Best Shows in Denver and Beyond September 2022

Boris performs at Bluebird Theater with Nothing on 9/14 , photo by Yoshihiro Mori
Nine Inch Nails at Red Rocks in September 2018, photo by Tom Murphy

Friday and Saturday | 09.02 and 09.03
What: Nine Inch Nails w/Yves Tumor
When: 7
Where: Red Rocks
Why: Nine Inch Nails is too famous and for too long and rightfully so to bother to get detailed about its significance in popularizing industrial and electronic music and even ambient. The band’s shows are always innovative and pushing the performance envelope in some way whether that be in the visual presentation, with the sound production end, with sets that change throughout the show or playing with how the band itself presents its music as a live act. Nine Inch Nails doesn’t skimp on putting on probably the best show you’ll see this year or among the top tier at the least. And Trent Reznor or someone in the NIN camp always finds one of the coolest, up-and-coming, genre boundary challenging, innovative musical project going and for these two shows it’s Yves Tumor the experimental electronic and R&B artist whose shows are part Prince, part HEALTH, part Janelle Monáe but very much his own glorious earth alien charismatic psychedelia.

Courtney Barnett, photo by Mia Mala McDonald

Saturday | 09.03
What: Here and There Festival: Japanese Breakfast, Courtney Barnett, Arooj Aftab and Bedouine
When: 4 p.m.
Where: Mission Ballroom
Why: Courtney Barnett’s “Here And There” Festival makes a stop in Denver at the Mission Ballroom on September 3 with a unique lineup that for the Denver date in addition to Barnett includes Japanese Breakfast, Arooj Aftab and Bedouine.

The concept for the event was born of Barnett’s love of curation. As the owner of Milk! Records for the past decade Barnett has championed and released music by artists from her home town of Melbourne, Australia as well as US artists like Sleater-Kinney, Chastity Belt, Hand Habits and others.

Over the course of the tour from August through September, lineups will include all of the following artists: Alvvays, Arooj Aftab, Bartees Strange, Bedouine, Caroline Rose, Chicano Batman, Courtney Barnett, Ethel Cain, Faye Webster, Fred Armisen, Hana Vu, Indigo De Souza, Japanese Breakfast, Julia Jacklin, Leith Ross, Lido Pimienta, Lucy Dacus, Quinn Christopherson, Sleater Kinney, Snail Mail, The Beths, Waxahatchee and Wet Leg.

Barnett quickly went from a beloved and critically acclaimed indie artist known for her masterful use of the English language and powerful and imaginative guitar work and songwriting when her early EPs released 2012-2013 to widely celebrated singer-songwriter of no small cachet by the time of the 2015 release of her debut full length album Sometimes I Sit and Think, and Sometimes I Just Sit. With each record Barnett has distinguished herself as a songwriter able to expose her vulnerabilities and anxieties in a way that conveys a solidarity with other people and their own struggles.

Sharing the bill is Japanese Breakfast, the band lead by Michelle Zauner whose own trajectory as an artist parallels that of Barnett going from playing all the small clubs on the same circuits a little under a decade ago and delivering emotionally arresting pop songs that aren’t short on musicianly artistry. In 2021 she released her memoir Crying in H Mart to great acclaim in its poignant and loving depiction of her life coming up with a Korean mom, coming into playing music and the passing of her mother from pancreatic cancer in 2014. Her own pop music has as much in common with art rock in its creative ambition and songwriting with her songs easily fitting into the categories of dream pop, shoegaze, psychedelia, indie rock and R&B.

Arooj Aftab is the US-based Pakistani singer and songwriter who is the first person of Pakistani origin to be awarded a Grammy for Best Global Music Performance for her song “Mohabbat.” Her style is a hybrid of experimental folk, jazz and more traditional Pakistani music with elements of her 2021 album Vulture Prince reminiscent of Qawwali, the devotional music of Sufism. But her orchestral arrangements and powerfully tranquil yet emotionally rich vocal delivery defies easy categorization.

Bedouine aka Azniv Korkejian is a Syrian-American musician who grew up with both mainstream music via MTV and traditional Armenian and Arabic music. Her third album Waysides (2021) is a masterful evocation of loss, isolation, yearning and introspective insight cast in the sounds of Laurel Canyon era folk.

Jim Ward, Feb. 19, 2020, in El Paso, Texas. Photo by Ivan Pierre Aguirre

Sunday | 09.04
What: The Get Up Kids w/Sparta
When: 7
Where: Gothic Theatre
Why: The Get Up Kids from Kansas City were one of the defining bands of 90s emo but stylistically never quite trapped in the tropes of the genre and its songwriting came to include keyboards and more focused pop songcraft without sacrificing the energy and intensity of its early music. Like Jawbreaker, The Get Up Kids made music in a style that isn’t cringey decades later unlike that of some of their peers. For this tour the band will perform its debut full length album Four Minute Mile as well as the Woodson EP in their entirety. Jim Ward of Sparta came up through similar circles of 90s underground punk and post-hardcore as a member of the influential and incendiary At The Drive In. But when the latter split in 2001 and part of the group went on to form The Mars Volta making music of a very different style, Ward continued to refine the style of music he’d helped develop in ATDI. The angular punk with searing emotional energy and intellect informing the lyrics. The group went on hiatus in 2008 and outside of a brief reunion in the early 2010s didn’t fully come back together until 2017. During the interceding years wrote and released music under his own name and with Sleepercar and honed his songwriting so that when Sparta returned to write and release 2020’s Trust the River the artistic growth was obvious and what has been put out from the forthcoming self-titled Sparta album is like a fusion of that fiery sonics of early Sparta and a more refined focus in the dynamics and structure of the songs to hit with emotional precision.

Sunday | 09.04
What: Echo & The Bunnymen w/Cayucas
When: 7
Where: Ogden Theatre
Why: Echo & The Bunnymen were and are one of the classic bands out of the second wave of UK post-punk with a rooting in the first. The Bunnymen brought a romantic sensibility to the lyrics and a sense of mystery and tenderness to the music that has made its songs age exceedingly well apparently having formed outside immediate and obvious influences rather drawing inspiration from across decades of music and aiming to craft their own creative mythmaking. You’ll hear the hits, probably, but also deep cuts that will please true fans of the group’s deep well of great material.

Peter Hook at the Royal Albert Hall on September 29, 2018, photo by Jody Hartley

Monday | 09.05
What: An Evening With Peter Hook & The Light – Joy Division: A Celebration
When: 7
Where: Ogden Theatre
Why: Peter Hook is of course one of the founding members of influential post-punk band Joy Division. For this occasion Hook will make an evening of a broad spectrum of that band’s songs. Anyone that has seen Peter Hook & The Light knows that Hook isn’t phoning in some greatest hits set. The band conjures the spirit of the original music and Hook’s own bass lines are iconic and foundational the sound, the mood, the cadences of post-punk and by extension through New Order pop and dance music. He brings a commanding presence and no small amount of his own fire to the performances though he shares bass duties with his son Jack who some may have seen play in The Smashing Punpkins. Hook’s three books The Hacienda: How Not to Run a Club (2010), Unknown Pleasures: Inside Joy Division (2012) and Substance: Inside New Order (2016) are essential reading for not just entertainment value but for the perspective and sense of history and culture that Hook was there to witness and in some ways shape.

Flume, photo by Nick Green

Monday, Tuesday, Wednesday | 09.05, 09.06, 09.07
What: Flume ( w/Pospa, Sega Bodega at Mission on 9.05 – w/TSHA, Porspa and Oklou on 09.06 – w/Eprom, Shlomo and Oklou on 09.07
When: 7 p.m. for 09.05 and 5 p.m. for 09.06-09.07
Where: Mission Ballroom (09.05) and Red Rocks (09.06-09.07)
Why: Harley Streten has come a long way since learning basic production from a DJ and mixing program CD he got from a box of Nutrigrain. From early smaller club shows far afield from his home home town of Sydney, Australia, Streten as Flume steadily but fairly rapidly established himself as one of the more innovative ED artists of the 2010s whose facility with sculpting atmosphere and melody and merging it seamlessly with unconventional beats to make for music that has been able to evolve, absorb and move beyond micro-stylistic shift in the world of electronic dance music and today he’s one of the most popular artists in a realm of music that has remained important but seemingly plateaued in its cultural impact. But Streten’s musical imagination and skills have consistently kept him ahead of the curve and in mentoring newer artists in an organic way his shows are not just a showcase for his own work but that of potential future stars already doing interesting work.

Thursday | 09.08
What: Alphabet Soup #52: Felix Fast4ward, Reed Fox, Furbie Cakes, Sky Floor and Green Leader https://blackboxdenver.co/events/alphabeat-soup-sep8
When: 9
Where: Black Box
Why: Long-running experimental electronic dance-oriented music showcase Alphabet Soup returns with some of the local scenes more daring producers and imaginative soundscapers.

Kal Marks in October 2021, photo by Tom Murphy

Friday | 09.09
What: Kal Marks – My Name is Hell Tour w/Moon Pussy and Cherished
When: 9
Where: Lion’s Lair
Why: Boston’s Kal Marks recently released its new album My Name Is Hell. The record out on NYC label Exploding In Sound is a further development of the group’s hybrid of emo, noise rock, pop collage and post-punk. The live band brings a visceral energy that takes the core of the recorded material and transforms it into cathartic performances that seem simultaneously passionate and vulnerable. Also playing this show is the crackling ball of nervous energy and roiling angular dynamics that is Moon Pussy whose fractured soundscapes and raw power transforms anxiety and amused outrage into inspiration. Cherished has become one of the most emotionally charged, melancholic shoegaze bands in Denver and elsewhere and the melodically gloomy counterpart to the other bands you’ll get to witness at this show.

Friday | 09.09
What: Gary Numan w/I Speak Machine and DJ Slave1
When: 8
Where: Gothic Theatre
Why: Gary Numan probably needs no introduction and this is a show rescheduled from the spring for the foundational synth pop and industrial rock songwriter and musician. Maybe you only know “Cars” or “Down In the Park” but Gary Numan has had a long and consistently boundary pushing career and whose body of music is like a distinguished career in the kind of science fiction as song that puts the human experience at the center and thus it has aged well and his intense and riveting live shows are proof positive of the enduring vitality of his creative genius.

Flogging Molly 2021, photo by Katie Hovland

Friday | 09.09
What: Flogging Molly & The Interrupters w/Tiger Army and The Skints
When: 5
Where: Mission Ballroom
Why: Celtic punk can be a bit niche for many but Flogging Molly’s songwriting transcends that niche partly due to the exceptionally powerful vocals courtesy actually Irish lead singer Dave King. Though often lumped in with the pop punk world in which its spirited performances seem to find a natural home, there is a charming nuance of sound and style in the group’s music that lend its tales of poverty, love, death, revelry and struggle an artfulness to its clearly authentic sentiments. The band’s latest album Anthem includes “A Song Of Liberty” that starts out, at least in the music video and in the lyrics, to be a show of solidarity for the people of Ukraine against Russia but extends that solidarity with struggles for national liberation across decades and across continents. There’s nothing performative or phony about that messaging in the music nor in the band’s general, internationalist working class solidarity born out of basic compassion for other humans.

Emerald Siam in 2022, photo by Tom Murphy

Friday | 09.09
What: Munly & The Lupercalians w/Church Fire and Emerald Siam
When: 7
Where: Bluebird Theater
Why: Munly & The Lupercalians, longtime project of Jay Munly of Slim Cessna’s Auto Club, is celebrating the release of its latest album Kinnery Of Lupercalia; Undelivered Legion with this show at the Bluebird. This band is also an Americana band in a dark vein akin to that of some of SCAC’s own style but generally darker, more overtly literary and conceptual and in the live setting often accompanied by an element of the ritualistic. Breaking with local scene custom, and all the better for that, the opening bands aren’t going to be Americana at all except in the larger sense that political, darkwave industrial band Church Fire wouldn’t emerge anywhere but America where its incisive critique of the perils of patriarchy and religion as infused into the culture and politics as a lived experience perhaps has the greatest impact, or that Emerald Siam’s own moody, garage rock noir flavored post-punk would seem like an odd affectation coming from anyone but people who have breathed deep in what it’s like to live and struggle in the fractious society that is the USA.

