Best Shows in Denver 9/19/19 – 9/25/19

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Jay Som performs at Larimer Lounge on September 24, 2019

Thursday | September 19

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Psychedelic Porn Crumpets, photo by Josh Ludlow

What: Psychedelic Porn Crumpets w/Meatbodies and Serpentfoot
When: Thursday, 09.19, 7 p.m.
Where: Larimer Lounge
Why: The unlikely named Psychedelic Porn Crumpets from Perth, Australia at least picked an apt moniker because it captures what you’re in for. Oh, sure, stoner rocked psychedelia thrown together with prog and fuzzy melodies and tripped out choruses. Its new album And Now For the Whatchamacallit has surreal song titles like “My Friend’s a Liquid,” “Digital Hunger,” “Hymn For A Droid” and “Keen For Kick Ons.” If Lewis Carroll had been born in the 90s and grew up at a time when the older kids in Tame Impala and Pond were kicking around in the local scene he might have ended up in a band like this.

What: Why? w/Barrie
When: Thursday, 09.19, 8 p.m.
Where: Bluebird Theater

What: Swim (Baltimore), Horse Girl, Eamonn Wilcox and Cop Circles
When: Thursday, 09.19, 9 p.m.
Where: Rhinoceropolis

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Cuco, photo courtesy the artist

What: Cuco w/Ambar Lucid and KAINA
When: Thursday, 09.19, 7 p.m.
Where: Mission Ballroom
Why: At twenty-one Omar Banos aka Cuco is a bonafide pop star who came up on Chicano rap stars like Baby Bash and MC Magic. Like the latter he also sings and raps in English and Spanish. Banos has also folded into his soundscapes a laid back kind of psychedelic pop sound. While his songwriting and the production thereon is strong and evocative, his music videos and storytelling shows a side of life that is honest, surprisingly candid and often uncomfortable but real and therein lies the power of the presentation of his music. “Bossa No Sé” from his debut album Para Mi (2019) navigates the troubled waters of a breakup with sensitivity, complexity and comfort with uncertainty and confusion. Cuco’s balance of the romantic and the realistic has been fascinating so far.

What: GEL SET (L.A.), Natural Violence, DJ Noah Anthony, DJ Rewd and guest
When: Thursday, 09.19, 9 p.m.
Where: Meadowlark Bar

Friday | September 20

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Melvins, photo by Chris Mortenson

What: The Melvins w/Redd Kross and Toshi Kasai
When: Friday, 09.20, 8 p.m.
Where: Gothic Theatre
Why: Melvins have done pretty much whatever they’ve wanted to that was fun for them music-wise since beginning in 1983. Before grunge was a thing, Melvins had already perfected that sound and aesthetic as well as a certain strain of doom. Most left field heavy music today can probably trace a bit of influence to the band originally from Montesano, Washington. The group’s prolific catalog covers a good deal of sonic territory and the band has collaborated with the likes of industrial music pioneer Lustmord, Jello Biafra and, recently, with Swedish noise-punk stars Shitkid (who are performing select dates on the current tour) on the Bangers EP. The group has experimented with the format of its lineup such as when the members of Big Business joined for two drummers and a bassist. And now with two bassists and a single drummer. Or as Melvins Lite with Mr. Bungle (among other projects) member Trevor Dunn on bass. Melvins might also be the only American band to have played all fifty states in fifty days. You never quite know what you’re in store for with a Melvins show except that it’ll be worth your time unless heavy, imaginative music and powerful performances thereof aren’t your thing. Melvins bassist Steven McDonald is doing double duty this tour with his original band, the influential punk/power pop group Redd Kross.

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Boris, photo courtesy the artists

What: Boris w/Uniform
When: Friday, 09.20, 8 p.m.
Where: Marquis Theater
Why: Japanese heavy, experimental psych and drone extravaganza, Boris, is currently touring in support of its 2019 album LφVE & EvφL due out October 4. If you’re going expecting their mind-altering psychedelic freakouts, rumor has it you may be let down. But if you are into the slow roiling drone the band has engaged in in the past but updated and more like a psych SunnO))) this would be the tour to catch. Opening the show is industrial noise band Uniform which is comprised of former members of The Men and Drunkdriver.

What: Brian Wilson (Al Jardine & Blondie Chaplin featuring selections from Friends, Surf’s Up and the hits) w/The Zombies
When: Friday, 09.20, 7 p.m.
Where: Paramount Theatre

What: Eventually It Will Kill You showcase 2nd anniversary: TWINS (ATL), Golden Donna (PDX), Lone Dancer Peer Review b2b E.I.W.K.Y., you already know
When: Friday, 09.20, 8 p.m.
Where: Rhinoceropolis
Why: The anniversary party for Denver electronic music and darkwave imprint Eventually It Will Kill You.

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Demoncassettecult (Junior Deer on left), photo by Tom Murphy

What: 30 Years of Work: VAHCO 1989-2019 Physical release w/Dead Characters, Chromadrift, nIGHTtIMEsCHOOLbUS, Bowshock and Demoncassettecult
When: Friday, 09.20, 7 p.m.
Where: Mutiny Information Café
Why: Vahco Before Horses aka Vahco Strickland has spent the last thirty years involved in producing, promoting and writing music in various formats and styles. This show celebrates his career retrospective and the release of the flash drive containing one hundred of his songs. The performances will include collaborations with various members of bands affiliated with his Glasss Records imprint as well as a showcase for his more electronic pop songs and his industrial ambient collage songwriting as Demoncassettecult.

Saturday | September 21

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Zealot, photo by Tom Murphy

What: Zealot album release w/Simulators and The Vanilla Milkshakes
When: Saturday, 09.21, 8 p.m.
Where: Hi-Dive
Why: Zealot is releasing its debut album The Book of Ramifications. But what this debut album doesn’t make obvious are the musical roots of the group in Denver underground rock. Does that matter? It does if you know who The Don’ts and Be Carefuls, Supply Boy, Façade and Ideal Fathers were. Or The Outfit, The Pseudo Dates, Violent Summer or Fingers of the Sun were. Much less Catatonic Lydia or Le Divorce. All of that goes into informing the upbeat, well-crafted pop songs that comprise the band’s new album and the sizzling, wiry energy of its performances. There is a tick toward the positive running through the record. Rather than a “city of the dead” there’s “City of the Living.” Instead of irrevocable mistakes there’s “Fix it in Post.” Rather than a dark horse there’s a “Show Pony.” Instead of a broken heart there’s “Overloud Heart.” You get “Somnambulist” instead of insomnia. “Black Paint” rather than institutional yellow. A “Snake Goddess” rather than the insecure dictator Yaweh. “Casio Argento” in place of Dario or Asia. And more. It’s an upbeat record with some tight melodies and a charming economy of songwriting. The Simulators will bring the angular menace of its music and Vanilla Milkshakes will deliver earnest, blustery pop punk as companion to Zealot’s fastidious songcraft. Oh yes, there’s also a companion covers album called Revised Edition featuring renditions of all the songs on the new record as done by the band’s local scene peers as well as a solo cover done by the band’s bassist Suzi Allegra. All of which is a gesture not many bands would bother to attempt to release concurrent with a new album.

