Best Shows in Denver 05/16/19 – 05/22/19

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Tav Falco’s Panther Burns performs at Lion’s Lair on May 18. Photo by Klaus Pichler

Thursday | May 16

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Johnny Marr, photo by Nial Lea

What: Old Time Relijun w/Shooda Shook It and Moon Pussy
When: Thursday, 05.16, 8 p.m.
Where: Hi-Dive
Why: Colliding Captain Beefheart-esque outsider atonality with non-western elements of rhythm, Old Time Relijun’s shamanistic, Sun City Girls-esque jazz was unlike much of anything else going on when it launched in the late 90s. Now back together after nearly a decade hiatus, OTR is touring widely in the wake of the release of its 2019 album See Now and Know. Also on the bill for the night is Tucson-based No Wave funk-esque quartet Shooda Shook It and Denver’s confrontational, deconstructionist noise rock stars Moon Pussy.

What: An Evening With Johnny Marr
When: Thursday, 05.16, 7/8:30 p.m.
Where: Gothic Theatre
Why: Johnny Marr is the iconic guitarist from post-punk legends The Smiths. His solo career is also full of worthwhile material in which he gets to show off his gift for complex yet seemingly simple melodies. Live, Marr performs material from across his career and anyone that has seen him might even say the unlikely and point out that his vocals for classic Smiths material are at least as good as Morrissey’s. As the title of the show suggests, an entire evening of Marr’s music and selections from catalog of The Smiths and some choice covers.

What: Glissline
When: Thursday, 05.16, 6:30 p.m.
Where: Ross-Broadway library
Why: Tommy Metz has been making beautiful and affecting ambient/IDM music for over a decade. With Glissline he pushes the production methods further than ever while making very experimental music so accessible it always takes you by surprise.

What: John Catdog and Sobremarcha Musicgroup
When: Thursday, 05.16, 6:30 p.m.
Where: Hooked On Colfax
Why: John Catdog’s boundary pushing mix of what might be described as abstract industrial dance music and noise informed by radical politics. At other times more downtempo and chill but always interesting. Sobremarcha Musicgroup is a project of Amber Gomez, a formerly Chicago-based DJ and producer whose bright, gently urgent tracks will definitely fill out the room and beyond this night.

What: Jenny Lewis On the Line Tour 2019 w/Karl Blau
When: Thursday, 05.16, 7 p.m.
Where: Ogden Theatre
Why: On The Line is Jenny Lewis’ latest record and it is the exquisitely composed, lush pop that Lewis has made so well for years with her usual literary flair. But in promoting the record, Lewis might have struck some people as very unvarnished and disarmingly off-the-cuff. But we kind of need that from more artists these days especially those whose art gives one the impression of their embracing classic forms of art and established ways. Jenny Lewis has always been a bit subversive and a little different in the humor department, one might say a secret weirdo who operates in the open, which is why her creative output remains worthwhile because all the weirdness, the eccentricity is there amid the expertise in presenting a conventional front.

Friday | May 17

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Calpurnia, photo by Pooneh Ghana

What: Nitzer Ebb w/Liebknecht and DJ n810
When: Friday, 05.17, 7 p.m.
Where: The Oriental Theater
Why: With the stridently urgent rhythms and confrontational feel of its 1987 album That Total Age, Nitzer Ebb, like Front 242 and D.A.F., established a template for much later EBM with any bite and vitality.

What: No Gossip in Braille release show w/Emerald Siam and Weathered Statues
When: Friday, 05.17, 8 p.m.
Where: Mercury Café
Why: No Gossip in Braille is releasing its debut effort Bend Toward Perfect Light on Cercle Social Records at this show. The post-punk duo of Keith Curts of Echo Beds and formerly of Ghost Orchids and Subpoena The Past and Bryan S. Becker formerly of experimental guitar band Annik has crafted a brooding post-punk album of refined emotional expression and lush atmospheres driven by gently urgent electronic percussion. Vocally it’s a bit of a different direction for Curts than most people who have seen his bands in the past two decades are used to as rather than the screaming and highly processed sounds in Echo Beds or Glass Hits, Curts hits some truly melancholic and introspective depths to match the elegant and ethereal guitar work.

What: Duncan Barlow and Natalie Rogers reading
When: Friday, 05.17, 8 p.m.
Where: Syntax Physic Opera
Why: Duncan Barlow is known to many for his time in hardcore and post-hardcore bands (Endpoint, Guilt, By the Grace of God) from Louisville, Kentucky as well as punk and Americana bands from Denver (D. Biddle, Lion Sized). But lately he’s been a professor living in Vermillion, South Dakota teaching at the University of South Dakota and continuing to write literary fiction including his 2019 novel A Dog Between Us. Natalie Rogers is a writer whose diverse work background (911 dispatcher, adult caretaker, teacher etc.) informs her own works of fiction. Both will read selections from their body of work.

What: Calpurnia w/Slow Caves
When: Friday, 05.17, 8 p.m.
Where: Gothic Theatre
Why: Calpurnia’s fuzzy indie rock sounds a bit like a throwback to 70s power/bubblegum pop like The Sweet or The Raspberries though likely filtered through the lens of latter day practitioners of related sounds like Twin Peaks and The Strokes. The band is really young with singer and guitarist Finn Wolfhard turning 17 in December so the band will grow beyond its most obvious current influences. Tracks like “Greyhound,” though, more than hint at promising uses of sound ahead.

What: Slothrust w/Summer Cannibals and The Velveteers
When: Friday, 05.17, 7 p.m.
Where: Bluebird Theater

What: Jenny Lewis w/Karl Blau
When: Friday, 05.17, 6 p.m.
Where: Mishawaka Amphitheatre

What: The Beeves (album release) w./Augustus, Nate Cook and Meeting House
When: Friday, 05.17, 8:30 p.m.
Where: Fox Theatre

What: Denver Hex Pre-Party: Muscle Beach and Church Fire
When: Friday, 05.17, 8 p.m.
Where: Globe Hall

Saturday | May 18

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R A R E B Y R D $, photo by Tom Murphy

What: Fem Fest 2019: 2 Kayla Marque, 3 RAREBYRD$, 4 The Milk Blossoms, 5 YaSi
When: Saturday, 05.18, 10 a.m. to 8 p.m.
Where: Museum of Contemporary Art Denver
Why: The 2019 edition of Fem Fest is a celebration of female identified artists and musicians with workshops, a bazaar, DJs, a photo book and live music throughout the course of the event. Of course attendance is open to people of all ages and genders. The numbers listed above before the band/artist is the time slot in the afternoon/evening you can expect to catch their set. Experimental hip-hop and whatever kind of pop one might like to use to describe The Milk Blossoms. But no matter who you choose to check out there are only some of Denver’s greatest on the festival.