Friday | 09.09
What: Westword Music Showcase Part 1
When: 7
Where: Various Venues in RiNO
Why: This is the first night of the Westword Music Showcase and it’s free. So some best bets no explanations given because there’s a lot going on this night.
7pm: Honey Blazer
8 pm: Bellhoss, Plasma Canvas or Kayla Marque
9 pm: Endless Nameless, Ritmo Cascabel, Bluebook
10 pm: Julian St. Nightmare
11 pm: Despair Jordan
12:20 am: Pink Fuzz or Citra

Allison Russel, photo by Marc Baptiste

Friday and Saturday | 09.09 and 09.10
What: Brandi Carlise ( w/ Lucius and Allison Russell on 09.09 and w/Indigo Girls and Allison Russell on 09.10)
When: 6
Where: Red Rocks
Why: Brandi Carlisle is rightfully an incredibly famous and commercially successful singer-songwriter for her broad stylistic and emotional range as an artist with a powerful and expressive voice. Her latest album is In The Canyon Haze. Opener Allison Russell is a Canadian multi-instrumentalist, singer and songwriter whose debut solo album Outside Child released in 2021 on respected jazz, folk and Americana label Fantasy. Her orchestral yet spare arrangements bring her powerfully soulful vocals together in a style that might be described as Appalachian jazz R&B yet it works because Russell’s commanding presence and facility in playing multiple roles in performance is riveting for both its instrumental virtuosity and emotional resonance. See her band’s performance on KEXP below.

Saturday | 09.10
What: Westword Music Showcase Day 2
When: 12
Where: Various Venues Around Mission Ballroom
Why: This is the Westword Music Showcase day where you need to buy a ticket and here are some recommendations with no details.
2 pm: The Mañanas
2:35: Cannons
3:20: Ramakhandra
4:05: Wet Leg – canceled
5: Don Chicharrón
8:40 N3PTUNE
9:30: The Flaming Lips

Lucy Dacus, photo by Ebru Yildiz

Monday | 09.12
What: The National w/Lucy Dacus
When: 6:30
Where: Red Rocks
Why: The National rose to prominence in the 2000s and its brooding, atmospheric pop songs has certainly been one of the templates of modern indie music. Even early on its lush production and layered, orchestral arrangements felt like a natural successor to 90s indiepop and its contemplative lyrics can’t help but strike a chord with anyone that actually takes them in. Matt Berninger’s vocal delivery always seems to come across like he’s reading from a memoir from some future decade and having a poignant memory to relate, the kind that takes you back vividly to that time in a way that makes it possible to articulate with the benefit of life experience—something not everyone can do as well as Berninger does. After a eight acclaimed albums The National has returned with material for the upcoming ninth album and performing some of that at its 2022 live shows. Opening the proceedings is accomplished songwriter Lucy Dacus. Some may know Dacus more for her membership in supergroup boygenius with Phoebe Bridgers and Julien Baker. But Dacus’ records under her name are a body of personally insightful and emotionally fortifying songs that the songwriter delivers with an understated cool that nevertheless doesn’t mask the feelings and examinations thereof that went into distilling them into musical poetry. Even on her first album No Burden (2016), Dacus displayed a sophistication of songwriting at twenty one that can take many more years to attain. 2021’s Home Video has moments of almost uncomfortable rawness and honesty that aren’t made easier to hear with the gentle performances. Rather the songs are a vivid trip through psychological spaces perhaps we all experience but sometimes try to forget and Dacus makes it seem okay to think and feel these things because emotional self-honesty can be as healing as it can be searingly painful and haunting. Dacus brings that kind of compassionate energy and sense of mystery to her live performances as well so clearly a fine match for the headliner.

Stereolab in 2008, photo by Tom Murphy

Tuesday | 09.13
What: Stereolab w/Fievel is Glauque
When: 7
Where: Ogden Theatre
Why: Stereolab is the long-running experimental rock and electronic band formed in 1990 in London with former members of leftist political pop band McCarthy, Tim Gane and Laetitia Sadier. The new group would adopt lo-fi pop aesthetics, Krautrock, avant-garde electronic and musique concrète into its ever evolving sound so that the “groop” could never get fully stuck in its own stylistic rut. Stereolab has become one of the most respected and beloved cult bands of the 90s that endured through the late 2000s before going on hiatus for a decade until 2019. Its most recent release is the 2022 compilation album Pulse of the Early Brain: Switched On, Vol. 5 which brings together tracks from across its career including a 1997 collaboration with arch experimentalists Nurse With Wound and other non official album tracks that have formerly been hard to come by including the 1992 Low Fi EP that marked the first appearance with the group of the late Mary Hansen and longtime and current member Andy Ramsay. The live shows are a combination of impassioned performance and sultry cool.

Full of Hell, photo by Jess Dankmeyer

Tuesday | 09.13
What: Full of Hell & Blood Incantation w/Vermin Womb, Mortuous and God is War
When: 6
Where: Gothic Theatre
Why: Might be the noisy heavy show of the month. Death grind legends Full of Hell whose 2021 album Garden of Burning Apparitions is as relentless as it is unsettling in its haunting vibes co-headlines with progressive death metal weirdos Blood Incantation from Denver who recently released an entire synth album though you probably won’t hear much of that for this show. Vermin Womb just release the blistering and thrillingly punishing Retaliation EP and will probably hit the stage hard with economical precision in its sonic brutality and exit before you’re full aware of what hit you.

Boris, photo by Yoshihiro Mori

Wednesday | 09.14
What: Boris w/Nothing
When: 7
Where: Bluebird Theater
Why: For the past thirty years Japanese rock band Boris has truly explored so many different styles of heavy and experimental across its prolific career that one would have to be hesitant to try to define the group’s aesthetic because from album to album it’s always been an exploration of the trio’s interests at the time from gear to songwriting to genre. In addition to the impressive and influential body of work under its own name, Boris has multiple collaborative albums with noise legend Merzbow, albums with Michio Kurihara of psych legends Ghost (not to be confused with the Swedish heavy metal band) and an album with respected Japanese avant-garde musician Keiji Haino. Its most recent album is its 2022 and second album titled Heavy Rocks. And as advertized it’s a rock album that is heavy but this time more in the vein of a strange and fascinating hybrid of punk, glam rock and heavy psychedelia. Live Boris has a mystique that renders all of its music strange and alluring rendered with a forceful intensity. Also on this tour is post-hardcore/noise rock band turned heavy shoegaze outfit Nothing whose 2020 album The Great Dismal is a great exercise in mood sculpting through hazy melodies and introspective vocals making observations on the decay of society and a fragile hope for things in the world to flow toward the better.

Wednesday and Thursday | 09.14 and 09.15
What: Kikagaku Moyo
When: 7:30 (09.14) and 7 (09.15)
Where: Fox Theatre (09.14) and Ogden Theatre (09.15)
Why: Legendary psychedelic folk prog band Kikagaku Moyo from Tokyo is taking its live show on the road one last time with two shows in Colorado. In May 2022 the group released its latest and likely final album Kumoyo Island and revealed the influence of cosmic funk on its sound in addition to the fusion of Japanese folk and Krautrock.

Wilco, photo by Annabel Mehran

Wednesday | 09.14
What: Wilco w/Margo Price
When: 6:30
Where: Red Rocks
Why: Wilco is of course one of the most critically acclaimed indie rock bands going on three decades now and deservedly so. There isn’t a Wilco record that isn’t worth an earnest listen. Its 2022 album Cruel Country isn’t just brimming with solid songwriting and performances but the social commentary is poignant and personal in a way worthy of early Bob Dylan. The title track addresses youthful misconceptions about the country of one’s birth and the evolution of one’s nuanced understanding not just of countries but one’s own place in them. Perhaps unintentionally but one hears a touch of the Grateful Dead’s American Beauty on this record but that just gives it a cultural resonance across decades that is probably warranted in making meaningful and creative statements about society in the times we’re in now rather than hit issues of national identity on the nose. Of course the show will include material well beyond the new album and Wilco is reliably delivers a lively and highly entertaining performance. Opener Margo Price is one of the rising stars of modern country music but of course this means she’s not just a charismatic performer but her own songwriting expands the boundaries of what that music can be. Her new single “Been To The Mountain” borders on the psychedelic and is reminiscent of more adventurous country artists of the past like Lone Justice and Green on Red.

The Head and the Heart, photo by Shervin Lainez

Wednesday and Thursday | 09.14 and 09.15
What: The Head and the Heart w/Hiss Golden Messenger
When: 6:30
Where: Mission Ballroom (09.14) and Red Rocks (09.15)
Why: The Head and the Heart has established itself as one of the definitive artists of indie rock of the past decade and more. Earnest vocals and spacious arrangements and expansive melodies are components of its sound from early on but the Seattle based sextet has a knack for crafting pop hooks and imaginative arrangements that easily get stuck in your head but you don’t mind because it’s not repetitive or insipid, just heartfelt and memorable. Its 2022 album Every Shade of Blue seems to have pared its usual sonic mode to a spare minimalism that may not be what some fans are expecting from The Head and the Heart but within each one hears an experiment with where the group will go with its next album. Coming out of the pandemic every band can probably be excused for indulging a wide range of songwriting ideas that can make their new album sound like a transitional effort and maybe that’s what the sound of this record may come across as being yet there are undeniable gems on the record including the title track. At the very least at the show you’ll get to see old favorites live and see how The Head and the Heart pulls off material from the new record.

Perturbator, photo by David Fitt

Thursday | 09.15
What: HEALTH w/Perturbator and Street Sects
When: 6
Where: Gothic Theatre
Why: This tour features some of the most inventive modern electronic industrial artists going. HEALTH got its break as one of the most prominent bands to come out of the DIY music scene around the non-profit venue The Smell in the mid-2000s. Weaving together noise, electronic dance music and darkly urgent post-punk, HEALTH has garnered a global audience with its ferocious live shows and idiosyncratically stylish aesthetics. Perturbator is more in the vein of blending industrial rock with 1980s horror movie synth soundtracks but delivered with a confrontational energy. James Kent aka Perturbator has a background in black metal and brings that attitude to his compositions and performance. 2021’s Lustful Sacraments turns down the aggression of Perturbator’s sound a little in favor of a touch of ethereal guitar melody and creative use of space in the mix lending the overall sound a haunting undercurrent. Street Sects is an industrial punk duo from Austin, Texas whose use of drastic dynamic shifts and spiky rhythms in a cloak of fog and metallic percussion that has been a flagship band of the experimental music label The Flenser. Its shows can have an unhinged intensity with a sense of danger to them though lately they haven’t as often brought out the bladeless chainsaw to change out into the crowd.

Pink Turns Blue, photo by Daniel Vorndran

Thursday | 09.15
What: Pink Turns Blue, Radio Scarlet, Redwing Blackbird
When: 8
Where: Hi-Dive
Why: Pink Turns Blue is the influential post-punk/darkwave band from Berlin, Germany that made waves in the 1980s through the mid-1990s for its moody yet triumphant songs imbued with a political awareness and sense of urgency within its gloomy melodies and dynamically measured paces. The group got back together in 2003 after the so-called post-punk revival that happened shortly after it broke up the first time and prior to the development of the modern darkwave scene yet clearly, directly or otherwise, exerted a bit of influence on artists in both periods. TAINTED is the 2021 record by the band and contains some of its most poetic and poignant political material of its career in challenging the world’s mishandling or really ignoring of the climate crisis and the rise of authoritarianism and income inequality—all seemingly so pressing now.

Alice Glass, photo courtesy Sacks & Co 2018

Thursday | 09.15
What: Alice Glass w/Uffie
When: 7
Where: Meow Wolf
Why: Alice Glass is perhaps most widely known for her work in electronic duo Crystal Castles where her expressive and otherworldly yet intimate vocals were a large part of the appeal of the project. After parting ways with Crystal Castles in 2014 later accusing her bandmate of assault and sexual misconduct, Alice Glass has emerged a solo artist whose work has a unique emotional resonance and vulnerable intensity that vibes perfectly with the inventive and mysterious beats in a style that sounds like it’s taken elements of hyper pop and the 8-bit electronic production of her earlier music and pushed it in a direction that suited the likely painful subject matter of her songs. After a 2017 debut EP Glass had some conflict with her label and parted ways but released her debut full length PREY//IV in February 2022 and she’s still putting out some honest words that speak truth about the kind of struggle and pain a lot of people go through every day especially people that have experienced abuse and in doing so provides maybe a tiny bit of catharsis with the music and with her powerful live show.

