Action Center in honor of Marci, a dear friend who is no longer with us. Thank you for your support.

$45-75 suggested donation for a weekend (3 day) pass

$20-25 suggested donation for a day pass

+$5 SEVENTH CIRCLE MEMBERSHIP FEE (if you don’t have one already): In order to attend any event at the venue you must posses a membership card. This helps 7C stay afloat and protects them from getting shut down, help keep DIY alive in Denver!

If you would like to pre-order your weekend pass, please email us @ compostheap2022@gmail.com (please put “Compost Heap 2022 pass” in the subject line) You should get an immediate response, but if for some reason you don’t, please email wormfooddiy@gmail.com instead.”

New Standards Men, photo by Tom Murphy

Saturday | 07.09
What: Derek Monypeny w/New Standards Men, Sex Funeral and Pythian Whispers
When: 2 p.m.
Where: Mutiny Information Café
Why: Derek Monypeny is coming from communing with the Methuselah tree to bring his accumulated musical wisdom fostered while living in Joshua Tree. Think drone and “free jazz” if you were hanging with Alejandro Jodorowsky and Werner Herzog. Sex Funeral brings their celebration of the transmogrification of tantric rites through the necromantic meditation practices cultivated in secret sites in southern Iowa. The manifestation of these mystical energies will emerge as improvisational ritual drone for guitar and electronics. New Standards Men are fresh off a sabbatical merging analog synth and guitar as synth alchemy as structured exercises based on the deep secret knowledge shared by Robert Moog, Don Buchla and Morton Subotnick as conducted by Terry Riley. And probably opening this afternoon of high psychedelic frequency modulation is Pythian Whispers. Lore has it the three early members of the band that wrote and performed the album The Dark Edge of Hippie Life met on a mountaintop, perhaps at Machu Picchu, perhaps at Alamut Castle, perhaps in the secret chamber below the skeletons of ancient trees at the top of Mount Evans. Whatever the truth might be and whatever arcane secrets of improvisational music learned it will be unleashed in short form by those ragged vagabonds of psych prog ambient. So what do you have to lose and trust me everything of something to gain? Probably donation based. We’ll see if Jodorowsky can come from Paris to do tarot readings for the event but no promises. Tamam shud.

Hulder, photo by Liana Rakijian

Sunday | 07.10
What: Skeleton and Hulder
When: 7 p.m.
Where: Larimer Lounge
Why: Austin’s Skeleton started out as a hardcore band but has since its 2014 inception morphed into something that has clear sonic roots in thrash and black metal. Its 2020 self-titled album is too slow to be some kind of crossover thing but not slow enough to be some kind of doom project. Its blunt yet jagged riffs are reminiscent of early thrash but without be defined by that aesthetic. Also on the bill is HULDER whose own black metal style weaves together an elegant classical music sensibility with a refined black metal onslaught that reaches epic peaks of evocative and gritty atmospheres like the elevated subjects of her songs. The new album The Eternal Fanfare finds HULDER expanding her sonic palette so that melody and texture seem to work in perfect tandem to cinematic effect like scoring the saga of an ancient heroic journey to the underworld and back.

duck turnstone, December 2021, photo by Tom Murphy

Monday | 07.11
What: TV Star w/Broken Record, Flor De La Luna and Duck Turnstone
When: 8 p.m.
Where: Hi-Dive
Why: TV Star from Seattle apparently aimed at being somewhere between the sound of dysfunctional era The Brian Jonestown Massacre and the more dream pop period of The Jesus and Mary Chain. But it ended up more in the realm of late period Sarah Records jangle pop with delicate melodies and warm vocals. Denver’s “Flora de la Luna” talks about being a “tough guy boy band” but really sounds more like an angsty power pop band with really tight songwriting and enough sneer to keep it from being safe. Maybe that’s what they meant by the whole “tough guy” thing that one presumes was a more humorous and ironic thing you write about your band as an inside joke. Broken Record also from Denver is like if an emo band discovered Dinosaur Jr and didn’t shed some of its roots including drawing some slight inspiration from Rainer Maria. duck turnstone is the band fronted by Melissa K. Jones who moved to Denver in 2018 with her then partner, apparently had an ugly break-up, and then shortly thereafter the pandemic happened and she had the opportunity to pour some of her heartbreak into writing music that in 2021 she was able to turn into a full band shortly after she released the album Howling & Crying under her own name. The album is a collection of vivid and delicate portraits of human vulnerability and exploring the nuances of rebuilding your life on your own terms. The live band is more in the power/indie pop vein.

Tuesday | 07.12
What: Kill You Club Presents: Haunt Me w/Weathered Statues, S!ntax and Precious Blood
When: 8 p.m.
Where: Glob
Why: Haunt Me is a post-punk/darkwave band from Austin whose 2021 album This Sadness Never Ends had some familiar hallmarks of the genre with the spidery guitar melodies and Paul Banks-esque vocals. But Haunt Me tends to switch up the rhythms and dynamics in unexpected ways and never full stays the same vibe for the whole song thus setting itself apart from many of its peers. Weathered Statues is a post-punk band from Denver with roots in the local punk scene. S!ntax is an industrial noise project with some grounding in confrontational performance art.

Mondo Cozmo, photo courtesy the artist

Tuesday and Wednesday | 07.12 and 07.13
What: The Airborne Toxic Event w/Mondo Cozmo
When: 7 p.m.
Where: Ogden Theatre
Why: [Rescheduled from April 2022] Joshua Ostrander aka Mondo Cozmo made a name for himself as the frontman for Laguardia in the the first half of the 2000s and then for a decade as the lead singer for Eastern Conference Champions. But since 2015 he has been recording and performing under the Mondo Cozmo moniker and crafting heartfelt and genre eclectic music. His new album, 2022’s This Is For The Barbarians takes Ostrander deep into his roots in rebellious folk artists like Bob Dylan and his more experimental electronic interests at the same time. The album is like a Radiohead album but more informed by folk and more overtly pop but with the appropriately rough around the edges quality to suit the times that surrounded the process of writing the songs with Ostrander commenting on the highs and very low depths of the world in the past half decade and his insight into personal psychology and the American zeitgeist is as cathartic as it is inspirational. And yes, opening for Toxic Airborne Event whose own long career of luminously gritty alternative rock has garnered a bit of a cult following. Its 2020 album Hollywood Park, sharing the title with singer Mikel Jollett’s memoir of the same name from the same year, was unsurprisingly as literarily as musically as poignant album as any in the group’s career to date and certainly seemingly its most personal.

The Black Keys, photo by Jim Herrington

Wednesday | 07.13
What: The Black Keys w/Band of Horses and Ceramic Animal
When: 6 p.m.
Where: Red Rocks
Why: When The Black Keys started out of Akron, Ohio in 2001 it seemed very much like a niche, blues rock outfit like the lesser cousin of The White Stripes. When the duo first rolled through Denver it played small venues like Lion’s Lair where it opened for Reverend Dead Eye. But Dan Auerbach and Patrick Carney stuck it out and developed their sound and songwriting and transformed what was likely a stripped down initial configuration into something more akin to a minimalist funk phenomenon as embodied well by its 2022 album Dropout Boogie. With the expansion of sounds and textures for the album the touring line-up of the band is also much more expansive than the core of Auerbach and Carney that will showcase how The Black Keys are a bit like a blues based rock version of ELO which is no bad thing. Opening is the well-known indie rock power pop group Band of Horses whose expansive songwriting is irresistibly uplifting especially its 2006 hit “The Funeral.” The proceedings will begin with a set from Ceramic Animal whose Dan Auerbach produced new album Sweet Unknown is brimming with warmly melancholic songs informed by a poignantly tangible sense of loss and reconciliation with emotional devastation and the inadequacy with which life and culture prepares one for the loss of the most significant people in your life.

Ceramic Animal, photo by Up in Smoke Photo
Elizabeth Colour Wheel in 2019, photo by Tom Murphy

Friday | 07.15
What: Primitive Man w/INDIAN, Jarhead Fertilizer, Body Void, Spirit Possession and Elizabeth Colour Wheel
When: 7 p.m.
Where: Bluebird Theater
Why: Primitive Man assembled one of the most interesting lineups of heavy music you’re likely to see in Denver all year in celebration of its 10 year anniversary as a band. The death-grind trio has long created some of the most brutal, crushing and exciting music of the past decade obliterating the line between noise, extreme metal and doom while making commentary on a world all but ruined by international corruption and collusion in diminishing the lives of everyone below the 1% of the 1% of the economic and political power scale in ways deranged and in the end self-destructive. It’s cathartic stuff and in its sharp edges and raw ugliness holds a mirror up to the world we all feel hitting us but may not see or hear concentrated so powerfully in one place. It will also be one of the few times to see the band locally for a good deal of time to come. Chicago’s INDIAN has for nearly 20 years crafted a sound that wouldn’t be out of step with what one hears out of a band on Amphetamine Reptile or Touch and Go but with more sludge rock flavor and songs that go in for a more fluid and wide ranging dynamism than most bands that get lumped in with the canon of doom. Elizabeth Colour Wheel is a startlingly energetic fusion of a noisy shoegaze band and a grindcore outfit as unlikely as that combination sounds. Body Void’s ominous, clashing guitar and drum interplay has a somehow both feral and elegant quality that lends the desperate, distorted vocals an elevated outrage and pain like a harsh noise duo using more standard instrumentation to deliver a dense, caustic and textural soundscape.

Knuckle Pups in October 2021, photo by Tom Murphy

Friday | 07.15
What: Knuckle Pups “TV Ready” album release w/Jeff Cormack of South of France and Earth to Luna
When: 7 p.m.
Where: Mercury Café
Why: Knuckle Pups is an indie pop band that has been around for a few years but which is finally putting out its debut album TV Ready. Oliver Holloway was once a member of the great folk punk band The Fainting Fansies that used to hold shows at a place where some or all of the band members lived back when people could rent out a house in neglected or underutilized houses or buildings in Denver. That time in deep, DIY “Old Denver” days has stuck with Holloway and Knuckle Pups isn’t a band short on charmingly earnest expressions of joy helped by the fact that the group’s multiple singers harmonize extraordinarily well.

Sky Creature, photo by Noah Kalina

Saturday | 07.16
What: The Velveteers w/Sky Creature and Holographic American
When: 2 p.m.
Where: Larimer Lounge
Why: This is probably the smallest venue you’re going to see The Velveteers play for some time. The band that has taken a foundation of a modern interpretation of classic blues rock and infused it with sharply observed lyrics, imagination and youthful energy has been and will go to keep touring with Greta Van Fleet and playing big cities and the hinterland to large crowds. And that will be quite a contrast with Queens, NY-based experimental pop band Sky Creature whose new album Bear Mountain is exuberant and ethereal and by all indications mostly electronic. Majel Connery has a voice that is both intense and fey which suits being paired with music that sounds like something you’d want to hear if you could travel to a museum of snow globes and spend time in each exploring the worlds of which each gives you a surface level taste. It’s otherworldly stuff and has a cool energy that will be welcome on what is likely to be a hot day in Denver. Holographic American is a trio consisting of guitarist Caleb Tardio formerly of math rock wizard weirdos I Sank Molly Brown and currently of doom metal greats NightWraith and drummer Matt Grizzell who some may know for his time with prog indie band Alan Alda and indie rockers Instant Empire along with bassist Owen Pearson. So of course it’s a little different with some of that math rock vibe in its songs thus far released in demo form but moody and delicately and intricately yet not busily melodic.

Green Typewriters in 2011, photo by Tom Murphy

Saturday | 07.16
What: Green Typewriters album release w/Falcon’s Eye
When: 7 p.m.
Where: Enigma Bazaar
Why: After fifteen years the psychedelic indiepop band Green Typerwriters are finally releasing its debut EP The Solar Anus which brings together musical ideas across its entire existence for a beautifully coherent and moving experimental pop album with as much wisdom as whimsy. Engineered and produced by Zach Bauer, one of Denver’s secret, genius pop songwriters and recordists, who most that know who he is know for having been a member of avant noise punks Zombie Zombie, stoner doom trio The Outer Neon, psychedelic post-punk art rock band Wicked Phoenix and Can tribute band Future Days. Among others. So you know the album is going to sound good and for the show the band is bringing in guests and making it the kind of show that you’re not going to get to see every day. Look out for the Queen City Sounds Podcast episode featuring Gioja and Jared Lacy from the band.

Saturday | 07.16
What: Emerald Siam, Cyclo Sonic and Bridey Murphy
When: 8 p.m.
Where: 1010 Workshop
Why: Denver is fortunate that some of its elder statesmen and stateswomen are still out there making valid, interesting and imaginative music. So Emerald Siam and its flood of brooding atmospherics and rich emotional colorings help to turn finely honed songwriting into something that seems larger than life and will seem like you’re getting to see something mythical outside at 1010 Workshop. The band’s blend of post-punk darkness and the way The Church took that framework into a more psychedelic and expansive realm of music as a platform for telling meaningful stories with arrestingly poetic lyrics. Cyclo Sonic may be basically a garage rock punk band but when it’s Matt Bischoff formerly of The Fluid and Arnie Beckman formerly of Choosey Mothers and other luminaries of the local punk scene the songwriting just hits as stronger and the precision of rhythm pushed forward and working in tandem with a ferocious energy it makes a lot of other operating in a similar realm of music seem quaint. Bridey Murphy includes Jay Tonne (Black Forest Fire), John Call (Baldo Rex, Veronica), Rich Groskopf (Boss 302, The Black Smiths, The New Idols etc.), Collette St. Clair and Dave Harrison so it’s going to not be short on rock theater and surprisingly fun songs in the garage rock and soul vein.

