Best Shows in Denver 06/13/19 – 06/19/19

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Tacocat, performs at Larimer Lounge on Saturday, June 15. Photo by Helen Moga

Thursday | June 13

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Turvy Organ, photo by Jake Cox

What: Turvy Organ album release w/Panther Martin, Sour Boy Bitter Girl
When: Thursday, 06.13, 8 p.m.
Where: Hi-Dive
Why: The Ghost at the Feast is Denver indie rock band Turvy Organ’s new record. What has always set the group apart from the oft-necessary but lazy “indie rock” overarching term is that it most certainly is not operating to jump on some trendy sound or bandwagon. Yes, you’ll hear the echoes of Modest Mouse in some of Ilya Litoshik’s vocals but from there the dynamics of the music and the songwriting is too idiosyncratic to fit into the mold of anyone else. The new album has what sounds like a story arch trying to make sense of a deep yearning for place and identity and coming to accept things as they are. Very Zen. But that journey is one worth taking with the band. There isn’t a single sonic flavor Turvy Organ employs across the album except for maybe some tasty, energetic melodic bass lines. That may even be how the record ties together outside of Litoshik’s highly charged and wide-ranging vocals. Splicing together post-punk moodiness and wiry energy with the frayed musical and emotional edges of 90s lo-fi rock, Turvy Organ has not just come to terms with what it’s about as a band The Ghost at the Feast but with what it’s like to be an underground rock band at this juncture in our culture where if you’re not doing it for the right reasons you’ll undermine your goals by not seeming honest.

What: TOKiMONSTA w/Holly and Blackbird Blackbird
When: Thursday, 06.13, 9 p.m.
Where: Club Vinyl
Why: TOKiMONSTA garnered a name for herself for crafting imaginative and lush downtempo beats that wouldn’t be out of place in the body of work of some of the more melancholy artists on the Warp and Stones Throw roster. She has a real gift for expansive, complimentary synth lines and multiple layers of percussion to accent the tempo of her songs. As a DJ TOKiMONSTA mixes in plenty of material from across a broad spectrum of modern electronic music.

Friday | June 14

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Thou, photo by Tom Murphy

What: Electric Funeral Fest Night 1
When: Friday, 06.14, 3 p.m.
Where: Hi-Dive/3 Kings
Why: This is the fourth edition of Electric Funeral Fest which features some of the most interesting acts in underground “extreme” and experimental metal. Tonight’s programme is as follows:

3 Kings Tavern Stage:
5:15 – 5:55 Fathers
6:15 – 6:55 Dead Now
7:15 – 7:55 Destroyer of Light
8:15 – 8:55 Velnias
9:15 – 9:55 Sourvein
10:15 – 11:00 Acid Witch
11:30 – 12:35 Thou

Hi-Dive Stage:
5:40 – 6:20 Love Gang
6:40 – 7:20 Banquet
7:40 – 8:20 Oryx
8:40 – 9:20 Tia Carrera
9:40 – 10:20 Against the Grain
10:40 – 11:25 Royal Thunder
Afterparty
12:45 – 1:25 Bewitcher

Mutiny Information Cafe Stage:
3:00 – 3:40 Fossil Blood
4:00 – 4:40 Deathchant
5:00 – 5:40 Voideater
6:00 – 6:40 Hexxus
7:00 – 7:40 Greenbeard

What: Anderson .Paak w/Earl Sweatshirt and Thundercat
When: Friday, 06.14, 6 p.m.
Where: Red Rocks
Why: Three of the most creatively brilliant artists of modern hip-hop on one bill anywhere would be noteworthy, at Red Rocks it would be deserving of the word epic.

What: Sympathy F
When: Friday, 06.14, 9 p.m.
Where: Goosetown Tavern
Why: Formed in 1991, Sympathy F is one of the few, if not only, still active bands from Denver’s alternative rock era whose melancholic, jazz-inflected, dream pop reflects an era in Denver where the city felt dark, neglected and wide open. When creative weirdos could rent a warehouse on the relatively cheap and hang out with each other and converse and mutually inspire and otherwise have their own subculture that was vibrant and not well known by the world outside the Mile High City. When downtown had viaducts (Fifteenth and Twentieth Streets) that went from downtown proper to a now long gone warehouse district, where the old Montgomery Wards build stood west of downtown like the abandoned monolithic structure from a bygone era. That the band’s songs are emotionally powerful and moving and intense yet luminous doesn’t hurt because it has been written from a place of nostalgia, but at its heart is a shard of that unique time and place in Denver’s history and it shines forth from the band’s entrancing performances.

What: Daikaiju
When: Friday, 06.14, 7 p.m.
Where: Tennyson’s Tap
Why: Writing about Daikaiju seems folly at this moment so here’s a video that gets at some of the chaotic glory of the weirdo surf band from Alabama.

What: Lazarus Horse, Mt. Illimani, Enji and Sam Morris
When: Friday, 06.14, 8 p.m.
Where: Mutiny Information Café
Why: Maybe Eddie Durkin shoulda zigged when he shoulda zagged here and there in life. But haven’t we all? His old band Sparkler Bombs was pushing punk and noise rock and modern proto-psychedelia in interesting directions. But nearly a decade hence, Durkin has been writing songs under various project names including Lazarus Horse. Imagine if someone somehow bought Rainwater Cassette Exchange, The Glow Pt. 2 and a few Julianna Barwick and Grouper records pluse The Velvet Underground & Nico and got sent off with their parents to scientific station duty at Edinburgh of the Seven Seas with spotty internet but a good instruments and pedals and some recording equipment. That’s basically what Lazarus Horse sounds like—drawing on the weirdo rock familiar while sounding ineffably different from even that.

Saturday | June 15

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Paranoyds, photo by Tony Accosta

What: Tacocat and The Paranoyds w/Princess Dewclaw
When: Saturday, 06.15, 8 p.m.
Where: Larimer Lounge
Why: Seattle’s Tacocat and L.A.’s The Paranoyds are making thought-provoking and emotionally nuanced fuzzy post-surf-punk pop with a refreshing level of depth and spirited energy. Although Tacocat has been associated with the sort of surf punk thing the past decade it’s always been different from all of that because its songwriting has been brimming with irreverent humor, playfulness and a surreal and colorful aesthetic. The cover of its new album This Mess is a Place is striking when you see it at the record store and draws you in with its inviting, retrofuturistic collage style promising something within that will offer interesting stories and perspectives that aren’t trend hopping or trite blandishments about love or needing to always center all content on what’s topical. In that way Tacocat offer a view of a more interesting and vital future for all of us. Paranoyds can be reminiscent of The Raincoats if that band came from southern California instead of London with the wonderful, unconventional choruses and noisy guitar. Watch out for the group’s new 7-inch “Hungry Sam”/”Trade Our Sins” out on Suicide Squeeze July 12.

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Chrome Waves, photo by Melissa Atwood

What: Electric Funeral Fest IV
When: Saturday, 06.15, 3 p.m.
Where: Red Rocks
Why: See above for Electric Funeral Fest IV. Here is this night’s programme of performances:

3 Kings Tavern Stage:
4:15 – 4:55 Abrams
5:15 – 5:55 Thra
6:15 – 6:55 Yatra
7:15 – 7:55 Chrome Waves
8:15 – 8:55 Teeth
9:15 – 9:55 Gozu
10:15 – 11:00 Tombs
11:30 – 12:35 Torche

Hi-Dive Stage:
4:40 – 5:20 Casket Huffer
5:40 – 6:20 Sun Voyager
6:40 – 7:20 Trapped Within Burning Machinery
7:40 – 8:20 The Munsens
8:40 – 9:20 Fotocrime
9:40 – 10:20 Call of The Void
10:40 – 11:25 Dead Meadow
Afterparty
12:45 – 1:25 Bummer

Mutiny Information Cafe Stage:
3:00 – 3:40 Red Mesa
4:00 – 4:40 Upon a Fields Whisper
5:00 – 5:40 Horseneck
6:00 – 6:40 Dizz Brew
7:00 – 7:40 Dysphotic

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Jamila Woods, photo by Bradley Murray

What: Jamila Woods w/Duendita
When: Saturday, 06.15, 7 p.m.
Where: Lost Lake
Why: Jamila Woods recently released Legacy! Legacy! with song titles drawn from names of some of the greatest artists, writers and thinkers of color from America and beyond. Rarely do musicians name check the likes of Zora Neale Hurston, Frida Kahlo, Eartha Kitt, Sun Ra, Octavia Butler, James Baldwin, Jean-Michel Basquiat, Miles Davis, Muddy Waters and others of similar cachet at all much less with such style and soulfulness. Woods’ voice is commanding and wise and one gets the sense you’re learning something about the human beings named as they impacted Woods as a person and an artist in her own right. She doesn’t pretend to speak for them but reflect their deep influence through her own lens and how their work has inspired her to do what she hopes is interesting and worthy in her own right. It’s a deep record worth repeated listens. Fans of Nina Simone and Erykah Badu should give Woods a listen.

Sunday | June 16

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Bert Olsen, photo by Tom Murphy

What: Natural Velvet, Church Fire, Rabbit Fighter and Bert Olsen
When: Sunday, 06.16, 8 p.m.
Where: Lost Lake
Why: Natural Velvet bassist/singer Corynne Ostermann told the Baltimore Sun in 2016 “’Basically, we aim to be a “Sailor Moon” villainess.’” And who wouldn’t want to see that band? Apparently a post-punk band it sure has some nefarious punk energy but the fun kind like what you might imagine a raccoon is thinking. A good fit with Denver’s industrial dance pop powerhouse trio Church Fire whose subversive and politically charged music is not just cathartic but deeply emotional on multiple levels. This is the last show post-punk/dream pop duo Bert Olsen is playing under that name. The group recently lost its drummer and is changing to maybe using a drum machine and changing focus a bit and taking on the name Gila Teen. But it’ll still be Hunter Woods and Aidan Bettis on vocals/guitar and bass respectively so the same luminously evocative songwriting will remain.

