What:Portrayal of Guilt w/Street Sects, EUTH and Cau5er When: Thursday, 1.23, 8 p.m. Where: Hi-Dive Why: Portrayal of Guilt is a post-hardcore band from Austin that weaves together elements of grindcore and noise soundscaping to create an angular kind of screamo bristling with menace. Its rhythms are more widely dynamic than one might expect from the mix of sounds and influences with chords allowed to hang to establish a mood that crawls to catharsis. Street Sects, also from Austin, is an industrial noise outfit whose confrontational performances may feel hidden in the banks of fog in its performance zone but the band manages to turn that haze into a realm where the tension it builds to unpredictable moments of eruption. Cau5er is a Denver project that comes partly out of hardcore but is firmly in the worlds of noise and power electronics with an impassioned delivery that belies notions of noise artists all being knob twiddlers. Schedule for the evening below provided as this show is being conducted in cooperation with the show at Mutiny across the street from the Hi-Dive.
Street Sects 10pm
Portrayal of Guilt 11pm
What:Red Death (DC), Enforced (RVA), Chair of Torture and Wide Man When: Thursday, 1.23, 8 p.m. Where: Mutiny Information Café Why: Washington DC’s Red Death is a modern crossover band whose synthesis of thrash and hardcore is reminiscent of a more aggro version of what Megadeth was doing earlier in its career. If that sounds appealing, Enforced from Richmond, Virginia and Chair of Torture from Denver are mining similar territory with the latter with more than a leg in grindcore. See schedule for the evening below as it is being done in conjunction with the show mentioned above at the Hi-Dive.
7:30-7:50 Chair of Torture
8:05-8:25 Wide Man
8:40-9:10 Red Death
What:Use the Sun (Reunion), Old Sport and American Grandma When: Saturday, 1.25, 7 p.m. Where: Seventh Circle Music Collective Why: Denver’s Use the Sun is reuniting for one night to bring forth its joyous mixture of melodic punk and surf rock. Also included is a lately relatively rare show from Old Sport who have been part of that resurgence of bands that were influenced by the better, mathier end of emo and post-hardcore. American Grandma is a slowcore band whose elegant and introspective guitar compositions blur the line between folk, ambient and dream pop.
What:Neil Haverstick When: Saturday, 1.25, 7 p.m. Where: Swallow Hill Why: Neil Haverstick is Denver’s biggest proponent of microtonal guitar so much so that he wrote a book about it. His songs, though, come from an emotional place and his roots in blues and folk inform even though his style brings in a great deal of avant-garde thinking into the mix and makes it accessible.
What:Shibui Denver #9: The Vanilla Milkshakes, Lazarus Horse and Pythian Whispers When: Sunday, 1.26, 7 p.m. Where: Mutiny Information Cafe Why: This latest edition of Shibui Denver will feature outsider pop punk band The Vanilla Milkshakes, the earnest, existential, angular indie rock of Lazarus Horse and Pythian Whispers’ psychedelic ambient soundscapes with visuals by Mark Mosher, electro-ambient artist and founder of Rocky Mountain Synth Meetup.
Tuesday | January 28
What:GosT w/Church Fire and Elay Arson When: Tuesday, 1.28, 7 p.m. Where: Larimer Lounge Why: GosT blurs the line between metal and synthwave and definitely for fans of Perturbator. Church Fire blurs that line a little too but more in the tribal, pagan vein without hitting you over the head with the aesthetic and its industrial/dance pop hybrid is one of the most compelling things going on in Denver or anywhere.
What:Poppy w/VOWWS When: Tuesday, 1.28, 7 p.m. Where: Gothic Theatre Why: Poppy’s genre-mashup is not for everyone. But the theatrical presentation of her mix and remix of extreme metal, kawaii pop and surreal psychedelic pop turns on a dime like something John Zorn might have thought of had Naked City come up in the 90s and 2000s and not in the realm of avant-garde jazz and grindcore. Currently touring in support of her new album I Disagree. VOWWS has managed to shed a lot of the previous associations in the last year with retro rockist tendencies. Its sound is more like a hard edged darkwave to post-punk what a band like True Widow is to metal and shoegaze.
What:Church Fire When: Thursday, 11.14, 6:30 p.m. Where: Ross-Broadway Library Why: Denver-based synth-noise-pop doom darlings Church Fire are playing this event sponsored by Titwrench as part of its Surfacing series highlighting female and LGBTQ underground and experimental artists. It’s after hours at the library in the Baker District and free.
What:Roller Disco 3 When: Thursday, 11.14, 9 p.m. – 2 a.m. Where: Roller City
What:Whipporwill w/Courtney Hartman When: Friday, 11.15, 6 p.m. Where: Washington’s (Fort Collins) Why: Fort Collins based alternative folk band Whippoorwill distilled its past few years of experiencing the turmoil of the land and the culture into its new album The Nature of Storms. On its 2017 tour the band experienced tornadoes, floods, forest fires, blizzards and the destructive nature of the Trump presidency itself and the polarized social and political climate surrounding it. With the personal lives of its members in disarray as well the trio pulled together and crafted one of the most affecting releases of the year that exceeds expectations for terms like “alternative folk” as the band seems to be channeling the pain and agony of the times into songs that if not exactly exorcising those emotions, brings a compassionate energy to the proceedings. This show celebrates the release of that record and hopefully soon the band will play regional shows in support followed by a tour soon enough.
What:Noise Vs. Doom IV When: Friday, 11.15, 7 p.m. Where: Seventh Circle Music Collective Why: This is the fourth edition of the Noise Vs. Doom event featuring bands that fall loosely into either category. Tonight’s lineup includes Denver noise legends Page 27, doom collective Ice Troll and avant-garde composer Victoria Lundy. Schedule below.
Clark Nova 6-615
Ice Troll 6:30 -6:50
minus X 7:00 – 7:20
Prayer Hands 7:30 -7:50
Haunted Sound Lab 8pm -8:20
Distance Research 8:30-9:00pm
9:15-9:45 Victoria Lundy
10-10:20 Page 27
10:30-11pm Deer Creek
DJ sets PterrorFranklin Soundsystem
(Frank Bell / James Jewkes )
What:No Swoon, Kissing Party and Voight When: Saturday, 11.16, 7 p.m. Where: Rhinoceropolis Why: No Swoon’s recently released self-titled full length is an example of how 2010s darkwave as evolved beyond the obvious classic reference points into the realm of sophisticated pop songcraft. Its vibrant tones and sense of sonic space is reminiscent of Chromatics but not tapping into feelings of nostalgia as much as a reflective yearning and introspection. Kissing Party is an indie pop band from Denver that has reliably been releasing quality material since the mid-2000s seeming to perpetually be able to draw on a sense of youthful romance and ideal love. Voight has been performing its brand of industrial post-punk noise-gaze since 2015 and is in the process of completing its new album due out in 2020.
What:GYES: Lady Gang, Preparation and Gothsta When: Saturday, 11.16, 8 p.m. Where: The People’s Building Why: The final Get Your Ears Swoll at the People’s Building in Aurora featuring experimental loop and psychedelic folk artist/one-woman band Lady Gang and Gothsta who plays truly unusual covers in a playful style that lives up to the name. The latter is organizer Claudia Woodman who will rename the event for the same location on a different day of the month in 2020.
What:Hi-Dive 16th (and 7th) anniversary w/Wobbles, Rattlesnake Milk, Zebroids, George Cessna, Permanent Boner and DJ Marika When: Saturday, 11.16, 8 p.m. Where: Hi-Dive Why: Hard to believe the H-Dive has been around for sixteen years at this point but it remains a place to see some of Denver’s best underground bands and up and coming artists from around the world. This show brings together stalwarts of the club including Zebroids who are more an obnoxious collective of yobs than strictly a ridiculous but oddly good punk band and George Cessna whose sonically inventive songwriting blows expectations of the son of Slim Cessna in a great way.
What:Noise vs. Doom IV When: Saturday, 11.16, 8 p.m. Where: Seventh Circle Music Collective Why: Second night of Noise Vs. Doom with performances from vinyl-collage sound processor Atari, ambient noise sculptor Blank Human and experimental noise rock prog punk band Action Friend from Los Angeles, formerly from Denver. This evening’s schedule below.
6:30 -6:50 Mismo
7:45 -8:05 Atari
8:15- 8:35 Flood Ov Blood
8:45 -8:55 – DJ Yeldarb Franklin
9-9:20 Clutch Plague
10-10:20 Blank Human
10:30 -10:50 Cosmic Abyss
11pm Action Friend (Los Angeles CA)
DJ sets Mudwulf + Dj Zombie
What:DBUK When: Saturday, 11.16, 7 p.m. Where: Tuft Theater at Swallow Hill
Sunday | November 17
What:Vetiver w/Joe Sampson When: Saturday, 11.16, 8 p.m. Where: Ophelia’s Electric Soap Box Why: Before it became very much a part of the current stream of “indie” music, Andy Cabic was crafting exquisite psych folk songs that incorporated electronic elements in a fully integrated way. His 2019 album Up On High is a fairly stripped down affair but the delicately intricate rhythms and textures with Cabic’s expressive vocals are still there creating an unconventionally atmospheric quality akin to something one might have heard on a Byrds or early Dead record. Maybe something Mitch Easter would have produced in the 80s. But the sensibility is very modern and its emotional immediacy is immediately compelling. Opening the show is Joe Sampson, one of Denver’s most gifted songwriters who some may remember from his days in A Dog Paloma but in the last decade plus he’s been woodshedding his own material while also having played in Bad Weather California.
What: A$AP Ferg and Ski Mask the Slump God w/Murda Beatz, MadeinTYO, Pouya, Danny Towers, DJ Scheme When: Monday, 11.18, 6 p.m. Where: Mission Ballroom Why: A$AP Ferg is one of the most influential and creative artists in the world of trap and Ski Mask the Slump God is one of the great innovators in that genre but one who incorporates even more elements of punk and metal into his animated material and performances. Sometimes live rap shows are disappointing but this should very much be an exception.
Tuesday | November 19
What:Nots, Slugger and Dearborn When: Tuesday, 11.19, 8 p.m. Where: Lost Lake Why: Nots is the noise punk band from Memphis, Tennessee that is currently touring in support of its new album 3 out on Goner Records. Guitarist and singer Natalie Hoffman was once the bass player of Ex-Cult where she stood out as a charismatic performer with wiry energy in a band not short on those qualities.
What:An Evening With Helmet When: Wednesday, 11.20, 7 p.m. Where: Summit Music Hall Why: Helmet is the legendary noise rock/posthardcore band from New York whose 1992 album Meantime yielded a hit single “Unsung” during that period when anything a little different stood a chance of making it to the radio. The group’s blunt and angular riffs and aggressive groove has proven influential on a certain segment of heavy music since.
What:Deerhunter w/Moon Diagrams When: Thursday, 07.11, 7 p.m. Where: Ogden Theatre Why: Deerhunter’s main contribution to modern rock music is fusing a garage punk energy and sensibility with a knack for otherworldly melodies and a gift for soundscaping straight from the realm of dreams. Oh, and a genuinely emotional intensity that comes from a deep place of alienation and, paradoxically, yearning for connection. Why Hasn’t Everything Already Disappeared? is the group’s 2019 album and a commentary on the seemingly broken world (politically, economically, socially, culturally) we find ourselves in at the moment.
Friday | July 12
What:Froth w/Versing and Shark Dreams When: Friday, 07.12, 8 p.m. Where: Globe Hall Why: Versing’s 2019 record on Sub Pop 10000 is a pointed take on an unwillingness to commit to being on the right side of history at a time when the twin forces of oligarchy and fascism are on the rise and infiltrating and coming to political ascendancy worldwide. Its angular dynamics surge forth with great momentum while remaining tunefully melodic. Froth is a fuzzy psychedelic band whose vocals seem more soulful than bratty and that makes all the difference.