What: KGNU Quarterly Showcase: Tav Falco’s Panther Burns, Florea (solo), Ghost Tapes and The Guest List
When: Saturday, 05.18, 8:30 p.m.
Where: Lion’s Lair
Why: All the local bands on this bill would be worth going to see alone. But the surprise announcement of a performance from Tav Falco’s Panther Burns put the show at the top of our list for this week. The group started in Memphis and its membership included the likes of founding member Alex Chilton of Big Star who performed and toured with the band until 1984 including the well-known 1979 television appearance on Marge Thasher’s Strait Talk program. The host attempts to skewer the band’s performance but Falco deftly turns her criticisms into a chance to make a case for music that truly is rock and roll and not an attempt at following established formula. Falco’s eccentric and brilliant, arty, psychedelic blues punk has exerted a strong infuence on the likes of Jon Spencer, The Oblivians, Spacemen 3, Primal Scream and The Gories. Currently the band is touring in support of its 2018 album of inspired covers (and some originals) ranging 80 years of American music: Cabaret of Daggers. Don’t sleep on this one because a band as legendary and as unique as Tav Falco’s Panther Burns rarely makes an appearance in Denver much less at a small club like Lion’s Lair.

What: Calpurnia w/Slow Caves
When: Saturday, 05.18, 7 p.m.
Where: Aggie Theatre

What: Kirin J. Callinan w/Jorge Elbrecht and French Kettle Station
When: Saturday, 05.18, 8 p.m.
Where: Larimer Lounge

What: Time (FL), TetraKroma, Atonal Stimulant
When: Saturday, 05.18, 9 p.m.
Where: Rhinoceropolis

What: Sutphin (KS), TWINK, Felony Charge, Tuck Knee and No Sign
When: Saturday, 05.18, 8 p.m.
Where: Thought//Forms Gallery

What: Proud Souls Backyard BBQ feat. Slim Cessna’s Auto Club w/Zeparella the All-Female Zeppelin Powerhouse, Saddle of Southern Darkness and New Ben Franklins
When: Saturday, 05.18, 6:30 p.m.
Where: Gothic Theatre

What: Cub Sport w/Minor Poet and Modern Suspects
When: Saturday, 05.18, 7 p.m.
Where: Marquis Theater

Monday | May 20, 2019

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Xiu Xiu, photo by Andrea Petrovicova

What: Xiu Xiu w/Elyria Sequence
When: Monday, 05.20, 7 p.m.
Where: The Oriental Theater
Why: Since 2012’s Always, Xiu Xiu’s albums have become darker and like collections of harrowing stories commenting on the horrors of society. None more so than 2019’s Girl with Basket of Fruit. It could have had its own season of the now canceled SyFy series Channel Zero. There is the experimental folk side of Xiu Xiu that was compelling and thrillingly emotionally raw, a quality that Jamie Stewart developed further in the context of the synth-driven exorcisms of his most recent records. Reminiscent of Suicide in both evocation of stark psychological spaces and richness of tone and mood, Xiu Xiu now embodies what many darkwave bands would like to be but are not yet there.

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Christine and The Queens, photo by Suffo Moncloa

What: Florence + The Machine: The High as Hope Tour 2019 w/Christine and the Queens
When: Monday, 05.20, 6:30 p.m.
Where: Red Rocks
Why: Was it an accident that Florence + The Machine are playing Red Rocks the night after the airing of the final episode of Game of Thrones on Sunday, May 19? Probably. But it’s more interesting to speculate that is no coincidence for a band that wrote the chilling ballad “Jenny of Oldstones” based on the quasi-mythical wife of Duncan Targaryen, ancient ancestor of Daenerys, of course. Either way, Florence + The Machine’s music has a deserved reputation for its uplifting and diverse mix of pop styles and expansive moods buoyed by Florence Welch’s refined yet soulful vocals. Opening the show is Christine and the Queens, or, simply, Chris, the performance moniker of Héloïse Adelaide Letissier who has used the project and even the name of the project to experiment with adopting a persona and to discuss in song and performance the nature of identity itself. A heady proposition, perhaps, but it has been very much a part of Letissier’s push to writing pop music that challenges assumptions while somehow remaining incredibly accessible. Fans of David Byrne and Laurie Anderson will appreciate Letissier’s almost free association yet coherent compositional style, especially as manifested on her 2018 album Chris, and the sheer playfulness of her songs and stage persona.

What: Omni w/Vic N’ The Narwhals
When: Monday, 05.20, 8 p.m.
Where: Globe Hall

What: Lord Buffalo w/Palehorse/Palerider, Matriarch and Shadows Tranquil
When: Monday, 05.20, 7 p.m.
Where: Lost Lake

Tuesday | May 21

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The Twilight Sad, photo by Debi Del Grande

What: The Twilight Sad w/Kathryn Joseph
When: Tuesday, 05.21, 7 p.m.
Where: Larimer Lounge
Why: Being a cult band can be rough going knowing that you’re doing something special and different, pushing music in a similar vein forward by taking chances and not following trends. Well, to some extent anyway, that has paid off for Scotland’s The Twilight Sad. Post-punk and shoegaze has been a crowded field for the past two decades especially lately when it seems everyone that suddenly realized they liked The Cure and dark post-punk started a band. But The Twilight Sad’s willingness to utilize raw noise and sing with urgency instead of with an affectless, almost disengaged style has always seemed vital and reminiscent of bands like The Comsat Angels and The Sound more than some other bands who might claim similar influences. The group nearly called it quits half a decade ago but it started garnering unexpected attention for its then new album, 2014’s Nobody Wants to Be Here and Nobody Wants to Leave, as well as an opening slot on tour with The Cure where the band distinguished itself well. In 2019 the group released its latest album It Won/t Be Like This All the Time and reaffirming itself as a band that doesn’t try to sugarcoat or downplay life’s down sides in its songwriting while providing an excellent soundtrack to work through those times. That part of what informed the writing of the record was tapping into some old Brian Eno songs using Eno’s Oblique Strategy cards as an impetus to writing songs that would be fun to play live sets the new record apart from much of modern rock music by trusting in processes outside of conscious thought to inject creativity into your art.

What: Hyperdontia, Mortiferum, Spectral Voice and Of Feather and Bone
When: Tuesday, 05.21, 8 p.m.
Where: Syntax Physic Opera

What: Florence + The Machine: The High as Hope Tour 2019 w/Christine and the Queens
When: Tuesday, 05.21, 6:30 p.m.
Where: Red Rocks

What: Camp Cope w/An Horse and Oceanator
When: Tuesday, 05.21, 7 p.m.
Where: Lost Lake

Wednesday | May 22

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Radkey, photo by Tom Murphy

What: Radkey w/One Flew West and And the Black Feathers
When: Wednesday, 05.22, 7 p.m.
Where: Larimer Lounge
Why: Radkey gets lumped in with punk and, oddly, proto-punk probably because its sound is crunchy, dynamic rock music with great, melodic vocal harmonies. But it is a rock and roll band comprised of three brothers whose songwriting owes no stylistic debt to any particular movement or artist. Maybe you could say its reminiscent of Thin Lizzy combined with a good, modern pop punk band. Wherever Radkey is coming from with its music, its high energy live shows are always entertaining. In 2019 the group released its latest album, No Strange Cats…P.A.W where it switches the pace of the songs up more than ever expanding its already respectable dynamic range.

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The Faint, photo by Bill Sitzmann

What: The Faint w/Choir Boy, Closeness and boyhollow
When: Wednesday, 05.22, 7 p.m.
Where: Bluebird Theater
Why: Before it became fairly trendy in the late 2000s and 2010s, The Faint was drawing upon 80s synth pop and mixing it with emotionally-charged post-punk. The band’s second proper album Blank-Wave Arcade from 1998 was a bit of an anomaly somehow reminiscent of Falco, Duran Duran, The VSS and the more interesting 90s emo. By the time of 2001’s Danse Macabre the group had refined to perfection a fusion of electronic and post-punk without sounding like much of anyone else. Eighteen years later The Faint is pushing itself in interesting directions as evidenced by the release of its new album Egowerk. The songwriting straddles the world of electronic dance music and post-punk and with lush production and Todd Fink’s always expressive and melodious vocals swimming in atmospheric grandeur. It is the band’s least traditionally rock sounding record and chances are most suited to the group’s visually dynamic light show.