Melvins, photo by Chris Casella

Friday | 09.16
What: Melvins w/We Are The Asteroid and Taipei Houston
When: 7
Where: Fox Theatre
Why: Melvins are one of the foundational bands of the heavy punk scene out of the Pacific Northwest and one of the primary influences on the bands that became the first wave of grunge. But Melvins never got stuck there or with that legacy even as it evolved its early sound and went on to explore a multitude of ideas in the music they made and how it was presented and where they would play and the kinds of tours they would tackle including the time they played every U.S. State in fifty days. All along the way Melvins have left us an impressive body of albums that push the boundaries of what heavy music can be and with every album Melvins offer something very different from the one that came before. This time around for the newly released 2022 album Bad Moon Rising there has been little advance promotion or videos or really much of a peak into what it sounds like. Making it a good excuse to go see one of the most entertaining and consistently impressive live rock bands of the modern era.

Friday | 09.16
What: George Cessna & His Band perform Lucky Rider w/Rose Variety, Fainting Dreams and DBUK
When: 8
Where: Hi-Dive
Why: George Cessna & His Band will perform the 2021 album Lucky Rider in its entirety. The existential and haunting, lo-fi record distills the essence and spirit of being a creative and thoughtful person in the current time dealing with a multitude of challenges from those of the pandemic, to an increasingly neglectful media environment for the arts especially those local, trying to navigate personal challenges while reaching deep into self to find a reason to keep doing creative work when all sensible arrows point elsewhere. It is one of the most poignant personal music statements in the last few years and worth getting to witness in the live setting.

Grace Ives, photo by Samuel Metzger

Friday | 09.16
What: Grace Ives w/Super Bummer
When: 8
Where: Lost Lake
Why: Grace Ives’ 2022 album Janky Star has likely snuck onto the year end best lists of more than a few music critics because not only are her eccentric pop songs imaginative crafted but speak to the current cultural moment. There is a meta self-awareness that is employed to make earnest commentary on mental health and seeking out deeper meanings in a cultural environment where so much is thrown your way often decoupled from context. All the songs on the album are short and to the point but rich with ideas. Ives says a great deal in a small space without overwhelming the listener. Somewhere between synth pop, hip-hop and even some bit of progressive rock Ives’ music has obviously absorbed a lot of modern music and come out more surprisingly original for it.

Friday | 09.16
What: Patched Out – Live Electronic Dance Music Party: Acidbat, Paul City, Love Cosmic Love, ALX-106
When: 9:01
Where: Black Box
Why: This is a more than ordinarily experimental electronic music showcase featuring local artists who pull from not only electronic dance music but noise and industrial styles. Minimal techno, glitchy acid house, mutant deep house grime.

Wild Rivers, photo by Samuel Kojo

Friday | 09.16
What: Wild Rivers w/Violet Skies
When: 7
Where: Summit Music Hall
Why: Toronto-based indie folk trio Wild Rivers released its sophomore album Sidelines in 2022, the follow up to its 2016 self-titled debut. Like most bands Wild River basically had to take a couple of years off from performing live and maybe rediscover and reimagine its sound some but in this case Wild Rivers leaned into its superb use of space and minimal instrumentation for a good deal of the material to allow for the gentle, warm and expressive touch of the vocals to sit center but also in allowing the percussion and rhythm to guide the music subtly but firmly, a feature of music one doesn’t often hear so clearly in folk-oriented music.

Porridge Radio, photo by Matilda Hill-Jenkins

Saturday | 09.17
What: Porridge Radio w/Blondshell and Moodlighting
When: 8
Where: Lost Lake
Why: Porridge Radio is a post-punk band from Brighton, UK formed after songwriter and lead vocalist Dana Margolin realized she needed a band to fully bring to life the songs she had been crafting and mainly performing at open mics and her own bedroom. There is a grittiness to the atmospheric music that can be found rooted in Margolin’s raw and tenderly honest lyrics and the way the band manifests the layered the contrasting emotions the singer/guitarist brings to bear and let out in often unexpected and engulfing outbursts that make it obvious you’re not listening to a conventional indie band because Porridge Radio doesn’t try to smooth over the rough edges. Its new album Waterslide, Diving Board, Ladder to the Sky (2022, Secretly Canadian) is rich with poetic metaphors for relationships fracturing and the struggles of one’s inner life that are too often kept bottled up and never addressed. Porridge Radio lets that anxiety out in a gripping sustained catharsis. Tourmate Blondshell aka Sabrina Teitelbaum is a songwriter based in Los Angeles whose own vulnerabilities and insecurities are also laid out in exuberant pop songs. Blondshell’s sound, though, is more akin to 90s alternative rock in its liberal use of fuzz and bombastic song structures to give some sonic and emotional boost to songs about the kinds of thoughts and experiences that can make us feel like we’re falling apart and failing ourselves yet finding some redemption and positive transformation in being willing to own the feelings and work through them. Moodlighting is a dream pop band from Denver whose fragile and winsome melodies are charged with an ethereal melancholy that lends the music more depth than seems obvious on first encounter.

Blondshell, photo by Dominique Falcone

Saturday | 09.17
What: Sick of It All and Agnostic Front w/Crown of Thornz
When: 7
Where: Oriental Theater
Why: Agnostic Front may predate the existence of Sick Of It All by six years and technically part of the first wave of hardcore, but New York City hardcore didn’t really get its due or hit its stride until later in the eighties and these two bands were a couple of the leaders of that punk milieu along with Cro-Mags, Murphy’s Law and others.

Colin James, photo by James O’Mara

Saturday | 09.17
What: Colin James
When: 7 p.m.
Where: Soiled Dove Underground
Why: Colin James is a Canadian blues and rock guitarist/vocalist who got his big break into a national and international music world when his band was tapped to open last minute for Stevie Ray Vaughan in 1984 when another opening act was no longer available. Since then James has expanded upon his electric and acoustic blues style and was an early adopter of swing in the early 90s when straight ahead blues wasn’t as much in favor for a number of years and his Colin James and the Little Big Band project enjoyed some success when the swing revival was under way throughout the 90s. But in the 2000s and 2010s it seemed as though blues enjoyed a bit of a renaissance including the popular Legendary Rhythm & Blues Cruise and numerous blues festivals that have come about since the turn of the century. James’ most recent album, 2021’s Open Road, is a collection of interpretation of blues classics and original material that showcases the musician’s masterful command of the musical idiom and ability to innovate within it.

Sunday | 09.18
What: Bob Mould Solo Electric: Distortion and Blue Hearts!
When: 7
Where: Oriental Theater
Why: Bob Mould is of course the co-founder of Hüsker Dü and Sugar but his solo albums have provided some of his best and most refined songwriting to date. This tour will be a chance to see Mould perform from across his solo catalog including the 2020 Blue Hearts album which included Jon Wurster of Superchunk fame and Jason Narducy also of Superchunk filling in for Laura Ballance. So this performance will probably include both of those guys and Mould’s own lively presence.

Snotty Nose Rez Kids, photo by Brendan Meadows

Sunday | 09.18
What: Snotty Nose Rez Kids w/Freedom Move…
When: 7
Where: Moon Room at Summit Music Hall
Why: Snotty Nose Rez Kids are a First Nations hip-hop duo from Kitamaat Village, BC but now based in Vancouver. Darren “Young D” Metz and Quinton “Yung Trybez” Nyce have a style that people that appreciate trap and hyper pop would appreciate including the meta self-awareness required to pull that off with creativity and artistry. So of course there is a deep sense of play and humor in the music but so many of its songs hit as poignant and as powerfully as the best hip-hop especially in painting a portrait of life in their First Nations community and the unique struggles attendant with that experience.

Monday | 09.19
What: Pavement w/Annalibera
When: 6:30
Where: Paramount Theatre
Why: Almost all indie bands of any originality worth listening to can trace their roots to the idiosyncratic and masterful guitar rock of Pavement. The group long made a virtue of unconventional song structure, Stephen Malkmus’ unusual vocal style and an almost free associating lyrics. Its loosely arranged guitar jangle both loping and angular leaves room for truly creative improvisation that have yet to be fully appreciated by many fans who might be put off by how much Pavement’s music resonates with free jazz and a psychedelic blues jam. Live Pavement has remained a brilliant head scratcher which is really the reason to see them live if you can afford the exorbitant ticket price because even though the influence on modern music is obvious no one has really been able to quite mimic the idiosyncratic melodies and bizarre observational lyrics.

Wednesday | 09.21
What: of Montreal w/Locate S, 1 and Duck Turnstone
When: 7
Where: Gothic Theatre
Why: of Montreal is one of the longest running bands that emerged out of the 90s indiepop milieu with roots in the Elephant6 collective (i.e. Apples in Stereo, The Olivia Tremor Control and Neutral Milk Hotel). Its colorful album cover imagery and borderline performance art stage personae come from a real place of genuine eccentric creativity informed by an experimental literary approach to lyrics and not just conceptual album arcs but individual songs as well. There is a deep imagination discernible on any of its albums including the 2022 offering Freewave Lucifer F<ck F^ck F>ck. This new music sounds even more like a collage of psychedelic pop and space rock glam.

Wednesday | 09.21
What: PROBLEMS w/Goo Age, Andy Loebs, DJ Arman and DJ Fresh Kill
When: 8
Where: Glob
Why: Daren Keen has been responsible for some of the most creative electronic and noise music of the past several years and with his project PROBLEMS it’s like he is mixing techno with surreal spoken word, hip-hop and electronic dance music as a vehicle for what might be musical autobiography as exposure of neuroses and insecurities inverted bravado.

Thursday | 09.22
What: Dan Deacon w/PROBLEMS
When: 7
Where: Meow Wolf
Why: Dan Deacon is one of the most prominent experimental electronic pop artists to have emerged from the American DIY underground whose graduate degree in electro-acoustic and computer music he has put to direct use as a composer and songwriter whose work can be found across a long career of high concept albums and film scores. The former also serving as sage commentary on modern American culture. His shows tend to be incredibly interactive involving audience participation which may make the stage at Meow Wolf more conducive to such adventures than more traditional concert venues. Also on the bill is PROBLEMS mentioned above for that date at Glob.

Built to Spill, photos by Isa Georgetti, collage be Lea Meida

Friday | 09.23
What: Built to Spill w/The French Tips and ORUA
When: 8
Where: The Bluebird Theater
Why: Boise, Idaho’s Built to Spill needs no real introduction as one of the bands to emerge in the 1990s that embraced a noisy punk sound and jammy psychedelia at once to craft a body of work that could express deeply personal contemplations on life as well as commentary on the nature of existence. Its new record When The Wind Forgets Your Name is one of its most gritty and bracing in years with Neil Young-esque guitar leads and Doug Martsch’s signature, haunted, playful mystic vocals offering more of the band’s unique creative vision that never seems trapped by an era or style of music thus its continued vitality.

…And The Black Feathers, photo by Tom Murphy

Friday | 09.23
What: …And The Black Feathers EP release w/The Trujillo Company, Jaguar Stevens and Bootleg Baldwins
When: 8
Where: Lost Lake
Why: …And The Black Feathers is a band that somehow grinds out bluesy garage rock without sounding like its trying to be some other artist. It’s tempting to compare it to John Spencer Blues Explosion but it’s not that bizarre yet there is something otherworldly to its performances and air of having come to us from the same parallel dimension that gave us Tav Falco and Kid Congo Powers. The group is releasing its first EP in a few years.

Dehd, photo by Alexa Viscius

Friday | 09.23
What: Dehd w/Exum
When: 8
Where: Summit Music Hall
Why: Dehd is a trio from Chicago that is somehow able to be funny and incredibly poignant and powerful at the same time with an eclectic body of work that blurs the line between blues, punk, garage rock and dream pop. Its 2022 album Blue Skies is one of its more melancholic and contemplative records but as per usual there is a defiant spirit running through the music that directly translates to the live show where Dehd take minimalist elements and turn it into something that seems so gloriously bombastic and celebratory it exorcises some of the pain and disappointment that went into making the writing of the songs possible.