What:The Blasters, Supersuckers and Wayne The Train Hancock and MC Clownvis Presley When: Friday, 07.12, 8 p.m. Where: Bluebird Theater Why: The Blasters are legends of southern California rock whose mix of Americana, rockabilly, R&B and blues effected with impressive musical chops and raw passion made the group respected in circles much wider than the image of a blues rock band might now. Supersuckers moved from from Tucson, Arizona to Seattle in 1989, a year after forming, and became immersed in the then burgeoning alternative rock world but like other significant bands of the era like Love Battery and Gas Huffer never really got big but put on lively performances and produced good records. Not really grunge so much as garage rock and in the past couple of decades they’ve been known to do some more country-oriented shows. Seeing as they’re sharing the bill with The Blasters that is a distinct possibility.
What:Hi-Dive Hug Down: Panther Martin, Super Bummer, Jobless, Night Champ When: Friday, 07.12, 8 p.m. Where: Hi-Dive Why: Group Hug is putting out albums by some of Denver’s best lo-fi indie rock bands and this is a showcase for some of the best of the lot. None of them are much alike and all experimented with a more popular style earlier in their lives as bands but are now making truly interesting music.
What:Esmé Patterson w/FELIX FAST4WARD When: Saturday, 07.13, 7 p.m. Where: Dazzle Why: Esmé Patterson may have made her name as a songwriter in the more Americana vein with her old band Paper Bird. But as a solo artist she has pushed herself in increasingly interesting directions both sonically and creatively. And as a performer, for that matter, all while making poignant social and personal commentary. She is headlining but also on the bill is FELIX FAST4WARD who is one of Denver’s most gifted and imaginative electronic music composers and producers in various realms including dance, hip-hop and ambient.
What:Extra Gold, Bison Bone, Claire Heywood When: Saturday, 07.13, 8 p.m. Where: Hi-Dive Why: A legitimate country show with a few of the Mile High City’s finest including the folksy/Merle Haggard-esque Extra Gold, Bison Bone and its eclectic yet singular blend of psych, country and pop and Claire Heywood’s smoky, grittily soulful country torch songs.
Sunday | July 14
What:Don Felder When: Sunday, 07.14, 5:30 p.m. gates, 7:30 p.m. show Where: Hudson Gardens Why: Don Felder is perhaps best known as the iconic guitarist for the Eagles during one of the most interesting, musically speaking, points in the band’s career. Sure, you may have heard “Hotel California,” the title track of the group’s 1976 album, who can say how many times but those distinctive lead guitar parts were written by Felder and his guitar interplay with Joe Walsh and Glenn Frey helped to define a certain sound of the 70s in southern California. While still in the band he wrote some songs that appeared on the soundtrack to Heavy Metal including “Heavy Metal (Takin’ a Ride)” and “All Of You” lending the soundtrack some brooding darkness and beautifully decadent guitar work. Felder’s guitar style fit in with the country rock thing with the Eagles but what made it stand out was his knack for interesting dynamics and atmosphere even when he writes something more straight ahead rock and roll. His 2019 album American Rock ‘n’ Roll is a tribute to the music that is the title.
Monday | July 15
What:Have a Nice Life w/Consumer, Street Sects and Midwife When: Monday, 07.15, 8 p.m. Where: Hi-Dive Why: Industrial drone, post-punk ambient or whatever one calls Have a Nice Life’s starkly brooding body of work, its dark compositions have proven influential on a generation of bands that have come along since its inception. Also on the bill is confrontational industrial/darkwave band Street Sects and ambient folk soundscaper extraordinaire Midwife.
What:An Evening With Michael McDonald When: Monday, 07.15, 6:30 p.m. Where: Chautauqua Auditorium Why: Michael McDonald’s smooth and soulful vocals have been a part of American rock and pop music for over four decades now. Whether as a singer in Steely Dan (both live and in studio), The Doobie Brothers, as a solo artist and in his numerous collaborations including with the likes of modern hip-hop/jazz genius Thundercat, McDonald brings a deep musicality and keen ear for melody that transcends genre. He will be performing a series of shows in Colorado that we will include on our Best Shows list up to and including his show at the Denver Botanic Gardens on Thursday, July 20.
What:Headboggle, Malocculsion, Page 27, Blank Human When: Monday, 07.15, 7 p.m. Where: Rhinoceropolis Why: Noise shows are a rarity in Denver these days when once you could find them on the regular when it was more possible for artists to have a warehouse to make this kind of thing or where impromptu venues were more open to hosting this stuff forbidding to more mundane sonic sensibilities. This show includes ambient/noise scaper Blank Human and the godfathers of Denver noise, Page 27 in its first show since the departure of long time member Michael Nowak.
What:Imperial Teen When: Tuesday, 07.16, 6 p.m. Where: Twist & Shout Why: Imperial Teen includes current and former members of Faith No More, Sister Double Happiness and The Wrecks. Their left field pop got a boost when “Yoo Hoo” appeared in the 1999 film Jawbreaker. Though the band’s excellent 1996 album, produced by Steve McDonald of Red Kross, garnered no small amount of critical acclaim it was oft found in bargain bins at music stores. The group’s playful songs and interesting and illuminatingly personal takes on controversial themes has set the foursome apart from many of its late era alternative rock/pop peers. In 2019 the group released its latest album Now We Are Timeless. Since Jone Stebbins lives in Denver now, Imperial Teen is in some ways a local band.
What:3TEETH w/Author and Punisher and GosT When: Tuesday, 07.16, 6:30 p.m. Where: The Marquis Theater Why: 3TEETH is one of the better newer industrial rock bands. But the reason to go to this show is to witness Author and Punisher who creates his own instruments and whose cybernetic appearance is no mere affectation as it incorporates controllers of various types that can be executed by a single person. The project’s music is industrial but more raw and experimental than most music calling itself that these days.
Wednesday | July 17
What:The Beths and Girl Friday When: Wednesday, 07.17, 7 p.m. Where: Globe Hall Why: The Beths from Auckland, New Zealand started in 2015 and absorbed some of that worldwide retro-90s fuzz rock vibe of the time. But since the trio is from New Zealand it always manifests differently and its melodies go down unconventional paths and the progressions resolve in fascinatingly unpredictable ways. Plus Elizabeth Stokes’ vocals are bright and strong and not couched in manifesting angst so obviously. The group did title its 2018 album Future Me Hates Me tells you that you’re in for something more interesting than “summer time good time music” and yet the group’s music is upbeat and hopeful.
What:Michael McDonald When: Wednesday, 07.17, 7 p.m. Where: Vilar Performing Arts Center in Beaver Creek Why: See above for 7/15 for Michael McDonald.
What:Dinner Time (GA), Sliver, Gila Teen and Moving Still When: Wednesday, 07.17, 8 p.m. Where: Thought//Forms Why: Atlanta’s Dinner Time is a low-fi indie pop band with some raw and ragged edges to its songwriting so that it can sound a little bratty and snotty like a punk band you’d actually want to listen to. Also on the bill are ex-nü metal wavers Sliver whose covers of 90s Bush songs, at least in essence, are almost as good as the real thing. Somehow Moving Still invited Sliver’s singer to perform with them because they’re good people and taking Chris Mercer under their wing and cultivate the guy’s tastes until he realizes that Nirvana was not influenced by Gavin Rossdale. It’s an uphill battle. Gila Teen is a post-punk/pop death rock band from Denver and one of the Mile High City’s greatest duos whose emotionally vibrant sad songs chase the blues away.
What:The Head and the Heart w/Hippo Campus When: Wednesday and Thursday, 07.17 and 07.18, 8 p.m. Where: Red Rocks Why: Hippo Campus from St. Paul, MN are technically an indie rock band but its beat-making and pop songcraft is more akin to R&B and hip-hop with a focus on mood and atmosphere. Its diverse and imaginative songwriting manifested brilliantly on its 2018 album Bambi and in 2019 the group released a cadre of songs in two volumes called Demos I and Demos II. The song experiments on both show how the band got from the promising songwriting of the 2017 album Landmark to the sophistication of craft heard on Bambi. At the top of the bill for this show is indie folk band The Head and the Heart. Maybe “indie folk” doesn’t apply so much anymore as the band has expanded its sounds and songwriting style in all directions. Its 2019 album Living Mirage finds the band truly utilizing space in its songwriting in a way that allows for the expansive feelings inherent to its specific musical style to stretch out and resolve organically. Which is interesting to see in the music of a band that has reached its level of relative commercial success when there can be pressure for efficiency in delivering satisfying musical hooks. This line-up plays both Wednesday July 17 and Thursday July 18 at Red Rocks.
What:Earth w/Helms Alee When: Thursday, 06.27, 7 p.m. Where: The Marquis Theater Why: Earth is as much an influential and pioneering drone metal band as it is an avant-garde blues folk group imbued with mystical overtones. It’s 2019 album Full Upon Her Burning Lips finds the trio channeling more than the usual measure of its crawling, Black Sabbath-esque gloom. Seeing the live show it’s always fascinating to see how Adrienne Davies moves in an orchestrated string of slow sweeping moves and fast, accenting flourishes as Dylan Carlson and their collaborators of the moment drone with a smoky fluidity.
What:Meet the Giant, The Jinjas, Monty O’Blivion and Zealot When: Thursday, 06.27, 7 p.m. Where: Thought//Forms Gallery Why: Zealot would be a Mountain Goats cover band but Luke Hunter James-Erickson would find that too rote so he injects his own eclectic tastes into the songwriting. Recently released the “Snake Goddess” single, a typically eccentric, high energy, angular indie rock gem. Meet the Giant, informed by electronic music and hip-hop beat-making, write and perform deeply evocative, brooding rock songs that maybe now would overlap with the whole darkwave thing except that Meet the Giant often crosses over into the realm of hard rock in a way most of those bands don’t.
What:Cholo Goth Night featuring Dave Parley of Prayers When: Thursday, 06.27, 9 p.m. Where: Streets Denver Why: Just like it says, Cholo Goth Night at Streets Denver with Dave Parley of Cholo Goth and spinning Darkwave and Goth for the evening. When this event happens in the Los Angeles area and select other cities Parley brings in other darkwave musicians of note to guest a set but not for tonight.
Friday | June 28
What:The Kinky Fingers w/Vic N’ the Narwhals and Colfax Speed Queen When: Friday, 06.28, 8 p.m. Where: Hi-Dive Why: Now that the Denver “party rock” scene has withered away and garage psych/surf is going the way of pop punk in the early 2000s only the strong and more interesting survive. In the case of these three bands it’s partly because their songwriting was always good and their individual sounds not so susceptible to the blowout of trendiness. Each has also evolved.
What:Tyto Alba and Steele Douglas When: Friday, 06.28, 5 p.m. Where: Museum of Contemporary Art Denver Why: Tyto Alba is always surprisingly evocative with music coming from the tender places of the psyche and coloring the tones in warm, incandescent tones and hypnotic rhythms. Seeing them on a rooftop while a thunderstorm threatens to hover in but never does? Seems symbolic and entirely appropriate.
