Lustmord is perhaps best known for his extensive and varied career in crafting fascinating and evocative soundscapes and his work in and with SPK, Current 93, Jarboe, Clock DVA and Melvins. So it should come as no surprise that his collaborative album with Karin Park, vocalist and member of Swedish rock band ÅRABROT, would yield something different and a synthesis of his own creatives strengths and hers. ALTER (out now on Pelagic Records) is not simply clever wordplay suggestive of a place of spiritual practice and the act of transforming an object or identity. It would be tempting to compare this record to something you might hear from Dead Can Dance because of the emotional resonance and invoking the mystical by tapping into ancient and devotional musical ideas. But there is something deeply dark about the songs of ALTER that feel like you’re witnessing the decay and collapse of modern civilization in mythical terms, an end of the world we know and the emergence of the next as manifested in a film by John Boorman. The sound design on every song has that haze of deep mystery that hung at the edges of most of Boorman’s films with drones and processed white noise flowing in the background. Park provides the distinct emotional connection with her voice like a mournful incantation beseeching strength and wisdom from beyond time.
Lustmord has created a sense of space like a cavernous cathedral but one whose shifting sounds and textures is more like a tunnel down which Park travels on a journey in the near dark. The album would feel claustrophobic if the sounds weren’t also so expansive and suggestive of the wide open. Yet it also hints at a way of shielding oneself from a coarsened and perilous world until such a time as it might be safe to re-emerge and rebuild, to establish new myths for a better future while witnessing those that have served as the framework for the modern iteration of human culture to wither away and dissolve. Overall it’s reminiscent in a way of many of those Utopian science fiction films and works of the 1970s and 1980s like Logan’s Run, Zardoz (as hinted at earlier with the Boorman reference), J.G. Ballard’s most unusual novels and Gene Wolfe’s Urth of the New Sun series. All depict a future we never could have predicted and this album sounds like the music of the passage to that unprecedented future during a time of crises beyond the ability of our current social organizations and belief systems to weather intact. A dark, deep yet ultimately rewarding album of completely unconventional and enigmatic beauty that seeps into your consciousness and lingers long afterward. Listen to/download ALTER on Bandcamp and watch the video for “Song of Sol” on YouTube.
Torche (performing tonight, September 18, at Larimer Lounge) started in Miami in 2004 after the dissolution of Floor, the band guitarist/vocalist Steve Brooks and former guitarist Juan Montoya had played in through much of the 90s and early 2000s. Torche picked up some of where Floor left off but took the heaviness in a more melodic and experimental direction across several albums including 2019’s Admission (N.B., Floor has reunited since its 2004 split and is technically still active). The new record reflects the band’s eclectic influences and roots as a band. New bassist Eric Hernandez or heave noise rock weirdos Wrong has played with Torche on and off filling in for drummer Rick Smith when the latter was not able to tour including, according to Brooks, a 2006 European tour. So the new role simply meant Hernandez was still playing with his friends in a new capacity. “After we lost two guitar players Jon [Nuñez] started playing guitar and he said we should get Eric to play bass,” comments Brooks.
Torche has never really fit the mold of a heavy metal band and Admission sounds more like a heavier neo-shoegaze album or noise rock record than heavy metal even though there are plenty of moments when the band plumbs those sonic depths that are part of its overall aesthetic. Part of this is accounted for by the fact that Brooks and the other members of Torche came up in Miami. Earlier in life, according to Brooks, he saw Melvins in 1991 and Godflesh on its early tours in 1989 or 1990. “I thought this was the type of stuff I wanted to do,” says Brooks. But finding like-minded musicians was a challenge and the guitarist moved to Atlanta in 1995 for a few years because the drummer of Floor lived there. Then the band got another drummer who lived in central Florida posing another challenge in the commute and Brooks “would drive three to four hours to practice on weekends.”
Locally Floor would play a club called Churchill’s often and frequently drove to Gainesville, Florida to play where a sizable audience might be found but back home it was playing to friends. So Floor and then Torche built up an audience well beyond their respective home towns out of necessity and have since cultivated a national and international fan base on a fairly grassroots basis.
