Best Shows in Denver 2/27/20 – 3/4/20

Thursday | February 27

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The Shivas, photo by Adria Ivanitsky

What: The Shivas w/The Savage Blush and Slynger
When: Thursday, 2.27, 8 p.m.
Where: Hi-Dive
Why: The Shivas were pushing the modern garage psych aesthetic forward before it became a played out quantity in the 2010s. But because the band was always weirder and willing to explore the noisier, more extreme ends of the style its music has remained refreshingly different and genre bend-y up to and including its 2019 album Dark Thoughts.

What: SG1, Liptruce and Turner Jackson
When: Thursday, 2.27, 7 p.m.
Where: Lost Lake

Friday | February 28

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Whitacre, photo by Brandon Johnson

What: Susto w/Whitacre and Molly Parden
When: Friday, 2.28, 8 p.m.
Where: Globe Hall
Why: Susto’s 2019 album Ever Since I Lost My Mind finds the indie rock band branching into more urgent and gritty songwriting territory without losing the thoughtfulness. Maybe the tenor of the times has seeped into the drive behind the new material but the band’s gorgeously languid vibes seem ticked more than a bit toward a focused intentionality with the music. Not that it lacked intensity at moments before, it’s just palpable this time out. Also on the bill is Denver-based band Whitacre. Paul Whitacre has made a name for himself since moving to the Mile High City in 2016 for his introspective yet brightly upsweeping songs. The group’s new album Seasons, out on April 17, finds its songs, produced by Joe Richmond (who has worked with Tennis and Churchill), polished and shining with a warmth and sincere optimism.

What: Modern Leisure w/Ashley Koett and Big Dopes
When: Friday, 2.28, 8 p.m.
Where: Lost Lake
Why: Modern Leisure’s Casey Banker’s keen ear for dynamic and entrancing pop melodies is matched only by his similar gift for sharply observed turns of phrase. Big Dopes’ 2019 album Crimes Against Gratitude is brimming with vivid portraits of life in a generation whose future has been compromised but trying to maintain a sense of hope for better times ahead without succumbing to nihilistic despair.

What: Chuck Prophet
When: Friday, 2.28, 7 p.m.
Where: Swallow Hill – Daniels Hall
Why: Chuck Prophet was one of the pioneers of alt-country as a member of Green On Red from its genre-defining 1985 album Gas Food Lodging through the early 90s. During his career as a solo artist his knack for crafting poetic imagery and dusty power pop has seemed endless. His most recent record, 2017’s Bobby Fully Died for Your Sins is a meditation on the passing of musical giants and maintaining a vision for hope in dark times.

What: Drune w/Earthdiver and Dead Characters
When: Friday, 2.28, 8 p.m.
Where: Streets Denver

What: Youthanizer debut and Tuck Knee Tour Kick Off w/Gack, XdeadbeatX and Wolfblitzer
When: Friday, 2.28, 7 p.m.
Where: Seventh Circle Music Collective

What: Luna Luna w/Retrofette and Nightlove
When: Friday, 2.28, 8 p.m.
Where: Hi-Dive

What: MxPx w/Teenage Bottle Rocket
When: Friday, 2.28, 7 p.m.
Where: Gothic Theatre

Saturday | February 29

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Rachael Sage, photo courtesy the artist

What: Howard Jones acoustic Trio performance w/Rachael Sage
When: Friday, 2.28, 7 p.m.
Where: Oriental Theater
Why: Synth pop pioneer Howard Jones will perform as part of an acoustic trio for this show interpreting his iconic hits of the 80s in a format that will likely surprise. Anyone that has witnessed Jones in the more electronic incarnation of the music knows that his songwriting is at the heart of the appeal of his songs. Opening the show is Rachael Sage. The New York City-based artist has been releasing music on her own MPress Records for two decades including fourteen of her own albums distinguished by an eclectic range of sounds and styles that have informed her imaginative pop songs. He latest album Character, out March 6, came out of her time recovering from endometrial cancer throughout 2018. The record is informed by a sense of humility, realistic yet poetic assessments of life’s possibilities and horizons when facing your own mortality. Sage discards the bravado we hear too much in American music in the face of adversity, it acknowledges the frailty and fragility of the situations we may find ourselves when you can’t just magically snap back and be okay. It wisely takes a sensitive and deeply compassionate yet honest approach to every subject and reveals itself to be a deep record about life’s challenges in general whatever your situation.

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SPELLS, photo by Tom Murphy

What: SPELLS (record release) w/Drakülas and People Corrupting People
When: Saturday, 2.29, 8 p.m.
Where: Streets Denver
Why: Denver’s SPELLS is releasing its new record Stimulants & Sedatives on Chuck Coffey’s Snappy Little Numbers imprint. In the past one might have described SPELLS as essentially a pop punk band. But on this album there’s more dissonance and grit to the music to go along with the rambunctious tunefulness that has been the hallmark of the band’s sound from the beginning. The lyrics are a sharp mix of self-awareness and self-deprecation with stories of realistic expectations rather than bullish bravado, a very adult approach that contrasts well with the raw energy of the performances.

What: Church Fire, Grief Ritual and Limbwrecker
When: Saturday, 2.29, 9 p.m.
Where: Bannock St. Garage

What: The Corner Girls w/Vic N’ The Narwhals and Beau Beverage
When: Saturday, 2.29, 8 p.m.
Where: Hi-Dive

What: Authority Zero w/Over Time and Muscle Beach
When: Saturday, 2.29, 8 p.m.
Where: Marquis Theater

Tuesday | March 3

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Midwife, photo by Tom Murphy

What: Ceschi and David Ramos w/Gregory Pepper, Midwife, Damn Selene and CFX Project
When: Tuesday, 3.3, 7 p.m.
Where: Seventh Circle Music Collective
Why: Ceschi Ramos is the co-founder of Fake Four, a label putting out some of the most forward thinking hip-hop of the past decade and a half. The confessional intensity of his rapidfire vocal delivery wrapped in atmospheric beats is reminiscent of Sole, with whom he has worked, and his vivid, personal storytelling issues forth in almost pointillistic couplets like a mosaic establishing an informal, organic narrative. On the bill also is experimental hip-hop artist Damn Selene and ambient folk phenom Midwife who is set to tour the US in March and April as well an appearance at the Roadburn Festival in the Netherlands.

Wednesday | March 4

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R A R E B Y R D $ performs at Mercury Café on March 23. Photo by Tom Murphy

What: Weird Wednesday: DA’AN, Corey Daggers and R A R E B Y R D $
When: Wednesday, 3.4, 9 p.m.
Where: Bowman’s Vinyl and Lounge
Why: This typically eclectic line-up for Weird Wednesday includes a mix of electronic dance music, punk Americana and soulful hip-hop. DA’ANS is a new project that brings together the luminous vocals of Glynnis Braan of Lady of Sorrows and the electronic production and beat-making genius of Lawrence Snell, drummer of Meet the Giant, with songs and a theatrical performance that is a true synthesis of rave and darkwave. Corey Daggers often performs by himself with a guitar and on occasion with a full band. But either incarnation is a vital flavor of what might be described as dark carnival emo Americana. R A R E B Y R D $ bring a swagger, sensuality and emotional warmth to ambient beats and lyrics that are at turns playful, earthy and deeply, transformatively vulnerable.

What: Shigeto w/Mux Mool and Venus Cruz
When: Wednesday, 3.4, 7 p.m.
Where: Globe Hall

What: Rakim
When: Wednesday, 3.4, 7 p.m.
Where: Oriental Theater

Best Shows in Denver 9/5/19 – 9/11/19

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Kristin Hersh band performs Tuesday, September 10 at the Hi-Dive, photo courtesy the artists

Thursday | September 5

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Hot Snakes circa 2018 at the Oriental Theater, photo by Tom Murphy

What: Hot Snakes w/SPELLS
When: Thursday, 09.05, 7:30 p.m.
Where: Oriental Theater
Why: It would be too facile to cite biographical information about Hot Snakes at this point. Influential noise rock band from San Diego comprised of former/current members of Drive Like Jehu, Rocket From the Crypt, Pitchfork and Obits. Its shows are incendiary, its songs imbued with a dark yet dry sense of humor and its angular guitar rock also not short on dynamic grooves that seem too confrontational to work as unconventional dance music but don’t tell that to John Reis. The group is currently re-touring in support of its monumental 2018 album Jericho Sirens. If you go early to catch SPELLS, just think of them as an 80% version of Hot Snakes because that’s good enough. And other inside jokes that don’t work on the internet.

What: The 5.6.7.8s w/The Ghoulies and The Vanilla Milkshakes
When: Thursday, 09.05, 8 p.m.
Where: Streets Denver
Why: The 5.6.7.8s are a lively surf rock and rockabilly band from Japan who came to a larger public consciousness in the West after appearing in Kill Bill Vol. 1. The Ghoulies are a similarly-minded sorta rockabilly garage punk band and The Vanilla Milkshakes will make all the awkward jokes that desperately need to be made and break up the evening some with its well-crafted, outsider pop punk.

What: The Funs, Sweetness Itself, American Culture, Natural Violence
When: Thursday, 09.05, 8 p.m.
Where: Rhinoceropolis
Why: The Funs is a band from Illinois that combines a twee indie pop sensibility with a dream pop sound palette. Think Black Tambourine post-shoegaze. American Culture took the Dinosaur Jr and Meat Puppets thing and put it through an indie pop lens and listened to a bunch of Cure records and came up with something different but bearing the fingerprints of all of that in its sound and ethos. Natural Violence is Michael Stein’s (Homebody, School Knights) latest project. A kind of spindly, super refined post-punk pop band.

What: Mystic Wool, Arc Sol and Total Trash
When: Thursday, 09.05, 9:30 p.m.
Where: Mercury Café
Why: Arc Sol is former Silverface guitarist Michael Thompsons’s new band that somehow welds Neil Young-esque rock wih psychedelia without really sounding like he’s trying to be in the same lineage as any of that in the past decade and that’s impressive on its own. Total Trash is a Denver indie rock supergroup including former and current members of Fingers of the Sun, Fissure Mystic, Lil’ Slugger, Quantum Creep and Eyebeams. Mystic Wool’s synth compositions sound as though someone had to go on some prolonged retreat with no access to the internet and just a music player that had the Deerhunter discography, early Air albums, Candy Claws and Harmonia albums.

Saturday | September 7

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Mannequin Pussy, photo courtesy Epitaph

What: TEARS to LI6HT, Hate Minor and Claudzilla
When: Saturday, 09.07, 7 p.m.
Where: Seventh Circle Music Collective
Why: This show is a fundraiser for ProgressNow Colorado’s Keep Abortion Safe initiative and it will include sets from experimental electronic artist TEARS to LI6HT, experimental noise rock duo Hate Minor and Claudzilla’s melodica Goth strangeness.

What: Mannequin Pussy w/Destroy Boys and Ellis
When: Saturday, 09.07, 8 p.m.
Where: Larimer Lounge
Why: Mannequin Pussy’s melodic punk is anthemic, emotionally raw and affecting. Like some sort of power pop band from the 80s with the expansive songwriting style and inventive dynamics but whose lyrics are soul searching and pointed but never cruel. The group’s 2016 album Romantic was full of joyful chaos exorcising trauma and sadness with bursts of sound and energy. The new record, 2019’s Patience, is more introspective but no less imbued with the radical vulnerability and personal insight that has made its music worth a deep listen from the beginning.

What: Audio Dream Sister, Whiskey Orphans, Austin Sterling
When: Saturday, 09.07, 9 p.m.
Where: 3 Kings Tavern
Why: Audio Dream Sister hasn’t played in a million years. Meaning maybe in half a decade or more or so it seams. The sludge rock band from Denver was a staple of the heavy rock and punk scene for years and its adept songwriting and psychedelic sensibilities set it apart from the “stoner rock” set of the day.

What: De La Soul w/DJ Mick
When: Saturday, 09.07, 8 p.m.
Where: Ogden Theatre
Why: De La Soul brought something a little strange to hip-hop when it came onto the scene in the 80s blending psychedelic rock aesthetics with weirdo funk and rap. It also used that perspective to examine social issues from a different angle and in its own way had as incisive a social critique as contemporaries like Public Enemy and The Disposable Heroes of Hiphoprisy.

Sunday | September 8

 

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Old Sport circa 2018, photo by Tom Murphy

What: King Crimson
When: Sunday, 09.08, 6:30 p.m.
Where: Paramount Theatre
Why: King Crimson was one of the earliest of the progressive/art rock bands to have emerged in the late 60s, incorporating classical music concepts and a sense of dramatic orchestration into ambitous rock songs. Its 1969 debut In the Court of the Crimson King set a creative high water mark for the progressive rock genre with imaginative lyrics and songwriting that employed musical chops with real creativity to write emotionally arresting songs like the title track and “21st Century Schizoid Man.” While guitarist Robert Fripp is the sole remaining original member he has been the musician in the band that has steered the ship consistently from the beginning through its various phases from the early sort of amalgam of folk, rock, jazz, classical and psychedelia through the experimental hard rock phase of the 2000s through to today.

What: King of Heck (NV), Endless, Nameless, Old Sport and Zephyr
When: Sunday, 09.08, 8 p.m.
Where: Rhinoceropolis
Why: King of Heck from Nevada is a “desert rock” band that sounds like it came up on a lot of Gravity Records bands, Fugazi, melodic post-hardcore and modern underground emo. Old Sport from Denver is a great blending of post-hardcore and noisy proto-alternative rock like Dinosaur Jr.