Tuesday | June 18

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Operators, photo by Britt Kubat

What: Pile w/State Champion and Warring Parties
When: Tuesday, 06.18, 7 p.m.
Where: Larimer Lounge
Why: Pile has long been making the kind of post-punk/noise punk/lo-fi music that never really sounds like anyone else. Its new record Green and Gray is filled with the band’s signature, and always interesting, counter-point guitar riffing and richly varied song dynamics. The group switches up the pace in a song, conveying the way a mood will pass through your mind as you’re working through memories and contemplating what your life should be about and diving deep into how it really is. All their records are worth a listen and the latest one may be their best.

What: Charly Bliss w/Emily Reo
When: Tuesday, 06.18, 7 p.m.
Where: The Marquis Theater
Why: On 2017’s Guppy, Charly Bliss sounded a bit like other bands mining the 90s, fuzzy alternative pop bands for inspiration but with great energy and Eva Hendricks’ ebullient vocals. With Young Enough the group’s emotional palette seems to have grown exponentially and its sound evolved into a kind of atmospheric power pop but somehow without losing the verve that powered its full-length debut.

What: Lavender Fest Denver: Where in the Hell is Lavender House? The Longmont Potion Castle Story (screening)
When: Tuesday, 06.18, 6:30 p.m.
Where: Oriental Theater
Why: Longmont Potion Castle is the phone prank wizard extraordinaire of all time. His early use of odd sound processing methods for prank calling in the 80s and early 90s went above and beyond other, perhaps more well-known prank call “comedians.” Still mysterious after all these years someone finally made a documentary about his exploits and it’s screening tonight at the Oriental.

What: Operators w/Doomsquad
When: Tuesday, 06.18, 7 p.m.
Where: Lost Lake
Why: Dan Boeckner is best known for being in some of the most interesting rock bands of the past two decades including Wolf Parade and Divine Fits. But in the past five years and more he’s been in a band that now includes Devojka, Sam Brown and Dustin Hawthorne that has been exploring the use of analog synths to write the kind of bright, brooding pop songs that wouldn’t sound out of place at some weird “New Wave” in the early 80s that hosted the likes of Gary Numan, Sparks and Fad Gadget. Rather than simply ethereal melodies, Operators has a robust low end in its mix giving the music some real power and momentum rather than merely sounding pretty. The quartet is currently touring in support of its 2019 full-length Radiant Dawn.

Wednesday | June 19

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Mastodon, photo by Jimmy Hubbard

What: Wand w/Dreamdecay
When: Wednesday, 06.19, 8 p.m.
Where: Globe Hall
Why: Wand bridged the gap between weirdo, psychedelic lo-fi rock à la Pavement with the heaviest metal but without ever come off live like a metal band. More like indie rock nerds who never had to turn their nose up at the kinds of dynamics and sounds one heard in 70s hard rock, prog, the more inspired jam bands and stuff like Sleep. Currently the group is touring in support of its 2019 album Laughing Matter. On the latter it sounds like the group has been listening to some more post-punk and post-rock like Slint.

What: Mastodon and Coheed and Cambria and Every Time I Die
When: Wednesday, 06.19, 5 p.m.
Where: Fillmore Auditorium
Why: On Mastodon’s 2009 album Crack the Sky the Atlanta-based metal quartet aimed to write their version of a classic rock album with strong melodies and great mood and solid songwriting. True enough the overall tenor of the record with its dynamics out of step with most metal at the time, but anticipating where so many rock bands, not just metal, would go over the next decade. This is sort of a Tenth Anniversary type tour but the band recently recorded an homage to its late manager Nick John called “Stairway to Nick John” that is a cover of the Led Zeppelin song that some people may have heard at some point in their lives. The single was released on Record Store Day and the proceeds are going to benefit the Hirschberg Foundation for Pancreatic Cancer.

Best Shows in Denver and Beyond 5/31/19 – 06/5/19

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Judas Priest performs at Broadmoor World Arena on June 5

Friday | May 31

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Big Freedia circa 2011, photo by Tom Murphy

What: Hieroglyphics w/Rap Noir, Stoney Hawk, S.A.V.E.1, Mike Wird, LoS, Stonewall BLVD
When: Friday, 05.31, 8 p.m.
Where: Cervantes’ Masterpiece Ballroom
Why: Hieroglyphicsfrom Oakland, California and have long been one of the most influential groups in underground hip-hop. Comprised of Del the Funky Homosapien, Casual, Pep Love, Domino, DJ Toure and the four members of Souls of Mischief (Phesto, A-Plus, Opio nd Tajai), Hieroglyphics operate in a way that’s classic, old school hip-hop, composing using a sort of free form jazz style with sampling and vocals and more experimental production and the feel of a 70s exploitation film but one where maybe the music was made by a Gil Scott-Heron and Lee Scratch Perry collaboration. This show will include all original members so you’ll get to see some of the sharpest and most deft wordplay in the game.

What: Chromeo, Thievery Corporation, Big Freedia, Adeline, Peanut Butter Wolf
When: Friday, 05.31, 5 p.m.
Where: Red Rocks
Why: Electro soul stars Chromeo seem to bring their bombastic, weirdo new wave pop to Red Rocks every summer and consistently bring artists that will push their fans’ collective music brains beyond their current bounds. This time basically co-headlining with downtempo dub duo Thievery Corporation. More on the outside of the loose realm of music in which the aforementioned operate are Big Freedia and Peanut Butter Wolf. The former is an icon of New Orleans sissy bounce. Which is a really abstract way of saying that Big Freedia is a charismatic and highly energetic performer whose performances blur the line between sissy bounce, noisy industrial dance and a kind of what might be called punk dub. It’s impossible to ignore and may alienate some people with how strange it is to some sensibilities but also one of the most powerful things you’ll get to see at Red Rocks this summer. Peanut Butter Wolf is the founder of experimental hip-hop/electronic music/post-punk imprint Stones Throw, which has regularly issued some of the most fascinating music of the past 23 years.

Saturday | June 1

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Dead Milkmen, photo by Jessica Kourkounis, 2014

What: Goth Prom 4 featuring Assemblage 23, DJs Kilgore, Slave1 and Dutch Confetti
When: Saturday, 06.01, 5 p.m.
Where: EXDO Events Center
Why: This year’s edition of Goth Prom will be headlined by EBM/Future Pop legend Assemblage 23. The Seattle-based group has managed to consistently make emotionally honest and compelling music in a realm of industrial dance that is often basically unconscious self-parody that aims to be edgy and dark but misses the mark more often than not. At least Assemblage 23 songs are well-written and seem more aimed to evoke a headspace and mood rather than adherence to tropes.

What: Dead Milkmen w/Granny Tweed
When: Saturday, 06.01, 8 p.m.
Where: Gothic Theatre
Why: Dead Milkmen were an irreverent punk band from a time when a lot of punk and hardcore was taking itself entirely too seriously. But Dead Milkmen stretched the boundaries of 80s punk by observing few conventions beyond an iconoclastic spirit.

What: Painting With Statue, Echo Beds, DJ Pop CTRL and Animal / object
When: Saturday, 06.01, 9 p.m.
Where: Rhinoceropolis
Why: Painting With Statue is a trio from California that makes noise via what sounds like analog field recording manipulation, sampling and raw low end and white noise. Animal / object is Colorado’s premier avant-garde spontaneous composition band. Who knows what DJ Pop CTRL will be this time other than weirdo folk pop. Echo Beds rarely plays now due to work on its new record so here’s a now rare chance to see the organic-industrial, noisy post-punk legends in the flesh and steel.

What: Places Back Home w/Spirettes, Everignite, Random Temple
When: Saturday, 06.01, 8 p.m.
Where: Globe Hall

What: Peanut Butter Wolf w/DJ A-L
When: Saturday, 06.01, 8:30 p.m.
Where: Ophelia’s Electric Soapbox

What: Esmé Patterson w/Carsie Blanton
When: Saturday, 06.01, 6 p.m.
Where: Leavitt Pavillion

Sunday | June 2

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Universal Devils, photo by Tom Murphy

What: Summitus Kitharlogus
When: Sunday, 06.02, 6 p.m.
Where: Rhinoceropolis
Why: A left of field guitar mini fest with performances by or featuring: Weasel Tears, Equine, Amos Helvey, Adam Selene, Lepidoptera, Farrrell Lowe, Joe Mills, Sean Patrick Faling-sonic friction guitarworks, Prayer Hands, Death In Space, Saduwu, Brother Saturn, Sean Mlekush, Space Geist, Bradley Franlik Santulli, Broken Guitar Ensemble, BentonamO, bios+a+ic, Night Grinder.

What: Whiskey Orphans, Slow Poisoner and Universal Devils
When: Sunday, 06.02, 8 p.m.
Where: Lion’s Lair
Why: Whiskey Orphans sounds like the name suggests. Fortunately, that means more than hard drinking Americana. There is also a touch of sensitivity and wistfulness underlining the sparse melodies. Universal Devils is Tricky Dick Wickett’s one-man metallic singer songwriter project and more odd and original than those mere words could convey.

