Best Shows in Denver and Beyond October 2022

black midi performs at The Fox on 10.3.22 and The Ogden on 10.4.22, photo by Atiba Jefferson
Amyl and The Sniffers, photo by Jamie Wdziekonski

Saturday | 10.01
What: Amyl and The Sniffers w/Boby Vylan and Cleaner
When: 7
Where: Ogden Theatre
Why: Amyl and The Sniffers may be named after amyl nitrate aka poppers as well as a humorous nod to singer Amy Taylor’s name but its own buzz has lasted much longer than thirty seconds. The group’s early EPs Giddy Up (2016) and Big Attraction (2017) garnered the group an avid cult following in its hometown of Melbourne, Australia as well as abroad where its fuzz-infused proto-punk sound felt like a stripping back of even punk to its essentials. The band’s 2019 self-titled album and fiery live shows cemented its reputation as one of the most exciting live bands of recent years. In 2021 Taylor guested on the song “Nudge It” by influential UK duo Sleaford Mods and Amyl and The Sniffers released the sophomore album Comfort to Me. As noteworthy as the earlier records were, Comfort to Me has the group sounding as massive as the furious energy that seems to be fueling its performances this year thus far.

Abrams, photo by Kim Denver

Saturday | 10.01
What: Abrams album release w/Lost Relics, Vexing and Lord Velvet, poster art by Mhyk Monroe
When: 8
Where: Hi-Dive
Why: Calling Denver metal band Abrams doom has never quite fit the group even though that’s roughly where maybe its music has landed in terms of framing. Its new album In The Dark has such an expansive spirit and deep atmospherics that its surging melodies and weighty hooks might be compared with those of Baroness, especially the newer offerings from that band. But this new record also has a touch of psychedelia on its fringes. The vocal harmonies sound and the incandescent guitar riffs somehow complement each other perfectly guided by elegantly interlocking rhythms. Live the band’s raw power feels almost as much punk as it does metal with turns of musical phrase that take the music into sonic realms beyond both making Abrams one of the most interesting bands in heavy music out of Denver right now.

Saturday | 10.01
What: Daniel Avery
When: 9
Where: 1134 Warehouse
Why: Daniel Avery is poducer from Bournemouth, UK whose work with the likes of synth pop artist Little Boots and nu disco project Hercules and Love Affair garnered him no small amount of cache in the world of electronic music. His latest solo album Ultra Truth is reminiscent of late 90s Underworld but more ambient, more progressive/ethereal deep house.

The Afghan Whigs in 2017, photo by Chris Cuffaro, courtesy subpop.com

Saturday | 10.01
What: The Afghan Whigs
When: 8
Where: Gothic Theatre
Why: Afghan Whigs have long fused R&B and rock in powerful, poetic ways since the late 80s. Early comparisons to the Replacements seem a bit obvious because of the group’s passionate performances even decades later. But there is also in its music a soulful core that offers great distillations of universal human experiences and an evocation of emotion that especially live is irresistible. The group’s 1993 album Gentlemen put it on the map nationally and internationally and even now it sounds like something fairly timeless when a lot of 90s music sounds of the period. The 2022 album How Do You Burn? feels more dark and electronic than previous records but in being so like its expanding on its core sound in a bold way that it began on 2017’s In Spades.

black midi, photo by Atiba Jefferson

Monday and Tuesday | 10.03 and 10.04
What: black midi w/Quelle Chris
When: 7:30 (10.03), 8 (10.04)
Where: Fox Theatre (10.03) and Ogden Theatre (10.04)
Why: For connoisseurs of highly imaginative art rock, London’s black midi has been a go to for finding some of the most wild dynamics and musical ideas this side of Frank Zappa for many years. Its much more than its truly creative and unique guitar and bass compositions and performances its like these guys tap into various sounds in orchestrating a musical experience that exists outside normal time. Its new album Hellfire (2022) feels like a lounge jazz variety show as curated by Anthony Braxton, Zappa or Zach Hill. The group uses its hyperkinetic maximalist approach to songwriting in ways that clearly aim at producing compelling songwriting and not just as an exercise in superior musicianship. Like a Can having come up after being influenced by Women and Hella.

Iceage, photo by Fryd Frydendahl

Monday and Tuesday | 10.03 and 10.04
What: Iceage and Earth
When: 7 (10.03) and 8:30 (10.04)
Where: The Marquis Theater (10.03) and Fox Theatre (10.04)
Why: Danish band Iceage had an immediate cult following with the release of its 2011 album New Brigade and its tour of small clubs DIY spaces including Rhinoceropolis in Denver, Colorado that year revealed a band that sat at the nexus of hardcore and moodier yet cathartic post-punk. But as the band developed its sound it grew into a brilliantly decadent art rock that might have had more sonic kinship with 80s Nick Cave and the Bad Seeds and with its most recent studio offering Seek Shelter it reconciled its various creative instincts for music that had both the forcefulness of its early music and the sophistication of what came after. In September 2022 Iceage released Shake The Feeling: Outtakes & Rarities 2015-2021 including songs that could have easily have been on the records of that time period but which didn’t quite fit in and showcased how Iceage had absorbed power pop and the noise rock of the likes of Dinosaur Jr. Also on this tour are doom legends Earth whose visionary heavy blues psychedelia has been an influence on most doom bands since its own 1989 inception whether they know it or not. Its soundscapes and use of drone has an almost ritualistic, mystical quality that utilizes slow, hypnotic progressions to build dramatic tension and release in a way that draws you further into emotional spaces maybe you had shuffled to the side in the headlong pace of everyday life but are better off experiencing and processing in the ways Earth seems so adept at facilitating with its gorgeous layers of psychedelic heaviness.