Monday | September 10

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Voight, photo by Tom Murphy

What: Voight, Dancing Plague (OR), French Kettle Station and Luxury Hearse
When: Monday, 09.09, 7 p.m.
Where: Seventh Circle Music Collective
Why: A darkwave show at Seventh Circle with Denver’s shoegaze/post-punk/industrial synthesists Voight, EBM/dance Goth group Dancing Plague from Oregon, French Kettle Station and his animated 80s adult contemporary/avant-garde/New Wave music and Luxury Hearse’s beat driven ambient pop.

What: Hazel English w/Modern Leisure
When: Monday, 09.09, 7 p.m.
Where: Larimer Lounge
Why: Hazel English is oft compared to another Oakland, California artist Day Wave. But one might just as well compare her hazy, bright dream pop to the work of Alvvays because it has a similarly wistful and expansive quality that gives one a sense of introspective yearning. Joining her on the bill is Denver indie pop group Modern Leisure. Singer Casey Banker has been crafting some of the more thoughtful and impassioned pop songs out of Denver for more than a decade and Modern Leisure is the continuation of his legacy.

Tuesday | September 10

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Silence in the Snow circa 2017, photo by Tom Murphy

What: Kristin Hersh (electric trio) w/Fred Abong
When: Tuesday, 09.10, 7 p.m.
Where: Hi-Dive
Why: Kristin Hersh formed post-punk band Throwing Muses with Tanya Donelly in 1981 when both were fourteen years old. But that band went on to be one of the early alternative rock bands that helped to define the aesthetic of the UK record label 4AD with its emotionally powerful music and inventive songwriting. In that band and as a solo artist Hersh has used mythology and culture and her own struggles with mental illness to produce a body of work that is both startlingly intimate and imaginatively far reaching in scope. Her latest record, 2018’s Possible Dust Clouds draws on specific mythologies and personal history to deliver a set of songs that strikes deep emotional chords expressed with Hersh’s signature, textural voice and warmth as well as unconventional rhythms and guitar voicing. Somehow Hersh’s songs seem like manifestations of archetype and the forces of nature cooperating to speak eternal yet personal truth through her.

What: Silence in the Snow, Echo Beds, Blood Loss and Causer
When: Tuesday, 09.10, 8:30 p.m.
Where: Rhinoceropolis
Why: Oakland’s Silence in the Snow sometimes comes off like a neo-darkwave band because it is but its root is an urgent post-punk akin to the likes of Red Lorry, Yellow Lorry and Xmal Deutschland. Its new record Levitation Chamber finds the band mixing ethereal guitar with high emotive vocals and deep, irresistible rhythms.

Best Shows in Denver 10/11/18 – 10/17/18

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ADULT. performs at Larimer Lounge on Saturday, 10/13/18, with Plack Blague and Voight

Thursday | October 11, 2018

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The Church circa 2016, photo by Tom Murphy

Who: Karl Blau w/Porlolo and High Plains Honky
When: Thursday, 10.11, 8 p.m.
Where: Hi-Dive
Why: Karl Blau has had a rich and varied career spanning the past two decades or so. As a member of lo-fi rock band D+ he wrote songs and performed with Bret Lunsford formerly of Beat Happening and future Microphones and Mount Eerie mastermind Phil Elverum. As a solo artist and musical curator with his Kelp Lunacy Advanced Plagiarism Society musical subscription artist, Blau has been involved in making music in widely disparate styles and often hybridizing them or outright creating something that’s impossible to classify beyond maybe simply pop. In recent years, Blau has been writing songs that seem shaped by everything else he’s made up to now with bossa nova percussion, African pop vocal cadences, hip-hop-and-reggae-informed lyrical phrasing and indie/freak folk sensibilities. In the past Blau has performed solo with a loop pedal and pulled off what sounds like a full band minus robust drums so you’re never full sure what you’re in for barring that it’ll be exceptional.

Who: The Church
When: Thursday, 10.11, 7:30/8 p.m.
Where: The Fox Theatre
Why: Australian rock band The Church is currently undertaking it’s tour for the thirtieth anniversary of its 1988 album Starfish. The band had already made a name for itself with fans of adventurous, inventive, literate and thoughtful yet heartfelt rock music. But Starfish was the group’s breakthrough to not just a wider audience but the mainstream with hits like “Under the Milky Way” and “Reptile.” While the group is justly celebrating the release of its iconic album for itself and fans that maybe didn’t get to see The Church in its 80s heyday (pardon the referential joke to the band’s 1985 album of the same name), the band’s new material is as vital as anything it has done in the past and you’ll get the best of both worlds at this show.

Friday | October 12, 2018

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Ralph Gean (with Andrew Lindstrom) circa 2014, photo by Tom Murphy

What: Anxious Little Friends Fest Day 1
When: Friday, 10.12, 6 p.m.
Where: Hi-Dive
Why: Record labels Snappy Little Numbers and Anxious and Angry collaborated on this two day festival at the Hi-Dive with some of the better local and not local punk and punk-related bands. For this night you can see two night headliners Off With Their Heads as well as Riverboat Gamblers, SPELLS, Dirty Few, Black Dots, Hooper and Modern Goon.

What: Franksgiving 2018
When: Friday, 10.12, 9 p.m.
Where: Hi-Dive
Why: This yearly event benefiting the Crohn’s and Colitis Foundation of America is hosted by local connoisseur of weird music Franklin Bell. Naturally he always finds some of the best local odd yet accessible bands for the vent. As usual, Little Fyodor & Babushka Band, one of Denver’s longest running and most consistently interesting weirdo punk institutions will perform as well as not-widely-recognized-but-absolutely-a-local-rock-and-roll-legend Ralph Gean, Fyodor drummer Tricky Dick Wicket’s side project that isn’t Universal Devils, Whiskey Orphans, the “sweet and sensitive keyboard songs” of No Pants Katie with DJ Frank Bell spinning kooky kuts.

Who: Screwtape w/Potato Pirates, Noogy, World Movement and Ultraviolet
When: Friday, 10.12, 7 p.m.
Where: Hi-Dive
Why: Screwtape’s politically-charged hardcore and dynamic live show has already made it a favorite among local fans of punk and the group is kicking off its latest tour to the south with this show sharing the bill with ska-punk veterans Potato Pirates and Colorado Springs hardcore outfit Ultraviolet.
Who: Multidim Records Official Launch Party
When: Friday, 10.12, 8 p.m.
Where: Leon
Why: Multidim Records is a new Denver-based label focusing on emerging artists in electronic and abstract music. Founded by Tommy Metz (Glissline) and Michael David King (Cities of Earth), this event will feature some of the artists on the label’s roster including the respective projects of the label’s founders as well as Andre Cactus + Ah, River and Mirror Fears.

Saturday | October 13, 2018

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Shocker Mom, photo by Tom Murphy

Who: ADULT. w/Plack Blague and Voight
When: Saturday, 10.13, 8 p.m.
Where: Larimer Lounge
Why: For twenty years, Detroit’s ADULT. has been on the forefront of mixing electronic pop, techno and industrial music with an experimental flair. In the late 90s, ADULT. helped to pioneer the sound and aesthetic that came to be called electroclash by around the turn of the century. As the duo explored sounds and performance it garnered a cult following among connoisseurs of electronic music paired with a dynamic and sometimes confrontational performance style. It adopted and mutated the sound and production ideas running through underground techno throughout the 2000s giving it a powerful and imaginative soundscape to match singer Nicola Kuperus’s emotionally-nuanced vocals. The band’s 2018 album This Behavior was the darker side of the songwriting that went into the 2017 album Detroit House Guests—both rich and dense with sonic detail and inventive rhythms.

Also on the this leg of the tour is Lincoln, Nebraska’s Plack Blague. Raws Schlesinger had been, maybe still is, involved in the Nebraska grind and extreme metal scene in various bands. But Plack Blague is a bit like a leather daddy Big Freedia but with beats that are the industrial and techno analogue to sissy bounce. On previous occasions in Denver, Plack Blague may have seemed to be a sonically abrasive spectacle but the act’s songs have taken on a compelling form beyond the spectacle without sacrificing the striking visual aspect of the band including Schleslinger’s undeniably amazing dance moves.

What: Anxious Little Friends Fest Day 2
When: Saturday, 10.13, 6 p.m.
Where: Hi-Dive
Why: This second night of Anxious Little Friends Fest includes performances from Off With Their Heads, The Bollweevils, SPELLS, Friends of Cesar Romero, Lawsuit Models, Great American House Fire and Bad Year.

What: KGNU Quarterly Showcase
When: Saturday, 10.13, 8:30 p.m.
Where: Lion’s Lair
Why: This edition of the KGNU Quarterly Showcase features some of Denver’s most innovative electronic artists. Shocker Mom’s dreamy, ambient R&B is the latest vehicle from Robin Walker. As a member of Cougar Pants, walker, along with Jessica Hughes, made a particularly tender and emotionally deep yet playful type of indie pop. As a solo performer, Walker distinguished herself as a talented vocalist and songwriter whose use of sound taps into a pre-linguistic part of the human brain, communicating the vibrations of a loving, healing aspect of the universe—which she has manifested most strongly with Shocker Mom. Also catch her in excellent hip-hop duo Nighttimeschoolbus. Larians is the solo side project of Male Blonding singer/guitarist Noah Simons. His brilliant take on IDM, techno and ambient may just be getting started but it’s obvious he’s learned a few things to build beyond from Burial and Aphex Twin. Bios+a+ic is the solo project of Textures Ambient Showcase and Symbolic Insight head Wesley Davis. All of his albums with the project are different and conceptual, representing ideas and sound experiments that tickled Davis’ imagination at the time of their creation. Also on the bill are All Mask and DJ Winter

Sunday | October 14, 2018

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Future Generations, photo (cropped) by Shervin Lainez

Who: Henry Rollins Travel Slideshow Tour
When: Sunday, 10.14, 7 p.m.
Where: Boulder Theater
Why: It’s been a good longer while than usual since Henry Rollins has done one of his spoken tours. This time around he’s sharing his photography and telling stories from his travels around the world. His spoken word shows are always worth checking out and with the images to prompt his memory and engage those who show up it will be a more immersive experience when coupled with his already fantastic storytelling.

Who: Future Generations w/Zuli and Whiskey Autumn
When: Sunday, 10.14, 7 p.m.
Where: Lost Lake
Why: Brooklyn has long been home to eclectic indie rock with artists, of necessity, trying out innovative musical ideas and strong songwriting in order to stand out. Future Generations’ 2018 album Landscape is like a stroll through a person’s day and life and composed as though the melodies and rhythms are a soundtrack with electronic, ambient textures to give the songwriting a context that connects all the music. Sure, each piece can be enjoyed on its own but the record feels like a new take on the classic album format from a time when bands felt like there were no throwaway songs and thought in terms of interconnecting themes. Probably not a concept album but one that works on a very conceptual level too.

Tuesday | October 16, 2018

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A Place To Bury Strangers circa 2012, photo by Tom Murphy

Who: A Place to Bury Strangers w/Kraus and cindygod
When: Tuesday, 10.16, 9 p.m.
Where: Globe Hall
Why: A Place To Bury Strangers is often credited as one of the bands that helped to re-popularize shoegaze in the underground. But the band’s contribution has run deeper as guitarist/vocalist Oliver Ackerman created unique guitar pedals with functionality that has helped push the sound of the instrument into new realms of noise and texture. As part of the pedal and sound equipment company/DIY space Death By Audio, Ackerman and company contributed to its creative community in a direct, pragmatic way. APTBS fused lo-fi, shoegaze, noise, post-punk and hardcore in fascinating ways. For an album or two it felt like maybe the project had plateaued even if the songwriting was still good. But the 2018 album Pinned with new drummer Lia Simon Braswell demonstrated that the band hasn’t run out of ideas for heady and disorienting soundscaping. Opening the show is Denver’s cindygod, the follow-up band to shoegaze/noise rock duo Gauntlet Hair. Now the band is a quartet with an even more exhilarating panoply of sound.

Wednesday | October 17, 2018

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Gold Trash, photo by Tom Murphy

Who: Sarah Ruth Alexander, Polecat Moon Pussy and Gold Trash
When: Wednesday, 10.17, 9 p.m.
Where: Thought//Forms
Why: [update, Shiny Around the Edges no longer on the bill] Sarah Ruth Alexander’s brooding yet luminous compositions utilizing effected vocals and acoustic instruments have made Dallas’ They Say The Wind Made Them Crazy one of the more interesting bands and critically acclaimed bands that in the past his intentionally been more or less off the internet because its music works best live. Alexander’s solo performances recall some of the most chilling moments of Nico’s solo work, The Marble Index, Desertshore and The End in particular, in its use of organic instruments in a manner suggesting an electronic music aesthetic as a way to tap into deeply rooted spaces in the psyche. One might also hear in her songs resonances with Jarboe’s more intensely tranquil performances with Swans. Moon Pussy is a noise rock band from Denver and Gold Trash could be said to be a soulful yet noisy version of an electroclash band.

Best Shows in Denver 07/12/18 – 07/18/18

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Neurosis performs at The Ogden Theatre on Wednesday, July 18 with Converge and Birds in Row Photo by Scott Evans.