What: Rhett Miller of The Old 97’s w/Anthony Ruptak
When: Wednesday, 05.22, 8 p.m.
Where: The Oriental Theater

Best Shows in Denver 10/20/18 – 10/24/18

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Mothers performs with Megabog and Down Time on Saturday, October 20 at Larimer Lounge. Photo by Tonje Thilesen

Due to technical difficulties, it wasn’t possible to write up the first two dates of this show list in even remotely a timely manner. For now we present to you the rest of the week’s picks as we’re able to complete the writing.

Saturday | October 20, 2018

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Megabog circa 2011, photo by Tom Murphy

Who: MC 50 with Starcrawler and The Yawpers
When: Saturday, 10.20, 8 p.m.
Where: The Gothic Theatre
Why: Influential, even foundational, early punk band MC 5 is now on tour celebrating its fiftieth anniversary as MC 50 playing from the band’s respectable catalog that not only injected radical politics into rock music in an overt way but put an indelible stamp on the rawest version of the music post-1960s. The lineup for this tour will include original guitarist Wayne Kramer, former Soundgarden guitarist Kim Thayil, Fugazi drummer Brendan Canty, Faith No More bassist Billy Gould and Zen Guerilla frontman Marcus Durant.

Who: Dark Descent Records Ninth Anniversary
When: Saturday, 10.20, 6 p.m.
Where: Hi-Dive
Why: Dark Descent Records celebrates nearly a decade of unleashing extreme metal from its headquarters in Colorado. For this edition of its annual showcase you can see Cianide, Krypts, Adversarial, Sempiternal Dusk, Spectral Voice and Blood Incantation

Who: Four Fists (P.O.S. + Astronautilus) w/Angel Davanport and Boss Eagle
When: Saturday, 10.20, 8 p.m.
Where: Marquis Theater
Why: After guesting on each other’s albums for years, P.O.S. and Astronautilus finally teamed up for a collaborative project yielding the album 6666. It’s what you might expect when two titans of alternative hip-hop that know each other’s work and processes well put their heads and hearts together. Poignant social commentary and, refreshingly, a perspective that points to ways that people might take on social injustice and the world’s ills that they can handle. All while giving us tautly composed and imaginative beats that sound like a sampling of all modern electronic music going back to the 8-bit video game aesthetic the 80s as perhaps an abstract display of how culture is a continuum that can’t be truly broken by even influential bad actors. And if you’re not into the heady content aspect, the debut album from Four Fists is a collection of bangers.

Who: Mothers w/Megabog and Down Time
When: Sunday, 10.21, 7 p.m.
Where: Larimer Lounge
Why: Kristine Leschper of Mothers and Erin Bergy of Megabog don’t fit in any easy, pat category as both have used elements of rock and folk in making their respective, boundary pushing pop music. Leschper and Bergy also both masterfully walk that line between accessibility, challenging their respective audiences and freely experimenting with sounds and song format.

Who: MAX w/Nina Nesbitt and EZI
When: Saturday, 10.20, 8 p.m.
Where: The Bluebird Theater
Why: Max Schneider, aka MAX, has had a career in film, television and modeling but along the way he also established himself as an up-and-coming soul pop vocalist. Nina Nesbitt is a Scottish singer-songwriter/multi-instrumentalist who got a big break opening for Ed Sheeran on the European leg of his 2012 tour. In 2018 Nesbitt is set to release her sophomore album and there’s a good chance that you’ll get to see some of that material live for this tour. If you show up early you can catch EZI, aka Esther Zyskind who has roots in the singer-songwriter realm but these days, makes lush, moody, synth-driven pop songs.

Who: Blerd #2
When: Saturday, 10.20, 8 p.m.
Where: Mutiny Information Café
Why: This event says how Afro Punk is never coming to Denver and it, thus, shines a light on the most interesting and forward-thinking Denver artists of color. Tonight’s showcase includes two of the mightiest Denver musical acts with the otherworldly tones and transcendent hip-hop of R A R E B Y R D $ and The Maybe Sos, an experimental hip-hop duo comprised of notable Denver poets and musicians Bianca Mikahn and Jenee Elise Donelson. Also on the bill are Toluwa and Obi.

Sunday | October 21, 2018

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Old Sport, photo by Tom Murphy

Who: UK Subs w/Agent Orange, Guttermouth and No Takers
When: Sunday, 10.21, 7 p.m.
Where: The Oriental Theater
Why: UK Subs were one of the bands out of the early English punk milieu that incorporated aspects of the pub rock scene of the same era in the mid-to-late 70s. Beginning with its 1979 album, Another Kind of Blues, the group has released a record beginning with every letter of the English alphabet including 2016’s Ziezo. The Subs have also remained a vital live act since the 70s and haven’t exactly toned down the politics edge, decidedly working class left, of their body of work even when they have written songs about going concerns of youth and everyday life. Also headlining this bill is California surf punk band Agent Orange. Like most of the southern California punk bands that emerged from Orange County in the late 70s and early 80s, Agent Orange had that aggressive intensity that was key to hardcore but also an instinct for melody that gave its songwriting an accessibility that may in some ways have helped give birth to pop punk. Agent Orange didn’t really get stuck in a specific punk niche perhaps one aspect of why the band, like the Subs, has endured and evolved.

Who: Mom Jeans w/Just Friends, Awakebutstillinbed and Old Sport
When: Sunday, 10.21, 6 p.m.
Where: The Marquis Theater
Why: Mom Jeans from Berkeley, California has been making some waves in underground music with its irreverent yet earnest songs. Over the past several years a blend of math rock, emo and pop punk has re-emerged in America as various musicians have drawn on the music of their younger years for inspiration and combined it with an interest in various musical styles that maybe they didn’t get to see firsthand when it was originally active. And then, of course, making it their own and using it as a vehicle for writing about similar frustrations and struggles but with a broader palette of sounds and cultural references. The group’s 2018 album Puppy Love is not short on meaningful songs with surreally humorous titles like “Jon Bong Jovi” and “You Can’t Eat Cats Kevin.” Also on the bill is like-minded Denver band Old Sport.

Monday | October 22, 2018

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Pond, photo by Pooneh Ghana

Who: Pond w/Sur Ellz
When: Monday, 10.22, 8:30 p.m.
Where: Globe Hall
Why: Pond isn’t a Tame Impala side project even though the group has shared members and the latter has taken on ex-members of the former as part of Kevin Parker’s live lineup. Tame Impala went in a more overtly experimental electronic dimension with its excellent 2015 album Currents. Pond’s more prolific career has taken interesting turns and it’s 2017 album The Weather was also much more electronic but very well within the realm of a psychedelic aesthetic. One might compare it to when Super Furry Animals went more off its own deep end than usual but rather than soul wending into dream pop.