What: Das Ich w/Velvet Acid Christ, Oberer Todpunkt, DJ Katastrophy
When: Saturday, 09.21, 7 p.m.
Where: Herman’s Hideaway

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Anna Morsett of The Still Tide, photo by Anthony Isaac

What: Charlie Cunningham w/The Still Tide
When: Saturday, 09.21, 8 p.m.
Where: Globe Hall
Why: The Still Tide’s Anna Morsett has played in Colorado musical projects as varied as Ark Life, Porlolo and These United States as well as with Natalie Tate and Brent Cowles. But perhaps where she shines brightest is in her own band The Still Tide. Her guitar work is both ethereal and fiery, her ear for dynamics and tone keen and imaginative. Morsett’s songwriting is both intimate yet expansive, introspective and yearning, reconciling contrasts with a broad emotional palette. And she’s opening for noteworthy UK singer-songwriter Charlie Cunningham whose 2017 album lines included the deeply evocative single “Minimum” and its entrancing atmospheres.

What: Wovenhand w/Jaye Jayle
When: Saturday, 09.21, 8 p.m.
Where: Larimer Lounge
Why: Evan Patterson is rightfully known for his heavier music with Young Widows and Breather Resist. But his Jaye Jayle project is taking him in a different direction with a pastoral songwriting style that serves well the contemplative storytelling of the music he initially wrote as a solo project rather than something that needed to fit into the format of a full, loud band. These days he has partners in realizing the musical vision and the results is a kind of haunted Americana. Which makes it an ideal pairing with Americana infused post-punk/noise rock band Wovenhand from Denver. Wovenhand started out as very much in the post-Sixteen Horsepower vein continuing what singer and main songwriter David Eugene Edwards had been developing since the late 80s. But in the past decade the music has become more sonically intense (it was always emotionally so) and incorporating a broader range of dynamics and sounds so that early fans may even find it, except for Edwards’ undeniable spiritual presence, unrecognizable.

What: Bison Bone, Casey James Prestwood and the Burning Angels
When: Saturday, 09.21, 8:30 p.m.
Where: Ophelia’s Electric Soapbox

What: Greg Laswell w/Sarah Slaton
When: Saturday, 09.21, 7 p.m.
Where: The Soiled Dove Underground
Why: Greg’s warmth and humanity expressed in clever and insightful turns of phrase has made him a national treasure of a songwriter.

What: Future Days: Can Tribute
When: Saturday, 09.21, 10 p.m.
Where: Mutiny Information Café

What: Mdou Moctar w/Pale Sun
When: Saturday, 09.21, 8 p.m.
Where: Lost Lake
Why: Mdou Moctar might be the most internationally renowned guitarist and songwriter out of Niger in the modern era and his electric adaptations of Tuareg guitar music has made him a favorite among discerning music fans who are open to such fusions of musical ideas, rhythms and sounds. To the uninitiated he may sound like an exotic prog artist but his music is deep and sophisticated. He is again touring in support of his 2019 album Ilana (The Creator).

What: Seventh Circle 7 year anniversary night 1: 1476, Only Echos, Postnihilist, Causer, Kid Mask, Videodrome, GACK, DOX, Didaktikos, Tuck Knee and secret guests 
When: Saturday, 09.21, 12:30 p.m.
Where: Seventh Circle Music Collective
Why: Rarely do anniversaries happen on a numerically specific date related to a venue or an endeavor of any kind of this all day all evening marathon of music across two dates celebrates the continued success of Denver’s DIY venue Seventh Circle Music Collective.

What: Speedealer w/Barstool Messiah and Valiomierda
When: Saturday, 09.21, 8 p.m.
Where: Streets Denver

Sunday | September 22

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Surf Curse, photo by Julien Sage

What: Surf Curse w/Dirt Buyer
When: Sunday, 09.22, 7 p.m.
Where: Larimer Lounge
Why: Surf Curse is a duo from Los Angeles whose name may convey the impression it’s one of those surf rock/garage psych bands that have plagued the musical landscape for around a decade. And to some extent that’s exactly what these guys are. Except there’s something raw about their songwriting and performances and their music videos, whoever is directly involved in their scripting and design, speak to an uncommon creative imagination and as though the people in the band had in mind films that their songs might suit. Pick any of the videos and you’ll find something that’s a cut above most videos most bands are making these days. The band’s new album, Heaven Surrounds You, was released on September 13 on Danger Collective. For a duo Nick Rattigan and Jacob Rubeck manage to have a full sound yet spare songwriting so they’re doing something right.

What: Seventh Circle 7 year anniversary night 2,: JSR (Alex from this band named Seventh Circle), Sliver, Arctobog, Curtis T and the Duffel Bag Boys, Caustic Soda, The Slacks, Unit-Y, Pinetree Janitorial Service, American Psychonaut, Astral Planes, Hellspoon and Activate Boner and secret guest
When: Sunday, 09.22, 12:30 p.m.
Where: Seventh Circle Music Collective
Why: Second day of Seventh Circle Music Collective’s seven year anniversary going from early afternoon until midnight.

What: Pop Will Eat Itself w/Chemlab and Scifidelic w/DJ Dave Vendetta
When: Sunday, 09.22, 7 p.m.
Where: Oriental Theater
Why: Pop Will Eat Itself is a genre bending band that dispensed with the usual stylistic boundaries between grebo, sleaze rock and industrial dance music akin to My Life With the Thrill Kill Kult. Chemlab was one of the bands that helped define the sound and aesthetic of industrial rock in the 90s fusing old school industrial with hard rock.

Monday | September 23

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Acid King, photo courtesy the artists

What: Acid King w/Wizard Rifle and Warish
When: Monday, 09.23, 7 p.m.
Where: MarquisTheater
Why: Acid King is on tour in support of the twentieth anniversary of its classic psych doom album Busse Woods. The group began in the early 90s when its sound was very much not in vogue but two decades later its heavy, experimental psych metal, not fully duplicated by other artists, has made it a cult band among connoisseurs of that realm of music.

What: God is an Astronaut w/Spiral Cell and Brother Saturn
When: Monday, 09.23, 7 p.m.
Where: Bluebird Theater

Tuesday | September 24

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Boy Scouts, photo by Ulysses Ortega

What: Jay Som w/Boy Scouts and Affectionately
When: Tuesday, 09.24, 7 p.m.
Where: Larimer Lounge
Why: Jay Som’s hazy pop songs have a personal emotional insight and sophistication of songcraft that can be easy to miss when you’re lost in the moment with her. Her new album Anak Ko blurs the lines between noisy shoegaze, indie pop and the 70s Laurel Canyon sound. Taylor Vick of Boy Scouts has written one of the most affecting, vivid and cathartic set of songs about loss and healing from sorrow and setbacks of the past few years for the new Boy Scouts album Free Company. Her unconventional melodies and song dynamics give her compositions a depth and complexity that reward repeatedly exploring her catalog.

What: Like A Villain, Harms, Earth Control Pill and Debaser
When: Tuesday, 09.24, 8 p.m.
Where: Rhinoceropolis
Why: Like A Villain is sort of an industrial ambient act whose dark and heavily textured atmospheres explore the personal and collective psyche in operatic vocals and processed loops. The new album What Makes Vulnerability Good, released on September 20, 2019, makes exquisite use of space in tone and rhythm that it engulfs you gently before you realize it.

