Best Shows in Denver 03/01/18 – 03/07/18

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Melkbelly performs with Bully on Monday, March 5, 2018. ,Photo by Lenny Gilmore

Thursday | March 1, 2018

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Oryx, photo by Alvino Salcedo

Who: EyeHateGod w/Oryx, Tricoma and Blighter
When: Thursday, 03.01, 7 p.m.
Where: The Marquis Theater
Why: Oryx was a nearly ubiquitous name you’d see on the heaviest bills around Denver for a while. But the band seems to have hunkered down to write, refine and record its new album, 2018’s Stolen Absolution. Maybe “refine” is the wrong word as the record is a raw blast of rage and disgust with the bleak state of the world from the impending collapse of the natural environment as we used to know it and the utter shabbiness in the ways too many of us humans treat one another. It doesn’t sound despairing, it sounds more like a cry for humanity to get its collective shit together before we make one mistake too many. The crust/grind/black metal duo is releasing the album at this show in which its sharing the bill with like-minded, New Orleans sludge legends EyeHateGod, Denver purveyors of death doom Tricoma and Blighter, Colorado Springs’ titans of bridging the gap between crust punk and the heaviest of metal.

Friday | March 2, 2018

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Briffaut, photo by Kitty Colvin

Who: Briffaut album release w/Down Time and In/Planes
When: Friday, 03.02, 8 p.m.
Where: Syntax Physic Opera
Why: Briffaut’s new album, Helsinki, has a hazy lushness and freeform yet structured songwriting style that suggests jazz underpinnings. But mostly its soft tones and beats, its Mellotron-tinged and drifty atmospheres and idiosyncratic storytelling evoke imagery both surreal and all-too-real in the offhand everyday detail style employed by director Mike Mills. Musically it’s reminiscent of early The Helio Sequence and Animal Collective or even mid-2000s of Montreal—gorgeous melodies intertwined with noise and sound experiments to create a kind of pop music that pushes boundaries and has more long term durability as something you can listen to twenty or more years from now and still get something out of it that isn’t tied purely to nostalgia for one’s youth. In/Planes is apparently rooted in classic American pop meaning the duo has researched songwriters and music that has long fallen out of style but which never lost a certain emotional resonance and sophistication of craft that transcends time. The band’s refreshingly uncluttered songs are warm and soulful while not seeming to have done more than borrowed touches of doo wop and Brill Building-era pop. All of this can be heard on the band’s excellent 2017 EP Everything. Down Time reinvented indie pop in its brilliantly idiosyncratic style as heard on its debut 2017 full-length Good Luck!. Live the group has a striking freshness and inventive soundscaping that’s undeniably compelling.

Who: Jane/Eyre – Grapefruit Lab and Teacup Gorilla w/Dameon Merkl on vocals
When: Friday, 03.023, 7 p.m.
Where: The Bakery
Why: As we mentioned last week this is a queer adaptation of Charlotte Brontë’s classic 1847 coming-of-age novel. So it’ll be storytelling and songs provided by the Grapefruit Lab collective and Teacup Gorilla who are bringing in noted local frontman and raconteur extraordinaire, Dameon Merkl who some may know as one of the vocalists in Lost Walks as well as his turns in 90s punk band Random Victim and noir rock phenoms Bad Luck City. Because it’s Teacup Gorilla, a band that has long developed a relationship with theater and writing experimental rock music that can only loosely be defined as post-punk or glam rock because its imaginative songwriting and musicianship is much broader than a single genre. The run of this production concludes this weekend with shows on Friday evening March 2 ( and will include a performance from Ersatz Robots), Saturday evening March 3 with a surprise musical guest, and Sunday for a matinee performance at 2 p.m.

Catch this one before it ends because as far as adaptations of classic novels go it’s irreverence and faithfulness to the spirit of the book is rivaled by, if not in budget, sheer spectacle huge cast and production values, Peter Jackson’s Tolkien films and Game of Thrones. But none of the sword and sorcery though with plenty of high drama and the supernatural. The live soundtracking and Merkl as the sound of troubled and tortured spirits helps to enhance the brilliant three cast-member presentation.

Who: Velvet Acid Christ at Purgatory 3-2 w/Offerings to Odin, DJ Mudwulf, DJ Bloodline, DJ Julian Black
When: Friday, 03.02, 9 p.m.
Where: Bar Standard
Why: Although in recent years Velvet Acid Christ has more than doubled the number of shows that he played in Denver in the first twenty years of the band’s existence, it’s not like he plays every week, every few months or even really every year. VAC began in the early 90s and became an influential and popular EBM act in its own right with a knack for surrealistic imagery and darkly humorous storytelling. It’s been a few years since we’ve seen any original releases from VAC so maybe in 2018 perhaps Bryan Erickson, the band’s sole full-time member, will put deliver a new set of dystopian future dance songs.

Who: R A R E B Y R D $, EVP, Bianca Mikahn, Giraft
When: Friday, 03.02, 9 p.m.
Where: Denver Bicycle Café
Why: This is a Glasss Presents show three of the imprint’s best acts are on the bill. R A R E B Y R D $ is making the kind of hip-hop that is beyond conscious, beyond merely experimental but always human and thoughtful in its exploration of the impact of society and our own minds in how we navigate life. EVP is difficult to describe in simple genre terms. Part punk, part industrial, part pop, part noise. Bianca Mikahn…does she make hip-hop or super experimental, poetry driven R&B? Whatever it is, Mikahn’s insightful words weaves together her personal vision of a more loving and inclusive future. Giraft is Julianna Beckert and Chris White who make a kind of post-IDM downtempo. White some may remember for his masterful bass work in Alan Alda and Voices Underwater.

Who: Modern Leisure (album preview party) w/Kissing Party and Bark Wilson
When: Friday, 03.02, 8 p.m.
Where: Lost Lake
Why: Modern Leisure is previewing its forthcoming debut full-length album (set for a summer release). Good thing the band is joined by another that brings some dignity to the term pop when applied to a modern indie rock band. That being Bark Wilson. Layered atmospheres and rhythms that you don’t often hear in a pop band are Bark Wilson’s noteworthy hallmark. Kissing Party has a whole catalog of heartbreaking/heartwarming songs about love and disappointment. Don’t let the band’s sometimes irreverent and sardonic stage persona fool you, they mean those songs and that’s what saves them from being quaintly romantic because despite any flaws, the group performs the songs with a sincerity to match the sentiments.