Who: A Perfect Circle w/Tricky and Night Club
When: Monday, 10.22, 6 p.m.
Where: Red Rocks
Why: On the surface this is an odd pairing of bands. A Perfect Circle is one of the projects of Maynard James Keenan of Tool and for earlier records, it was a hard rock and even metal band. For it’s 2018 album Eat the Elephant the group has transformed fully into an atmospheric pop band. The sound is so different yet not seemingly forced or brimming with try hard musical gestures it’s like it’s a new identity for the group achieved after years of development. Night Club is a darkwave rock band comprised of Emily Kavanaugh and former Warlock Pinchers and Foreskin 500 guitarist Mark Brooks. Though mostly known for his work in film and television these days (for example he wrote for and directed episodes of Metalocalypse), with Kavanaugh in Night Club Brooks has been part of a band that sounds like it mulched 90s EBM and Future Pop with the inspired industrial sleaze of Lords of Acid and My Life With The Thrill Kill Kult and made something that could make a virtue of the cheese factor of all that music without having to express the worst excesses. Night Club is more akin to modern Gary Numan than wack industrial rock and that makes all the difference. And Tricky is on the bill. As in former member of Massive Attack and downtempo pioneer with a respectable trip-hop career playing Red Rocks perhaps for the first time in decades.

Tuesday | October 23, 2018

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88rising, photo courtesy the artists

Who: Windhand w/Satan’s Satyrs
When: Tuesday, 10.23, 7 p.m.
Where: Larimer Lounge
Why: Richmond, Virginia’s Windhand has for nearly a decade refined its fluid doom soundscaping like a pagan metal Bardo Pond. The group recorded its 2018 album Eternal Return with Jack Endino, the architect of the so-called Seattle sound of the late 80s and early 90s. With Endino’s assistance, Windhand cast its gritty grandeur in sharper focus than ever before with the intricacies in tone and texture not essentially buried and blurred together in the mix as part of an unintentional aesthetic choice because that’s how doom is “supposed” to sound. Dorthia Cottrell’s vocals have also never sounded better, coming through the fogbank of sounds like a beacon in the night.

Who: 88Rising: 88 Degrees & Rising Tour
When: Tuesday, 10.23, 6 p.m.
Where: Fillmore Auditorium
Why: 88rising is a media company that is bringing some of its star artists on this tour showcasing its efforts as a management and marketing company, record label and video production service. Nothing too new there. But most of its artists are Asian pop, trap, hip-hop and R&B projects. For this tour you’ll get to see Rich Brian, Joji, Higher Brothers, Keith Ape, KOHH, NIKI and AUGUST 08.

Wednesday | October 24, 2018

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Joan Baez, photo by Dana Tynan

Who: Joan Baez
When: Wednesday, 10.24, 7 p.m.
Where: The Paramount Theatre
Why: Joan Baez has been an important figure in American popular music since the early 60s when she helped to popularize folk music to an increasingly commercial and widespread audience. She was an early advocate of Bob Dylan and helped to bring his own talent to national audience as well. Baez famously used her platform and her music to raise awareness of human rights and environmental issues, a course she has followed throughout her career up to and including “Nasty Man,” a protest song she wrote against Donald Trump in 2017. It was a viral hit and it was her first published and released piece of original material in over two decades. Baez followed this with her first studio album in nearly a decade with 2018’s Whistle Down the Wind, an album in which she puts her superb interpretations on the songs of other writers including an interesting choice with Anohni’s “Another World.” Currently Baez is on what is being cited as her final formal tour, dubbed “Fare Thee Well Tour.” If this is Baez’s last hurrah, it’s quite a capstone on the career of an artist possessed of a powerful voice and an uncommon sense of compassion and duty to her fellow creatures on planet earth.

Best Shows in Denver 06/28/18 – 07/04/18

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Rubedo will headline its annual summer show at The Bluebird Theater this Saturday, June 30, 2018. Photo by Tom Murphy

Thursday | June 28, 2018

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Post Animal, photo by Tim Nagle

Who: Post Animal w/Slow Pulp and Serpentfoot
When: Thursday, 06.28, 8 p.m.
Where: Lost Lake
Why: Chicago’s Post Animal sounds like a power pop band that has adopted some sludge rock edginess and a lot of psychedelia to warp those edges into interesting directions. Its new album When I Think Of You In a Castle makes you wonder what would have happened had The Sweet and ELO merged because the exquisitely tuneful melodies rock with an earnestness out of step in this decade where many try and fail miserably at projecting that authenticity much less at sustaining the quality songwriting across an entire record. The changes of pace, dynamics, tone and atmosphere throughout the album also proves the band cares enough about its own art and potential listeners to not brand its career with a same-y aesthetic. Post Animal is a rock band but one that isn’t stuck in rock-ist clichés as its sonics are as transporting as they are riveting.

Who: Pretty Mouth video release w/Archipelaghost and Oxeye Daisy
When: Thursday, 06.28, 8 p.m.
Where: Ophelia’s Electric Soapbox
Why: Pretty Mouth is debuting its video for “This Poison Loves You” at this show at Ophelia’s. The Denver-based quartet combines the drawn out pacing and dynamics of alt-country with windswept dream pop, singer Marie Litton seemingly channeling the energy of ancestral spirits to effect a an emotional catharsis throughout the performance. Joining Pretty Mouth for the occasion is avant-garde pop outfit Archipelaghost and like-minded neo-alternative rock band Oxeye Daisy, which recently released an excellent self-titled debut engineered by Male Blonding frontman Noah Simons.

Friday | June 29, 2018

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Cop CIrcles circa 2014, photo by Tom Murphy

Who: Froth: A Rhinoceropolis fundraiser w/Superstar & Star, Cop Circles, Lux Hearse, J. Hamilton Isaacs, Mirror Fears, Data Rainbow, French Kettle Station
When: Friday, 06.29, 7 p.m.
Where: Redline Gallery
Why: Denver DIY space Rhinoceropolis, which was closed in December 2016 in the wake of the Ghost Ship tragedy in Oakland, California, for supposed fire code violations, has had multiple hurdles to overcome to re-open including paying rent on the building while it couldn’t be utilized and remodeling to bring the space to code. So this event is happening to help move that along to the final phase before the re-open. The usual suspects of former Rhino inhabitants and those who made the space what it was will be performing but the night will include a special appearance from Neville Lawrence who performs as Superstar & Star, who now lives in Omaha, Nebraska and claims to be the “undisputed king of home-disco.” Watch any of his videos and that’s pretty much impossible to dispute as his VCR 80s era home video aesthetic is much more likeable than one might expect in this age when many things are overproduced and essentially unrelatable.

Who: Strange Goo feat: Pheel, Mirror Fears and PterrorFractyl
When: Friday, 06.29, 8:30 p.m.
Where: Fort Greene
Why: This is the latest edition of Strange Goo which includes some of the most forward thinking experimental electronic artists in Denver. Tonight’s show includes dream noise/industrial pop artist Mirror Fears and post-dub techno soundsculptor PterrorFractyl.

Who: Sliver w/Parking With Planets, The Swamp Rats, Bailout, Theoretic 
When: Friday, 06.29, 8 p.m.
Where: Moe’s Original BBQ
Why: It would be enough to go see sludge/surf punkers The Swamp Rats. But it would also be worth your time to check out grunge punks Sliver. That despite singer Chris Mercer dropping the bomb on his own band and admitting that his own take on his own band’s style of punk: “Post hardcore that came out in the early 00’s and beyond is just the poppy emo shit with a lot of screaming.” We beg to differ and declare Sliver a refreshingly emotionally raw and honest rock band with a leg in both DC hardcore and NW proto-alternative rock. Sure, Mercer doesn’t do a great job of ripping off Bad Brains and Wipers but he tries and that has to count for something.