What:Blue October w/Mona When: Friday, 06.28, 7 p.m. Where: Ogden Theatre Why: Blue October has been around for nearly a quarter of a century now and its career has crossed over from the old way of major labels and the album release cycle to the modern mess and disarray of the industry now that offers bands to connect directly to an audience more so than ever before but to earn far less for their efforts. That the group has weathered that period is impressive itself. Oddly enough its own style of power pop seemingly inspired by late 80s proto-alternative rock like Icehouse and The Outfield and their dramatic presentation of being a bit on the outs of true emotional fulfillment but yearning for that special connection with another human with music that is a little too triumphant in tone and uplifting to be sad bastard music. But Blue October didn’t stay trapped in a past style and its newer music reflects a diversity of newer influences.
What:Westword Music Showcase When: Saturday, 06.29, 12 p.m. Where: Golden Triangle Neighborhood Why: This is the longest running music festival of its type in Denver. Held on just one day in the Golden Triangle neighborhood near the Westword offices off Tenth Ave and Broadway, it is arguably the most concise way all year to see a broad spectrum of the local scene without having to walk too far. This year’s line-up includes several of the local luminaries. Here is a list of see-if-you-can acts at each of the stages and a given set time. Tastes will vary and I’m certainly no expert on big chunks of the local music world.
Breckenridge Brewery Stage
6:10 Jai Wolf
White Claw Stage
12:50 Techno Allah
2:30 Erin Stereo
12:50 Venus Cruz
6:40 Lady Gang
7:30 RARE BYRD$
12:35 Gora Gora Orkestar
5:35 Wes Watkins
7:15 Roka Hueka
8:05 Los Mocochetes
12:50 Hail Satan
2:30 Ghosts of Glaciers
6:40 Plasma Canvas
7:30 Cheap Perfume
1:40 Brianna Straut
2:30 Bevin Luna
5 Vic n’ the Narwhals
6:40 The Hollow
1:40 Bret Sexton
5:50 Los Dog Ensemble
6:40 The Maybe So’s
7:30 Joshua Trinidad Trio
What:PUP w/Ratboys and Beach Bunny When: Saturday, 06.29, 9 p.m. Where: Gothic Theatre Why: PUP started making waves a handful of years ago outside its hometown of Toronto, Ontario among aficionados of pop punk and emo who missed that brashly confessional style of songwriting before the music hit maximum saturation level in the early-to-mid 2000s. When the band began in 2010 a quasi-movement was under way across the North American continent in making fun, melodic punk that was raw and expressive. With PUP and others the key difference was embracing the relatively unrefined side of that songwriting and how that opened possibilities for the music to go where it will rather than fall directly in a worn out style. This has given PUP’s songwriting a freshness that even if at first it seems completely within the realm of standard pop punk. Its new record, 2019’s Morbid Stuff, arguably its best to date, revealed the influence of the more vital garage punk and 2000s lo-fi noise rock on its sound. Like the Reatards and perhaps No Age. Its irreverent spirit and deft local cultural references that are relatable to people who experience similar social phenomena in their own cities makes for a consistently endearing listen.
What:Luxury Hearse, Timelord SFX and blank human When: Saturday, 06.29, 7 p.m. Where: Tennyson’s Tap Why: Luxury Hearse combines the forces of blank human’s ambient/noise sound sculpting and Psychic Secretary’s beat-driven experimental electronic music. What to call it? Some might think industrial because of its sometimes sharp edges but it’s more in the vein of edgier yet dream-like dance music.
What: Blue October w/Mona ogdentheatre.com/events/detail/369899
When: Saturday, 06.29, 8 p.m.
Where: Ogden Theatre
Why: For Blue October see above for 6.28.
Monday | July 1
What:Culture Abuse w/Tony Molina, Young Guy, Dare, Regional Justice Center and Cadaver Dog When: Monday, 07.01, 7 p.m. Where: Marquis Theater Why: Culture Abuse has big melodic hooks for a band that came up through the milieu of garage punk. It’s 2018 album Bay Dream greatly expanded its range as a band both tonally, dynamically and emotionally as it’s informed by a sensitivity to the inevitability of the death of those close to you and a wry sense of humor and irony. After all Culture Abuse has a song called “Dave’s Not Here (I Got The Stuff Man)” referencing the classic Cheech & Chong skit. While there’s plenty of wiry punk energy behind the material, especially live, it’s really more of a great power pop record. Tony Molina got started in music playing in hardcore bands but his solo work is more in line with jangle pop and C86 with a sprinkling of The Byrds. His own 2018 record Kill the Lights wouldn’t have been out of place in the same musical realm as Teenage Fanclub circa 1992. Except with more folk-inflected, introspective songwriting throughout.
What:Muscle Beach, Buildings (MN) and Simulators When: Monday, 07.01, 8 p.m. Where: Streets Denver Why: Buildings form Minneapolis is a vital cross between a math-y noise rock and post-hardcore. Muscle Beach is of similar mind but its own version of post-hardcore is a splintery assault on the senses that drags you down emotional pathways that purge angst and personal darkness – all done with a cathartic sense of joy. Simulators are an angular noise rock duo whose music is both cutting and unhinged yet mathematically precise. It’s always an interesting contrast.
Wednesday | July 3
What:Bud Bronson + the Good Timers, The Right Here, Bad Licks, DJ Sara Splatter When: Wednesday, 07.01, 8 p.m. Where: Hi-Dive Why: Bud Bronson + The Good Timers are always surprisingly good. Its earnest power pop sounds like it’s of today but has a quality and a vibe that is reminiscent of the stories and sentiments one heard in the music of late 70s/early 80s Bruce Springsteen and Tom Petty. Also on the bill is Bad Licks who somehow do a kind of psychedelic blues rock that is legitimate and high energy because good songwriting transcends pre-conceptions.
What:Weird Wednesdayl: Total Trash, Pretty Loud, Klaus Dafoe When: Wednesday, 07.01, 9 p.m. Where: Bowman’s Vinyl Why: Total Trash is a band comprised of luminaries of Denver’s indie rock scene going back nearly two decades and yet it’s not all middle aged people. If you remember Fissure Mystic, Fingers of the Sun and Lil’ Slugger, it’s people from those bands. It’s psychedelic, shoegaze-y jangle pop is transporting yet relatable and down to earth. Klaus Dafoe is an instrumental band that collides together 2000s math rock, weirdo punk and indie pop for a sound that is familiar yet unusual.
What:Pale Sun, Palehorse/Palerider, Random Temple and Grass When: Wednesday, 07.01, 7 p.m. Where: Lost Lake Why: Palehorse/Palerider’s drummer Nathan Marcy said to bring earplugs. Good idea, because his own group is the kind of doom/shoegaze/dark desert psych band that makes beautifully dark, atmospheric, consciousness expanding music with ritual/tribal flourishes that is, yes, in fact, quite loud. In good company with gritty psych band Grass and Pale Sun. The latter’s dreamy yet dense rock music will take you to a different psychological space than the one with which you walked into the show. Includes former members of Bright Channel, Space Team Electra and Snake Rattle Rattle Snake.
What:FEELS w/Midwife, Sweetness Itself and The Lifers When: Friday, 05.10 8 p.m. Where: Syntax Physic Opera Why: FEELS recently put out its sophomore effort Post Earth. Like its 2016 self-titled debut, the new album makes it obvious the group was the next step in musical evolution out of the garage, psych, fuzz rock era of a few years back that had grown stagnant and utterly predictable. FEELS has always been too weird for that seeming to be rooted in a style of songwriting that was more introspective and bedroom confessional punk poetry than trying to fit into some scene. Unless that scene was one where your eccentric, authentic self was cultivated and nourished. So yeah, while Post Earth may have some familiar elements it just comes off like a band trying to figure out what it wants to be by trying a lot of different things and thing coming back to embracing what makes its individual members shine in sync with each other to make the kind of punk that has more in common with the first wave where almost anything goes and no one is insisting on aesthetic orthodoxy than the niche subgenres that have come in between then and now. That uniqueness translates to a uniquely energetic live show as well.
What:Call of the Void w/Green Druid, Casket Huffer and BleakHeart When: Friday, 05.10, 8 p.m. Where: Hi-Dive Why: Call of the Void celebrates the release of its new album Buried in Light with this show with some of Denver’s heaviest. Call of the Void has been, no pun intended, grinding it out since 2011 when it was called Ironhorse. But the quartet has always been more than grindcore and more than death metal. Its song dynamics, its lyrics and vocals are closer to bands like Neurosis and Isis than some of its more obvious peers and influences. Buried in Light feels like more of a science fiction album about life post impending human colony collapse.
Saturday | May 11
What:GYES 6: Gort Vs. Goom, How to Think, Lady of Sorrows and Full Bleed When: Saturday, 05.11, 8:30 p.m. Where: The People’s Building Why: There are no “cool” bars nearby, the neighborhood is still sketchy sandwiched between CU Medical Centroplex, rapid development sprawl stumbling in from the west, the dystopian built-on-flight-fuel-soaked-ground of the Stapleton Development to the north and to the south the part of Aurora that is largely forgotten. Northwest Aurora, one of the few parts of central-ish Denver metro that has stubbornly resisted the influence of Nü Denver because it’s not along easily accessed by main arterial streets beyond Colfax. And yet, due to not predatory development The People’s Building exists and has events that you might want to go to including Get Your Eyes Swoll. Because of the booking involved it’s usually something very underground and definitely outside the mainstream. There’s probably literally no branch of Denver Metro underground music happening in public spaces in Aurora in general much less the Northwestern portion of the city tucked into Denver’s armpit like an infected splinter some fool has been trying to ignore for years until it became in demand once the vultures swooped in to buy out all the lower middle class homeowners with their dubious offers about buying ugly houses and the like. So for now, head east and maybe, just maybe, see prog punk weirdo duo Gort Vs. Goom and Lady of Sorrows who will bring her operatic, darkwave soundscaping to Denver’s dankest suburb.
What:Velveteers vinyl release w/The Kinky Fingers and Television Generation When: Saturday, 05.11, 9 p.m. Where: Silo Sound Why: Velveteers thankfully came along a few years back to save rock and roll from its tired tropes and cartoonish, patriarchal clap trap with a buzzsaw, thunderous vengeance and fiery live show. And you get to see The Kinky Fingers who make a great case that even when most bands are boring us with trendy post-psych burnout bullshit, one can take a style and inject it with elegance and imagination and make it worth our while to continue to go and see. Television Generation is the greatest power pop, grunge-not-throw-back-but-throw-forward wiseacre cultural commenting smart snark band in Denver. And that’s saying something.
What:iZCALLi album release w/Don Chicharron and The Hollow When: Saturday, 05.11, 8 p.m. Where: The Oriental Theater Why: You could do worse with your Saturday night than go see iZCALLi celebrate the release of its latest album. The band is fairly straight ahead rock and roll but with personality and some warped tones and dangerous flourishes in its party time jams. Good thing because otherwise Don Chicharron would wipe the floor with them with their own celebratory psychedelic room-wreck-ed-ness. Both have plenty of Latin music influence built in to keep going wack-full-gringo with Stevie Ray Vaughan worship or some shit. The Hollow doesn’t suck either. They’ll bring some of the metal and scrape the earth with it but Spencer Townshend Hughes and company know how to sculpt a tune with more grace and artfulness than a bunch of the clumsy metaphors in this write-up.
What:Disposal Notice, Eraserhead Fuckers, Wolfblitzer, hxcmidi When: Saturday, 05.11, 9 p.m. Where: Rhinceropolis Why: hxcmidi may look like she’s about to get up and throw down some yikes-level bedroom hip-hop but Aisha has a lot more in common with Realicide and thus the name—psyche sundering, harsh electronic beat and samples backed hardcore that shatters gentrified consciousness. Eraserhead Fuckers, now that guy looks like he’s going to show us all how to make a sweet Power Point and use FTP to load it to our pathetic starter websites and then laugh about it all later while getting “crunk” with his friends (a term about which they will all laugh like meme-lord gamers). But his lyrics shit through with incisive sounds and ideas are the shank the MAGA-hat wearing lunkheads and their cross-generational brethren need in this time of crisis.