Perhaps reflective of Torche’s non-genre purist sound is its current tour with experimental synth and heave drone band Pinkish Black for the bulk of the journey and ethereal yet emotionally charged darkwave project SRSQ (Kenndy Ashlyn formerly of Them Are Us Too) for the first leg of the tour. Torche’s current sound seems more introspective than one would expect from its previous offerings and when bringing Hernandez up to speed for the kinds of things to have in mind for moods and tones, Torche recommended listening to the first three Gary Numan albums for inspiration.
“We write a lot of riffs inspired by synths,” says Brooks. “Gary Numan is a big influence on us. So we threw that out. It’s the same thing except we’re playing guitars. The vibe.”
Admission has the evocative Richard Vargas cover art with a simple design favored by Torche this time out rather than anything too intricate. The image is of a head with the lower face intact but the upper head having exploded into the aftermath of a volcanic eruption suggesting either blowing minds of having one’s mind blown.
Although Torche has been around for fifteen years and toured internationally and it supports the members of the band, the group still operates like an underground outfit but one with the cachet to have albums released on the likes of Relapse with its two most recent records. But as with a lot of bands who are still playing small clubs and theaters Torche does its own driving and selling its own merch most of the time. Although its name is known among connoisseurs of heavy music the band isn’t so far removed from the challenges of its early days.
“It was really challenging when we first started because we weren’t making any money,” says Brooks. “Now we’re able to survive. The challenging part is actually all the traveling, trying to get sleep. Last night we partied and then I ended up going home and woke up at six o’clock in the morning and my band was in my room and I was like, ‘What the fuck are you all doing here?”’They were staying with friends before but they were in my house. They had broken into my house because I wasn’t waking up. I woke up naked because I took an Uber home, took a shower and went straight into bed. I woke up thought ‘Fuck, there are people in my room!’ The challenge is having privacy.”
Who:Lady Gang EP release w/Venus Cruz & Ginger Perry and R A R E B Y R D $ When: Thursday, 08.9, 9 p.m. Where: Syntax Physic Opera Why: Jen Korte has long been known as a respected and talented songwriter in Denver with her inventive songwriting and vivid lyrics. Known mostly for her Americana solo output and her brilliant collaborations with other artists including stints in Gin Doctors and as a guitarist in experimental rock band Teacup Gorilla. Lady Gang is Korte branching out as a songwriter and, this time around, as a producer. It’s a solo project in which Korte uses “a beat machine, a loop pedal, bass guitar, electric guitar and her signature voice.” That voice has some grit, character and confidence. The project’s new EP, released tonight, is Simple Truths, is truth in advertising with Korte finding direct ways of discussing the world in its incredible disarray. The songs resist simple classification. “How Do You Sound” has elements of bluesy psychedelia and hip-hop as interpreted through someone like MC 900 Foot Jesus. “Preface This” like a long lost Helium track with its electro-lounge and mysterious melodic strains. Sharing the stage for the occasion of this release is a collaborative set with two of Denver’s most noteworthy musical figures in jazz/soul/hip-hop phenom Venus Cruz, host of the Jazz Odyssey program on KUVO (one of the most forward thinking radio programs in Denver) and Ginger Perry, one of the Mile High City’s great DJs and not just the kind that shows up with a simple playlist. Oh, and R A R E B Y R D $, one of the most interesting hip-hop crews going that’s injecting a rich spectrum of quality imagination and emotional content into the genre.
Who:Lupe Fiasco w/Mickey Factz, Bill Blue, Dylan Montayne, Connor Ray When: Thursday, 08.9, 7 p.m. Where: The Ogden Theatre Why: It’s for the best that Lupe Fiasco didn’t actually quit music as he had intended in 2016 after the controversy over “N.E.R.D.” and the infamously supposed anti-Semitic line. In a time when white supremacy has made a curious rise in American political life, it’s essential to have voices who are articulate and unabashed critics of such nonsense not to mention Fiasco’s sharp critique of the down side of America’s actions on the international stage. Initially shelved, 2017’s Drogas Light was described as a prequel to the 2011 album Lasers. Perhaps for this tour Lupe Fiasco will unveil a bit of his new direction as creatively moving forward certainly suits him.
Who:Angélique Kidjo’s Remain In Light and Femi Kuti & Positive Force When: Thursday, 08.9, 6:30 p.m. Where: Denver Botanic Gardens (York Street) Why: Two giants of world music on one bill in a beautiful setting? Both Kidjo and Kuti have deep roots in the development of world music in general but Afrobeat in particular. Obviously Femi Kuti’s father Fela was the founder of Afrobeat and Femi played in Fela’s band starting in his teen years. Kidjo was “discovered” as a jazz musician in Paris but quickly made a name for herself internationally for her powerful voice and inimitable personal style. A rare opportunity in Denver.