Monday | June 3

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KEN mode, photo by Brenna Faris

What: KEN mode w/Abrams, BleakHeart and Ten Foot Beast
When: Monday, 06.03, 8 p.m.
Where: Hi-Dive
Why: KEN mode is a metallic, noisy, post-hardcore band whose name is a shortened version of “Kill Everyone Now mode” and in terms of blowing up a groove and cutting a riff into relentlessly jagged pieces, the band has done plenty of that in the more absurdly humorous over-the-top abstract sense. It’s latest album Loved from 2018 has song titles that read like chapters in the diary of a nihilistic misanthrope. For example: “Doesn’t Feel Pain Like He Should,” “The Illusion of Dignity,” “Learning To Be Too Cold” and “Fractures in Adults.” Given the title of the record one has to respect the dark sense of humor informing all of it including the creepy album cover. Fans of Unsane and Jesus Lizard will find much to like here.

Tuesday | June 4

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Slim Cessna’s Auto Club circa 2017, photo by Tom Murphy

What: Slim Cessna’s Auto Club with Kid Congo Powers & The Pink Monkey Birds
When: Tuesday, 06.04, 7 p.m.
Where: Ivywild School Gymnasium
Why: Slim Cessna’s Auto Club, the long-running alt-country act from Denver, brings its Vaudeville west and vibrantly emotional and lively performance to Colorado Springs along with Kid Congo Powers & The Pink Monkey Birds. Powers was once a member of Gun Club, The Cramps and Nick Cave & The Bad Seeds, among others, and with the Pink Monkey Birds he brings a lifetime of stories, insight and masterful songwriting to making his own music with a body of work as worthy as anything else in which he’s been involved.

Wednesday | June 5

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Snails and Oysters circa 2015, photo by Tom Murphy

What: Weird Wednesday: Gothsta, Snails and Oysters and Little Fyodor solo
When: Wednesday, 06.05, 9 p.m.
Where: 3 Kings Tavern
Why: This month’s editon of Weird Wednesday maintains peak weirdness with Gothsta who does odd keytar pop songs. Then again, if keytar is involved it’s going to be strange but that just enhances the bizarro nature of the music anyway. Plus some legit keytar covers of songs you wouldn’t expect to hear from her unless you’ve been listening to The Space Lady and not even then. Snails and Oysters is Joe Mill’s solo avant-garde/ambient guitar project in which his combines textures and moods to weave a unique soundscape. Little Fyodor is kinda King Weirdo in Denver and has been for decades going from tape collage/manipulation project Walls of Genius to Little Fyodor and Babushka Band. When a lot of punk is fairly conformist, Fyodor is decidedly not that with a visual presence and songwriting diversity and acumen that is so punk it should be its own subgenre with a clever name you won’t read here because Fyodor is also fairly difficult to pigeonhole as merely punk.

What: Judas Priest w/Uriah Heep
When: Wednesday, 06.05, 7:30 p.m.
Where: Broadmoor World Arena
Why: Judas Priest started in 1969, a year after Black Sabbath formed. But unlike the latter Priest came into its own shortly before the release of its debut album, 1974’s Rocka Rolla. By then iconic vocalist Rob Halford brought his elemental, wide-ranging singing to the band and guitarist Glenn Tipton joined and with K.K. Downing gave the group its signature two guitar sound that gives its music a dynamism and depth that has been influential on many heavy metal and hard rock bands since. After the debut album, Judas Priest embarked on a series of genre-defining records starting with 1976’s majestic Sad Wings of Destiny. The group weathered the manufactured scandals of the 80s when would-be censors targeted the band, and a broad range of other artists, for the corruption of youth and suicide. Judas Priest’s often remarkably thoughtful and in recent years as heavy metal has become embraced by a more mainstream audience the group’s vivid storytelling and energy is finding an audience with a new generation of fans.

Opening the show is Uriah Heep who are arguably the progenitors of a style of melodic boogie rock and hard psychedelia that has been heavily influential on a younger generation of heavy metal musicians. It, too, started up in 1969 and operated in a similar milieu of music as the aforementioned Sabbath as well as Deep Purple. Like the latter, Uriah Heep had a prominent keyboard presence in its songwriting and no strangers to songs about wizards, the forces of evil and the life of a hard touring band. But more so than some of the other bands mentioned above, Uriah Heep clearly has a foot in English folk rock that informs its song structures and vocalist Bernie Shaw’s evocative cadence. The group hasn’t done any major touring in years so this is a rare chance to see them live.

Best Shows in Denver 11/15/18 – 11/20/18

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Gouge Away performs at the Hi-Dive on Friday, November 16, 2018. Photo by Ron Yamasaki

Thursday | November 15, 2018

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Daughters, photo by Reid Haithcock

Who: Daughters w/Echo Beds
When: Thursday, 11.15, 9 p.m.
Where: Larimer Lounge
Why: When noise/experimental rock band Daughters reunited in 2013 there was no guarantee the group would do more than play a limited number of shows before going on hiatus again. Its first attempt at a record was scrapped because it didn’t feel, according to vocalist Lex Marshall, authentic to what the band was about. Its music was confrontational and visceral, executed with a savage precision and it didn’t fit too well into the boxes in which the group was often thrown: grindcore, math rock, art-metal, post-hardcore. Daughters bridged the gap between the disorientingly surreal and amped emotional immediacy. Its 2018 record You Won’t Get What You Want pushes the band’s sound into greater vistas of experimentation with its core sound, coming upon what sounds like some forgotten chapter of an industrial, post-punk and noise hybrid from the 80s. The words and the sounds of the record, however are very much of the now with a world teetering on the brink of chaos, a darkly liminal period that might make for the perfect backdrop to a J.G. Ballard novel. That Echo Beds, which recently released its own similarly-minded record, Buried Language, will open the show and set the stage for the sonic mayhem to follow.

Who: Claudio Simonetti’s Goblin
When: Thursday, 11.15, 9 p.m.
Where: The Gothic Theatre
Why: Claudio Simonetti and his band Goblin created some of the most iconic horror movie soundtracks of all time having done those for Dario Argento’s Deep Red as well as the European release of George A. Romero’s Dawn of the Dead. But perhaps the group’s crowning musical achievement was the score for Argento’s 1977 supernatural horror classic Suspiria. The haunting music and unsettling vocalizations (often done by Simonetti himself) was the perfect companion to a movie not short on rich color and deeply affecting atmosphere. This version of Goblin lead by Simonetti will perform the soundtrack live during a screening of Suspiria with what Simonetti jokes about as Goblin’s other “greatest” hits following the film.

Who: Galleries, Grass and Wild Call
When: Thursday, 11.15, 9 p.m.
Where: Hi-Dive
Why: There was a time not so long ago that Denver had, to put it charitably, way too many “psych rock” bands in the trendy mold. But lurking around in that world and a step or more apart from it were bands developing decidedly in their own directions while still rooted somewhat in the realm of psychedelic rock. Wild Call’s gritty, atmospheric, emotionally-charged songs seem like something from another era when subgenre’s didn’t matter so much as ethos and approach, finding your own voice rather than operating in a style even if you pulled from various styles in your songwriting but having something meaningful to say and an interesting way to say it. Grass borrowed a bit of that warped warble from My Bloody Valentine but sounds more like it learned a lot about edgy and nearly unraveled sounds from some of the more blustery bands on Siltbreeze in the 2000s like Times New Viking and Psychedelic Horseshit. Maybe a few nods in the direction of the Reatards. A maximalist lo-fi. Galleries is more like a band re-imagining classic rock through the lens of the influence of grunge and 2000s garage rock so it sure does sound a little different from any of that.

Friday | November 16, 2018

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Escort, photo by Tom Edwards

Who: The Flux Crew in concert
When: Friday, 11.16, 8 p.m.
Where: Pine Street Church Boulder 1237 Pine Street
Why: Dino J.A. Dean will be the conductor of this fifteen piece ensemble that will engage in, according to the Facebook event page “real time collaborative composition.” What this means is essentially improv in the overlapping contexts of jazz, contemporary classical and the avant-garde. The musicians performing come from a broad spectrum of local artists from noise, jazz, classical, funk, folk, rock etc. all sonically synergizing toward a mutual musical goal. Dean’s illustrious career in theater, jazz, punk, dance and experimental music of a broad stripe from when he was in funk bands in the Los Angeles area, working as a sideman for Ike and Tina Turner and in the 80s playing trombone controlled synthesizer in the 80s with Jon Hassell. Dean has also worked with the late jazz great Butch Morris, acclaimed playright/actor/director Sam Shepard and modern dance choreographer Colleen Mulvihill. To name a few. Dean will bring that experience in collaborating with other artists in guiding the proceedings in this unique performance with his musical group The Flux Crew.

Who: Gouge Away, Drug Church, Heart Attack Man and Cheap Perfume
When: Friday, 11.16, 8 p.m.
Where: Hi-Dive
Why: Drug Church is an hardcore band from Albany, NY, but one that isn’t on the nostalgia trip that some hardcore has been on in recent years. Drug Church has more in common with IDLES from the UK whose own expansively sonic songs tackle personal and social issues with an unbeatable combination of wry wit and sheer emotional intensity. Gouge Away from Fort Lauderdale has been making some of the most powerfully compelling punk of the last few years. But, and especially on its 2018 album Burnt Sugar, Gouge Away brings a particularly imaginative approach to its headlong rush of energy by not just writing most songs with the same dynamic, injecting atmosphere into its sustained bursts of fiery noise. In that way it has more in common with 90s noisy punk bands like Unwound and Karp. Unabashedly political, minus any boring didactic perspectives, Gouge Away is one of the bands keeping punk relevant a quarter a decade after it seemed to have been co-opted by the mainstream.