Who: Electric Funeral Fest III Day 1
When: Friday, 06.29, 3 p.m.
Where: 3 Kings Tavern, Hi-Dive and Mutiny Information Café
Why: This two day festival showcases some of the underground’s best extreme music bands from Denver and elsewhere including Spirit Adrift, Eagle Twin, R.I.P., Aseethe, Amplified Heat, Forming the Void, Love Gang, Urn., Loom, Necropanther, Smokey Mirror, Twingiant, Echo Beds, Augur, Green Druid, Keef Duster and The Rare Breed. Someone also convinced Denver thrash punks Speedwolf to reunite for tonight’s line up. Kudos.

Saturday | June 30, 2018

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R A R E B Y R D $, photo by Tom Murphy

Who: Rubedo w/Holophrase, R A R E B Y R D $, Picture the Waves and Mace Windu
When: Saturday, 06.30, 7 p.m.
Where: The Bluebird Theater
Why: In what has become at least a semi-annual tradition, Rubedo headlines The Bluebird Theater in early summer. The Denver band, parts prog, psychedelic rock, noise rock and avant funk, has been at the forefront of one wing of the local DIY scene for years. For these events Rubedo brings together some of the more interesting bands out of the underground like experimental electro-downtempo band Holophrase and the soulful and lush hip-hop of visionaries of a utopian yet grounded, loving and compassionate future, R A R E B Y R D $.

Who: Electric Funeral Fest III Day 2
When: Saturday, 06.30, 3 p.m.
Where: 3 Kings Tavern, Hi-Dive and Mutiny Information Café
Why: This second day of heavy and extreme music includes sets from bands across the front range and beyond: Weedeater, Primitive Man, Zeke, Sierra, Duel, Grey Gallows, Cloud Catcher, The Munsens, Communion, Crud, Space in Time, White Dog, Vexing, Pink Fuzz, Wizzerd, Smolder & Burn, Alone and Still Valley

Who: Machinefest w/16Volt, Machinewerx and Society Burning
When: Saturday, 06.30, 6 p.m.
Where: Outdoor location in Wellington, CO
Why: Tempting to call this an event linked to the local Burning Man community and maybe ultimately it is, but in truth it’s an industrial music and sculpture performance event in the middle of nowehere (map on the event page). Coming out for the occasion is infamous/legendary industrial rock band 16 Volt.

Who: Magic Sword w/Church Fire and EVP
When: Saturday, 06.30, 7 p.m.
Where: The Marquis Theater
Why: This show would be worth attending for Denver bands Church Fire and EVP alone because they’re both pushing forward the aesthetics of dance music and electronic pop with energetic and emotionally stirring performances. But Boise, Idaho’s Magic Sword doesn’t make it here nearly enough with their space knight stage personae and one-would-think-wack-but-never-is combination of 80s prog metal guitar and sweeping science fiction movie soundtrack synthscapes. Camp is pretty played out these days but Magic Sword has taken it to another level that makes it endearing like you’re in on the camp so it’s no longer a joke but just fun.

Sunday | July 1, 2018

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Immersion, photo by Toby Mason

Who: Immersion w/Brother Saturn
When: Sunday, 07.01, 7 p.m.
Where: Larimer Lounge
Why: Immersion is the ambient project comprised of Malka Spigel of Israeli/Belgian experimental post-punk band Minimal Compact and her husband Colin Newman who more than a few people may know as being in Wire. In the 80s their respective bands surely rubbed shoulders in the UK and the rest of Europe and in the early 90s when the duo created Immersion as a way to further explore beat-driven, non-rock music it entered a realm of sound and atmosphere that might have been associated with minimalist IDM and ambient/abstract atmospheric artists of the day like Seefeel and Future Sound of London. The group’s recent albums, including 2018’s Sleepless, have shown a willingness for more overt use of guitar to create texture and tone.

Who: Janelle Monáe w/St. Beauty
When: Sunday, 07.01, 6:30 p.m.
Where: Paramount Theatre
Why: Janelle Monáe’s new album Dirty Computer spent a decade percolating and incubating in her rich imagination. Apparently she felt as though she had to present an image safe for public consumption, as it were. The album is even more a concept album than any of her other excellent offerings over the past several years and it tells a story of personal evolution and self-acceptance in the face of a world that tries to define you and impose meaning on you especially if you’re an “entertainer” and black and a woman. The short film Monáe released in the wake of the album gives vivid life to the story with Monáe as an android named Jane 57821 struggling against a dystopian society toward a more open and compassionate future. While her music has always been sonically rich and evocative, with Dirty Computer, Monáe has pushed her art beyond previous boundaries by revisiting some of her perennial themes in creative new ways.

Who: Canyon of the Skull, Giant of the Mountain, Voideater, A Light Among Many
When: Sunday, 07.01, 8 p.m.
Where: Hi-Dive
Why: If you made it to Electric Funeral Fest III but just want one more night of the heavy, this show will more than do with deep, atmospheric doom act Canyon of the Skull from Austin alongside the more experimental, ambient metal of A Light Among Many.

Who: Nevayda Gunn (last show), Horns and Spyderland
When: Sunday, 07.01, 5 – 8 p.m.
Where: Goosetown Tavern
Why: When a lot of rock bands were riding the psych bandwagon and making fairly mundane music that was essentially pop or straight ahead rock with some reverb and yelping, Nevayda Gunn were pushing boundaries of what the music could be and left us one great statement of where it was and where it could have gone with its 2016 album Glitchkraft; A Human Experience. Maybe a slightly art-pretentious title but very much worth a listen. This is their last show. Catch members in Archipelaghost.

Monday | July 2, 2018

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Dirty Few circa 2013, photo by Tom Murphy

Who: Dirty Few 7” release w/Wyldlife, The Bad Engrish, The Born Readies, DJ Ross Taylor Murphy
When: Monday, 07.02, 7 p.m.
Where: Larimer Lounge
Why: Dirty Few is releasing its new 7” EP, Volcom Sessions out on Snappy Little Numbers (you can order the 7” here). While the band has a deserved reputation for being a rowdy party band one thing that is often overlooked is the songwriting. Somewhere between power pop and post-Reatards garage punk, Dirty Few’s fuzz pop has never sounded more focused and and tuneful. It sounds like someone in the band has been listening to a lot of Thin Lizzy but that’s no bad thing. The vocal harmonies really make the songs this time around and this new record represents the band at its current peak.

Tuesday | July 3, 2018

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Pale Sun, photo by Tom Murphy

Who: Michael Rault w/Pale Sun and Bear and the Beasts
When: Tuesday, 07.03, 8 p.m.
Where: Globe Hall
Why: Michael Rault, though Canadian, sounds like he spent some time hanging out in Laurel Canyon in the mid-1970s—gently psychedelic pop compositions with a twinge of country rock running through them are the hallmarks of his sound. We’ve heard a lot of that sort of thing in recent years but Rault happens to be better at the songwriting end than most other people mining similar territory. Also on the bill is Denver-based shoegaze band Pale Sun whose cosmic soundscaping has some edge to its hypnotic melodies.