Who: Adult Swim Presents: Mr. Pickles’ Trash-tacular featuring Exodus, Municipal Waste and Call of the Void
When: Friday, 03.02, 7 p.m.
Where: Summit Music Hall
Why: The nerd and metalhead world has a lot of overlap. Did Mr. Pickles exert his demonic powers to influence the choice of line-up? If so, he certainly has good taste. Exodus is the influential Bay Area thrash band that helped to establish the genre. After all, Kirk Hammett left Exodus to join Metallica so the thrash pedigree is undeniable. But it’s Gary Holt’s crunchy and driving, expressive, guitar style and his tasteful solo as lead is oft imitated by rarely equaled. Virginia’s Municipal Waste, though coming along in the beginning of the Twenty-First Century, has exerted influence of its own inspired by 80s crossover groups. Its guitars sound like the perfect blend of thrash and late-era first wave hardcore. But its rhythm, particularly the drums, sound borderline grindcore. But Municipal Waste is perhaps best known for its irreverent sense of humor. A band that calls one of its videos “Thrashin’s My Business…and Business is Good has to get some points for iconoclasm. Call of the Void you wouldn’t call a crossover band even though its grind and hardcore amalgam might give that impression. Its sound is more savage than the typical crossover band but its articulation of pushing the sound of despair and desperation to the extreme as a form of catharsis is often just what you need.

Saturday | March 3, 2018

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Paperbark, photo by Tom Murphy

Who: Centered Vol. 2: {arsonist}, C. Reider, Paperbark, Luxury Hearse
When: Saturday, 03.03, 8:30 p.m.
Where: The Ubisububi Room
Why: This is going to be a kind of ambient/modular synth show in the basement of The Thin Man. With Paperbark, John Mulville uses his modular synth to make abstract sounds that capture textures and the feeling of being in the natural world even as it is completely unnatural, as it were, in generating his soundscapes. C. Reider’s vast catalog of fascinating sound experiments and compositions can be found most readily on his Bandcamp page. With releases going back to the late 80s, Reider is something like Colorado’s Aphex Twin except less on the glitch end and more on the avant-garde and ambient end of electronic music. Pittsburgh’s {arsonist} employs layered atmospheres, textures and strings to create otherworldly compositions reminiscent of The Future Sound of London side project Amorphous Androgynous. Luxury Hearse has a pretty diverse set of sounds but some of its best work sounds like a super chill, secret dance club for minimal synth heads.

Who: KGNU and Lion’s Lair Quarterly Showcase: Simulators, Mirror Fears, Joseph Lamar, Rich Jones and CRL CRRLL (DJ set after Rich Jones)
When: Saturday, 03.03, 8 p.m.
Where: Lion’s Lair
Why: KGNU is one of the few legit radio stations taking real chances with its programming these days (having a community sponsored format probably helps). So every quarter the station has been working with Lion’s Lair to book a showcase of some of the more forward thinking and experimental music in various spectrums of the local music world. This particular event is also a Fasor Records mini-showcase. The label started by CRL CRRLL will probably include like-minded artists who push the boundaries of where electronic dance music and hip-hop production intersect. As indicated above, CRRLL will do a DJ set. Also on hand for this show are raw and spare post-punk duo Simulators, maximalist, deeply emotional and socially critical electronic artist Mirror Fears and Joseph Lamar who has found a sweet spot with his solid songwriting based in indie rock, jazz, experimental electronic music and a theatrical performance style.

 

Who: Pretty Mouth, The Patient Zeros and Kitty Crimes
When: Saturday, 03.03, 9 p.m.
Where: Streets of London
Why: This is going to be a different kind of show. Pretty Mouth is Marie Litton’s more Americana side of her songwriting. That said, there is a spiritual quality to Litton’s songs and performance even though she seems to be writing from a life that hasn’t been short on struggle, heartache and a deep love for people and of living like you mean it. The Patient Zeros are in a similar realm of songcraft but more in a rock and roll vein. Too many bands have tried to be “rock and roll” but The Patient Zeros’ songs don’t sound like they learned about Jack White a few years ago but have none of the poetry or genuine swagger. The Patient Zeros never come off like the second-rate Kings of Leon. Kitty Crimes…Maria Kohler has always been up to some noteworthy music including Science Partner and Mercuria and the Gem Stars. Kitty Crimes has been sort of a dirty rap project but in Kohler’s hands there’s an elegance and transformative quality that renders that sort of thing into something fun and worth your time above and beyond the appeal of anything transgressive but not inherently harmful.

Monday | March 5, 2018

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Bully, photo by Alysse Gafkjen

Who: Bully w/Melkbelly
When: Monday, 03.05, 7 p.m.
Where: Larimer Lounge
Why: Bully’s first album, 2015’s Feels Like, polarized critics. Oh, sure, the band sounds like it was beyond influenced by early 90s alternative rock. When you grow up with some kind of music it’s bound to creep in there sometime. But the founder of the band, Alicia Bognanno got a degree in recording and did an internship at Electrical Audio—Steve Albini’s Chicago-based studios—before going on to working as a recording and live sound engineer and then establishing her own studio to record her own music. That’s a lot more dedication to craft than many musicians bother with learning or enduring. It doesn’t necessarily make for better music but deserves better consideration than outright dismissal. The follow-up record, 2017’s Losing, refines the jagged, angst-driven melodies that made the debut album worthwhile. In the past decade or so there has been a lot of safely celebratory music or the kind of music that hides raw feelings and outrage in palatable constructions. Any darkness and frustration you hear in Bognanno’s songs doesn’t feel manufactured or couched in some identity stereotype. Even if you feel like her music is a retread of 90s rock you have to give her credit for sincerity.

On the bill tonight as well is Chicago’s Melkbelly is roughly an exact contemporary of Bully and based in Chicago, where Bully recorded both of its full-length albums. Melkbelly’s music has often been referred to as noise rock, which fits well enough. But Miranda Winders’ voice is a consistently melodic focus amid the urgency of the beat and the pulsing, splintered sounds and sense that the song could fragment into burning chaos. Melkbelly has the spirit and energy of a punk band but its sounds are more experimental and more wide-ranging. More Live Skull and Melt Banana than Shellac or Daughters. The group’s 2017 album Nothing Valley is an auspicious debut full-length that signals throughout that Melkbelly isn’t going for just one or two sounds and dynamics. Also, a band that calls a song “Twin Lookin’ Motherfucker” has to be a bunch of glorious weirdos and cherished in a time when the music industry too often rewards easy marketability over outright quality and uniqueness.

Who: Alex Cameron and Molly Burch
When: Monday, 03.05, 7 p.m.
Where: Globe Hall
Why: Alex Cameron’s 2017 album Forced Witness sounds like it could have come out in the mid-80s and hit big alongside the likes of post-Squeeze Paul Carrack or Paul Young—new wave-y, well-crafted pop songs mixed with blue eyed soul. When a lot of other artists now are still tapping the classic rock sound or Laurel Canyon pop, Alex Cameron’s update on Icehouse sounds pretty fresh.