What:DJ & Live PA sets by: Trisicloplox, $addy, Kid Mask, TimeLord SFX, Blank Human When: Saturday, 05.11, 8 p.m. Where: Thought//Forms Gallery Why: Okay, so you don’t want to have your mind blown by any of the above in their specific ways yet you want to get out to the chillzone without being put soundly to sleep. Technically this is a noise show but one with a stacked line-up of people who know how to transform the whole genre into mind-altering realms of sound and beat-driven injections of inspired strangeness. None of the acts are alike but share the same spirit of being furiously against boredom and musical mundanity.
Sunday | May 12
What:Tim Hecker & Konoyo Ensemble When: Sunday, 05.12, 8 p.m. Where: Bluebird Theater Why: For this first show in Colorado (probably) since March 2012 when Hecker performed in the Odd Fellows Hall in Boulder at an event sponsored by Communikey (now mostly defunct, boundary pushing electronic music group and festival), there will probably be more illumination than at an Autechre show or even the aforementioned performance where the light came from Hecker’s gear and the fire “Exit” sign. If footage of recent shows are any indication, it’ll be a fog-enshrouded affair with beams of light but none of it distracting from Hecker’s deep soundscapes and imagination-stirring, environmental drones. His recent Konoyo and Anoyo albums are less relatively pop-oriented than their immediate predecessor and not granulated like a sonic fog-sandstorm of the 2011’s Ravedeath, 1972. More like Hecker is giving us modern music with a similar mindset that informed the KPM 1000 catalog and Harold Budd and Eno collaborating again to go full abstract journey into sonic analogs of conscious awareness beyond the Bardo Thodol.
What:Cowgirl Clue, Venus305 and EVP When: Sunday, 05.12, 7 p.m. Where: Lost Lake Why: Forget the pictures of Ashley Rose Calhoun holding a BC Rich guitar. You could make something better at home with the proper routing tools, some basic electronic skills, soldering and some YouTube tutorials. And let’s hope she did and she’s using it as some kind of controller at some point. Kudos to her for putting on the cover of her album something colorful and strange. At any rate, her free-associating samples/synth track dance pop is playfully and unabashedly eccentric and like an update on electroclash. The local openers, Venus305 and EVP are like-minded weirdoes with confrontational performance styles that bring some edge to industrial dance and hip-hop-inflected pop.
Monday | May 13
What:Julia Jacklin w/Black Belt Eagle Scout When: Monday, 05.13, 7 p.m. Where: Larimer Lounge Why: Julia Jacklin’s vocal style is reminiscent of late 70s/early 80s Marianne Faithful with the sort of controlled, breathy yet tight and directed couplets. On her 2019 sophomore album Crushing, Jacklin evokes a smoky atmosphere enshrouding an introspective meditation on existential independence and rankling at the social expectations that undermine one’s sense of self. As facile as it is to say considering both songwriters are from Australia but fans of Aldous Harding will find much to appreciate with Julia Jacklin’s delicate and nuanced hand at songwriting and creatively poetic sensibilities. That and Jacklin just lays out how people need to step off and stop trying to make her fit into some mold that makes them feel comfortable with their own shortcomings and vices and let her figure out who she wants to be and where she wants to go on her own terms. Crushing is a heartfelt declaration of independence in one’s own heart and mind.
Tuesday | May 14
What:The Lemonheads with Tommy Stinson When: Tuesday, 05.14, 7 p.m. Where: Bluebird Theater Why: Like other bands of the era, The Lemonheads predated the alternative music eruption of the early 90s and were part of it on its own terms. Even though the band had signed to Atlantic for the release of its 1990 album Lovey it didn’t strike it big like it might have had the record come out a year or two later. The mixture of Americana, hard rock and punk coupled with Evan Dando’s gift for writing hooks and melodic songs with some bite and personal insight was very much what would be in great demand from 1991 onward but somehow The Lemonheads were never fully able to capitalize on what was becoming a trend but was also the group’s signature sound and sensibility. And yet, Lemonheads garnered some modest mainstream popularity before going on hiatus with Dando embarking on a solo career in 1998. The band has reunited as of 2005 and the songwriting has become tighter with essentially an edgier power pop sound but with Dando’s typically thoughtful, self-effacing words about heartache and loss. Tommy Stimson you should know from being the bass player of The Replacements but he also did his time in Guns ‘n Roses as well. As a solo artist, he’s a songwriter of no small gifts himself.
What:Garbage w/Pleasure Venom When: Tuesday, 05.14, 7 p.m. Where: Summit Music Hall Why: One of the great bands of the late alternative rock era that managed to remain great through to now. Shirley Manson is truly one of the most commanding singers fronting any band now and often disarmingly so because is able to belt out the tunes but with a nuance and delicacy of feeling that makes her performances so powerful.
Wednesday | May 15
What:Hatebreed w/Obituary, Madball, Prong, Skeletal Remains When: Wednesday, 05.15, 5:30 p.m. Where: The Ogden Theatre Why: Hatebreed is well known for being one of the torchbearers of 90s metalcore with its aggressive tones and spiky grooves. But one thing that seems obvious taking a sampling of its music throughout its career is that there’s a bit of the influence of Mike Scaccia-period Ministry. The willingness to let sounds hang atmospherically over the top of a driving, splintery, industrial riff. It’s an interesting contrast to the sort of tough guy image projected into the songwriting and presentation. In some ways Hatebreed is an interesting bridge in sound between Obituary’s driving death metal and Prong’s clipped dynamics and industrial dance/death disco sensibilities.
What:Walk Off the Earth w/Matt and Kim, Gabriela Bee of the Eh Bee Family When: Wednesday, 05.15, 6:30 p.m. Where: Red Rocks Why: Walk Off the Earth isn’t for everyone—that kind of folksy pop/indie rock/self-aware humor, posi-tip, quirky songwriting with elevated moods and a penchant for doing covers of songs that one would assume done out of a sense of irony but not so with Walk Off the Earth. At the end of 2018, though, the group lost its longtime member Mike “Beard Guy” Taylor due to natural causes and there was some speculation that the band was going on hiatus. But the quartet is now devoting the tour in honor of the memory of Taylor. Knowing the group, it’ll be as joyous as it has ever with a similarly exuberant set from indie rock party band openers Matt and Kim.
Who:Starjammer featuring Kuf Knotz When: Thursday, 04.25, 4 p.m. – ? Where: 3 Kings Tavern Why: Starjammer, the avant-garde dub reggae one-man/device band, will be playing two sets tonight in phases like a rocket launch. The Launch Pad Prep runs from 4-7 and the Late Night Lift Off starts at 9 and runs until the musical equivalent of escape velocity is reached. Or at least until you have to leave whether you want to or not.
Who:Bowshock and El Tigr3 When: Thursday, 04.25, 6:30 p.m. Where: Hooked On Colfax Why: This week’s Speakeasy Series presented by Glasss Records includes Bowshock, the experimental improv psych jazz reggae band.
Who:The Yawpers release of Human Question w/In the Whale and Fast Eddie When: Friday, 04.26, 8 p.m. Where: Gothic Theatre Why: The Yawpers have been writing solid, rough around the edges, southern fried punk rock and roll for years. While earlier releases honestly cataloged singer Nate Cook’s headlong dive into desperation and self-destruction, Human Question, with the image of an immolating figure walking out of the fields into the forest on the cover, is more introspective and taking into consideration a subject as the title suggests—what is the purpose and significance of living in the world as a creature fully capable of being self-aware, reflective and capable of extremes of behavior and of consciously choosing a path other than the most immediate and obvious. The record is a collection of rockers but, especially with the single “Carry Me,” The Yawpers prove that they are capable of more than rocking and that even at the root of that is a raw and nuanced cauldron of emotion and now more an ability to write from a place beyond primal urges with a finely tuned discernment as articulated with fiery displays of musical and poetic catharsis.
Who:Superorganism w/Simpson When: Friday, 04.26, 8 p.m. Where: Gothic Theatre Why: Originating in London, Superorganism is an international, multi-ethnic indie pop band whose members met through various internet channels and mutual friends. Its sound might be described as electronic music pitched to sound like something made using unorthodox, highly tactile instruments. In some ways the group’s 2018 self-titled debut is reminiscent of Kala-period M.I.A. with its fusion of styles and sounds and strong visual element to its performances.
What:PRF BBQ Day 1 When: Friday, 04.26, 8 p.m. Where: Black Sky Brewery Why: This is a three day music festival featuring some of the better Denver underground bands. On this night you can catch Dead Characters, New Standards Men, Modern Goon and Clutch Plague.
Who:Lotus When: Friday, 04.26, 8 p.m. Where: Summit Music Hall Why: Certainly Lotus’ fan base is largely comprised of those with a love of all things jam band. And Lotus’ free flowing groove and sprawling improvisations fit in that pocket as well. But there’s something more experimental to the band’s music slightly beneath the surface. Its 2018 album Frames Per Second showcases this well with unusual jazz structures and dynamics, moody bass lines, vocal processing, playful and colorful synth work. Like the inevitable musical offspring of Steely Dan and Jean-Michel Jarre, Lotus sounds like a band with chops playing fairly straightforward yet intricate grooves but there is a layer of subversiveness to keep it interesting beyond technical flourishes.
What:Lotus w/Ghostland Observatory, Jade Cicada and Magic Beans When: Saturday, 04.27, 5 p.m. Where: Red Rocks Why: If Lotus wasn’t responsible for this line-up directly, someone somewhere put together a great bill of bands who share a similar sensibility in adventurous electronic music suited to a large stage format. What:DMX w/DJ Chonz When: Saturday, 04.27, 7 p.m. Where: Summit Music Hall
What:Weird Touch When: Saturday, 04.27, 9 p.m. Where: Syntax Physic Opera Why: It’s one of many hip DJ nights probably more focused on indie releases than average that we’re fortunate to have in Denver.
What:The North Ensemble When: Saturday, 04.27, 7:30 p.m. Where: Trident Why: An avant-garde improvisational show in the back room/outdoors area in the back of Trident. Boulder likes to act like it’s weird but stuff like this is the rare occasion when it is in a productive way.
What:PRF BBQ Day 2 When: Saturday, 04.27, 4:30 p.m. Where: The Bakery Why: Simulators will rip your face off with their angular noise rock and when Moon Pussy finishes the process with its cybernetic psychedelic post-punk you will be glad you went unless you’re into safe, boring music. The other bands are probably worth it too. Schedule below.
Who:La Dispute w/Gouge Away and Slow Mass When: Sunday, 04.28, 6:30 p.m. Where: Summit Music Hall Why: Maybe it’s because Jordan Dreyer was a writer before ever making music. Maybe it’s because La Dispute’s take on post-hardcore and emo isn’t tied to the usual sounds and progressions. Sure you can hear bits of the influence of At The Drive-In and Refused but on another level the band’s music sounds like a heavier Bright Eyes or even Slint—that sense of desolation and desperation. Also on this bill/tour are two other bands within the realm of punk that are a bit different yet share some of the same sensibilities with Gouge Away, a band that combines an atmospheric heaviness with eruptive energy and an unexpectedly forceful frontperson in Christina Michelle. Slow Mass is one of the better bands out there that has fused emotionally taut math rock with fluid post-hardcore.
What:Shibui Denver #2 – Victoria Lundy and Blank Human When: Sunday, 04.28, 7 p.m. Where: Mutiny Information Café Why: Denver avant-garde veteran Victoria Lundy may play some of her classical material on Theremin or some of her spookier faire with the same as well as synth. Blank Human is a drone/ambient project from Dan Coleman also of Luxury Hearse.