Divide and Dissolve, photo courtesy the artists

Friday | 09.23
What: Divide and Dissolve w/Matriarch and Vulgarian
When: 8
Where: Hi-Dive
Why: Divide and Dissolve is an instrumental doom band from Melbourne, Australia. And yes, instrumental but its songs crafted from saxophone, guitar and percussion are a commentary on colonialism and its corrosive effects not just on indigenous culture but on itself as an extension of a racist economic system that ultimately commodifies all things and all people and devalues life, the earth and inspires so many to rationalize its predation because they benefit from its narrow vision of sharing resources and the “proper” use of our time in what little of it we have on the earth. The music sounds like a deconstruction of that system and the 2021 album Gas Lit leaves no question about how “the legacy of greed has grown from its seed to infiltrate every place, every face, releasing a suffering recorded in stone and in bone, so old that language can’t console it.”

f-ether, photo by Tom Murphy

Friday | 09.23
What: F-ether tour kickoff w/UaZit, FOANS, Knife Band and Causer
When: 7:30
Where: Glob
Why: F-ether is one of the few producers in Denver who is steeped in both the noise, electronic dance and rock scenes who seems adept at navigating these musical concepts in crafting his own playful and imaginative tracks. He’s setting off on his latest tour and celebrating with likeminded, creative electronic artists for this show including the always powerful and engrossing Causer.

Foreign Air, photo by Luke Adams

Saturday | 09.24
What: Foreign Air w/Anna Shoemaker and Ghostpulse
When: 8
Where: Globe Hall
Why: Foreign Air got together when Jacob Michael’s former rock band U.S. Royalty split in 2017 and he came to work with Jesse Clasen whose own rock bands The Bear Romantic and HRVRD had played shows with U.S. Royalty. For their band together the duo tapped into a more electronic music production approach to crafting lush pop songs. The sound is can range from lo-fi, spare but energetic post-punk flavored pop to enveloping melodic haze given solidity with organic instrumentation. The advance tracks from the new Foreign Air album Hello Sunshine finds the band using the sound palette of modern indie pop and funk with an ear toward more unconventional arrangements and rapid adding and dropping of layers to convey not just gradations of sonic saturation but in doing so the emotional as well. Anna Shoemaker’s 2022 debut album Everything is Fine (I’m Only on Fire) is a collection of sharply observed sketches of lived experience expressed through gritty guitar pop and quiet-loud dynamics akin to 90s alternative rock. But as with lyrics like on her new single “I’m Your Guy” Shoemaker’s songwriting subverts convention by threading her songs with modern electronic details that give the music some unexpected turns of phrase in parallel with her taking relationship, gender and sexuality norms in pop music and turning them over in a way that is both rebellious and gives those normally not in the usual power structure of culture another way of imagining how things can be and dispensing with othering.

Anna Shoemaker, photo by Emma Berson

Saturday | 09.24
What: Conan Neutron & the Secret Friends w/Almanac Man and An Antiquated Bluff
When: 8:30
Where: Goosetown Tavern
Why: To the casual listener Conan Neutron & the Secret Friends may sound like they listened to a lot of stoner rock and Monster Magnet before forming this band but there is something subversive in the way the group has used its music to challenge transphobia and hideously lazy and destructive thinking in general. Its 2022 split with The Erratic Retaliator Strategy is part noise rock and part philosophical exploration of social phenomena with titles like “Competitive Grief” and “The Misplaced Optimism of the Doomed.” That’s keeping it real. Also on the bill is Denver-based experimental noise rock band Almanac Man and emo Americana math rock phenom An Antiquated Bluff whose own songs examine and attempt to exorcise the anguish of external and internalized oppression.

Trentemøller , photo by Karen Rosetzky

Sunday | 09.25
What: Trentemøller w/TOM & his Computer
When: 7
Where: The Bluebird Theater
Why: Anders Trentemøller has been perfecting his particular fusion of moody rock and the electronic under the project moniker of his surname since 2006. The tonally cool downtempo of his earlier albums seemed to anticipate and transcend the forthcoming darkwave movement of the 2010s as his own minimalist compositions organically unfolded to enhance the nuanced melancholy of the song lyrics. In 2022 the songwriter released his latest album Memoria which features the usual reconciliation of thematic and musical contrasts with gritty, saturated synth and ethereal melodic drift over steady beats all conspiring to produce a dynamic that seems aimed at raising spirits against the gloom of the album’s subject matter of acceptance of when things feel off or aren’t going how one might prefer. It gives an element of complexity that feels like a process you’d need to go to shed deep seated regret and process bittersweet memories without forgetting what made them significant.

Laveda, photo courtesy the artists

Sunday | 09.25
What: Laveda w/Isadora Eden, Nina De Freitas and Alana Mars
When: 7
Where: Lost Lake
Why: Laveda from Albany, NY is a dream pop/shoegaze band whose gorgeously lush melodies and warmly evocative singing never masks its all too real and bracing assessments of the world as it is and the challenges we face and the feelings we go through as we try to navigate a culture and society that isn’t giving an adequate response to the specter of climate disaster, fiscal malfeasance from the top, legislative and judicial corruption and all the ways the powerful are making life more difficult for those not in positions of power on a granular level. Sure, ethereal, heavy guitars but as a kind of ambient catharsis and path to staying out of the pits of despair even while giving voice to the concerns that when they hit you at once can paralyze your psyche. But also enjoyable as one of the best new shoegaze bands operating in America.

Julia Jacklin, photo by Nick Mckk

Monday | 09.26
What:
Julia Jacklin w/Katy Kirby
When: 7
Where: The Bluebird Theater
Why: On her new album Pre Pleasure, Australian singer-songwriter Julia Jacklin makes uncertainty seem so comforting and reassuring. Like her 2019 album Crushing, this new album has concepts guiding its exploration of themes one does not often hear in music written in a way that sounds like something that landed in the Twenty-First Century from the 1960s with the wash of melody accomplished with spare, organic musical elements in miniature orchestral fashion and Jacklin’s introspective vocal style that seems to draw out the nuances of emotion and psychological details of how we feel that can often be brushed under in the push of the raw, face fronting emotional experience. Jacklin emphasizes the whole picture in its lived experience. On Pre Pleasure she makes acceptance of unresolved feelings and situations seem as satisfying as we’re going to get out of so many circumstances in life.

Monday | 09.26
What: Rein w/DJ Eli and Niq V
When: 8
Where: HQ
Why: Swedish darkwave/industrial artist Rein makes a stop in Denver after her performance at the Coldwaves festival in Chicago. Her blend of synth pop and a gritty and stylized delivery that balances aggression and grace like a more Goth-y Youth Code and more steeped in 90s EBM but with the same sort of punk style and spirited performance.

Tuesday | 09.27
What: The Foreign Resort, Hapax and Plague Garden
When: 8
Where: HQ
Why: Also fresh off their performances at Coldwaves X in Chicago are Depeche Mod-esque, Danish post-punk band The Foreign Resort and the urgent and almost strident melancholic sound of HAPAX from Naples, Italy. Local support from Plague Garden’s whose emotionally charged, electronically infused post-punk is well outside the cookie cutter trendiness that can be heard in too much modern post-punk and darkwave.

Tatsuya Nakatani, photo courtesy the artist

Tuesday | 09.27
What: The Nakatani Gong Orchestra w/Ryan McRyhew and Ben Donehower
When: 7:30
Where: Scorpio Palace
Why: Master percussionist Tatsuya Nakatani brings his 10-piece gong orchestra for an intimate performance at Scorpio Palace (formerly known as Rhinoceropolis). Nakatani will conduct the ensemble in performance with bowed gong. Prior to the 10-person performance there will be a trio comprised of Nakatani and local improvisors Ryan McRyhew, aka Ntrancer who will utilize a Hordijk system, and multi-instrumentalist Ben Donehower who some may know for his avant-pop project Petite Garçon. Seating is limited for this unique performance and doors are 7:30 p.m. with the show starting promptly at 8 p.m.

Genesis Owusu, photo by Bailey Howard

Tuesday | 09.27
What: Khruangbin w/Tennis, Vieux Farka Touré and Genesis Owusu
When: 5
Where: Civic Center Park
Why: Houston’s Khruangbin has emerged as one of the most popular bands to have emerged from modern American psychedelic rock. It’s sound has trended more toward a upbeat funk and soul sound like the kind of music you’d expect to hear as a regular guest on a modern incarnation of Soul Train. On its 2020 album Mordechai it certain seems to tape into the energy and style of later P-Funk and the kind of mutant funk of early 99 Records bands. But whatever the exact aesthetic one might try to push on Khruangbin its music defies easy pigeonholing and has as much in common with the aforementioned as it does with W.I.T.C.H. and Afrobeat. Opener Owusu Genesis is a Ghanaian-Australian artist who doesn’t just make music but designs his own fashion and those impulses seem to inform each other in an asymmetrical way in that he mixes and matches styles and aesthetics to create something uniquely his own. With rich synth work and polyrhythms his music might be considered hip-hop but his vocal style is decidedly different and playful and imaginative the way one might hear an analog of in Thundercat’s solo material where it would be difficult to pigeonhole him as well. His 2021 debut album Smiling with No Teeth is a genre busting delight of experimental hip-hop and electronic pop.

Pale Waves, photo by Kelsi Luck

Wednesday | 09.28
What: Pale Waves w/Gatlin
When: 7
Where: Marquis Theater
Why: Underneath Pale Waves’ effervescent energy and infectious melodies are lyrics that directly and sensitively deal with issues of anxiety, depression and class. Its 2018 debut EP All the Things I Never Said delivered on the promise of early singles like “Television Romance” and “There’s a Honey.” Employing a palette of wonderfully melodramatic pop punk and straight ahead pop, Pale Waves delivers music that is immediately and thrillingly accessible for anyone not looking to be alienated by catchy music but with deftly crafted, meaningful content. Pale Waves recently released its third album Unwanted on August 12, 2022.

The Luka State, photo by Rob Blackham

Friday | 09.30
What: The Luka State w/Micky James
When: 8
Where: Lost Lake
Why: The Luka State from Winsford, Cheshire brings its tour to Denver ahead of the release of its sophomore full length The More Things Change, The More They Stay The Same. If its new single “Stick Around” is any indication the group isn’t short on the anthemic melodies that drove its earlier releases. Its live show looks more fiery and intense than one might expect from songs coming from a place of seeming thoughtful vulnerability.


Queen City Sounds Podcast Ep. 49: Kurt Ottaway of Emerald Siam

Kurt Ottaway of Emerald Siam, photo by Tom Murphy

Emerald Siam has been running for nearly a decade in the Denvoid. The band was been lead by vocalist and guitarist Kurt Ottaway from the beginning but reflects a lifetime of influences and inspirations drawn from its collective membership. So the sound has a deep mood and melodies that are woven in with emotional expressions cast in poetic expressions in the lyrics and songwriting. To call it post-punk gives a potential listener a touchstone for what they’re in for with swarming and swimming atmospheres, fluid musical structures that burst in cathartic release orchestrated to dramatic effect minus pretense. Since the late 80s Ottaway has been part of some of Denver’s most vital rock bands beginning with Twice Wilted who were steeped in the creative energies of Killing Joke, Joy Division and the Jesus and Mary Chain as well as 60s psychedelic garage rock. Its colossal sounds and DIY ethos garnered a large following and the band had a brush with being signed to a major label before establishing its own Gift Records imprint with which it released the 1993 classic Ice Hex Fix. And the way of many of Denver’s best bands at the time, Twice Wilted split in 1996 with Ottaway headed to the Bay Area only to discover he didn’t quite belong there and he returned to the Denver area and founded Tarmints, a band stylistically drastically different from Twice Wilted but not in terms of intention to put together something of quality and originality. If you were fortunate enough to see Tarmints during its eleven years of existence you saw a band that defied easy classification and which demanded being taken on its own terms. Yes, blues, sure mutant punk Birthday Party and Gun Club sounds and attitude with some of the grizzled Laughing Hyenas-esque intensity and immediately enthralling songwriting with shows that lasted exactly as long as they needed to be meaning no drawn-out, self-indulgent sets. Tarmints hit the stage hard with incredibly energy and focus and left before you could ever be weary of being sonically grabbed by the throat and brought along for an irresistible emotional ride that felt like a mutual purge of the dark corners of the psyche where the anxiety and nightmare fuel of your mind dwell. During most of this musical journey Ottaway ran a number of DIY spaces going back to the 1980s in Upper Larimer, RINO, what is now the Santa Fe Arts District, downtown and Lower Colfax and encouraging people in the local scene to make something that could be mutually inspiring. In this interview we do not talk about Emerald Siam much at all but rather the early days from his youth in the 1970s up through about the early 90s when Twice Wilted was in high gear. Perhaps in future conversations to be shared in this podcast we will get into other stories of which Ottaway has hundreds and thousands.