Thursday | July 12, 2018

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Bell Witch, photo by David Choe

Who: Yob, Bell Witch and Primitive Man
When: Thursday, 07.12, 7 p.m.
Where: The Bluebird Theater
Why: Yob’s sludgy doom has always been accompanied with a healthy sense of play. Yes, the crushing heaviness of the band’s music is undeniable but so is the group’s obvious self-awareness. It’s latest record, 2018’s Our Raw Heart subverts doom conventions with almost buoyant melodies and dynamics and a layering of conventionally pretty sounds and gritty, deeply textured atmospherics. It’s only fitting that the trio is touring with fellow Pacific Northwesterners in the duo Bell Witch from Seattle. The latter has crafted majestic and minimalist soundscapes since its 2010 founding. With the tragic death of former drummer/vocalist Adrian Guerra in 2016, bassist/vocalist Dylan Desmond recruited Jesse Shreibman to continue with the project. The first album with Desmond and Shreibman, 2017’s Mirror Reaper, is both a continuation of the colossal sonics of the band’s first two albums but also a step further into a powerful and moving expression of grief and despair as well as an evocation of cosmic time and our place in it. Conceived of as a single track at over eighty minutes, Mirror Reaper may move slowly and employ repetitive dynamics but it never seems to overstay its welcome. Opening the show is Denver’s own juggernaut of death metal and doom, Primitive Man.

What: Musical Mayhem: Spyderland, Enji and Snaggletoothe
When: Thursday, 07.12, 8:30 p.m.
Where: Lion’s Lair
Why: Musical Mayhem had a home for quite some time at The Skylark Lounge. But now the night curated by Claudia Woodman is happening at Lion’s Lair. Spyderland is a weirdo music duo including Marie Litton of Pretty Mouth and Drew McClellan of Archipelaghost. Enji is TripLip bassist Kevin Schultz doing solo material that sounds like Hella doing music for an 8-bit video game. Snaggletoothe is a noisy, improvisational rock guitar and drum duo.

What: Glasss Presents The Speakeasy Series Season 2: Fringe Class and Dorian
When: Thursday, 07.12, 6 p.m.
Where: Hooked On Colfax
Why: How Portland, Oregon’s synth pop dance band Fringe Class is going to play at Hooked On Colfax is anyone’s guess. But paired with the more ambient Denver project Dorian maybe the group will do a more stripped down set than it will do in other rooms during its trip through Denver.

What: Lou Barlow
When: Thursday, 07.12, 7 p.m.
Where: Bruz Beers
Why: Lou Barlow of Dinosaur Jr and Sebadoh playing a solo set at Bruz Beers? Given Barlow’s love of brilliantly unusual guitar styles like those of Joni Mitchell, it could be a chance to see something unlike anything you’ll see from Barlow in Denver again.

What: The Dandy Warhols w/Uni
When: Thursday, 07.12 and Friday, 07.13, 8 p.m.
Where: Ophelia’s Electric Soap Box
Why: The Dandy Warhols are still kicking along and remain one of the great live bands that came out of the alternative rock milieu that’s still around and not milking some nostalgia circuit. Normally the band plays much larger venues making this string of shows at Ophelia’s a rare chance to catch the band in an intimate environment.

Friday | July 13, 2018

 

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A$AP Ferg, photo by Jason Goodrich

What: A$AP Ferg w/IDK and Buddy
When: Friday, 07.13, 7 p.m.
Where: The Ogden Theatre
Why: For a guy that did visual art and fashion before doing music, realms in which he excelled, A$AP Ferg has done well for himself. While not a pioneer of trap, which had its roots in music that came out before he was born, Ferg nevertheless became one of the genre’s most skilled practitioners in the 2010s. Having the nerve to name his 2013 album Trap Lord, Ferg could at least back-up the bravado and embody the claim. What has kept the rapper interesting is the fact that there’s an unmistakable unusual quality to his beats and wordplay. Perhaps grittier than the work of his A$AP Mob cohort A$AP Rocky, Ferg nevertheless shares a sensibility that aims beyond genre and beyond hip-hop. Even when he engages in lyrics rife with hip-hop tropes, Ferg uses them as elements rendering them meta and more like musical elements than anything to be taken at face value. 2017’s Still Striving showcases the artist’s ever-evolving incorporation of musical elements that give his songs a layered dimensionality.

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Sarah Shook & The Disarmers, photo by John Gessner

What: Sarah Shook and the Disarmers w/Timmy The Teeth
When: Friday, 07.13, 8 p.m.
Where: Hi-Dive
Why: Sarah Shook’s country songs of survival and struggle reflect her upbringing in a fundamentalist Christian family that made the town elders in the movie Footloose seem open-minded by comparison. The video for “New Ways to Fail” (doesn’t the title tell a lot already) shows some everyday urban rebels skateboarding as Shook lays out immediately relatable, self-deprecating lyrics. But every song on the band’s 2018 album Years is, as Henry Rollins once said of early Black Flag records, a direct line to what the fuck it’s all about in America for anyone that can’t expect much out of a society and a culture built on getting us to neglect ourselves and each other on a rat race to nowhere. But there’s an inherent hope in Shook’s music because she’s out there touring and expressing so eloquently and understanding of the everyday lives of anyone that might come to catch one of the band’s shows.

What: Compost Heap Day 1
When: Friday, 07.13, 4 p.m.
Where: Seventh Circle Music Collective
Why: The first day of a festival that is to some extent a celebration of the more folk end of punk and bands within that general realm of music. Schedule for today: Real Lyin’ Rohr 4, Just Hanging Out (TX) 4:40, Violet Valentine 5:20, Fire Ant Season (TX) 6, Marissa 6:35, Paul Ski & The James Joyce Letters 7:15, Bird Teeth (WA) 7:55, Long Sought Rest (WA) 8:35, JSR 9:15, Whistlepig (AZ), Crow Cavalier 10:35

What: Quintron & Miss Pussycat w/Phallic Meditation
When: Friday, 07.13, 8:30 p.m.
Where: Lost Lake
Why: Quintron & Miss Pussycat from New Orleans somehow combine a high energy weirdo cabaret/psychedelic rockabilly show with a mind-altering puppet theater performance. Always entertaining and it will transport you outside your everyday life if you let it.

Saturday | July 14, 2018

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Rowboat circa 2013, photo by Tom Murphy

Who: Great American House Fire
When: Saturday, 07.14, 10:30 a.m.
Where: Ross Cherry Creek Library
Why: Someday more bands will figure out that the emotional rawness of emo, the diverse songwriting methodology of 2000s indie rock bands, Americana’s textures and warmth and soulful vocals are completely complementary elements for a band. But for now you can catch a group that excelled at that going back to the days of Denver’s Spokeshaver, from which Great American House Fire draws some of its membership. Now presented on a Saturday morning at the Cherry Creek branch of Denver Public Library,

Who: Rowboat, Wild Call and Grass
When: Saturday, 07.14, 9 p.m.
Where: The Skylark Lounge
Why: Sam McNitt’s roots in folk music and literature probably account for some of the sophistication and poetic sensibility to his music. When he was writing music with his old space rock band Blue Million Miles he met the challenge of amplifying his expressive and emotionally taut vocals. Rowboat is more an expression of McNitt’s more sonically gentle work but the emotional colorings are still vibrant and complex. Wild Call is one of Denver’s best psychedelic rock bands because it’s gone beyond the whole psychedelic bandwagon of the past decade with grittier sounds and lyrics that tap into psychological spaces that can’t be reduced to a celebration of mind altering chemicals and partying. Grass is a noisy shoegaze band from Boulder whose 2016 album Dragwire is pleasantly reminiscent of Night Beats and the more dirty dream pop acts on the Siltbreeze label.

What: Compost Heap 3 Day 2
When: Saturday, 07.14, 3 p.m.
Where: Seventh Circle Music Collective
Why: Schedule for day 2 of Compost Heap 3, a kind of folk punk festival (Sliver isn’t folk punk unless someone wishing they were Bad Brains is folk punk–the argument could be made) featuring artists from Colorado and far beyond: open mic 3, Murder Person For Hire (IL) 4, Sliver 4:40, Old Fox Road (IL) 5:20, Rascal Mikes (OR) 6, Chatterbox and the Latter Day Satanists 6:35, Hello Darkness 7:55, Human Behavior 8:35, Shooting Tsars (TX) 9:15, Fun Abuse (CA) 9:55, Suspicious Activity 10:35.

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Modern Leisure, photo courtesy Modern Leisure

Who: Modern Leisure album release w/Down Time and shark dreams 
When: Saturday, 07.14, 8 p.m.
Where: Syntax Physic Opera
Why: Indie pop band Modern Leisure is celebrating the release of its new album, Super Sad Rom-Com. As usual, Casey Banker’s songs are well crafted pop gems with lyrics that are self-deprecating but never maudlin. This time around Banker seems to have a chuckle at the excesses and absurdities of life in America now and navigating interpersonal hurdles while finding it all a bit wearisome. Banker’s employment of melancholic tones has always been good but with Super Sad Rom-Com he’s taken it to places he hasn’t before with his keen ear for emotional and tonal nuance. Also on the bill is Down Time who have quietly been one of the most interesting pop bands out of Denver since its inception two or three years ago combining the intimacy of folk, rock and an experimental streak born of needing to do things in your own way with available equipment and personnel like a drummer/bassist at one point. Not unlike a Young Marble Giants but one that could only have happened in the Twenty-First century.

Who: SPELLS (album release) w/Cheap Perfume, Future Perfect, People Corrupting People
When: Saturday, 07.14, 8 p.m.
Where: Hi-Dive
Why: SPELLS is putting out its odds and sods album Loose Change, Vol. 1 at this show. The band’s joke, and song, is “80% is Good Enough” and isn’t it really? Forget that oh so American overpromising, boastful nonsense that seems to be an angstrom of our president’s ego and narcissism. Trying too hard without adequate compensation makes chumps of everyone. At any rate, the Denver-based punk band is releasing the compilation through guitarist Chuck Coffey’s scrappy little label Snappy Little Numbers as well as Chicago imprint Anxious and Angry. On red vinyl. So get them while you can. The other bands on the bill are pretty alright too including Colorado Springs’ unabashedly fun feminist punk band Cheap Perfume. At this point having to say a band is feminist seems redundant and regressive because it’s a perspective that should be the part of the thinking and ethos of anyone in America in this century and if not, do some catching up. Maybe start slow and check out some bell hooks, Betty Friedan, Adrienne Rich, Clarissa Pinkola Estés and Inga Muscio. It could happen.

Sunday | July 15, 2018

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Jackie Cohen, photo by Anise Lew

Who: Jackie Cohen w/Jobless and Hillary Susz
When: Sunday, 07.15, 7 p.m.
Where: Lost Lake
Why: Jackie Cohen just put out her first proper music EP, 2018’s Tacoma Night Terror Part 1. If you’ve spent any time in Tacoma this might be a truthfully humorous exaggeration of a memory from time spent there. For a Colorado specific reference, big stretches of Tacoma are a lot like Commerce City and Thornton but even more worn out with blocks of dubious legitimacy. Cohen’s songs may have some connection to that vibe on some level. The recordings sound older like finding a well-listened to pop cassette from the 70s including the hiss. But none of these songs could really have come out back then. It’s the post-jaded self-discovery vibe that Cohen nails that makes the best Fleetwood Mac songs worth listening to after enduring repeated broadcast of those songs on the radio or friends who never had to experience that music the first time getting obsessed with entire too much music that came out of artists who were entirely too familiar with cocaine and quaaludes. Cohen’s performance isn’t jaded and that’s what makes the difference. She sounds like she’s been through it, man, but finds that dulled emotions don’t work for her and that life must go on even if you’re not over the pain of a bad experience in relationships and other disappointments in life. That you get to see Denver’s great folky, experimental indie rock trio Jobless is more than a bonus, it would be reason enough to go.

What: Compost Heap 3 Day 3
When: Sunrday, 07.15, 3 p.m.
Where: Seventh Circle Music Collective
Why: This is the third and final day of Compost Heap. Less on the folk punk side this day with the likes of hip-hop artist Adam Selene, noise punks Plasma Canvas and hard rock band The Velveteers but the ethos is one shared between the artists. Today’s schedule (all times being p.m.): open mic 3, Patrick the Pirate 4, Adam Selene 4:40, Queen Ren Faire Dance Party (TX) 5:20, Davey Dynamite (IL) 6, Bert Olsen 7:15, Wayfairy 7:55, Ludlow 8:35, Dandelion Massacre (CA) 9:15, Plasma Canvas 9:55, The Velveteers 10:35

What: Final Show at The Climax Lounge
When: Sunrday, 07.15, 4 p.m.
Where: The Climax Lounge
Why: A Taste of Denver to most 80s punks, The Raven to punks in the 90s and in the 2000s mostly The Climax Lounge (its original name), this building at 2217 Welton Street was one of the most important venues for a real underground music world in Denver. It will be knocked down to build yet another shitty, cheaply built condo that downtown doesn’t need or maybe yet another brewery or some other Nü Denver crap that has become the inevitable for all the cool, historic buildings that made Denver a worthwhile and interesting place to live and make art and music for decades. It’s not the nail in the coffin by any means and it hasn’t been a terrible active music venue in years but for many it’s like seeing your favorite high school hangout get the axe. The bands playing on such short notice include the following: Sputnik Slovenia, Scooter James, The Narrow Down, Bourbon Brawlers, Dangerous Friends and National Blues Arsenal.

Monday | July 16, 2018

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Marisa Anderson, photo by Jason Quigley

Who: Marisa Anderson w/Howling Hex and Cuckoo
When: Monday, 07.16, 7 p.m.
Where: Lost Lake
Why: Marisa Anderson’s masterful, expressive, guitarwork, on mostly instrumental songs, evokes moods, landscapes and memories in a way more vivid and emotionally immediate than many artists. One might consider her music in the realm of folk but in the more experimental vein of a John Fahey or Michael Hurley. Her 2018 album Cloud Corner finds Anderson sketching in different ways with her guitar, more impressionistic than solid, if intricate, lines. She shares the bill with Colorado-based Howling Hex whose music is a hypnotic, for lack of a better word, avant-garde Mariachi/norteño band led by Neil Michael Hagerty whose legacy of experimental guitar music includes his stints with influential bands like Pussy Galore and Royal Trux as well as noise super group Dan’l Boone. Cuckoo pretty much blurs the line between noise rock, punk and mathy-folk.