What:PRF BBQ Day 3 When: Sunday, 04.28, 4 p.m. Where: The Bakery Why: Final evening of PRF BBQ including a performance from glam/psych post-punk stars Teacup Gorilla.
400 – 430 – Flowlines
445 – 515 – 50 Miles of Elbow Room
530 – 600 – Little Beards
615 – 645 – Falsetto Boy
745 -815 – Church Van
830 – 900 – Teacup Gorilla
915 – 945 – Purple Honey
1000 – The Gary
Who:Beach Fossils w/George Clanton When: Monday, 04.29, 7 p.m. Where: Oriental Theater Why: Beach Fossils is from Brooklyn but capture a more West Coast breeziness in its melancholic surf pop confections. Unlike artists mining similar territory, Beach Fossils’ songwriting in its emotional colorings. That Slowdive’s Rachel Goswell contributed to the group’s 2017 album Somersault gives the direction Beach Fossils have been going some cachet by lending some of her low key yet evocatively powerful vocals to the record. George Clanton brings his lush, IDM-esque, deeply atmospheric electronic pop along for this leg of the tour as well.
Tuesday | April 30
Who:Bayonne and Palm Daze When: Tuesday, 04.30, 7 p.m. Where: Lost Lake Why: Roger Sellers as Bayonne uses minimalist layers of texture-as-percussion and simple melodies to craft atmospheric pop that recalls late 2000s chillwave and its capacity to seemingly dispel anxiety and angst. His latest record, 2019’s Drastic Measures, should be on anyone’s short list for summer listening and to save for the winter months when it seems like warmer times are a distant memory.
What:Sage Francis & B. Dolan: Epic Beard Men and Vockah Redu and Wheelchair Sports Camp When: Tuesday, 04.30, 7 p.m. Where: Cervantes’ Other Side Why: Sage Francis and B. Dolan, two giants alternative hip-hop and superb lyricists, are touring in their collaborative alternate personas Epic Beard Men. The masterful phrasing won’t be in short supply tonight with Denver’s Wheelchair Sports Camp and its jazz and beats rooted offerings.
Who:Interpol w/Car Seat Headrest, Japanese Breakfast and Sunflower Bean When: Wednesday, 05.01, 5:30 p.m. Where: Red Rocks Why: Interpol could just tour on the strength of its fan base and pick some weird music industry management openers (and maybe that is part of this booking) but instead the post-punk stars are having three of the best indie rock bands opening the show. Between Car Seat Headrest’s lo-fi, emotionally raw math rock, Sunflower Bean’s driving, brooding post-punk and Japanese Breakfast’s highly imaginative and powerful guitar rock soundscaping the opening sets alone are worth the price of admission but then you get to see Interpol whose back catalog has held up better than that of many of its peers from the late 90s and early 2000s.
What:Lil Pump w/Lil Skies When: Wednesday, 05.01, 6 p.m. Where: Fillmore Auditorium Why: Lil Pump turned 18 last August so expecting wisdom and thoughtfulness even on his 2019 album Haverd Dropout might be a bit much. He’s got a long way to go before his mumble trap is in the same league as Migos or his raps and performance in the same realm as Vince Staples or anyone in the A$AP crew or Odd Future. But it’s obvious he’s borrowed a lot from all of them. Nevertheless, Lil Pump is likeable enough despite his deficits and as he grows as an artist and as a human hopefully he’ll grow in more interesting and original directions so that the implicit faith that collaborators like Kanye West, Lil Wayne and 2 Chainz put in his sophomore album. It’s clear Pump is a weirdo so with any luck he’ll embrace that side of himself and give us a third album on which he truly lets his freak flag fly.
What:Weird Wednesday: Orbiting Olympia, Elk Minister, Tears to Light When: Wednesday, 05.01, 9 p.m. Where: 3 Kings Tavern Why: Weird Wednesday this month features Orbiting Olympia which is a grand alchemy of Eve Orenstein’s opera training and Sean Faling’s mastery of synthesizers both analog and otherwise. Elk Minister is a multi-instrumentalist, self-styled mystic and songwriter who has been sitting on his material for years. His visual presentation on his social media accounts look like he’s come back from some junkyard holy site with the appropriate twenty-third century raiment.
What:Lizzo w/Tayla Parx When: Wednesday, 05.01, 7 p.m. Where: Ogden Theatre Why: The show is sold out but if you can get in you can catch rising hip-hop/pop star Lizzo before she starts playing much larger venues (like her October date in Denver at the Fillmore) from now on. Her 2019 album Cuz I Love You has the kind of frisson that sounds, at times and certainly the “Juice” single, like something that might have come out of a late 70s-period Studio 54 playlist. Except not dated. And across the record Lizzo shows off her chops as a vocalist of great emotional power and a songwriter with a keen ear for dynamics. Fans of Prince are well-advised to give Lizzo’s new album a deep listen because it’s worth it.
Who:The Drood, Church Fire, blackcell, Mudwulf and dizypixl When: Thursday, 03.14, 8 p.m. Where: Ophelia’s Electric Soapbox Why: The Drood could be described as a horror ambient band with a penchant for subverting the dark music paradigm with wry humor and deeply imaginative reworking of tropes into new shapes. It’s what gives the band a kind of timeless and otherworldly quality even as it uses familiar sounds and moods to weave its unusual narratives. Church Fire similarly uses the vocabulary of dance and industrial music to enter mythic psychological spaces to comment on culture and political issues without boring us with didactic and topical platitudes. Blackcell is the longest running industrial/EBM band in Denver but one that has evolved so much since its early days as essentially and industrial noise act into one of the great the abstract/ambient dance/darkwave bands today. Mudwulf will bring an unpredictable collection of underground electronic music to DJ and Dizypixl, known for her work with Skinny Puppy, will provide brain-stirring visuals.
Who:Ian Svenonius’ Escape-ism with his “FoundSoundDreamDrama” When: Thursday, 03.14, 9 p.m. Where: Lane Meyer Products Why: Even though The Lost Record, the debut from Escape-ism, the latest project from Ian Svenonius, the frontman of The Nation of Ulysses, The Make-Up, Weird War and other noteworthy musical entities over the years. Musically it sounds like lo-fi electroclash (or an even more lo-fi take on that musical movement). But that jibes with what is obviously a concept with music videos that look like its borrowing the aesthetics of an un-cool era, particularly the Super-8 vibe of the video for “Nothing Personal,” to pull listeners, and presumably those attending the show, out of everyday consciousness. Across his career as a musician, Svenonius and his partners have attempted to make music to engage both body and mind whereas much of modern culture and entertainment seems aimed at atomizing us as people from each other but also within ourselves. That the show is booked at something outside the usual purview of a bar or conventional venue should be telling as well regarding the aims of the performance.
Friday | March 15
Who:Adia Victoria wNina and the Hold Tight and Brother Sister Hex When: Friday, 03.15, 7:30 p.m. Where: Larimer Lounge Why: Adia Victoria’s 2016 album Beyond the Bloodhounds introduced the world to the songwriter’s brooding, expressive, bluesy songwriting. Her 2019 album Silences finds Victoria expanding her sound, now operating in a realm somewhere between Rubblebucket’s soulful pop and Nick Cave’s smoldering intensity.
What:LEAF Night 1: Performances When: Friday, 03.15, 7 p.m. Where: Colorado Music Festival & Center for Musical Arts Why: This year’s edition of the Lafayette Electronic Arts Festival kicks off with a bevy of visionary avant-garde electronic music. This year’s programme of performances will inclue: Derek Holzer – Vector Synthesis AV Performance, Janet Feder and Joshua Ott – Prepared Guitar & Electronic Image, L’Astra Cosmo – AudioVisual Vector Synthesis, Sean Winters & Angie Eng – Piano and Electronic Image. In the cozy yet spacious performance space that is the Colorado Music Festival & Center for Musical Arts, these performances showcase some of the new ways in which creative people are integrating technology in both the musical and visual realm with concepts driving their application. Curated by David Fodel, LEAF strives to bring unique experiences that connect cutting edge artists with audiences/participants open to experiencing something you’re not likely to at a conventional music venue of any kind or all that much in academia either. Heady stuff.
What: Meet the Giant, Dead Orchids and Altas facebook.com/events/326517057982697 When: Friday, 03.15, 8 p.m. Where: BarFly Why: A free show and a bill that includes some of the best bands in Denver. Meet the Giant is an emotionally charged dream pop/rock band who are playing music with atmosphere and delicacy and nuance but delivered like its three members spent a youth in punk. Dead Orchids is a beautifully gloomy, bluesy, experimental rock project. Altas may be collectively the funniest band in Denver but the electrifying grandeur of its visceral instrumental rock lacks not for serious explorations of inner space.
Saturday | March 16
What:LEAF Night 2: artistTalks When: Saturday, 03.16, 7 p.m. Where: Colorado Music Festival & Center for Musical Arts Why: This second night of the Lafayette Electronic Arts Festival includes the presentations/artistTalks, rather than performance, component of the event with a programme as follows: Derek Holzer – A Media Archaeology Of Vector Graphics, Jason and Deborah Benagozzi – What IS Signal Culture? The Signal IN the Culture, libi rose striegl – Digging In: A hands-on Guide to Media Archaeology, Janet Feder – Trip Sitting: A guided journey along the timeline of psychedelia.
What:Lipgloss pressents: Alice Glass DJ set w/Boyhollow When: Saturday, 03.16, 9 p.m. Where: Ophelia’s Electric Soapbox Why: Alice Glass’s musical output since her departure from Crystal Castles in 2014 has been a showcase for a gift for poignant expressions of agonizing emotional turmoil and strength in the face of being torn up from the inside out.
What:Johnlukeirl fka DJ Clap, Techno Allah, Kid Mask, DJ JFK, Timelord SFX, Blank Human and Wayzout When: Saturday, 03.16, 8 p.m. Where: Thought//Forms Gallery Why: A night of music where ambient, experimental dance and noise meet. A bit more on the bright tones and compositions bordering on an updated version of chillwave on the beats with Johnlukeirl and downtempo ambient noise and glitchcore with Kid Mask along with analog-synth driven ambient with Blank Human so definitely not all of a piece.
Sunday | March 17
What:Sliver, Motherhood (CAN), Weep Wave (Seattle) and Thatcher When: Sunday, 03.17, 8:30 p.m. Where: Lion’s Lair Why: This’ll be an eclectic bill with Sliver’s post-grunge bursts of arresting emotional intensity, Weep Wave’s lo-fi psychedelia akin to the likes of Caustic Resin and some of the weirder bands on the Siltbreeze imprint, Motherhood’s math-y art punk rendering of high concept pop songs (see our interview with the band here) and Thatcher’s Velocity Girl-esque shimmery melodies.
Monday | March 18
What:Vince Staples w/JPEGMAFIA and Trill Sammy When: Monday, 03.18, 7 p.m. Where: Ogden Theatre Why: Vince Staples and JPEGMAFIA are two of the most incisive critics of modern culture and the music industry. With a massive knowledge of music far beyond hip-hop both artists have some of the most sonically interesting beats going.
What:Endless, Nameless, Balms, Wander, YUFI64, Old Soul Dies Young When: Monday, 03.18, 8 p.m. Where: Seventh Circle Music Collective Why: Denver-based, introspective math rock band Endless, Nameless celebrates its return from its most recent tour this night. Also on the bill is Balms from San Francisco whose fuzz-tinged shoegaze sounds like the melodic analog of waves crashing against jagged rocks. Fans of Ceremony’s most recent music or True Widow will find much to like about Balms. Its debut full-length Mirrors was released in February 2019. Wander is a post-rock band from the Bay Area (San Leandro) whose own dynamic buildups are reminiscent of the subtle yet irresistible flow of ocean tides and coastal breezes.