Listen to our interview with Kurt Ottaway of Emerald Siam on Bandcamp linked below and go see the band at Down in Denver Fest on Sunday, 8/21/22 at 6:30 pm on the Further Stage. For more information on the festival and on Emerald Siam visit the links beneath the interview.

www.downindenver.com

Emerald Siam on Facebook

Emerald Siam on Instagram

Best Shows in Denver and Beyond July 2022

Primitive Man performs at Bluebird Theater on July 15, 2022
Aldous Harding at UMS 2017, photo by Tom Murphy

Friday | 07.01
What: Aldous Harding w/H. Hawkline
When: 7 p.m.
Where: Gothic Theatre
Why: Ever since the release of her 2014 self-titled debut album Aldous Harding has been crafting some of the most unique songs in the realm of indie folk of the past few decades. With each album Harding offers songs that seem like a blend of the deeply personal, the mythical and the conceptual. Her song titles suggest a surreal aesthetic that lends itself to her imaginative story telling and a willingness to seek beyond tropes and clichés for ways of signing about relationships, identity, aspirations and dreams and commenting on society. 2017’s Party and her subsequent North American tour revealed Harding to be a truly and fascinatingly idiosyncratic artist whose emotionally powerful and riveting performances were reminiscent of Joni Mitchell with a touch of Kate Bush. Her latest album Warm Chris (2022) puts the focus on fusing the jazz elements of her songwriting with the avant-garde pop for a set of songs that sound like lounge music from a parallel universe where creative weirdos are in charge and creativity is more valued than affirming popular trends.

Reverb and The Verse, photo by Tom Murphy

Friday | 07.01
What: Yonbre Netz w/Reverb and The Verse
When: 9 p.m.
Where: Broadway Roxy
Why: Yonbre Netz is a Boulder-based hip-hop and experimental electronic artist whose varied collaborations can be heard on his Spotify account where his keen ear for colorful, percussive melodies can be heard. But this is also a rare chance to catch Reverb and The Verse who recently put out their tenth and supposed final album BLACKWALL under this project name. Shane Etter and Jahi Simbai have been at it since the late 90s making hip-hop that has always been rich with creative soundscaping and truly clever wordplay informed by incisive commentary on society and the travails of everyday life. Seemingly never content to repeat the same musical ideas album to album the duo’s catalog of material is a great trail of creative evolution and experimentation. BLACKWALL is a little like if Public Enemy collaborated with Nine Inch Nails with the gift for emotionally charged and politically and poetically astute as that comparison might imply. You may not get many chances to catch those guys in action and the Broadway Roxy would be a great room to make that the opportunity to witness one of the finest hip-hop acts Denver has to offer.

Friday | 07.01
What: Vmthanaachth w/Church Fire, Sell Farm, Ray Diess (album release) and Coma Roulette
When: 8 p.m.
Where: Glob
Why: Vmthanaachth from Dallas, Texas combines ambient music and industrial with classical avant-garde in a way that fans of Pedestrian Deposit will appreciate. Church Fire has been really upping their game with making irresistible bangers that also dismantle status quo sentiments and ways of being. For those not in the know Church Fire is something like an alchemical mixture of synth pop, industrial dance music, confrontational feminist punk and one of the best bands out of Denver or anywhere of the past decade. Ray Diess is releasing his latest album the hyperpop inflected and rawly honest It’ll Always Ache. It sounds like something that might have come out of Manchester in the late 80s or early 90s but with musical references and more obvious inspirations of a couple of decades later. There is some fine shade and ascerbic wit across the album but in the end it’s about seeking the authentic in experiences and embracing one’s own feelings as valid and does so with passion and playfulness.

Spyderland, photo by Tom Murphy

Friday | 07.01
What: Spyderland video/EP release w/Machu Linea and Random Temple
When: 8 p.m.
Where: The Skylark Lounge/Bobcat Room
Why: Spyderland is an electro pop duo comprised of Marie Litton and Drew McClellan. The two have been veterans of the Denver underground scene for years and to their credit this project is really unlike anything else they’ve done. Rather, they’ve taken their strengths as artists and applied then to crafting a different style of music meaning an experimental form of pop that can at times be a bit downtempo but with a spirited sense of play running through how they spark off each other as performers. It comes off as a bit of a musical dialogue which lends itself to a body of imaginative and fresh songwriting. For this show Spyderland is releasing a new animated video and its new EP. Machu Linea is a likeminded artist who can often be seen DJing around town but it turns out Armando Garibay has a gift for assembling beats and sounds that transform popular styles into something far more inventive. The 2020 album HeXotica showcased Garibay’s range as an artist and collaborator with some of the most talented artists in the local hip-hop and electronic music scenes. Random Temple has been in various types of bands over the years but under this moniker his ambient and IDM music freely weaves together textures, tones and even musical structures as a way to deconstruct conventions of genre.

sleepdial in June 2022, photo by Tom Murphy

Monday | 07.04
What: Zach Rowden, Terravault Network, Tripp Nasty and sleepdial
When: 9 p.m.
Where: Glob
Why: Zach Rowden is a member of collaborative improvisational project Crazy Doberman that began life as a series of collaborations with John Olson of Wolf Eyes fame. But since its inception in the late 2010s Crazy Doberman has had a prolific output of recordings. Under his own name or with Tongue Depressor Rowden has been running experiments in texture and environmental sounds as they intersect with a hypnotic, almost ritualistic form of ambient. Terravault Network is Eli Windler (Spectral Voice, City Hunter, No Thought and others) and Kevin Wesley (Hot White) making industrial ambient soundscapes that sound like abstracted and processed environmental field recordings at a distance from an active factory late night near the train tracks and processed to preserve rhythms and an enigmatic mood. Tripp Nasty has had quite the eclectic run of music experiments over the years from modern classical music to performance art, weirdo punk and now an almost academic analog/modular synth composition project that he recently displayed opening for legendary avant-garde musician William Basinski. Sleepdial is Luke Thinnes’ musical alter ego to French Kettle Station. Whereas the latter pushes the boundaries of electronic dance music and new age pop, the former is Tim Hecker-esque textured ambient music that layers subtle running pulses and flowing drifts of white noise and purely abstract melody that conveys a sense of endless space and wonder.

Darkest Hour, photo by Rick Ceauliue

Tuesday | 07.05
What: Darkest Hour w/Toxic Holocaust and Necropanther
When: 7 p.m.
Where: The Marquis Theater
Why: Darkest Hour from Washington D.C. has been evolving its particular flavor of melodic death metal mixed with post-hardcore since its inception in 1995. Its epic guitar progressions and apocalyptic visual style makes the band sound and look like something from the near future after the fallout of the collapse of worldwide civilization as we know it has been sorted out. This tour represents the group’s first with new lead guitarist Nico Santora and Darkest Hour will perform its 2007 album Deliver Us in its entirety and subsequent to the tour the group will return to the studio to record its tenth album. Opening the show is blackened death thrash mutants Necropanther from Denver as well as veteran thrash band Toxic Holocaust from Portland, Oregon whose own music has more than a leg in hardcore and grind as evidenced by its blast beats fused with acidic, Venom-esque menace.

Grief Ritual October 2021, photo by Tom Murphy

Tuesday | 07.05
What: Under the Pier, The God Awful Truth, Vexing and Grief Ritual
When: 7 p.m.
Where: Hi-Dive
Why: Under the Pier is a math-y post-hardcore outfit from Baltimore whose songs feel chaotic even as they are guided by a bizarre precision of execution. Vexing from Denver is difficult to pin down even though it clearly has roots in extreme metal and post-hardcore mainly because it also comes off like a grindcore band that’s dialing back the onslaught a little to let sounds hang in the air and hit you differently than a persistent force. Makes its gruff vocals and mathematically precise accents in a riff seem more nuanced and creative. Grief Ritual is going through some transitions since long time guitarist Mykel Monroe is departing but this may be a last chance to check out his guitar wizardry with Grief Ritual. Its own hardcore stylings have a brutal elegance from guitar pyrotechnics, to finely executed, cathartic vocals to surprisingly spare yet interlocking rhythms that allow for the songs to switch moods and focus of forcefulness with great flexibility. Its most recent album The Gallows Laugh may be more in the realm of metallic hardcore but has the beautifully confrontational and caustic quality of a melodic black metal record.

Puscifer, photo by Travis Shinn

Wednesday | 07.06
What: Puscifer w/Moodie Black
When: 7 p.m.
Where: Mission Ballroom
Why: Puscifer is Maynard James Keenan’s vehicle for a plethora of creative musical ideas that don’t really fit in with the art prog of his more famous band Tool. So he’s been able to infuse it with some of his more innovative experiments in sound and theatrical performance. The group hasn’t toured the U.S.A. since 2016 and reports of shows and footage that has made it onto the internet reveals what you might hope for and expect with elaborate sets and Maynard performing almost like a cosmic variety show host and his cohort of weirdos. The most recent Puscifer album Existential Reckoning (2020) must have been a head scratcher for anyone expecting industrial rock or hard rock in general. Its extensive and evocative use of synths and other keyboards as the drivers of melody and dramatic vocals is tempting to compare to something Peter Gabriel might be doing now but also not unlike something Gary Numan might do and really one of the most sonically fascinating records of Keenan’s career thus far.

Thursday | 07.07
What: The Pine Hill Haints w/Glueman and George Cessna
When: 8 p.m.
Where: Hi-Dive
Why: The Pine Hill Haints from Auburn, Alabama perform fairly traditional bluegrass and folky country with great the intensity and energy. Fans of rockabilly will probably appreciate what the Haints have to offer but its music also seems just slightly out of frame of normalcy to be interesting. Opening the show is George Cessna whose 2021 album Lucky Rider is a beautifully and paradoxically warmly haunting piece of work that transcends “alt-country” into the realm of slowcore and pastoral, Lanois-esque Americana that feels like reading an idiosyncratic noir novel comprised of impressionistic vignettes about navigating a culture and society in decline and trying to do something worthwhile with integrity in spite of one’s personal limitations and the weight of one’s history and attachment to tradition and sentimental notions.

Gila Teen, photo by Tom Murphy

Friday – Sunday | 07.08 – 07.10
What: Compost Heap Music Festival V
When: 3-11 p.m.
Where: Seventh Circle Music Collective
Why: Can’t sum up why better than the verbiage from the FB event below which includes set times and other information.

“It’s happening again! July 8th, 9th, and 10th! One of the biggest temporary DIY music festivals you’ll ever see! Three days of great music from underground bands from across the nation and local support that you may have never heard of but you will definitely love!

ACCESSIBILITY INFO: This event will be wheelchair accessible. ADA portapotty onsite. Proof of vaccination is required. Masks are strongly encouraged. Denver will be hot and dry, dress in breathable and moisture wicking clothing and avoid dark colors. There will be shade provided and cooling misting fans throughout the day. This event will be live-streamed.
We created this festival with a goal, it’s organized to center and amplify the music and art of marginalized folks, and to celebrate radical perspectives and ideologies in general. It’s focus is to try and raise awareness about oppressive institutions that stunt our ability to flourish as individuals and communities, and to come together to resist against them for our collective liberation, express solidarity and make some new friends.

FRIDAY, JULY 8TH
4:00-4:25 Team Nonexistent
4:35-5:00 Mx Wander (PA)
5:10-5:35 Old Scratch & The Holy Mess (AZ)
5:45-6:10 Bird Teeth (WA)
6:20-6:45 Chatterbox and the Latter Day Satanists
6:55-7:20 Endless, Nameless
7:30-7:55 Gutter Town (AZ)
8:05-8:30 Fables of the Fall
8:40-9:05 Shooting Tsars (TX)
9:15-9:45 RAT BATH (WI)
10:00-10:30 Ceschi Ramos (CT)
10:45-11:15 Crow Cavalier

SATURDAY, JULY 9TH
3:00-4:00 OPEN MIC
4:00-4:25 Marissa.
4:35-5:00 Loud in the Morning (WA)
5:10-5:35 Sunnnner
5:45-6:10 HappyHappy (IN)
6:20-6:45 Fruiting Body of the Larger
6:55-7:20 Straight Line Arrival (ND)
7:30-7:55 Gila Teen
8:05-8:30 Danbert Nobacon (WA) (x Chumbawamba)
8:40-9:05 Ludlow (OR)
9:15-9:45 Self Neglect (NM)
10:00-10:30 Lo Cash Ninjas (NN)
10:45-11:15 Doom Scroll

SUNDAY, JULY 10TH
3:00-4:00 OPEN MIC
4:00-4:25 The Michael Character (MA)
4:35-5:00 Rumbletramp (NC)
5:10-5:35 Hello the Camp (ID)
5:45-6:10 Helga Pataki
6:20-6:45 Gone Full Heathen
6:55-7:20 The Ragetones
7:30-7:55 Mr. Atomic
8:05-8:30 Dana Skully and the Tiger Sharks (IN)
8:40-9:05 Caustic Soda
9:15-9:45 Noogy (TX)
10:00-10:30 Plasma Canvas
10:45-11:15 Anxiety Cat (LA) (x Taxpayers)

Compost Heap music festival is a not-for-profit event. All festival revenue will be used to pay touring bands, or donated to the Harm Reduction Action Center in honor of Marci, a dear friend who is no longer with us. Thank you for your support.