Ceremony, photo by Rick Rodney

Wednesday | 10.05
What: Ceremony w/Spy, Restraining Order and Candy Apple
When: 7
Where: HQ
Why: Ceremony was considered one of the great bands of 2000s hardcore with its 2008 album Still Nothing Moves You standing as one of the most potent examples of that music of that decade. But its own musical ideas were progressing rapidly out of hardcore and 2010’s Rohnert Park contained experiments in sound and songwriting that were well out of the hardcore frame. Zoo (2012), though, had Ceremony well into post-punk territory and though its tour for the album had the band in high, ferocious form it was a fascinating contrast with music that seemed to be more in tune with its atmospheric potential rather than merely the visceral. Since then the group has gone straight into arty almost glam rock territory with its most recent album In the Spirit World Now (2019) making Ceremony a band that is forging a creative path that is yielding fascinating results with every release.

Broken Social Scene, photo by Richmond Lam

Wednesday | 10.05
What: Broken Social Scene w/Jasmyn
When: 7
Where: Summit Music Hall
Why: Broken Social Scene is a bit of a supergroup making glorious and epic art pop whose membership has included musicians from Do Make Say Think, Metric, Feist, Stars and other notable Canadian musical projects. For this tour the group is celebrating the twenty year anniversary of the release of its monumental 2002 album You Forgot It In People. While orchestral in its arrangements the album’s lush sound felt like an intimate exploration of personal aspirations, identity and culture through an eclectic run of songs that could be awash in nostalgic ambient pop haze and urgent rock songs that harnessed an exuberant energy that seemed to drive the whole album underneath its inspired moments of reverie. The original record featured eleven members and its tour at that time delivered on the seemingly daunting promise of the recorded album and this is a chance to catch that moment in the group’s development one more time.

Night Moves, photo by Shawn Brackbill

Thursday | 10.06
What: Night Moves w/Free Music
When: 7
Where: Globe Hall
Why: Night Moves is a rock band from Minneapolis that has been honing its blend of power pop, psychedelia and Americana since forming in 2010. Across three albums and now two EPs Night Moves’ eclectic style with one leg in modern American indie rock and the other in soul and R&B has evolved and refined to produce the expansive and bright yet introspective moods you hear in its 2022 EP The Redacted. Its its flow of melodic layers and sonic detail one might hear the touch of the more cosmic end of Gram Parsons and Spirit as well as some resonance with what more modern artists like Whitney and Foxygen have done in melding a classic songwriting sensibility and modern use of electronic production in achieving a depth of atmosphere but accomplished with more tangible instrumentation.

Thursday | 10.06
What: Pusha T w/IDK
When: 7
Where: Gothic Theatre
Why: On his fourth studio album It’s Almost Dry, rapper Pusha T puts his usual commanding string of bars over beats that are a mixture of inspired sampling and deeply evocative and atmospheric melodies. The title of the album he said in an interview with Rolling Stone references the making of a painting and thus an album as it’s being finalized. But also drug culture when you have to wait on the product to dry before it can be distributed. And the album walks those boundaries in terms of them and metaphors brought to bear. Once again, like Pusha T’s 2018 masterpiece Daytona, this new record sounds like a journey through the labyrinth of aspirations and personal ghosts that require creativity and boldness to navigate without getting sunk by the trappings of the former and the enervating power of the latter.

Shame, photo by Sam Gregg

Friday and Saturday | 10.7 and 10.8
What: Viagra Boys w/Shame and Kills Birds
When: 7:30 (10.7) and 7 (10.8)
Where: The Fox Theatre (10.7) and The Gothic Theatre (10.8)
Why: Viagra Boys are a Swedish rock band that has defied easy categorization going back to its audacious 2018 debut album Street Worms. Like if a post-punk band embraced the more glam and art rock roots of that music while giving it a raw edge. With the release of 2022’s Cave World the group seems to have let go of any stylistic restraints that have guided it in established directions. The brash and irrepressible energy heard on the record has garnered comparisons by critics to Iggy Pop and one would presume to IDLES. But Viagra Boys more than dabble in electronics and “Troglodyte” sounds like Devo pushed through a garage rock lens. And live Viagra Boys have earned the Iggy-esque reputation with exuberant performances that sound and feel like they could collapse or go off in unexpected directions at any moment. Co-headliners Shame from South London have had a similar creative trajectory as Viagra Boys. Its own first album, Songs of Praise, also dropped in 2018 to great acclaim. But its much-anticipated sophomore album Drunk Tank Pink more than delivered when it was available in mid-January 2021 during a period when live music was basically at a standstill due to the pandemic but anyone that pre-ordered the record got to see a stream of an intimate and emotionally stirring performance of the songs not only revealing how Drunk Tank Pink was a leap into new directions for Shame but how it was able to take its own raw energy and channel that into sensitive and nuanced yet powerful takes on the sense of desperation and and pent up frustration with nowhere to go but plug those feelings into a rare depth of personal reflection, in particular the track “Human, For a Minute” and its perfect and poetic encapsulation of a kind of emotional solidarity based in universal human experiences that anyone can identify even beyond the circumstances of the enforced life limitations of the pandemic and the emergent sense of personal dignity discovered by most people that had been covered over by the headlong momentum of the fraud that was “normal life.” And if two of the best bands out of the wide realm of post-punk wasn’t enough Kills Birds from Los Angeles is a noise rock trio whose own scorching and unrelenting songwriting has garnered great critical acclaim and fans like Kim Gordon and Dave Grohl. Its 2021 album Married is obviously informed by music from the grunge era but also oddly reminds one of the youthful energetic outburst of Minor Threat combined with the elegant and gritty moodiness of Live Skull.