What:Blood Incantation, Of Feather and Bone, Black Curse, Prison Glue and Many Blessings When: Monday, 03.18, 7 p.m. Where: Syntax Physic Opera Why: Blood Incantation is a band that sounds like its members are having fun with the sonically absurd possibilities inherent to an over-the-top-yet-technically-challenging genre like death metal. The result is one of the most unusual and powerful live bands you’re likely to see in the realm of metal or anything else. But the band and everyone else on this bill is coming together for a fundraiser for James Trejo of Cadaver Dog and various other projects who was assaulted on tour resulting in a broken orbital floor in his face. Some people’s children.
Tuesday | March 19
What:The Black Queen w/Uniform and SRSQ When: Tuesday, 03.19, 7 p.m.
Where: The Marquis Theater
Why: The Black Queen is a darkwave band from Los Angeles comprised of former members/associates of The Dillinger Escape Plan and Nine Inch Nails (including Joshua Eustis who also writes and performs music as Telefon Tel Aviv). Its sound combines ethereal dream pop guitar sounds with the sort of soulfulness found in a lot of 80s synth pop. But with a more modern take as though vocalist Greg Puciato wasn’t just familiar with Talk Talk and Heaven 17 but Perfume Genius and Big Black Delta. In 2018 the group released its second album Infinite Games the day it played the prestigious Cold Waves festival (the Los Angeles edition). But this bill isn’t short on noteworthy artists out of the new industrial and darkwave era. Uniform’s confrontational and political minimal synth and industrial assault is along for this show as well as SRSQ (pronounced seer-skew), the now project from Kennedy Ashlyn, the vocalist and keyboard player of Them Are Us Too. The new music is ethereal with emotionally arresting vocals as one might expect but also with more a downtempo, yet majestic, after-hours dance club vibe. The SRSQ album, Unreality, came out on Dais Records in 2018.
What:Mike Krol w/Vertical Scratchers and Slugger When: Tuesday, 03.19, 7 p.m. Where: Globe Hall Why: Mike Krol did it right. Emerged during the wave of the recent garage rock/psychedelic rock revival of the 2010s where his fuzz-drenched, wiry melodies fit in with the biggest movement in underground rock in years. Then came out the other end of the wave with his knack for snappy, wiry melodies and charmingly lo-fi production intact. Sure maybe you can hear the touches of Jay Reatard and the Oblivians in the music but Krol’s own spiky highlights and tonal gyrations are his own and his 2019 album out on Merge Records, Power Chords, showcases all of that as well as the songwriter’s keen psychological insight and gift for poetic turns of phrase. What:Remain and Sustain, Meth., Motherhood, Its Just Bugs and Non Systemaddict When: Tuesday, 03.19, 7 p.m. Where: Seventh Circle Music Collective Why: Seventh Circle gets plenty of experimental music through the door but this night is one that’ll be fairly mixed. Meth. is a Chicago-based noisecore band that mixes some genuine soundscaping into its set. Its Just Bugs is a confrontational hip-hop band from Colorado that often uses industrial beats and noise. Motherhood is a trio from Fredericton, New Brunswick that combines high concept songwriting with playfully intricate art rock. Remain and Sustain is a sort of deathgrind/hardcore band from Denver. To name a few.
Wednesday | March 20
What:Metric & Zoé w/July Talk When: Wednesday, 03.20, 6:30 p.m. Where: The Fillmore Auditorium Why: Metric’s latest album, 2018’s Art of Doubt, crafts a complex narrative commentary on the factious times in which we live. Rather than something so heavy-handed and topical., the lyrics explore the psychological and existential gyrations that seem to have been reflected on the backdrop of a time of great peril, tension, hope and a desire for relief knowing that tough decisions can no longer be put off as we sit on the brink of climate disaster and extinction. That, in fact, an overwhelming sense of doubt blooms from everyone’s psyche inspiring extremes of feeling and the expression thereof. Across the album the band channels those feelings and rides out the eddies of the flow of feeling and the maddening peaks of heightened emotion. In the live setting Metric manifests its colorful and passionate songwriting in a cathartic and captivating manner so this might be a tour to catch.
What:2X4 Duo Fest: Smashy Claw, Sugar Skulls and Marigolds, Gold Trash and Gort Vs. Goom When: Thursday, 09.27, 7:30 p.m. Where: Syntax Physic Opera Why: This second annual edition of 2X4 Duo Fest features four duo bands (thus the name, of course). For this edition, as with the 2017 event, organizer Logan Rainard of Gort Vs. Goom assembled a genre-diverse bill. His own band, Gort Vs. Goom would have been considered punk 40 years ago before what that was supposed to sound like got more or less settled by some codification of the genre. Bass, drums, vocals and raw power with some nods to prog and art rock. Gold Trash is part noise, part electroclash and general pop chaos. Sugar Skulls and Marigolds would probably fit easily into a broadly metal world except the band’s musical range includes their “acoustic” set which sounds more like ghostly post-punk. Smashy Claw is what would happen if a couple of very self-aware geeks decided to get into writing eccentric alternative pop songs. Only if those geeks weren’t wasting our time with filking and had a real knack for good songwriting.
Who:Too Many Zooz w/Honeycomb When: Thursday, 09.27, 7 p.m. Where: The Bluebird Theater Why: Too Many Zooz is a percussion and horns-driven jazz band that performs a style of music it calls “brass house” in that it employs acoustic instruments to make sounds that are like the use of samples in an electronic hip-hop beat. The group has performed with Beyoncé on the strength of its chops and creativity and its own albums and shows are an impressive display of what one can do with instruments you’re using to seeing in other contexts once you engage your imagination to see their possibilities in others. The group recently released a video for the single “Car Alarm” in which the trio brilliantly plays around, yes, a car alarm and makes it work.
Who:Slothrust w/Summer Cannibals and Iress When: Thursday, 09.27, 8 p.m. Where: Lost Lake Why: Boston’s Slothrust combines a kind of jazz-inflected R&B mixed with fuzzy rock. It’s sound has been compared to the 90s revival of the past few years but the structure of its songs often have more in common with hip-hop than grunge and its quieter more introspective side with soulful folk. Its new record, 2018’s The Pact, brings these sides together well in a well-sequenced album that has the eclectic musicality and depth of expression in its thoughtful lyrics that we’ve come to expect from the band.
Also on this tour is Summer Cannibals from Portland, Oregon. The band’s sound defies easy categorization beyond hard rock but it has some loose around the edges wildness akin to Babes in Toyland and L7. Except Jessica Boudreaux’s voice is both melodic while cutting through the fuzzy sparks of the band’s driving forward momentum. Some might call Summer Cannibals garage punk but it’s guitar work is much more compelling than most of that wave of music and its musical vision more coherent as well.
Who:Gary Numan w/Nightmare Air and DJ Slave 1 When: Friday, 09.28, 8 p.m. Where: Gothic Theatre Why: For those somehow not familiar, Gary Numan beyond his 1979/1980 Top 40 hit “Cars,” was a pioneer of the use of synthesizer as a compositional element in pop music. His old band Tubeway Army was a post-punk project and that sort of moody, brooding element continued on into Numan’s career under his own name. Throughout the 80s, Numan explored themes of alienation, the impact of technology on human civilization and psychology and the ways technology could be used to write and produce music. Numan also experimented with integrating other styles of music outside his perceived repertoire and his body of work and through the 90s were an obvious influence on industrial music generally and industrial rock specifically. In the 2000s Numan has delved further into conceptual work in his songwriting especially his two most recent albums, 2013’s Splinter (Songs from a Broken Mind) and 2017’s Savage (Songs from a Broken World). Numan is no stranger to using dystopian science fiction ideas or even simply examination of possible futures extrapolated from the present in his music but Savage is one wherein he posits a near future where global warming has caused a worldwide desert. In seeking answers what remains of humanity seeks answers in ancient religion rather than trying to deal with the world as it is with disastrous results. As with most science fiction a warning with some uncomfortable truths about humans contained within it and a suggestion to seek creative solutions rather than what we think is tried and true.
Who:Guerilla Toss w/Black Belt Eagle Scout and H Lite When: Friday, 09.28, 8 p.m. Where: Hi-Dive Why: Guerilla Toss came up through the underground/DIY music world of Boston and New York where it experimented with musical ideas and concepts, developing what might be described as weirdo electro No Wave funk. Except that wouldn’t encompass completely a sound and performance style that includes the threads of punk fury and wiry energy, noise, prog and the avant-garde. The group recently released its latest album Twisted Crystal, an album that seems to transform some of the band’s frantic, nervous energy into dense yet beautifully expansive atmospheres while using its angular dynamics straight into those more fluid. It’s a fascinating mixture of ideas and sounds that is both alien and comforting in a way that a surreal cartoon or live action show from your youth can be.
Who:Modern Goon, Luxury Hearse, A Light Among Many, New Standards Men album release When: Friday, 09.28, 9 p.m. Where: Denver Distillery Why: New Standards Men released it’s new album People Wonder digitally on September 24. But it’s celebrating the release of the record with this show with like-minded peers at Denver Distillery. The Denver-based band has been releasing some of the more interesting experimental heavy guitar music of recent years in the Mile High City but the material on the new album has as much in common with 90s, dark math rock legends like A Minor Forest and Don Caballero as it does with even an adventurous doom band of today though some of that style of deep droning is present on the songs “Tanned Womb” and “Thirteen Alaskan Islands/Pacific Blood.” But it’s the sparkle and drift over the driving fuzz that makes the music breathe and invites the imagination to project onto its soundscape.
Who:Flahoola, To Be Astronauts, Denver Meatpacking Company When: Friday, 09.28, 8 p.m. Where: The Skylark Lounge Why: Denver Meatpacking Company may hearken back to early alternative rock in the grunge vein but it does so with a charming self-consciousness that transcends any mere nostalgic kick. Flahoola as well but their sound is more like an early 2000s melodic stoner rock band that injects more energy into the rhythm.
Who:Weaponizer and Necropanther When: Friday, 09.28, 9 p.m. Where: Tooey’s Off Colfax Why: Two of the best bands from Denver that in another era would have been considered thrash but thrash already happened and today’s metal bands that aren’t going for pure throwback cachet have been influenced by a broad spectrum of music, heavy and otherwise. Weaponizer’s more gritty style is like a more menacing, grind-esque, speed metal. Necropanther’s sound is closer to melodic death metal but a little too animalistic in the vocals for all of that.
Saturday | September 29, 2018
What:Whaaat!? A Festival for Games and Experimental Interaction When: Saturday, 09.29, 9 a.m. to 4 p.m. Where: ATLAS Institute at CU Boulder Why: This is a one day event dedicated to experimental games (arcade/video, tabletop et. al.) with featured speakers on the subject of gaming and development. Mattie Brice is not just a game designer but an activist in the games industry whose work includes Mainichi, in which players take on the role of the daily life of a transgender person. Her work has also been important on the subject of diversity in the gaming world generally. Pippin Barr, like Brice, is a game designer and educator who teaches game design and programming. Barr’s games are often unconventional and challenge traditional notions of what computer games can be including The Artist is Present, inspired by and involving performance artist Marina Abramović’s piece of the same name. The event gives attendees a chance to witness and participate in cutting edge games and interact with some of the minds behind them. Those interested should register at www.whaaat.io.