Wednesday | July 4, 2018

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Flowering Blade, photo by Tom Murphy

Who: Spectral Voice, Superstition, Flowering Blade, Many Blessings
When: Wednesday, 07.04, 8 p.m.
Where: Meadowlark Bar
Why: Spectral Voice is a Denver-based death metal band whose instincts wend toward a more stark sound. And it’s in good company for this show with Many Blessings, the ambient/noise project of Primitive Man vocalist/guitarist Ethan McCarthy, and Aaron Miller of Cadaver Dog doing his solo noise act Flowering Blade. So, musically speaking, all the negative vibes with none of the negative consequences.

Best Shows in Denver 04/05/18 – 04/11/18

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Kitty Crimes, photo by Lindsey Webb

Thursday | April 5, 2018

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Frankie Cosmos, photo courtesy Loroto Productions

Who: Frankie Cosmos w/Lomelda and Ashley Koett
When: Thursday, 04.05, 8:30 p.m.
Where: The Fox Theatre
Why: Frankie Cosmos released its third album Vessel on March 30, 2018. Like it’s predecessors there’s a tender sensibility to the songwriting that recalls the lo-fi introspection of Exile In Guyville period Liz Phair and the peek-into-a-strikingly-insightful diary quality of Casiotone for the Painfully Alone. Sure, Kline had famous parents (Kevin Kline and Phoebe Cates) and was once a member of Porches. But Frankie Cosmos doesn’t sound like it’s resting on any of those laurels. Kline uses everyday details as a vehicle for exploring feelings and thoughts long hidden. The results are a refreshing frankness and intimacy even in the context of a pop song without the overpolishing and overproduction that the musical form often gets.

Who: Glasss Presents the Speakeasy Series 2: Brother Saturn and Vahco
When: Thursday, 04.05, 7 p.m.
Where: Hooked On Colfax
Why: This edition of the new season of the Speakeasy Series (all in the basement of Hooked on Colfax) includes some of the most mind-calming artists of the entire programme. Brother Saturn’s dreamlike soundscapes are an entrancing synthesis of ambient and dream pop. Vahco is the solo project of Vahco Before Horses from Demoncassettecult and Gold Trash. Whereas those other two are more in the realm of noise and experimental electronic music, Vahco is more in the realm of pop music with soulful vocals.

Who: Liza Anne w/Valley Queen and Down Time
When: Thursday, 04.05, 7 p.m.
Where: Globe Hall
Why: Liza Anne’s 2018 album Fine But Dying may sound upbeat and bright and, well, like a conventionally commercial pop record I some ways. But not at all beneath the surface of the music is the fact that, according to a recent interview with Billboard, Anne just laid out her struggles with “panic disorder and depression,” articulating them in a way that could be relatable to almost anyone and hopefully at least putting to rest some of her own anxiety and shame regarding those issues. In putting the struggle in very specific personal terms without sensationalizing it or making it seem like a special taboo subject, Anne brilliantly makes it all seem like something anyone might experience without judgment. Joining Anne for this tour is Los Angeles’ Valley Queen who take a folk/acoustic music foundation to songwriting and make it warm and energetic. There’s plenty of post-neo-Laurel Canyon stuff around in the world today but Valley Queen frontwoman Natalie Carol doesn’t sound like she’s copping someone else’s vibe. Rather, her voice, sometimes quavering from the well of emotion, provides a compelling narrative and vivid imagery. One might compare her in that regard to Esmé Patterson’s own knack for creative storytelling that aims at bigger issues through the language of personal experience.

Who: Ty Segall w/Dirty Few ogdentheatre.com/events/detail/347251
When: Thursday, 04.05, 8 p.m.
Where: The Ogden Theatre
Why: Probably anyone that’s been paying attention to modern rock music knows who Ty Segall at this point. If not, pick up pretty much any of his records (they’re all worth listening to) and you’ll get an idea of what music Segall makes but keep in mind that he is clearly a songwriter who wants to explore a wide variety of tones, moods, dynamics and songwriting styles. On his 2018 album, Freedom’s Goblin, Segall explores a more lush songwriting style without waxing into the fake soul and ersatz R&B that is being peddled a little too much of late. Covering Hot Chocolate’s 1978 hit “Every 1’s a Winner” was an interesting choice for the record but it all fits in with an album that sounds like Segall is trying to create for himself an emotionally comfortable space in which to express feelings that are out of step with some of the more hard-edged rock and roll that some may have come to expect from Segall who is too much of a creative chameleon to ever fully embody, all the better for fans of musicians who evolve whether their fans are ready for the changes or not. People have been trying to pigeonhole Denver’s Dirty Few  for any manner of reasons for years as just rock and roll hooligans. And they are that but bottom line, the band actually writes solid, surprisingly thoughtful, songs that fit in the context of a rowdy live show.

Who: Kitty Crimes album release w/GVgrace
When: Thursday, 04.05, 8 p.m.
Where: Hi-Dive
Why: Maria Kohler has been performing as Kitty Crimes for several years now and it seems as though many of her fans never really knew her as a talented musician and singer in various past bands including Houses, Science Partner and Mercuria and the Gem Stars. Kitty Crimes sometimes seemed like a goof and a gimmick. The whole white-presenting woman doing “dirty” rap thing. But Kohler isn’t someone easily clowned and she turned an interesting project into something powerful and well-composed beyond the obvious appeal. Her new record, Crimes of the Kitty, Volume 2 has soul, the expected deft wordplay, personal insight and lush production. For fans of K’Valentine and Kari Faux.

Who: Entrancer, Cities of Earth, Staggered Hooks, Glissline
When: Thursday, 04.05, 8 p.m.
Where: Syntax Physic Opera
Why: This fundraiser for Project Worthmore, an organization dedicated to aiding the refugee community, is also a great chance to catch some of Denver’s most interesting experimental electronic projects. Entrancer’s music is grounded in the production and sensibility of 90s hip-hop and Detroit techno as well as the full breadth and depth of synthesizer music as someone who has more than a passing experience with modular synths. Cities of Earth’s Tangerine Dream-esque IDM sounds like what should be on the soundtrack to a documentary about Warp Records. At least if his 2017 EP Tangra is any indication. Staggered Hooks is probably the latest project from Dean Inman whose up-to-now-most-recent project, Dream Hike, was responsible for some of the most beautifully hypnotic deep house/ambient going. Glissline is the name Tommy Metz (formerly under his given name as well as Iuengliss) is using for his music these days. Metz has a gift for melodies that soothe the mind and his beats seem to employ the interval that releases endorphins. But whatever his music really does, fans of Aphex Twin and Clark should make an effort to see Glissline sometime if not tonight.