$45-75 suggested donation for a weekend (3 day) pass

$20-25 suggested donation for a day pass

+$5 SEVENTH CIRCLE MEMBERSHIP FEE (if you don’t have one already): In order to attend any event at the venue you must posses a membership card. This helps 7C stay afloat and protects them from getting shut down, help keep DIY alive in Denver!

If you would like to pre-order your weekend pass, please email us @ compostheap2022@gmail.com (please put “Compost Heap 2022 pass” in the subject line) You should get an immediate response, but if for some reason you don’t, please email wormfooddiy@gmail.com instead.”

New Standards Men, photo by Tom Murphy

Saturday | 07.09
What: Derek Monypeny w/New Standards Men, Sex Funeral and Pythian Whispers
When: 2 p.m.
Where: Mutiny Information Café
Why: Derek Monypeny is coming from communing with the Methuselah tree to bring his accumulated musical wisdom fostered while living in Joshua Tree. Think drone and “free jazz” if you were hanging with Alejandro Jodorowsky and Werner Herzog. Sex Funeral brings their celebration of the transmogrification of tantric rites through the necromantic meditation practices cultivated in secret sites in southern Iowa. The manifestation of these mystical energies will emerge as improvisational ritual drone for guitar and electronics. New Standards Men are fresh off a sabbatical merging analog synth and guitar as synth alchemy as structured exercises based on the deep secret knowledge shared by Robert Moog, Don Buchla and Morton Subotnick as conducted by Terry Riley. And probably opening this afternoon of high psychedelic frequency modulation is Pythian Whispers. Lore has it the three early members of the band that wrote and performed the album The Dark Edge of Hippie Life met on a mountaintop, perhaps at Machu Picchu, perhaps at Alamut Castle, perhaps in the secret chamber below the skeletons of ancient trees at the top of Mount Evans. Whatever the truth might be and whatever arcane secrets of improvisational music learned it will be unleashed in short form by those ragged vagabonds of psych prog ambient. So what do you have to lose and trust me everything of something to gain? Probably donation based. We’ll see if Jodorowsky can come from Paris to do tarot readings for the event but no promises. Tamam shud.

Hulder, photo by Liana Rakijian

Sunday | 07.10
What: Skeleton and Hulder
When: 7 p.m.
Where: Larimer Lounge
Why: Austin’s Skeleton started out as a hardcore band but has since its 2014 inception morphed into something that has clear sonic roots in thrash and black metal. Its 2020 self-titled album is too slow to be some kind of crossover thing but not slow enough to be some kind of doom project. Its blunt yet jagged riffs are reminiscent of early thrash but without be defined by that aesthetic. Also on the bill is HULDER whose own black metal style weaves together an elegant classical music sensibility with a refined black metal onslaught that reaches epic peaks of evocative and gritty atmospheres like the elevated subjects of her songs. The new album The Eternal Fanfare finds HULDER expanding her sonic palette so that melody and texture seem to work in perfect tandem to cinematic effect like scoring the saga of an ancient heroic journey to the underworld and back.

duck turnstone, December 2021, photo by Tom Murphy

Monday | 07.11
What: TV Star w/Broken Record, Flor De La Luna and Duck Turnstone
When: 8 p.m.
Where: Hi-Dive
Why: TV Star from Seattle apparently aimed at being somewhere between the sound of dysfunctional era The Brian Jonestown Massacre and the more dream pop period of The Jesus and Mary Chain. But it ended up more in the realm of late period Sarah Records jangle pop with delicate melodies and warm vocals. Denver’s “Flora de la Luna” talks about being a “tough guy boy band” but really sounds more like an angsty power pop band with really tight songwriting and enough sneer to keep it from being safe. Maybe that’s what they meant by the whole “tough guy” thing that one presumes was a more humorous and ironic thing you write about your band as an inside joke. Broken Record also from Denver is like if an emo band discovered Dinosaur Jr and didn’t shed some of its roots including drawing some slight inspiration from Rainer Maria. duck turnstone is the band fronted by Melissa K. Jones who moved to Denver in 2018 with her then partner, apparently had an ugly break-up, and then shortly thereafter the pandemic happened and she had the opportunity to pour some of her heartbreak into writing music that in 2021 she was able to turn into a full band shortly after she released the album Howling & Crying under her own name. The album is a collection of vivid and delicate portraits of human vulnerability and exploring the nuances of rebuilding your life on your own terms. The live band is more in the power/indie pop vein.

Tuesday | 07.12
What: Kill You Club Presents: Haunt Me w/Weathered Statues, S!ntax and Precious Blood
When: 8 p.m.
Where: Glob
Why: Haunt Me is a post-punk/darkwave band from Austin whose 2021 album This Sadness Never Ends had some familiar hallmarks of the genre with the spidery guitar melodies and Paul Banks-esque vocals. But Haunt Me tends to switch up the rhythms and dynamics in unexpected ways and never full stays the same vibe for the whole song thus setting itself apart from many of its peers. Weathered Statues is a post-punk band from Denver with roots in the local punk scene. S!ntax is an industrial noise project with some grounding in confrontational performance art.

Mondo Cozmo, photo courtesy the artist

Tuesday and Wednesday | 07.12 and 07.13
What: The Airborne Toxic Event w/Mondo Cozmo
When: 7 p.m.
Where: Ogden Theatre
Why: [Rescheduled from April 2022] Joshua Ostrander aka Mondo Cozmo made a name for himself as the frontman for Laguardia in the the first half of the 2000s and then for a decade as the lead singer for Eastern Conference Champions. But since 2015 he has been recording and performing under the Mondo Cozmo moniker and crafting heartfelt and genre eclectic music. His new album, 2022’s This Is For The Barbarians takes Ostrander deep into his roots in rebellious folk artists like Bob Dylan and his more experimental electronic interests at the same time. The album is like a Radiohead album but more informed by folk and more overtly pop but with the appropriately rough around the edges quality to suit the times that surrounded the process of writing the songs with Ostrander commenting on the highs and very low depths of the world in the past half decade and his insight into personal psychology and the American zeitgeist is as cathartic as it is inspirational. And yes, opening for Toxic Airborne Event whose own long career of luminously gritty alternative rock has garnered a bit of a cult following. Its 2020 album Hollywood Park, sharing the title with singer Mikel Jollett’s memoir of the same name from the same year, was unsurprisingly as literarily as musically as poignant album as any in the group’s career to date and certainly seemingly its most personal.

The Black Keys, photo by Jim Herrington

Wednesday | 07.13
What: The Black Keys w/Band of Horses and Ceramic Animal
When: 6 p.m.
Where: Red Rocks
Why: When The Black Keys started out of Akron, Ohio in 2001 it seemed very much like a niche, blues rock outfit like the lesser cousin of The White Stripes. When the duo first rolled through Denver it played small venues like Lion’s Lair where it opened for Reverend Dead Eye. But Dan Auerbach and Patrick Carney stuck it out and developed their sound and songwriting and transformed what was likely a stripped down initial configuration into something more akin to a minimalist funk phenomenon as embodied well by its 2022 album Dropout Boogie. With the expansion of sounds and textures for the album the touring line-up of the band is also much more expansive than the core of Auerbach and Carney that will showcase how The Black Keys are a bit like a blues based rock version of ELO which is no bad thing. Opening is the well-known indie rock power pop group Band of Horses whose expansive songwriting is irresistibly uplifting especially its 2006 hit “The Funeral.” The proceedings will begin with a set from Ceramic Animal whose Dan Auerbach produced new album Sweet Unknown is brimming with warmly melancholic songs informed by a poignantly tangible sense of loss and reconciliation with emotional devastation and the inadequacy with which life and culture prepares one for the loss of the most significant people in your life.

Ceramic Animal, photo by Up in Smoke Photo
Elizabeth Colour Wheel in 2019, photo by Tom Murphy

Friday | 07.15
What: Primitive Man w/INDIAN, Jarhead Fertilizer, Body Void, Spirit Possession and Elizabeth Colour Wheel
When: 7 p.m.
Where: Bluebird Theater
Why: Primitive Man assembled one of the most interesting lineups of heavy music you’re likely to see in Denver all year in celebration of its 10 year anniversary as a band. The death-grind trio has long created some of the most brutal, crushing and exciting music of the past decade obliterating the line between noise, extreme metal and doom while making commentary on a world all but ruined by international corruption and collusion in diminishing the lives of everyone below the 1% of the 1% of the economic and political power scale in ways deranged and in the end self-destructive. It’s cathartic stuff and in its sharp edges and raw ugliness holds a mirror up to the world we all feel hitting us but may not see or hear concentrated so powerfully in one place. It will also be one of the few times to see the band locally for a good deal of time to come. Chicago’s INDIAN has for nearly 20 years crafted a sound that wouldn’t be out of step with what one hears out of a band on Amphetamine Reptile or Touch and Go but with more sludge rock flavor and songs that go in for a more fluid and wide ranging dynamism than most bands that get lumped in with the canon of doom. Elizabeth Colour Wheel is a startlingly energetic fusion of a noisy shoegaze band and a grindcore outfit as unlikely as that combination sounds. Body Void’s ominous, clashing guitar and drum interplay has a somehow both feral and elegant quality that lends the desperate, distorted vocals an elevated outrage and pain like a harsh noise duo using more standard instrumentation to deliver a dense, caustic and textural soundscape.

Knuckle Pups in October 2021, photo by Tom Murphy

Friday | 07.15
What: Knuckle Pups “TV Ready” album release w/Jeff Cormack of South of France and Earth to Luna
When: 7 p.m.
Where: Mercury Café
Why: Knuckle Pups is an indie pop band that has been around for a few years but which is finally putting out its debut album TV Ready. Oliver Holloway was once a member of the great folk punk band The Fainting Fansies that used to hold shows at a place where some or all of the band members lived back when people could rent out a house in neglected or underutilized houses or buildings in Denver. That time in deep, DIY “Old Denver” days has stuck with Holloway and Knuckle Pups isn’t a band short on charmingly earnest expressions of joy helped by the fact that the group’s multiple singers harmonize extraordinarily well.

Sky Creature, photo by Noah Kalina

Saturday | 07.16
What: The Velveteers w/Sky Creature and Holographic American
When: 2 p.m.
Where: Larimer Lounge
Why: This is probably the smallest venue you’re going to see The Velveteers play for some time. The band that has taken a foundation of a modern interpretation of classic blues rock and infused it with sharply observed lyrics, imagination and youthful energy has been and will go to keep touring with Greta Van Fleet and playing big cities and the hinterland to large crowds. And that will be quite a contrast with Queens, NY-based experimental pop band Sky Creature whose new album Bear Mountain is exuberant and ethereal and by all indications mostly electronic. Majel Connery has a voice that is both intense and fey which suits being paired with music that sounds like something you’d want to hear if you could travel to a museum of snow globes and spend time in each exploring the worlds of which each gives you a surface level taste. It’s otherworldly stuff and has a cool energy that will be welcome on what is likely to be a hot day in Denver. Holographic American is a trio consisting of guitarist Caleb Tardio formerly of math rock wizard weirdos I Sank Molly Brown and currently of doom metal greats NightWraith and drummer Matt Grizzell who some may know for his time with prog indie band Alan Alda and indie rockers Instant Empire along with bassist Owen Pearson. So of course it’s a little different with some of that math rock vibe in its songs thus far released in demo form but moody and delicately and intricately yet not busily melodic.