Molly Burch may be an artist whose sonic antecedents rest in Brill Building pop and soul singers but her smoky, hushed yet warm and resonant vocals and vulnerability have a mysterious quality that draw you in like Julee Cruise or Angel Olsen. Burch’s music has a familiar quality that waxes timeless rather than derivative. Her 2017 debut full length Please Be Mine sounds, track for track, like Godard’s 1960s films look—vivid yet dreamlike, emotionally tumultuous yet refined, a lyrical economy of style that uses space and silence to convey much more and much more effectively than clumsily spelling it all out.

Wednesday | March 7, 2018

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Brother Saturn, photo by Tom Murphy

Who: Weird Wednesday: Brother Saturn, Hello Darkness and Full Bleed
When: Wednesday, 03.07, 9 p.m.
Where: 3 Kings
Why: The current edition of Weird Wednesday features a pretty broad mix of sounds. Hello Darkness is sort of a folk punk band without the de riguer labor struggle era folk covers. Rather, its use of various acoustic instruments in the mix makes Hello Darkness the folk pop equivalent of a chamber pop band. Except with more political content than most bands that can be described as “chamber” anything. Considering two thirds of the band used to be in Reality Show it should come as no surprise there’s some lively emotionalism on stage. Brother Saturn’s melodic soundscapes are reminiscent of the 90s period of guitar and beat driven instrumental ambient/abstract rock acts like Bowery Electric, Seefeel, Magnog and Stars of the Lid. Maybe even Flying Saucer Attack. There is an innocence and elegance to the composition that suggests Drew Miller has carved out a space in his heart and imagination for a pure and universal expression of the kind of transcendently tranquil energy he articulates in his music in general. Brother Saturn is just the more shoegaze-ish end of that.

Who: James Blood Ulmer
When: Wednesday, 03.07 (store.dazzledenver.com/EventTicket/EventDetail/3229/id0/james-blood-ulmer) and Thursday, 3.08 (store.dazzledenver.com/EventTicket/EventDetail/3230/id0/james-blood-ulmer), 7 p.m.
Where: Dazzle
Why: James Blood Ulmer was one of the guitarists who was steeped in jazz but also helped to define fusion with his imaginative, textured guitar work with Art Blakey’s Jazz Messengers as the first electric guitarist to record and perform live with free jazz genius Ornette Coleman and his long time collaborations with Pharoah Sanders. Ulmer’s solo material tends to be a blend of styles with a rich mix of jazz, blues and brooding funk. Whatever Umer’s specific music alchemy of the moment, he brings more than dazzling technique and soul, he brings something otherworldly and riveting. The guitarist performs two shows in Denver. As indicated above, the evenings of March 7 and 8 at Dazzle.

Best Shows in Denver 2/23/18 – 02/28/18

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The Kinky Fingers release Garbage Plate on Friday, 2/23/18 at Tooey’s on Colfax, photo by Alexandra Brexa Hooson

Friday | February 23, 2018

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Image from Jane Eyre, photo courtesy Grapefruit Lab

What: Jane/Eyre – Grapefruit Lab and Teacup Gorilla w/Dameon Merkl on vocals
When: Friday, 02.23, 7 p.m.
Where: The Bakery
Why: This is a queer adaptation of Charlotte Brontë’s classic 1847 coming-of-age novel. So it’ll be storytelling and songs provided by the Grapefruit Lab collective and Teacup Gorilla who are bringing in noted local frontman and raconteur extraordinaire, Dameon Merkl who some may know as one of the vocalists in Lost Walks as well as his turns in 90s punk band Random Victim and noir rock phenoms Bad Luck City. Because it’s Teacup Gorilla, a band that has long developed a relationship with theater and writing experimental rock music that can only loosely be defined as post-punk or glam rock because its imaginative songwriting and musicianship is much broader than a single genre. The run of this production spans six performances starting Friday and Saturday evening of February 23 and 24 with a 2 p.m. matinee show on Sundays. On February 23, the opening band is Denver’s dream pop duo Plume Varia. February 24 has indie pop group The Green Typewriters on board. March 2 will include a performance from Ersatz Robots and the final evening show will have a surprise guest on March 3.

Who: The Kinky Fingers album release w/Don Chicharron and Godchild
When: Friday, 02.23, 7 p.m.
Where: Tooey’s Off Colfax
Why: The Kinky Fingers have always been a band that made a virtue of simple, clean melodies. At a time when it seemed there was entire too much surf rock and neo-psychedelic rock, The Kinky Fingers shined with the strength of its songwriting. With its new album, Garbage Plate, the band has expanded its sound and boosted its emotional range. The album has been a long time coming. Recorded in the summer of 2016 in Rochester, New York, Garbage Plate is a surprisingly thoughtful set of songs that sound like party anthems. Regarding the meaning of the album title, the band says “[a] Garbage Plate is a plate of fried potatoes, baked beans, hot dogs, onions, mustard, and a chili-like meat sauce. Intense. As the name suggests, the music rings through so many genres, textures and tastes it feels a perfect fit for the deteriorating American dream, which once tasted so sweet and now feels more like a bellyache.” Expect the usual sharply observant songs about the vicissitudes of life with some poignant, and creatively rendered, social commentary mixed in. The Kinky Fingers will also play at the Treefort Music Festival in Boise, Idaho on Friday, March 23 at Ha Penny at 11:20 p.m.

Who: Slow Caves 7” release w/Gleemer and Panther Martin
When: Friday, 02.23, 8 p.m.
Where: Lost Lake
Why: On its new 7”, Fort Collins’ Slow Caves seems to have evolved well beyond the more languid pace and sound of its earlier pop songs. “Poser” has some of the structure and dynamics of the band’s surf rock leanings but there is more grit and drive to its winningly polished melodies. Joining Slow Caves for the occasion of releasing its new record are noisy math rockers Gleemer and Panther Martin, a band that may have started out in the realm of garage and psych rock but its intricate yet uncluttered musicianship reveals a knack for writing songs of often surprising emotional complexity.

Who: Ben UFO w/Gerd Janson, Mozhgan
When: Friday, 02.23, 9 p.m.
Where: Club Vinyl
Why: Ben Thomson (Ben UFO), made a name for himself purely as a DJ rather than as a producer and his mixes of some of the most cutting edge, modern electronic dance music have made him an in-demand curator of that music. The discography of Hessle Audio, the imprint he co-owns with David Kennedy of Pearson Sound and Pangaea’s Kevin McAuley would be a solid introduction to some of the best underground electronic music going today.