Friday | August 10, 2018
Who:Meet the Giant vinyl release w/Church Fire and The Patient Zeros When: Friday, 08.10, 9 p.m. Where: Syntax Physic Opera Why: Denver-based rock band Meet the Giant releases the vinyl edition of its self-titled debut album tonight with a show at Syntax. The record is a synthesis of moody, deeply atmospheric dream pop, downtempo and fuzzy hard rock. Live the band’s songs have a mysterious yet emotionally vibrant quality accented by a broad dynamic range between the trio’s players. For the occasion Meet the Giant is joined by two of Denver’s best bands. The Patient Zeros emerged from the glut of neo-classic rock, throwback 60s psych-nostalgia and garage rock that seemed to dominate the past several years with its own musical identity and more bluesy like Cream and not a cut-rate Brian Jonestown Massacre. Church Fire is the rare band that bridges electronic dance music, noise, industrial and synth pop and infuses it with a passionate intensity and shamanic stage presence.
Who:Melvins w/WE Are The Asteroid When: Friday, 08.10, 7:30 p.m. Where: Gothic Theatre Why: Melvins have managed to spend its 35 years as a band not just developing its signature sludgy, heavy rock and influencing generations of musicians, it has taken the opportunity to collaborate with other artists in various realms of music. Whether that’s with experimental electronic artist Lustmord or Jello Biafra, Melvins seem to have long realized that you have to keep doing stuff you find interesting and following your curiosity and trying different things along the way. 2017’s A Walk With Love and Death was a double album with half of it being a noisy soundtrack to a forthcoming film in which the band is involved. Now, Melvins are touring its latest record, 2018’s Pinkus Abortion Technician. Reliably great live, do yourself a favor and see Melvins this weekend or if not this weekend sometime if you’ve not before.
Who:Witch Mountain w/False Cathedrals and Wild Call When: Friday, 08.10, 8 p.m. Where: Hi-Dive Why: Witch Mountain is a doom band from Portland, Oregon currently touring in support of its recently-released self-titled album. The quartet has technically been around since the late 90s but with an early 2000s hiatus giving band members some time to pursue other projects, the group reconvened this past decade with female lead singers who really help coalesce the drifty heavy riffs into mythical anthems. Also on board for the show is Denver doom band False Cathedrals and Wild Call who, while not doom, more psych or shoegaze, have an edge and heaviness to its atmospheric rock that will fit right in.
Who:Parker Millsap w/Plain Faraday When: Friday, 08.10, 8 p.m. Where: The Bluebird Theater Why: Parker Millsap is definitely operating with a tradition of music that includes blues rock artists of his youth like Eric Clapton and Stevie Ray Vaughan who were doing their level best to tap into the original blues artists of the American South and Midwest. But instead of getting stuck there, it’s obvious Millsap took some time to explore traditional folk and country and more modern practitioners of that art who brought their own ghosts and haunted quality and soul to their own music. Like Townes Van Zandt and Jeff Buckley. Millsap’s own voice and playing has a an impressive subtlety and spectrum of detail, texture and emotional colorings and has established himself as a real talent in his realm of music. In May 2018 he released his latest record Other Arrangements.
Saturday | August 10, 2018
Who:Itchy-O Record Release w/Codename: Carter When: Saturday, 08.11, 8 p.m. Where: Gothic Theatre Why: The Itchy-O’s new full-length Mystic Spy | Psykho Dojo, like any recorded work, could never fully capture the exuberant mayhem and visceral impact of a thirty plus member band in elaborate costumes generating an orchestra of rhythms and tones designed to disorient and inspire. Nevertheless, the new album offers listeners a foray into deep sound design that conveys the sheer detail and atmospheric experience of the band in a different context. It’s the band’s most forward thinking set of songs to date and rendered in a way that is as easy to get lost in on its own terms as the band is live. Each of the band’s albums have been impressive works in their own right in terms of recording and execution as a separate experience from the live show but Mystic Spy | Psykho Dojo is much more than an addendum to an Itchy-O concert, it is the realization of the concept of an esoteric spy film soundtrack and sonic training rhythms for tribal psychics to manifest a more vital future. Joining Itchy-O for this occasion is spy rock/surf band extraordinaire Codename: Carter.