Who:Ned Garthe Explosion, Oxeye Daisy and Church Fire When: Saturday, 09.29, 8 p.m. Where: Hi-Dive Why: Ned Garthe Explosion makes a good case for why modern psychedelic rock isn’t dead. Even from early on, the show itself has been chaotic and colorful enough to be worthy of the term psychedelic in not only sound, content and presentation. And yet, the songwriting has always been solid and interesting. Oxeye Daisy has seemingly leapt past 90s alt-rock nostalgia into a musical zone that, sure, bears the influences of that era, that is more energized atmospheric pop than anything throwback. Its sound is very much of the present and fans of Wye Oak and Japanese Breakfast should take note. Church Fire has secretly and not so secretly been one of Denver’s most engaging live bands for not just its irresistible dance beats but its willingness to go beyond the map of middle-of-the-road accessibility mixing in noise, industrial dynamic edge and Shannon Webber’s impassioned vocal delivery.
What:Industrial Music For the Masses Vol. 2: DJ Ed Gein and eHpH When: Saturday, 09.29, 9 p.m. Where: Milk Bar Green Room Why: Denver EBM/industrial rock band eHpH has been hitting a strong creative vein of late crafting vibrant and engrossing atmospheric electronic music shot through with a palpable emotional power. Always interesting, the duo is now starting to hit its stride as a band.
Who:Belly Eater, Curt Oren, Real Dom, $addy, Oxygen Thief and Dr. Hamburger When: Saturday, 09.29, 8 p.m. Where: Thought//Forms Gallery Why: Fairly broad spectrum of noise and related music at this show. Belly Eater from Ohio is sort of a noisy, Atari Teenage Riot-esque breakcore punk band. Chicago’s Curt Oren does avant-garde audio-acoustic music including processed saxophone. Real Dom from Iowa threads together synthwave and noise. $addy makes bizarro video game music for stuff way more interesting and haunting than Sad Satan and without the disturbing baggage of the latter. Oxygen Thief is true bedroom techno dungeonwave, or something. Dr. Hamburger has landed in Denver from Rochester, New York to share his processed real time environment noise. Somehow none of these acts sound anything alike and the bill is better for it.
Who:Chelsea Wolfe w/Russian Circles When: Friday, 09.28, 8 p.m. Where: Cervantes’ Masterpiece Ballroom Why: Chelsea Wolfe’s knack for making deep, dark, loud music was built on a foundation of the dynamics and sonics of acoustic, old world folk music. Along with her channeling her experiences with sleep paralysis, anxiety and other psychological trauma into her art, Wolfe’s music has an unexpected depth and emotional intensity beyond anyone trying to pen her music in as doom or Goth or neofolk or anything so narrowly defined. For this tour she’s sharing dates with instrumental metal group Russian Circles whose own music seems to come from a primordial place from which all ancient religions and rituals find their root. Although associated with metal, Russian Circles sounds like its music origins are steeped in posthardcore and, like Wolfe, ancient, certainly pre-Christian, folk music.
Who:Lyrics Born w/Indigenous Peoples, AG Flux and Bukue One When: Saturday, 09.29, 8 p.m. Where: Cervantes’ Masterpiece Ballroom Why: Tsutomu Shimura used to call himself Asia Born because he was actually born in Tokyo. But early in his career he changed his hip-hop moniker to Lyrics Born so that the perception of his work would be a product of its own merit rather than through some essentialist filter. To his credit, Lyrics Born’s fluid delivery and vocal centered, funk-driven, songs bring an experimental dimension to a style of hip-hop that sounds like something from a classic 80s era rather than something that is pushing stylistic boundaries. Lyrics Born is now touring on his first album in a few years, Quite a Life.
Who:Cuckoo, Magpies (MT), Grave Moss and Surrender Signal When: Saturday, 09.29, 9 p.m. Where: The Skylark Lounge Why: Magpies got started in Havre, Montana, close to the Canadian border, in 2006 and given its bright, introspective indie rock probably didn’t find too big an audience at home before moving to Missoula in 2012 where, like most bands that don’t have some kind of marketing budget or an influential PR team, it plays to small rooms regularly. But the band did what not every group does, it went on tour and has released multiple albums including 2017’s Annex. Brooding, fuzzy and anthemic, it’s something for fans of Rainer Maria and Eleventh Dream Day.
Rounding out the bill are three Denver bands that resist pat classification. Cuckoo may have at one point sounded a little like a math rock version of a hardcore band but now that math-y side has become more dominant with intricate guitar work in the context of a spare and simple songwriting context. Grave Moss is sort of like a death rock band if that band wasn’t brooding so much as burning with nervous energy and dynamics. Surrender Signal’s mixture of introspective moods, cool melodies peppered with atonal highlights and emotional urgency is reminiscent of acts on the Teenbeat imprint and early Merge Records.
Who:Courtney Barnett w/Waxahatchee When: Saturday, 09.29, 8 p.m. Where: The Ogden Theatre Why: Courtney Barnett’s witty, self-effacing songwriting goes beyond merely clever wordplay and a poignant observation here and there. It’s often as though she’s tapping into a modern contemporary zeitgeist or able to express her experiences, feelings and imagined scenarios in a way that is immediately relatable to anyone that has taken some time to ponder what life is all about or at least be amused by circumstances that resist immediate interpretation. Throughout her career, Barnett has been especially adept at humanizing anxiety as experienced. Barnett doesn’t treat the experience as simply a condition to be treated in a clinical fashion, rather she articulates with telling details and humor how that emotional wrecking ball affects one’s life in a myriad of ways, shining a compassionate light on its several darkened corners of in the psyche. You can pick up anywhere in Barnett’s catalog and get a record worth taking the time to delve into but her 2018 album, Tell Me How You Really Feel, is a seemingly more subdued affair sonically speaking if not so much in the words. When you call songs “I’m Not Your Mother, I’m Not Your Bitch” and “Crippling Self-Doubt and a General Lack of Confidence” you’re not mincing words and on the new record Barnett spares us the niceties in favor of personal truth.
Katie Crutchfield of Waxahatchee is no stranger to laying bare a powerful vulnerability in her own songwriting and performances. Her own storytelling has a warmth and intimacy that when coupled with the spacious, expansive quality of the music an impact that lingers with you long after the song is over. Crutchfield transmogrifies the fear, uncertainty and anxiety at the heart of the experiences of most people living today in this crumbling and increasingly demanding civilization into anthems of to soothe and comfort without sugarcoating the way things are. Waxahatchee released the Great Thunder EP in 2018.
Sunday | September 30, 2018
Who:Courtney Barnett w/Waxahatchee When: Sunday, 09.30, 7 p.m. Where: The Ogden Theatre Why: For Waxahatchee and Courtney Barnett see above for 09.29.
Who:Earthless w/Mad Alchemy and Green Druid When: Sunday, 09.30, 7 p.m. Where: The Marquis Theater Why: San Diego’s Earthless is on a surface level a sort of bluesy psychedelic rock band akin to Mountain or Uriah Heep. Except with a modern sensibility like its members have already heard and been imprinted a bit by peers like Dead Meadow and Sleep. But Earthless’ embrace of the imagery of natural mysticism and the aesthetics of kosmische musik gives its music an air of otherworldliness even as it employs rock and roll sounds and rhythms that may be familiar to many of its listeners. Its new album, 2018’s Black Heaven, has the band following the rabbit hole of its musical intuition down paths it might not have taken if the songwriting was consciously crafted with standard song structure.
What:Textures: Chromadrift, Blank Human and Ancient Inc. When: Sunday, 7:30 p.m. Where: Mutiny Information Café Why: This latest edition of the Textures ambient showcase features dream pop/guitar drone artist Chromadrift, Blank Human’s modular synth compositions (Blank Human’s Dan Coleman is also in experimental electronic/industrial duo Luxury Hearse) and Ancient Inc., a project that uses field recordings, ancient acoustic instruments and production to create its textured sonic atmospheres.
Who: Brighter Death Now w/Theologian, Echo Beds, Page 27 and Gruesome Relics When: Sunday, 9 p.m. Where: TBA Why: As Brighter Death Now, Roger Karmanik has been a prolific and influential maker of forbidding industrial soundscapes and noise. His now defunct record label Cold Meat Industry introduced the world to some of the most innovative and challenging music of its time from 1987 to 2013. This is a rare chance to see the Swedish artist live in Denver with a handful of like-minded local acts.
Monday | October 1, 2018
Who:The Presets w/Blood Red Shoes When: Monday, 10.01, 7 p.m. Where: The Bluebird Theater Why: The Presets from Sydney, Australia is a duo making the kind of electronic pop that on the surface is fun, high energy dance music. But their latest album, 2018’s Hi Viz makes it more obvious the depth of influence and innovation going on underneath what seems obvious. “Beethoven” and other tracks are reminiscent of the dark, cavernous, mysterious club vibe that was an aspect of the music of Underworld in the 90s—a calming tone amid urgent rhythms. Along with fellow Sydney electronic artist Flume, The Presets helped to bring Australia’s dance music world to a global audience. Even though Hi Viz, as the name suggests, was aimed at broadening the duo’s potential fan base with a diversity of musical ideas loaded into the tracks, the experiments also made for one of the more interesting electronic albums of this year thus far.
Who:The Breeders w/Sasami and Boyhollow When: Monday, 10.01, 7 p.m.
Where: The Bluebird Theater Why: Alternative rock band The Breeders came through Colorado in the spring touring in support of its 2018 album All Nerve. While one of the band’s stronger efforts of the past twenty years it also includes an interesting pick of a cover song with “Archangel’s Thunderbird” by classic psychedelic prog band Amon Duul II. The band is also bringing along Sasami as in Sasami Ashworth, former member of Cherry Glazerrr, on her solo tour in the wake of the release of a couple of acclaimed singles.
Who:Lucy Spraggan w/The Dollhouse Thieves, Sarah Slaton When: Monday, 10.01.18 7 p.m. Where: Lost Lake Why: Lucy Spraggan is a singer/songwriter from the UK who was already making a name for herself as an artist of note before auditioning for The X Factor and, in fact, had already signed to Columbia before any episode in which she appeared aired to the public. Spraggan is an LGBTQ activist in the UK and she and her partner foster disadvantaged children and that points to the compassion and and emotional strength of her songwriting. 2017’s I Hope You Don’t Mind Me Writing is brimming with the aforementioned along with an irreverent and sometimes self-deprecating sense of humor. Spraggan’s new album is set for release in 2019 but for this tour you may get to hear some of that material.
Who:IDLES w/Bambara When: Monday, 10.01.18, 7 p.m. Where: Larimer Lounge Why: IDLES from Bristol, UK put out an album in 2018 called Joy as an Act of Resistance. A bold title and one the band was able to live up to at a time when too much of punk is fairly traditionalist in most ways. Musically it’s more experimental than a lot of punk and could be considered post-punk but the vibe is there and the critique of cultural distraction as aspirational reward, fake do-gooders, self-destruction and toxic masculinity is refreshing. Also on the tour is Brooklyn, New York’s Bambara. There’s a lot of darkwave-inspired bands and a new post-punk revival that’s been going on for nearly a decade but Bambara manages to stand out with some genuinely deep personal darkness in the vocals and sonics reminiscent of Red Lorry Yellow Lorry and The Birthday Party in post-come down mode. It’s own 2018 album, Shadow On Everything, delivers on the promise of that title.