Who: The Motet w/Escort
When: Friday, 11.16, 8 p.m.
Where: The Ogden Theatre
Why: The Motet is celebrating its twentieth year as a band in 2018. Founded by drummer/arranger Dave Watts, the group’s blend of Afrobeat, jazz and funk may be something one would expect from a band from Boulder but it’s also surprisingly fresh and the musicianship legitimately respectable. Also joining the veteran Colorado band is Escort from Brooklyn. Like-minded in some ways, Escort performs music that one can trace roots to back to when 70s funk and disco met in fruitful rather than laughable ways. Think more in the vein of Commodores and Chic but updated after American musicians absorbed European influences and the resurgence of jazz reclaimed from academia and the ossified old commercial jazz market. The Motet performs same time same venue on Saturday, November 17 The Motet but with with Cory Wong who will include special guest Antwaun Stanley of Vulfpeck in the line up.

Saturday | November 17, 2018

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J Mascis, photo courtesy Sub Pop

Who: Wax Trax Fortieth Anniversary w/Slugger
When: Saturday, 11.17, 7 p.m.
Where: The Mercury Café
Why: Wax Trax might be the longest running record/music store in the Denver metropolitan area. While music stores might be considered a bit of an anachronism today they still serve an important function as a place to discover stuff you may not know about without the awkwardness of algorithms making suggestions based on what you view on a website. They are also places where you can meet other humans who might have a shared interest and where one might encounter something as quaint as a flyer for a show for bands you know nothing about and might find interesting. Also, not all local bands worth your time have a robust, easily found online presence. Besides, what music fan doesn’t enjoy organically finding something by browsing and not having something specific in mind? Wax Trax has been more than that. It has employed local musicians, one of its owners, Duane Davis, wrote incisive music reviews and other articles for several years and he and others at Wax Trax were involved in the local imprint Local Anaesthetic which put out records by some of the best punk and post-punk bands of the 80s. With the documentary about the store and the label that emerged out of that when the store’s founders moved to Chicago having screened in Denver last weekend it only seemed reasonable to have the actual celebration of the store’s first forty years at the Mercury Café. In the 80s both businesses were neighbors on 13th Avenue and Mercury Café was a hub for live, underground music—the relationship was somewhat synergistic. While there may not be a lot of live music for this event, aside from the psychedelic rock band Slugger fronted by current Wax Trax employee Gabriel Abelo, some of the memorabilia and stories shared will be worth attending to witness.

Who: J Mascis w/James Elkington
When: Saturday, 11.17, 8 p.m.
Where: Ophelia’s Electric Soapbox
Why: J Mascis is rightfully known as the influential guitar shredder extraordinaire of influential rock band Dinosaur Jr. His buried vocals amidst blistering yet melodic songs turned out to be perfectly capable of laid back utterances that articulated the feelings and thoughts of someone that was checked out of the sanitized insipidity of much of 80s popular culture, offering an alternative, more personal, and ultimately more truthful perspective of living as a kind of weirdo in Reagan’s/Bush’s America. Mascis wrote most of those songs and for years he’s established a solo career that parallels the subject matter he has explored with Dinosaur except he’s able to be more nuanced in his vocal delivery and in later years, his broad songwriting palette has become more obvious. The 2018 record Elastic Days is lush and eclectic with contributions from Pall Jenkins of Black Heart Procession, Miracle Legion’s Mark Mulcahy and Zoë Randell of Luluc. But on the road, and for this show, it’ll be J and what he describes as “a little fort around” himself of amps, various stands and other refinements. At Ophelia’s the intimacy of the room will surely make this a memorable show.

Who: Hive w/Weathered Statues, Rotstrotter, Aseethe and Vexing
When: Saturday, 11.17, 8 p.m.
Where: Syntax Physic Opera
Why: Hive from Minneapolis is a melodic crust band not to be confused with the band HIVE from Chicago who are also from the Midwest and no strangers to blackened metal. So the excellent Denver-based crust/grind band Rotstrotter is a good fit on the bill as is the like-minded Vexing. Iowa’s Aseethe is a doom band and not too far removed from the same milieu of heavy music. Weathered Statues, though, are a dark, post-punk band whose musical DNA seems to include Xmal Deutschland, The Cure and DA! But there’s an undercurrent of dance rhythms that thankfully are nothing like what all these post-punk revival era “dance punk” bands were peddling. Just a clear sense of rhythm and pacing that draws you into the song as surely as its dusky atmosphere’s and Jennie Mather’s commanding vocals. Weathered Statues plays first and may confuse some people expecting all conventionally heavy music for the night.

Who: Municipal Waste w/Toxic Holocaust and Haunt
When: Saturday, 11.17, 6 p.m.
Where: The Oriental Theater
Why: At a time when metalcore was reaching its apex, Richmond, Virginia’s Municipal Waste was making the kind of crossover music that would come back into vogue again nearly a decade after its 2001 inception. For the uninitiated, that crossover meaning the kind of music that emerged around the mid-80s when bands like DRI, which may have started out as hardcore punk, fed into its metallic instincts and synthesized hardcore and thrash metal, which itself was informed by punk. Because it was an early re-adopter, Municipal Waste became a bit of a cult band. Toxic Holocaust’s Joel Grind was also someone who was tapping back into that crossover sound in the late 90s but injected into his songwriting some of the evil sound and brutality of black metal.

Sunday | November 18, 2018

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Wrong, photo courtesy Relapse Records

Who: Wrong, Portrayal of Guilt, Abrams, False Cathedrals
When: Sunday, 11.18, 7 p.m.
Where: Mutiny Information Café
Why: Wrong is the kind of noise rock band that probably wouldn’t have quite happened in the 90s or earlier. While the Unsane and Helmet influence is there giving the music a precise yet savage edge, one can hear the stretch of sounds into distended otherworldliness as though steeped in the industrial psychedelia of post-Twitch Ministry and the haunted sludge of pre-Superunknown Soundgarden. It also has a bit of the near hysteria catharsis one hears in Daughters. The band’s 2018 album Feel Good has positive intentions but the songs themselves are all about feeling bad and purging that low end of one’s life.

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Portrayal of Guilt, photo by Adrian Glickman

Portrayal of Guilt’s 2018 album Let Pain Be Your Guide is a nightmarish set of pronouncements about the acceptance of life’s seemingly unacceptable but all too real aspects. It’s not all relentless, grind-y hardcore because there’s a nuance of sounds and dynamics that give harsh and brutal music a fascinating dimensionality that makes what might be forbidding music to many an accessibility built on how relatable the lyrics really are in the current social and political climate worldwide. Many songwriters express well the pains of some aspects of existence, Portrayal of Guilt’s songs sound like a direct line to that experience in case anyone is confused.

Tuesday | November 20, 2018

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Japanese Wallpaper, photo by Giulia Giannini McGauran

Who: Shallou w/Japanese Wallpaper
When: Tuesday, 11.20, 7 p.m.
Where: The Bluebird Theater
Why: Melbourne, Australia’s Japanese Wallpaper is Gab Strum who seems to be a bit of an electronic music prodigy. In 2014, when he was a mere 17 years old, his song “Breathe In (ft. Wafia)” was featured in Zach Braff’s film Wish I Was Here. Strum’s brightly ethereal compositions sound like the next two steps in the evolution of chillwave and informed by the same production methods born out of hip-hop that informed that musical movement. Soothing without being soporific, Strum’s songs would be perfect for when you want to take some time to contemplate something important with clarity of mood and mind. Some of his newer material like “Fooling Around” is celebratory yet introspective and reveals Sturm’s clear evolution as an artist into realms of music beyond the tranquil minimalism of his earlier offerings.

Who: Odonis Odonis w/Church Fire and Voight
When: Tuesday, 11.20, 7 p.m.
Where: Lost Lake
Why: Toronto’s Odonis Odonis sounds like DAF reborn in the techno/rave scene of Detroit 90s. At least on its latest album, 2017’s ominously luminous No Pop. The duo is joined this night by two Denver bands whose own music embody a similar wedding of darkwave industrial beats and a masterful command of incorporating noise with the more electro-dance-oriented Church Fire whose cathartic live show never disappoints and the post-punk/dark techno band Voight who are arcing out of a long period of legit A Place to Bury Strangers worship into more fascinatingly beat-driven territory.

Wednesday | November 21, 2018

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Kyle Emerson, photo courtesy the artist

Who: Kyle Emerson, Stelth Ulvang and Down Time
When: Wednesday, 11.21, 8 p.m.
Where: Hi-Dive
Why: If Kyle Emerson isn’t already making waves on the indie touring circuit, he should be soon. The veteran Denver songwriter has been paying serious dues for a few years now touring small clubs and venues across America. His psychedelic folk pop are imbued with emotional warmth and insight as heard most recently in recorded form on his 2017 full-length album Dorothy Alice. The album closer “Post Egomania” is a perfect way to sum up the emotional and spiritual journey of the rest of the album. For this homecoming show from his most recent tour Emerson will share the stage with Stelth Ulvang of The Lumineers and one of Denver’s best indie rock bands, the not-so-obviously-but-unmistakably experimental Down Time.

Who: Reverb & The Verse
When: Wednesday, 11.21, 7 p.m.
Where: Bonacquisti Wine
Why: Reverb & The Verse is one of the longer running hip-hop crews in Denver and one of the most diverse and boundary pushing in a way that’s difficult to say where the root of its music might lay beyond that of the breadth of palette that exists in hip-hop. Shane Etter, one of the band’s main producers from its early days is well-versed in a wide range of electronic music and recently did mastering on the 2018 album from literate documentarians of dystopian America, hip-hop duo Curta. Here is an infrequent opportunity to catch one of Denver’s finest live.