Who:Valley Queen w/Tyto Alba When: Saturday, 08.11, 8:30 p.m. Where: Lost Lake Why: Valley Queen has been honing its live show and songwriting for four years with numerous national tours under its belt to road test its music. Its gift for reinventing a type of rock music that isn’t part of a subgenre and isn’t necessarily trying to remanifest some older style of music is impressive. The band may have borrowed some from its retro peers and 2000s indie rock but with the release of its debut album, Supergiant (2018), the Los-Angeles based band demonstrated it’s perfectly capable of establishing a signature sound of layered melodies and Natalie Carol’s commanding vocals. Valley Queen is no stranger to Denver having made the Mile High City a regular stop on its tours and tonight the group will share the stage with one of America’s most promising rock bands, the warmly moody and emotionally stirring Tyto Alba from Denver.
Who:Great American House Fire and Sophisticated Boom Boom split release When: Saturday, 08.11, 8 p.m. Where: Bowman’s Vinyl and Lounge Why: It wouldn’t be accurate to say that Great American House Fire and Sophisticated Boom Boom are punk but its roots lie in a similar Denver punk and emo scene of the past two decades. GAHF has a bit more soul and Americana in its sound while SBB is more in the vein of power pop. Both celebrate the release of their split seven inch tonight at Bowman’s.
Who:GhostPulse (single premiere) w/Plume Varia and Ramakhandra When: Saturday, 08.11, 8 p.m. Where: Syntax Physic Opera Why: GhostPulse is premiering its new single “Dreaming In Hypersleep” tonight. The song is a leap forward for a band that was evolving out of its roots in excellent post-rock/instrumental rock band Lucida Tela. The more electronic, soundscape-y sound of its newer material is very welcome in a city where music rooted in mundane reality currently dominates. Plume Varia will compliment the evening well with its own downtempo dream pop and space jazz/Flying Lotus/Gil Scott-Heron-esque band Ramakhandra will keep things in the outer realms of the imagination as well.
Who:Goon, faim, Soul Vice When: Sunday, 08.12, 6 p.m. Where: Mutiny Information Café Why: This benefit for the Colorado Immigrant Rights Coalition features some of the more interesting local hardcore acts including Goom and Faim from Denver and Soul Vice from Colorado Springs. Yes, the bands are doing a benefit for a political organization but their own songwriting is non-didactic and address social and interpersonal issues in a poignant and powerful way. For instance, faim’s great song “All Talk” takes to task the people in its own world and scene who talk a big game and make a major display of what they want people to think they’re about without doing anything concrete in the real world and in their own lives to address those issues in meaningful way.
Who:Cannons w/Echo Beds (album release), Limbwrecker, In The Company of Serpents When: Sunday, 08.12, 9 p.m. Where: Mutiny Information Café Why: Over two years after the release of its debut full-length New Icons of a Vile Faith, Denver’s Echo Beds finds its starkly menacing clamor evolving in new directions with its 2018 album Buried Language (officially out on 8.17 through The Flenser). Still in place is the physicality of the music and its inventive and visceral use of percussion and rhythmic sound but added to the mix is a greater sense of the use of production in executing that aesthetic in a way that is an even more full spectrum stimulation of the senses. This show is a bit of a record release and tour kickoff for the band but also a chance to share the stage with like-minded acts. Cannons was an excellent noise rock/post-hardcore act that was most active nearly a decade ago in Denver. In the Company of Serpents is a doom band but its wall of sound is so colossal and caustic it’s almost more like death metal or grindcore slowed down to the pace of magma. Limbwrecker could be said to be a powerviolence band with a sense of humor.