Wednesday | September 25

Photo: Dara Munnis. @daramunnis
Tash Sultana, photo by Dara Munnis (@daramunnis)

What: Tash Sultana w/The Tesky Brothers
When: Tuesday, 09.24, 6:30 p.m.
Where: Red Rocks
Why: Tash Sultana is a guitar prodigy whose psychedelic rock, blues and folk songs created with her expert ability to play multiple part at once and along with loops is impressive on its own but the energy and enthusiasm with which she plays is infectious. As a multi-instrumentalist, Sultana crafts her songs real time in an almost orchestral manner as an orchestra of one. Difficult to pigeonhole a genre for Sultana as her songwriting style is unique but might be compared to an artist like Tune Yards.

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Russian Circles, photo courtesy the artists

What: Russian Circles w/Facs
When: Tuesday, 09.24, 7 p.m.
Where: Bluebird Theater
Why: Russian Circles is an instrumental metal band from Chicago but it’s songs are more akin to post-rock in their use of mood and nuanced dynamic builds from spare tonal echoes to roilingly triumphant riffs that burst and rain down like ash following a volcanic eruption or like a dam bursting releasing a torrent of sonic water and debris. Its 2019 album Blood Year finds the band evoking ancient civilizations (“Kohokia”) and primal mythological imagery (“Hunter Moon” and “Ghost on High”). Opening the show is Chicago’s Facs. The latter is making the kind of post-rock that is more like some of the most experimental post-punk going now. Guitarist and vocalist Brian Case was once a member of weirdo math rock band 90 Day Men and experimental rock band Disappears. With Facs he and the rest of the band are pushing the creative envelope with song structure, texture and dynamics. That group’s 2019 EP Lifelike has a secure place on our year end best list for its chilling, cinematic soundscapes and gritty, stark, moody songwriting.

Best Shows in Denver and Beyond 06/06/19 – 06/12/19

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Altas releases All I Ever Wanted Was at Rhinoceropolis on June 8. Photo by Evan Semoìn

Thursday | June 6

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Reverend Dead Eye circa 2008, photo by Tom Murphy

What: Reverend Dead Eye w/Vic N’ The Narwhals and DJ Rett Rogers
When: Thursday, 06.06, 8 p.m.
Where: Hi-Dive
Why: Reverend Dead Eye now lives in Switzerland and mostly tours Europe but on occasion he graces his old stomping grounds (literally and figuratively) of Denver and treats us to a set of wild-eyed gospel blues post-punk. He will be joined this evening by rock and roll band Vic N’ The Narwhals with a DJ set from Blue Rider and Bad Licks guitarist Rett Rogers.

What: Honduh Daze, Moon Pussy and Demoncassettecult & Junior Deer duo
When: Thursday, 06.06, 8:30 p.m.
Where: Lion’s Lair
Why: Vachco Before Horses is celebrating his birthday doing a duo set as Demoncassettecult and Junior Deer so it’ll be a bit of weirdo hip-hop and ambient soul. Moon Pussy is like Denver’s industrial-esque equivalent of a noise rock band like Shellac but with some on board guitar processing to help sculpt those sounds into the bands already eruptive, angular and cathartic groove.

What: Talib Kweli w/Voz 11, 1-natVson-1 and Time
When: Thursday, 06.06, 8:30 p.m.
Where: Fox Theatre
Why: Talib Kweli is one of the reigning poet laureates of hip-hop, politically charged as his is and otherwise. Check in anywhere in his catalog and you’ll find something vital and thought-provoking and outright compelling whether that’s records under his own name or projects like Black Star. As usual the opening acts for one of his shows is quality including Time whose fusion of underground/experimental hip-hop, humorous and organically intellectual wordplay and socio-political insight is never less than mind-expanding and fun. Voz 11 is kind of an industrial rap artist who will be joined for this show by Wesley Davis of Symbolic Insight Records and ambient solo project Bios+a+ic.

Friday | June 7

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Spearhead, photo by Jay Blakesberg

What: Michael Franti and Spearhead w/Snarky Puppy and Victoria Canal
When: Friday, 06.07, 6:30 p.m.
Where: Red Rocks
Why: Whether you prefer his time in industrial rap groups The Beatnigs and The Disposable Heroes of Hiphoprisy or his current work in conscious reggae fusion folk band Spearhead, Michael Franti has been aiming his creative compass toward critiquing the dominant paradigm with the goal of creating a better, more nurturing and healthier world. As per usual, prior to the concert proper there will be a yoga session at Red Rocks starting at 4:30 p.m.. May seem quaint to some but at least Franti isn’t giving mere lip service to self-improvement. The band is currently touring in support of Stay Human, Vol. II which came out in January. Also on the bill are jazz fusion prog stars Snarky Puppy.

What: Instant Empire w/Anthony Ruptak and Post Paradise
When: Friday, 06.07, 8 p.m.
Where: Syntax Physic Opera
Why: It’s been a minute since we’ve heard from Instant Empire. The indie rock band has been through some changes but has endured to give us Cathedral, a set of the usual thoughtful songwriting and evocative music from the band. Read our interview with Scotty Saunders from the band soon.

What: Amygdala, Caffeine, Euth, Sore Eyes and Herse
When: Friday, 06.07, 7 p.m.
Where: Seventh Circle Music Collective
Why: A show that proves that current hardcore is not all the same or trying to mimic the sound or style from something 35+ years ago while not skimping on the energy and sense of danger that made that music exciting in the first place.

What: Pete Tong
When: Friday, 06.07, 9 p.m.
Where: Bar Standard
Why: Pete Tong is an influential figure in modern electronic music and EDM. Early in life he was something of a soul music DJ on radio in the UK and then as the 80s moved on, a pioneering DJ of Acid House and the Balearic beat that his friend Paul Oakenfold helped to popularize. Oakenfold, joking, coined the expression “It’s all gone Pete Tong” in 1987 to indicate things have gone a bit wrong. Through his ongoing electronic music shows at the BBC (Essential Selection and It’s All Gone Pete Tong) and his efforts at curating and making accessible electronic dance music in the USA. Tong has done big shows in Ibiza and all around the world but this night he’s doing his thing at a small club like Bar Standard.

What: My Life With the Thrill Kill Kult w/Curse Mackey and Church Fire
When: Friday, 06.07, 7 p.m.
Where: Marquis Theater
Why: My Life With the Thrill Kill Kult is not just the horror carny pioneering industrial dance band but also, on most nights, one of the greatest, most fun live bands of all time. Denver’s Church Fire is not nearly as camp but there is an element of playful theatricality to its performances of its own brand of industrial music that is really more a kind of politically-informed synth pop. No down side.

Saturday | June 8

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Gun Street Ghost, photo by Adam Rojo

What: Out There Arts Fest with Blackcell, Church Fire, DJ Mudwulf, Raw Form, Vahco, DJ Spinshits
When: Saturday, 06.08, 8 p.m.
Where: Grace
Why: This is an event to showcase the art space Grace and includes live performances from the above as well as visual/conceptual art and artists, workshops, food and outdoor murals.