Cola, photo courtesy the artists

Saturday | 07.16
What: Cola w/Voight and Gazes
When: 8 p.m.
Where: Hi-Dive
Why: Cola consists of Tim Darcy and Ben Stidworthy formerly of great now defunct Canadian post-punk band Ought along with Evan Cartwright. When Ought split in 2021 ending a decade-long run as one of the more interesting and inventive guitar rock bands of recent years Cola came along shortly after and its 2022 debut album Deep In View (Fire Talk) with its offbeat song structures and hypnotic rhythms will appeal to fans of Ought for sure but also anyone who appreciates the art rock proclivities of a band like Pile. Voight may still be a guitar band at this point and not yet committed to being a full-on dark techno and power electronics project so you’ll get to see the post-punk/darkwave band scorch the rafters with its own intense and emotionally charged music. This is the first Gazes show and it features former Tyto Alba members Melanie Steinway and Andrew Bair along with former Male Blonding vocalist/guitarist Noah Simons. It’s a curse to call a band a supergroup but considering the membership of Gazes expect great things in a vein that will fit in with this bill overall.

Itchy-O, photo by Studio Apocalypse

Saturday | 07.16
What: Itchy-O’s Tetrapolar Purification Ceremony w/BleakHeart
When: 7 p.m.
Where: Fillmore Auditorium
Why: Itchy-O has seemingly found ways to imbue its few shows on the large scale with an aspect of the mystical and tie it to a new dimension of the band’s sound and performance. This time the Tetrapolar Purification Ceremony will signal the debut of the SÖM SÄPTÄLAHN, a massive instrument inspired by the gamelan assembled from over six hundred pounds of cynbals and gongs donated from local percussionists and crafted in collaboration with the Colorado School of Mines in Golden, a prestigious academic institution that specializes in geology and engineering. The show will include an audience participation aspect involving three elemental themes of Fire, Air and Water. Perhaps the fourth in the “tetrapolar” theme of earth is the SÖM SÄPTÄLAHN itself. For Patreon supporters of the band there will be a ticket giveaway to an “augmented reality scavenger hunt.” It’s always an extravaganza of sights and sounds and with the addition of the new instrument it’s going to be a new era for the band that has consistently found ways to augment already familiar elements in new ways with new ritualistic creativity.

Steve Von Till, photo by James Rexroad

Wednesday | 07.20
What: Steve Von Till and Helen Money
When: 7 p.m.
Where: Globe Hall
Why: Steve Von Till is the charismatic singer and guitarist from influential post-metal band Neurosis. Anyone familiar with the long arc of stylistic experiments in that band will probably appreciate what Von Till has done as a solo artist. His raspy vocals often sound like they’re harboring haunted memories and a flood of emotion that he has released in focused, cathartic bursts. His most recent albums No Wilderness Deep Enough (2020) and A Deep Voiceless Wilderness showcase the songwriter’s ear for organic song structure like his instrumentation is a direct reflection of the moods and feelings as weather patterns that swirl around you when you take a long period to reflect deeply on life and the often hidden wells of emotions you neglect as you spiral through life in a cultural hellscape that does little to nurture our humanity. Alison Chesley as Helen Money has contributed imaginative and evocative cello work for the likes of Bob Mould, Mono, Russian Circles, Broken Social Scene, Chris Connelly and Thalia Zedek. But her own arresting compositions have a stark yet maximalist beauty. With her cello, a spare chain of effects and a looping pedal, Chesley creates an orchestra of one that is both surprisingly heavy and elegantly ethereal, imbued with the compositional architecture of classical music. Her most recent album Atomic (Thrill Jockey, 2020) likely didn’t get the proper presentation as Von Till’s own most recent records didn’t and the sets of both artists seem like the perfect complement to each other’s.

Helen Money, photo by Natalie Escobedo
French Police, photo from Bandcamp

Wednesday | 07.20
What: French Police w/Wisteria and Julian St. Nightmare
When: 7 p.m.
Where: Hi-Dive
Why: French Police from Chicago have a brooding and delicate, darkly melodic sound like they dug deep into Italian and Russian post-punk of the 80s and wrote a set of songs in a cold apartment and had to do so through headphones so as not to get a noise complaint from a neighbor. That’s probably not how the music came about but it has that intimate and mildly claustrophobic quality that is also part of its downtempo charm. Wisteria from Los Angeles seems to have come out of a similar process of crafting the darkwave equivalent of bedroom pop with a thin synth sound that is somehow also evocative in a tender way that is a bit like one imagines what would have happened had New Order had to construct its music given similar limitations on writing the music. Julian St. Nightmare is a great example of when people discover an eclectic musical palette at a young age and find a way to integrate it all into a coherent and vibrant sound so you hear in its songs the influence of surf rock, Molchat Doma and The Cure—all performed with a for now self-effacing confidence and charm.

CXCXCX in May 2022, photo by Tom Murphy

Friday | 07.22
What: CXCXCX w/Occidental, Perdi La Luz, K129, Organ and DJ Precious Blood
When: 8 p.m.
Where: Hi-Dive
Why: This is a Plains Archaic showcase featuring artists affiliated with the Denver-based experimental music label. CXCXCX seamlessly blends noise, techno and power electronics for a sound like dance music for a crumbling civilization. Occidental was once and may still be affiliated with the electronic music collective Deep Club that used to hold some of the most interesting and well curated underground techno and deep house and other forward thinking electronic music events in Denver for a few years. His own sound is more like a fusion of deep house and trance. Perdi La Luz is reminiscent of the kind of fluid and psychedelic techno one heard on some edges of what Underworld and Future Sound of London were doing in the late 90s. K129 plugs some well processed organic percussive sounds into a beat heavy techno mix. Organ is a collaboration between glitch techno noise artist Cremedelacrvvp and industrial glitchcore ambient artist Kid Mask. DJ Precious Blood recently did a solid post-punk set at a Kill You Club event for the Haunt You show but for this event we may hear some deep recent techno and IDM cuts.

Vinny Golia, photo from Bandcamp

Friday | 07.22
What: Vinny Golia w/SeFaLoCo
When: 7 p.m.
Where: Atlas Theater (709 16th St. Greeley)
Why: Vinny Golia is a prolific and respected multi-instrumentalist and composer whose career has fused world music, modern classical music and avant-garde jazz. A specialist in woodwinds Golia’s work has been featured in performance with the likes of Anthony Braxton, John Zorn, Patti Smith, Eugene Chadbourne, Lydia Lunch and the Los Angeles Philharmonic Orchestra. He has led ensembles as small as the trio that will perform a series of three shows in eastern Colorado (this date in Greeley and others listed below) to the 50-piece Vinny Golia Large Ensemble. His music in both the small and larger format are vehicles for his imaginative musicianship with musical ideas that span more broadly and deeply than most musicians will ever attempt. Even in his 70s Golia has been an innovator in the use of texture and atmosphere and his 2020 album Music for Gongs, Singing Bowls and other Metallaphones is like the lost soundtrack for an elevated horror masterpiece (there’s even a song called “King of the Spanish Horror Movies”) while also sounding like a nod to Alex North’s score for 2001: A Space Odyssey and Penderecki. Not many free jazz masters of Golia’s stature roll through Colorado and this series of intimate shows might be a good time to catch him live.

Polly Urethane in May 2022, photo by Tom Murphy

Saturday | 07.23
What: Multidim Records Presents Listening Lawn II: DJ Ilind, Polly Urethane, Deb the Demo, Luke Leavitt, H-Lite and Entrancer
When: 5-8 p.m.
Where: Carpio Sanguinette Park
Why: Multidim has been releasing some of the most forward thinking electronic music of the past few years and this showcase held at the Carpio Sanguinette Park includes a DJ set from avant-garde noise and techo artist Isaac Linder as Ilind, a purportedly more mellow performance from Polly Urethane whose recent live sets have been a bravura display of the blending of contemporary classical, industrial noise and the avant-garde, Deb the Demo’s tracks capture the mood of the modern media environment with both playful and urgent pieces of techno house that really push the brain beyond preconceptions of the genre and the methods of emotional expression, Luke Leavitt is always doing something different and even though many may know him for the expanded Afrobeat No Wave of his time as Cop Circles there will be a conceptual aspect to his performance with an intentional discipline behind the making of sounds, H-Lite has made some bright and upbeat electronic downtempo glitchcore bangers but his own sonic palette is also so broad and imaginative he’ll bring surprises too and of course Entrancer has been steadily refining and expanding his own craft of techno utilizing analog synths and a visionary challenging of where he’s already been as an artist.

Dust City Opera, photo by Gracie Meier

Saturday | 07.23
What: Dust City Opera
When: 9 p.m.
Where: Broadway Roxy
Why: Albuquerque’s Dust City Opera recently released its latest album Alien Summer and perhaps fortuitously making a stop during an unusual summer in Denver and elsewhere with heat waves and social turmoil brewing. So the band’s theatrical performance of songs that sound like a colorful manifestation of years spent taking in campy science fiction and horror cinema and taking away from it all the inspiration to craft songs that don’t fit neatly into a trendy genre. The songs on the album is like a collection of poignant and poetic stories of human life even when the setting is a zombie apocalypse or an encounter with aliens. The pure amalgamation of chamber pop, indie folk and a hard rock edge in the guitar convey a cinematic feel that draws you in for the duration. Intimate and epic the miniature grunge and indiepop orchestra of Dust City Opera is something unique in an era of too much bland imitation.

Saturday | 07.23
What: Vinny Golia w/SeFaLoCo
When: 7 p.m.
Where: Muse Performance Space (Lafayette)
Why: See above for more on Vinny Golia.

Sunday | 07.24
What: Vinny Golia Trio
When: 2 p.m.
Where: Art Lab (Fort Collins)
Why: See above for more on Vinny Golia.

Goo Goo Dolls, photo by Claire Marie Vogel

Wednesday | 07.27
What: Goo Goo Dolls w/Blue October
Where: Red Rocks
Why: Goo Goo Dolls became a bit of a household name in the 90s due to hit songs like “Name” (1995) and of course “Iris” (1998). But the band originally from Buffalo, New York garnered a bit of a cult following during its early punk and then more power pop years for its potent blend of tunefulness, grit and raw emotional honesty. The group lead by singers John Rzeznik and Robby Takac has made a career of writing evocative songs about relationships, life and finding essential meanings in all of it so that even its ballads, love them or not, are not generally trite or without insightful commentary. The group’s latest album Chaos in Bloom, the first produced by Rzeznik, is definitely more in the realm of modern pop but if you watch the video for “Yeah, I Like You” you can hear more than a touch of that early punk rock verve and sharply observed social and personal commentary that sets it apart from a lot modern pop rock with undeniable instrumental hooks to pair with energetic vocal harmonies. But if you go it seems like there’s a better than average chance the Goo Goo Dolls will dip into its back catalog and not just the biggest hits.

Roselit Bone, photo from roselitbone.com

Wednesday | 07.27
What: Roselit Bone w/Snakes and No Gossip In Braille
When: 8 p.m.
Where: Hi-Dive
Why: Portland, Oregon-based Roselit Bone fronted by trans singer Charlotte McCaslin is somehow a rockabilly band, dark Americana, Mexican ranchera and whatever one might call the likes of Gun Club, The Blasters and Lone Justice. It’s a really different take on genre bending so that it can seem like some countrified folk but with the intensity of punk without the sonic trappings. Its most recent album Crisis Actor is a little more gentle in tenor but not in attitude and its songs of daily struggle and working class politics are poignant and powerful. Snakes similarly has the kind of frayed musical roots that bring together a variety of musical instincts in forming its own dark Americana informed by nuanced thinking on the ways one has conversations with oneself in an ongoing process of sorting out the oftentimes perverse misfortunes and charmed moments in life. It’s lively music but more philosophical than expected from music that has a similar flavor. No Gossip in Braille is decidedly not Americana but its ethereal post-punk comes from a similar emotional place in exploring and making meaning of experiences that hit us as vital whatever their essential and specific impact on our lives.

Black Star, photo from talibkweli.com

Thursday | 07.28
What: Black Star w/Dead Prez, Pharoahe Monch and TH1RT3EN
When: 7 p.m.
Where: Mission Ballroom
Why: Yasin Bey and Talib Kweli were already stars of hip-hop in their own right when they formed Black Star in 1997 named after a shipping company founded by Pan-Africanist political activist Marcus Garvey. The project’s debut album Mos Def & Talib Kweli Are Black Star (1998) was pretty much an instant classic with thoughtful explorations of black culture with beats more in line with late-80s and early 90s hip-hop with a creative and vivid use of jazz and funk samples as well as more unique sounds that framed the powerful lyrics well in establishing a mood with cinematic resonance. Afterward the duo released a single here and there while focusing on other musical and creative endeavors. But in 2022 Black Star released its most recent record No Fear of Time. The almost existentialist bent of the lyrics remained but seemingly more direct and with music more stark yet no less imaginative and immersive. Black Star has toured in the last 25 years but not often and somehow its music seems even more relevant in subject matter today.

Thursday | 07.28
What: Lost Network, Blackcell and DJ Mudwulf
When: 9 p.m.
Where: Mercury Café
Why: Lost Network might be considered an industrial rock band but more on the industrial side and plenty of its output is more in the realm of darkly ambient soundscapes. Though its guitar sound is more cutting and its sound often more jagged, fans of The Tea Party may find what this veteran band out of the Denver scene has been doing for years. Also on the bill is long-running, legendary EBM band Blackcell whose sharp social commentary and personal songwriting blurs the line between ambient music and classic EBM the first wave of which it emerged out of the tail end. Of course DJ Mudwulf will bring a set of songs that are well curated and also not 100% predictable. A lot of music out of the Goth-industrial world can be corny but that won’t be on display at this show.