Tuesday | August 14, 2018
Who:The Chamanas w/Picture the Waves, Vic N’ The Narwhals, Los Mocochetes and Ghost Tapes When: Tuesday, 08.14, 7 p.m. Where: Globe Hall Why: The Chamanas is an indie pop band if indie pop were born out of being influenced by not just the type of music that formed the DNA of C86 and American indie pop bands of the 90s (garage rock, psychedelia, folk, noise etc.) but if the folk underpinnings of that music included traditional Mexican music, the various pop traditions of Latin America and Cuban dance music. It’s that mixture that gives the band’s music not only a uniquely eclectic flavor but one that has an immediate connection for fans of earlier and more modern indie pop. Manuel Calderon and Hector Carreon met as sound engineers at Sonic Ranch near El Paso, Texas and after working on projects by other artists the two finally issued their own album as The Chamanas in 2015, Once Once. In 2017 the band released its second album, NEA, titled after the nickname of Carreon’s brother who had recently passed with songs that reflected that loss. With 2018’s NEA II, The Chamanas re-rendered several of NEA‘s songs with five new tracks. Also on this bill are some of the best bands in the Denver music scene whose own music is a brilliant synthesis of musical traditions in Vic N’ The Narwhals, Los Mocochetes and Ghost Tapes.
Who:Wino, Xasthur and Phallic Meditation When: Tuesday, 08.14, 9 p.m. Where: 3 Kings Tavern Why: Robert “Wino” Weinrich will perform some of his starkly evocative solo material at this show. Better known, perhaps, for his tenure in doom legends Saint Vitus and The Obsessed, his solo acoustic material showcases his raw gift for songwriting. Xasthur’s spare black metal with acoustic instrumentation came to Denver in 2017 with a haunting performance capable of deep musical darkness without the usual instrumentation and sound one associates with a similar aesthetic. Denver’s Phallic Meditation is more a doomy psychedelic band but with some experimental noisiness that sets it apart from similarly-minded groups.
Who:Lil Ugly Mane, Kahlil Cezanne, Curta, Cadaver Dog, Many Blessings, Videodrome When: Tuesday, 08.14, 8 p.m. Where: Hi-Dive Why: When Travis Miller released his debut album as Lil Ugly Mane, 2012’s Mista Thug Isolation, he had already garnered some praise from members of the Odd Future collective for his absurdist imagery and inventive production that really didn’t obey then mainstream hip-hop conventions with his use of noise and black metal soundscapes/samples in some of the beats. So it’s fitting that on this bill are experimental/noise hip-hop artist Curta, hardcore bands Cadaver Dog and Videodrome and noise soundscaper Many Blessings. If there’s a show demonstrating how all those worlds and their various aesthetics aren’t so far apart this whole year so far, this is it.
Wednesday | August 8, 2018
Who:Yakuza, Aseethe, Oryx, Terminator 2 When: Tuesday, 08.14, 8 p.m. Where: Hi-Dive Why: Aseethe’s 2017 album Hopes of Failure is a great example of how one can create an immersive experience with heavy music if you’re willing to go beyond how that music has often been conceived in an earlier era. Not just doom or a subgenre of that subgenre, Aseethe’s music is now more like sound design in the form of songs to render an experience through sound and, live, through the visceral dynamics of how that sound is executed. It would be imprecise and wannabe inclusive to call it ambient. It’s not that. It’s not music that can be easily shuffled off into the background if you wish. Aseethe is in good company for this show with Chicago’s Yakuza, a band that has long been pushing the boundaries of heavy music and Denver’s Oryx and Terminator 2 who both don’t just make experimental metal but whose own songs expand what heavy music can be and the forms it can take when the dynamics aren’t essentially the same trying to fit into what doom or grind are “supposed” to sound like.
Who:Beach House w/Sound of Ceres When: Tuesday, 08.14, 8 p.m. Where: The Ogden Theatre Why: It could be argued that Beach House has been in something of a creative rut since 2012’s Bloom, or, less charitably, sine 2008’s Devotion. While it’s albums have been enjoyable and yielding worthwhile songs, and the live shows have been reliably moving, the songwriting was starting to get a little stale. With 2018’s 7, it’s like the band reinvented itself. Maybe with the help of producer Sonic Boom, former member of Spacemen 3 and Spectrum, but this set of songs sounds like Victoria Legrand and Alex Scally recognized a need to break their own boundaries as the songs are far more experimental and adventurous than the duo has ever been. The band’s previous two albums were nice but Beach House is better than merely nice and has now proven it. Sound of Ceres is now based out of New York but the band is originally from Fort Collins, Colorado and its own dreamlike pop music shares the quality of intimate sound and mood and personal mythology that has made Beach House’s music so resonant for anyone with a rich inner life and imagination.