What: Altas w/Plume Varia and Voight
When: Saturday, 06.08, 7 p.m.
Where: Rhinoceropolis
Why: With its new album All I Ever Wanted Was, Denver-based instrumental rock band incorporated the electronic/synth side of the band more completely with keyboard player Meghan Lillis contributing full in the songwriting and arranging process with the core and founding trio of Enrique Jimenez, Israel Jimenez and Juan Carlos Flores. The group’s 2014 album Epoca De Bestias lived up to its name and the cinematic scope the band has always conjured with its songwriting. But there is an even greater cohesion and focus this time out with some tongue in cheek titles from a band whose membership has always been on point with the humor. “Cosas Nunca Dichas” is Spanish for “Things Never Said.” The dual meaning including the fact that there are no lyrics in an Altas song is pretty good. “Glasgow Smile”? Surely a significance beyond suggesting it’s a nod to Mogwai exists but that’s also pretty choice as Mogwai use plenty of inside jokes and humor for songs that need no spelling out of meaning. “Valentin Trujillo (An Unsung Hero)” is presumably a reference to the famous Mexican actor who was a major star in the 1980s and whose films often dared to make thoughtful commentary on the politics and culture of his home country and beyond. The final song on the album “Rattenkönig,” or “Rat King” in German. There’s got to be a story there and we hope to bring that to you at some point. The more you delve into the new record and its gorgeously expanded dynamic and sonic palette the more there is to discover as with all great albums. And hey, you get to see the great dream pop band Plume Varia and industrial post-punk soundscapers Voight while you’re at it.

What: Get Your Ears Swoll 7: Sliver, Married a Dead Man and Hate Minor
When: Saturday, 06.08, 8:30 p.m.
Where: The People’s Building
Why: Hate Minor is an artsy prog duo with former Nightshark and Aenka saxophonist Becca Mhalek on drums. Married a Dead Man is a death rock/post-pun/darkwave four-piece that came out of hardcore. Sliver, how a band that mapped out and deconstructed and reconstructed “Break Stuff” as inspiration for all their songs is on a bill like this it’s difficult to say. Good thing singer/guitarist Chris Mercer’s bandmates are patient, understanding, indulgent people and when he, as promised, he gets around to writing the next album around “Sick of Life” because it “nearly got [him] to join the Navy, dude,” some people can join in on the intervention.

What: Gun Street Ghost album release w/Jeff Cramer and New Mexican hi-dive.com/event/1855201-gun-street-ghost-album-release-denver
When: Saturday, 06.08, 8 p.m.
Where: Hi-Dive
Why: In calling the new Gun Street Ghost album Battles it seems as though the band is preparing us for a record brimming with great stories of the struggles we’d rather avoid or skip but which we fight every day without knowing it. Thinking person’s pop written in the language of honky tonk Americana.

What: Johnnascus, Karhlyle, Causer, Kid Mask, HXCMIDI and Henny Graves
When: Saturday, 06.08, 8 p.m.
Where: Thought//Forms Gallery
Why: Austin’s Johnnascus is an industrial rap artist whose videos are not only interesting but borderline scary in the way Creepy Pasta videos can be. It’ll be a good pairing with Detroit’s Karhlyle and his downtempo techno/hip-hop, Kid Mask’s own genre bending noise/industrial hip-hop beatmaking and the electronic/breakcore hardcore of HXCMIDI.

What: Neckbeard Deathcamp, Theories, Dryad and Malevich
When: Saturday, 06.08, 8 p.m.
Where: Bar-K (Colorado Springs)
Why: Neckbeard Deathcamp is the parody black metal/noise industrial band that put out the gloriously titled White Nationalism is for Basement Dwelling Losers in July 2018. Brilliant send-up and the music is oddly legit as well.

Sunday | June 8

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Those Darn Gnomes, photo by Anita Martinez

What: Bobcat Goldthwait and Dana Gould gothictheatre.com/events/detail/372302
When: Sunday, 06.09, 7 p.m.
Where: Gothic Theatre
Why: A lot of people probably remember Bobcat Goldthwait as that crazy guy with the piercing whine from the Police Academy movies. But he never would have got there if not for his brilliant work as an alternative comedian in the 1980s when he would pierce hypocritical pieties with confessional and surrealistic observations and bits that helped to push comedy in a more interesting direction at arguably the early peak of the popularity of stand-up. He has gone on to be a noteworthy filmmaker whose movies (e.g. Shakes the Clown, God Bless America and World’s Greatest Dad) not just darkly humorous but which shine a light on aspects of our culture that are often ignored and if we stopped doing so we might have a healthier society. Dana Gould has been performing his own brand of borderline surreal comedy since the early 80s as well and coming to be known by a more mainstream audience though a comedian of choice for those with a taste for left field humor for decades.

What: Fuck Your Birthday w/Those Darn Gnomes, Narcissa and Galleries
When: Sunday, 06.09, 7 p.m.
Where: Thought//Forms Gallery
Why: Fuck Your Birthday is an American and Chinese, noisy math/garage rock band. That means it has elements of early 90s emo and harder-edged garage rock but doesn’t really fit in with either to well. More like Rainer Maria or Japandroids than some post-hardcore or screamo band. Those Darn Gnomes are somewhere betwixt a free jazz performance art band, grindcore and art folk. Narcissa is a like-minded band from Denver and Galleries is sort of a psychedelic hard rock band.

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Possume, photo courtesy the artist

What: Slugger w/Possum, After the Carnival and more
When: Sunday, 06.09, 7 p.m.
Where: Seventh Circle Music Collective
Why: Toronto’s Possum is a fuzz-toned, heavy psych band. And while that sound is basically old hat at this point except to later comers to modern psychedelia, Possum’s version of that is not the kind that comes off like neo-Laurel Canyon vibe worshipping indie rockers discovering the use of a Memoryman and a Big Muff with a tiny bit of wah. It’s mind-melting epics take a deep dive into drawn out melodic grooves that take some chops and commitment to sonic exploration to craft. Also the band has a song called “Wizard Beard” so it’s not all without a sense of humor. Sharing the bill is a band with a tentacle or two in 70s hard rock and psychedelia with Slugger. But as with Possum, Slugger’s strength is in the songwriting and being of that world rather than wearing it like a trendy outfit.

Tuesday | June 11

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Emma Ruth Rundle, photo courtesy the artist

What: MONO w/Emma Ruth Rundle
When: Tuesday, 06.11, 7 p.m.
Where: The Marquis Theaterthos
Why: Tokyo’s MONO makes post-rock with a classical music sensibility that makes a lot of other bands working in that realm of music seem safe and quaint. Emma Ruth Rundle’s heavy, dark, doom folk is somehow both intimate and majestic. Her latest album On Dark Horses is a trip to, as the title suggests, the shadowy places of the psyche in search of an inner truth that can be elusive unless you’re willing to go all in and face the buried pain and your dark side with compassion and acceptance. It’s her heaviest record to date and her most daring to date.

Best Shows in Denver 5/23/19 – 5/29/19

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Spirit of the Beehive performs at Larimer Lounge on Saturday, May 25. Photo by Emily Burtner.

Thursday | May 23

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Church Fire, photo by Tom Murphy

What: Onkilter 1 release: Church Fire, Data Rainbow, Felix Ayodele, J. Hamilton Isaacs, Offthesky, Otem Rellik & Patrick Lee followed by DJ Ilind
When: Thursday, 05.23, 8 p.m.
Where: Syntax Physic Opera
Why: Multidim is a Denver-based experimental electronic record label that recently released its debut compilation of some of the Mile High City’s most interesting and inventive projects. The compilation, as well as this showcase, will donate all proceeds to the non-profit Youth On Record, an organization whose mission is to provide at risk youth with music education from performance, composition, production and the business end of things as well.