Who: Unknown Mortal Orchestra w/Shamir
When: Monday, 07.16, 7 p.m.
Where: The Gothic Theatre
Why: Ruban Nielson probably could have enjoyed a respectable career in music in his home country playing in his Flying Nun-signed band The Mint Chicks. But New Zealand is a small place and Nielson relocated to Portland, Oregon as he and his brother Kody have dual citizenship with their mom having been a hula dancer from Hawaii. Their new band Unknown Mortal Orchestra, formed in 2010, had that quality of just off of standard guitar rock that seems to be the hallmark of all New Zealand Bands but it also introduced a kind of psychedelic flavor that wasn’t basically following what would become a popular musical trend in America and elsewhere. UMO had crafted its own flavor of transporting music that suggested a parallel dimension where pop music could reconcile atonality, unusual shifts in rhythm the likes of which one might expect out of one of the weirder prog bands like Can or Faust. UMO has done well enough and produced a solid body of work up to and including the 2018 album Sex & Food. Lead single “Hunnybee” with its yacht rock leanings probably confused some fans because it sounds a bit like an old Foxygen track but the whole album has plenty of UMO’s wonderful weirdness.

Wednesday | July 18, 2018

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Chief White Lightning, photo by Jack Grisham

Who: Neurosis w/Converge and Birds in Row
When: Wednesday, 07.18, 7 p.m.
Where: The Ogden Theatre
Why: Neurosis evolved out of the San Francisco Bay area’s post-punk/hardcore scene and its earliest albums have more in common with the likes of English anarcho punk bands like Amebix and Crass than perhaps some of their hometown’s well-known punk luminaries. Yet by 1992 the group had garnered the interest of former Dead Kennedys singer Jello Biafra who mixed that year’s Neurosis record, the decidedly more metal Souls at Zero. Neurosis has since then established itself firmly as a powerful live act whose records have pushed the boundaries of metal, hardcore and psychedelic music more than almost another other single band. Most of the truly interesting and innovative modern extreme metal bands can trace a strand of influence to Neurosis. Tourmates Converge were pioneering their own form of metal and hardcore crossover in Salem, Massachusetts. By 2001, the group had developed a particularly savage and precise form of posthardcore whose sound and aesthetic permeates a good deal of the extreme metal of today as well as any hardcore band that wants to taken seriously. Its live shows are legendarily intense and be prepared for the cascade of would-be stage divers and crowd surfers.

Who: Greg Hill presents the Zebra Skin Shirt release
When: Wednesday, 07.18, 7 p.m.
Where: Tattered Cover – Colfax location
Why: Former Six Months to Live and current Manotaur frontman Greg Hill will present the release of his latest novel, Zebra Skin Shirt, the third and final installment in the Stratford County trilogy all set in Colorado (including 2012’s East of Denver and 2015’s The Lonesome Trials of Johnny Riles). Hill’s gift for incorporating the supernatural and even science fiction concepts into deeply personal novels about people struggling with their personal shortcomings in life and in their relationships or attempts thereof are always incredibly engaging and entertaining brimming with Hill’s vivid descriptions, sense of humor and attention to detail whether that’s in recreating past Denver and Joes, Colorado locations or intricacies of plot. Zebra Skin Shirt may be Hill’s most unusual novel to date and his best. If you have to miss the release it’s easy to find the book online including at Amazon.

Who: Chief White Lightning w/Keef Duster
When: Wednesday, 07.18, 9 p.m.
Where: Hi-Dive
Why: Josh Logan may be cultivating that look somewhere between Elvis, Zach Galifianakis and Joaquin Phoenix from I’m Still Here, but seeing as he is a member of Austin stoner rock band Blind Pets, his music pleasantly flies in the face of the expectations one might have just looking at his stage persona. The band’s fuzzy, poppy punk and country mix shouldn’t work and the kitsch should render it difficult to take seriously but the group’s new self-titled album is impossible to dismiss as anything but a great rock and roll album with more diversity of sound and songwriting style than a lot of bands who have delved into modern rock and roll.

Best Shows in Denver and Beyond 05/03/18 – 05/09/18

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Alice Glass performs with Zola Jesus and Pictureplane at Fox Theatre on Saturday, 5/5/18. Photo courtesy Sacks & Co.

Thursday | May 3, 2018

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Ariel Pink, photo by Eliot Lee Hazel

Who: Desert Daze Caravan 2018: Ariel Pink w/DIIV
When: Thursday, 05.03, 7 p.m.
Where: Moon Room at Summit Music Hall
Why: Desert Daze Caravan is the traveling mini-version of the Desert Daze festival in California that features some of the best of the more psychedelic-leaning bands existing today. While the festival happens in October, for this touring edition, Desert Daze brings along a couple of the most interesting artists playing music in its wheelhouse. Los Angeles based lo-fit mutant pop renegade Ariel Rosenberg, aka Ariel Pink, has had a varied and storied musical career that should be the subject of a book someday because it’s not short on drama, controversy and artistic achievement. In 2017 Rosenberg released Dedicated to Bobby Jameson, a collection of songs that bridge dream pop, psychedelic rock, what one might called garage soul and lo-fi funk. As with all of his records, Rosenberg plays with the form of genre with an offbeat use of sound and weaving together aesthetics that most other artists wouldn’t. At times one is reminded of some early 80s German synth pop, others of Get Lost-period Magnetic Fields and of the music of his friend and contemporary, John Maus. Unlike many of his contemporary synth artists Rosenberg isn’t trying to show how big a sound he can get with a synthesizer, he makes it serve the song as much as any other musical element and not as the basis for the composition.

DIIV became a bit of a cult band for Zachary Cole Smith when Oshin came out on Captured Tracks in 2012. Though the record felt a bit indistinct it made krautrock’s repetitive beat structure softer like downtempo with a little more emotional urgency. The follow-up, 2016’s Is the Is Are found Smith embracing the raw and vivid emotionalism of Elliott Smith’s lo-fi pop and the messy, atonal trash rock of Royal Trux. It’s challenging to hear that on the beautifully melodic songs of Is the Is Are but that the songwriting is growing beyond the band’s earliest phase is obvious and at times Is the Is Are sounds like Smith is training himself to deconstruct his own musical instincts to make something more creatively rewarding.

Who: In/Planes Radio Wave tape release w/Down Time and Kyle Emerson
When: Thursday, 05.03, 7 p.m.
Where: Lost Lake
Why: In/Planes’ music has a very soft touch and is the “Mixtapes” single from its new tape, Radio Waves, is any indication, the duo has a gift for taking fairly common experiences and making them resonate with an immediacy of the deeply personal. Joining the band for the tape release show are like-minded tender pop band Down Time and Kyler Emerson with his jazz-inflected, incisively poetic, desert-y folk pop gems.

Who: Glasss Presents the Speakeasy Series season 2: Lepidoptera, MYTHirst, Bow Shock
When: Thursday, 05.03, 7 p.m.
Where: Hooked On Colfax
Why: MYTHirst’s sound is part bright, modular-synth sounding beats with organic string sounds and textured percussion. The Denver version of Lepidoptera, not the Palm Beach, Florida band, has a dream-like guitar and minimal atmospheric sound reminiscent of mid-90s Flying Saucer Attack but not quite as noisy. Bow Shock is somewhere between improvisational electro jazz funk and whatever it is one might call Prefuse 73 with its own mixture of samples of records and live instruments in a way that expands the parameters of what constitutes electronic dance music.

Friday | May 4, 2018

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Television Generation, photo by Tom Murphy

Who: Jane Doe, Television Generation and Meet the Giant
When: Friday, 05.04, 9 p.m.
Where: Skylark Lounge
Why: Three of Denver’s best off the beaten path rock bands are playing the Skylark on this bill. Jane Doe is in the realm of post-punk but there are elements of noise rock and avant-garde jazz and performance poetry as delivered by Becca Mhalek. The latter spent some time playing with Nels Cline as well as Denver experimental bands Nightshark, MVP and Aenka. Television Generation takes the harrowing intensity of early grunge and mixes it with melodic and energetic post-punk. Meet the Giant has taken what could be fairly gloomy music and given it a driving rhythm and grit that somehow perfectly captures urban melancholy and desperation as experienced by anyone living in American west: uncertainty, disconnection, disaffection, undercurrents of fatalism and a sense of pondering whether or not its foolish to hope for things to change for the better where or not you give it a good try. All while sounding scrappy and not ready to give up on the rewards of creative expression for one’s own fulfillment. Meet the Giant’s self-titled full-length releases digitally on May 15 with a vinyl release later in Spring or Summer.

Who: Porlolo (album release) w/Land Lines and Spirettes
When: Friday, 05.04, 8 p.m.
Where: Lost Lake
Why: Porlolo released Awards on April 27 but this is the official release show. Erin Roberts, the lead singer and guitarist in Porlolo, has kept the band going for years while not exactly breaking through to a mainstream audience, Roberts’ songwriting has been noteworthy for its humor, wisdom and sensitivity. Maybe some of the roots are in folk and Americana but at this point Porlolo transcends both and has as much in common with Luna, Cat Power, Mojave 3 and Mazzy Star as it does with anything fully in the country spectrum of songwriting. Getting to see Land Lines’ experimental, string driven pop and Spirettes’ incandescent dream pop in person just makes this show three times worth seeing.

Who: SPELLS, Quits, Wild Lives
When: Friday, 05.04, 9 p.m.
Where: Streets of London
Why: SPELLS is a poppy punk band that is as much a party as a band. Wild Lives is more in the realm of punk bands from the 80s and 90s who were melodic but not pop punk. Like The Didjits, New Bomb Turks and Blatz. Quits, a little different from the rest of the lineup in being more a noise rock band than punk. Which makes sense in that every member of the band has contributed to some of the most noteworthy post-hardcore and noise rock out of Denver of the last two decades including former Hot White members Tiana Bernard and Darren Kulback as well as Luke Fairchild and Doug Mioducki who were last in a band together in the early 2000s with Sparkles who always seemed to play like they were ready to explode.

Saturday | May 5, 2018

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Al Scorch band, photo by Alexis Ellers

Who: Alice Glass – Snowblood tour w/Zola Jesus and Pictureplane
When: Saturday, 05.05, 8:30 p.m.
Where: Fox Theatre
Why: When Alice Glass released her self-titled EP in August 2017 it sounded like a a purging of several years of having told hold back in revealing her own truth and a declaration of her identity as an artist viable beyond any past associations with Crystal Castles. In the latter, Glass was a riveting performer and a singer that channeled perfectly the synthesis of 8-bit music, synth pop, modern dance music and hip-hop that was the essence of Crystal Castles and its being ahead of a curve in modern electronic music that embraced lo-fi and collage production as much as more conventional compositional techniques. For this tour Glass paired with one of the other powerful songwriters in electronic underground music with Zola Jesus whose own 2017 album Okovi represented her own breaking with the methodology and career path of an “indie” artist that might have been open to her. Instead, she trusted her personal and creative instincts and put together an album that was awash in ambient sounds and an hypnotic melodies and sonic structures reminiscent of classical music and black metal. Pictureplane is an old friend of Glass’s from his days as a Denver artist living at Rhinoceropolis. As an artist whose work traverses noise, electronic pop, hip-hop and dance, Pictureplane has a broad palette of sounds and sensibilities employed in his songwriting and performance style.

Who: Al Scorch (full band), Gun Street Ghost, Matt Rouch & The Noise Upstairs
When: Saturday, 05.05, 8 p.m.
Where: Hi-Dive
Why: Chicago’s Al Scorch earned a name for himself as an energetic and engaging performer with his blend of punk and Americana. Sure, a ton of punks have turned country and the great Camper Van Beethoven and Green On Red, among others, set a high bar for that sort of thing. A number of punk and country artists have even threaded in some eastern European and non-Western musical ideas into their mix. But Scorch does so with an irresistible energy and charisma. His most recent record, 2016’s Circle Round the Signs, contained more than a small amount of poignant social commentary about class and the consequences of war and conflict.

Sunday | May 6, 2018

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HIDE in August 2016, photo by Tom Murphy

Who: HIDE, Curse, Echo Beds and Jump Scare – DJ Brian Castillo
When: Sunday, 05.06, 8:30 p.m.
Where: Mutiny Information Café
Why: Chicago-based post-industrial duo HIDE makes a return visit to Denver in the wake of the release of their 2018 album Castration Anxiety. Using samples, pounding beats and corrosive drones, HIDE’s shows are like confrontational rapidfire snapshots into our culture’s nightmares and insecurities set to a heady soundtrack and as embodied in vocalist Heather Gabel’s ritualistic performance style. Fortunately, the band’s tour intersected with that of Baltimore industrial/darkwave punk band Curse whose own synth-driven heavy music predates some of the current darkwave renaissance and yet sounds like a future form of the music. Curse recently released a split 7” with noteworthy Austin-based industrial act Street Sects. Also on the bill are local industrial noise phenoms Echo Beds and Jump Scare, which includes Anton Kruger, formerly of experimental electronic dance project Bollywood Life. Brian Castillo will DJ the night with some rare cuts from his extensive vinyl library of underground and not-so-underground darkwave music.