Friday | 10.7
What: Suzanne Vega
When: 7
Where: Boulder Theater
Why: The a capella recording of “Tom’s Diner” was used as a test track during the development of the MP3 digital audio format. The track was at the end of Suzanne Vega’s 1987 breakthrough album Solitude Standing, bookending one of the most sensitive and knowing and clever records of the 1980s with “Luka,” a song about child abuse, an unlikely mainstream radio hit. But Vega’s idiosyncratic, folk rock songs had already made waves in college radio and would continue to do so long after the mainstream no longer seemed to shine its light on the talented songwriter’s career. Vega perhaps became known to a wide audience with her song “Left of Center” as it appeared on the soundtrack to the 1986, John Hughes penned coming of age film Pretty In Pink.

Verhoffst in 2021, photo by Tom Murphy

Saturday | 10.8
What: Verhoffst, KNEIFFII, Laudanum_quilt, ET Mac & the Alien, DJ URSA and No More Cheering
When: 6, $10 cover
Where: Glob
Why: This is fundraiser for Puerto Rican mutual aid group Brigada Solidaria del Oeste featuring some of Denver’s finest industrial noise and experimental sound sculptors.

Kid Bloom, photo by Diego Andradei

Saturday | 10.8
What: Kid Bloom w/Wizthemc and All Things Blue
When: 8
Where: Lost Lake
Why: Kid Bloom’s style of indie pop seems to be inspired by the sort of chillwave and hip-hop production that The Weeknd has perfected up to this point. But his new album Highway sounds like an introspective journey (street sounds included) through a mood that feels like he’s trying to leech out a malaise and spiritual exhaustion that sits deep inside through a radically self honest look at his own ways of conducting himself and his life from often subconscious and almost always else unexamined motivations as tied with life experiences that can tumble by you into a dark place in your head left neglected in the headlong pace in modern life. In the song “Cowboy” alone when Kid Bloom sings “when desperation pulls me closer” its obvious that he’s become very familiar with a deep place in his own psychology and took the opportunity to explore that territory in his music with an aim to soothing and letting those personal demons go. It’s just that the lush synth work and production like an even more luminous early Twin Shadow makes these feelings seem possible to process with success.

DaiKaiju, photo courtesy the artists

Saturday and Sunday | 10.08 and 10.09
What: DaiKaiju w/TripLip
When: 7
Where: The Squire Lounge (10.08) and 715 Club (10.09)
Why: DaiKaiju is the legendary surf and psychedelic kabuki theater and kaiju themed rock band from Alabama. Its shows involve fire and wildly energetic performances and a transformation of the venue into a ritual space of fun and rock and roll myth come to life. Opening the show as usual is Denver dup TripLip whose fusion of experimental prog, weirdo jazz, funk and punk with elements of performance art is the perfect complement to the strangeness that is a DaiKaiju show.

Psychedelic Porn Crumpets, phot by Matt Puccinelli

Saturday and Sunday | 10.08 and 10.09
What: Psychedelic Porn Crumpets w/Acid Dad
When: 8 (10.08) and 7 (10.09)
Where: Globe Hall
Why: Psychedelic Porn Crumpets from Perth, Australia have certainly chosen a surrealistic and absurd name for the band but it’s one that you don’t forget despite its three words and multiple syllables. It makes no sense and therefore doesn’t automatically suggest an aesthetic or a sound other than something colorful and certainly its brand of fuzzed out guitar atmospherics and sublime vocal melodies swimming in a wavy, expansive dynamic embodies what modern psychedelia should be more like. Its 2022 album Night Gnomes has song titles worthy of Black Moth Super Rainbow and an unabashed playful trippiness in its tonal choices and the visual representation of the music akin to early Mercury Rev. Also on the bill is the surprisingly original and not at all style victim psychedelic rock band Acid Dad whose elegant compositions are enveloping and hypnotic with irresistible whorls of transporting soundscaping.

Sunday | 10.09
What: Cyclo-Sonic w/The Valve
When: 1
Where: Wax Trax
Why: Cyclo-Sonic is an always forceful post-grunge punk band comprised of members of local punk legends like Rok Tots, The Choosey Mothers, Fluid and Frantix. The quartet recently released its most recent album Everything Went Stupid on Big Neck Records and may be available at the show ahead of the official October 21, 2022 release date.