Who:Father John Misty with TV On the Radio When: Tuesday, 08.14, 6:30 p.m. Where: Red Rocks Why: Love him, hate him or find him mundane, at least Father John Misty has some self-awareness of his own creative output. Joshua Tillman, Misty, recently released his new album God’s Favorite Customer and ditched the unifying concept approach to writing the album, which Tillman told Consequence of Sound in April 2018 was “pretentious.” You have to honor that level of frankness and honesty in an artist. Whatever intentionality went into God’s Favorite Customer, the record is a sonically and emotionally rich listen with collaborations with the likes of Haxan Cloak and Weyes Blood. That visionary art rock/downtempo/experimental R&B band TV On the Radio is on the bill too is more than just a bonus.
Depending on how you’re counting it, Melvins released its thirtieth album, Pinkus Abortion Technician in April 2018. The title of the record an obvious, and humorous, reference to the 1987 Butthole Surfers classic Locust Abortion Technician. It should be noted that Butthole Surfers’ longtime bassist Jeff Pinkus has been a member of Melvins since 2013. The record is bookended by two Surfers songs, “Stop Moving to Florida” and “Graveyard.” While a testament to the impact the Butthole Surfers had on Melvins, both bands proved influential on 80s underground rock and the musicians who would break that parallel vision of interesting and exciting music, likely considered largely uncommercial at the time, to the world in the early 90s when alternative rock bands took the foundation built by bands like Butthole Surfers and Melvins to a massive audience.
Though Butthole Surfers had two left field hits in the 90s with “Who Was In My Room Last Night” and “Pepper,” neither Butthole Surfers or the Melvins were aiming to appeal to any trends, their respective music too weird and idiosyncratic for most people with mainstream tastes and otherwise casual music fans. Because of that both bands have a body of work that has aged well and in the case of Melvins, work that continues to evolve organically, regularly yielding interesting records. This weekend, Melvins are playing a pair of shows in Colorado, the first on Friday, August 10 at The Gothic Theatre in Englewood and Saturday, August 11 at The Aggie Theatre in Fort Collins, both with WE Are The Asteroid. We spoke with Melvins guitarist Buzz Osborne ahead of the show and talked about Butthole Surfers and his pragmatic attitude toward the appeal of his own music.
Tom Murphy: When did you first hear about Butthole Surfers?
Buzz Osborne: ’82 or ’83. I think I saw them first in ’83. Seattle.
How did you hear about them?
Same way I heard about every other band. I listened to underground music, I heard the EP and I really wanted to see them. I heard about them long before I saw them, like the year before.
What is it about that music that appealed to you?
It was left of center, it didn’t sound like anything else. They had a nice way of expressing their melodies that I found to be quite exciting and refreshing. I thought they were extremely good players. It was weird to the point that I could get into it and not feel like I was listening to a fucking REO Speedwagon record. It was everything I enjoyed about underground music. But having said that, honestly, if REO Speedwagon put out a record I liked, I would buy it. I’m not going to hold my breath but I’m not being perverse, you know. I never have been. I feel things are good or bad and that’s the end of it.
When you saw them the first time was it more the stripped down thing or the multimedia thing they did later on?
It was stripped down. I’m not sure what you mean. To me it was super punk rock but it wasn’t 7 Seconds, you know? It wasn’t no jive bullshit like that. It was really good in every sense of the word. Not normal but I was okay with that. I embraced that.
Do you feel like they were influential to you then?
Of course! They always were. That’s why at this point now, when I think about what we’re doing and who we’re doing it with, I can’t even really believe it. The idea that I’m in a band now with two guys that I’ve been fans of for literally decades is really quite amazing to me. It’s second to none and I feel like the happiest boy on earth.
The album is bookended by two Butthole Surfers songs? Was there an inspiration for the choice of eras of the band?
I don’t know. It could have been any era. We have been touring around playing both of those songs live a long time prior to recording them. And when we got in the studio with Jeff it just seemed like the right thing to do. An obvious choice. There’s no more to it. There isn’t an era of the Butthole Surfers that I don’t like.
Did you tour with them way back when?
We did shows with them but never toured with them. Three or four shows.
Is there a specific era of the Butthole Surfers you favor?
Like I said, I like every era of the Butthole Surfers. But if I had to get particular, I guess I would pick Hairway to Steven, [Psychic…Powerless…] Another Man’s Sac and Brown Reason To Live.