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Yardsss at Treefort Music Fest 2018, Boise, ID. Photo by Tom Murphy

Who: Flesh Buzzard, Sporehive, Morlox, Nighttimeschoolbus, Mirror Fears, Yardsss, Ghost House, visuals by Clark Nova, DJ sets by JusJo
When: Sunday, 05.06, 6 p.m., show 6:30
Where: Seventh Circle Music Collective
Why: A night of mostly local noise and electronic acts at Seventh Circle Music Collective. Patrick Urn of Morlox has long bridged the worlds of noise and electronic music production and has released a fairly diverse body of work including hip-hop and ambient music beyond the noise and industrial music for which he’s best known. Whether as a member of defunct industrial legends In Ether, as Herpes Hideaway, as Syphilis Sauna or Morlox, Urn’s imaginative compositions are highly worthy of exploring in recorded form and witnessing live if you can. Nighttimeschoolbus is an underground hip-hop duo comprised of Toby Hendricks of Otem Rellik and vocalist extraordinaire Robin Walker. The name tells you a bit about the aesthetic and sense of play involved in the songwriting but it also articulates perfectly the necessary emotional state in which you’re indulging your whimsy as a refuge from the rest of the time in life when you’re dealing with the heavier side of human existence. Mirror Fears will not be short on bringing the feels with her melancholy yet cathartic, beat driven electronic pop songs. Yardsss from Portland, Oregon in this configuration is the three-piece band so the show is more like a post-punk, industrial ritual performance than the inspired, hermetic electronic performance art piece it was when Krist Kruger performed as Yardsss solo in Denver in 2017.

Monday | May 7, 2018

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MGMT, photo by Brad Elterman

Who: MGMT
When: Monday, 05.07, 6:30 p.m.
Where: Fillmore Auditorium
Why: MGMT came up a time when many of the big time electronic pop acts of the 2000s were getting going. That LCD Soundsystem, Paramore, Phoenix, Arcade Fire, Matt and Kim and MGMT and the like started experiencing the first stirrings of popularity in roughly the same timeframe before chillwave became a thing should be noteworthy to future popular music historians. MGMT, though, started when Ben Goldwasser and Andrew VanWyngarden were students at Wesleyan and like many dorm/bedroom projects in the 2000s the early musical ideas were noisier and more experimental than their more developed work. But when MGMT got more accessible it also became more interesting and its weirdo psychedelic pop struck a chord with an increasingly wide audience. The 2007, Dave Fridmann-produced Oracular Spectacular took MGMT out of the underground for good and when the band returned to Denver after the release of that album it wasn’t playing the Hi-Dive, it was much larger venues. The band’s subsequent albums, Congratulations and MGMT, didn’t seem to advance the band’s musical ideas much but 2018’s Little Dark Age finds the group not returning to form so much as a re-embrace of the band’s core idiosyncratic vision of electronic pop and dance music that made it interesting in the beginning.

Who: Curse w/Echo Beds and Ghost House
When: Monday, 05.07, 8 p.m.
Where: Triple Nickel Tavern (Colorado Springs)
Why: This is your second chance to see Curse (see above) in Colorado also with Echo Beds. It’s not too common that these kinds modern darkwave and industrial bands perform in the Springs so don’t sleep on the opportunity if you’re into that kind of music.

Who: Smoking Popes (acoustic) w/The Bigger Empty (feat. Mike Felumlee)
When: Monday, 05.07, 7 p.m.
Where: Larimer Lounge
Why: Smoking Popes were one of the best of the 90s Chicago punk bands. It came out of the same scene that produced Screeching Weasels and Pegboy. But Smoking Popes was a bit more melancholy than than many of their peers even when the pace was high energy and one might even say the Popes were basically an emo band. Combining a punk edge with an emotional vulnerability wasn’t terribly common in the early 90s but the Popes did it in a way that seems more a feature of punk than an anomaly these days. The band flirted with mainstream popularity in the mid-90s but by the end of the decade Josh Caterer found his newfound strong religious convictions didn’t jibe with what the band was about the end group broke up in January 1999. Six years alter, the band played a reunion show in Chicago before which Caterer explained that songs he didn’t think he could perform again weren’t songs the band tended to play live anway. But the reunion would happen without original drummer Mike Felumlee. Over a decade later, Felumlee is back in the fold and playing this current “acoustic” tour as well as playing with opening act The Bigger Empty.

Tuesday | May 8, 2018

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Curse, photo by Tom Murphy

Who: Curse, Church Fire, Kill Your Darlings
When: Tuesday, 05.08, 7 p.m.
Where: Downtown Artery (Upstairs)
Why: Baltimore darkwave band Curse makes it to Fort Collins for a show with Denver-based electro-industrial-dance band Church Fire and Fort Collins’ industrial band Kill Your Darlings which includes Brett Scheiber of Stella Luce and formerly of dance pop band Pep*Squad and noise project Four Pins Pulled. Sure, darkwave but all of these bands have an emotional intensity on stage that may have an element of the melancholy yet never a downer.

Who: Pseudogod, Hellfire Deathcult, Abysmal Lord, Casket Huffer
When: Tuesday, 05.08, 7 p.m.
Where: Hi-Dive
Why: Perm, Russia-based black metal band Pseudogod converges with like-minded bands Hellfire Deathcult from Chicago, New Orleans’ Abysmal Lord and Casket Huffer from Cheyenne for a show that, if fantastical conceits could be true, open a gate into the dimension where the Great Old Ones are partying to music like this. Pseudogod’s cover for The Pharynxes Of Hell, part humorous, part spooky, visually arresting seems to encompass the spirit of what this show will be like to see.

Wednesday | May 9, 2018

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Tricky, photo by Sebastian Pielles

Who: Tricky w/Young Magic
When: Wednesday, 05.09, 7 p.m.
Where: The Marquis Theater
Why: Tricky is one of the artists directly responsible for what came to be called trip-hop in the 90s. As an early collaborator with Massive Attack, and having contributed vocals to that band’s 1991 debut Blue Lines, Tricky demonstrated a versatile talent and when he embarked on a solo career in 1993, he brought with him a gift for borrowing musical ideas and production methods from a variety of musical styles resulting in his debut album, 1995’s Maxinquaye. A hybrid of downtempo, post-punk, dub, hip-hop, Tricky’s music was an antidote to the increasingly conformist and bland alternative rock of that mid-decade. Over twenty years later, Tricky continues to make evocative, deeply atmospheric music. Although, his 2017 album Ununiform, co-engineered by Jay-Z, finds Tricky focusing on spare, uncluttered melodies and strong, minimal beats. It has the feel of Tricky’s least abstract and ethereal record while not sacrificing his ability to set a vibrant mood.

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Brazilian Girls, photo courtesy Six Degrees Records

Who: Brazilian Girls w/Tiger Party (Allen Aucoin of The Disco Biscuits and Josh Fairman of Sunsquabi and Analog Son)
When: Wednesday, 05.09, 8 p.m.
Where: The Marquis Theater
Why: New York City has been a melting pot of popular musical styles for decades. But in the 2000s a particular brand of mixing Latin, African and non-Western musical ideas in general with dance music, post-punk, pop and noise emerged in various forms including the tropical pop of early High Places and the no-wave funk of bands like These Are Powers. Or, if you prefer, more above-ground acts like Dirty Projectors and Vampire Weekend who re-popularized polyrhythms and less conventional vocal styles. Brazilian Girls came in on the dance music end of that wave with its always eclectic and lively live show and songs that wove together ghostly, downtempo melodies, pulsing low end, dub-esque percussion, sex positive messaging and singer Sabina Sciubba’s otherworldly jazz vocals and enigmatic, theatrical stage presence – something akin to Björk fronting a lounge band. In April 2018 the band released Let’s Make Love, it’s first in a decade. Not as cool and sonically smooth as its previous efforts, Let’s Make Love, nevertheless, finds Brazilian Girls more thoughtful but musically more urgent, highlighting the band’s talent for reconciling contrasts.

Best Shows in Denver 03/29/18 – 04/04/18

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Colin Ward as Alphabets circa 2010. Raptor Jazz, a celebration of Ward and his legacy at The Black Box on Saturday, March 31. Photo by Tom Murphy

 

Thursday | March 29, 2018

 

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The Milk Blossoms, photo by Tom Murphy

Who: The Milk Blossoms (album release) w/Joseph Lamar, Princess Dewclaw and Midwife
When: Thursday, 03.29, 7 p.m.
Where: Lost Lake
Why: The Milk Blossoms release Dry Heave the Heavenly this night at Lost Lake. The trio basically found a way to take fairly idiosyncratic musical tastes and skill sets and a blend of natural talents to make imaginative, cathartic pop music that couldn’t really be made by anyone else. The bands songs are accessible yet demanding your taking it on its own terms. Calling the group “experimental pop” doesn’t quite do justice to the power of the live band and its recordings. Two talented singers whose styles are quite different but complementary, soul and hip-hop undertones without the hackneyed quality one often finds in artists that are trying too hard to appeal to too many people. The members of The Milk Blossoms are definitely not trying to appeal to people in that way, but, rather, expressing poignant life moments in an achingly resonant way making their music poetic and heartbreaking yet comforting. Naturally for the occasion of the album release, The Milk Blossoms brought together a few of the best Denver bands to round out the bill. Joseph Lamar isn’t trying to put his music in hip-hop, soul, indie rock, electronic pop boxes but there’s bits of all of that and more in his songwriting. Princess Dewclaw combines synth pop and a seething socially critical punk sensibility that seems elemental in the live setting. With her almost abstract and ethereal vocals and spidery guitar work, Midwife channels the ghost of the soul level pain that lingers in the hearts of most people that have lived life enough to know the regret and melancholy that bring loss into stark focus.

Who: DRUNE, Equine, Tyler Jared Cantrell
When: Thursday, 03.29, 9 p.m.
Where: The Skylark Lounge
Why: This is the second edition of Musical Mayhem at The Skylark for March. DRUNE describes itself as “Denver Desert Doom Metal.” Probably means these guys listened to a lot of Kyuss and/or Queens of the Stone Age, maybe Dopesmoker-era Sleep above the rest of that band’s catalog and Ennio Morricone’s movie soundtrack discography. If their practice space recordings are any indication anyway. Equine is the latest project from Kevin Richards who some may know from his time bringing weird jazz chords into the mix with post-hardcore band Motheater and ambient noise project Epileptinomicon or even his own post-rock-esque solo effort Temples (before some okay psych band made the name famous-ish). At any rate, Equine picks up where Temples left off in experimenting with the structure and format of even experimental guitar based music and adding in electronic elements to create a truly hypnotic and immersive soundscape.

Who: Matt and Kim w/CRUISR and Twinkids
When: Thursday, 03.29, 7 p.m.
Where: The Ogden Theatre
Why: Matt Johnson and Kim Schifino met at the Pratt Institute in Brooklyn and became a couple who were encouraged to take up music by the guys in Japanther. Neither had any real training but plenty of creativity and, it turns out, a knack for writing hook-laden pop songs that were upbeat and positivistic without seeming hokey. As the duo’s songwriting developed, its audience quickly outpaced the capacity of the DIY spaces it played early in its career. Matt and Kim have played many of the big festivals and had experiences most bands would love to have and yet their presentation of the music never seems jaded—it seems as exuberant as it was a decade ago.2018’s Almost Everyday, written while Schifino was recovering from an injury strikes an unusually melancholy note now and then suggesting an acknowledgement of mortality to go along with the shift from the exuberant punk attitude of earlier releases to a focus on the electronic side of the band’s sound. Honestly, a welcome change of pace but even if you’re not a fan of the band’s newer sound it’s not like they’re going to only play from the new record and you can go expecting the hijinks that have made Matt and Kim shows more fun than those of most other bands.

Friday | March 30, 2018

 

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It’s Just Bugs, photo by Tom Murphy

Who: Monocle Band & The Dress Downs
When: Friday, 03.30, 6 p.m. doors, 7 p.m. show
Where: Absolute Vinyl, Boulder
Why: Absolute Vinyl ends its more than 9-year run as an institution that offered friendly service, fair prices on vinyl and a place to see a wide variety of live music from the avant-garde improvisational stylings of Animal / object to folk/Americana acts like Monocle Band and The Dress Downs, the two bands that will likely be the last live acts to be hosted by the store. Advocates for the local tape label showcase and other events focused on local culture, Absolute Vinyl was more than just a record store. Absolute Vinyl closes its doors for good tomorrow, Saturday, March 31 so if you’re so inclined pay it one last visit.

Who: Fathers vinyl release w/SPELLS, It’s Just Bugs, Cheap Perfume
When: Friday, 03.30, 8:30 p.m.
Where: Hi-Dive
Why: At this show you can pick up the vinyl version of the self-titled Fathers album, which came out digitally in October 2017. The group is a bit of an all-star lineup of local heavy music including Oscar Ross and Ryan DeWitt from Lords of Fuzz, Eddie Maestas from Native Daughters and Mhyk Monroe from Cult of the Lost Cause. Fathers is more akin to metallic post-hardcore acts like Converge, Coalesce and Cave-In (whose singer/bassist Caleb Scofield died in a car accident earlier this week). Including the amplified intensity, the clear influence (directly or otherwise) of grindcore and gritty-screamy vocals. Fortunately the group thought to bring in likeminded but sonically quite different bands to round out the bill. SPELLS’ motto is 80% is good enough. But you can’t really tell anyone’s holding back on the energy and performance in the show. Sorta like pop-punk but more refined yet still simple and straight forward. Maybe frontman Ben Roy will do something transgressive but not abusive at the show and it’ll all be worth that beyond Chuck Coffey’s elegant and thoughtful songwriting disguised as dumb-but-fun punk. It’s Just Bugs is the perfect, even inevitable, blend of noise, electro-industrial music and hip-hop. Cheap Perfume writes catchy, fun songs but doesn’t dumb down or dulls its sharp takedown of patriarchal culture to comfort people who think art and politics should be separate.