Melt-Banana in 2011, photo by Tom Murphy

Sunday | 10.09
What: Melt-Banana w/Quits and Wiff
When: 7
Where: Larimer Lounge
Why: Melt-Banana is a ferocious ball of sounds and ideas that seem to erupt in multiple directions at the same time live on stage so that its manic energy and dazzling array of noises fits nicely in the realm of noise rock, grindcore, glitchcore, math-y hardcore and really like no other band even from the very rich world of Japanese experimental rock. That the group was inspired by the raw originality of the bands on the No New York compilation as the baseline starting point in being able to carve out its own sound should come as no surprise. Quits from Denver might be simply described as noise rock as well but there is something also primal in its angular and unpredictable musical and emotional trajectories that makes it sound dangerous from the beginning of a song to the end.

MAITA, photo by Tristan Paiige

Sunday | 10.09
What: MAITA w/Allison Lorenzen and Moodlighting
When: 7
Where: The Skylark Lounge Bobcat Club
Why: MAITA released one of the most poignant and astute set of songs on the deleterious effects of overstimulation through the bombardment of information and the demands of that constant flow on psyche with I Just Want To Be Wild For You (2022). But the songs hit deeply personal notes with a gentleness of spirit that also conveys a coherence of creative vision that comes from serial realizations about the world around you. MAITA’s pairing of exquisite vocal melodies and evocative counter melodies in the music lend the music an intimacy of tone that feels like MAITA has given voice to some of your own anxieties and discovered a way to make them explicable and easier to untangle. Allison Lorenzen has created some of the most compellingly and emotionally stirring ambient and experimental folk of recent years out of Denver. Moodlighting’s blend of shoegaze and dream pop is delicate and vulnerable and in being so draws you into its poetic commentary on life in this tentative and confusing era.

Front 242 in 2019, photo by Tom Murphy

Sunday | 10.09
What: Front 242 and The Revolting Corpse
When: 7
Where: The Oriental Theater
Why: This is the final North American tour for the foundational, influential and legendary EBM band Front 242 who despite some of their martial sounds and hard industrial visual aesthetic have made songs about the human condition with humor and insight. The Revolting Corpse is a bit of an industrial music super group that for this iteration, the last of its kind, will include founding Revolting Cocks members Paul Barker and Chris Connelly.

To Be Continued…

Best Shows in Denver 11/16/17 – 11/23/17

Dead Boys
Dead Boys perform at Streets of London on Saturday, 11/18/17, photo by Jeff Fasano

Thursday: November 16, 2017

L.A. Witch
L.A. Witch, photo by Marco Hernandez

Who: L.A. Witch w/Honduras and Palo Santo
When: Thursday, 11.16, 7 p.m.
Where: Lost Lake
Why: L.A. Witch’s 2017 self-titled album has a kind of post-Loaded-era Velvet Underground stark shimmery pop grit coupled with a languid psych spookiness. In the songs there is a strong, often urgent, rhythm giving the songs some oomph even when they’re introspective. Any roots the band may have in surf rock or psych garage or whatever trendy of the sounds of the past five to ten years, it has definitely moved on. “Drive Your Car” could be an updated Wipers song. Singer/guitarist Sade Sanchez has a smoky cool voice reminiscent of a world weary Hope Sandoval. Whatever comparisons seem valid, L.A. Witch has turned tired conventions on their head into an incredibly compelling sound. Denver’s Palo Santo is cut from a similar cloth in every way with haunting yet fiery guitar work and Mimi Nissan’s trance-state style vocals.

Who: Revolting Cocks (Big Sexy Land Tour) and Front Line Assembly w/CHANT, DJ Slave 1 and Ritual Aesthetic
When: Thursday, 11.16, 7 p.m.
Where: Summit Music Hall
Why: This show signals the end of the train of noteworthy industrial bands, newer and more established, that came through Denver in 2017. Revolting Cocks started with Front 242’s Richard 23 and Luc Van Acker writing music produced by Al Jourgensen, who was often a collaborator. While clearly irreverent at its heart given the band’s name and album titles like Beers, Steers, and Queers and Linger Ficken’ Good the former of which includes a cover of Olivia Newton John’s “(Let’s Get) Physical,” the latter a cover of “Do Ya Think I’m Sexy?” by Rod Stewart, Revolting Cocks have interesting and respectable and influential original music across its spate of albums. The current lineup includes Richard 23 and Van Acker, of course, but also former Ministry and Blackouts bassist Paul Barker and longtime Cocks partner in crime, Chris Connelly whose 2008 memoir Concrete, Bulletproof, Invisible, and Fried: My Life As A Revolting Cock was a candid, amusing and revelatory account of being in the industrial and alternative music world in general from the 80s forward.

Front Line Assembly’s vision of dystopian global civilization has unfortunately borne out since it sprang to life in 1986. Up to that time frontman Bill Leeb had been a member of Skinny Puppy and his subsequent music in FLA continued that quality that’s difficult to completely nail to a sub-genre of industrial music. The samples put into the music mirrored the influence of hip-hop production on Skinny Puppy, the extensive use of electronic instruments and synths right in line with that like the EBM bands of that day as well as FLA’s imaginative blending of it all to comment on the nature of technology and its impact on human civilization and our everyday lives. Turns out it has continued to be a fruitful subject for not only FLA but science fiction writers mining that rich dystopian nugget of inspiration.