What: Glasss Presents the Speakeasy Series Season 3: Equine and Julien Miller
When: Thursday, 05.23, 6:30 p.m.
Where: Hooked On Colfax
Why: This latest edition of the Speakeasy Series features guitar wizard Kevin Richards’ project Equine. By introducing left field methods, chord structures, signal manipulation and unconventional composition methods in general, Richards is pushing the frontier of the styles and sonics of guitar-base sound art.

What: Necromantic
When: Thursday, 05.23, 9 p.m.
Where: Shag Lounge
Why: Necromantic is an old school Goth DJ night with plenty of the best of the newer darkwave and industrial music mixed in. Each second and fourth Thursdays of every month you can partake of the evening’s main DJs as well as select guests to bring a little bit of that old Denver flavor back into downtown.

Friday | May 24

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Refused circa 2012, photo by Tom Murphy

What: The Hives and Refused w/Bleached
When: Friday, 05.24, 9 p.m.
Where: Gothic Theatre
Why: Two power houses of punk and garage rock, Refused and The Hives respective, will make this a memorable night where you will probably be not just pleasantly surprised but inspired by the sheer energy and charisma of both bands. Refused in particular pioneered multiple genres of punk on its 1998 masterpiece The Shape of Punk to Come. Bleached includes former members of irreverent noise punks extraordinaire Mika Miko. And the group went through a phase of exploring various sounds before fully developing its knack for intimate pop songs with some bite, attitude and punk energy.

What: Tommy Wright III
When: Friday, 05.24, 9 p.m.
Where: Rhinoceropolis
Why: Tommy Wright III must be considered one of the early progenitors for the style of underground hip-hop that one hears echoing in the work of the various members and associates of A$AP, Odd Future and Migos. The creatively profane lyrics and subject matter of his songs, the lo-fi-but-deep production style with the finely treated loops as heard in so much modern trap is present in one form or another in Wright’s 90s output through today. This is a rare chance to see the legendary producer live in Denver and witness his mastery of outsider gangster rap up close and personal.

What: Cloud Rat, Gadget, Immortal Bird and 908
When: Friday, 05.24, 8 p.m.
Where: Syntax Physic Opera
Why: Sort of a deathgrind show given Gadget from Sweden and Cloud Rat from Michigan are on the bill. 908 from Colorado Springs definitely fits into what will be a night of short, furious sets.

Saturday | May 25

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Rowboat, photo by Tom Murphy

What: Slugger and Michael Thompson
When: Saturday, 05.25, 2-4 p.m.
Where: Wax Trax – Sidewalk outside
Why: Slugger is basically showing where psychedelic rock can go when the musicians focus on the songwriting over adhering to some style. Michael Thompson of Arc Sol will also perform a solo set of his songs informed by a broad range of unusual music.
What: LUTHI at Denver Day of Rock
When: Saturday, 05.25, 6-7 p.m.
Where: 16th Street Mall
Why: The Denver Day of Rock will have plenty of bands, local and otherwise, to see throughout the day and evening all along the 16th Street Mall. In the early evening you can catch LUTHI from Nashville, Tennessee. The seven-piece band perform music that’s a compelling blending of funk, downtempo pop and what might be called post-Daft Punk psychedelia. There’s some unusual X-factor about the band that keeps it well apart from “party” bands in general while also providing suitable music for a dance party.

What: Jello Biafra’s Incredibly Strange Dance Party
When: Saturday, 05.25, 9 p.m.
Where: Lion’s Lair
Why: Jello Biafra needs no introduction and this is an edition of his Incredibly Strange Dance Party where he’ll bring some of the most bizarre dance tracks to DJ at the Lion’s Lair and knowing Biafra he may even join in on the dancing, adding to the strangeness.

What: Spirit of the Beehive w/Strange Ranger, Cuckoo and Rowboat
When: Saturday, 05.25, 8 p.m.
Where: Larimer Lounge
Why: Spirit of the Beehive could be something like a light psych indie rock band but its aesthetic has a bit of a collage element and its songs sound out of phase with the contemporary world and its sometimes ennervating cultural climate. It’s music is a side step into spaces more dreamlike and mysterious. The rock instruments integrating perfectly with the warping and wefting electronic compositions is beautifully disorienting. In 2018 the band released Hypnic Jerks, a title and songs suggesting the band is coming at the world from a different angle than a lot of people. Like Unknown Mortal Orchestra but more grounded in American 90s weirdo indie pop.

What: Lav Andula, Asymptote, I Hate It Here, Causer and Tepid
When: Saturday, 05.25, 9 p.m.
Where: Rhinoceropolis
Why: A night of experimental techno and noise including the debut of Tepid, the solo project of Voight’s Nick Salmon.

Sunday | May 26

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Shocker Mom, photo by Tom Murphy

What: Shibui Denver #3; Shocker Mom, Space Geist and DJ Vahco
When: Sunday, 05.26, 7 p.m.
Where: Mutiny Information Café
Why: Shibui Denver is a monthly event last Sundays of the month at Mutiny Information Café. It’s designed to start and end early and aims to showcase some of the best Denver underground acts and the occasional touring band that fits the format of being a little different. Tonight’s featured guests are Shocker Mom, Robin Walker’s ambient beat driven pop act whose album >^^< will be included in our much belated Favorite Albums of 2018 listing. Walker has been a prolific songwriter and collaborator in Denver as a solo artist under her given name, while a member of indie pop duo Cougar Pants, in hip-hop outfit Nighttimeschoolbus, sitting in with rapper Time and folk pop artist Jason Horodyski. Vahco Before Horses heads Glasss Records through which he boosts, produces and finds spaces to showcase the music of some of Denver’s most forward thinking underground artists. This night he will DJ Denver bands and several from the Glasss Roster. Space Geist is a solo guitar band in which riffs will be looped and manipulated in post to produce, with any luck, disorienting tones and rhythms.

What: Alien Weaponry w/Dreadnought and Palehorse/Palerider
When: Sunday, 05.26, 6:30 p.m.
Where: Bluebird Theater
Why: Alien Weaponry is a band from Waipu, New Zealand. While operating somewhat in the realm of melodic thrash its lyrics are often in Maori because its three members are of that extraction and it suits the music in a way for which English sometimes seems inadequate. Opening the show are psychedelic doom folk band Dreadnought and heavy ambient noise/industrial dark psychedelic band Palehorse/Palerider also from the Mile High City.