Who: Built to Spill w/Rituals of Mine, Black Belt Eagle Scout
When: Thursday, 04.05, 7 p.m.
Where: Gothic Theatre
Why: Coming out of post-punk/post-hardcore band Treepeople, Doug Martsch put together a band that could synthesize his musical interests and a path of sonic curiosity that wouldn’t fully congeal in underground culture in quite the same way until the late 90s/early 2000s. He cited Caustic Resin as an influence and brought that band’s brilliant guitar player into the new band, Built to Spill, on bass as well as Ralf Youtz on drums. The group’s 1993 debut album Ultimate Alternative Wavers was an oblique thumbing of the nose at how their music culture had been co-opted and marketed as product rather than a culture parallel to the mainstream. The music sounded like a blend of Neil Young, Dinosaur Jr (a band clearly influenced by Young) and underground Pacific Northwest rock. But inside all of that, Martsch had found a way to bring in extended guitar jams that were emotionally charged and expressive rather than purely self-indulgent and wanky. The development of that sound and dynamic perhaps reached its apex on Built To Spill’s 1997 masterpiece, Perfect From Now On and the 1999 follow-up, Keep It Like A Secret. Along with the visionary indie pop of the Elephant 6 collective, the bands on Merge Records, K and Kill Rock Stars, and unlikely “alternative rock” star bands post-alternative collapse like Pavement, Built To Spill helped to shape indie rock in the first decade of the 2000s by offering yet another alternative vision to what was being pumped by large commercial outlets for music.

Seeing Built To Spill in 2018 is a bit like a glimpse back to a time when it was more easily possible to have a viable career in music without having to get commercially huge or over compromise or have to fit in with a trendy subgenre of the moment and ride that wave. Sure, BTS has been on Warner Brothers since Perfect From Now On but if they’re being encouraged to get more commercial you sure can’t tell from even its most recent record, 2015’s Untethered Moon. If the group’s showing at Treefort Music Fest 2018 is any indication, the trio is still capable of weaving its gritty, hypnotic magic today. And its sonic DNA is in music of most modern indie rock bands whether those bands know it or not.

Friday | April 6, 2018

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Palehorse/Palerider, photo by Tom Murphy

What: Immediate Music Festival 
When: Friday, 04.06, 7 p.m.
Where: Metropolitan State University of Denver
Why: The Immediate Music Festival celebrates collaborative improvisation. Throughout the day (for more information click here) there will be workshops on group improvisation, soundpainting, noteworthy avant-garde musician Pauline Oliveros’ presentation Deep Listening. That night, at the King Center, there will be a concert from the avant-garde-improv band Sone which includes some of the local luminaries of that world with Jane Rigler, Janet Feder, Evan Mazunik, Gil Selinger and Mark Harris as well as a performance from Grammy-nominated jazz drummer extraordinaire Matt Wilson.

Who: Dead Meadow w/Mad Alchemy Liquid Light Show, Grass and Palehorse/Palerider
When: Friday, 04.06, 8:30 p.m.
Where: Globe Hall
Why: Dead Meadow is one of the pioneers of the recent psychedelic rock resurgence with its mixture of heavy rock, droning blues, freak folk and densely flowing psychedelia. Read our piece on/interview with Jason Simon of Dead Meadow here. Also on the bill is Palehorse/Palerider, Denver’s own masters of heavy, mind-altering rock that blurs lines between doom, heavy shoegaze and post-rock.

Who: Steve Gordon Art Show
When: Friday, 04.06, 6-9 p.m.
Where: Vertigo Gallery 960 Santa Fe
Why: Master sculptor, painter and drawing artist Steve Gordon is having what may be one of his last art shows into the foreseeable future. Gordon is also a significant artist in Denver’s experimental music world mostly notably with improvisational composition band Animal / object, which often includes Violent Femmes frontman Gordon Gano.

Who: Doug Spencer: Cave Lovers 
When: Friday, 04.06, 6-11 p.m.
Where: Dateline Gallery 3004 Larimer St.
Why: This is the latest art show from painter Doug Spencer whose creative use of texture and lighting has made his work desired by connoisseurs of the artform wherein Spencer combines 2D design with 3D, sculptural/diorama elements to create truly unique works. Some may know Spencer as the imaginative guitarist in notable Denver and Fort Collins rock bands Snake Rattle Rattle Snake, Monofog and Sweet Tooth Meat Tooth.

Who: Nocturnal Presents: Exos w/Talien and Alex Whittier
When: Friday, 04.06, 11 p.m. – 5 a.m.
Where: TBA
Why: Nocturnal is a long-running event that puts together deep house/experimental electronic dance events akin to a classic rave. So there will be long sets with the artists listed above going from late night until the early morning.

Who: Slugger, Henry and the Kissingers, Galleries, Pelvis Presley
When: Friday, 04.06, 9 p.m.
Where: Mutiny Information Cafe
Why: After too many bands embraced the less interesting aspects of 60s and 70s rock a little too much a group of bands were bound to come along that embraced the more interesting aspects of that music including original songwriting that isn’t so obviously beholden to an earlier band. This is a show that includes a handful of those groups on the local level including Slugger, the band fronted by former Silver Tone songwriter/guitarist Gabriel Albelo.

Saturday | April 7, 2018

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Cut Chemist, photo by Joseph Armario

Who: Cut Chemist w/El Dusty and Chris Karns (Pretty Lights Live Band)
When: Saturday, 04.07, 8 p.m.
Where: Cervantes’ Masterpiece Ballroom
Why: Cut Chemist is perhaps best known for his long term stint as a DJ/turntablist in Jurassic 5 and his involvement in the early era of Ozomatli. His tasteful breaks and ear for unusual and evocative samples brought a an uncommon elegance and depth to Jurassic 5’s beats. But the call to do something outside the context of the influential hip-hop group drew Cut Chemist to a solo career in 2004. His 2006 debut album under his own name was an eclectic and borderline world music and downtempo record called The Audience’s Listening. Since then the turntablist has served as a producer on numerous records, performed live DJ sets including opening for Shakira on her 2007 tour, collaborated with DJ Shadow and, in 2017, started doing a bi-weekly radio show, A Stable Sound, on dublab / 99.1 FM KZUT. In March 2018, Cut Chemist released his second solo album, Die Cut. The record continues Cut Chemist’s masterful treatment of samples into songs with a Dilla-esque use of motes of white noise in the mix, samples processed to sound like you’re getting intermittent transmissions of old radio programs, vintage television shows and commercials and ambient IDM glitch-hop.

Who: Nina Storey w/Michael and Sarah Hornbuckle
When: Saturday, 04.07, 7 p.m.
Where: Soiled Dove Underground
Why: Nina Storey spent years cultivating her sound, songwriting and live show in Denver before relocating to Los Angeles in the 2000s. If you caught Storey in the 90s you probably got to see a singer whose voice was perfectly suited to the bluesy rock music she was writing then. Also, that her powerful voice seemed unlikely coming from someone with such a relatively small frame. Since then (and likely even at that time), Storey has explored the range of her voice and where it fit in and discovered it was well-suited to jazz and R&B as well. On her most recent full-length album, 2013’s Think Twice, Storey blended all her musical impulses into well-crafted modern pop songs. These days Storey still comes through Denver and on this date she is joined by local luminaries in the Denver blues world, Michael and Sarah Hornbuckle.

Who: Suss Law, Rotstrotter, Sentry Dogs, Berated and Florida Man
When: Saturday, 04.07, 8 p.m.
Where: Bar Bar / Carioca Café
Why: Portland, Oregon’s Suss Law could be where power violence, noise and grindcore meet. Its recently released seven inch is a chaotic and relentless assault on the senses with few concessions to accessibility. If you go to this show you can also catch local grind/hardcore luminaries like Rotstrotter and Sentry Dogs. And given the set times of most of these groups, who don’t waste our time by dragging things out, the show may be over by midnight even with five bands.