Saturday | February 24, 2018

 

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Necropanther, photo by David Novin

Who: Necropanther CD release w/The Munsens, and Abrams
When: Saturday, 02.24, 8:30 p.m.
Where: Hi-Dive
Why: Denver death thrashers Necropanther are releasing a new album tonight with Eyes Of Blue Light. Imagine what it would sound like if a melodic death metal band Gothenburg style wrote a Dune-themed record inspired in part by Municipal Waste and Thrash Zone-period D.R.I.. Well, Necropanther recorded the album in Denver but got it mastered in Gothenburg, Sweden with Fredrik Nordström who has put his sonic fingerprints on the broad spectrum of that city’s melodic death metal scene. Also on stage this night are sludgy doom-sters The Munsens and the equally menacing Abrams whose own version of sludge/doom is energetically dynamic and otherworldly in the vein of bands like Neurosis and Isis.

Who: Jane Eyre – Grapefruit Lab and Teacup Gorilla w/Dameon Merkl on vocals
When: Saturday, 02.24, 7 p.m.
Where: The Bakery
Why: See above for February 23. A brilliant adaptation.

Sunday | February 25, 2018

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Teacup Gorilla and Dameon Merkl (on left) on opening night of JANE/EYRE, matinee show tonight, February 25, at 2 p.m. at The Bakery

Who: Jane Eyre – Grapefruit Lab and Teacup Gorilla w/Dameon Merkl on vocals
When: Sunday, 02.24, 2 p.m.
Where: The Bakery
Why: Also, see above for February 23. This is the matinee showing of the first week.

What: Textures featuring Cpt. Howdy, Brother Saturn, MYTHirst
When: Sunday, 02.25, 7 p.m.
Where: Mutiny Information Café
Why: This is the latest edition of the Textures ambient showcase. This time the return of heavy synth duo (trio), Cpt. Howdy, the super chill, abstract ambient of Drew Miller (of Chromadrift) as Brother Saturn (he calls it a shoegaze band and yeah, if you’re thinking more like Seefeel rather than the more rock-oriented stuff) and MYTHist’s electro-acoustic take on IDM.

Monday | February 26, 2018

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Myrkur, photo by Daria Endresen

What: Decibel Magazine Tour: Enslaved, Wolves in the Throne Room, Myrkur and Khemmis
When: Monday, 02.26, 6 p.m.
Where: The Gothic Theatre
Why: Decibel Magazine, one of the major magazines that focuses on metal and heavy music in general, has been on this tour for several years now and this time out the even is headlined by Norway’s Enslaved. The band has always had melodic elements to its brutally majestic sound. But with it’s 2017 album E, the group seems to have written the music with a cinematic presentation in mind like they were composing a soundtrack for the next Thor movie. In a similar vein of invoking indigenous spirits and associated imagery in the music are the opening bands on this leg of the tour. Denver’s Khemmis is often described as a doom band but its songs far more melodic than such designations suggest. The hanging chords and sludgy flourishes are there but so is an apparent dedication to fairly traditional songcraft giving the band an appeal beyond what one might assume to be its audience. Myrkur, from Denmark, is the black metal project of Amalie Bruun. Her expansive, lush songs bring together the gritty and the sublime and transcendent matched by her seemingly effortless transition between. Mareidt, the project’s 2017 release, included a guest vocal from the like-minded Chelsea Wolfe on the track “Funeral.” Wolves in the Throne Room from Olympia, Washington all but retired from any active touring several years back so this is a rare chance to catch the band’s Cascadian black metal in Denver. The group performed in Colorado Springs in October 2017 in the wake of the release of its most recent album, 2017’s Thrice Woven. A WITTR show is fairly tribal in presentation with visuals invoking meeting at a communal fire to share stories and to participate in a collective ritual and the music is a manifestation of that spirit.

Who: Palm w/Spirit of the Beehive and Plague Survivor
When: Monday, 02.26, 8 p.m.
Where: Lost Lake
Why: Palm was originally from Philadelphia but calls New York City it’s home base these days. It’s flavor of neo-math rock is less focused on actual technique and more on what you can do with technique and dynamics if you inject some imagination into the playing and writing. If you’re a fan of groups like US Weekly, Laddio Bolocko, Don Caballero and A Minor Forest you’ll probably appreciate what Palm is doing. Its new album, 2018’s Rock Island, expands on the band’s previous, beautifully claustrophobic structures without losing its masterful ability to create tension and release at the perfect moments.

Who: Haunted Summer w/Tyto Alba, Ghostpulse and Magic Cyclops
When: Monday, 02.26, 7 p.m.
Where: Globe Hall
Why: Haunted Summer could be broadbrushed as a post-chillwave dream pop project reminiscent of Devotion-period Beach House because its entrancing melodies are possessed of a similarly gorgeous emotional afterglow. But its Robin-Guthrie-circa-Mysterious-Skin-soundtrack guitar textures and drifty dynamics akin to those of Former Selves or Candy Claws. Whatever went into inspiring the band’s sound, it’s excellent 2017 album, Spirit Guides has a warmth and intimacy that propels the songs into having an immediacy that isn’t always the purvey of bands attempting a similar style of music. Tyto Alba, like Haunted Summer, is a band that is great at working in the realm of the edges of your memory to invoke something that isn’t nostalgia but has an emotional resonance that stimulates the feelings that normally coalesce into comforting reverie.

Who: Eraserhead Fuckers, Juniordeer, Ultraviolet, Morlox and Brkn Jwbne Tape Manipulator
When: Monday, 02.26, 7 p.m.
Where: Mutiny Information Café
Why: Just reading the list of band names should give you some idea of the strangeness you’re in for if you make it to this show. Morlox should be a well-known artist in Denver because his influence on the local industrial and noise scene is undeniable but he has also had an impact on experimental pop band Church Fire and their facility in weaving together industrial music and hip-hop production ideas into their own songwriting. He rarely performs live so if that’s your thing, be there. Also, Eraserhead Fuckers is technically hip-hop but so confrontational, abrasive and surreal that most hip-hop fans aren’t going to be into it unless maybe they didn’t have a difficult time getting into something like Death Grips, .clipping, Earl Sweatshirt or Disposable Heroes of Hiphoprisy.