Tuesday | May 28

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Sebadoh, photo by Justin Pizzoferrato

What: Sebadoh w/Flower and Race to Neptune
When: Tuesday, 05.28, 7 p.m.
Where: Globe Hall
Why: Sebadoh didn’t invent lo-fi rock but in the early 90s it helped to chart the direction much of that style of music would go by incorporating field recordings alongside off the cuff recording and an emphasis on feeling over precise capture of “professional” fidelity in the studio. Naturally the band went on to take that aesthetic into actual recording studios but the spirit of play and fidelity to emotional honesty and spontaneous energy remained. Currently Sebadoh is touring in support of its newly released record Act Surprised. Flower was and is now again from New York City that in the 80s reflected the city of legend and its mixture of evolving Bohemian subcultures, melting pot ethnicity, gritty urban decay, a sense of possibilities and the avant-garde alongside emerging popular culture. Musically that meant Flower was well within the realm of post-punk at the time. It wasn’t so far in the past that The Ramones, Patti Smith Group, Television, Blondie, Talking Heads, Suicide and countless others had built the foundation of what punk could be and even less far back since the bands that emerged out of that milieu, directly inspired by it in various ways like the No Wave groups, Sonic Youth, SWANS, Live Skull, Bush Tetras, Arthur Russel, Liquid Liquid, ESG, The Lounge Lizards and other unfortunately less-well-known bands that made up the ecosystem of the New York underground. Flower formed in 1986 while Richard Balulyut was still in college and its sound fit into the rich diversity of the then NYC scene. The group split in 1990 soon after which Balulyut and two of his brothers formed indie/alternative rock band Versus which went on to some acclaim in the 90s. The latter band reconvened in 2017 and it dawned on Balulyut that he could write new music in the more post-punk, some might now say darkwave, style of Flower and now the band is on tour in support of its new material and there’s a better than half a chance you’ll get to see some of its older material live as well.

What: Closet Witch, Law of the Night and Bi-Proxy
When: Tuesday, 05.28, 7 p.m.
Where: Mutiny Information Café
Why: Kind of a grind-y hardcore night including a set from Closet Witch from southeast Iowa. Molly Piatetsky’s feral vocals are something to witness.

Update: This show was combined with another at Syntax Physic Opera at 8 p.m. with a line up that is now Full of Hell, Primitive Man, Genocide Pact, In The Company of Serpents and Closet Witch.

Wednesday | May 29

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Skeletonwitch, photo by Nico Poalillo

What: Sleep w/Big Business
When: Wednesday, 05.29, 7:30 p.m.
Where: Boulder Theater
Why: Sleep is one of the most influential bands out of the world of doom metal. Though its sound was lumped in with “stoner rock,” which seems apt seeing as it’s until recently latest album was called Dopesmoker comprised of a single track over an hour long. Its psychedelic, towering drones live up to the hype as do the more concise songs, like those on the 1992’s Sleep’s Holy Mountain. Sleep is almost as heavy as it gets and its high volume show as engulfing as you would hope for. Big Business is a sludge rock band well suited to the bill. The members of the band were part of The Melvins for around a decade and recently released a new record. The Beast You Are is a collection of dynamic, triumphant songs with unconventional melodies and an elevated updraft of tone. Big Business has always been, if nothing else, heavy but buoyant. On The Beast You Are, Big Business experiments further in the songwriting with its use of space and pacing. There’s still the headlong rush you’d expect from the band but also an imaginative application of its palette of sound that has kept the band from being predictable, an uncommon quality in heavy music. For Big Business it is not enough to pummel with its colossal sound but to have emotional and thoughtful intentionality behind it.

What: Skeletonwitch w/Soft Kill and Wiegedood
When: Wednesday, 05.29, 7 p.m.
Where: The Marquis Theater
Why: Skeletonwitch has been perfecting and then evolving its technical melodic death metal sound since its inception in 2003. Its latest record, 2018’s Devouring Radiant Light finds the band bringing in even more unconventionally atmospheric elements into its brutal and unrelenting soundscape. All while maintaining the dark imagery and animalistic, distorted vocals like they are telling stories of a mythical past in our current impending, post-apocalypse after climate change has cleansed the earth of much of human civilization.

Best Shows in Denver 4/4/19 – 4/10/19

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Acid Mothers Temple perform at Larimer Lounge on April 8. Photo by Tom Murphy

Thursday | April 4

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Demoncassettecult (Junior Deer on left), photo by Tom Murphy

Who: Speakeasy Series opener: Demoncassettecult
When: Thursday, 04.04, 7 p.m.
Where: Hooked On Colfax
Why: Glasss Records is kicking off the 2019 edition of its experimental music showcase the Speakeasy Series at Hooked on Colfax tonight. The artist ringing in the season is Demoncassettecult, Glasss’ Vahco Before Horses solo loops, noise, sample and and synth based soul project.

Who: A Light Among Many w/Ghostsong Elegy and Endless, Nameless, Causer
When: Thursday, 04.04, 7 p.m.
Where: Seventh Circle Music Collective
Why: Abstract doom juggernauts A Light Among Many returns from its latest tour with this show with experimental guitar/prog band Endless, Nameless, South Dakota post-rock band Ghostsong Elegy and the debut of Causer.

Friday | April 5

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Modern Leisure circa 2016, photo by Tom Murphy

Who: Faim, Sore Eyes (Springs), Bi-Proxy (first show, members of Herse, Caffeine and Eternal) and Implied Risk (first show)
When: Friday, 04.05 7 p.m.
Where: Mutiny Information Café
Why: Faim is one of the great, noisy hardcore bands from Denver. Eruptive and pointed in its energy. If you go, you’ll also get to see the first show from a couple of other like-minded bands who are keeping local hardcore alive and interesting.

Who: Kyle Emerson w/Anthony Ruptak and Modern Leisure
When: Friday, 04.05 7 p.m.
Where: Lost Lake
Why: Three of Denver’s great songwriters on one bill. Kyle Emerson’s pastoral psychedelia has enough interesting musical flourishes in each song to elevate his work beyond most of his peers. Anthony Ruptak’s conceptual songwriting steeped in his sensitivity to the world around him and deeply informed by his compassion for his follow living creatures, human beings most certainly not excluded, gives his compositions a warmth and richness of emotional expression. Casey Banker of Modern Leisure has been writing insightful and well-crafted pop songs with an undercurrent of intensity and self-awareness that has made his songs going back to his time in The Don’ts and Be Carefuls incredibly compelling.

Saturday | April 6

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Doo Crowder circa 2011, photo by Tom Murphy

Who: Doo Crowder w/Rachael Pollard
When: Saturday, 04.06, 9:30 p.m.
Where: Mercury Café
Why: Doo Crowder, former member of indie pop orchestra Pee Pee and indie rock/punk band The Dinnermints, is finally releasing his album One For the Losers (& Other Pilgrims). His earlier releases have all been insightful explorations of the human experience in its myriad manifestations. The new album sounds like he took the Harry Nilsson route and added great production flourishes and imaginative treatments to solid yet minimal foundations of song. He does not spare himself self criticism (listen to “Doo Crowder Song”) but as with every Crowder record there’s much more than meets the eye while not hiding the essential meaning. It’s made to be able to be taken on and comprehended at one’s leisure and in the ways that suit you. The first truly great indie pop record of 2019 and one of the best of the past decade by virtue of sounding effortless while clearly being the product of much work, much soul-searching, much refinement and in the end something that feels like it manifested like a perfect backed good that is delicious and nutritious and makes the labor that went into it part of one’s appreciation of it.