Who: Cindy Wilson (of B-52s) w/Olivia Jean and Battle Pussy
When: Thursday, 11.16, 8 p.m.
Where: The Marquis Theater
Why: Cindy Wilson is a member of influential new wave band The B-52s and her unique vocal style alongside that of bandmates Kate Pierson and Fred Schneider made for some arresting melodies amid the incredibly dance-worthy pop songs that were so idiosyncratic in the specific subject matter, no one else could have made it. And yet there was a universal quality to that individual vision that resonated with the oddball and eccentric inside of most people. Currently, Wilson is touring her solo material. Earlier in 2017 Wilson released a fairly experimental, electronic pop EP called Supernatural and on December 1st she is putting out her debut solo album Change, some 41 years into her music career. If the song “Mystic” is any indication, Wilson still has plenty of relevant and inventive music left in her.

Who: Today’s Paramount, Samvega, Alex Culbreth, Buffalo Party, Mynewt 
When: Thursday, 11.16, 7 p.m.
Where: 7th Circle Music Collective
Why: Samvega from Napa Valley, California doesn’t fit in a simple box: Its music is heavy, it’s psychedelic, it’s avant-garde and bluesy. Melissa and Mercedes Baker are unconventionally charismatic singers who sound like and come off like they spent a couple of decades touring with Heart and went on to do something weirder. The band’s 2016 album The King is Asleep was one of that year’s most interesting rock albums for its diversity and obvious care for making it a unique from the songwriting to the painting for the cover art. Also on the bill is experimental rock band Today’s Paramount. They look like they might be in a ska band, and maybe on the side some of them are, but their weirdo take on prog, jazz and psych is not like much of anything going on in Denver.

 

Who: Melkbelly w/Super Bummer, Princess Dewclaw
When: Thursday, 11.16, 7 p.m.
Where: Larimer Lounge
Why: Initially, Melkbelly may sound like yet another modern rock band copping the vibe of 90s post-grunge underground music. But Melkbelly is way weirder than that and its jazz underpinnings and willingness to sculpt pure noise into something musical is what makes its 2017 album Nothing Valley so listenable to anyone looking for a band that isn’t trying to go full retro these days. One might liken Melkbelly’s sound to stuff like Magik Markers or Shearing Pinx but Melkbelly is often more melodic than that even if it sounds like it too took some cues from Unwound’s sonic fearlessness. Opening are excellent Denver bands Super Bummer with its melancholic, lo-fi, soaring songs of heartbreak and isolation and Princess Dewclaw, who seem to have found a new way to combine noise rock, punk, synthesizers and elemental vocals into something both confrontational and rivetingly fragile.

Who: Roska with Rabit, Trisicloplox, Ulmo, Rameau Contnrol, Laru and ilind
When: Thursday, 11.16, 9 p.m.
Where: The Black Box
Why: Rameau Control you can’t really fit into a narrow category of electronic music from melodic bass, dub techno, straight techno to whatever. Calling this bill merely “experimental electronic” does a disservice to the individual artists who all come at electronic music partly from a dance perspective but also as composers of music that absorb ideas and exchange methods and sounds with like-minded artists and co-influencing each other whether from Denver or otherwise. For example, ilind is Isaac Linder who often played Denver DIY venues as a noise and performance artist but one who was into house music.

Friday: November 17, 2017

cowboys_Devvon-Simpson_Web

Who: Tommy Stimson’s Cowboys in the Campfire
When: Friday, 11.17, 7 p.m.
Where: Bruz Beers
Why: Cowboys in the Campfire is Tommy Stimson of The Replacements fame (he has also played in numerous other bands including Guns N’ Roses) and Chip Roberts of Uncle Sippy playing songs together as the name suggests but usually electric. Country punk? For fans of NRBQ? Whatever it is, it’s Stimson and Roberts playing lively, fun songs in a duo format in small venues, record stores, private homes and various other situations across the country this tour. Next time you see Stimson play it’ll probably be in a large theater or bigger so hey, make it to this and you might even get to interact with the musicians, something that would probably never happen at Red Rocks or The Fillmore without paying for some kind of wack VIP access ticket.

Who: Flobots w/Wesley Watkins & Grumpy Uncle (Wesley Watkins and Kalyn Heffernan)
When: Friday, 11.17, 8 p.m.
Where: Larimer Lounge
Why: Yes, the famous hip-hop band from Denver, Flobots, playing at Larimer Lounge. The opening act, though, is a collaboration between former Night Sweats trumpet player, and leader of The Other Black, Wesley Watkins and Kalyn Heffernan of Wheelchair Sports Camp. So expect something wonderfully weird but with solid songcraft and inspired lyrics.

Who: The Blasters night 1 w/Reno Divorce
When: Friday, 11.17, 9 p.m.
Where: Lion’s Lair
Why: The Blasters were and are a respected blues-roots band from Los Angeles where it rubbed shoulders with the punk world, paisley underground and early alt-country acts. The Blasters’ sheer skill and energy made a big impression on everyone that saw them even if the band never quite became a household name. Reno Divorce, a rootsy punk band from Denver, opens this night of a two night residency at Lion’s Lair.