Best Shows in Denver 7/5/18 – 07/11/18

 

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Pearls and Perils performs 7/5/18 at Mutiny Information Café. Photo by Tom Murphy

Thursday | July 5, 2018

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Surrender Signal, photo by Tom Murphy

Who: Empath, Shiii Whaaa and Surrender Signal
When: Thursday, 07.05, 7 p.m.
Where: Lost Lake
Why: Empath’s 2018 EP Liberating Guilt and Fear (on Philadelphia-based queer DIY label Get Better Records) is a good reminder that not every younger band disappeared into any kind of boring and creatively stultifying/ossifying morass of subgenre aspirational adherence. Some of its closest sonic cousins of a decade ago might be No Age and Ponytail for the sheer enthusiasm and willingness to embrace raw noise as part of its songwriting. Don’t expect the band’s songs to fit comfortably within the box of noise rock either. Empath doesn’t worry over boundaries like that and you can bet part of its show will be a float into organic sounds, ambient aesthetics and an environmental approach to composition well outside rock-ist and pop-ist aesthetics. Angular noise rock outfit Surrender Signal from Denver is on the bill as well as post-Reatards/noise surf weirdos Shiii Whaaa from Colorado Springs.

Who: Jeremy Enigk w/Chris Staples
When: Thursday, 07.05, 7 p.m.
Where: Larimer Lounge
Why: Jeremy Enigk is the singer/guitarist for Sunny Day Real Estate, the Seattle band that in the early 90s helped to establish the aesthetic and sensibilities of emo before it morphed into the version most people came to know in the early 2000s. When Sunny Day broke up in 1995, Enigk embarked upon a distinguished solo career beginning with his 1996 album Return of the Frog Queen. Its sound, while a logical next step from SDRE, was even more meditative and introspective. Sonically it had more in common with the pop-songcraft and sound experimentation heard in artists affiliated with the Elephant 6 collective than anything else going on around that time. Not psychedelic so much as emotionally tender and not hiding behind loud sounds to mask genuine feelings, rather, an embrace of them. For this tour Enigk is celebrating the twenty-second anniversary of that debut solo record so expect to hear all or most of it at this show.

Who: The Rememberables, Blacksage, Pearls & Perils, Zealot and Broken Record
When: Thursday, 07.05, 9 p.m.
Where: Mutiny Information Café
Why: Baltimore’s Blacksage paired the singing chops of folk vocalist Josephine Olivia with the electronic music compositional and technical prowess of producer Drew Scott to make the kind of minimal synth dance pop that should be dominant in mainstream music since Lorde, Grimes and Purity Ring have already made inroads that way. But for now, the band bridges the shortening chasm between modern darkwave and indie pop. Currently the duo is on tour with Washington D.C.’s The Rememberables. Sure, the guys look like they are in some kind of hip motorcycle gang that maybe listen to Catherine Wheel and Smashing Pumpkins instead of only Skynyrd and the Nuge. And its huge, fuzzy riffs bear that out a bit as evidenced by its self-titled 2017 album rememberables.bandcamp.com. However, the vibe is more self-aware and melancholic in a way that makes one wonder how members of noteworthy DC hardcore band Coke Bust went from that blistering, noisy discharge of anger and outrage to this more nuanced music and yet liking the change all the same. Also on the bill is Denver rock band Zealot which deserves a longer mention as it includes former members of The Don’ts And Be Carefuls and Ideal Fathers. And Pearls & Perils is the best solo soul/downtempo project in Denver with the mighty Olivia Perez who used to front the experimental prog/hard rock band Gloam a decade ago. Her music is as soothing as it is hypnotic and riveting.

Friday | July 6, 2018

 

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Slim Cessna’s Auto Club, photo by Tom Murphy

Who: Slim Cessna’s Auto Club w/Strange Americans
When: Friday, 07.06, 6 p.m.
Where: Levitt Pavilion
Why: Slim Cessna’s Auto Club will bring its curiously bright and lively yet haunted cowboy punk/Gothic Americana glam show to the outdoor theater Levitt Pavillion tonight. In an Auto Club show you will experience the broad spectrum of the human emotional drama with a triumphant energy born of knowing life’s low points. Without the hokey-ness, SCAC’s musical output is an acceptance and embrace of life as it is.

Who: Roka Hueka w/Los Mocochetes and Blue Kings
When: Friday, 07.06, 8 p.m.
Where: Ophelia’s Electric Soapbox
Why: Fortunately the Afrobeat and Latin funk bands in Denver tend to be pretty legit. Granted, Roka Hueka is a ska band it’s style is more in line with the world of jazz and Los Mocochetes may be a funk band but it isn’t just about the party and a good time, though that is certainly part of its appeal, its songs integrate so many styles of art and music into presenting vibrant ideas that challenge the dominant paradigm.

Saturday | July 7, 2018

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Brother Dege, photo by Adrien Berthet

Who: Brother Dege
When: Saturday, 07.07, 6 p.m.
Where: Broken Shovels Farm
Why: At first blush Brother Dege can seem like any other modern blues artist but give the guy’s songs a chance to work and ride with him a little and you’ll discover he’s someone that actually takes the form and the sounds of blues and does something affecting and magical with them. This could be that he’s from rural Louisiana and went through his own real life travails long before, you know, writing “Too Old To Die Young” for his 2010 album Folksongs of the American Longhair, which was included on the soundtrack for Quentin Tarantino’s 2012 film Django Unchained. But Brother Dege’s tonal shifts and song dynamics elevate his music to the mythical level at which the most interesting blues artists have always operated. Brother Dege is now touring in support of his thought-provoking 2018 album Farmer’s Almanac. This show is at Broken Shovels Farm on the edge of Denver metro yet still in city limits but it’s going to feel like you’re seeing this music in the rural west and given the weather in Denver of late, with a lightning backdrop.

Who: Sailor Records 7 Year Anniversary
When: Saturday, 07.07, 2 p.m.
Where: 3 Kings Tavern
Why: Heavy music imprint Sailor Records is celebrating its seventh year with a showcase of many of its artists at this event. On tap for the occasion will be Native Daughters, Dreadnought, Muscle Beach, Greenbeard, Fathers, Joy Subtraction, Abrams, Plastic Daggers, Sugar Skulls and Marigolds, Low Gravity, Unicorn Pussy, It’s Just Bugs and Oscar Ross

Sunday | July 8, 2018

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Cowboy Junkies, photo courtesy Latent Recordings

Who: Cowboy Junkies 
When: Saturday, 07.08, 1 p.m.
Where: Twist & Shout
Why: Cowboy Junkies formed in 1986 in Toronto, Canada and quickly recorded its first album, a collection of mostly covers, called Whites Off Earth Now!! In the era, the band struck a chord on the college rock circuit where it remained a staple of college radio for over a decade. For the 1988 album The Trinity Session the group recorded, as with its first record, live with a stereo mic to a 2 t-track RDAT as a reaction against the humanity seemingly having been produced out of then commercial music. And that’s been the band’s consistent appeal—moody, sometimes brooding music, a mixture of blues, country and folk but rendered into a form and style that didn’t sound like it was adhering too much to the past. In that way, what Cowboy Junkies and like-minded bands of the era were doing is not unlike what many modern avant-bluegrass and mutant Americana bands have been doing for the past two decades and putting the human element to the forefront as a means of immediate connection. This show at Twist & Shout can be attended in its full glory can be attended with a wristband you can get with a pre-purchase new album at the store. The band will perform its full set with full sonic definition this night in Boulder.

Who: An Evening With Cowboy Junkies
When: Sunday, 07.08, 7 p.m.
Where: Boulder Theater
Why: See above for why this show might be of interest to you. Also, Boulder Theater, a beautiful room with solid acoustics and the full set from this noteworthy band.

Who: Carry Illinois w/Brianna Straut
When: Sunday, 07.08, 8:30 p.m.
Where: Lion’s Lair
Why: See our interview with Lizzy Lehman here. But otherwise, Carry Illinois is an Austin-based pop band whose emotionally stirring, sometimes harrow, always healing songs tap into Lehman’s specific struggles with mental health issues and loss but whose expression renders those struggles into a vivid sonic experience that anyone with any sense of self-awareness will find relatable and illuminating.

Tuesday | July 10, 2018

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Carry Illinois, photo by Katrina Barber

Who: Carry Illinois
When: Tuesday, 07.10, 8 p.m.
Where: Magic Rat
Why: See above for Carry Illinois and our interview with singer Lizzy Lehman here. This is the band’s only other show in Colorado.

Who: Invertebrate, Grimy and Berated
When: Tuesday, 07.10, 6 p.m.
Where: Chain Reaction Records
Why: It’s not so common to find a grindcore show in Denver these days outside of Mutiny Information Café and Seventh Circle Music Collective. This one will include Oakland’s grind-powerviolence trio Invertebrate, Denver’s Grimy (which includes former members of Doperunner) and Denver-based power violence act Berated.

Who: Das Ich w/The Midnight Marionettes, DJ Katastrophy
When: Tuesday, 07.10, 8:30 p.m.
Where: 3 Kings Tavern
Why: Germany’s Das Ich brings together the aesthetics of electro-industrial dance music, cabaret theater and an occult horror movie down to the demonic stage personae of Bruno Kramm and Stefan Ackermann. It’s the kind of music and show you’ll either love for the camp or find silly. But Kramm has been an active participant in humanist leftist politics in Germany and Das Ich’s music often reflects this perspective with 2002 album Anti’christ a pointed critique of world politics of the time.