Who: FAVX w/Ned Garthe Explosion and Total Trash (tape release)
When: Saturday, 04.06, 8 p.m.
Where: Hi-Dive
Why: FAVX from Madrid aren’t easily musically defined outside of rock. But it’s sometimes noisy, sometimes driving, sometimes poppy, sometimes heavy, sometimes whimsical but always emotionally nuanced music is performed with great enthusiasm. Good thing because Ned Garthe Explosion, for a bunch of guys who have been playing for “10 trillion years,” you know, since the Big Bang or whatever has happened several times, they’re able to muster some verve in humorously delivering their surreal punker than punk and psycher than psych songs. They’ve been road dawgz since before there were roads and after people didn’t need roads where they were going and back to no roads and then roads again. The never ending cycle. Seems legit. Total Trash is comprised of current and former members of Lil’ Slugger, Eye Beams, Fissure Mystic, Fingers of the Sun and Quantum Creep. Which means nothing if you’ve not been steeped in Denver underground music for the past decade and a half but it does mean that the band’s music and songwriting has the level of sophistication and sonic inventiveness that is immediately striking and, well, it doesn’t sound much like any of the aforementioned. It is more melancholy but the sonic details and evolving dynamics across each song of its debut album Field Guide (released this night) give the music a sonic depth, diversity and emotional complexity that seems rarer than it should be these days.

Who: Dirty Few “Losing Our Minds Farewell Show” w/Gymshorts, Bud Bronson & The Good Timers, Lloyd and Saviour
When: Saturday, 04.06, 7 p.m.
Where: Marquis Theater
Why: Sure, sure, “party rock” and the Stone twins raise hell, cans of beer tossed on stage and off, rowdy, nearly unhinged performances, some of them sloppy and chaotic. But always performed with heart with songs that are fun, surprisingly well-written and which encapsulate an era of Denver music that all but began and ended with Dirty Few. So the group will probably pull out the stops for this final rager with some of its friends and peers including the great power pop band Bud Bronson & The Good Timers from Denver and Lloyd and Saviour from Boise.

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Kero Kero Bonito, photo by Tracey Ng

Who: Kero Kero Bonito w/Jaakko Eino Kalevi
When: Saturday, 04.06, 7 p.m.
Where: The Oriental Theater
Why: Kero Kero Bonito sounds like its music is made in the early morning as the sun is rising and also as the sun is setting. That sometimes hazy quality of light that can blur the landscape some as the sun comes to dominate the sky or retire for the night over the horizon, burning away fog and casting colorfully through the dusk pollution. Even from its earlier more straightforward electropop phase its lush production and fluid dynamics has given the band’s songs an air of self-awareness that feels futuristic while tapping into the cooler end of classic commercial pop sensibilities. The band’s producers, Gus Lobban and Jamie Bulled, were influenced by Japanese hip-hop and pop and found Sarah Bonito, herself half-Japanese, who could give voice to a synthesis of cultures particularly since Bonito sings and raps in both English and Japanese. The group’s 2018 releases, the TOTEP EP and the album Time n’ Place, displayed the influence of rock bands, at least according to interviews with Fader and i-D, like Mount Eerie and My Bloody Valentine who are no strangers to creating and sculpting atmosphere in ways that feel entirely organic. Formerly pretty much all electronic instrumentation and vocals, for its current tour Kero Kero Bonito is bringing on board a guitarist and a drummer. Difficult to pigeonhole, one might even clumsily call it indie dream jazz, Kero Kero Bonito’s international flavor of the amalgam of hip-hop, dance music, J-pop, downtempo lounge and melancholic guitar rock is undeniably interesting.

Opening the show is Finnish multi-instrumentalist and producer Jaakko Eino Kalevi whose 2018 album Out of Touch could be a cousin to the aforementioned Kero Kero Bonito’s album Time ‘n Place. Its tone has a liminal quality that allows for the melodies to operate at an almost subconscious level, dream-like. A decade ago maybe someone would have called it “chillwave” and it resonates with the better end of what made 80s synth pop bands and their own production methods so compelling and ultimately influential.

Who: Bad Sounds and Broods
When: Saturday, 04.06, 8 p.m.
Where: Summit Music Hall
Why: Bad Sounds are opening for the great electro pop band Broods. But its blend of R&B and hip-hop beats, like a modern take on the rich musical hybrids that were part of the 70s Stax roster, will probably win over more than a few fans. The duo’s 2018 album Get Better goes beyond mere throwback imitation and with expert production and attention to sonic detail it attains the soulfulness of some of its influences.

Who: An Evening With Spiritualized
When: Saturday, 04.06, 8 p.m.
Where: Gothic Theatre
Why: Even at his most soul-and-R&B-inspired moments, and there are many on Spiritualized’s 2018 album And Nothing Hurt, J. Spaceman brings to bear a broad range of subtle emotional expression and its counterpart as a controlled tidal wave of feeling. The shows also tend toward a well-selected set list that gives the performance a dynamic quality that somehow feels just right. Folk, soul, R&B, ambient space rock from across Spaceman’s career in Spiritualized. Maybe you’ll even get to see the band cover Laurie Anderson’s “Born Never Asked” as its been known to do well beyond the 1995 touring cycle for Pure Phase.

Sunday | April 7

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SUSTO, photo courtesy the artist

Who: SUSTO w/Whitacre and Frances Cone
When: Sunday, 04.07, 8 p.m.
Where: Fox Theatre
Why: SUSTO’s new album Ever Since I Lost My Mind has all the sophistication and beautiful subtlety of instrumentation of its previous records. But this time it sounds like the band has added a layer of atmosphere that gives the typically affecting and introspective lyrics a more focused immediacy that can be a bit slow slipping into your mind but when it hits it strikes deep. SUSTO excels at giving the songs room to breathe and manifest and bringing listeners in with a warmth of tone and a sense of understanding.

Monday | April 8

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Mdou Moctar, photo by Nikkl Cells

Who: Acid Mothers Temple w/Yamantaka//Sonic Titan
When: Monday, 04.08, 7 p.m.
Where: Larimer Lounge
Why: Japan’s Acid Mothers Temple may “only” have been around for nearly a quarter a century but its rotating and core membership, including band leader guitarist Makoto Kawabata, has roots going back to Japanese folk, psychedelic, noise, punk and prog bands of the 70s and 80s. With AMT the musicians create a mind-bending sonic experience that blurs the lines between the aforementioned genres of music to make the kind of space rock that should inspire a generation of manga artists writing stories in a future where interdimensional and intergalactic communities are interacting, thriving and exploring worlds and cultures as yet unimagined by our current creative collective unconscious.

Who: Mdou Moctar w/Galleries and Kwantsu Dudes
When: Monday, 04.08, 7 p.m.
Where: Globe Hall
Why: It’s incredibly rare to get to see a musician from Africa in Denver much less a Tuareg phenom from Agadez, Niger like Mdou Moctar. The guitarist is an early adaptor of traditional Tuareg guitar pop into the electric context. As with the likes of Nusrat Fateh Ali Khan, Baaba Maal and, of course, Fela Kuti before him, Moctar’s lively and fine crafted songs (steeped in folk music of Africa and the Islamic world) garnered fans outside of Africa. Because of that touring has been a viable prospect including his current run through the USA. His latest album is 2019’s Ilana.