How do you think they impacted the world of music?
I never thought about how they influenced music in general. Maybe their weirdness. They influenced me. They did have an album that sold a lot of copies but I can’t say how well-versed a lot of the people that bought that album were in what [Butthole Surfers] did before that. Or if they had explored the earlier records if they would have been as excited about it. Maybe they would have loved Another Man’s Sac as well, it remains to be seen. Yeah, these guys are going to love the Brown Reason to Live EP, they’re going to be super into it. But who knows? I have no idea why people like what they like. I only know what I like and I’ve always figured that I operate with the assumption that I have good taste and I will make music I think is good without thinking in terms of how it will be perceived by anyone else. Just figure that if I like it, other people will like it but it probably won’t be millions of people and I’m okay with that. It’ll be enough. I’m not concentrating on selling records or not selling records. I’m concentrating on making music that’s good.
First Timers at Union Station, photo by Tom Murphy
Yeah, sure, A Tribe Called Quest is playing Red Rocks and it’s probably sold out so if you didn’t already know about it and want to go see one of the most important artists in the history of hip-hop, and probably music generally, there’s always other ways of getting tickets. But fear not, there are plenty of worthy options in the Mile High City this coming week starting tonight and here are ten. 1. Who: Teacup Gorilla w/The Proto Whats? and Time Traveler When: Thursday, 8.10, 9 p.m. Where: The Skylark Lounge Why: On 2nd Thursdays at The Skylark, Claudzilla aka Claudia Woodman curate a show called Musical Mayhem that highlights some of the more interesting leftfield artists in Denver or touring acts that are beneath even the usual small club radar. This time experimental rock band Teacup Gorilla brings its outsider psychedelic glam to the event. Strong songwriting and equally vital and wild imagination is a rare combination and Teacup Gorilla is not short on either.
2. Who: Chimney Choir w/Alright Alright, Wildermiss and Anthony Ruptak When: Thursday, 8.10, 9 p.m. Where:Syntax Physic Opera Why: It’s a Project Worthmore Benefit and in an era when refugees face a hostile world beyond the situation they faced at home it’s a cause to support onits own. But you get to see talented songwriter Anthony Ruptak as well as Chimney Choir. The experimental Americana band always brings a show that goes beyond the usual get up on stage and perform some songs well. A Chimney Choir performance is almost always high concept and involves an element of theater. Also, it’s not just a gimmick, it’s an extension of the excellent songwriting taking the experience of that music into new dimensions that usually encourage audience participation.
3. Who: Muscle Beach, Product Lust, Zeta (Venezuela), Alumine (FL) When: Friday, 8.11, 9 p.m. Where:Flux Capacitor, 25 W. Kiowa, Colorado Springs Why: Colorado Springs DIY space Flux Capacitor was shut down in December 2016. But with a partnership through the Pikes Peak Library District, Flux is now again open in a building on the property of the Penrose branch east of I-25 and Kiowa. Park around back. The reason to go to this show is to see some punk that’s bursting the boundaries of the sound and the style. Muscle Beach is easily one of the best punk bands from Denver disregarding rules about how much metal can be in the punk and vice versa and how “arty” a punk band is allowed to be. Turns out plenty. Same with Product Lust which could be considered a hardcore band with its energy and confrontational performance style but it’s rhythms are so beyond the punk mold and the guitar sound goes through more changes and tones to be shackled by the usual hard and fast rules of the genre.
4. Who: First Timers with Charming Disaster When: Friday, 8.11, 9 p.m. Where:Syntax Physic Opera Why: First Timers is a trio that combines Bossanova rhythms and dusky tones with punk rock attitude. No surprise considering the lineage: guitarist and vocalist Andrew Koch was in Tiger Beat in the 90s as well as weirdo punk group Veronica; drummer Denise Andert used to play in The Get It and Turbo Knife Fight; bassist Sid Pink has been a bit of a personality around Denver and played in various bands, most notably and most recently with American Fucktape. The sound sits in a nice place that bears comparison to the countrified end of Yo La Tengo, Duster’s hushed introspection and Wilco’s explorations of inner space with its unabashed blend of Americana and electronica.