Wednesday | July 11, 2018

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Glassjaw, photo by Julian Gilbert

Who: Quicksand w/Glassjaw and Spotlights
When: Wednesday, 07.11, 6:30 p.m.
Where: The Ogden Theatre
Why: Quicksand and Glassjaw are two of the giants of 90s New York post-hardcore. Both established a hard-edged, emotionally harrowing sound delivered with an expert use of a song dynamic that utilized a hovering/hanging delay of the most crushing and driving aspects of the songs. Quicksand, which formed earlier in 1990, have an elastic groove in its specific style, a sinewy rhythm the likes of which some later nü metal bands used with often less interesting results. That because with Quicksand while the lyrics are a discharge of anger and anxiety it’s about a place in life and not a celebration of that anger aimed squarely at someone the singer believes wronged him. After splitting in the 90s, Quicksand returned in 2012 seemingly better than ever with a new album, Interiors, released in 2017.

Glassjaw’s sound by comparison wasn’t a groove so much as a steady, relentless burn with a pause for breath between layers of blistering guitars, echoing yet urgent vocals balanced by drums providing a relatively fluid and nuanced flow of percussion intertwined with fast and dub-like bass lines. Often enough the guitars are used in a way that sound more like musical sound effects giving the band a broad range of sounds and moods for a group playing heavier music. Glassjaw, too, released a 2017 album, Material Control, its first in fifteen years.

Who: Neko Case w/The Space Lady
When: Wednesday, 07.11, 7 p.m.
Where: The Gothic Theatre
Why: Neko Case has lead quite a storied life as a musician and hopefully a book is coming out someday. Most people rightfully know her as a writer of poetic, emotionally nuanced and powerful pop songs the likes of which can be sampled well on her new album, 2018’s Hell-On. But early in her life in music, Case was a drummer for several punk bands as an art student in Vancouver, British Columbia. She also played in various other projects and perhaps most notably with indie rock band The New Pornographers (with whom Case still occasionally records). As a solo artist, Case has shown an uncommon arc of personal growth and artistic development across her whole career as someone who seems to want to explore beyond previous parameters. While it would be inaccurate to say her body of work is avant-garde it is illuminating and inventive. On this date of the tour Colorado-based outsider musician The Space Lady is opening with her otherworldly synthesizer pop including her unique group of covers of classic songs.

 

Best Shows in Denver 2/23/18 – 02/28/18

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The Kinky Fingers release Garbage Plate on Friday, 2/23/18 at Tooey’s on Colfax, photo by Alexandra Brexa Hooson

Friday | February 23, 2018

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Image from Jane Eyre, photo courtesy Grapefruit Lab

What: Jane/Eyre – Grapefruit Lab and Teacup Gorilla w/Dameon Merkl on vocals
When: Friday, 02.23, 7 p.m.
Where: The Bakery
Why: This is a queer adaptation of Charlotte Brontë’s classic 1847 coming-of-age novel. So it’ll be storytelling and songs provided by the Grapefruit Lab collective and Teacup Gorilla who are bringing in noted local frontman and raconteur extraordinaire, Dameon Merkl who some may know as one of the vocalists in Lost Walks as well as his turns in 90s punk band Random Victim and noir rock phenoms Bad Luck City. Because it’s Teacup Gorilla, a band that has long developed a relationship with theater and writing experimental rock music that can only loosely be defined as post-punk or glam rock because its imaginative songwriting and musicianship is much broader than a single genre. The run of this production spans six performances starting Friday and Saturday evening of February 23 and 24 with a 2 p.m. matinee show on Sundays. On February 23, the opening band is Denver’s dream pop duo Plume Varia. February 24 has indie pop group The Green Typewriters on board. March 2 will include a performance from Ersatz Robots and the final evening show will have a surprise guest on March 3.

Who: The Kinky Fingers album release w/Don Chicharron and Godchild
When: Friday, 02.23, 7 p.m.
Where: Tooey’s Off Colfax
Why: The Kinky Fingers have always been a band that made a virtue of simple, clean melodies. At a time when it seemed there was entire too much surf rock and neo-psychedelic rock, The Kinky Fingers shined with the strength of its songwriting. With its new album, Garbage Plate, the band has expanded its sound and boosted its emotional range. The album has been a long time coming. Recorded in the summer of 2016 in Rochester, New York, Garbage Plate is a surprisingly thoughtful set of songs that sound like party anthems. Regarding the meaning of the album title, the band says “[a] Garbage Plate is a plate of fried potatoes, baked beans, hot dogs, onions, mustard, and a chili-like meat sauce. Intense. As the name suggests, the music rings through so many genres, textures and tastes it feels a perfect fit for the deteriorating American dream, which once tasted so sweet and now feels more like a bellyache.” Expect the usual sharply observant songs about the vicissitudes of life with some poignant, and creatively rendered, social commentary mixed in. The Kinky Fingers will also play at the Treefort Music Festival in Boise, Idaho on Friday, March 23 at Ha Penny at 11:20 p.m.

Who: Slow Caves 7” release w/Gleemer and Panther Martin
When: Friday, 02.23, 8 p.m.
Where: Lost Lake
Why: On its new 7”, Fort Collins’ Slow Caves seems to have evolved well beyond the more languid pace and sound of its earlier pop songs. “Poser” has some of the structure and dynamics of the band’s surf rock leanings but there is more grit and drive to its winningly polished melodies. Joining Slow Caves for the occasion of releasing its new record are noisy math rockers Gleemer and Panther Martin, a band that may have started out in the realm of garage and psych rock but its intricate yet uncluttered musicianship reveals a knack for writing songs of often surprising emotional complexity.

Who: Ben UFO w/Gerd Janson, Mozhgan
When: Friday, 02.23, 9 p.m.
Where: Club Vinyl
Why: Ben Thomson (Ben UFO), made a name for himself purely as a DJ rather than as a producer and his mixes of some of the most cutting edge, modern electronic dance music have made him an in-demand curator of that music. The discography of Hessle Audio, the imprint he co-owns with David Kennedy of Pearson Sound and Pangaea’s Kevin McAuley would be a solid introduction to some of the best underground electronic music going today.

Saturday | February 24, 2018

 

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Necropanther, photo by David Novin

Who: Necropanther CD release w/The Munsens, and Abrams
When: Saturday, 02.24, 8:30 p.m.
Where: Hi-Dive
Why: Denver death thrashers Necropanther are releasing a new album tonight with Eyes Of Blue Light. Imagine what it would sound like if a melodic death metal band Gothenburg style wrote a Dune-themed record inspired in part by Municipal Waste and Thrash Zone-period D.R.I.. Well, Necropanther recorded the album in Denver but got it mastered in Gothenburg, Sweden with Fredrik Nordström who has put his sonic fingerprints on the broad spectrum of that city’s melodic death metal scene. Also on stage this night are sludgy doom-sters The Munsens and the equally menacing Abrams whose own version of sludge/doom is energetically dynamic and otherworldly in the vein of bands like Neurosis and Isis.

Who: Jane Eyre – Grapefruit Lab and Teacup Gorilla w/Dameon Merkl on vocals
When: Saturday, 02.24, 7 p.m.
Where: The Bakery
Why: See above for February 23. A brilliant adaptation.

Sunday | February 25, 2018

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Teacup Gorilla and Dameon Merkl (on left) on opening night of JANE/EYRE, matinee show tonight, February 25, at 2 p.m. at The Bakery

Who: Jane Eyre – Grapefruit Lab and Teacup Gorilla w/Dameon Merkl on vocals
When: Sunday, 02.24, 2 p.m.
Where: The Bakery
Why: Also, see above for February 23. This is the matinee showing of the first week.

What: Textures featuring Cpt. Howdy, Brother Saturn, MYTHirst
When: Sunday, 02.25, 7 p.m.
Where: Mutiny Information Café
Why: This is the latest edition of the Textures ambient showcase. This time the return of heavy synth duo (trio), Cpt. Howdy, the super chill, abstract ambient of Drew Miller (of Chromadrift) as Brother Saturn (he calls it a shoegaze band and yeah, if you’re thinking more like Seefeel rather than the more rock-oriented stuff) and MYTHist’s electro-acoustic take on IDM.

Monday | February 26, 2018

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Myrkur, photo by Daria Endresen

What: Decibel Magazine Tour: Enslaved, Wolves in the Throne Room, Myrkur and Khemmis
When: Monday, 02.26, 6 p.m.
Where: The Gothic Theatre
Why: Decibel Magazine, one of the major magazines that focuses on metal and heavy music in general, has been on this tour for several years now and this time out the even is headlined by Norway’s Enslaved. The band has always had melodic elements to its brutally majestic sound. But with it’s 2017 album E, the group seems to have written the music with a cinematic presentation in mind like they were composing a soundtrack for the next Thor movie. In a similar vein of invoking indigenous spirits and associated imagery in the music are the opening bands on this leg of the tour. Denver’s Khemmis is often described as a doom band but its songs far more melodic than such designations suggest. The hanging chords and sludgy flourishes are there but so is an apparent dedication to fairly traditional songcraft giving the band an appeal beyond what one might assume to be its audience. Myrkur, from Denmark, is the black metal project of Amalie Bruun. Her expansive, lush songs bring together the gritty and the sublime and transcendent matched by her seemingly effortless transition between. Mareidt, the project’s 2017 release, included a guest vocal from the like-minded Chelsea Wolfe on the track “Funeral.” Wolves in the Throne Room from Olympia, Washington all but retired from any active touring several years back so this is a rare chance to catch the band’s Cascadian black metal in Denver. The group performed in Colorado Springs in October 2017 in the wake of the release of its most recent album, 2017’s Thrice Woven. A WITTR show is fairly tribal in presentation with visuals invoking meeting at a communal fire to share stories and to participate in a collective ritual and the music is a manifestation of that spirit.