Who: Strange Goo – KGNU presents An Evening of Perplexing Rhythm: Mux Mool and RUMTUM collaborative set, Ea$$side Lupita, CURTA and Norty
When: Friday, 03.30, 8 p.m.
Where: Fort Greene Bar
Why: For fifth Fridays for the rest of the year, KGNU is presenting An Evening of Perplexing Rhythm, seems to be a showcase for forward thinking hip-hop and electronic music. This edition includes: Mux Mool and RUMTUM doing a set together likely combining their gifts for electronic dance music production and RUMTUM’s use of guitar loops and soundscapes – Ea$$side Lupita, the solo project of the incomparable KoKo La of R A R E B Y R D $ fame and if her production and lushly evocative and emotionally articulate vocals in the latter is any indication, this will be worth paying attention to as well – and CURTA, Denver’s premiere noise rap/experimental hip-hop group who recently released the excellent End of Future Park, a unique and almost surreal take on how the current state of late capitalist economic systems and the pervasiveness of technology in culture is impacting our daily lives in ways we tend not to examine closely enough.

Saturday | March 31, 2018

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Chrome circa 2008, photo by Tom Murphy

Who: Chrome w/EchoBeds and Phallic Meditation
When: Saturday, 03.31, 8 p.m.
Where: Larimer Lounge
Why: Check out our write-up on Chrome and interview with Helios Creed for some reasons to go to this show.

 

What: Raptor Jazz a Ceremony of Life for Colin Ward/Fundraiser feat. Docile Rottweiler, French Kettle Station, UR Presents Acid Rain (live), Sugarsplat 2.0, Shaman Fight Club, AcidBat, Kid Mask, Toucan, visuals by Orchidz3ro and Jak Turbo
When: Saturday, 03.31, 8 p.m.
Where: The Black Box
Why: Colin Ward left an indelible imprint on Denver’s DIY art and music world during his short life before he died at the end of January 2018. This event is a celebration of his life and influence performed by many of those closest to him and a fundraiser for his memorial fund to preserve his art and music going into the future.

Monday | April 2, 2018

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Herse, photo by Tom Murphy

Who: Suppression w/Herse, Berated and Flesh Buzzard
When: Monday, 04.02, 7 p.m.
Where: Mutiny Information Café
Why: Suppression are an early noisegrind band from Virginia. When the band began in Roanoke in 1992 it probably seemed pretty extreme and brutal to most people that weren’t already into grindcore. The beyond-screamed vocals, savage sonic gyrations and doomy soundscaping of its 1993, self-titled debut likely didn’t endear itself to purist grind fans either. But 26 years hence and Suppression, now a two-piece, are considered legends of extreme music even though that means they’re probably playing the same kind of underground, DIY and otherwise unglamourous types of venues they did back near the beginning. That said, it would be so odd and not appropriate to witness this music at a theater or even a big club. Fortunately, Mutiny is a perfect place to catch Suppression as well as like-minded locals like the two-piece Herse whose own brand of grind waxes into the realm of experimental music with its own subverting grindcore tropes of song dynamics and tone.

Tuesday | April 3, 2018

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Pale Waves, photo by Danny North

Who: Pale Waves w/Inheaven
When: Tuesday, 04.03, 7 p.m.
Where: Larimer Lounge
Why: Pale Waves released All The Things I Never Said, its debut EP, in February 2018. While the band began in 2014, it’s obvious from the songwriting that the Manchester, UK-based group took some time incubating as a band before releasing a song much less a small body of work like a four-song EP. The band’s sound and image is an interesting mix of ideas and creative impulses. Overtly the music is modern synth pop but the band looks like they might be giving us a vintage post-punk/Goth sound as lead singer/guitarist Heather Baron-Gracie and drummer Ciara Doran look like they wouldn’t have been out of place in Siouxsie & The Banshees or Switchblade Symphony. Which makes the contrast interesting because the band sets you up to be surprised and not expect a particular style. Sure, an early single, “There’s Honey,” comes off like late-era Cocteau Twins meets Chvrches but later singles like “Heavenly” mix bright vintage dream pop guitar work with melodic hooks reminiscent of Alvvays. Whatever ingredients went into Pale Waves’ music, what it is now is one of the better pop groups to have come across the Atlantic in a few years.

Who: A Deer A Horse w/Quits and Product Lust
When: Tuesday, 04.03, 8:30 p.m.
Where: Hi-Dive
Why: Brooklyn’s A Deer A Horse sounds like a cathartic blend of Carla Bozulich circa Evangelista and early Live Skull. That spooky and intense energy of Bozulich and a willingness to let cutting, noisy guitar find its place in jagged rhythms without being limited by them nor vice versa. All while somehow writing accessible songs with hooks. Also on the bill are Product Lust, the post-punk band that blasts through conventional notions of what that has to sound like. There is the spirit of hardcore in the songwriting and presentation partly because Kat Salvaggio is a confrontational frontwoman but the souunds and rhythms sonically color outside hardcore’s tendency for stark contrasts. Quits could loosely be called noise rock because the members of the band have all been in some of the most interesting groups of that ilk for a couple of decades. Doug Mioducki and Luke Fairchild were both in the sometimes shockingly forceful and unhinged noisy post-hardcore band Sparkles. Mioducki went on to play in art-noise-punk-jazz band Witch Doctor and, more recently, CP-208. Fairchild has been in several noteworthy sludgy, noisy punk/metal bands over the years but maybe you’re familiar with Git Some and Kingdom of Magic. Drummer Darren Kulback and bassist Tiana Bernard were also both in CP-208 but before that they were in noise rock trio Hot White who made some waves in the underground before splitting in 2011. And thus Quits brings together a bit of Denver noise rock history in one band. But is it any good? If its 2017 EP is any indication, that’s affirmative, Captain.

Wednesday | April 4, 2018

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Boy Harsher, photo by Tom Murphy

Who: The Soft Moon w/Boy Harsher and Voight
When: Wednesday, 04.04, 7 p.m.
Where: Larimer Lounge
Why: When The Soft Moon released its 2010 debut album its harsh yet hypnotic industrial post-punk sound didn’t seem connected to much else going on at the time. Unless you were listening to dark noise rockers like Pop. 1280 and Yoga. As stark and as urgent as Suicide, as bass driven with cutting guitar tone reminiscent of A Place to Bury Strangers, The Soft Moon likely also had some roots in Chrome’s blend of mind-altering guitar sound and experiments in electronic soundscaping. On the project’s 2018 record, Criminal, Luis Vasquez has made the dance element stronger while pushing his songwriter in stranger directions and thus escaped a potential trajectory of merely reinventing the sound of his earlier records. Whereas 2012’s Zeros sounded like a transitional record, Criminal sounds like a new chapter in Vasquez’s evolution as an artist. Sharing the bill is Denver’-based industrial post-punk duo Voight who are in the process of transforming their sound in a more electronic direction so you may get to see more than a hint of that for this show. Also, Boy Harsher, originally from Savannah, Georgia, will bring an immersive darkwave dance sound that doesn’t draw easy comparison to much unless you’ve been able to catch New Order or Adult in the last decade. Brilliantly sculpted, driving low end and ghostly vocals that suggest large spaces even when the blanket of fog obscures one’s sense of place at the show. Disorienting yet comforting. Boy Harsher releases Pain II on May 11 but you may be able to pick up a copy at this show.

To Be Continued…

Best Shows In Denver 10/19/17 – 10/25/17

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Bell Witch, photo by David Choe

 

October continues to be the busiest live music month for Denver but one with few if any festivals, thank goodness. As usual here are several offerings worthy of your attention.

Thursday: October 19, 2017

Who: Din Virulent & MGNLP w/Rasmussen and Juice Up 
When: Thursday, 10.19, 7 p.m.
Where: 7th Circle Music Collective
Why: This is basically a harsh noise show but one thing lost on people that either actively despise it or don’t get it at all is that most noise artists are completely unlike every other noise artist. Juice Up has some disorienting arrangements of samples and sounds that’s something like a completely unconventional rhythm but there is a humorous playfulness there. Rasmussen is John Rasmussen of Denver noise legends Page 27. Rasmussen’s solo output is so diverse in texture and tone that even his “harsh” noise sets tend to have a subtlety and nuance that suggests the serious composition and planning that undergirds sounds that aren’t trying to fit at all into a pop song format. Din Virulent sounds like what happens when you chain a few delay pedals together and have them feed back off each other while manipulating the signal for an effect like watching white noise on TV if that image was sound and occasionally felt like it was aggressively charging out at you.

Friday: October 20, 2017

Who: Tera Melos w/Speedy Ortiz, Holophrase and Meet Me In Montauk
When: Friday, 10.20, 8 p.m.
Where: Larimer Lounge
Why: Tera Melos might be one of the more misunderstood bands of the last several years because it sounds like its member spent some time playing in one of Trey Spruance’s projects: lots of unusual rhythms and dynamics requiring a precise musicianship while not sounding too in the pocket; heavy guitars, disorienting tones and an alternating driving and and hanging melodies. Its 2017 album, Trash Generator, is like a math rock shoegaze album with a touch of brutal psychedelia. In that way Tera Melos could be said to be a bit of a musical cousin to noise rock phenoms Deerhoof. Speedy Ortiz sounds like it picked up where The Breeders and Throwing Muses left off in the mid-to-late 90s with captivating, fuzzy melodic songs that take a walk out of every day mundane life while commenting on that life with with and sensitivity. Holophrase is a Denver band that has come out of being a guitar-based indie rock band (albeit one that didn’t sound much like anything contemporary and only slightly like Magazine) into being a mostly electronics-based band with deep atmospheres and Malgorzata Stacha’s layered vocal melodies serving as an emotional and sonic locus for the group’s hypnotic, chilly soundscapes.

Who: Thurston Moore w/The Diary of Ic Explura
When: Friday, 10.20, 8 p.m.
Where: Larimer Lounge
Why: It is indeed Thurston Moore of influential No-Wave-and-punk-inflected rock band Sonic Youth. His new album, Rock and Roll Consciousness, showcases Moore’s gift for writing moody pop songs bolstered by dynamic and complex yet tasteful guitar work. It’s melancholy stuff but much of Moore’s best material is yet he also manages to lend his songwriting a thoughtfulness not mired by despair. He can create a gritty image and imbue it with some future hopefulness not yet obvious in the moment he documents in his words—being in the moment but knowing that you can never fully get stuck there unless you try really hard. The Diary of Ic Explura is Toni Oswald’s ambient, sound collage experiments that she sculpts into coherent songs by adding instrumentation to elements that aren’t necessarily inherently musical. Like musique concrète with a soundtrack. Which is nothing new in the world of avant-garde music but Oswald’s vibrant and transporting music demonstrates well how noise and composition can work together.

Who: The Juan MacLean
When: Friday, 10.20, 8 p.m.
Where: Bar Standard
Why: Deep Club 3rd Fridays brings The Juan MacLean to a relatively small venue. John MacLean’s first chapter in influential music came with his tenure as a guitarist for Providence, Rhode Island-based, experimental post-hardcore band Six Finger Satellite. The band was an early practitioner of fusing electronic elements with the usual punk rock instrumentation and operating in the same musical realm as bands like Arab On Radar, Lightning Bolt and Mindflayer—though predating them all. When SFS split near the turn of the century, MacLean left music for a few years before Six Finger Satellite’s sound engineer, James Murphy (who some may know as starting DFA Records and as a member of LCD Soundsystem) helped convince him to make music again. But instead of doing the noisy punk stuff he’d been doing, MacLean focused instead on forward thinking electronic music and a mutant form of modern disco. And that’s what you can more or less expect at this event.

Who: Don Strasburg, Cuckoo, Ashley Koett
When: Friday, 10.20, 8 p.m.
Where: Denver Bicycle Cafe
Why: Don Strasburg isn’t just a clever name for a band. The Boulder-based outfit doesn’t bother to trace any lines on the punk rock spectrum but fans of modern, mathy emo will find something to like but so will anyone that is into the most genre-bending, noisy post-hardcore. Cuckoo is lo-fi dream pop that would have fit in well on the Siltbreeze imprint or so it’s 2016 album Mermaid’s Don’t Exist would suggest. For fans of stuff like early Sebadoh, Eat Skull, Times New Viking, No Age and Microphones. — update, Don Strasburg no longer on the bill, now Terremoto.

Who: Allout Helter & Black Dots FEST sendoff w/faim, The Larimers, Andy Thomas’ Dust Heart
When: Friday, 10.20, 8 p.m.
Where: Hi-Dive
Why: The Fest has been happening in Gainesville every year since 2002. It’s a mostly punk festival and this year’s festival includes the likes of Against Me!, Pegboy, Hot Water Music, Beach Slang, City of Caterpillar, Hum, Snapcase, Atom and His Package and Rainer Maria. But it will also feature Denver political punk thrashers Allout Helter and melodic hardcore band Black Dots. Sure, both bands play Denver regularly but here they are on one bill to send them on their way to one of punk’s most prestigious festivals.