Tuesday | February 27, 2018

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Talib Kweli ciurca 2015, photo by Tom Murphy

Who: Talib Kweli w/Niko Is, DJ Spintelect and Time
When: Tuesday, 02.27, 8:30 p.m.
Where: Fox Theatre
Why: Talib Kweli Greene would have secured his place in hip-hop history with Black Star, his collaborative project with Mos Def. But Kweli’s talent, intellect and curiosity has brought him to various efforts as a rapper, producer and activist. Rather than make more than a brief list of the people he’s worked with like Dave Chappelle, Kanye West and Dead Prez, it would be more worthwhile to note how Kweli’s albums have long been filled with thoughtful and creative social critiques alongside solid beats and music so that his albums never come off feeling didactic or preachy even as he minces no words—because his stories and words are also not short on humanity. Kweli can be pointed but he clearly takes in the bigger picture beyond any topical content. Along on the tour is Niko Is, a likeminded artist whose own imaginative wordplay sketches vivid images of aspirational daydreams and everyday life rendered into poetry. Opening the show is Denver’s Time, a rapper whose literary lyrics display a gift for surreal stories and political analysis grounded in his own experiences growing up in “the nutty.” Meaning North Denver, of course. Sometime in 2018 it’s anticipated that we’ll see a new album from Calm., Time’s hip-hop duo with longtime collaborator, the producer Awareness.

Wednesday | February 28, 2018

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Why? photo by Josiah Wolf

Who: Why? w/The Florist
When: Wednesday, 02.28, 7 p.m.
Where: Bluebird Theater
Why: Yoni Wolf aka Why? was once in influential, experimental hip hop group Clouddead but when that outfit split in 2004 he formed an indie rock band called Why? with his brother Josiah and friends. And yet calling Why? indie rock is a bit imprecise because the band is far more experimental with its use of sound, the poetry of its lyrics and the the visual presentation of the music as well. At times Why? can be a multimedia experience with interaction between performers and video as well as making a theater sized show seem like something more suited to a stadium. Whatever the experience of the show might be it’s something the group has evolved for years and rooted in a music that is pushing and challenging the kind of complacency of being so in love with one’s established sound by making music that can never rest easy in a staid formula. The latest Why? record, 2017’s Moh Lhean, is typically impossible to adequately characterize and yet has all the unique wordplay and imagery that has made Why? a consistently interesting project from the beginning.

Who: Rachael Yamagata w/Hemming 
When: Tuesday, 02.27, 7 p.m.
Where: Globe Hall
Why: Rachael Yamagata has been at her solo career since 2001. Likely often broadbrushed as a singer-songwriter, Yamagata’s music transcends stereotypes that have crept up about singer-songwriter artists even though, obviously, artists like Joni Mitchell, Kate Bush, Leonard Cohen, Tom Waits and plenty of others are good examples of singer-writers. Like Ray LaMontagne (with whom Yamagata has worked) and Greg Laswell, Yamagata writes songs about life that provides a unique insight and illumination into subjects well-worn by artists since time immemorial. Yamagata’s voice is calming yet not short on evoking peak emotional moments with a gift for articulating complexity of feeling. Her music, richly detailed and textured, provide the perfect backdrop to her honest storytelling. Her 2016 album Tightrope Walker in particular minced few words about life challenges but did so in a lushly poetic fashion.

Best Shows in Denver 11/16/17 – 11/23/17

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Dead Boys perform at Streets of London on Saturday, 11/18/17, photo by Jeff Fasano

Thursday: November 16, 2017

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L.A. Witch, photo by Marco Hernandez

Who: L.A. Witch w/Honduras and Palo Santo
When: Thursday, 11.16, 7 p.m.
Where: Lost Lake
Why: L.A. Witch’s 2017 self-titled album has a kind of post-Loaded-era Velvet Underground stark shimmery pop grit coupled with a languid psych spookiness. In the songs there is a strong, often urgent, rhythm giving the songs some oomph even when they’re introspective. Any roots the band may have in surf rock or psych garage or whatever trendy of the sounds of the past five to ten years, it has definitely moved on. “Drive Your Car” could be an updated Wipers song. Singer/guitarist Sade Sanchez has a smoky cool voice reminiscent of a world weary Hope Sandoval. Whatever comparisons seem valid, L.A. Witch has turned tired conventions on their head into an incredibly compelling sound. Denver’s Palo Santo is cut from a similar cloth in every way with haunting yet fiery guitar work and Mimi Nissan’s trance-state style vocals.

Who: Revolting Cocks (Big Sexy Land Tour) and Front Line Assembly w/CHANT, DJ Slave 1 and Ritual Aesthetic
When: Thursday, 11.16, 7 p.m.
Where: Summit Music Hall
Why: This show signals the end of the train of noteworthy industrial bands, newer and more established, that came through Denver in 2017. Revolting Cocks started with Front 242’s Richard 23 and Luc Van Acker writing music produced by Al Jourgensen, who was often a collaborator. While clearly irreverent at its heart given the band’s name and album titles like Beers, Steers, and Queers and Linger Ficken’ Good the former of which includes a cover of Olivia Newton John’s “(Let’s Get) Physical,” the latter a cover of “Do Ya Think I’m Sexy?” by Rod Stewart, Revolting Cocks have interesting and respectable and influential original music across its spate of albums. The current lineup includes Richard 23 and Van Acker, of course, but also former Ministry and Blackouts bassist Paul Barker and longtime Cocks partner in crime, Chris Connelly whose 2008 memoir Concrete, Bulletproof, Invisible, and Fried: My Life As A Revolting Cock was a candid, amusing and revelatory account of being in the industrial and alternative music world in general from the 80s forward.

Front Line Assembly’s vision of dystopian global civilization has unfortunately borne out since it sprang to life in 1986. Up to that time frontman Bill Leeb had been a member of Skinny Puppy and his subsequent music in FLA continued that quality that’s difficult to completely nail to a sub-genre of industrial music. The samples put into the music mirrored the influence of hip-hop production on Skinny Puppy, the extensive use of electronic instruments and synths right in line with that like the EBM bands of that day as well as FLA’s imaginative blending of it all to comment on the nature of technology and its impact on human civilization and our everyday lives. Turns out it has continued to be a fruitful subject for not only FLA but science fiction writers mining that rich dystopian nugget of inspiration.

Who: Cindy Wilson (of B-52s) w/Olivia Jean and Battle Pussy
When: Thursday, 11.16, 8 p.m.
Where: The Marquis Theater
Why: Cindy Wilson is a member of influential new wave band The B-52s and her unique vocal style alongside that of bandmates Kate Pierson and Fred Schneider made for some arresting melodies amid the incredibly dance-worthy pop songs that were so idiosyncratic in the specific subject matter, no one else could have made it. And yet there was a universal quality to that individual vision that resonated with the oddball and eccentric inside of most people. Currently, Wilson is touring her solo material. Earlier in 2017 Wilson released a fairly experimental, electronic pop EP called Supernatural and on December 1st she is putting out her debut solo album Change, some 41 years into her music career. If the song “Mystic” is any indication, Wilson still has plenty of relevant and inventive music left in her.