Tuesday | October 2, 2018
Who:<PIG>, eHpH, Offerings to Odin, and DJ n810 When: Tuesday, 10.02, 7 p.m. Where: 3 Kings Tavern Why: Raymond Watts of <PIG> has been an influential figure on the sound and aesthetics of industrial music going back to the early-to-mid 80s as a producer, an artist and a sound engineer. While touring with Einsturzende Neubauten he had to tangle with a challenging live sound situation with that band’s use of large art pieces and experiments as noisemakers as well as more conventional instrumentation. He contributed to some of KMFDM’s most interesting work and with <PIG> he was an innovator in both industrial rock and finely sculpted ambient music. For this tour it’s mostly going to industrial rock but Watts’ stage performance draws on the antics of Freddie Mercury and Rob Halford and the aesthetics of a Kenneth Anger’s 1963 film Scorpio Rising. Or if not, that’s what it looked like while he was touring with Ohgr over the summer of 2018.
Who:Vase Vide w/Patrick Hale Coyle and Housekeys When: Tuesday, 10.02, 8 p.m. Where: Thought//Forms Gallery Why: Vase Vide is yet more proof that Colorado Springs is “hiding” some of Colorado’s most interesting bands. Sure, synth pop, but too weird and inherently experimental for just that. Daniel Oglesby’s and Kellie Palmblad’s vocal layers and treatments are certainly accessible but challenge conventional notions of what forms pop music can take. Along with the music and visual presentation of the band, Vase Vide may not be so well-known in Denver but the quality of the imagination going into its music and concept should garner the group national and international attention.
Wednesday | October 3, 2018
What:Weird Wednesday: Enji, Dr. Hamburger and Gothsta When: Wednesday, 10.03, 9 p.m. doors/9:15 show Where: 3 Kings Tavern Why: October’s Weird Wednesday will be extra weird with video game electronics/guitar looping from Enji who will probably perform in an unusual mask. Gothsta is Weird Wednesday host Claudia Woodman’s keytar band and so a bit of glam presentation and the odd but on point cover. Dr. Hamburger is Cameron Farrash from Rochester, New York whose layers of textured beats, drone, harsh noise and ambient tones creates a surreal, even otherworldly ambiance.
Who:Atmosphere w/Musab + Ink Well (Mink), deM atlaS, The Lioness and DJ Keezy When: Thursday, 12.07, 8 p.m. Where: Ogden Theatre Why: Though Atmosphere is all but a mainstream hip-hop act these days, Slug and Ant had their roots in underground hip-hop in the 90s. As cofounders of Rhymesayers Entertainment, the influential Minneapolis hip-hop imprint, Slug and Ant participated in that creatively rich and collaborative environment nationally that included the Mush Records and Anticon Records imprints and Slug’s participation in Deep Puddle Dynamics, the alternative hip-hop supergroup that also included Sole, Doeseone, Alias and Jel of Anticon. But Atmosphere slowly started to enjoy greater levels of commercial success after the 90s while still remaining an innovative and interesting project. By the time of 2008’s When Life Gives You Lemons, You Paint That Shit Gold, Atmosphere worked with Tom Waits on “The Waitress.” Each of Atmosphere’s subsequent albums have charted respectably on the Billboard charts. But none of that would matter a bit if the music wasn’t worthwhile. On 2017’s Fishing Blues, Slug has returned to the deeply introspective delivery style that made his early work so compelling. Except the naivete is gone but the need to express his truth from the perspective of an older person who doesn’t find some of the bravado of his youth so charming and who finds the desperation to be oh-so-clever boring. Atmosphere today doesn’t lack for the energy for which it’s become known but it is more sharply channeled. Atmosphere is performing numerous shows throughout Colorado over the next ten days or so, the front range shows shows, in addition to the Thursday, December 7 date in Denver include shows on Saturday, December 9 at The Aggie Theatre in Fort Collins, December 10 again at Ogden Theatre in Denver, December 12 at Black Sheep in Colorado Springs and December 13 at Boulder Theater in Boulder.
Friday: December 8, 2017
Who:Ian Cooke The Flight I Flew album release show and Going Away Party When: Friday, 12.08, 9 p.m. Where: Syntax Physic Opera Why: Ian Cooke is moving to South Carolina in 2018 to be with his partner of the last handful of years. And when you listen to his 2017 album The Flight I Flew, you can tell he went through an extended period of emotional confusion and turmoil ultimately coming to a place where his heart and and head are in alignment and his creative music given a focus that maybe it hadn’t had in such a short span of time that it took to assemble the new record. You can hear in the album’s songs the epiphanies, the self-realizations, the accepting of forgiveness that takes real work on the part of both people, and the commitment to personal accountability that you don’t hear in a lot of pop music even when it is as thoughtful and ambitious as the type Cooke has written his entire career. Friday’s show will be the full band spanning Cooke’s catalog while Saturday’s show will focus on Cooke’s quieter songs in a solo format. Either way, here’s your chance to see one of Denver’s truly greatest songwriters perform before you only get to see him maybe once a year.
Who:Death in Space, Shawn Mlekush and Herpes Hideaway When: Friday, 12.08, 6 p.m. Where: Hooked on Colfax Why: Aleeya Wilson is a Girls Rock Denver alumna who was probably a bit different from her peers as she used her guitar to make noise and ambient music rather than whatever popular musical style was favored among teens of that time. As a musician and writer, Wilson has tended toward conceptual work with a visceral quality making few if any concessions to mainstream accessibility. Supposedly this is one of her last noise shows in Denver though she’ll probably do some more while in grad school out of state. Shawn Mlekush is one of the synth players in experimental electronic band Jackson Induced Mutant Laboratory. No, not making that up. So his set will be interesting. And of course there’s the dark ambient of Herpes Hideaway. That entity is the solo project of Patrick Urn whose contributions to industrial band In Ether, the production on some Church Fire material and his various noise, hip-hop and electro efforts over the years may not be widely known but in the underground Denver experimental scene, widely respected. Herpes Hideaway finds Urn adopting the character of a witch-like being from another dimension evoking the fears and pains of humanity and purging them from the collective unconscious. Maybe not but that’s the vibe of the live show.
Sunday: December 10, 2017
Who:Unsane w/Plaque Marks and Pueblo Escobar When: Sunday, 12.10, 8 p.m. Where: Hi-Dive Why: Unsane crawled out of the 80s stained by the crushing, avant-garde noise rock of Swans, the organic-mystical industrial of Einsturzende Neubauten and perhaps the punishingly grinding transcendence of Flipper. So much so that the band has been often mistaken for a metal band, though that influence is probably there too through the more early doom and thrash end of that music. These days Unsane’s closest musical cousins are probably bands like Eye Hate God and the current incarnation of Neurosis. Its songs sounding like a Rob Zombie movie feels to watch in their finest moments—harrowing, unblinking in its depiction of the horrors humankind inflicts on itself, all awash in heightened emotions. Philadelphia’s Plaque Marks includes members of Creepoid, Ecstatic Vision and Fight Champ so it’s noisy post-hardcore-ish sound is beautifully disorienting. Like if Butthole Surfers had somehow emerged after the 31G imprint bands and modern psychedelic doom had their impact and its members decided they needed to push beyond their immediate influences. Pueblo Escobar is a Denver-based, metallic post-hardcore band that actually lives up to a name like that with dark, edgy songs played with an exuberant sense of fun.
Who:Ultrametal Presents: The Last King of Poland (10) w/John Gross (11), Meme Girls (11:30), Killd By (9:30), Birth (10:30), Ghost House (8:30), French Kettle Station (8) and Blank Human (9) When: Sunday, 12.10, 7 p.m. Where: Syntax Physic Opera Why: Noise tends not to get much stage time outside of DIY venues and Mutiny so this noise showcase at Syntax, a venue that often has a more open booking policy than most clubs, is a welcome change of setting for a show like this. It’s a broad spectrum of noise and not a whole lot in the way of the harsher side. John Gross of Page 27 is playing a rare solo set. Killd By will make the kind of hyperkinetic dance music that only Colin Ward could make in his manipulation of self-created samples inside his beats. Birth is as much performance art as weirdo breakcore. French Kettle Station will likely be his usual energetic post-punk/synthwave delivered with a visceral energy. Blank Human, a noisy kind of ambient. Touring through from Chicago is Last King of Poland who will bring his beat-driven ambient noise tracks. Set times indicated above in parentheses.
Monday: December 11, 2017
Who:Hunter Dragon birthday/going away party w/Lazarus Horse and Midwife When: Monday, 12.11, 8 p.m. Where: Syntax Physic Opera Why: Hunter Adams pushed in many different musical directions when he moved to Denver in the mid-2000s from St. Louis. You could consider some of what he did in the indie pop vein, but he also made experimental synth music that bordered on the ambient. His restless imagination wouldn’t let him settle for anything rote so some of his later music was a completely unique sort of electronic dance pop music but infused with an edgy emotional honesty that you pretty much never hear in that sort of music. Adams is a true original with a rich imagination that he expresses with his music eloquently and vividly. Now Adams is moving away from Denver yet again and celebrating the occasion, along with his birthday, with Lazarus Horse and avant-folk artist Midwife. With Madeline Johnston of the latter, Adams was involved in Tiny Amp Tapes so hopefully he can still have some involvement with imprint from afar.
Tuesday: December 12, 2017
Who:Panther Martin w/Couches, Male Blonding and Godchild When: Tuesday, 12.12, 8 p.m. Where: Hi-Dive Why: Panther Martin, the Denver-based indie rock band, has never suffered from a lack of strong songwriting but it’s recent Drats EP finds the band pushing past its obvious influences (The Strokes, maybe some Pavement in there as well as other tuneful purveyors of tastefully fuzzy tone). Couches from San Francisco seems to be coming from a similar place musically but more punk, more from the House of Reatard. Male Blonding may have the greatest rhythm section in Denver indie rock but one that plays to the band’s richly emotive songwriting lead in part by Noah Simons’ commanding yet melancholic vocals.
Who: Hott Mt w/déCollage and Moon Magnet DJ set lost-lake.com/event/1582575-hott-mt-denver When: Tuesday, 12.12, 7 p.m. Where: Lost Lake Why: Hott Mt apparently tracked down Wayne Coyne a handful of years ago and got him to work with them on some music and a video. He later became a fan of the band’s ethereal, synth driven pop music reminiscent of Air’s elegantly crafted nostalgia-inducing tonality and The Helio Sequence’s meshing of guitar rock and gossamery synth pop. Maybe think Black Moth Super Rainbow a bit too. Check out the band’s excellent 2017 album AU. Seems a good pairing with déCollage’s playfully colorful psychedelic music that sounds like it’s being channeled from a world where all classic children’s literature isn’t fiction but a wondrous world worth exploring.
Wednesday: December 13, 2017
Who:Empress w/Grass and Paper Knees When: Tuesday, 12.12, 7 p.m. Where: Lost Lake Why: Empress’ 2017 album, Passion Fade, perfectly synthesizes the band’s instinct for dark, beat-driven industrial music, death rock and the heavier end of post-punk—think The Cult and early Death In June. Gritty, borderline abrasive stuff with corrosive atmospheres. In a bit of inspired pairing, Boulder’s lo-fi noise rock phenoms Grass are also on the bill. Fans of Hue Blanc’s Joyless Ones, Eat Skull and the Reatards should check out Grass.
Who:Glasss Presents: The Speakeasy Series 2017 finale When: Wednesday, 12.13, 6 p.m. Where: Hooked On Colfax Why: This will be the final installment of the 2017 edition of The Speakeasy Series presented by Glasss Records with a focus on more experimental electronic acts from Denver. The shows happened in the basement of Hooked on Colfax with Glasss bringing in a P.A. to allow the room to be awash in rich sounds. For this final show of the year in that series, Glasss will bring in various artists to perform. Some of them may even collaborate but, as with the rest of the series, it’ll be quality and interesting stuff.