Green Typewriters in 2011, photo by Tom Murphy

Saturday | 07.16
What: Green Typewriters album release w/Falcon’s Eye
When: 7 p.m.
Where: Enigma Bazaar
Why: After fifteen years the psychedelic indiepop band Green Typerwriters are finally releasing its debut EP The Solar Anus which brings together musical ideas across its entire existence for a beautifully coherent and moving experimental pop album with as much wisdom as whimsy. Engineered and produced by Zach Bauer, one of Denver’s secret, genius pop songwriters and recordists, who most that know who he is know for having been a member of avant noise punks Zombie Zombie, stoner doom trio The Outer Neon, psychedelic post-punk art rock band Wicked Phoenix and Can tribute band Future Days. Among others. So you know the album is going to sound good and for the show the band is bringing in guests and making it the kind of show that you’re not going to get to see every day. Look out for the Queen City Sounds Podcast episode featuring Gioja and Jared Lacy from the band.

Saturday | 07.16
What: Emerald Siam, Cyclo Sonic and Bridey Murphy
When: 8 p.m.
Where: 1010 Workshop
Why: Denver is fortunate that some of its elder statesmen and stateswomen are still out there making valid, interesting and imaginative music. So Emerald Siam and its flood of brooding atmospherics and rich emotional colorings help to turn finely honed songwriting into something that seems larger than life and will seem like you’re getting to see something mythical outside at 1010 Workshop. The band’s blend of post-punk darkness and the way The Church took that framework into a more psychedelic and expansive realm of music as a platform for telling meaningful stories with arrestingly poetic lyrics. Cyclo Sonic may be basically a garage rock punk band but when it’s Matt Bischoff formerly of The Fluid and Arnie Beckman formerly of Choosey Mothers and other luminaries of the local punk scene the songwriting just hits as stronger and the precision of rhythm pushed forward and working in tandem with a ferocious energy it makes a lot of other operating in a similar realm of music seem quaint. Bridey Murphy includes Jay Tonne (Black Forest Fire), John Call (Baldo Rex, Veronica), Rich Groskopf (Boss 302, The Black Smiths, The New Idols etc.), Collette St. Clair and Dave Harrison so it’s going to not be short on rock theater and surprisingly fun songs in the garage rock and soul vein.

Cola, photo courtesy the artists

Saturday | 07.16
What: Cola w/Voight and Gazes
When: 8 p.m.
Where: Hi-Dive
Why: Cola consists of Tim Darcy and Ben Stidworthy formerly of great now defunct Canadian post-punk band Ought along with Evan Cartwright. When Ought split in 2021 ending a decade-long run as one of the more interesting and inventive guitar rock bands of recent years Cola came along shortly after and its 2022 debut album Deep In View (Fire Talk) with its offbeat song structures and hypnotic rhythms will appeal to fans of Ought for sure but also anyone who appreciates the art rock proclivities of a band like Pile. Voight may still be a guitar band at this point and not yet committed to being a full-on dark techno and power electronics project so you’ll get to see the post-punk/darkwave band scorch the rafters with its own intense and emotionally charged music. This is the first Gazes show and it features former Tyto Alba members Melanie Steinway and Andrew Bair along with former Male Blonding vocalist/guitarist Noah Simons. It’s a curse to call a band a supergroup but considering the membership of Gazes expect great things in a vein that will fit in with this bill overall.

Itchy-O, photo by Studio Apocalypse

Saturday | 07.16
What: Itchy-O’s Tetrapolar Purification Ceremony w/BleakHeart
When: 7 p.m.
Where: Fillmore Auditorium
Why: Itchy-O has seemingly found ways to imbue its few shows on the large scale with an aspect of the mystical and tie it to a new dimension of the band’s sound and performance. This time the Tetrapolar Purification Ceremony will signal the debut of the SÖM SÄPTÄLAHN, a massive instrument inspired by the gamelan assembled from over six hundred pounds of cynbals and gongs donated from local percussionists and crafted in collaboration with the Colorado School of Mines in Golden, a prestigious academic institution that specializes in geology and engineering. The show will include an audience participation aspect involving three elemental themes of Fire, Air and Water. Perhaps the fourth in the “tetrapolar” theme of earth is the SÖM SÄPTÄLAHN itself. For Patreon supporters of the band there will be a ticket giveaway to an “augmented reality scavenger hunt.” It’s always an extravaganza of sights and sounds and with the addition of the new instrument it’s going to be a new era for the band that has consistently found ways to augment already familiar elements in new ways with new ritualistic creativity.

Steve Von Till, photo by James Rexroad

Wednesday | 07.20
What: Steve Von Till and Helen Money
When: 7 p.m.
Where: Globe Hall
Why: Steve Von Till is the charismatic singer and guitarist from influential post-metal band Neurosis. Anyone familiar with the long arc of stylistic experiments in that band will probably appreciate what Von Till has done as a solo artist. His raspy vocals often sound like they’re harboring haunted memories and a flood of emotion that he has released in focused, cathartic bursts. His most recent albums No Wilderness Deep Enough (2020) and A Deep Voiceless Wilderness showcase the songwriter’s ear for organic song structure like his instrumentation is a direct reflection of the moods and feelings as weather patterns that swirl around you when you take a long period to reflect deeply on life and the often hidden wells of emotions you neglect as you spiral through life in a cultural hellscape that does little to nurture our humanity. Alison Chesley as Helen Money has contributed imaginative and evocative cello work for the likes of Bob Mould, Mono, Russian Circles, Broken Social Scene, Chris Connelly and Thalia Zedek. But her own arresting compositions have a stark yet maximalist beauty. With her cello, a spare chain of effects and a looping pedal, Chesley creates an orchestra of one that is both surprisingly heavy and elegantly ethereal, imbued with the compositional architecture of classical music. Her most recent album Atomic (Thrill Jockey, 2020) likely didn’t get the proper presentation as Von Till’s own most recent records didn’t and the sets of both artists seem like the perfect complement to each other’s.

Helen Money, photo by Natalie Escobedo
French Police, photo from Bandcamp

Wednesday | 07.20
What: French Police w/Wisteria and Julian St. Nightmare
When: 7 p.m.
Where: Hi-Dive
Why: French Police from Chicago have a brooding and delicate, darkly melodic sound like they dug deep into Italian and Russian post-punk of the 80s and wrote a set of songs in a cold apartment and had to do so through headphones so as not to get a noise complaint from a neighbor. That’s probably not how the music came about but it has that intimate and mildly claustrophobic quality that is also part of its downtempo charm. Wisteria from Los Angeles seems to have come out of a similar process of crafting the darkwave equivalent of bedroom pop with a thin synth sound that is somehow also evocative in a tender way that is a bit like one imagines what would have happened had New Order had to construct its music given similar limitations on writing the music. Julian St. Nightmare is a great example of when people discover an eclectic musical palette at a young age and find a way to integrate it all into a coherent and vibrant sound so you hear in its songs the influence of surf rock, Molchat Doma and The Cure—all performed with a for now self-effacing confidence and charm.

CXCXCX in May 2022, photo by Tom Murphy

Friday | 07.22
What: CXCXCX w/Occidental, Perdi La Luz, K129, Organ and DJ Precious Blood
When: 8 p.m.
Where: Hi-Dive
Why: This is a Plains Archaic showcase featuring artists affiliated with the Denver-based experimental music label. CXCXCX seamlessly blends noise, techno and power electronics for a sound like dance music for a crumbling civilization. Occidental was once and may still be affiliated with the electronic music collective Deep Club that used to hold some of the most interesting and well curated underground techno and deep house and other forward thinking electronic music events in Denver for a few years. His own sound is more like a fusion of deep house and trance. Perdi La Luz is reminiscent of the kind of fluid and psychedelic techno one heard on some edges of what Underworld and Future Sound of London were doing in the late 90s. K129 plugs some well processed organic percussive sounds into a beat heavy techno mix. Organ is a collaboration between glitch techno noise artist Cremedelacrvvp and industrial glitchcore ambient artist Kid Mask. DJ Precious Blood recently did a solid post-punk set at a Kill You Club event for the Haunt You show but for this event we may hear some deep recent techno and IDM cuts.

Vinny Golia, photo from Bandcamp

Friday | 07.22
What: Vinny Golia w/SeFaLoCo
When: 7 p.m.
Where: Atlas Theater (709 16th St. Greeley)
Why: Vinny Golia is a prolific and respected multi-instrumentalist and composer whose career has fused world music, modern classical music and avant-garde jazz. A specialist in woodwinds Golia’s work has been featured in performance with the likes of Anthony Braxton, John Zorn, Patti Smith, Eugene Chadbourne, Lydia Lunch and the Los Angeles Philharmonic Orchestra. He has led ensembles as small as the trio that will perform a series of three shows in eastern Colorado (this date in Greeley and others listed below) to the 50-piece Vinny Golia Large Ensemble. His music in both the small and larger format are vehicles for his imaginative musicianship with musical ideas that span more broadly and deeply than most musicians will ever attempt. Even in his 70s Golia has been an innovator in the use of texture and atmosphere and his 2020 album Music for Gongs, Singing Bowls and other Metallaphones is like the lost soundtrack for an elevated horror masterpiece (there’s even a song called “King of the Spanish Horror Movies”) while also sounding like a nod to Alex North’s score for 2001: A Space Odyssey and Penderecki. Not many free jazz masters of Golia’s stature roll through Colorado and this series of intimate shows might be a good time to catch him live.

Polly Urethane in May 2022, photo by Tom Murphy

Saturday | 07.23
What: Multidim Records Presents Listening Lawn II: DJ Ilind, Polly Urethane, Deb the Demo, Luke Leavitt, H-Lite and Entrancer
When: 5-8 p.m.
Where: Carpio Sanguinette Park
Why: Multidim has been releasing some of the most forward thinking electronic music of the past few years and this showcase held at the Carpio Sanguinette Park includes a DJ set from avant-garde noise and techo artist Isaac Linder as Ilind, a purportedly more mellow performance from Polly Urethane whose recent live sets have been a bravura display of the blending of contemporary classical, industrial noise and the avant-garde, Deb the Demo’s tracks capture the mood of the modern media environment with both playful and urgent pieces of techno house that really push the brain beyond preconceptions of the genre and the methods of emotional expression, Luke Leavitt is always doing something different and even though many may know him for the expanded Afrobeat No Wave of his time as Cop Circles there will be a conceptual aspect to his performance with an intentional discipline behind the making of sounds, H-Lite has made some bright and upbeat electronic downtempo glitchcore bangers but his own sonic palette is also so broad and imaginative he’ll bring surprises too and of course Entrancer has been steadily refining and expanding his own craft of techno utilizing analog synths and a visionary challenging of where he’s already been as an artist.

Dust City Opera, photo by Gracie Meier

Saturday | 07.23
What: Dust City Opera
When: 9 p.m.
Where: Broadway Roxy
Why: Albuquerque’s Dust City Opera recently released its latest album Alien Summer and perhaps fortuitously making a stop during an unusual summer in Denver and elsewhere with heat waves and social turmoil brewing. So the band’s theatrical performance of songs that sound like a colorful manifestation of years spent taking in campy science fiction and horror cinema and taking away from it all the inspiration to craft songs that don’t fit neatly into a trendy genre. The songs on the album is like a collection of poignant and poetic stories of human life even when the setting is a zombie apocalypse or an encounter with aliens. The pure amalgamation of chamber pop, indie folk and a hard rock edge in the guitar convey a cinematic feel that draws you in for the duration. Intimate and epic the miniature grunge and indiepop orchestra of Dust City Opera is something unique in an era of too much bland imitation.

Saturday | 07.23
What: Vinny Golia w/SeFaLoCo
When: 7 p.m.
Where: Muse Performance Space (Lafayette)
Why: See above for more on Vinny Golia.

Sunday | 07.24
What: Vinny Golia Trio
When: 2 p.m.
Where: Art Lab (Fort Collins)
Why: See above for more on Vinny Golia.