Who: Today’s Paramount, Samvega, Alex Culbreth, Buffalo Party, Mynewt 
When: Thursday, 11.16, 7 p.m.
Where: 7th Circle Music Collective
Why: Samvega from Napa Valley, California doesn’t fit in a simple box: Its music is heavy, it’s psychedelic, it’s avant-garde and bluesy. Melissa and Mercedes Baker are unconventionally charismatic singers who sound like and come off like they spent a couple of decades touring with Heart and went on to do something weirder. The band’s 2016 album The King is Asleep was one of that year’s most interesting rock albums for its diversity and obvious care for making it a unique from the songwriting to the painting for the cover art. Also on the bill is experimental rock band Today’s Paramount. They look like they might be in a ska band, and maybe on the side some of them are, but their weirdo take on prog, jazz and psych is not like much of anything going on in Denver.

 

Who: Melkbelly w/Super Bummer, Princess Dewclaw
When: Thursday, 11.16, 7 p.m.
Where: Larimer Lounge
Why: Initially, Melkbelly may sound like yet another modern rock band copping the vibe of 90s post-grunge underground music. But Melkbelly is way weirder than that and its jazz underpinnings and willingness to sculpt pure noise into something musical is what makes its 2017 album Nothing Valley so listenable to anyone looking for a band that isn’t trying to go full retro these days. One might liken Melkbelly’s sound to stuff like Magik Markers or Shearing Pinx but Melkbelly is often more melodic than that even if it sounds like it too took some cues from Unwound’s sonic fearlessness. Opening are excellent Denver bands Super Bummer with its melancholic, lo-fi, soaring songs of heartbreak and isolation and Princess Dewclaw, who seem to have found a new way to combine noise rock, punk, synthesizers and elemental vocals into something both confrontational and rivetingly fragile.

Who: Roska with Rabit, Trisicloplox, Ulmo, Rameau Contnrol, Laru and ilind
When: Thursday, 11.16, 9 p.m.
Where: The Black Box
Why: Rameau Control you can’t really fit into a narrow category of electronic music from melodic bass, dub techno, straight techno to whatever. Calling this bill merely “experimental electronic” does a disservice to the individual artists who all come at electronic music partly from a dance perspective but also as composers of music that absorb ideas and exchange methods and sounds with like-minded artists and co-influencing each other whether from Denver or otherwise. For example, ilind is Isaac Linder who often played Denver DIY venues as a noise and performance artist but one who was into house music.

Friday: November 17, 2017

cowboys_Devvon-Simpson_Web

Who: Tommy Stimson’s Cowboys in the Campfire
When: Friday, 11.17, 7 p.m.
Where: Bruz Beers
Why: Cowboys in the Campfire is Tommy Stimson of The Replacements fame (he has also played in numerous other bands including Guns N’ Roses) and Chip Roberts of Uncle Sippy playing songs together as the name suggests but usually electric. Country punk? For fans of NRBQ? Whatever it is, it’s Stimson and Roberts playing lively, fun songs in a duo format in small venues, record stores, private homes and various other situations across the country this tour. Next time you see Stimson play it’ll probably be in a large theater or bigger so hey, make it to this and you might even get to interact with the musicians, something that would probably never happen at Red Rocks or The Fillmore without paying for some kind of wack VIP access ticket.

Who: Flobots w/Wesley Watkins & Grumpy Uncle (Wesley Watkins and Kalyn Heffernan)
When: Friday, 11.17, 8 p.m.
Where: Larimer Lounge
Why: Yes, the famous hip-hop band from Denver, Flobots, playing at Larimer Lounge. The opening act, though, is a collaboration between former Night Sweats trumpet player, and leader of The Other Black, Wesley Watkins and Kalyn Heffernan of Wheelchair Sports Camp. So expect something wonderfully weird but with solid songcraft and inspired lyrics.

Who: The Blasters night 1 w/Reno Divorce
When: Friday, 11.17, 9 p.m.
Where: Lion’s Lair
Why: The Blasters were and are a respected blues-roots band from Los Angeles where it rubbed shoulders with the punk world, paisley underground and early alt-country acts. The Blasters’ sheer skill and energy made a big impression on everyone that saw them even if the band never quite became a household name. Reno Divorce, a rootsy punk band from Denver, opens this night of a two night residency at Lion’s Lair.

Who: Lost Walks w/Midwife
When: Friday, 11.17, 9 p.m.
Where: Mercury Café
Why: Lost Walks is sort of a high concept Americana-esque band. High concept in that there is a prepared theatrical element to the live shows as the band collaborates with a visual arts group. Also, the lyrics, steeped in a pastoral and noir literature aesthetic, lend themselves to dramatic performance and grand, emotive gestures from the band’s various vocalists including former Bad Luck City frontman, Dameon Merkl. The band’s debut album, 2017’s Wolf, Woman, Man, is a fascinating contrast of bright, dark, moody, reflective and observational. Opening the show is avant-folk artist Midwife whose own 2017 debut, Like Author, Like Daughter, is one of the the best albums of the year for its delicate, fragile evocation of emotions so broad and deep that it always catches you by surprise with its subtle but irresistible power.

Who: Slow Magic w/Point Point and Qrion
When: Friday, 11.17, 8 p.m.
Where: Gothic Theatre
Why: Slow Magic exists outside of time. The interdimensional creature occasionally releases albums like 2017’s ultra-chillout pop extravaganza Float. You can witness the superstring hopper yourself tonight at The Gothic Theatre.

Who: Big Lo (Florida), RAREBYRD$, iiwii and Brett Gretsky
When: Friday, 11.17, 8 p.m.
Where: Tennyson’s Tap
Why: An experimental hip-hop show at Tennyson’s Tap isn’t unheard of and this time it’s Big Lo from Florida whose beats include a mix of samples and turntablism to create a sense of introspection in the face of impending danger. Before and since moving from Saint Louis to Denver, Rooster Jake has been involved in various hip-hop and experimental projects over the years, his latest being iiwii. Brett Gretzky recently migrated to Denver from Saint Louis as well bringing their mixture of hip-hop and soul. RAREBYRD$ will break your heart with sincerely, deeply felt yet gentle expressions of the lowest points a person can reach in the psyche and still come back with one’s soul intact. They use drum machines, synths and sequencers but it always sounds like it’s coming right out of their imagination and plugged into the P.A..