Who: Lost Walks w/Midwife
When: Friday, 11.17, 9 p.m.
Where: Mercury Café
Why: Lost Walks is sort of a high concept Americana-esque band. High concept in that there is a prepared theatrical element to the live shows as the band collaborates with a visual arts group. Also, the lyrics, steeped in a pastoral and noir literature aesthetic, lend themselves to dramatic performance and grand, emotive gestures from the band’s various vocalists including former Bad Luck City frontman, Dameon Merkl. The band’s debut album, 2017’s Wolf, Woman, Man, is a fascinating contrast of bright, dark, moody, reflective and observational. Opening the show is avant-folk artist Midwife whose own 2017 debut, Like Author, Like Daughter, is one of the the best albums of the year for its delicate, fragile evocation of emotions so broad and deep that it always catches you by surprise with its subtle but irresistible power.

Who: Slow Magic w/Point Point and Qrion
When: Friday, 11.17, 8 p.m.
Where: Gothic Theatre
Why: Slow Magic exists outside of time. The interdimensional creature occasionally releases albums like 2017’s ultra-chillout pop extravaganza Float. You can witness the superstring hopper yourself tonight at The Gothic Theatre.

Who: Big Lo (Florida), RAREBYRD$, iiwii and Brett Gretsky
When: Friday, 11.17, 8 p.m.
Where: Tennyson’s Tap
Why: An experimental hip-hop show at Tennyson’s Tap isn’t unheard of and this time it’s Big Lo from Florida whose beats include a mix of samples and turntablism to create a sense of introspection in the face of impending danger. Before and since moving from Saint Louis to Denver, Rooster Jake has been involved in various hip-hop and experimental projects over the years, his latest being iiwii. Brett Gretzky recently migrated to Denver from Saint Louis as well bringing their mixture of hip-hop and soul. RAREBYRD$ will break your heart with sincerely, deeply felt yet gentle expressions of the lowest points a person can reach in the psyche and still come back with one’s soul intact. They use drum machines, synths and sequencers but it always sounds like it’s coming right out of their imagination and plugged into the P.A..

Who: Ice Troll, Never Kenezzard, Heathen Burial and White Dwarf
When: Friday, 11.17, 8 p.m.
Where: Pit Stop Tavern
Why: Doom shows don’t happen in far West Denver much but tonight doom orchestra Ice Troll will play Pit Stop Tavern along with sludge metal thrashers Never Kenezzard, noisy death metal trio Heathen Burial and stoner rock outfit White Dwarf.

Saturday: November 18, 2017

Warbly Jets
Warbly Jets perform at The Gothic Theatre on Saturday, November 18. Photo by Moni Haworth

Who: Dead Boys 40th Anniversary tour w/The Roxy Suicide
When: Saturday, 11.18, 8 p.m.
Where: Streets of London
Why: For four years Dead Boys were one of the most outrageous and influential of the early punk bands. With just two albums under its belt, 1977’s Young Loud and Snotty and 1978’s We Have Come for Your Children, Dead Boys set a high bar for inventive guitar work between Cheetah Chrome and Jimmy Zero, a primitivistic yet inspired rhythm section in Johnny Blitz and Jeff Magnum and literate yet gritty lyrics from charismatic frontman Stiv Bators. The original band split in 1979 but in its wake a lot of the more interesting and scary punk bands of the 80s emerged. In 2017 the band officially re-formed and issued a re-recording of Young Loud and Snotty called Still Snotty: Young, Loud and Snotty at 40 with its new lineup including Chrome and Blitz as well as new members Jason Kottwitz on guitar, Ricky Rat on bass and frontman Jake Hout. The original record was meant as a demo and the new record is of a much higher quality if missing the genius alchemy of the original band. But you’re not getting a second rate re-tread this time around. This version of the Dead Boys may be older but it still packs a punch.

Who: Galaxy Express 555 (MN), Hippies Wearing Muzzles, J. Hamilton Isaacs
When: Saturday, 11.18, 6:30 p.m.
Where: Historic Grant Avenue Church
Why: Galaxy Express 555 is Christopher Farstad’s project that incorporates elements of ambient music, experiential sound environment composition, sampling and loops to create music that has the effect of being a soundtrack to some non-dystopian future society of wide open spaces and minds. Hippies Wearing Muzzles is a modular synth project from Denver. J. Hamilton Isaacs is basically Dugout Canoe so you know the beats and analog synth combination will be beautifully transporting yet feel grounded at the same time. All of this is taking place in church where the natural acoustics will give otherwise electronic music a warmth it doesn’t often project.

Who: Glasss Presents: The Speakeasy Series featuring Equine w/Mondo Obscura
When: Saturday, 11.18, 7 p.m.
Where: Hooked on Colfax
Why: This is the latest in Glasss’s Speakeasy Series in the basement of Hooked on Colfax. This time with ambient duo Mondo Obscura and experimental guitar minimalist Equine. Kevin Richards of the latter played drone guitar for years as Temples after having spent several years in weirdo post-hardcore outfit Motheater where he made strange jazz chords fit into a punk context. This show will be a collaborative set between the two projects.