TRAITRS, photo from Bandcamp

Saturday | 07.30
What: TRAITRS w/Radio Scarlet and Wingtips and DJ Luci Ghost
When: 8 p.m.
Where: Mercury Café
Why: Canadian post-punk band TRAITRS on its 2021 album Horses in the Abattoir separated itself from many bands out of that vein of music with creative vocals that don’t sound like a cut-rate imitation of any obvious influences. And its synth work and songwriting has an orchestral aesthetic that establishes a truly enveloping and haunting sound that isn’t driven by the wheedly guitar sound that is the hallmark of too much darkwave now. TRAITRS’ sound is rich and expansive and though melancholic isn’t a downer. Chicago’s Wingtips is more electronic and one hears in its music including 2021’s excellent Cutting Room Floor a touch of influence from Vince Clarke-period Depeche Mode. Its moody songs have strong dance beats and the vocals widely expressive also distinguishing the group from some of its peers that intentionally sing in ways murky and obscure. There is something effusive in Wingtips’ songs that are immediately striking. Radio Scalet is a death rock band from Denver. The title of its 2017 album Too Goth for Punk, Too Punk for Goth sums up its aesthetic well and sure these people look the part but there is a joyful element to its performances that prevents it from slipping into the wrong end of dour. DJ Luci Ghost is a long time DJ in the local Goth-industrial scene but fortunately for anyone that is around for one of her sets her taste is much more eclectic and expansive beyond narrow conceptions of expected music.

Best Shows in Denver March 2022

Nation of Language, photo by Robin Laananen
Monolord, photo by Josefine Larsson

Wednesday | 03.09
What: Monolord w/Firebreather and The Munsens
When: 7 p.m.
Where: Marquis Theater
Why: Monolord formed in 2013 at a time when the whole wave of stoner rock was pretty much over and before doom metal hits its ascendency later in that decade. Its members had been part of a more boogie rock oriented band Marulk but at rehearsal had riffed in more drawn out dynamics and sustained atmospherics while incorporating those impulses into coherent songwriting. So its current sound while rooted in what is now called doom metal contains melodic elements lend its crushing rhythmic leads an accessibility that sounds more like an updated version of power metal. The group’s 2021 album Your Time to Shine is arguably its most streamlined manifestation of an aesthetic that draws on the psychedelic heaviness of Sleep and Kylesa and infuses it with its own impulse to impart a mood of catharsis and triumph to its listeners.

Owosso, photo by Tom Murphy

Friday | 03.11
What: Owosso, Moon Pussy, Church Van and Gestapo Pussy Ranch
When: 9 p.m. doors, 9:30 p.m. show
Where: Lion’s Lair
Why: Moon Pussy’s scorched earth noise rock and underpinnings in musical experimentation can be disorienting in the best way. Like Big Black with creatively expressive human drums instead of a drum machine. This will be Owosso’s first show. The group is comprised of veterans of the local punk/post-hardcore and indie rock scenes including people from Modern Goon. The group was been described as “post indie wook rock” but it’s hopefully safe to assume it’s not some ironic jam band with punk roots. Though if it is it’ll probably be alright anyway considering the band’s lineage.

Saturday | 03.12
What: Mitski w/Michelle
When: 8 p.m.
Where: Mission Ballroom
Why: Mitski released her latest album Laurel Hell in 2022 and it is arguably her most vulnerable and raw album while also her most poignantly melancholic. Few other artists have articulated the disillusionment of the current era and the perils of an over mediated culture with as much precision and resonance as Mitski over the course of her two most recent records. As a live performer Mitski always has something different in her repertoire like on her most recent tour in 2019 when she had stage sets and a costume that looked like somewhere between a workout suit and a martial arts dancer uniform.

Saturday | 03.12
What: Jen Korte & The Loss, Mike Clark & The Sugar Sounds and Heated Bones
Where: Hi-Dive
Why: Jen Korte & The Loss this time out is basically her excellent experimental singer-songwriter project Lady Gang but with a full band instead of pulling off the full range of sounds herself. But it’ll still be Korte deep diving into emotionally rich explorations of hurt, resilience and the complex nuances of human experiences and relationships. Korte’s imaginative musicianship and songwriting elevates her work beyond the usual expectations one might have when one thinks of singer-songwriter. Her body of work is eclectic and runs a range of Americana, indie rock, folk and what might be described as experimental pop with loops and electronics. Many artists reach a point where they rest on their laurels and Korte hasn’t done so.

Saturday | 03.12
What: Mayhem w/Watain and Midnight
Where: Summit Music Hall
Why: Mayhem is indeed the legendary black metal band from Norway whose lore and history is worth looking into for the lurid details alone. It makes for a fascinating origin story. But the music and its harrowing and heavy sweeps of epic storytelling speaks for itself as does the unforgettable stage presence of frontman Attila Csihar who always brings a deep sense of theater and performance art to every one of his performances whether with Mayhem or SunnO))). The show will be worth it to see what he does alone and that chilling, sepulchral, operatic voice.

Sunday | 03.13
What: Drug Church, One Step Closer, Soul Blind and Lurk
When: 6:30 p.m.
Where: Hi-Dive
Why: Drug Church is a band that has managed to bridge the sonic worlds of pop punk, hardcore and noise rock with super catchy hooks and made powerful and meaningful music in the process. Currently touring in support of its forthcoming album Hygiene out March 11, 2022.

SUMAC, photo by Reid Haithcock

Sunday | 03.13
What: Sumac w/Blood Spore and Patrick Shiroishi
When: 7 p.m.
Where: Marquis Theater
Why: SUMAC formed in 2014 when Kurt Ballou of Converge connected guitarist Aaron Turner (Isis, Old Man Gloom, Mammifer, House of Low Culture) who had written the initial elements of songs with Baptists drummer Nick Yacyshyn to help realize Turner’s vision of crafting the heaviest music of his career then thus far. Brian Cook of Russian Circles and formerly of These Arms Are Snakes and Botch rounded out the classic and current line-up in time for the group’s debut album. The resulting four albums since (The Deal from 2015, What One Becomes in 2016, Love in Shadow out 2018 and May You Be Held released in 2020) are indeed some of the heaviest records of recent years. But as with Turner’s other projects it’s never just heavy for the sake of that quality, it’s intricate and imaginative, emotionally charged soundscapes in which the contributions of all the players seems to be highlighted. Certainly with the most recent album it’s not relentlessly crushing dynamics but a flood of textures seemingly elevated in a suspended and sustained whirlpool of sound that rushes through you and then out like experiencing a state of being. Calling it post-metal or sludge metal is one way of giving people an idea of what they’re in for but the music itself has more in common with artists like Neurosis and SunnO))) than with some other bands lumped under those genre designations. Perhaps it is conceived of as a mind-altering experience to perform and thus witness when you’re in the room with it live. The fact that SUMAC has collaborative albums with noise legend Keiji Haino who is highly selective with whom he does work speaks much to how SUMAC isn’t merely a metal or heavy band.

Turner has long been a champion of forward thinking underground music since the 90s with his label Hydra Head Records which issued releases from the likes of Boris, Big Business, Cave In, Daughters, Dälek, Jesu, Kayo Dot, Oxbow, Khanate, Harvey Milk, Xasthur and The VSS. Its roster is a kind of who’s who of heavier experimental music of its heyday. Through the label and touring Turner has had a vehicle for exploring his creative interests in music and visual art which brings an added dimension to SUMAC’s releases as well and the ethos with which the band operates. On its current tour the group will be joined by purveyors of death doom Blood Spore and Los Angeles-based avant-garde saxophonist Patrick Shiroishi. Listen to our interview with Aaron Turner on Bandcamp.

Lala Lala, photo by Miwah Lee

Monday | 03.14
What: Lala Lala w/Elton Aura
When: 7 p.m.
Where: Larimer Lounge
Why: Lillie West was already stretching the boundaries of music that might loosely grouped under the vague term “indie rock” earlier in her career with imaginative pop songwriting. But with her 2021 album I Want The Door To Open with Yoni Wolf as co-producer she finely tunes her soundscapes as perfect complements to her expressively ethereal vocals andan exploration of themes of where an artist fits in with a world in which they often need to make their own lives the fodder for some of their most meaningful work and how that can affect your sense of self. It’s a bit like synth pop for fans of Holly Herndon or Virginia Wing.

Monday | 03.14
What: Portrayal of Guilt w/End, Yashira and Wake
When: 7:30 p.m.
Where: HQ
Why: Portrayal of Guilt might be described as a post-hardcore, grindcore adjacent noise rock band with the visceral live quality all that implies. But there is a bit of the irreverent trickster to their presentation and their 2021 album Christfucker was sent out in a jacket that displayed the letters “ST” like “Self-Titled” so that maybe the record could be stealth sold at record stores in more conservative areas of the country and as a signal to fans of the ridiculousness of actual censorship and not the myth of it perpetrated by bad faith actors. Wake from Calgary, Alberta is of like mind and its 202 album Devouring Ruin is like a psychedelic flavor of later era Napalm Death.

Choir Boy, photo by Jordan Utley

Tuesday | 03.15
What: Choir Boy w/Riki
When: 7 p.m.
Where: Lost Lake
Why: Choir Boy is a post-punk band from Salt Lake City that has garnered a bit of a cult following in recent years for its tender, synth-pop ballads about loss and desire recalling the likes of the more melancholic end of Thompson Twins and Felt. Riki sounds like she came from an alternate dimension where she had a career making sensual pop songs for David Lynch movies with her soulfully expressive voice. Elements like cool jazz saxophone and chimes that might sound cheesy and dates in the music of other people just sounds perfect for the mood Riki has evoked of late night adventures in secret Bohemian dives across two albums: her 2020 self-titled and Gold from 2021. Not many artists have a maintained a mystique to them but Niff Nawor aka Riki certain has.

Wayfarer, photo courtesy the artists

Thursday | 03.17
What: Wayfarer w/Midwife and Snakes
Where: Bluebird Theater
Why: Denver’s Wayfarer is finally getting to celebrate the release of its 2020 album A Romance With Violence and bringing its flavor of dark Americana, at turns spaghetti western and doomy black metal, to stage bigger stages. This night the band’s guests are Midwife and her intensely evocative and poignant ambient folk and art country/dark pop supergroup Snakes.

Thursday | 03.17
What: Ellen Allien w/Mr. Frick and Mort.Domed
Where: Bar Standard
Why: Ellen Allien aka Ellen Fraatz makes a rare appearance in Denver and brings her experimental style of techno that is somewhere between minimal, IDM and acid house with an imaginative flair that can seem subtle until you listen to her work alongside other artists in similar realms of music.

Squirrel Flower, photo courtesy the artist

Thursday | 03.17
What: Squirrel Flower w/Tenci
When: 7 p.m.
Where: Lost Lake
Why: Ella Williams aka Squirrel Flower recently released Planet EP, the follow-up to her acclaimed 2021 sophomore album Planet (i). Her gritty yet introspective songs like “Hurt A Fly” are so honest and real about her mistakes and shortcomings you feel that deeply in your own heart. Williams really has a gift for creating strong imagery and emotional impressions and matching it with songwriting that is simultaneously forceful and vulnerable like she respects your time with the music and wants it to be a fortifying experience to give it a listen.

NightWraith, photo by Holden Kudla

Friday | 03.18
What: NightWraith album release w/Space in Time, Ghosts of Glaciers and Ashes For the Mute
When: 8 p.m.
Where: Hi-Dive
Why: Calling any band a “supergroup” is a bit of a misnomer but Denver’s NightWraith has a major pedigree of Denver metal and art rock luminaries including the following with their past and current bands in parentheses as applicable: Benjamin Pitts (To Be Eaten, The New Rome, False Cathedrals, Vimana, Black Sleep of Kali, In The Company of Serpents, Giant Eyeball and others), Igor Panasewicz (Valiomierda, Vimana, Necrosophik Abyss, Abhoria), Isidro “Spy” Soto (Ashes For The Mute, Primitive Man), Caleb Tardio (I Sank Molly Brown) and Jerry Hilger (who is just the affable guy you run into in the scene regularly and wonder when he was going to be in a band). In 2019 NightWraith put out its excellent self-titled debut but on this night the outfit celebrates the unleashing of its new record Offering (available digitally, on CD and limited edition vinyl starting March 25). The early singles highlight the way this quintet brings together melodic riffs with epic sensibilities and black metal grit for an orchestral display of a particularly glorious brand of heavy metal. There is a playfulness to the songs that also doesn’t detract from the heaviness of the riffs and the elegantly precise dynamics. Also on the bill is the psychedelic hard rock and metal of Space In Time whose own hybrid influences from the likes of Hawkwind, Deep Purple and Uriah Heep has resulted in an always surprisingly powerful performance. You also get to see the instrumental post-metal band Ghosts of Glaciers and cosmic black metal outfit Ashes For The Mute in which “Spy” will be doing double duty for the night. Clearly the best metal show of the week.

Lost Walks, photo courtesy the band

Friday | 03.18
What: Lost Walks w/Friends of Slim Cessna and f-ether
When: 7 p.m.
Where: LFX Filmworks
Why: Lost Walks released its weighty and harrowing new album Blood Lantern in December 2021. The theatrical, dark Americana of Wolf, Woman, Man, its 2017 debut album, is still at the root of this new batch of music but the band which collaborates with a regular dance troupe for its performances shed some of the folk and blues aspects of its prior musical incarnation in any obvious ways and sounds now more like Neurosis except that Dameon Merkl still sounds like the mysterious and charismatic figure you want to narrate a future documentary about H.P. Lovecraft. Also for this show you get to see members of Slim Cessna’s Auto Club bring their own imaginative and compelling style of gritty old time music and theater while f-ether performs his own highly refined and stylized techno and house-informed electronic soundscapes. Considering the venue expect more than a touch of theater to the show.