Who: Palm w/Spirit of the Beehive and Plague Survivor
When: Monday, 02.26, 8 p.m.
Where: Lost Lake
Why: Palm was originally from Philadelphia but calls New York City it’s home base these days. It’s flavor of neo-math rock is less focused on actual technique and more on what you can do with technique and dynamics if you inject some imagination into the playing and writing. If you’re a fan of groups like US Weekly, Laddio Bolocko, Don Caballero and A Minor Forest you’ll probably appreciate what Palm is doing. Its new album, 2018’s Rock Island, expands on the band’s previous, beautifully claustrophobic structures without losing its masterful ability to create tension and release at the perfect moments.

Who: Haunted Summer w/Tyto Alba, Ghostpulse and Magic Cyclops
When: Monday, 02.26, 7 p.m.
Where: Globe Hall
Why: Haunted Summer could be broadbrushed as a post-chillwave dream pop project reminiscent of Devotion-period Beach House because its entrancing melodies are possessed of a similarly gorgeous emotional afterglow. But its Robin-Guthrie-circa-Mysterious-Skin-soundtrack guitar textures and drifty dynamics akin to those of Former Selves or Candy Claws. Whatever went into inspiring the band’s sound, it’s excellent 2017 album, Spirit Guides has a warmth and intimacy that propels the songs into having an immediacy that isn’t always the purvey of bands attempting a similar style of music. Tyto Alba, like Haunted Summer, is a band that is great at working in the realm of the edges of your memory to invoke something that isn’t nostalgia but has an emotional resonance that stimulates the feelings that normally coalesce into comforting reverie.

Who: Eraserhead Fuckers, Juniordeer, Ultraviolet, Morlox and Brkn Jwbne Tape Manipulator
When: Monday, 02.26, 7 p.m.
Where: Mutiny Information Café
Why: Just reading the list of band names should give you some idea of the strangeness you’re in for if you make it to this show. Morlox should be a well-known artist in Denver because his influence on the local industrial and noise scene is undeniable but he has also had an impact on experimental pop band Church Fire and their facility in weaving together industrial music and hip-hop production ideas into their own songwriting. He rarely performs live so if that’s your thing, be there. Also, Eraserhead Fuckers is technically hip-hop but so confrontational, abrasive and surreal that most hip-hop fans aren’t going to be into it unless maybe they didn’t have a difficult time getting into something like Death Grips, .clipping, Earl Sweatshirt or Disposable Heroes of Hiphoprisy.

Tuesday | February 27, 2018

TalibKweli_Mar12_2015_TomMurphy_web
Talib Kweli ciurca 2015, photo by Tom Murphy

Who: Talib Kweli w/Niko Is, DJ Spintelect and Time
When: Tuesday, 02.27, 8:30 p.m.
Where: Fox Theatre
Why: Talib Kweli Greene would have secured his place in hip-hop history with Black Star, his collaborative project with Mos Def. But Kweli’s talent, intellect and curiosity has brought him to various efforts as a rapper, producer and activist. Rather than make more than a brief list of the people he’s worked with like Dave Chappelle, Kanye West and Dead Prez, it would be more worthwhile to note how Kweli’s albums have long been filled with thoughtful and creative social critiques alongside solid beats and music so that his albums never come off feeling didactic or preachy even as he minces no words—because his stories and words are also not short on humanity. Kweli can be pointed but he clearly takes in the bigger picture beyond any topical content. Along on the tour is Niko Is, a likeminded artist whose own imaginative wordplay sketches vivid images of aspirational daydreams and everyday life rendered into poetry. Opening the show is Denver’s Time, a rapper whose literary lyrics display a gift for surreal stories and political analysis grounded in his own experiences growing up in “the nutty.” Meaning North Denver, of course. Sometime in 2018 it’s anticipated that we’ll see a new album from Calm., Time’s hip-hop duo with longtime collaborator, the producer Awareness.

Wednesday | February 28, 2018

Why_JosiahWolf
Why? photo by Josiah Wolf

Who: Why? w/The Florist
When: Wednesday, 02.28, 7 p.m.
Where: Bluebird Theater
Why: Yoni Wolf aka Why? was once in influential, experimental hip hop group Clouddead but when that outfit split in 2004 he formed an indie rock band called Why? with his brother Josiah and friends. And yet calling Why? indie rock is a bit imprecise because the band is far more experimental with its use of sound, the poetry of its lyrics and the the visual presentation of the music as well. At times Why? can be a multimedia experience with interaction between performers and video as well as making a theater sized show seem like something more suited to a stadium. Whatever the experience of the show might be it’s something the group has evolved for years and rooted in a music that is pushing and challenging the kind of complacency of being so in love with one’s established sound by making music that can never rest easy in a staid formula. The latest Why? record, 2017’s Moh Lhean, is typically impossible to adequately characterize and yet has all the unique wordplay and imagery that has made Why? a consistently interesting project from the beginning.

Who: Rachael Yamagata w/Hemming 
When: Tuesday, 02.27, 7 p.m.
Where: Globe Hall
Why: Rachael Yamagata has been at her solo career since 2001. Likely often broadbrushed as a singer-songwriter, Yamagata’s music transcends stereotypes that have crept up about singer-songwriter artists even though, obviously, artists like Joni Mitchell, Kate Bush, Leonard Cohen, Tom Waits and plenty of others are good examples of singer-writers. Like Ray LaMontagne (with whom Yamagata has worked) and Greg Laswell, Yamagata writes songs about life that provides a unique insight and illumination into subjects well-worn by artists since time immemorial. Yamagata’s voice is calming yet not short on evoking peak emotional moments with a gift for articulating complexity of feeling. Her music, richly detailed and textured, provide the perfect backdrop to her honest storytelling. Her 2016 album Tightrope Walker in particular minced few words about life challenges but did so in a lushly poetic fashion.

Best Shows in Denver 12/14/17 – 12/20/17

Esmé Patterson
Esmé Patterson, photo Joseph Nienstedt

Thursday: December 14, 2017

f-ether
f-ether, photo by Tom Murphy

Who: Musical Mayhem: Corey Daggers, Snaggletoothe and f-ether
When: Thursday, 12.14, 9 p.m.
Where: The Skylark Lounge
Why: This is Musical Mayhem at The Skylark Lounge part 1 (part 2 is in two weeks) for December. Typically it’s somewhat an extension of Claudia Woodman’s Weird Wednesday meaning it’s the weirder end of Colorado live bands and occasionally an underground touring band. The night is simulcast by Hypnotic Turtle Radio. This night, zombie surf rocker Corey Daggers will be performing. As will improvisational noise rockers Snaggletoothe and experimental electronic dance legend in the making, f-ether. It’s 21+ because it’s a bar but it’s also a free show.

 

Who: Prayers
When: Thursday, 12.14, 7 p.m.
Where: Bluebird Theater
Why: Prayers, the band that coined the genre Cholo Goth, return in the wake of the release of its 2017 album, Baptism of Thieves. Part industrial, part electro death rock, part synth pop, Prayers has from the beginning articulated a gritty personal vision that is both profane and philosophical, compassionate and poetic about the harshness of everyday life for many people. Perhaps the whole Cholo Goth thing is a gimmick in a way but there is no denying the power and charisma of the band in the live setting. Recently Rafael Reyes and Dave Parley collaborated with former members of Christian Death (Rikk Agnew, James McGearty and Gitane Demone) on the Cursed Be Thy Blessings EP.

Friday: December 15, 2017

The Milk Blossoms
The Milk Blossoms, photo by Tom Murphy

Who: Nicole Atkins w/The Milk Blossoms and Chella Negro
When: Friday, 12.15, 7 p.m.
Where: Lost Lake
Why: Nicole Atkins is at this point a veteran songwriter whose combination of classic pop (think pre-1960s), indie rock, psychedelia and American lends her music a ring of familiarity while not really sounding like anyone else. Her clever wordplay and bright voice makes it easy to forget the brutal, yet not cruel, emotional honesty of, for instance, her 2011 album Mondo Amore. Atkins’ new album, 2017’s Goodnight Rhonda Lee, finds the songwriter finding new ways to make some fairly stark self-reflection seem hopeful and in turn helps you to find ways to forgive yourself without letting you off the hook. Atkins may be quasi-famous, and rightfully so, at this point, but she’ll be in good company with the local openers. The Milk Blossoms make fragile yet powerful pop songs with unconventional elements. Somehow the ukulele doesn’t seem like a quaint affectation as it deftly expresses the delicate emotional colorings within and on the fringes of the deeply affecting voices of Harmony Rose and Michelle Rocqet. Chella Negro has long been a singer-songwriter in Denver and the whole time she’s managed to write songs that go beyond surface subject matter. Even when one of her songs is overtly about this or that, within those stories Chella dives deeper and digs out those kernels of truth merely suggested at by most other songwriters and finds a way to articulate them in a way that’s relatable to almost anyone.

Who: Alphabet Soup #29: Rare Byrd$, Adam Selene, MYTHirst, Furble Cakes, Chromadrift, DaShwoo and Preston Safeway
When: Friday, 12.15, 8 p.m.
Where: Deerpile
Why: This is mostly a hip-hop show with some chill vibes. Chromadrift is an ambient artist whose songs don’t sound like he just put together the money to buy a Yamaha DX-7 and a cheap drum machine to plug into an SP-404. It’s like he’s tapped into a place of true calm and solace somewhere in the recesses of his dream states and made them into songs. Rare Byrd$ is secretly in the top three hip-hop groups in Denver and the group’s songs are incredibly compassionate feminist mantras designed for anyone looking for music or art in general that is strong but has no truck with brutality. As if an old school gangsta rapper/producer ditched the violent imagery and brutal beats for a message of love in both specific and bigger picture senses accompanied by smooth beats possessed of a transcendent and transporting beauty.