Saturday: October 21, 2017

Who: Afghan Whigs w/Har Mar Superstar
When: Saturday, 10.21, 8 p.m.
Where: Gothic Theatre
Why: Afghan Whigs both predated and embodied what was great about the alternative rock era. The group started as a kind of garage rock band but infusing that sound with soul and R&B, with lyrics revealing a keen insight into human psychology, yielded some of the best records of the 90s. 1993’s Gentlemen was the band’s major label debut, after an independently released 1988 debut and two fine records for Sub Pop, and the record that was a departure from the fuzzy psychedelia of its earlier efforts. As “alternative rock” was running out of steam by the middle of the decade, Afghan Whigs continued to write and record vital music for 1996’s Black Love and 1998’s 1965 before the band amicably split in 2001. Singer Greg Dulli kept on battling his personal demons in other projects throughout the 2000s but in 2011 Afghan Whigs announced it was reuniting. A lot of bands from the alternative rock world have reunited and most of them have had respectable tours and the Whigs were no different. Dulli was and is an electrifying frontman and the band’s performance startlingly powerful overall. Currently the group is touring in support of its 2017 release In Spades. Har Mar Superstar has stylistically been all over the map from silly hip-hop early in the life of the project (Sean Tillman is also in pop band Sean Na Na) to a more Motown-esque soul and R&B sound while often performing all but nude and making an oddly compelling spectacle of himself. But the music is legit and if it’s tongue in cheek it is in the way that only someone with a deep respect for the musical style could pull off.

Who: Sound of Ceres album release of The Twin, Plume Varia and The Milk Blossoms
When: Saturday, 10.21, 9 p.m.
Where: Syntax Physic Opera
Why: When Ryan and Karen Hover started Sound of Ceres in 2015, setting aside their dreamy indie pop band Candy Claws for the time being, they seemed to be tapping into a daydream realm of freely associating ideas and sounds and something about the purity, honesty and transcendent beauty of the music translated well onto the recording of 2016’s Nostalgia for Infinity. On the 2017 follow-up, The Twin, the band is spending less time drifting through shimmering gossamer and luminous fog. The minimalist songwriting approach this time leaves enough space for greater clarity of tone and distinctness of sounds working in conjunction with each other. It is not a better record but it sounds very focused. Denver dream pop greats Plume Varia and The Milk Blossoms open the show potentially opening a vortex into some realm Lord Dunsany would have written about. At least emotionally speaking. Vampires and werewolves aren’t real either, kids.

Who: Torres w/The Dove & The Wolf 
When: Saturday, 10.21, 8 p.m.
Where: Larimer Lounge
Why: Torres is an artist like PJ Harvey, Aldous Harding, EMA or John Vanderslice who are difficult to pigeonhole, whose high imaginative and powerful work cannot be reduced to a simple genre. Mackenzie Scott, the person behind Torres, doesn’t limit her songwriting to a single instrument so her sound has a layered cohesion even as it sounds like she’s going off the rails. There is an honesty, power and vulnerability to her music that comes across perhaps most vividly on her new record, Three Futures. Interestingly enough, Mackenzie got Rob Ellis, a longtime collaborator with PJ Harvey, as well as Portishead’s Adrian Utley.

Who: The Rotten Blue Menace reunion show w/Short Bus Rejects, The Beat Seekers, The Beeves and Sentry Dogs
When: Saturday, 10.21, 7 p.m.
Where: 7th Circle Music Collective
Why: The Rotten Blue Menace spent a few years being one of the most entertaining and active ska bands in Denver so it’s only appropriate that it would have its reunion show sharing the stage with a band it likely influenced, Short Bus Rejects, who are playing their final show this night. It won’t all be ska or ska punk because street punkers Sentry Dogs and melodic grunge wonders The Beeves will fill out the bill.

Who: Kitty Crimes (DJ set), Snubluck, DJ Polyphoni and Just, Kevin
When: Saturday, 10.21, 8 p.m.
Where: Fort Greene
Why: Kitty Crimes is normally a fast rapper with some explicit content in her lyrics and always pretty entertaining. For the DJ set who knows what might be in the mix because Maria Kohler, aka Kitty Crimes, has fairly diverse taste in music and the rest of the night will be some form of electronic dance music including experimental beatmaker and soundscaper, Snubluck.

Sunday: October 22, 2017

Who: Daikaiju w/TripLip, Kenaima and Chaff
When: Sunday, 10.22, 8 p.m.
Where: Streets of London
Why: Since 1999, surf rock band Daikaiju from Huntsville, Alabama, has been performing shows that are the stuff of legend. Fire, acrobatics, the kind of exuberant energy that’s impossible to not be swept up in at the show. They play in costume so you might think of them being, overall, something like Peelander Z and Crash Worship, lucha libre and kabuki. People often use the word “chaotic” to describe the show and fair enough but more like an explosion of fun. Also playing the show is TripLip, which is comprised of people who used to live at the late, great Five Points Denver DIY venue Mouth House. TripLip is more psych and prog but very much in the same spirit as Daikaiju, a band that somehow hosted Daikaiju’s wild live show more than once in a residential neighborhood.

Who: A Giant Dog w/SPELLS and Class President
When: Sunday, 10.22, 8 p.m.
Where: Hi-Dive
Why: It’s odd that Austin’s A Giant Dog hasn’t broken to a much larger audience. But for now count yourself lucky you’re getting to see the band in smaller venues in Denver for now. Its rowdy, tuneful mélange of early glam rock, punk and power pop is celebratory without coming off insincere. That’s probably because the songs are about things that anyone that isn’t living a glamorous or pampered life can relate to and delivered with an unlikely combination of vulnerability and conviction. In 2017, A Giant Dog released Toy, its most fully-realized album to date, through Merge Records. Denver’s SPELLS is cut from a similar cloth as a brash, minimalist punk band not short on melody in its own right.

Monday: October 23, 2017

Who: Daikaiju, TripLip and Today’s Paramount
When: Monday, 10.23, 7 p.m.
Where: 7th Circle Music Collective
Why: For Daikaiju and TripLip see above. Today’s Paramount is sort of a psychedelic jazz rock band with touches of carnival music and ska. But it works and Today’s Paramount doesn’t sound much like anything else in Denver except for maybe a band where the chops, songwriting and humor are blended together well and developed to a high degree like The Inactivists.

Who: Shadows Tranquil, Voight, Equine
When: Monday, 10.23, 8 p.m.
Where: Syntax Physic Opera
Why: Shadows Tranquil is a band including longtime music fan, often threatening to be musician, finally is, Doran Robischon, and this is the band’s EP release show. Knowing Robischon’s taste for noise, witchouse, dark atmospheric music and stuff on the moody spectrum of all of that, his band will probably be interesting. Voight is the post-punk band that has interwoven strong strains of noisy shoegaze and industrial. Equine is the solo project of Kevin Richards and it’s guitar soundscaping stuff that comes off like a sculpted version of ambient and musique concrète.

Who: Hissing w/SUTEKH HEXEN, Of Feather and Bone, Worm Ouroboros, Vermin Womb and Casket Huffer
When: Monday, 10.23, 8 p.m.
Where: Hi-Dive
Why: Hissing and Sutekh Hexen recently released a split record, fitting since both are more on the brooding end of death grind. Disorienting, hypnotic pummeling through sound and rhythm. Minimalistic yet loud and aggressive. Both are in good company with the rest of this bill. Of Feather and Bone is certainly the more in-your-face style of deathgrind that is thankfully too alienating for casual fans of metal. Vermin Womb is similarly-minded but has more hanging dynamics and sounds closer to the roiling chaos bordering on nasty atmospherics in some black metal. Cheyenne, Wyoming’s Casket Huffer has a flavor that still has some connection to thrash, at least in the guitar work. Oakland’s Worm Ouroboros, however, will be a bit of an anomaly with its beautifully expansive, minimalistic and melodic, ethereal metal rooted in themes of nature and humankind’s relationship with the environment. If you’re fans of SubRosa, Dreadnought and Wolvserpent you’ll probably find something to like about Worm Ouroboros. Update: Worm Ouroboros no longer on the bill, instead Un, the “Aetherical Doom” band from Seattle. Also, it appears Sutekh Hexen dropped out of the show too.

Tuesday: October 24, 2017

Who: Hans-Joachim Roedelius w/Xambuca and Dream Hike
When: Tuesday, 10.24, 10 p.m.
Where: Mercury Café
Why: Hans-Joachim Roedelius is one of the true pioneers of krautrock and synthesizer-based music generally. His diverse body of work influenced the development of the aforementioned as well as new age music, psychedelic rock, ambient and electronic music generally. He was one of the co-founders of Zodiak Free Arts Lab in West Berlin in 1968, one of the most important spots for experimental music and the avant-garde of its time. Along with Conrad Schnitzler and Dieter Moebius he formed Kluster (later Cluster after Schnitzler left the group), a band for which any idea seemed a go and its’ mixture of standard rock band instrumentation (albeit used toward unorthodox ends), cello, synths, feedback manipulation and unusual devices to use in music like car batteries and signal generators. Kluster didn’t exactly hit the charts but its legacy of experimentation and recontextualizing sounds continues to this day.

Roedelius has since then been a prolific artist whose projects (solo and otherwise) and collaborations have pushed the boundaries and horizons of experimental music and synthesizers. With Cluster and Harmonia, Roedelius took truly unusual and groundbreaking musical ideas and made them accessible. Cluster collaborated with Brian Eno on 1978’s ambient music classic After the Heat. In the next decade Roedelius’ work helped to refine and further define the aesthetic of techno. But, interestingly enough, Roedelius’ most prolific years came in his mid-sixties around the turn of the century. This is a rare opportunity to witness one of the founders of modern music and especially at a small and intimate venue like The Mercury Café.

Who: Ariel Pink w/Bite Marx
When: Tuesday, 10.24, 7 p.m.
Where: Hi-Dive
Why: Ariel Pink as much as Animal Collective and Deerhunter can be said to have been responsible for inspiring a whole generation of musicians to use reverb on their vocals and guitars in an attempt to create a dreamlike soundscape that pre-dated the full-on psychedelic rock revival by half a decade. Except that those three acts did that and pushed the aesthetic further than most of the people they influenced. AC released a few of Ariel Pink’s earlier records before he was a touring act or one that played live much at all. To his credit, like Animal Collective and Deerhunter, every one of Ariel Pink’s albums pushes his own envelope and his new record, Dedicated to Bobby Jameson, is a fitting homage to the late, great cult songwriter of transporting psych folk.

Who: Dinosaur Jr w/Easy Action
When: Tuesday, 10.24, 7 p.m.
Where: The Gothic Theatre
Why: Dinosaur Jr is the clear draw for this show and rightfully so. The band has inspired more great guitar music to have come along since the early 80s out of proportion to their level of fame than most other bands you could name. Certain an influence on shoegaze, noise rock, alternative rock in general and any kind of left field music that dares to use guitar sounds with a nod to classic rock virtuosity and punk rock’s willingness to repurpose and deconstruct rock tropes. But get there early and catch one of the greatest frontmen in the history of rock music in John Brannon of Easy Action. One, the band is like a psychedelic version of Black Flag with that kind of forcefulness and ability to write guitar riffs that also disorient the senses. Brannon first came to the attention of most people in the know with his hardcore band Negative Approach. But in the mid 80s, Brannon formed legendary noise rock band Laughing Hyenas with the late Larissa Stolarchuk, Jim Kimball and Kevin Munro. For a decade the band set a high bar for intense live performances and songs that really articulated the harrowing struggle between desperation, inspiration and dreams of a more meaninful existence. Easy Action formed near the turn of the century and alongside a re-formed version of Negative Approach it has been Brannon’s outlet for his unique vocal style that is as terrifying as it is riveting.

Who: Tei Shi w/Twelve’len
When: Tuesday, 10.24, 7 p.m.
Where: The Gothic Theatre
Why: Valerie Teicher was born in Buenos Aires and spent part of her childhood in Bogotá and Vancouver, BC. So maybe somewhere along the line her knack for gently but vibrantly soulful vocals started to develop. However it happened, her early singles as Tei Shi found an audience among fans in her then adopted home city of New York, where she moved after attending Berklee. After a string of acclaimed EPs, Teicher released her 2017 full-length Crawl Space. It is an expansive gem of a downtempo, R&B-inflected synth pop album named after a place Teicher used to go to confront her fears of darkness. An apt metaphor for the various situations (emotional, social, professional, personal and so forth) Teicher discusses with nuance and insight across the album’s fifteen tracks.

Who: Dayglo Abortions w/Serial Killer Sunday School, The New Narrative and Self Service
When: Tuesday, 10.24, 9 p.m.
Where: Streets of London
Why: With a name like Dayglo Abortions the Canadian punk band was never going to have to worry about being co-opted by mainstream music outlets. During its existence, Dayglo Abortions have been punk, hardcore and crossover but its messaging has been the same—a big middle finger of irreverence for mainstream normalcy. Read the track list to the 1986 classic Feed Us a Fetus and you might even wonder where this band is coming from except for a healthy and vitriolically humorous disdain for right wing politics and racism and other aspects of Western culture that make it a bummer for anyone trying to live an authentic life. This is also the band that named its 1991 album Two Dogs Fucking. That level of surrealistic humor and pointed political statements didn’t exactly end, thank goodness. Opening the show are Denver’s Serial Killer Sunday School, The New Narrative and Self Service, all great punk bands that aren’t just irreverently funny but who have some fairly pointed commentary on the ills of American society.

Who: My Life With the Thrill Kill Kult w/Ritual Aesthetic and DJ Ritual
When: Tuesday, 10.24, 8:30 p.m.
Where: Streets of London
Why: My Life With the Thrill Kill Kult is celebrating its 30 year anniversary with this tour so they’ll be playing a whole lot of early albums Confessions of a Knife (1990) and I See Good Spirits And I See Bad Spirits (1988) so you’ll get to see some vintage material. The show is the best kind of spectacle and it perfectly blends B-movie horror kitsch, a carnival, trash culture and industrial dance music into an inspired whole. Chances are it will be one of the most fun shows you’ll see all year even if you’re not necessarily into industrial music. DJ Ritual will spin his relatively eclectic set at the show and between bands. Ritual Aesthetic is an industrial rock band from Denver in the vein of stuff like Electric Hellfire Club and Stabbing Westward when that band is more industrial than metal.