Friday | 03.18
What: Daikaiju w/TripLip and De Gringos y Gremmies
When: 8 p.m.
Where: The Squire Lounge
Why: Daikaiju is a surf rock revival band originally based out of Huntsville, Alabama but now out of Houston. But that doesn’t quite do justice to the legend of this band that you hear from anyone that has seen them from not just the kaiju (giant monsters in Japanese popular culture i.e. Godzilla, Rodan, Mothra, Gamera and others not so well known) aesthetic and themes but also the kabuki masks, the use of fire when they can and energetic/borderline unhinged live performances that are part of the lore of the group as well. But make no mistake, yeah, a surf rock revival band but one with chops and imagination and not the rote surf rock that has plagued the indie underground for way too long. Think more like Man Or Astro-man or The Mermen. As for TripLip, some journalist wrote this about them in 2013 and they are a much neglected local institution: “A drum and bass instrumental duo (not in the EDM sense, of course), TripLip can’t be said to fit into any particular musical subgenre. Reminiscent only of a a band these two guys have probably never heard of — Denver’s The Hellmen, because of its perfect fusion of jazz, punk, noise rock and surf with flourishes of improvisational funk — it can safely be said that TripLip isn’t following any trends, local or otherwise, because there’s nothing trendy about what the act is doing. The outfit’s solid musicianship and sonic creativity is refreshingly out of time and place, and it’s always interesting. – Tom Murphy, Westword. 11/24/2013”

Saturday | 03.19
What: Lost Walks w/Friends of Slim Cessna and Florea
When: 7 p.m.
Where: LF Filmworks
Why: See above on 3.19 but for this show the introspective and dusky folk of Florea will open the proceedings.

Circle Jerks, photo by Atiba Jefferson

Saturday | 03.19
What: Circle Jerks w/Negative Approach and 7 Seconds
When: 8 p.m.
Where: Ogden Theatre
Why: Circle Jerks were one of the earliest and one of the most enduringly influential hardcore bands out of Southern California in the late 70s with former Black Flag frontman Keith Morris. Morris’ surreal and absurdly wry sense of humor and self-deprecating social commentary informed much of the band’s material which can be lost in flood of energy of the live show and Morris’ exuberant energy as a vocalist. This tour is technically the 40 year reunion tour that was supposed to happen in 2020 but everyone knows what happens there so here’s your chance to see the Jerks in high form with Morris, guitarist Greg Hetson, bassist Zander Schloss and Joey Castillo formerly of Queens of the Stone Age joining on drums. But wait, there’s more. Negative Approach is also one of the pioneering bands of hardcore having formed in Detroit and fronted by one of the most elemental vocalists of our time in John Brannon. Brutal, nihilistic and desperate in lyrics and crushing and devastating in sound. And then of course 7 Seconds from Reno, Nevada also helped to lay the foundations of hardcore beginning in 1980 with the fast and hard dynamics with a core of catchy melodicism that helped shape a body of work that in itself has inspired generations of punk bands since.

Saturday | 03.19
What: Daikiju, TripLip and friends
When: 7:15 p.m.
Where: The Matchbox
Why: See above on 3.18 for this show in case you had to miss that performance.

Monday | 03.21
What: Daikaiju w/TripLip and Ego Death
When: 7 p.m.
Where: Seventh Circle Music Collective
Why: Final chance to catch Daikaiju with TripLip before the touring band hits the road for places out west.

Monday | March 21
What: W.I.T.C.H. w/Night Beats and Mauskovic Dance Band
When: 7 p.m.
Where: Bluebird Theater
Why: Incredibly W.I.T.C.H. is the Zamrock band formed in the 1970s meaning of course that they’re pioneers of the unique flavor of psychedelic rock that happened in Zambia during that decade before multiple forces led to the demise of the movement by the mid-1980s. Articles have written about the movement and vinyl reissues of classics by Witch and of course Ngozi Family lead to a resurgence in interest in that era of music and the reunion of Witch in 2012. Not often you get to catch legends like this in the flesh. But also on the bill is the great psychedelic garage rock band Night Beats from Seattle who were always weirder and more interesting than most of the recent wave of American psychedelia. Also opening is Mauskovic Dance Band whose blend of cumbia, Afro-Cuban rhythms and Krautrock sensibilities will fit right in with the headliners.

Jawbox, photo by Pete Duvall

Tuesday | 03.22
What: Jawbox w/despAIR Jordan
When: 7 p.m.
Where: Marquis Theater
Why: Jawbox emerged from the vibrant late 80s and early 90s post-punk/post-hardcore DC punk scene to go on to become one of the most influential guitar bands of the 90s and beyond. Its 1991 debut album Grippe is like the missing link between Dinosaur Jr and midwest post-punk and hardcore like Articles of Faith and Naked Raygun. But the beautifully atonal and angular “Savory” from the 1994 album For Your Own Special Sweetheart, the band’s major label debut, was a surprise hit during that era before the alternative rock being championed by major labels was a watered down version of the music seemingly flooding forth in the early part of the decade. Jawbox split in 1997 and didn’t reunite except briefly in 2009 until 2019 though in 2021 founding member Bill Barbot left the group replaced by War on Women guitarist and singer Brooks Harlan. Opening the show is Denver’s despAIR Jordan whose own post-punk flavor is as informed by melodic hardcore as it is the atmospheric, melancholic variety.

Tuesday | 03.22
What: Yves Tumor
When: 7 p.m.
Where: Boulder Theater
Why: Yves Tumor is like the Prince of experimental electronic music whose exuberant stage presence is as colorful as Bowie at peak weirdness but whose sensibilities and aesthetic are very much of the present. That their music has been coming out on Warp Records is saying something about the forward thinking quality of the songcraft and for someone who many might consider a weird hip-hop artist, Tumor has cited Throbbing Gristle as a major influence.

Tuesday | 03.22
What: New Candys and Mint Field w/Wave Decay
When: 7 p.m.
Where: Hi-Dive
Why: New Candys from Venice, Italy released Vyvyd in 2021 and it proved to be one of the best psychedelic rock albums of the year with its hybrid of krautrock and shoegaze. Mexico City’s Mint Field brings its own ambient/shoegaze soundscapes to the show with touches of psych folk and cinematic aesthetics making what can often be abstract music that transports you to other spaces into something that feels deeply personal. Wave Decay’s soothing dream pop sound combines motorik beats with gossamer melodies.

Indigo De Souza, photo by Charlie Boss

Tuesday | 03.22
What: Indigo De Souza w/Field Medic
When: 7 p.m.
Where: Fox Theatre
Why: North Carolina-based singer and songwriter Indigo De Souza recently released her latest album Any Shape You Take on Saddle Creek in August 2021. Though its neo-soul and pop sound is somewhat stylistically different from her fantastic 2018 debut album I Love My Mom with its introspective, guitar pop songs it goes further into an approach of radical vulnerability in plumbing the depths of emotional trauma, self-doubt and the use of creativity as a path out of the darkest places of the mind. The gentle touch of the songs have an unconventional power through honoring wounded feelings with a compassionate honesty that informs the songwriting in general.

Wombo, photo by Fallon

Wednesday | 03.23
What: Ed Schrader’s Music Beat w/Wombo, Apollo Shortwave and H-Lite
When: 8 p.m.
Where: Hi-Dive
Why: Ed Schrader’s Music Beat has been a fixture of underground American art punk. Somewhere between angular post-punk, funk and jazz, the duo’s releases have been varied and always interesting with viscerally impactful and fun live shows. Its forthcoming album Nightclub Daydreaming has all the hallmarks of a great Ed Schrader offering with intricate rhythmic minimalism but decidedly moodier and more atmospheric than we’ve come to expect from the project’s rich sonic palette. Wombo’s psychedelic alternative rock with the dispassionate vocals have been one of the more consistently interesting left field bands out of the indie milieu of recent years that fans of Dry Cleaning and Ganser might appreciate. H-Lite’s electronic experiments unites minimal techno with a more playful and expansive type of glitchcore.

Lightning Bolt, photo by Nick Sayers

Wednesday | 03.23
What: Lightning Bolt w/Problems
When: 7 p.m.
Where: Lost Lake
Why: Saying that Lightning Bolt is a noise rock duo is a little like saying a hurricane is a storm. Doesn’t quite cover it. Though only a duo, Lightning Bolt seems to produce more sound than one might expect from just two people and its aggressive rhythms and explosive live performances are like small scale riot of their own. Which one might expect from a group from Providence, Rhode Island where some of the wildest and noisiest bands of the modern era (Mind Flayer, Arab on Radar, Six Finger Satellite and The Body to name a few) have come from over the past 30 years. Sonic Citadel, the band’s 2019 and latest album, is a masterclass of constant motion and barely controlled chaos and inspired weirdness. In place are also the usual rambunctious soundscape of intense yet modulated drums, processed vocals, distorted bass played both for rhythm and as accents in a call and response dynamic with lyrics sung with a nearly unhinged style. If you’ve never seen Lightning Bolt be prepared for pretty much anything to happen except that it’ll be more fun than you can usually have in a small rock club. Problems is the strange yet also fascinating techno house music project of Darren Keen based out of Lincoln, Nebraska whose 2020 album Ought Not Be Overthought is worth a listen for anyone interested in electronic music that doesn’t have obvious connections to what anyone else is doing yet remains accessible to most people.

Wednesday | 03.23
What: Dance With The Dead & Magic Sword w/Das Mortal
When: 6 p.m.
Where: Oriental Theater
Why: Dance With The Dead is a synthwave band currently touring on the festival circuit and in support of its new album Driven To Madness. But a major reason to go to this show is to see Boise’s Magic Sword whose own mix of fantasy and science fiction imagery and hard rock synthwave is on another level than most like-minded artists as the band members perform as space knights and other than differently colored costume lights largely anonymously. With a handful of albums out and their own comic, Magic Sword is consistently entertaining and its music though technically born out of a gimmick has an appeal far beyond that like the kind of retro science fiction action movie soundtrack for a film that has yet to be made.

Yob, photo courtesy the artists

Thursday | 03.24
What: Yob w/True Widow and Glacial Tomb
When: 7 p.m.
Where: Marquis Theater
Why: Yob guitarist/vocalist Mike Scheidt founded Yob in 1996 after spending some years in hardcore bands in Eugene, Oregon. The mid-90s weren’t exactly the height of the popularity for metal of any kind but in embracing the kind of heavy music that was being called “stoner rock” in the 90s but today the sludgy, sometimes psychedelic, metal might be called doom or post-metal depending on where on the stylistic spectrum the music falls. But whatever genre tags one might put on what Yob has done at this point its newer music as having emerged on both Clearing the Path to Ascend and Our Raw Heart has more than a little in common with experimental heavy artists like Neurosis and Isis (the former having been released on Neurot Recordings). Despite the sometimes cosmic bent of the lyrics and themes of mortality and struggle there is a real joy to the band’s live performances that draws you in for a shared catharsis. Denver death doom band Glacial Tomb opens the show and in the middle is True Widow from Dallas whose blend of doom and shoegaze is entrancingly melodic and moody.

Friday | 03.25
What: Gary Numan w/I Speak Machine
When: 8 p.m.
Where: Gothic Theatre
Why: Gary Numan is a pioneer of synth pop whose work with his old band Tubeway Army along with the likes of Orchestral Manoeuvres in the Dark, Fad Gadget and Human League brought a sophistication of creative vision, nuanced social commentary and inventive incorporation of synthesizers into well-crafted pop songs proved influential on a generations of other artists. Numan forged a solo career for himself with 1979’s The Pleasure Principle and the hit single “Cars.” Since that time Numan has reliably experimented with technology and his own songwriting approach in ways that proved to be an influence on many of the more popular industrial bands of the 80s and 90s including Nine Inch Nails. Pick up anywhere in Numan’s recent catalog and there is worthwhile material including his 2021 album Intruder with its thoughtful commentary on climate change and its impact on the world and not just one human civilization. I Speak Machine is an electronic artist of recent years whose own synthscapes recall the era of music Numan helped to establish with horror cinema aesthetics and a live show to match. Definitely for fans of ADULT. and Xeno and Oaklander.

Saturday | 03.26
What: Quits w/Endless Nameless, Sell Farm and Pythian Whispers
When: 8 p.m.
Where: Hi-Dive
Why: Quits is like the Hasil Adkins of post-hardcore noise rock. Endless Nameless are like the Iceburn collective of post-Canadian instrumental art shoegaze. Sell Farm is the Townes Van Zandt of doom industrial twee. Pythian Whispers is the Hüsker Dü of elevated Krautrock. These absurd characterizations are true in spirit so come on down and see for yourself. Full disclosure, the author of this bit is in Pythian Whispers.

Dust City Opera, photo by Gracie Meier

Saturday | 03.26
What: Dust City Opera w/Split Lips
When: 9 p.m.
Where: Lion’s Lair
Why: Albuquerque’s Dust City Opera recently released its new album Alien Summer with its colorful story arc of science fiction, horror and the drama of the human experience. The sound mixes a bit of the group’s dark Americana with fuzzy rock grit to lend all of the songs more of an edge than one might assume given the band’s theatrical presentation. The new album sounds like something that could have come out of the later era indiepop bands steeped in the 90s version of that music like Beulah or Red Pony Clock but with a bit more refinement of sound.

Sunday | 03.27
What: Kat Von D w/Prayers
When: 7 p.m.
Where: Bluebird Theater
Why: Kat Von D is perhaps best known as a tattoo artist who has been in a couple of reality shows related to the profession. But in 2021 she released her debut album Love Made Me Do It and its mix of darkwave and synthpop is surprisingly accomplished. Her set alone with be worth seeing but opening is her husband Rafael Reyes’ band Prayers who garnered a good deal of attention as a “Cholo Goth” band when really Prayers is just one of the best modern electronic post-punk bands with a bit more actual edge to go along with the moody soundscapes and intense and dramatic lyrics.