Who: King Eddie – Holographic Universe Album release w/Kyle Emerson, Panther Martin and déCollage DJ set, visuals by DenVR
When: Saturday, 11.18, 8:30 p.m.
Where: Hi-Dive
Why: King Eddie is releasing its debut album Holographic Universe and celebrating the occasion with friends Kyle Emerson (whose pastoral psych pop songs are graced with Emerson’s insightful, observational lyrics) and Panther Martin (if indie rock could have come out of late 1970s New York City, it might have sounded like Panther Martin). King Eddie’s songs sound like the band synthesized modern psychedelic rock with math rock rhythms as though assembling a beat over which the band created a colorful and transporting imagery. Reed Fuchs of déCollage will do one of his unique DJ sets and be prepared for some truly unusual and inspired images from DenVR.

Who: It’s Just Bugs, Nearby Liars, Mouthfeel, Falsetto Boy
When: Saturday, 11.18, 9 p.m.
Where: The Skylark Lounge
Why: This’ll be a weird one for some people because few of the bands are anything alike. It’s Just Bugs is an industrial hip-hop band. Nearby Liars are somewhere between slowcore and late 90s emo with all the glitter and drifty, sweeping, swelling, dramatic emotional experiences you’d want vicariously from that kind of music to purge the Fall blues. Mouthfeel includes members of Wrinkle, Altered State and Laurium. Falsetto Boy is some post-emo, lo-fi singer songwriter type of music.

Who: The Blasters w/O.G. Country
When: Saturday, 11.18, 9 p.m.
Where: Lion’s Lair
Why:The Blasters were and are a respected blues-roots band from Los Angeles where it rubbed shoulders with the punk world, paisley underground and early alt-country acts. The Blasters’ sheer skill and energy made a big impression on everyone that saw them even if the band never quite became a household name. Its 1980 debut album American Music really was a demonstration of how much American music the Alvin brothers, Bill Bateman and John Bazz had absorbed, learned, reinterpreted, amalgamated and reinvented. O.G. Country from Denver, opens this second night of a two night residency at Lion’s Lair.

Who: Liam Gallagher w/Warbly Jets
When: Saturday, 11.18, 8 p.m.
Where: Gothic Theatre
Why: Oasis’ 1995 hit “Wonderwall” made way too many people think maybe they too can sing in a pop band. Part of it was Liam Gallagher’s borderline tone deaf vocal delivery. But Gallagher is a gifted, powerful singer with some charming rough edges to his voice. And to his personality, for that matter. His conflict with brother Noel was the stuff of tabloid news. But one thing we can thank Oasis for was in finishing off some real dreck in popular music by offering something better and more genuine because you knew the Gallagher brothers weren’t faking it. Endless naff covers of “Wonderwall” plaguing karaoke nights and dire YouTube videos aside, Liam Gallagher’s real legacy was not just his music but some truly amazing moments of comedy and inspiredly uncharitable bits of rhetoric over the years as well as tender and earnest expressions of appreciation for other artists even when, such as the case with The Verve in recent years, those expressions come off as a bit of a headscratcher. He probably had a good laugh about that. Gallagher’s debut solo album, As You Were, came out in October 2017. It’s a bit reminiscent of 60s blue eyed soul and David Bowie’s more R&B moments but the songwriting is solid.

Opening the show is Warbly Jets from Los Angeles. It’s self-titled debut album is a bit slick and polished for a bunch of young musicians who clearly have it in them to go full on into the kind of gritty yet tuneful rock and roll that inspired them. But that’s what happens in the music industry often enough and you just have to check out the band in their, one would presume, element, on stage. With any luck you’ll see a band that has shed the self-conscious quality of the record and even where it might be derivative, play like the band believes in itself.

Sunday: November 19, 2017

Chad VanGaalen
Chad VanGaalen, photo by Marc Rimmer

Who: Chad VanGaalen w/NE-HI
When: Sunday, 11.19, 8 p.m.
Where: Hi-Dive
Why: Chad VanGaalen may not necessarily be known for this now but at some point in the future he may be more widely acknowledged as one of the most influential guitarists and producers of his generation. His bedroom recordings for Infiniheart was picked up by SubPop in 2005. His gift for articulating the anxiety and alienation of the modern era clearly struck a chord and his subsequent music has explored some dark and some merely troubling corners of the human psyche with an ear for the perfect harmonic atmospherics and texture. In 2008, Van Gaalen began his relationship with the math rock/post-punk band Women, a band now oft-cited by younger guitar bands as an influence for its creative use of tone, angular rhythms and dynamics. Members of Women are now in Preoccupations. VanGaalen’s 2017 album Light Information sounds like he’s been listening to a lot of Mission of Burma, Helium, 80s minimal synth music and various Jay Reatard projects but the alchemy of that and his own well-developed aesthetic has rendered the songs into something that sounds like something from a long time ago in a place some of us wish existed. It has the kind of vintage sheen like a Ti West film.

Chicago’s NE-HI put out one of the years most repeatedly listenable albums of the year with OFFERS. It’s labyrinthine melodies and straightforward rhythms are a winning combination because it transforms lo-fi garage rock into something extraordinary. Comparisons could be made to Palm, Pavement and Parquet Courts. But its urgent jangle is coming from a different place and that’s what sets the band apart.