Wednesday: October 25, 2017

Who: Arcade Fire w/Bomba Estereo
When: Wednesday, 10.25, 6:30 p.m.
Where: Fillmore Auditorium
Why: Arcade Fire quickly became one of the most popular of early 2000s indie rock bands following the release of its 2004 debut album Funeral. On that tour the band played in Denver at Hi-Dive and Larimer Lounge. By the time Neon Bible came out in 2007, Arcade Fire had become too commercially successful to play small clubs. And that’s where it cold have ended with all the pressures of the music industry guiding the band into tried and true territory. But Arcade Fire actually risked alienating fans with 2013’s Reflektor and its emphasis on the electronic side of the band’s soundscapes. For 2017’s Everything Now, the band recruited Pulp’s Steve Mackey, Thomas Bangalter of Daft Punk and Geoff Barrow of Portishead to come in and do production work and the resulting set of songs is lush and has a warm, sweeping quality that one might expect out of a 70s glam rock record. As such the live show is sure to not skimp on a visual component to aid in the elevated tone of the songwriting. It’s kind of a past time of music critics and older fans to trash Arcade Fire today but it’s arguable the band is writing the most interesting music of its career by being willing to push forward instead of sticking to what some people think is what they do best. Bomba Estéreo is an alternative Cumbia band from Colombia.

Who: KMFDM w/OhGr and DJ Ritual at Summit Music Hall
When: Wednesday, 10.25, 7 p.m.
Where: Summit Music Hall
Why: Kein Merheit Für Die Mitleid does not in fact mean “Kill Mother Fucking Depeche Mode,” per the long-running joke. The industrial band was founded in Hamburg, Germany in 1984 and has undergone numerous incarnations and stylistic shifts from its early performance art-oriented shows to its full embrace of bombastic kitsch, sardonic humor and thoughtful social critique. You can probably start anywhere to get an idea of what the band’s music is about but for beginners give 1997’s Symbols a listen. Which is appropriate enough because Ogre from Skinny Puppy will perform his solo material as OhGr as a kind of co-headliner for this show. His set lists have included a good deal of material from Welt and SunnyPsyOp. And it’s Ogre so his set will have plenty of the inspired weirdness that has made him one of industrial music’s most interesting performers and artists. And who knows, maybe he’ll join KMFDM on stage for “Torture” as he did during KMFDM’s tour for that album in the 90s.

Who: Guided by Voices
When: Wednesday, 10.25, 8 p.m.
Where: Fillmore Auditorium
Why: Robert Pollard is by now both a godfather of modern lo-fi rock and one of its most accomplished and prolific artists. Had he ended Guided By Voices after 1994’s epochal Bee Thousand he would still be a legend. But 18 albums later, Pollard is still going strong with two 2017 albums: August By Cake (Pollard’s 100th recorded album) and How Do You Spell Heaven. Not every song is a winner but even Bob’s “lesser” material is worth a spin. The live show is an unabashed flood of splintery rock and roll in an era when there’s too much emphasis on being smooth and polished or faking grit. There’s no fake grit with Guided by Voices except maybe as an inside joke with fans and the audience.

Who: Glasss Records presents The Artists of Glasss and Friends: Princess Dewclaw, RAREBYRD$, Bianca Mikahn, Gold Trash, Juniordeer, EVP, Abeasity Jones, Pearls and Perils, Super Macho and Chromadrift as well as Adam Selene and Nighttimeschoolbus
When: Wednesday, 10.25, 7 p.m.
Where: Alamo Drafthouse – Sloans Lake
Why: This is a big showcase for Denver experimental music imprint Glasss Records and it includes some of the Mile High City’s most interesting bands and guests like alternative hip-hop group Nighttimeschoolbus.This show is a great opportunity to get a taste of a lot of what the artists on the label have to offer as they won’t be playing full sets.

Who: Bell Witch w/Primitive Man, Urn and Oryx
When: Wednesday, 10.25, 8:30 p.m.
Where: Hi-Dive
Why: Seattle-based doom band Bell Witch released one of the genre’s most haunting and crushing albums of 2017 with Mirror Reaper. The duo manage to conjure spectral horror and primal energies crying out in drawn out triumph with processed bass, drums and vocals. A perfect pairing with tourmates Primitive Man from Denver whose own 2017 album Caustic not only beyond lives up to and embodies the album title, it is an evocation of sustained despair, desperation and frustrated rage transmogrified into colossal and punishing songs that somehow also serve as a catharsis and a channel into an inner peace that are the opposite of the songs themselves. Opener Oryx is a sort of doom grind duo and the other opening act, Urn, injects some psychedelic elements into its own brand of doom. Probably the loudest show of the week outside of that Dinosaur Jr and Easy Action show on October 24 but also easily one of the best lineups of heavy music all month.

Best Shows in Denver 8/25 – 8/31

 

EVP
EVP performs 8.26 at Hooked on Colfax, photo by Tom Murphy

If, like many of us, you aren’t super flush with money and couldn’t sell enough blood plasma this past year to afford half the ticket price of the Depeche Mode show tonight at Pepsi Center, you have plenty of options should the live music experience be what you’re seeking. Not just the Titwrench festival at the Mercury Café starting tonight August 25, continuing tomorrow, August 26, but plenty of others including the following.

One
Who: Itchy-O and SPELLS 
When: Saturday, 8.26, 9 p.m.
Where: Gothic Theatre
Why: Itchy-O, the cult/sprawling experimental band/spectacle including over thirty members, has toured America, played in Tasmania and is arguably the most well-known weirdo band from Denver. Now the group is finally releasing its sophomore record, From the Overflowing, the follow up to 2014’s Burn the Navigator. Both albums have a home at Jello Biafra’s long-running indie label Alternative Tentacles but you can buy one in person this night and experience Itchy-O’s ever evolving live show. You can also catch openers, SPELLS, fronted by comedian Ben Roy who, with any luck, will do and say something memorably ridiculous.

Two
Who: Sliver, Television Generation, Quantum Creep and Stasis of Seasons 
When: Saturday, 8.26, 9 p.m.
Where: Moe’s Original Bar B Que
Why: Sliver and Television generation play together often but that’s no bad thing because both groups have managed to basically reinvent grunge for the Rocky Mountain West. 20 years ago, maybe you would roll your eyes at such a throwback impulse in sound. But both bands are energetic and seem to be coming from a sincere and pure place that bypasses notions of misguided nostalgia. TG even worked with grunge scene engineer par excellence Jack Endino on its 2015 Digital Static EP. Quantum Creep is a noise pop band that is comprised of veteran members of Denver area indie rock and indie pop bands. Rather than just basically retreading prior efforts, the members of Quantum Creep challenged themselves to focus not just on solid songwriting but in expanding what indie rock can and should sound like. Also, kudos for the nerdly science reference, people!

Three
Who: Laetitia Sadier Source Ensemble w/Heather Trost and Pattern Language 
When: Saturday, 8.26, 8 p.m.
Where: Lost Lake
Why: Laetitia Sadier was once the charismatic frontwoman of Stereolab, a band that combined Krautrock, avant-garde electronic music, bossa nova, punk and pop for an otherworldly listening experience with every record. Since that group split up nearly a decade ago, Sadier has forged her own music path with songs creatively worthy of Stereolab but more a reflection of her nuanced, further exploration of a cross-cultural blend of sounds and thoughtful commentary on life and the modern political landscape. Heather Trost, whom some may know for being in A Hawk and a Hacksaw, perfectly compliments Sadier’s own blend of diverse influences. The what one might call electronica exotica of Boulder, Colorado’s Pattern Language, as one can find on the 2017 EP Total Squaresville, is a great introduction to the whole evening.

Four
Who: Kevin Morby and Shannon Lay
When: Saturday, 8.26, 9 p.m.
Where: Globe Hall
Why: Before ever joining experimental folk band Woods on bass in 2009, Kevin Morby was writing his own music from a very young age. After leaving Woods in 2013 to forge his own way, Morby has proven himself to be a gifted crafter of introspective pop songs with a rare full use of low end in his compositions. Currently on tour in support of 2017’s City Music, Morby is finally writing and performing with the confidence that comes from not making music in the shadow of his previous musical projects.

Five
Who: Speakeasy Series: EVP and Nighttimeschoolbus
When: Saturday, 8.26, 6-9 p.m.
Where: Hooked On Colfax
Why: Nighttimeschoolbus is not too well known in Denver, much less elsewhere, but if quality of music is ever an indicator of success in that realm it should be. However, the duo comprised of Robin Walker and Toby Hendricks has few widely available recordings. They play few shows and don’t seem to have a shred of the careerist ambitions that bands trying to “make it” in any way seem to need to go beyond being asked by friends to play small shows. Walker, one of Colorado’s most talented musicians and vocalists, released solo albums in the past and with her indie pop band Cougarpants. Hendricks has several releases under his solo hip-hop moniker Otem Rellik. And together it’s an amalgamation of that underground hip-hop beatmaking and Walker’s avant-garde pop sensibilities. Also on this bill is EVP, another duo, but in this case, the band has elements of industrial music, witch house and post-punk. Amanda Baker’s vocals are reminiscent of Gitane Demone and the music has an 80s death rock vibe informed by a modern dance music production sensibillity.

Six
Who: Reggae on the Rocks featuring Sublime With Rome, The Mighty Mighty Bosstones, Fishbone, Inner Circle, Landon McNamara and Judge Roughneck
When: Sunday, 8.27, 2 p.m.
Where: Red Rocks
Why: In an annual tradition going back several years, Reggae on the Rocks will get started early Sunday afternoon. Whether the musical form is your thing, or whether or not all of these bands appeal to you, there’s not likely to be another chance to see punk/reggae legends Fishbone, much less a worthy band they influenced like The Mighty Mighty Bosstones on the same bill. Maybe some people will even figure out that Inner Circle has excellent songs beyond “Bad Boys.” The band, after all, has roots in the earliest days of reggae and had a whole career before 1986 when its most famous song was released. Local reggae powerhouse Judge Roughneck is also on the bill. While much local reggae is deservedly the butt of scorn and disdain, Judge Roughneck has garnered respect for its own music which never seems like a misguided appropriation.

Seven
Who: Bleached w/Springtime Carnivores and The Corner Girls 
When: Sunday, 8.27, 7 p.m.
Where: Larimer Lounge
Why: Jennifer and Jessica Clavin were once members of the great art punk band Mika Miko. When they formed Bleached in the wake of the dissolution of the latter, they embraced a kind of songwriting style that reflected the myth of Southern California—bright and easy melodies—while never trying to pretend there isn’t a darker side to California or a more gritty aspect of everyday living. The group’s latest album, 2016’s Welcome the Worms, is a heavy album that manages not to weigh you down. Denver’s The Corner Girls also take a sort of punk and surf rock aesthetic and make it a vehicle for commenting on serious issues in a way that doesn’t sugarcoat anything but also doesn’t unproductively wallow in despair.

Eight
Who: Silver Face w/Mugen Hoso and Palo Santo
When: Monday, 8.28, 9 p.m.
Where: Silver Spur Saloon
Why: Tokyo’s Mugen Hoso could be a punk band or a rockabilly band but in fine Japanese tradition, distinct categories don’t matter and the art statement of kind of cutting loose in a culture that frowns on such emotive gestures is plenty rebellious on its own. Silver Face, the Denver psychedelic rock band, is also on the bill. By not trying to be a psych band in the same mold as so many bands have in the last 10 years when more people discovered that music by listening to the Black Angels and realizing that The Brian Jonestown Massacre is a great band and not just a living caricature of a band in the excellent 2004 documentary Dig!, Silver Face is writing valid songs with real roots in an earlier era of rock and roll.

Nine
Who: The Cutthroat Drifters (final show) w/The Patient Zeros and To Be Astronauts
When: Wednesday, 8.30, 7:30 p.m.
Where: Larimer Lounge
Why: Since around 2003 way too many bands have mined the “classic rock” sound and attitude. Like Civil War recreation societies for rock and roll. The results have been mixed. The guys in Cutthroat Drifters, though, never seemed to forget that it’s not enough to play music inspired by that era of great songwriting or to just live an irresponsible lifestyle. These Drifters wrote many a worthy rock and roll song of their own and the live show was surprisingly forceful with a talented vocalist and frontman in Nicolas Kjolhede who danced with an unaffected yet theatrical flair as his equally skilled bandmates provided the context for that performance to work. After nearly a decade of rocking and sweating on multiple Denver stages, this is their last show. We hardly knew ye, Drifters.

Ten
Who: Wovenhand with Emma Ruth Rundle and Jaye Jayle
When: Thursday, 8.31, 8 p.m.
Where: The Marquis Theater
Why: Wovenhand has evolved into a more noisy, haunted, post-punk band from its more Gothic Americana beginnings a decade and a half ago. Live, the band’s music is a journey through harrowing emotional landscapes guided by singer David Eugene Edwards’ dark vision aiming toward spiritual catharsis. Sharing the bill are Emma Ruth Rundle and Jaye Jayle. The two songwriters had a collaborative album earlier this year but separately, Rundle has a ghostly purity at the heart of her dark, moody songs that evokes Julee Cruise while sounding more like Marissa Nadler. As a member of Red Sparrowes with roots in folk music, Rundle masterfully navigates a broad and deep vista of emotional expression. Evan Patterson, Jay Jayle, is no stranger to heavy music himself as a member of Young Widows and Breather Resist, and his burnished blues folk is the stuff of Jodorowsky soundtracks.