The Spirit of the Beehive, photo courtesy the artists

Monday | 03.28
What: The Spirit of the Beehive w/Deeper
When: 8 p.m.
Where: Hi-Dive
Why: Spirit of the Beehive probably seemed like a slightly weird indie rock/pop band early in its career but anyone that has been paying attention across the arc of its albums it’s like the Philadelphia-based group has been pulling back the veils of normalcy and convention with every album. Pleasure Suck and its hazy atmospherics and melodic left turns was reminiscent of something Black Moth Super Rainbow or Stargazer Lilies might do. This shifting to more experimental songwriting continued on 2018’s Hypnic Jerks with an approach to songwriting and structure reminiscent of cinema rather than simply music. With Entertainment, Death (2021), The Spirit of the Beehive is further opening its Pandora’s Box of unexpected tonal experiments, textures and raw sound composition to craft pop songs unlike much of anything anyone is making, even genius weirdos like Deerhoof. Often the songs sound like you’re stepping into a room in a horror movie funhouse and not sure where to find the exit and find you like it there. Deeper is one of Chicago’s bright post-punk stars and their album Auto Pain is something akin to music The Cure might have done if they had gone the route of angular art rock and emerged in the 2010s having been impacted by The Rapture and Women.

Monday | 03.28
What: Blunt Bangs (Athens, GA), Supreme Joy, Moodlighting and Public Opinion
When: 7 p.m.
Where: Mutiny Information Café
Why: Blunt Bangs from Athens, GA includes Reggie Youngblood formerly of buzz indie band Black Kids. But this project is like power pop with a touch of soul. The Big Star influence is obvious but the self-aware lyrics are very much in tune with the social environment of today and the cultural touchstones and lingo of the moment and a poignant portrait of the struggles young people have navigating relationships and a world that seems to make most aspects of life challenging for everyone. Blunt Bangs also includes Eli Saragoussi formerly of psychedelic garage rock phenoms Hair Cult. Also on the bill are Ryan Wong’s lo-fi post-punk band Supreme Joy and twee dream pop outfit Moodlighting who are set to release their new album Boy Wonder with a show at the Hi-Dive on May 5, 2022.

Glove, photo by Ivana Cajin

Tuesday | 03.29
What: Nation of Language w/Glove and Ducks Ltd.
When: 7 p.m.
Where: Bluebird Theater
Why: Nation of Language released its debut album Introduction, Presence in 2020 at a time when no one could or did tour but its bass-driven, moody synth pop songs were reminiscent of early OMD in a way worthy of that obvious influence. The group’s 2021 album A Way Forward was aptly named because the synthesizers came more to the front for a starker yet richer sound overall. It initially recalled Magnetic Fields’ 1995 album Get Lost and its rhythms and pacing seemed to draw on Krautrock influences like Kraftwerk, Cluster, Harmonia and Ashra. And an exploration of OMD’s 1983 artpop masterpiece Dazzle Ships. But whatever the influences or inspirations, Nation of Language has fused the avant-garde with pop in a way with modern methods that draw you in and induce a mood of looking toward a future of possibilities. Glove is a post-punk/darkwave band from Tampa, Florida, a city rightfully more well known for its influential death metal milieu. But Glove’s knack for composing songs that wed energetic rhythms with pulsing low end to melancholic mood may do something toward changing that impression. Its new album Boom Nights breaks free from the cookie cutter darkwave sound that has emerged with more lo-fi recordings. Glove’s album has not slick production so much as strong. Reminiscent of The Prids and Modern English circa Mesh & Lace. Ducks Ltd. from Toronto, Ontario released Modern Fiction on Carpark in 2021 and its ebullient jangle pop sounded like a mix of New Order, all that great 80s Kiwi rock and groups out of the C86 movement of that era. But the content of the songs were inspired by an examination of modern human civilization in decay and its impacts on our lives on a very personal level. The songwriters also took some cues from the fiction of Graham Greene whose life in MI6 and fiction were likely the model of spy fiction to follow.

Greet Death, photo from Bandcamp

Tuesday | 03.29
What: Dummy, Greet Death, Infant Island, American Culture, Dirt Sucker, Candy Apple
When: 7 p.m.
Where: Hi-Dive
Why: [Greet Death and Infant Island show moved to this event due to issues with Meadowlark Bar] Dummy from Los Angeles released its latest album Mandatory Enjoyment in 2021 and immediately established itself as a band to watch with its consistently fascinating soundscapes somewhere betwixt post-punk, Krautrock, indie pop and whatever avant-garde mix of all that you’d call Stereolab. Greet Death is the kind of modern shoegaze band that sounds like its members came up through post-hardcore or some kind of punk or metal as its guitar work has some nice sharp edges even as its soundscapes sound like the shattered glass of disappointed emotions. Its 2019 album New Hell is overflowing with a sublime catharsis that genre bends in ways that one doesn’t hear much in this realm of music. Unless you’re listening to Drowse or another band with seemingly similar roots and an ear for vulnerable emotional expressions put very much forward. American Culture from Denver is no stranger to these hybrid musical impulses and singer Chris Adolf has been someone who never limits himself to a narrow genre though an innovator in indiepop going back to the 90s with bands like Love Letter Band, Bad Weather California, V-Tech Orchid and the various musical incarnations of American Culture with its Cure-esque guitar soundscapes and raw yet tenderly executed vocals. Candy Apple from Denver might be considered hardcore but only if you include the influence of early Christian Death and maybe Jesus and Mary Chain.

Video Vision, photo from Bandcamp

Tuesday | 03.29
What: Video Vision w/DJ Julian Black and DJ Niq V
When: 9 p.m.
Where: HQ
Why: Video Vision is a post-punk/deathrock band from Athens, Georgia whose 2021 album Inked in Red feels both melodramatic and intimately rendered. Sounds like something plucked from the early 80s except for the synth treatments which feel very modern. The male and female vocals recall the dynamics you’d hear in a 45 Grave song but with more ethereal music, just that grit and confidence seems very much in place.

Wilderado, photo by Grant Spanier

Wednesday and Thursday | 03.30 and 03.31
What: Wilderado w/flipturn
When: 7 p.m.
Where: Aggie Theatre and Bluebird Theater
Why: Though Wilderado released its self-titled debut album in October 2021, the band originally based in Tulsa, Oklahoma, now out of Los Angeles, has put in its time over the last seven years honing its songcraft and performances through regular touring. Its sounds sound like they were written with acoustic guitar in a living room contemplating a feeling or a thought that strikes you so strongly you end up writing it down or committing it to memory as best you can. But those skeletons of songs get the full-fledged manifestation across an album of lively pop songs that are stronger for having been worked out before any adornments and embellishments are added.

Wednesday | 03.30
What: Black Ends (Seattle), Sell Farm, Joseph Lamar and Fainting Dreams (members of Endless Nameless, Direct Threat and Asbestos)
When: 7 p.m.
Where: Seventh Circle Music Collective
Why: Black Ends and its “gunk pop” sounds like something you’d get if you took an experimental punk band and found a way to deconstruct the traditional sounds and structures into this melted mutant version. Meaning it’s more original than most things you’ll see actually on tour and would have found a home on Siltbreeze in the 2000s alongside Pink Reason, Eat Skull and the like. Sell Farm is a dub-industrial-indie pop band whose own sound experiments in real time pretty much place it outside all trendy styles happening right now which is always a reason to go see a band. Joseph Lamar is a glam R&B space alien whose soulful vocals can’t be constrained by convention either and his songwriting while hyper tuneful also colors outside the lines of expectation. If Fainting Dreams includes members of Endless Nameless, Direct Threat and Asbestos and still playing this show they’re probably using their considerable musical talents and chops to make something unusual and interesting as well.

Thursday | 03.31
What: Prism Bitch w/Horse Girl and Bud Bronson & The Good Timers
When: 7 p.m.
Where: Lost Lake
Why: Prism Bitch from Albuquerque, New Mexico fuses synth pop with garage rock in unpredictable ways while not compromising solid pop songwriting yet coming off very unfiltered and punk. Horse Girl is part inspired performance art and art pop with a show that always breaks that barrier between the spectator and performer in creative ways. Brilliant weirdos, always. Bud Bronson & The Good Timers is the best power pop band out of Denver. Full stop.

Princess Goes to the Butterfly Museum, photo courtesy the artists

Thursday | 03.31
What: Princess Goes to the Butterfly Museum
When: 8 p.m.
Where: Oriental Theater
Why: Oftentimes when actors get into making music it’s either quaint, ill-considered our insufferable. But Princess Goes to the Butterfly Museum which includes Michael C. Hall (Dexter, Six Feet Under, Hedwig and the Angry Inch) alongside Peter Yanowitz (The Wallflowers, Morningwood) and Matt Katz-Bohen (Blondie) is shockingly good. Like a synth pop glam rock band. Its debut album THANKS FOR COMING comes off more like an art rock concept record the likes of which you’d expect more from the 1970s with strong ideas and commentary on life and society and ambitious songwriting. But with modern sensibilities like the musicians are well aware that Radiohead and Arcade Fire already happened. Its tonal exercises are poignant and evocative and the songs cinematic.

Best Shows in Denver 1/23/20 – 1/28/20

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Poppy performs at the Gothic Theatre on January 28, photo by Jesse Draxler

Thursday | January 23

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Portrayal of Guilt, photo by Tom Murphy

What: Portrayal of Guilt w/Street Sects, EUTH and Cau5er
When: Thursday, 1.23, 8 p.m.
Where: Hi-Dive
Why: Portrayal of Guilt is a post-hardcore band from Austin that weaves together elements of grindcore and noise soundscaping to create an angular kind of screamo bristling with menace. Its rhythms are more widely dynamic than one might expect from the mix of sounds and influences with chords allowed to hang to establish a mood that crawls to catharsis. Street Sects, also from Austin, is an industrial noise outfit whose confrontational performances may feel hidden in the banks of fog in its performance zone but the band manages to turn that haze into a realm where the tension it builds to unpredictable moments of eruption. Cau5er is a Denver project that comes partly out of hardcore but is firmly in the worlds of noise and power electronics with an impassioned delivery that belies notions of noise artists all being knob twiddlers. Schedule for the evening below provided as this show is being conducted in cooperation with the show at Mutiny across the street from the Hi-Dive.

Euth 8:30
Cau5er 9:15
Street Sects 10pm
Portrayal of Guilt 11pm

What: Red Death (DC), Enforced (RVA), Chair of Torture and Wide Man
When: Thursday, 1.23, 8 p.m.
Where: Mutiny Information Café
Why: Washington DC’s Red Death is a modern crossover band whose synthesis of thrash and hardcore is reminiscent of a more aggro version of what Megadeth was doing earlier in its career. If that sounds appealing, Enforced from Richmond, Virginia and Chair of Torture from Denver are mining similar territory with the latter with more than a leg in grindcore. See schedule for the evening below as it is being done in conjunction with the show mentioned above at the Hi-Dive.

7:30-7:50 Chair of Torture
8:05-8:25 Wide Man
8:40-9:10 Red Death
9:25-9:55 Enforced

What: Yacht w/Mux Mool
When: Thursday, 1.23, 8 p.m.
Where: Larimer Lounge

Friday | January 24

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$addy circa 2018, photo by Tom Murphy

What: 666/69/420: Dance Night featuring $addy, Trisicloplox, Kid Mask, Platonic Belt, Blank Human
When: Friday, 1.24, 8 p.m.
Where: Rhinoceropolis
Why: This is a showcase for some of the most interesting artists in the Denver noise world who incorporate aspects of dance music and glitch into the mix.

What: Casey James Prestwood w/High Plains Honky, Coop & The Chicken Pluckers
When: Friday, 1.24, 8 p.m.
Where: Hi-Dive
Why: A legitimately good country show with bands that write meaningful music instead of wallowing in country music tropes.

What: Ron Pope w/Caroline Spence
When: Friday, 1.24, 8 p.m.
Where: Bluebird Theater

What: Hate Minor, The Gurkhas and Plastic Rakes
When: Friday, 1.24, 7:30 p.m.
Where: Glitter City

What: R A R E B Y R D $ w/Calico Club and Ginger Perry
When: Friday, 1.24, 8 p.m.
Where: Lion’s Lair

What: Fatal Mistake IV Benefit: The Consequence, Tuck Knee, Videodrome, F.O.A.M., Direct Threat
When: Friday, 1.24, 8 p.m.
Where: Seventh Circle Music Collective

What: Deer Creek, Barstool Messiah and Never Kenezzard
When: Friday, 1.24, 9 p.m.
Where: Englewood Tavern

What: Necromantic (goth/darkwave DJ night)
When: Friday, 1.24, 9 p.m.
Where: Skylark Lounge

Saturday | January 25

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Old Sport circa 2018, photo by Tom Murphy

What: Use the Sun (Reunion), Old Sport and American Grandma
When: Saturday, 1.25, 7 p.m.
Where: Seventh Circle Music Collective
Why: Denver’s Use the Sun is reuniting for one night to bring forth its joyous mixture of melodic punk and surf rock. Also included is a lately relatively rare show from Old Sport who have been part of that resurgence of bands that were influenced by the better, mathier end of emo and post-hardcore. American Grandma is a slowcore band whose elegant and introspective guitar compositions blur the line between folk, ambient and dream pop.

What: Neil Haverstick
When: Saturday, 1.25, 7 p.m.
Where: Swallow Hill
Why: Neil Haverstick is Denver’s biggest proponent of microtonal guitar so much so that he wrote a book about it. His songs, though, come from an emotional place and his roots in blues and folk inform even though his style brings in a great deal of avant-garde thinking into the mix and makes it accessible.

What: Rhinoceropolis Benefit: Cian, Jason Sidney Sanford, Prison Glue, Born Dumb, Lanx Borealis, Birth, Swamps
When: Saturday, 1.25, 8 p.m.
Where: Rhinoceropolis

What: Hail Satan, Brew Ha!Ha! And Asalt
When: Saturday, 1.25, 9 p.m.
Where: 3 Kings Tavern

Sunday | January 26

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Lazarus Horse circa 2017, photo by Tom Murphy

What: Shibui Denver #9: The Vanilla Milkshakes, Lazarus Horse and Pythian Whispers
When: Sunday, 1.26, 7 p.m.
Where: Mutiny Information Cafe
Why: This latest edition of Shibui Denver will feature outsider pop punk band The Vanilla Milkshakes, the earnest, existential, angular indie rock of Lazarus Horse and Pythian Whispers’ psychedelic ambient soundscapes with visuals by Mark Mosher, electro-ambient artist and founder of Rocky Mountain Synth Meetup.