Who: Ice Troll, Never Kenezzard, Heathen Burial and White Dwarf
When: Friday, 11.17, 8 p.m.
Where: Pit Stop Tavern
Why: Doom shows don’t happen in far West Denver much but tonight doom orchestra Ice Troll will play Pit Stop Tavern along with sludge metal thrashers Never Kenezzard, noisy death metal trio Heathen Burial and stoner rock outfit White Dwarf.

Saturday: November 18, 2017

Warbly Jets
Warbly Jets perform at The Gothic Theatre on Saturday, November 18. Photo by Moni Haworth

Who: Dead Boys 40th Anniversary tour w/The Roxy Suicide
When: Saturday, 11.18, 8 p.m.
Where: Streets of London
Why: For four years Dead Boys were one of the most outrageous and influential of the early punk bands. With just two albums under its belt, 1977’s Young Loud and Snotty and 1978’s We Have Come for Your Children, Dead Boys set a high bar for inventive guitar work between Cheetah Chrome and Jimmy Zero, a primitivistic yet inspired rhythm section in Johnny Blitz and Jeff Magnum and literate yet gritty lyrics from charismatic frontman Stiv Bators. The original band split in 1979 but in its wake a lot of the more interesting and scary punk bands of the 80s emerged. In 2017 the band officially re-formed and issued a re-recording of Young Loud and Snotty called Still Snotty: Young, Loud and Snotty at 40 with its new lineup including Chrome and Blitz as well as new members Jason Kottwitz on guitar, Ricky Rat on bass and frontman Jake Hout. The original record was meant as a demo and the new record is of a much higher quality if missing the genius alchemy of the original band. But you’re not getting a second rate re-tread this time around. This version of the Dead Boys may be older but it still packs a punch.

Who: Galaxy Express 555 (MN), Hippies Wearing Muzzles, J. Hamilton Isaacs
When: Saturday, 11.18, 6:30 p.m.
Where: Historic Grant Avenue Church
Why: Galaxy Express 555 is Christopher Farstad’s project that incorporates elements of ambient music, experiential sound environment composition, sampling and loops to create music that has the effect of being a soundtrack to some non-dystopian future society of wide open spaces and minds. Hippies Wearing Muzzles is a modular synth project from Denver. J. Hamilton Isaacs is basically Dugout Canoe so you know the beats and analog synth combination will be beautifully transporting yet feel grounded at the same time. All of this is taking place in church where the natural acoustics will give otherwise electronic music a warmth it doesn’t often project.

Who: Glasss Presents: The Speakeasy Series featuring Equine w/Mondo Obscura
When: Saturday, 11.18, 7 p.m.
Where: Hooked on Colfax
Why: This is the latest in Glasss’s Speakeasy Series in the basement of Hooked on Colfax. This time with ambient duo Mondo Obscura and experimental guitar minimalist Equine. Kevin Richards of the latter played drone guitar for years as Temples after having spent several years in weirdo post-hardcore outfit Motheater where he made strange jazz chords fit into a punk context. This show will be a collaborative set between the two projects.

Who: King Eddie – Holographic Universe Album release w/Kyle Emerson, Panther Martin and déCollage DJ set, visuals by DenVR
When: Saturday, 11.18, 8:30 p.m.
Where: Hi-Dive
Why: King Eddie is releasing its debut album Holographic Universe and celebrating the occasion with friends Kyle Emerson (whose pastoral psych pop songs are graced with Emerson’s insightful, observational lyrics) and Panther Martin (if indie rock could have come out of late 1970s New York City, it might have sounded like Panther Martin). King Eddie’s songs sound like the band synthesized modern psychedelic rock with math rock rhythms as though assembling a beat over which the band created a colorful and transporting imagery. Reed Fuchs of déCollage will do one of his unique DJ sets and be prepared for some truly unusual and inspired images from DenVR.

Who: It’s Just Bugs, Nearby Liars, Mouthfeel, Falsetto Boy
When: Saturday, 11.18, 9 p.m.
Where: The Skylark Lounge
Why: This’ll be a weird one for some people because few of the bands are anything alike. It’s Just Bugs is an industrial hip-hop band. Nearby Liars are somewhere between slowcore and late 90s emo with all the glitter and drifty, sweeping, swelling, dramatic emotional experiences you’d want vicariously from that kind of music to purge the Fall blues. Mouthfeel includes members of Wrinkle, Altered State and Laurium. Falsetto Boy is some post-emo, lo-fi singer songwriter type of music.

Who: The Blasters w/O.G. Country
When: Saturday, 11.18, 9 p.m.
Where: Lion’s Lair
Why:The Blasters were and are a respected blues-roots band from Los Angeles where it rubbed shoulders with the punk world, paisley underground and early alt-country acts. The Blasters’ sheer skill and energy made a big impression on everyone that saw them even if the band never quite became a household name. Its 1980 debut album American Music really was a demonstration of how much American music the Alvin brothers, Bill Bateman and John Bazz had absorbed, learned, reinterpreted, amalgamated and reinvented. O.G. Country from Denver, opens this second night of a two night residency at Lion’s Lair.

Who: Liam Gallagher w/Warbly Jets
When: Saturday, 11.18, 8 p.m.
Where: Gothic Theatre
Why: Oasis’ 1995 hit “Wonderwall” made way too many people think maybe they too can sing in a pop band. Part of it was Liam Gallagher’s borderline tone deaf vocal delivery. But Gallagher is a gifted, powerful singer with some charming rough edges to his voice. And to his personality, for that matter. His conflict with brother Noel was the stuff of tabloid news. But one thing we can thank Oasis for was in finishing off some real dreck in popular music by offering something better and more genuine because you knew the Gallagher brothers weren’t faking it. Endless naff covers of “Wonderwall” plaguing karaoke nights and dire YouTube videos aside, Liam Gallagher’s real legacy was not just his music but some truly amazing moments of comedy and inspiredly uncharitable bits of rhetoric over the years as well as tender and earnest expressions of appreciation for other artists even when, such as the case with The Verve in recent years, those expressions come off as a bit of a headscratcher. He probably had a good laugh about that. Gallagher’s debut solo album, As You Were, came out in October 2017. It’s a bit reminiscent of 60s blue eyed soul and David Bowie’s more R&B moments but the songwriting is solid.

Opening the show is Warbly Jets from Los Angeles. It’s self-titled debut album is a bit slick and polished for a bunch of young musicians who clearly have it in them to go full on into the kind of gritty yet tuneful rock and roll that inspired them. But that’s what happens in the music industry often enough and you just have to check out the band in their, one would presume, element, on stage. With any luck you’ll see a band that has shed the self-conscious quality of the record and even where it might be derivative, play like the band believes in itself.