Who: Tori Amos w/Scars on 45
When: Sunday, 11.19, 6:30 p.m.
Where: Paramount Theatre
Why: Tori Amos was one of the earliest artists to attain mainstream commercial success to sing about sexual abuse, her struggle to attain her own creative liberation in a sexist music industry that often could (and often can, truth be told) value women as objectified entities that must fit a fairly narrow mold to present to potential audiences. And otherwise just refreshingly vulnerable and honest depictions of life. Though Amos spent much of the rest of her career exploring and writing thoughtfully on these subjects, in the 2000s, Amos put more focus on more mythical expressions, giving her work new dimensions only hinted at in her earlier work. 2017’s Native Invader is about how we can heal ourselves and the world through facing our challenges and conflicts honestly—which has more or less been Amos’ core message as a songwriter since her solo debut album, 1992’s Little Earthquakes.

Tuesday: November 21, 2017

In The Company Of Serpents
In The Company Of Serpents, photo by Travis Heacock

Who: In the Company of Serpents, Goya, Matriarch and Palehorse/Palerider
When: Tuesday, 11.21, 7 p.m.
Where: Hi-Dive
Why: A handful of Denver’s best heavy bands are on this bill. Matriarch is a doom/drone band whose 2015 album Magnumus: The 44th Scribe and Lorde of the Hallucinauts has two tracks. And it’s not an EP. It’s also just two lengthy songs that take you on a journey of crushing epics like the soundtrack to Vikings exploring the lands of Irish legend set in South America. Blend all that imagery together and that’s the Matriarch sound. In the Company of Serpents has cracked the monolith of its own sound this past year and the result is 2017’s Ain-Soph Aur, where the band’s songwriting beyond devastating riffs emerges for some of ITCOS’ best songs to date. Palehorse/Palerider is the kind of band where people who have generally played more punk-oriented music got into the soundcaping possibilities of heavy music whether metal or the deep atmospherics of the best shoegaze and post-rock music. Its own 2017 epic masterpiece is Burial Songs.

Who: Mom Jeans. (Side One Dummy), Prince Daddy & The Hyena (NY), Kississippi (PA), Old Sport and Blue Lane Frontier
When: Tuesday, 11.21, 7 p.m.
Where: 7th Circle Music Collective
Why: The lazy thing to do would be to say this is an emo show. Mom Jeans from Berkeley, California is unabashedly so and thus part of that band’s appeal. And more like the late 90s, borderline indie rock variety with the spidery, jangly guitar work. Old Sport from Denver is on the more math-y end of emo with intricate guitar work and song dynamics that sound like someone is thinking in terms of film editing with dramatic drop-outs and sparkling guitar melodies, emotionally charged vocals and a variety of rhythm and texture not common enough in punk generally. Kississippi from Philadelphia is fronted by singer and primary songwriter Zoe Reynolds whose lyrics possess an impressive insight into her own emotional landscape and the ability to translate that into instantly relatable songs.

Wednesday: November 22, 2017

The Zebroids
The Zebroids in 2011, photo by Tom Murphy

Who: Git Some, Zebroids, Fast Eddie, Jane Doe
When: Wednesday, 11.22, 9 p.m.
Where: The Oriental Theater
Why: Post-hardcore band Git Some has been around for well over a decade when it started in Chicago in the early 2000s. Through various line-up changes members of the band (Charles French and Neil Keener) have also become members of Wovenhand, bringing another level of grit and intensity to a project not short on that already. It’s essentially noise rock with a sense of humor. Speaking of humor, punk band Zebroids is essentially a ridiculous joke of a punk rock band with absurd lyrics and an equally absurd stage presence. Nevertheless, the band is a lot of fun. Jane Doe is a combination of dark, starkly intense poetry, jagged noise rock and free jazz sensibilities. Fronted by the charismatic Becca Mhalek, Jane Doe is one of Denver’s best kept secrets. For now. Fast Eddie is a hard rock band from Denver which includes Micah Morris who some may know as one of the main people behind Barf magazine. Silly name, perhaps, with some fairly absurdist content, but the magazine has provided some of the better content about Denver music and beyond of recent years

Who: Cannibal Corpse w/Power Trip, Gatecreeper and Of Feather and Bone
When: Wednesday, 11.22, 7 p.m.
Where: Summit Music Hall
Why: Cannibal Corpse has been getting under the skin of cultural conservatives and squeamish faux-do-gooders for years with music that itself isn’t something we’re going to hear much of any time soon on commercial radio. But the lyrics, quotable by gore horror fans and metalheads for years, almost gleefully crafted to outrage with being so cartoonishly over the top, is what has landed Cannibal Corpse in some hot water with would-be censors. But the live show isn’t littered with corpses and zombies or anything like that so just go expecting one of death metal’s greatest bands. Opening the show are Dallas-based thrash band Power Trip, Arizonan death metallers Gatecreeper (whose music video for “Desperation” from 2016’s Sonoran Depravation is a harrowing depiction of violence and a bit of a commentary on what leads to that sort of thing), and Denver’s deathgrind powerhouse, Of Feather and Bone.