Tuesday | January 28

What: GosT w/Church Fire and Elay Arson
When: Tuesday, 1.28, 7 p.m.
Where: Larimer Lounge
Why: GosT blurs the line between metal and synthwave and definitely for fans of Perturbator. Church Fire blurs that line a little too but more in the tribal, pagan vein without hitting you over the head with the aesthetic and its industrial/dance pop hybrid is one of the most compelling things going on in Denver or anywhere.

What: Poppy w/VOWWS
When: Tuesday, 1.28, 7 p.m.
Where: Gothic Theatre
Why: Poppy’s genre-mashup is not for everyone. But the theatrical presentation of her mix and remix of extreme metal, kawaii pop and surreal psychedelic pop turns on a dime like something John Zorn might have thought of had Naked City come up in the 90s and 2000s and not in the realm of avant-garde jazz and grindcore. Currently touring in support of her new album I Disagree. VOWWS has managed to shed a lot of the previous associations in the last year with retro rockist tendencies. Its sound is more like a hard edged darkwave to post-punk what a band like True Widow is to metal and shoegaze.

What: Thrice w/mewithoutYou, Drug Church and Holy Fawn
When: Tuesday, 1.28, 5:30 p.m.
Where: Summit Music Hall

Best Shows in Denver and Beyond 12/20/19 – 12/23/19

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Colorado Crew: Denvoid Pt. 2 is being released and celebrated during events this weekend

Friday | December 20

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Echo Beds, photo by Tom Murphy

What: Colorado Crew Denvoid Pt. 2 book release
When: Friday, 12.20, 6-8:30 p.m.
Where: Mercury Café
Why: This event will present the follow up to Bob Rob Medina’s 2015 book Denvoid and the Cowtown Punks which documented the Denver punk and underground music scene from 1982-1987. This volume, Colorado Crew: Denvoid Pt. 2 covers the years 1988-1996 in which punk changed, the major current strands of music in Denver emerged into strong, coherent form and the early phase of artist run DIY spaces developed into the form we know now.

What: Emerald Siam w/Echo Beds and Clusterfux
When: Friday, 12.20, 8 p.m.
Where: Hi-Dive
Why: The musical accompaniment to Colorado Crew: Denvoid Pt. 2 mentioned above with bands whose members were part of that late 80s through mid-90s scene.

What: Panther Martin w/Wet Nights, Marti and the Dads
When: Friday, 12.20, 7 p.m.
Where: Larimer Lounge

What: Reno Divorce w/Tejon Street Corner Thieves and Joy Subtraction
When: Friday, 12.20, 8 p.m.
Where: Globe Hall

What: Colorado People’s Alliance Fundraiser with Gone Full Heathen, Lost Boi, Joel Zigman and more
When: Friday, 12.20, 8 p.m.
Where: Seventh Circle Music Collective

Saturday | December 21

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Causer, photo by Tom Murphy

What: Grimy (Bryan Wendzel) and Cabron (Bob Rob Medina)
When: Saturday, 12.21, 1 p.m.
Where: Chain Reaction Records
Why: Early afternoon show connected to the release of Colorado Crew: Denvoid Pt. 2 featuring death-grind band Grimy and author Bob Rob Medina’s San Diego-based punk outfit Cabron playing a rare show (as well as another later this night).

What: The Rocky Mountain Synthesizer Meetup Presents: Synth Patrol
When: Saturday, 12.21, 1-3 p.m.
Where: Little Horse Books & Vintage
Why: Early afternoon concert featuring live vinyl sampling from Aefonic (Brian Horsfield), Cold Future (Victor John), monoscene (Christoph Scholtes) and Newecho (Mark Mosher).

What: Jon Snodgrass and Jux County
When: Saturday, 12.21, 5-8 p.m.
Where: Mutiny Information Café
Why: Another show connected to the release of Bob Rob Medina’s book Colorado Crew: Denvoid Pt. 2 including performances from longtime punk stalwart Jon Snodgrass and Jux County, one of the early cowpunk/alt-country bands from the mid-80s and who still occasionally play shows.

What: FOUR! (reunion), Cyclo-Sonic, Mind Rider (Sonny Kay), Cabron
When: Saturday, 12.21, 9 p.m.
Where: 1010 Workshop
Why: The final event related to the release of Colorado Crew: Denvoid Pt. 2 with performances from bands including people featured in the book with pop-punk legends FOUR!, garage punk band Cyclo-Sonic which includes members of The Fluid, Choosey Mothers and Rok Tots, Sonny Kay (Savalas, Angel Hair, The VSS) and Bob Rob Medina (Savalas, Cabron). Rumor has it Medina and Kay will perform a Savalas song.

What: Causer, Equine, Tears to Li6ht
When: Saturday, 12.21, 8 p.m.
Where: Glitter City
Why: Equine is an avant-garde guitar drone solo project of Kevin Richards. Causer is one of the most compelling and inventive newcomers to Denver’s noise scene with their mix of confrontational performance art and noise collage. Tears to Li6ht is a melodic ambient/experimental pop project.

What: Surfacing – Winter Solstice show: Mirror of Truth (Esmé Patterson solo project), EA$$IDE LUPITA Korryne solo, Bell Mine, Kaumaha
When: Saturday, 12.21, 8 p.m.
Where: Rhinoceropolis
Why: Titwrench festival will return in 2020 to feature some of the most interesting female, LGBTQIA and marginalized community artists. This event is a showcase for what’s to come and a fundraiser for the future festival. It’s the debut of Esmé Patterson’s experimental music project and will include a performance of Korryne of R A R E B Y R D $’ solo project EA$$IDE LUPITA.

What: Jade Cicada w/Seppa, Shield, Mad Zach, Bricksquash and Schmoop
When: Saturday, 12.21, 7 p.m.
Where: Mission Ballroom

What: Charlie Parr w/Dead Horses
When: Saturday, 12.21, 8 p.m.
Where: Bluebird Theater

What: Decemburger IV: In the Company of Serpents, Nekrofilth, Ghosts of Glaciers, The Munsens, Casket Huffer, Upon A Fields Whisper
When: Saturday, 12.21, 6 p.m.
Where: Hi-Dive

Sunday | December 22

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Umbras Animas, photo by Tom Murphy

What: Umbras Animas w/Lady of Sorrows, John Gross, Mismo and Pythian Whispers
When: Sunday, 12.22, 7 p.m.
Where: Rhinoceropolis
Why: Umbras Animas is bringing its latest drone and shadow pupper theater performance to Rhinoceropolis along with one of the Godfathers of Denver noise John Gross, operatic darkwave synth pop project Lady of Sorrows and soundtrack/soundscape projects Mismo and Pythian Whispers (full disclosure, Queen City Sounds and Art writer Tom Murphy’s band).

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Claudzilla, photo by Tom Murphy

What: Claudzilla w/Artificial Bladder (synth pop), Preparation (ambient)
When: Sunday, 12.22, 7 p.m.
Where: Mutiny Information Café
Why: Weirdo keytar pop maven Claudzilla will perform along with likeminded weirdos Artificial Bladder and Preparation.

Monday | December 23

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EVP, photo by Tom Murphy

What: Aunti Hoppa, Sur Ellz, Techno Allah and EVP
When: Monday, 12.23, 9 p.m.
Where: Rhinoceropolis
Why: A show where breakbeat dance music, hip-hop, electro soul and melodic industrial glitch meet.

Best Shows in Denver 10/3/19 – 10/9/19

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Curse performs Thursday, October 3 at Rhinoceropolis, photo by Shane Gardner

Thursday | October 3

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Dude York, photo by Eleanor Petry

What: Curse w/Echo Beds, Church Fire and Gruesome Relics
When: Thursday, 10.03, 9 p.m.
Where: Rhinoceropolis
Why: Baltimore’s Curse has been touring the US for the past eight years playing its alchemical mix of doom, darkwave analog synth pop, electro-acoustic industrial beats and hardcore. Its commanding and spirited performances and DIY ethos has earned the band a fanbase in the American underground where its gritty, emotionally charged and dream-like music needn’t appeal to a narrow spectrum of musical tastes. Also on the bill are like-minded Denver locals. Echo Beds and Church Fire both bridge the worlds of hardcore, industrial and darkwave with both groups incorporating live drums and physical sound generation with an electronic music aesthetic.

What: Bleached w/Dude York and Pout House
When: Thursday, 10.03, 7 p.m.
Where: Globe Hall
Why: Seattle’s Dude York recently released its new album Falling out on Hardly Art. The band’s been writing fun, thoughtful music since its inception but on the new record the songwriting seems somehow fuller and the tone nostalgic like the members of the band have reached a point in their life that everyone gets to where you can embrace the music of your youth that maybe in your late teens or twenties you rejected a bit because you outgrew it. Except that you can appreciate it on your terms as someone who has some life experience and has more insight as to why you you can either still love that music or aspects of it or appreciate how it made you feel even if that music doesn’t have that level of impact on you now. The problem with a lot of rock music is that it gets emotionally stuck in a rut of stunted adolescence. Falling sounds like a band that acknowledges the importance on a deeply personal level of not letting your heart fully harden to weather the blows of life with a shield of knowing jadedness when some sensitivity and openness would be a better way to navigate the world with curiosity and humanity intact. Bleached not so long ago went through its own transformation after some years of exploring what it wanted to sound like, even as the songwriting was always strong, to get into a groove of gritty, atmospheric pop that grew out of the Clavin sisters’ past in noise punk band Mika Miko and the garage surf sound of the early 2010s.

Friday | October 4

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The Haters circa 2011, photo by Tom Murphy

What: Ultra Metal Fundraiser: The Haters 40th Anniversary performance, Dr. Noize, Sounding, Prison Glue, Jump Scare, Goblin King of the Popstars, Ilind, Diffuser and French Kettle Station
When: Friday, 10.04, 7 p.m.
Where: Rhinoceropolis
Why: Noise festival Ultra Metal will take place the second weekend in November. But it’s a DIY fest and this show is both a fundraiser for Ultra Metal and the 40th anniversary performance of arch noise tricksters The Haters which may or may not include legendary, formerly Denver-based recording engineer Bob Ferbrache.

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Tim Baker, photo by Britney Townsend

What: Half Moon Run w/Tim Baker (former Hey Rosetta!)
When: Friday, 10.04, 8 p.m.
Where: Bluebird Theater
Why: Tim Baker the charismatic singer for Hey Rosetta! released his debut solo album Forever Overhead. When the band went on indefinite hiatus in October 2017 Baker went on tour as a solo artist playing the unconventional types of venues he had probably when he was coming with the songs that were the backbone of the early era of his Hey Rosetta!. The songs are the warm, introspective but yearning, anthemic pieces that garnered the band a wide audience from early on. The album seems to sketch a journey of personal rediscovery and reconnecting with the everyday experiences and epiphanies that make for vivid lyrics that resonate with feelings we’ve all had.

What: Ride w/The Spirit of the Beehive and One Flew West
When: Friday, 10.04, 7:30 p.m.
Where: Boulder Theater
Why: Ride was one of the earliest of the UK shoegaze bands. Its sound was aswirl with elements of a colossal neo-psychedelia but rocked with a momentous drive. Currently the group is touring in support of its 2019 album This is Not a Safe Place.

What: Tinariwen
When: Friday, 10.04, 8 p.m.
Where: Gothic Theatre

What: Amon Amarth w/Arch Enemy, At the Gates and Grand Magus
When: Friday, 10.04, 5:30 p.m.
Where: Fillmore Auditorium

Saturday | October 5

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nervesandgel circa 2013 (Johnny Wohlfahrt aka nervesandgel with Allison Young), photo by Tom Murphy

What: Pythian Whispers album release w/RAREBYRD$, SOMNILOQUIST and nervesandgel
When: Saturday, 10.05, 8 p.m.
Where: Rhinoceropolis
Why: SOMNILOQUIST is an ambient/drone artist from Albuquerque whose 2019 album Perpetual Fall is a collection of vivid sonic sketches of a scene, a sensation, a mood captured by the song titles including the humorously titled “How Long Are You Going to Leave Those Jack-o-Lanterns on Your Porch?” Majestic, enigmatic, impressionistic, introspective but always conveying the emotional experiences behind them eloquently. Nervesandgel hasn’t performed a show in over six years but the Denver-based experimental electronic artist has a vast back catalog that explores depths of experimenting with the form of ambient music and psychedelia beyond the tropes implied by the latter designation. He, Johnny Wohlfahrt, has releases on various imprints including a record out on indie pop label Best Friends Records but most of his work is self-released including the darkly moving Cometcrash and the more than three hour long epic 333. He may make ambient music but his performances are always richly emotional. R A R E B Y R D $ took the root of underground hip-hop and imbued it with personal mythology and a willingness to push the weird end of electronic beat-making to craft some of the most entrancing and evocative, sometimes inspirationally brash, sometimes cathartically heartbreaking happening in the world right now. Pythian Whispers is a Denver-based ambient band that Queen City Sounds and Art editor and writer Tom Murphy started as a solo project in 2009 but which became a band in 2011 when David Britton joined followed by various other long term and short term collaborators including renowned photographer/film-maker Charles DeGraaf, Titwrench MC Piper Rose, former Dangerous Nonsense bassist and current Umbras Animas member Harmony Fredere, Brad Schumacher of Night Grinder, Melissa Bell formerly of Rasputina and Howling Hex, Victoria Lundy of The Inactivists, Darren Kulback formerly of Hot White now Quits and The Lifers, former Action Friend drummer Paul Alexander, Misun Oh formerly of French Chemists, Tripp Wallin of The Lifers, comic artist Sara Century, photographer Joel Dallenbach and likely more. The band’s new album Lullabies For the Way of St. James is its first full length album since 2012’s The Dark Edge of Hippie Life. The band will have enamel band logo pins for sale for $12 that come with a download or a bundle with a forthcoming cassette with extra tracks for maybe $20.