Sunday: November 19, 2017

Chad VanGaalen
Chad VanGaalen, photo by Marc Rimmer

Who: Chad VanGaalen w/NE-HI
When: Sunday, 11.19, 8 p.m.
Where: Hi-Dive
Why: Chad VanGaalen may not necessarily be known for this now but at some point in the future he may be more widely acknowledged as one of the most influential guitarists and producers of his generation. His bedroom recordings for Infiniheart was picked up by SubPop in 2005. His gift for articulating the anxiety and alienation of the modern era clearly struck a chord and his subsequent music has explored some dark and some merely troubling corners of the human psyche with an ear for the perfect harmonic atmospherics and texture. In 2008, Van Gaalen began his relationship with the math rock/post-punk band Women, a band now oft-cited by younger guitar bands as an influence for its creative use of tone, angular rhythms and dynamics. Members of Women are now in Preoccupations. VanGaalen’s 2017 album Light Information sounds like he’s been listening to a lot of Mission of Burma, Helium, 80s minimal synth music and various Jay Reatard projects but the alchemy of that and his own well-developed aesthetic has rendered the songs into something that sounds like something from a long time ago in a place some of us wish existed. It has the kind of vintage sheen like a Ti West film.

Chicago’s NE-HI put out one of the years most repeatedly listenable albums of the year with OFFERS. It’s labyrinthine melodies and straightforward rhythms are a winning combination because it transforms lo-fi garage rock into something extraordinary. Comparisons could be made to Palm, Pavement and Parquet Courts. But its urgent jangle is coming from a different place and that’s what sets the band apart.

Who: Tori Amos w/Scars on 45
When: Sunday, 11.19, 6:30 p.m.
Where: Paramount Theatre
Why: Tori Amos was one of the earliest artists to attain mainstream commercial success to sing about sexual abuse, her struggle to attain her own creative liberation in a sexist music industry that often could (and often can, truth be told) value women as objectified entities that must fit a fairly narrow mold to present to potential audiences. And otherwise just refreshingly vulnerable and honest depictions of life. Though Amos spent much of the rest of her career exploring and writing thoughtfully on these subjects, in the 2000s, Amos put more focus on more mythical expressions, giving her work new dimensions only hinted at in her earlier work. 2017’s Native Invader is about how we can heal ourselves and the world through facing our challenges and conflicts honestly—which has more or less been Amos’ core message as a songwriter since her solo debut album, 1992’s Little Earthquakes.

Tuesday: November 21, 2017

In The Company Of Serpents
In The Company Of Serpents, photo by Travis Heacock

Who: In the Company of Serpents, Goya, Matriarch and Palehorse/Palerider
When: Tuesday, 11.21, 7 p.m.
Where: Hi-Dive
Why: A handful of Denver’s best heavy bands are on this bill. Matriarch is a doom/drone band whose 2015 album Magnumus: The 44th Scribe and Lorde of the Hallucinauts has two tracks. And it’s not an EP. It’s also just two lengthy songs that take you on a journey of crushing epics like the soundtrack to Vikings exploring the lands of Irish legend set in South America. Blend all that imagery together and that’s the Matriarch sound. In the Company of Serpents has cracked the monolith of its own sound this past year and the result is 2017’s Ain-Soph Aur, where the band’s songwriting beyond devastating riffs emerges for some of ITCOS’ best songs to date. Palehorse/Palerider is the kind of band where people who have generally played more punk-oriented music got into the soundcaping possibilities of heavy music whether metal or the deep atmospherics of the best shoegaze and post-rock music. Its own 2017 epic masterpiece is Burial Songs.

Who: Mom Jeans. (Side One Dummy), Prince Daddy & The Hyena (NY), Kississippi (PA), Old Sport and Blue Lane Frontier
When: Tuesday, 11.21, 7 p.m.
Where: 7th Circle Music Collective
Why: The lazy thing to do would be to say this is an emo show. Mom Jeans from Berkeley, California is unabashedly so and thus part of that band’s appeal. And more like the late 90s, borderline indie rock variety with the spidery, jangly guitar work. Old Sport from Denver is on the more math-y end of emo with intricate guitar work and song dynamics that sound like someone is thinking in terms of film editing with dramatic drop-outs and sparkling guitar melodies, emotionally charged vocals and a variety of rhythm and texture not common enough in punk generally. Kississippi from Philadelphia is fronted by singer and primary songwriter Zoe Reynolds whose lyrics possess an impressive insight into her own emotional landscape and the ability to translate that into instantly relatable songs.

Wednesday: November 22, 2017

The Zebroids
The Zebroids in 2011, photo by Tom Murphy

Who: Git Some, Zebroids, Fast Eddie, Jane Doe
When: Wednesday, 11.22, 9 p.m.
Where: The Oriental Theater
Why: Post-hardcore band Git Some has been around for well over a decade when it started in Chicago in the early 2000s. Through various line-up changes members of the band (Charles French and Neil Keener) have also become members of Wovenhand, bringing another level of grit and intensity to a project not short on that already. It’s essentially noise rock with a sense of humor. Speaking of humor, punk band Zebroids is essentially a ridiculous joke of a punk rock band with absurd lyrics and an equally absurd stage presence. Nevertheless, the band is a lot of fun. Jane Doe is a combination of dark, starkly intense poetry, jagged noise rock and free jazz sensibilities. Fronted by the charismatic Becca Mhalek, Jane Doe is one of Denver’s best kept secrets. For now. Fast Eddie is a hard rock band from Denver which includes Micah Morris who some may know as one of the main people behind Barf magazine. Silly name, perhaps, with some fairly absurdist content, but the magazine has provided some of the better content about Denver music and beyond of recent years

Who: Cannibal Corpse w/Power Trip, Gatecreeper and Of Feather and Bone
When: Wednesday, 11.22, 7 p.m.
Where: Summit Music Hall
Why: Cannibal Corpse has been getting under the skin of cultural conservatives and squeamish faux-do-gooders for years with music that itself isn’t something we’re going to hear much of any time soon on commercial radio. But the lyrics, quotable by gore horror fans and metalheads for years, almost gleefully crafted to outrage with being so cartoonishly over the top, is what has landed Cannibal Corpse in some hot water with would-be censors. But the live show isn’t littered with corpses and zombies or anything like that so just go expecting one of death metal’s greatest bands. Opening the show are Dallas-based thrash band Power Trip, Arizonan death metallers Gatecreeper (whose music video for “Desperation” from 2016’s Sonoran Depravation is a harrowing depiction of violence and a bit of a commentary on what leads to that sort of thing), and Denver’s deathgrind powerhouse, Of Feather and Bone.