Tuesday | April 9

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Claudzilla, photo by Tom Murphy

Who: WaZeil & UaZit w/Claudzilla, f-ether and Kandin
When: Tuesday, 04.09, 9 p.m.
Where: 3 Kings Tavern
Why: UaZit’s music is like if alternative hip-hop got even weirder and more experimental. Working with WaZeil the production and sound design is even more unusual like what Harmony Korine might make if he went into creating music after Mister Lonely. F-ether isn’t quite as much of a weirdo but his original and playful take on electronic music craft is decidedly outside the conventions of that broad genre. Claudzilla, though, full-on weirdo since its “keytar rock” with surreal lyrics and let’s just call it eccentric picks of covers but surprisingly solid renditions of the originals through her peculiar lens of interpretation.

Who: Erik B & Rakim w/Stay Tuned
When: Tuesday, 04.09, 8 p.m.
Where: Gothic Theatre
Why: Erik B & Rakim are clearly one of the most influential duos in hip-hop. Rakim’s rhyming had great versatility and range because he broke with the simple rhyme schemes of early hip-hop and had more in common with free jazz and free verse poetry. So while not sounding too avant-garde the duo’s music could be as out and fluid in its rhythms as its presumed jazz influences. Eric B’s heavy use of sampling and creatively crafting and sculpting the sounds could also be heard echoed in most hip-hop since the 1987 release of the Eric B & Rakim album Paid in Full. Splitting in 1993, Eric B & Rakim reunited in 2016 to perform live in 2017. Will there be a new record? We can only hope but for now catch one of the legends of hip-hop on this tour.

Wednesday | April 10

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Morlox, photo by Tom Murphy

Who: HXXS w/Church Fire, Morlox and Feigning
When: Wednesday, 04.10, 8 p.m.
Where: Hi-Dive
Why: HXXS from Portland, Oregon make a kind of dance-dub darkwave with glitchy edges. When minimal synth was all the rage in various corners of the American underground, HXXS seems to have taken that foundation and the sort of 8-bit crushed beat-making to make a surprisingly playful, surreal form of synth pop. Good match with Denver’s Church Fire whose tribal industrial dance music came out of similar impulses toward melding hip-hop beat production with dark, noisy pop informed by insightful, sociopolitical commentary. That the group worked with gifted producer Morlox whose career has been steeped in the noise, glitchcore and underground hip-hop scene in Denver and beyond makes this booking perfect. Haunted, dark drone project Feigning is just a bonus.

Who: DeVotchKa
When: Wednesday, 04.10, 6 p.m.
Where: Twist & Shout
Why: It would help if you bought a copy of the 2018 DeVotchKa album This Night Falls Forever in order to get first entry into this intimate show at Twist & Shout. Otherwise, the Denver-based gypsy-punk chamber pop group usually doesn’t play places smaller than The Gothic. The following night the band will perform at e-Town in Boulder.

Who: Boy Harsher w/Special Interest and Poptones DJs
When: Wednesday, 04.10, 7 p.m.
Where: Larimer Lounge
Why: The Boy Harsher show is sold out but if you can get in you can see the fog-shrouded, enigmatic, New-Order-gone-full-dub-minimal-synth duo Boy Harsher at a small club before its crowd expands to larger venues.

102 Wires, An Celebration of Atypical Guitar Art Tonight at Bar Max

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Kevin Richards of Equine circa 2017, photo by Tom Murphy

Tonight, May 26, 2018, at 5 p.m. (and running until 11:15) several of the Denver area’s most sonically adventurous musicians will assemble in the basement of Bar Max for 102 Wires. The event was organized by Kevin Richards who is known in local underground music circles for his most recent experimental guitar and electronics project Equine, which has been very prolific of late with the release of a handful of 2018 albums so far including White Majick, Der Howling, Equencing and Twins. In years past, Richards brought his knowledge of jazz chord theory to the too-post-hardcore-for-noise rock/too-weird-for-post-hardcore band Motheater, the quasi-performance art Hogsplitter, noise project Epileptinomicon and solo guitar drone band Temples. We recently sent some questions Richards regarding 102 Wires, it’s inspirations, aims and what Richards hows will be the aftermath.

Queen City Sounds: What inspired doing an event like this? Have you seen anything like this before putting the event together? Perhaps one of the late Glenn Branca’s guitar orchestra events.

Kevin Richards: I don’t know that I’ve actually seen something quite like this before, although I have heard of somewhat similar festivals. The large ensemble aspect was definitely inspired by Branca and Rhys Chatham. Generally speaking, I was hoping to gather as may atypical guitarists (or guitarists doing something atypical for themselves) in one room with minimal instruction and see what happens. This fest is curated in a form, but has been intentionally fairly hands off as far as what people are bringing to the table. Hopefully this yields surprises for us all.

What will the show look like/be like and what kind of logistics and gear did you need to bring together to make it happen?

I am hoping to have people around the perimeters of the room performing, and the audience in the middle. there may be people performing solo sets, Steve Reich repertoire, original compositions, perhaps some prepared guitar, ambient loops, large ensembles, and some things that even I don’t quite know what they will be like. This should be six hours of guitar-centric musical fascination. As for the gear, I will of course be bringing multiple guitars and amps. We have performers who don’t generally play guitar and so there is a bit of borrowing happening. Logistics wise, this came together much more smoothly than I had anticipated. Max at Bar Max was great about letting us use the space for the event and all of the performers are putting in a decent amount of work to help this thing all come together. So in the end I can barely take credit for this team effort, as it should be.

With a diverse set of talents, skill sets, aesthetics and so forth, did you put any rules on how things will go and if so why so?

]The general concept/rules of the things were one, you must do something either atypical for how the instrument is generally approached, or you had to do something a bit out of your wheelhouse. Two, as much as possible this should be guitar only, so no drums, or other instruments. I think this event will for the most part adhere to both of these rules, with a couple well-reasoned exceptions. I tend to like working within musical restrictions myself as a means to foster creativity, and I was hoping this had a similar effect on others in this setting.

Why did you think bringing together a broad spectrum of musicians and guitars and whatnot would prove interesting?

How could it not? I have a certain love of the creative chaos that this type of gathering could bring. The joy from this will come from all of the things I didn’t anticipate.

What do you hope is the outcome of this show for both the people there and what might happen in post with you and other participants?

I hope that the primary outcome of this show is that we all gather together and enjoy each others company and creativity. I do hope that this gathering spawns other creative endeavors among the participants. Many have never met each other and may not even know the other exists in the same town, so that aspect should foster some interesting encounters at the very least. For the audience, I hope they see something that they have never seen before, and leave rethinking the instrument in some way.

The official schedule of events
Drew Miller 6-6:30
Large ensemble 1 6:30-7:00
Russ Callison 7:00-7:30
Large ensemble 2 7:30-7:45
Julien Miller/ Kevin Richards collaborative set 7:45-8:15
Stakes-8:15-8:35
Vahco Before-Horses 1 minute set 8:35
Sean Patrick Faling doing Glenn Branca memorial solo set 8:35-8:40
Large ensemble 3: branca memorial ensemble 8:40-8:55
Farrell Lowe 8:55-9:15
Aleeya Wilson 9:15-9:9:35
Joe Mills 9:35-10:00
Never Kenezzard Lite with Ryan Peru 10:00-10:15
Jacob Isaacs 10:15-10:35
Shawn Mlekush10:35-10:55
Equis Sub Templum – 2 large ensemble compositions 10:55-11:15