What: Franksgiving: Church Fire, Little Fyodor, Ralph Gean and Gort Vs. Goom
When: Saturday, 10.05, 9 p.m.
Where: Lion’s Lair
Why: Franklin Bell is a local character and weird music afficionado who DJs many events featuring gloriously odd music. This is his yearly benefit for the Crohn’s Foundation of America. It features some of Denver’s best including tribal industrial dance phenoms Church Fire, punker than your average fashion victim punk band Little Fyodor & Babushka Band, Denver’s OG rock and roll hero Ralph Gean and irreverent bass thrash post-punkers Gort Vs. Goom.

What: Nakatani Gong Orchestra
When: Saturday, 10.05, 7-10 p.m.
Where: The Savoy at Curtis Park

What: New Ben Franklins, I’m A Boy and The Gones
When: Saturday, 10.05, 8 p.m.
Where: Mutiny Information Café

What: Horse Feathers w/Chella and the Charm
When: Saturday, 10.05, 8 p.m.
Where: Hi-Dive

Sunday | October 6

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Sam Fender, photo by Jack Whitefield

What: Sam Fender w/Noel Wells
When: Sunday, 10.06, 7 p.m.
Where: Globe Hall
Why: You may not know who Sam Fender is now but the singer/songwriter from the UK has had his musical star on the ascent for several years now and his new album Hypersonic Missiles hit the number one sport on the UK Albums Chart last month. His earnest songwriting and candid portraits of working class life, the struggles, the aspirations, the frustrations and the triumphs, elevate his upbeat and anthemic songwriting to something more ambitious and meaningful than much of what is passing for pop and rock music in the mainstream these days.

What: Dave Bixby w/Midwife and Scott Seskind — canceled
When: Sunday, 10.06, 7 p.m.
Where: Rhinoceropolis
Why: In 1969 Dave Bixby released his debut Ode to Quetzalcoatl, inspired by a spiritual revelation after wrecking his mind with drugs and transcending that experience. His second album, Second Coming, commissioned by a cult called The Movement, was released in 1970 and he subsequently disappeared from the world of music until 2011. This is a rare chance to catch this legend of psychedelic folk. [This show was canceled due to Dave’s gear being stolen. Possible reschedule at some point]

What: Mac Demarco w/Thundercat and Snail Mail
When: Sunday, 10.06, 6 p.m.
Where: Red Rocks

Monday | October 7

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Chiiild, photo courtesy the artist

What: Emotional Oranges w/Chiiild
When: Monday, 10.07, 7:30 p.m.
Where: Fox Theatre
Why: Chiiild is the kind of R&B we need now that is identifiable as such but which has absorbed modern music and while maintaining an appreciation for the eccentric sound and musical ideas from yesteryear with no prejudice toward where it belongs in conventional notion of genre. The group’s songs sound like they were written without notions of musical tradition weighing it down, only the pressure of writing meaningful and transporting music the way its obvious influences weren’t aiming to borrow so heavily from an earlier era either.

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Kevin Parker of Tame Impala, photo by Matt Sav

What: Tame Impala w/Altin Gün
When: Monday, 10.07, 7 p.m.
Where: Mission Ballroom
Why: Tame Impala could have done fine for itself basically soundtracking modern yacht rock for young people and had a commercially successful music career. But Kevin Parker’s songwriting reveals some more imaginative combinations of sounds and moods layered into the music so that even if sometimes a song will remind those in the know of a later era Supertramp track with more luxuriant synth work it’s an example of Parker’s penchant for weaving together modern sensibilities and pop songcraft from previous or current times with equal aplomb.

What: Stereolab w/Wand
When: Monday, 10.07, 7 p.m.
Where: Ogden Theatre
Why: Stereolab took French pop, Krautrock, avant-garde synth music, dub and psychedelia and infused it with the radical left politics to make some of the most compelling yet accessible music of the 1990s and 2000s. Reunited after a decade apart “The Groop” will not fail to dazzle.

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Blood Orange, photo by Nick Harwood

What: Tyler, The Creator w/Blood Orange and Goldlink
When: Monday, 10.07, 6 p.m.
Where: Red Rocks
Why: Tyler the Creator made a name for himself crafting experimental hip-hop as a member of Odd Future and under his own creative moniker. But in recent years, particularly with his 2019 album Igor, he’s been writing works that explore themes of identity and a deep examination of what drives our desires. While nothing new per se, for this record Tyler has dispensed with the aggressive character that was a manifestation of his anxieties and insecurities writ larger than life in favor of a compelling vulnerability with production that complements that unmasked sensitivity perfectly. Also on the tour is Blood Orange whose own experimental beat-crafting and creative approaches to cultural narratives reached a peak thus far with 2018’s Negro Swan with its lush jazz and downtempo sound and lyrics that took an honest yet nuanced look into the way society and conventional mores impact racial, gender and sexual identity. Heavy stuff for a show at Red Rocks and yet both artists make these subjects accessible and fun without downplaying their seriousness.

What: Claudio Simonetti’s Goblin performs Deep Red for movie screening
When: Monday, 10.07, 7 p.m.
Where: Oriental Theater
Why: Claudio Simonetti is a founding member of Italian progressive rock band Goblin and for this show he and his band will perform a live soundtrack to the 1975 Dario Argento splatter horror thrill Deep Red.

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The Paranoyds, photo by Gina Canavan

What: White Reaper w/The Dirty Nil and The Paranoyds
When: Monday, 10.07, 7 p.m.
Where: Larimer Lounge

What: Boy Harsher w/Spelling
When: Monday, 10.07, 8 p.m.
Where: Marquis Theater

Tuesday | October 8

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Bluebook circa 2017, photo by Tom Murphy

What: Tame Impala w/Altin Gün
When: Tuesday, 10.08, 7 p.m.
Where: Mission Ballroom

What: Deep Sea Diver w/Bluebook
When: Tuesday, 10.08, 7 p.m.
Where: Globe Hall

Wednesday | October 9

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Jakob Ogawa, photo by Hedda Rysstad

What: Jakob Ogawa w/Niña
When: Wednesday, 10.09, 7 p.m.
Where: Larimer Lounge
Why: Swedish singer-songwriter Jakob Ogawa’s songwriting seems steeped in jazz-inflected pop but there’s something unusual about the angle with which he approaches the music. Almost like it incorporates elements of childhood music and fairy tales into the mix. For instance the music video for his single “April” features a sasquatch type figure who wakes up one morning and has some adventures including trying out surfing and night driving. Some fishing, visiting the graves of pets. Hanging out in a hammock. It’s subtle but it really does tell you Ogawa’s gift for chill synth pop and his own idiosyncratic vocals is coming from a place of individual imagination that immediately sets him apart from the rest of the modern crop of indie pop artists.

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Gold Trash, photo by Tom Murphy

What: RAREBYRDS, Gold Trash, Shocker Mom and Savage Bass Goat
When: Wednesday, 10.09, 7 p.m.
Where: Lost Lake

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Charli XCX, photo courtesy the artist

What: Charli XCX w/Dorian Electric
When: Wednesday, 10.09, 7 p.m.
Where: Ogden Theatre

What: James Blake
When: Wednesday, 10.09, 7 p.m.
Where: The Fillmore Auditorium

Best Shows in Denver 8/9/19 – 8/14/19

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Rolling Stones perform at Mile High Stadium on August 10. Photo by Dave Hogan.

Friday | August 9

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Jay Aston’s Gene Loves Jezebel, photo by Ian Collins

What: The Alarm, Modern English and Jay Aston’s Gene Loves Jezebel
When: Friday, 08.09, 7 p.m.
Where: Oriental Theater
Why: In the 1980s all three of these bands embodied the kind of highly melodic post-punk that articulated both the bleakness of an era and the hope that they and the rest of humanity would endure writing songs celebrating life and love and honoring the uncertainty, tentativeness and sometimes, yes, even gloominess that cast a pall over society with the impending threat of nuclear holocaust. Over thirty years hence we’re all in another period of doom hanging over the planet from, once again, the threat of nuclear war but also the collapse of our ecosystem and the rise of another wave of aggressive fascism throughout the world. Since these three bands have reconvened each has also been writing some of the best music of their careers and commenting on the times with songs that aren’t trying to capture past glory so much as writing music worthy of their legacy of not getting stuck in a rut. Modern English’s 2016 album Take Me to the Trees, Jay Aston’s Gene Loves Jezebel’s 2017 record Dance Underwater and The Alarm’s 2019 offering Sigma reflect not just the strength of the respective band’s original creative vision but also their growth as artists valid in the modern era.

What: The Yellow Rake 15 year anniversary night 1 w/Simulators, Moon Pussy, Charly Fasano, Brian Polk and Karl Christian Krumpholz
When: Friday, 08.09, 8 p.m.
Where: Mutiny Information Café
Why: The Yellow Rake is a Denver-based literary and culture magazine that is celebrating a remarkable fifteen years in existence with performances from local bands Simulators and Moon Pussy and writers and artists Charly Fasano, Karl Christian Krumpholz and Yellow Rake founder Brian Polk. The celebration will run two nights beginning tonight at Mutiny Information Café.

What: Martin Atkins DJ sets and spoken word
When: Friday, 08.09, 9 p.m.
Where: Tracks
Why: Martin Atkins who has been a major figure in post-punk and industrial music going back four decades (i.e. Nine Inch Nails, Killing Joke, Ministry, Public Image Limited) will do a DJ set tonight and perform some spoken word, possibly reading from his own body of work.

Saturday | August 10

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This Will Destroy You, photo by Veronika Reinert

What: This Will Destroy You w/Brin
When: Saturday, 08.10, 8 p.m.
Where: Oriental Theater
Why: This Will Destroy You is one of the better ambient post-rock bands. Mainly because its dynamics aren’t limited to the predictable builds and then inevitable catharsis like Sigur Ros without all the alien light and energy that imbues that band’s music. This Will Destroy You’s 2018 albums New Others Part One and Part Two finds the band further developing its textural elements giving its new set of soundscapes a depth of low end it didn’t lack but one that highlights the more ethereal melodies with a a evocative contrast in tone.

What: Rolling Stones: 2019 No Filter Tour
When: Friday, 08.10, 6:30 p.m.
Where: Mile High Stadium
Why: Anyone not know who the Rolling Stones are? Use your search engine and learn about the iconic rock and roll band that fused a gritty, heavily blues influenced rock music and evolved it in various and fascinating ways for years with lyrics that often indulged in unusual, offbeat subjects and really a broad spectrum of human experience making their songs long term engaging and influential. Keith Richards’ autobiography Life is one of a handful of essential books written by a musician.

What: GYES: Arc Sol, Mainland Break, Slugger
When: Friday, 08.10, 8 p.m.
Where: The People’s Building
Why: This edition of Get Your Ears Swoll brings to Northwest Aurora, Colorado experimental rock bands with a psychedelic loose edges.

What: The Yellow Rake 15th Anniversary Night 2: SPELLS, Black Dots, Muscle Beach and Joy Subtraction
When: Friday, 08.10, 8 p.m.
Where: Hi-Dive
Why: The second night of The Yellow Rake’s celebration of fifteen years of existence takes place at the Hi-Dive with some of Denver’s best punk and post-hardcore bands.

What: Glasss Fest Day 1
When: Friday, 08.10, 12 p.m.
Where: Rhinoceropolis
Why: This two day event spanning roughly twelve hours each day brings together some of the most interesting of underground bands that often do not get much play at the clubs or more commercial venues. Which makes it an event worth attending to catch a slice of what you’re missing out on if you only go to venues that don’t book experimental music. Most of this stuff isn’t particularly challenging unless your idea of genius is mainstream pop music that is bland but has the veneer of quality or if you’re mainly only into one genre of music not represented. It’s an eclectic booking in a way that needs to happen in Denver and elsewhere more often. Schedule below. All times p.m. as if you needed to be told.

12:30 – DJ Zombie
3 – Grrrl
3:30 Kah Li
4 – Nothing is Everything
4:30 – MYTHirst
5 – Adam Selene
5:30 – Bios+a+ic
6 – Elle Green
6:30 – Sliver
7 – Bianca Mikahn
7:30 – Denizens of the Deep
8 – House N Complex
8:30 – Pearls & Perils
9 – Princess Dewclaw
9:30 – Abeasity Jones
10 – R A R E B Y R D $
10:30 – Catdog
11 – Techno Allah
11:30 – Savage Bass Goat

Sunday | August 11

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Umbras Animas, photo by Tom Murphy

What: Glasss Fest Day 2
When: Sunday, 08.11, 12 p.m.
Where: Rhinoceropolis
Why: See above for Glasss Fest.

1 – Sobremarcha/Hepster Pat DJ Sets
3 – Umbras Animus
4 – Galleries
4:30 Wngdu
5 – Disposal Notice
5:30 – Sumguy
6 – Bowshock
6:30 John Gross
7 – Venus305 / DCC
7:30 – Lady of Sorrows
8 – Pythian Whispers
8:30 – Dead Characters
9 – Soulless Maneater
9:30 Sadbug
10 – Joohsup
10:30 – $addy
11 – Hepster Pat DJ set

Tuesday | August 13

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Plume Varia, photo by Tom Murphy

What: Quits, Multicult (MD), Sliver and Equine
When: Tuesday, 08.13, 12 p.m.
Where: 3 Kings Tavern
Why: Basically a noise rock show except for Equine who is probably doing a noisy guitarscaping sort of set. And Sliver who are basically a grunge color-by-numbers act. At least when it comes to their Layne Staley wannabe singer/guitarist. But they’re pretty alright in spite of all of that. Multicult is a Baltimore-based noise rock band in the vein of Shellac and The Unsane. Quits is a Denver band with a similar aesthetic and one that doesn’t skimp on the raw emotional outbursts.