Saturday: December 16, 2017

Night Grinder
Night Grinder, photo by Tom Murphy

Who: Grotto album release w/Restivo, Moon Atomizer and Night Grinder
When: Saturday, 12.16, 7 p.m.
Where: Mutiny Information Café
Why: Denver’s Grotto is releasing its latest album, Spring Drips, this night. Its instrumental music combines the hazy, blissed out sensibility of downtempo IDM with electro-acoustic soundscapes. The beats are both sculpted electronics and organic-sounding like something you’d hear from Bonobo or Sound Tribe Sector 9 but an aesthetic closer to the playfulness and dreamlike quality of early Björk. Also on the bill is noise/industrial artist Night Grinder. The latter is the solo project of Cribsy Gacy who some from the Saint Louis noise scene might remember for his time in various bands The Icebergs, Monster Sized Monster and Street Justice. Using bass, vocals, various electronic devices in layers, Gacy captures the sense of civic decay and economic neglect along with the accompanying desperation many of us will find familiar but not often articulated in music.

Who: Esme Patterson w/Susto and Tyto Alba
When: Saturday, 12.16, 8 p.m.
Where: Globe Hall
Why: When Esmé Patterson was in Paper Bird her talent was clear and obvious. There was a lot of talent in that band in general. But it always seemed that she had to tie her self-expression and imagination in the context of that band to an aesthetic that while it clearly had an appeal for many people, probably felt limiting. By 2012, Patterson wrote and released her debut solo album All Princes, I. To anyone only superficially familiar with Paper Bird it might not have seemed too removed from the music of her old band. In fact, it was a stylistic leap in a different direction without ditching what made Patterson’s vocals and songwriting noteworthy—warm vocals that both sound like something very present but evoke something you might have heard on FM radio in the 70s. Her lyrics even then balance well imaginative storytelling with commenting on human relationships with other people and with ourselves.

2015’s Woman to Woman found Patterson taking even more chances as a songwriter by writing songs in response to iconic pop songs of the last few decades including Dolly Parton’s “Jolene” and Elvis Costello’s “Alison,” a song down there with “Under My Thumb” in terms of being incredibly catchy, well-written songs but with lyrics that might make you think differently of the artists in question. In each case Patterson is creative, sometimes humorous, and thought provoking. With We Were Wild from 2016, Patterson’s experiments and expansion of her musical palette from her previous albums paid off well on the new set of songs. Some of the reviews of that time talked about how unfocused the album seems to be but some of that came off more wanting to expand horizons and ideas rather than getting stuck in a rut. It also matched Patterson’s own inner experience of examining her own life, which isn’t always such a cut and dry, linear process—it’s more emotional, experiential and intuitive. The record is the embodiment of that too. If it didn’t always work at least the impulse was right. What the album, and Patterson’s newer, as yet unreleased, material revealed most vividly was that the songwriter’s guitar work with its chiming, percussive strum was more reminiscent of something like The Cramps or Jeff Buckley than the folk/Americana roots not to mention her willingness as a vocalist to embrace the wilder end of emotional expression beyond that warm, delicate strength that helped make her name.

Who: Decemburger 2017: Bongripper, Call Of The Void, Serial Hawk, Weaponizer, Abrams, The Munsens, Weeed, NightWraith and Sceptres
When: Saturday, 12.16, 3 p.m.
Where: Hi-Dive
Why: If you’re in the mood for a broad spectrum of extreme metal tonight, get to this show at the Hi-Dive. Call of the Void blurs the line between grindcore and death metal with its stark and unrelenting songs. Weaponizer is sort of a combination of black metal and thrash so the songwriting is there but its aesthetic has that chaotic quality that makes black metal so interesting. Its latest album Lawless Age that would be a good name for the era we’re in or one that we seem to be heading into. The other bands on the bill would be worth your time too if you want to see heavy music that isn’t straightjacketed by purist genre emulation.

Sunday: December 17, 2017

Esmé Patterson
Esmé Patterson, photo by Tom Murphy

Who: Esmé Patterson w/Susto and Down Time
When: Sunday, 12.17, 8 p.m.
Where: Globe Hall
Why: For the great Esmé Patterson see the write-up above. In addition to the Charleston based alt-country/Americana band Susto, is Denver’s Down Time whose indie rock songs are really not being constructed in a conventional sense seeing as it is partly centered on the drums with Davie Weaver playing drums and sometimes bass at the same time. Alyssa Maunders sounds like a long lost member of Young Marble Giants and her minimal guitar work is more a texture than a vehicle for melody. Justin Camilli’s own guitar work matches Maunders’ for melodic textures but his keyboard work is truly standout. The richly saturated tones aren’t as obvious on the band’s excellent debut EP, 2017’s Good Luck!, but live it’s striking. Fans of Unknown Mortal Orchestra and Foxygen should probably at least give Down Time a listen.

Monday: December 18, 2017

Gary Numan
Gary Numan, photo by Tom Murphy

Who: Gary Numan w/Me Not You and DJ Slave 1
When: Monday, 12.18, 8 p.m.
Where: Gothic Theatre
Why: Gary Numan has been an innovative artist in the post-punk, new wave, synth pop and industrial rock genres while being a foundational artist for the latter three. Numan made waves in his homeland the UK with “Are ‘Friends’ Electric?” with his old band Tubeway Army. But he crashed into the international mainstream with his 1979 hit “Cars.” Numan’s blending of science fiction imagery with a sound suggestive of a future neither utopian or dystopian pre-dated and yet was somewhat the aesthetic of cyberpunk, which, as with Numan, was influenced by the visionary and literate novels of J.G. Ballard. Throughout the 80s Numan further experimented with music technology and developed a sound that anticipated and influenced the production of 90s industrial rock bands like Nine Inch Nails and Fear Factory. With 2017’s Savage (Songs From a Broken World), Numan proves that twenty-one albums into his career he isn’t out of ideas or things to say or sound experiments to explore. This time out the theme of the album is the most overt in adopting the subject of the environment and its impact on human cultures whether those cultures acknowledge them or otherwise.

Tuesday: December 19, 2017

Agnostic Front
Agnostic Front, photo by Todd Huber

Who: Agnostic Front w/99 Bottles, Street Priests and Ultraviolet
When: Tuesday, 12.19, 7 p.m.
Where: The Black Sheep
Why: Agnostic Front was one of the bands that helped establish New York as a late entry into the first wave of hardcore in the 80s. Early on the band had that more original hardcore sound of loud-fast-rules but by the late 80s, Agnostic Front was one of the pioneers of crossover. While claims of the band having been nationalistic and fascist skinheads are laughable when you look into what its songs are about, the band has always had a tough and uncompromising image. And part of that image has also been its working class politics that embrace being a thinking person in a climate where you’re encouraged to dumb down and obey. At least in its music and its presentation thereof, Agnostic Front was having none of that. Anti-war, anti-oligarchy, pro-social justice, pro-solidarity in the face of fascism, Agnostic Front may be one of the older bands in punk but like many that have stuck around, for example D.O.A. and Subhumans, its sense of political ideas have refined giving the old fire in their belly a different kind of edge.

Who: An Evening with Todd Rundgren
When: Tuesday, 12.19, 7 p.m.
Where: The Oriental Theater
Why: Who can say they’ve had charting hits over decades and did production work for bands as different as Grand Funk Railroad, Patti Smith Group and XTC? Todd Rundgren’s own music has been on a steady path of evolution since first playing out in rock bands in the 60s and his more recent albums demonstrate his explorations of modern electronic musical styles, 2015’s Global being a good example, while writing music that combines a classic songwriting sensibility with newer sounds and aesthetics that don’t seem awkwardly incorporated, as on his 2017 album White Knight. Throughout most of his long career, Rundgren has adopted new technologies and methods of creating and presenting music and his tours, even for dates at a medium-sized theater like The Oriental, have long been multi-media affairs to enhance the impact of the music. This tour is billed as the “White Night Tour” with hits from across his career so who can say what you’ll hear, especially from a guy who seems averse to the rote and whose catalog is twenty-seven albums long.

Wednesday: December 20, 2017

Mandy Yoches
Mandy Yoches circa December 2013, photo by Tom Murphy

Who: Agnostic Front w/Combat Force and Line Brawl
When: Wednesday, 12.20, 8 p.m.
Where: The Marquis Theater
Why: See the entry for Agnostic Front above. Also on the bill are Denver hardcore bands Combat Force and Line Brawl. The latter released a worthwhile ripper of a record, Worse Off, in April 2017.

Who: Mandy Yoches w/CRL CRRLL
When: Wednesday, 12.20, 9 p.m.
Where: Goosetown Tavern
Why: Mandy Yoches has done vocals for various bands over the years but in the last handful of years she’s been performing under her own name or with her band The Hell Knows. Her melodious, soulful voice and palpable sincerity are a powerful combination. Yoches doesn’t perform too often but you can sometimes catch her at the Goosetown on a Wednesday in any given month including this night when she’ll share the stage with electro-hip-hop artist CRL CRRLL. Ever since the line between hip-hop beatmaking and experimental electronic dance music soundscaping was obliterated some years back, many artists have been able to tape into a wide variety of musical ideas to craft inventive and compelling music. CRL CRRLL just happens to be one of the most interesting artists occupying that intersection of styles and you can find him playing events like Cloak & Dagger as well as hip-hop and avant-electronic shows with his accessible but forward thinking songwriting.