5. Who: EyeHateGod and Primitive Man, Fathers and Boar Worship When: Friday, 8.11, 5:30 p.m. Where:The Marquis Theater Why: Primitive Man is really taking Denver music out into the world with its inimitable, nightmarish doom metal. At the live show it’s easy to appreciate how Ethan McCarthy, Jonathan Campos and Joe Linden create atmospheres so dense and harrowing it might be the soundtrack to the world beyond the interdimensional gate in Phantasm. Primitive Man drops its fantastic new record Caustic on October 6 on Relapse Records. Also, EyeHateGod melds harrowing poetry with swampy sludge rock in a way that transports you into both emotional lows and highs at once. It’s the kind of heavy show for people who aren’t into metal but metalheads will find plenty to love as well.
6. Who: Priests w/Lithics and Princess Dewclaw When: Saturday, 8.12, 8 p.m. Where:Larimer Lounge Why: DC-based Priests do that uncommon thing of writing songs that are charged with political and socially critical sentiments without coming across like they’re preaching. They’re just telling it like it is in the world today and there’s plenty to talk about without having to look too far for material that affects your everyday life as well that would resonate with other people. Is it punk? It is in spirit. In sound it’s more like the better late 90s/early 2000s emo bands like Rainer Maria and Milemarker in that there don’t seem to be moods, atmospheres and sounds off the palete of expression. And the live show is refreshingly raw and engaging, thus making Priests one of the most interesting and exciting rock bands going now. Denver-based art/noise punk outfit Princess Dewclaw open the show.
7. Who: Spiritual Cramp featuring: David J. DJ set, Echo Beds, Tragic Black, The BrickBats, Lucas Lanthier, The Pirate Twins (Scary Lady Sarah and William Faith), DJ Malefic (Memento Mori), Wake the Dead (DJs Mr. and Mrs. HoodBats and JunkYard), DJ Rickbats, Davey Bones (The Hanging Garden), Boyhollow, DJ Roland, DJ Slave1, DJ Matte Blacke and Batboy, DJ Mudwulf, DJ Vision When: Sunday, 8.13, 4 p.m. start Where:The Church (nightclub) Why: It’s a kind of Goth festival heavy on DJs but hey, David J of Bauhaus/Love and Rockets, William Faith of Faith & The Muse and Christian Death. Among other luminaries including locals like Boyhollow of Lipgloss fame, DJ Roland, DJ Slave1 and DJ Mudwulf. That would be worth checking out on its own if the curated DJ set is your thing. But Echo Beds is playing a live set bridging the gap between the older Denver Goth scene and the current wave of industrial/darkwave/post-punk coming out of Denver and elsewhere that has no real connection to the older Goth world. Echo Beds is arguably the most prominent industrial band in Denver at the moment but think more like Einsturzende Neubauten and Test Department more so than some 90s EBM garbage and future pop.
8. Who: Product Lust, Entry and faim When: Sunday, 8.13, 8 p.m. Where:Mutiny Information Café Why: If you didn’t feel like going to Colorado Springs on Friday (see above) you can catch Product Lust in Denver at Mutiny.
9. Who: Barbarian w/Peucharist, Nekrofilth and Morgue Whore When: Monday, 8.14, 7 p.m. Where:Lost Lake Lounge Why: Metal can get a bit tedious when bands stick to a narrow formula and traditions of style. But that’s true for all kinds of music. Fortunately, bands like Italy’s Barbarian didn’t get the memo to just do thrash or death or black metal. Same for Vermont’s Peucharist. And in Denver and Colorado generally people tend to grow in their own directions musically so you get a bands like death/black metal ragers Nekrofilth and Morgue Whore. The latter also apparently realized that writing solid hooks and well-crafted songs needn’t mean you’re settling for being yet another classic rock wannabe. Its 2016 self-titled debut was striking as not just a metal album but as a great set of rock and roll songs.
10. Who: Melvins with Spotlights When: Tuesday, 8.15, 7 p.m. Where:The Gothic Theatre Why: Thank goodness weirdoes like the guys in Melvins have kept at putting out heavy music that refuses to stay in a boring pigeonhole. Its recently released A Walk With Love and Death is its first double record that paired the kind of psychedelic noise rock you might expect from the band with an soundtrack to a forthcoming short film the band is making with Jesse Nieminen. Don’t go expecting the latter, go expecting to see a band you’ve either never seen but heard about or have seen several times and not being surprised by how Melvins manage to keep their show exciting and fresh.