Monday | April 9, 2018

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Acid Mothers Temple circa 2013, photo by Tom Murphy

Who: Acid Mothers Temple w/Yoo Doo Right and Emerald Siam
When: Monday, 04.09, 7 p.m.
Where: Larimer Lounge
Why: Acid Mothers Temple in its Melting Paraiso U.F.O. incarnation is now on the Electric Dream Ecstasy Tour. The long-running Japanese psychedelic rock band manages to continuously bring a unique show every tour because its roots can be traced back mainly back to fairly experimental western music whether rock or avant-garde (i.e. Can, Karlheinz Stockhausen and King Crimson) but members of the band past and present have been instrumental, literally and figuratively, in comprising and shaping underground music and noise in Japan. The composition of the band’s songs is influenced more by concept than technique. It is bombastic and wild and simultaneously as gorgeous and as mysterious as an other-dimensional spirit incarnate. A list of the band members and their official role and their real title clues you into the fact that leader Kawabata Makoto has a sense of humor to match his imagination and technical prowess as a musician.

Kawabata Makoto : guitar, voice, synth, voice, speed guru
Higashi Hiroshi : synthesizer, harp, noodle god
Jyonson Tsu : vocal, guitar, bouzouki, electronics, midnight whistler
Satoshima Nani : drums, another dimension
Wolf : bass, space & time

Prepare to be taken to otherworldly emotional spaces during the show if you surrender to the music some. Also on the bill is Denver’s Emerald Siam which has become refreshingly difficult to pigeonhole. Ever since singer/guitarist Kurt Ottaway and the rest of the band has seemingly tapped deeper into a creative muse, the songs have gotten darker yet more open and spacious. Expect a full-length release in 2018.

Who: Primitive Man, Spectral Voice, Prison Glue and Cadaver Dog
When: Monday, 04.09, 9 p.m.
Where: Syntax Physic Opera
Why: Primitive Man is celebrating its return from a long tour with this show at Syntax with like-minded death/doom/grind band Spectra Voice. Joining both bands will be hardcore band Cadaver Dog as well as noise/performance artist Prison Glue.

Tuesday | April 10, 2018

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Luna, photo courtesy Grandstand Media

Who: Luna w/Flaural
When: Tuesday, 04.10, 8 p.m.
Where: Fox Theatre
Why: Luna split for around ten years after its 2005 tour. The disappointment and despair and reality of the music industry at that time is documented in the 2006 film Tell Me Do You Miss Me. If you got to see Luna on that until now final tour, those feelings radiated from singer/guitarist Dean Wareham’s eyes when he looked out into the crowd. And not just because the late-night-hours lush pop that has been Luna’s hallmark ever since Wareham left influential dream pop band Galaxie 500 (which also never got its due during its time together or much since except by aficionados of deeply evocative, melancholy and ethereal gorgeous guitar rock). Wareham genuinely seemed like he was looking out on the last days of his career with plenty of life left to lead knowing he’d created some great music that would only be appreciated in the past tense. You couldn’t help but feel for him unless you’re one of those people for whom music is merely entertainment made not by humans but by functionaries of some kind of Distraction Industrial Complex.

But Wareham didn’t give up. He wrote music with then bandmate now wife Britta Phillips as well as noteworthy solo albums. He also wrote one of the best and most well-written and thoughtful rock autobiographies of all time with 2008’s Black Postcards. The book reads like all the music Wareham has been a part of making, warm and not detached but able to examine one’s feelings and intimate thoughts and express them in a way that is immediate relatable with a passionate yet gentle spirit even when the music is in moments of high feeling. Luna reconvened in 2015 and in 2017 released an album of interesting and not predictable covers called A Sentimental Education as well as an EP of originals, A Place of Greater Safety. That latter being some of the best music Luna has yet released so this would be a tour on which to catch one of the great rock bands of the last 27 years.

Who: Animal / object live on KGNU Radio Kabaret: Kurt Bauer, Steven Gordon, George Figgs and Karen Sheridan
When: Tuesday, 04.10, 7-8 p.m.
Where: Streaming on KGNU.org and broadcast on radio
Why: Animal / object is Denver’s premiere avant-garde acoustic instrument band. For the last several years the group around the current core of Kurt Bauer, Steven Gordon has had a prolific and varied recorded output captured with various other noteworthy collaborators including the likes of Gordon Gano of the Violent Femmes, Gordon Pryor, Paul Mimlitsch and for this show, Karen Sheridan formerly of all-female deathrock band 1980s Denver band Your Funeral, experimental rock band Corpses as Bedmates and R.O.C., a kind of deconstructionist pop band that incorporates elements of electronic industrial music and sampling. Over the weekend Sheridan did vocals for an incantation at Steven Gordon’s art show at Vertigo Gallery. So tune in to KGNU for this special performance from one of Denver’s great experimental bands.

Who: Lo Moon w/Kraus
When: Tuesday, 04.10, 8 p.m.
Where: Hi-Dive
Why: Lo Moon spent a great deal of time developing and percolating its sound and then waiting for the right opportunity and format to even let out its September 2016 single “Loveless.” A little under a year and a half later, the full-length self-titled album comes out on on Sony. The single came out at a time when many of the dream pop and neo-shoegaze bands were not drawing on the same inspirations as Lo Moon so it seemed especially sophisticated and sonically and emotionally deep by comparison. The full-length album including “Loveless” doesn’t capitalize on the promise of the single so much as showcase a sound the band had cultivated and perfected in this first stage of its development as a band. The record didn’t exactly blow the minds of critics but it was interesting to see a band not succumb to the pressure of putting out its music as quickly as possible, given the avenues in which to do so, before developing that music to the point it needed to be and without fully submitting to the de-mystifying tendency of the social media game most bands use to garner any excitement for its new material these days. Lo Moon distinguished itself playing larger venues when it toured with Ride in 2017 and getting to see a band with this large a sound on the small stage now would be a great time to see a group that may not be regularly playing such small clubs in the future.

Who: Timber Timbre w/Thor & Friends
When: Tuesday, 04.10, 7 p.m.
Where: Globe Hall
Why: Timber Timbre has been described as psychedelic folk. But if that’s the case then its 2017 album, Sincerely, Future Pollution is more brooding and darker than that designation would suggest. More akin to Midlake’s artistically ambitious compositions or those of Six Organs of Admittance than Vetiver and early Animal Collective. Thor & Friends is a band lead by Thor Harris who some may know from his stints in Shearwater, Swans and Bill Callahan. Though largely known for his skills with a broad spectrum of percussion instruments, Harris is a multifaceted artist and multi-instrumentalist and this band displays that especially well with creative use of marimba prominent in the mix of percussion heavy, yet gently beautiful and atmospheric music.

Wednesday | April 11, 2018

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Ethan McCarthy of Vermin Womb performing as Many Blessings in 2017, photo by Tom Murphy

Who: Wake, Vermin Womb, Call of the Void and Full Bore
When: Wednesday, 04.11, 8 p.m.
Where: Hi-Dive
Why: Wake is a deathgrind band from Calgary, Canada. Currently on tour in support of its towering, brutal 2018 album Misery Rites, Wake is joined on this Denver date by like-minded locals. Vermin Womb is a band that includes Ethan McCarthy from Primitive Man as well as former Clinging to the Trees of a Forest Fire drummer J.P. Damron. Call of the Void took the blunt, abrupt, savage dynamic of deathgrind to another level of creative sonic violence.