What: Pure Bathing Culture w/Plume Varia
When: Tuesday, 08.13, 7 p.m.
Where: Larimer Lounge
Why: Pure Bathing Culture started with Sarah Versprille and Daniel Hindman who are also members of experimental folk band Vetiver. PBC is more in the realm of dream pop but with a more organic base with vibrant and sparkling guitar work amid lush synths as well as Versprille’s warm vocals. The group’s 2019 album Night Pass is its first since being dropped from Partisan Records. And rather than a darker than usual album to reflect the process of the experience, Night Pass sounds like a band that kept going its previous creative trajectory of introspective, upbeat yet downtempo pop songs. Opening the show is Plume Varia who share a similar sensibility but whose sound palette is a little more dusky and with singer Cheri Cobbs’ vocals soulful and deeply evocative.

What: Matt Weston (Albany), Ryan Mcryhew and Ryan Seward
When: Tuesday, 08.13, 7:30 p.m.
Where: Rhinoceropolis
Why: This will be something of an experimental improvisational show including locals Ryan Mcryhew better known for his work as modular synth and beats composer Entrance and avant-garde percussionist Ryan Seward. Both will join Matt Weston whose own left field percussion and electronics has brought him into collaborative spheres with the likes of Roger Miller (of Mission of Burma), Jim O’Rourke, drone legend Kevin Drumm, free jazz saxophone player Charles Gayle and Jack Wright, another master sax improviser.

Wednesday | August 14

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Kamasi Washington, photo by Durimel

What: Herbie Hancock and Kamasi Washington
When: Wednesday, 08.14, 7:30 p.m.
Where: Mission Ballroom
Why: Herbie Hancock probably needs no introduction as one of the most important artists in modern jazz as a composer, pianist and band leader. He played in Miles Davis Quarter, he was a pioneer of jazz fusion and funk, he has composed soundtracks, he had a 1983 pop hit with “Rockit” which fused jazz and hip-hop. His accomplishments are, frankly, to massive to list. Also on this bill is Kamasi Washington whose own role as a master saxophonist (he’s played on records by Kendrick Lamar, Thundercat, St. Vincent and others, no big deal), composer, band leader and producer parallels Hancock’s own. As a live performer Washington orchestrates the show with a subtle mastery that feels relaxed and informal due to the songwriting and the years of work already put in but which feels like watching a grandmaster at work. So go early to catch Washington and stay for one of the few living legends of jazz demonstrate his own musical magic.

Best Shows in Denver 08.23.18 – 08.29.18

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Boss 302 performs at The Oriental Theater on Friday, August 24, 2018 with Landgrabbers and The Vanilla Milkshakes

Thursday | August 23, 2018

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Esmé Patterson circa 2017, photo by Tom Murphy

Who: Adam Faucett, Esmé Patterson, Bellhoss
When: Thursday, 08.23, 9 p.m.
Where: Syntax Physic Opera
Why: Arkansas-based folk/Americana artist Adam Faucett performs in Denver ahead of the August 24 release of his new record It Took The Shape of a Bird. Faucett’s creative use of vocal tones and dynamics along with his poetic imagery gives his music real character. The same could be said of Esmé Patterson whose creativity in storytelling and richness of emotional colorings in her songwriting makes her noteworthy artist in a realm of music that can sometimes seem same-y. Becky Hostetler’s Bellhoss is also a great fit for this bill since her own spare songwriting provides the skeleton of mood and atmospherics in a way that brings your imagination to bear to fill in the spaces.

Who: short[circuit]circus #1: Structures Beavers Make (ATX noise-ish), Mahou Odd Genie & Norm L. Princess, Housekeys, Rose Alley
When: Thursday, 08.23, 7:30 p.m.
Where: Seventh Circle Music Collective
Why: This is the beginning of what will hopefully be a series focused on more experimental music. Structures Beavers Make is an act based out of Atlanta, Georgia that doesn’t limit itself to just lo-fi moody guitar and voice over subtle, ambient beats, as the artist says (jokes) on her Bandcamp page that she might do bad Avenged Sevenfold covers. We can only hope. Mahou Odd Genie & Norm L. Princess fortunately also doesn’t fit comfortably in a single, discernible genre somewhere betwixt ambient, experimental electronic dance and samples manipulation. Housekeys is Tiffiny Costello’s ghostly guitar and vocals ambient project. The most obvious comparisons are Grouper and Juliana Barwick or the less noisy period of Flying Saucer Attack. Rose Alley is a “drag noise poet” in that it’s kind of a trippy spoken word performance with environmental sounds to enhance the words.

Friday | August 24, 2018

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Lady of Sorrows, photo by Tom Murphy

Who: Boss 302 w/The Landgrabbers and The Vanilla Milkshakes
When: Friday, 08.24, 7 p.m.
Where: The Oriental Theater
Why: Boss 302 started in the early days of 1993 on the cusp of the breakup of the band that inspired its existence: The Fluid. However, Boss 302 spent several years establishing its own reputation as a fun, rowdy garage punk band with a charismatic frontman in Rich Groskopf and a solid band that wrote songs good for a party in the classic sense rather than the self-parody of party rock in more recent years. Boss 302 had a handful of releases including 1997’s Whatever Happened To Fun, which included its only recordings with Matt Bischoff of The Fluid on bass. The group split in 1999 and reunited in 2008 around the same time The Fluid came unexpectedly out of retirement for a time to play Sub Pop’s 20 year anniversary show as well as a string of other performances, a reminder that it was and still was one of post-punk’s greatest bands. Ten years hence Boss 302 reunited once again in July 2018 for the Mile High Parley with a spirited performance at Gary Lee’s. Even if you’re not familiar with the band’s music, you’ll get to have some laughs and see one of Denver’s best punk bands of the 90s. Also on the bill are country punk band Landgrabbers and post-grunge pop outsider punk band Vanilla Milkshakes.

Who: Lady of Sorrows, Church Fire and Mirror Fears
When: Friday, 08.24, 7 p.m.
Where: Mercury Café
Why: Lady of Sorrows is the downtempo, brooding R&B solo project of Lady Justice of industrial/darkwave band Angel War. Church Fire is a band that should be everyone’s radar in Denver at this point but in case not the emotionally charged, noise-infused dance-darkwave band never disappoints with its cathartic live show. Mirror Fears too is in a similar vein but with a more ethereal vocal style and presence whose emotional power washes through you, cleansing the psychic detritus that seems to be stuck in everyone with a heart these days.

Saturday | August 25, 2018

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ohGr circa 2011, photo by Tom Murphy

Who: Archipelaghost at final Alligator Party
When: Saturday, 08.25, 9 p.m.
Where: Bowman’s Vinyl and Lounge
Why: Archipelaghost, an electronic/psychedelic rock band extraordinaire, is moving away as is Marie Litton of Pretty Mouth who will also DJ this show. Maybe they’ll be back through on a tour but for now this is your last if not only chance to catch them before they’ve relocated.

Who: Lead Into Gold, ohGr and Omniflux
When: Saturday, 08.25, 7 p.m.
Where: The Oriental Theater
Why: Paul Barker was the iconic bassist and co-producer of Seattle post-punk legends the Blackouts as well as EBM/industrial rock band Ministry during its most popular and productive era. Lead Into Gold was a side project Barker put together in the late 80s/early 90s. The project was basically put on the shelf until 2015 when Low & Slow was released, making available some tracks originally recorded in 1990. With 2017 performances including that at Chicago’s Cold Waves festival, Lead Into Gold became an active band again with a new album titled The Sun Behind the Sun appearing in 2018.

ohGr is the band formed by Nivek Ogre and Mark Walk of Skinny Puppy. Its music is not as dark or as heavy as Skinny Puppy can be, rather more a focus on the playful side of both musicians. Devils in My Details showcased a noisier side of ohGr and a more sound design approach to composing the music, a method Walk and Ogre also applied more to the then subsequent Skinny Puppy album 2011’s HanDover. As per Ogre’s performances with Skinny Puppy, from the early tours for ohGr in 2001 to now his stage appearance is theatrical and dramatic reflecting the flavor of the music. So for the 2018 album Tricks we can probably expect some heavy emphasis on animal imagery for the stage set and Ogre’s costuming.

Sunday | August 26, 2018

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Modern Leisure, photo courtesy Modern Leisure

What: Textures: Pythian Whispers, Finnocitta and lib.eriana
When: Sunday, 08.26, 7 p.m.
Where: Mutiny Information Café
Why: This is the latest edition of Textures the ambient showcase hosted by Wesley Davis of biostatic and his Symbolic Insight imprint. Included on this bill is experimental electronic/ambient duo Pythian Whispers and lib.eriana, the acoustic and production project of Alan Muñiz, former member of avant-garde jazz band Malamadre. Drone, loops and beats artist Finnocitta from Gainesville, Florida will also make an appearance.

Who: Straight White Teeth, Modern Leisure, Briffaut and Whole Milk
When: Sunday, 08.26, 7 p.m.
Where: Lost Lake
Why: Patrick McGuire was a member of one of the more promising Denver pop bands Flashbulb Fires before he moved away to Philadelphia in 2015. After sustaining a severe injury that damaged his right arm putting any notion of every playing guitar and piano again in jeopardy. Two surgeries later and McGuire had full use of his arm back only for, according to the Straight White Teeth bio on its bandcamp page for the track “Lifetime,” McGuire and his girlfriend/former bandmate Ella Trujillo had to leave their home due to violence in the neighborhood. Now rootless with no permanent residence McGuire and Small White Teeth has managed to tour with McGuire as a solo act with tracks and what bandmates he can pull together for a show or performance. For the past year, McGuire has been recording and releasing singles rather than a full-length album all at once, a gesture that may give potential bandmates in any given city he may play a frame of reference. That this show will include the great Colorado indie pop bands Modern Leisure and Briffaut, from Denver and Colorado Springs respectively, suggests that maybe someone in either band could join McGuire for this performance.

Monday | August 27, 2018

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David Byrne and band, photo by Donna Lewis

Who: David Byrne
When: Monday, 08.27, 6:30 p.m.
Where: Red Rocks
Why: David Byrne is rightfully known for his idiosyncratic and visionary music art and performances going back to his days with punk/pop band Talking Heads in the 70s and 80s. His solo material as well as his various collaborative albums including those with Brian Eno (in particular the 1981 non-western ambient/electronic drone/samples masterpiece My Life In The Bush of Ghosts) and St. Vincent (for 2012’s Love This Giant) have been products of a unique imagination and curiosity that illuminate American culture and the human condition in ways that are both eccentric and relatable. Byrne’s body of work is proof that he’s not been one to fully rest on his laurels. This includes his 2018 album, American Utopia, which has been hailed as a return to form by critics. In some senses that is the case with Byrne’s inimitable songwriting style incorporating traditional instruments used in both traditional and decidedly unconventional ways alongside production methods as compositional tools, both giving his deceptively simple songs a sonic and emotional depth to enhance the experience of listening both in the recorded and life form. American Utopia is also a component of the multimedia project Reasons to Be Cheerful which aims to give people a reason to have some joy and hope in a time of seemingly unremitting bleakness and destructive political impulses with their inevitable consequences for the planet including human civilization.

For this tour Byrne is bringing a sprawling lineup to manifest the music of American Utopia as well as material from across his long career. People who purchase a ticket for this current run of shows can also redeem a coupon for a free CD copy of the album with details on the ticket. But the real treat is to see a master of the artform of pop in full bloom well into an already lengthy career.

Tuesday | August 28, 2018

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Equine, photo by Tom Murphy

Who: David Byrne
When: Tuesday, 08.28, 6:30 p.m.
Where: Red Rocks
Why: For David Byrne see above for Monday, 8.27.

Who: The Binary Marketing Show, New Standards Men, Equine and Sporehive
When: Tuesday, 08.28, 8 p.m.
Where: Thought//Forms Gallery
Why: The Binary Marketing Show is from somewhere in the Pacific Northwest. Its layers of drones, simple percussion, minimalist guitar, lo-fi production and spare vocals have an intimate, warm quality that is reminiscent of bedroom recordists and the more imaginative indie pop weirdos of the 2000s like Microphones, Dntel and Casiotone For the Painfully Alone. Going out on a limb maybe you’ll hear a hint of cLOUDDEAD in the way the controlled distorted instrumentals vibe with the understated vocals. Also on this bill are Denver drone guitar experimentalists New Standards Men and Equine as well as avant-instrumental improvisational band Sporehive.

Wednesday | August 29, 2018

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Cop Circles circa 2014, photo by Tom Murphy

Who: Cop Circles, Staggered Hooks, Techno Allah, Goo Age
When: Wednesday, 08.29, 9 p.m.
Where: The Meadowlark Bar
Why: Cop Circles is an artist that subverts the tropes of No Wave jazz, indie pop and Afrobeat to make the kind of catchy songs that are fun and danceable on their own but which are often sharp and thoughtful critiques of culture and the way social policies and economic models erode human dignity and our collective quality of life in ways that aren’t obvious unless you take the time to pay attention. Cop Circles music has a way of helping to clarify your way of thinking about these things without hitting you over the head with didactic platitudes. Staggered Hooks is Dean Inman of Dream Hike’s more industrial and ambient project and this may be the last time you get to witness Inman’s gift for sound design live before he moves out of Denver. Techno Allah is sort of a glitchy IDM dance artist. Goo Age makes environmental soundscapes populated by the sonic, abstract equivalents of ambient creatures in 16 bit video games. Not the kind you can or have to overcome, they’re just there to give the scene some character and Goo Age’s IDM-esque beats some serious flavor. Think a way more playful early-yet-updated Future Sound of London circa Lifeforms.