Goo Goo Dolls, photo by Claire Marie Vogel

Wednesday | 07.27
What: Goo Goo Dolls w/Blue October
Where: Red Rocks
Why: Goo Goo Dolls became a bit of a household name in the 90s due to hit songs like “Name” (1995) and of course “Iris” (1998). But the band originally from Buffalo, New York garnered a bit of a cult following during its early punk and then more power pop years for its potent blend of tunefulness, grit and raw emotional honesty. The group lead by singers John Rzeznik and Robby Takac has made a career of writing evocative songs about relationships, life and finding essential meanings in all of it so that even its ballads, love them or not, are not generally trite or without insightful commentary. The group’s latest album Chaos in Bloom, the first produced by Rzeznik, is definitely more in the realm of modern pop but if you watch the video for “Yeah, I Like You” you can hear more than a touch of that early punk rock verve and sharply observed social and personal commentary that sets it apart from a lot modern pop rock with undeniable instrumental hooks to pair with energetic vocal harmonies. But if you go it seems like there’s a better than average chance the Goo Goo Dolls will dip into its back catalog and not just the biggest hits.

Roselit Bone, photo from roselitbone.com

Wednesday | 07.27
What: Roselit Bone w/Snakes and No Gossip In Braille
When: 8 p.m.
Where: Hi-Dive
Why: Portland, Oregon-based Roselit Bone fronted by trans singer Charlotte McCaslin is somehow a rockabilly band, dark Americana, Mexican ranchera and whatever one might call the likes of Gun Club, The Blasters and Lone Justice. It’s a really different take on genre bending so that it can seem like some countrified folk but with the intensity of punk without the sonic trappings. Its most recent album Crisis Actor is a little more gentle in tenor but not in attitude and its songs of daily struggle and working class politics are poignant and powerful. Snakes similarly has the kind of frayed musical roots that bring together a variety of musical instincts in forming its own dark Americana informed by nuanced thinking on the ways one has conversations with oneself in an ongoing process of sorting out the oftentimes perverse misfortunes and charmed moments in life. It’s lively music but more philosophical than expected from music that has a similar flavor. No Gossip in Braille is decidedly not Americana but its ethereal post-punk comes from a similar emotional place in exploring and making meaning of experiences that hit us as vital whatever their essential and specific impact on our lives.

Black Star, photo from talibkweli.com

Thursday | 07.28
What: Black Star w/Dead Prez, Pharoahe Monch and TH1RT3EN
When: 7 p.m.
Where: Mission Ballroom
Why: Yasin Bey and Talib Kweli were already stars of hip-hop in their own right when they formed Black Star in 1997 named after a shipping company founded by Pan-Africanist political activist Marcus Garvey. The project’s debut album Mos Def & Talib Kweli Are Black Star (1998) was pretty much an instant classic with thoughtful explorations of black culture with beats more in line with late-80s and early 90s hip-hop with a creative and vivid use of jazz and funk samples as well as more unique sounds that framed the powerful lyrics well in establishing a mood with cinematic resonance. Afterward the duo released a single here and there while focusing on other musical and creative endeavors. But in 2022 Black Star released its most recent record No Fear of Time. The almost existentialist bent of the lyrics remained but seemingly more direct and with music more stark yet no less imaginative and immersive. Black Star has toured in the last 25 years but not often and somehow its music seems even more relevant in subject matter today.

Thursday | 07.28
What: Lost Network, Blackcell and DJ Mudwulf
When: 9 p.m.
Where: Mercury Café
Why: Lost Network might be considered an industrial rock band but more on the industrial side and plenty of its output is more in the realm of darkly ambient soundscapes. Though its guitar sound is more cutting and its sound often more jagged, fans of The Tea Party may find what this veteran band out of the Denver scene has been doing for years. Also on the bill is long-running, legendary EBM band Blackcell whose sharp social commentary and personal songwriting blurs the line between ambient music and classic EBM the first wave of which it emerged out of the tail end. Of course DJ Mudwulf will bring a set of songs that are well curated and also not 100% predictable. A lot of music out of the Goth-industrial world can be corny but that won’t be on display at this show.

TRAITRS, photo from Bandcamp

Saturday | 07.30
What: TRAITRS w/Radio Scarlet and Wingtips and DJ Luci Ghost
When: 8 p.m.
Where: Mercury Café
Why: Canadian post-punk band TRAITRS on its 2021 album Horses in the Abattoir separated itself from many bands out of that vein of music with creative vocals that don’t sound like a cut-rate imitation of any obvious influences. And its synth work and songwriting has an orchestral aesthetic that establishes a truly enveloping and haunting sound that isn’t driven by the wheedly guitar sound that is the hallmark of too much darkwave now. TRAITRS’ sound is rich and expansive and though melancholic isn’t a downer. Chicago’s Wingtips is more electronic and one hears in its music including 2021’s excellent Cutting Room Floor a touch of influence from Vince Clarke-period Depeche Mode. Its moody songs have strong dance beats and the vocals widely expressive also distinguishing the group from some of its peers that intentionally sing in ways murky and obscure. There is something effusive in Wingtips’ songs that are immediately striking. Radio Scalet is a death rock band from Denver. The title of its 2017 album Too Goth for Punk, Too Punk for Goth sums up its aesthetic well and sure these people look the part but there is a joyful element to its performances that prevents it from slipping into the wrong end of dour. DJ Luci Ghost is a long time DJ in the local Goth-industrial scene but fortunately for anyone that is around for one of her sets her taste is much more eclectic and expansive beyond narrow conceptions of expected music.

Best Shows in Denver April 2022

IDLES, photo courtesy the artists
Baroness, photo courtesy the artists

What: Baroness
When: 7 p.m.
Where: Globe Hall
Why: Savannah, Georgia’s Baroness never got to tour behind its 2019 album Gold & Grey for the reasons most bands didn’t do a lot of touring in 2020 and a good chunk of 2021. But now the group with new guitarist Gina Gleason will get a chance to perform older favorites as well as material from the aforementioned album showcasing a seemingly different approach to songwriting different from the brash, bombastic and playful style of previous records. John Baizley’s vocals still soar with great expressive control but the music seems more tied in with the rhythms and beautiful minor chord progressions so that when the songs engage into expansive choruses they always seem to resolve in ways that feel like the group decided to push themselves to say something different and worthwhile with each song. It’s frankly their best album and it would be simply lazy and clumsy to merely refer to this era of Baroness as sludge metal.

Friday | 04.01
What: Brandon Wald (owner of Black Ring Ritual Records out of ND), Viator, Many Blessings, Maltreatment, Tripp Nasty and MPW
When: 7:30 p.m.
Where: Mutiny Information Café
Why: There aren’t too many noise shows or places to see noise in Denver these days meaning a form of music/sound art is hard to come by in the live setting where it is best experienced. But this show will include local stars like Many Blessings aka Ethan McCarthy of Primitive Man doing his harsh industrial noise project and Tripp Nasty whose body of work is so diverse and broad that some of it is in the realm of noise so who knows how that will manifest for this show so just best to go if you’re so inclined. Brandon Wald runs Black Ring Ritual Records, home to some of the more prime noise records and tapes of the last several years and his own noise is part power electronics, abstract industrial, harsh ambient and musique concrète.

Friday | 04.01
What: The Blue Rider w/Cleaner and Wes Watkins
When: 8 p.m.
Where: Hi-Dive
Why: Psychedelic garage rock band The Blue Rider hasn’t been playing much in recent years since Mark Shusterman has been busy playing in Nathaniel Rateliff and the Night Sweats. So catch the always surprisingly powerful and brain expanding show with Wes Watkins who has been involved in a variety of projects over the years like Wheel Chair Sports Camp and the aforementioned Night Sweats. But his own music betwixt jazz, R&B and funk is worthwhile in its own right.

Friday and Saturday | 04.01 and 04.02
What: The Goddamn Gallows & Scott H. Biram w/JD Pinkus
When: 8 p.m. both nights
Where: Larimer Lounge (04.01) and Swing Station (Laporte, CO on 04.02)
Why: The Goddamn Gallows sound like something you’d get if you mixed a scuzzy punk band, some murder ballad honky tonk and Black Sabbath. Scott H. Biram plays solo and while many men of his ethnic persuasion have abused the blues and country in ways largely boring and unforgiveable, Biram’s songwriting is so strong, diverse and sincere yet poetic he’ll make you forget those other guys that served as a blight in blues clubs for decades. JD Pinkus is indeed the bass player of Butthole Surfers and member of Honky. But this tour showcases his fragmented, haunted psychedelic country material. His 2021 album Fungus Shui is the peak of that aesthetic as crafted by Pinkus thus far.

Monday | 04.04
What: Spiritualized
When: 7 p.m.
Where: Ogden Theatre
Why: With the 2022 album Everything Was Beautiful expected out on April 22, 2022, Jason Pierce finds yet another way to blend freaky, spooky yet warmly engaging folk with space rock in ways transporting and transcendent. The roller coaster dynamic of late 90s music has long since given way to lush orchestral builds that flow in unpredictable yet satisfying directions so that listening to the album gets your brain to go down a different path than previous records from Pierce. With any luck the live show will reflect this bright aspects of this album without losing the dark cool that has made the songwriter’s material so fascinating since his early days with Spacemen 3.

SASAMI, photo by Alice Baxley

Tuesday | 04.05
What: SASAMI w/Jigsaw Youth
When: 7 p.m.
Where: Larimer Lounge
Why: Squeeze, the 2022 album from SASAMI, is definitely a departure from the songwriter’s 2019 self-titled debut. Whereas there was a deeply chill energy to the downtempo aspect of that album, there is a more distorted and visceral quality to Squeeze that seems like a mirror image of the wonderfully ethereal quality of that first record. This might seem like too wide a stylistic swing, Sasami Ashworth has had a very eclectic career playing in Cherry Glazerr and contributing to albums by artists as widely different as Vagabon and Wild Nothing. Ashworth explores metallic sounds and much more aggressive song dynamics this time around while pushing the boundaries of her knack for pop songcraft with songs that sound sometimes metal, sometimes industrial, sometimes grunge and all made accessible. Fans of the broad spectrum of St. Vincent’s catalog would appreciate what SASAMI has been doing the past few years and beyond.

girl in red, photo by Jonathan Kise

Tuesday | 04.05
What: girl in red w/Holly Humberstone
When: 7 p.m.
Where: Gothic Theatre
Why: girl in red is the performance moniker of Marie Ulven Ringheim whose guitar pop has garnered critical acclaim beyond her home country of Norway. Her 2021 debut album if i could make it go quiet found the songwriter expanding beyond the bedroom pop compositions and recordings that brought her to prominence and it charts her struggles with the various ways in which one’s mind can sabotage your life. In addressing these personal demons in such a direct, honest and relatable way with such luminously warm melodies Ringheim doesn’t insult herself or the listener by suggesting something as trite as it’s all going to work out. Her depictions of the head spaces in which you can get stuck seem so vivid and immediate that they seem like something you can overcome or at least survive and dare to want more for yourself and reach for it than you seem to think is possible when you’re in the depths of your own personal hell.

Tuesday | 04.05
What: Hiatus Kaiyote
When: 7 p.m.
Where: Ogden Theatre
Why: Melbourne, Australia’s Hiatus Kaiyote is refreshingly difficult to pin down without sounding like they’re trying too many things. Their unique style of soul and R&B is so idiosyncratic it sounds like the kind of band J. Dilla would have wanted to have started or at least produced because the avant-garde jazz flourishes in the songwriting almost sound like well-produced samples. Its 2021 album Mood Valient is the group’s most coherent offering to date and its organic and evolving rhythms so fresh and unusual it sounds like an improv session developed until the rhythms are tight but never stale.

Baby Tate, photo by Scrill Davis

Wednesday | 04.06
What: Charli XCX w/Baby Tate
When: 06:30 p.m.
Where: Ogden Theatre
Why: This show should probably be at a bigger venue but hey you get a chance to see Baby Tate before word gets out that her sex positive songs aren’t all production in the studio and in music videos. Sure, her mom is Dionne Farris who hopefully most people remember from her time in Arrested Development before branching out into a popular music career under her own name. But Baby Tate’s confidence isn’t just swagger, regardless of subject matter and word choice there is a deft and creative wordplay that syncs her words with the always imaginative beats with a fine ear for the use of bass that one doesn’t hear in enough hip-hop these days. Fans of Kari Faux should probably give Baby Tate a listen. And of course headlining is Charli XCX who is touring in support of her 2022 album Crash. Whether the record is the end of a chapter in the pop star’s career or hinting at a more experimental future direction, the singer sounds as confident as ever and the eclectic influences are on display so that beyond the typically strong vocals the driving bass of post-punk and the expert electronic dance music production allows for all elements to flow freely together in a way divergent from the hyperpop aesthetic of earlier offerings. Of all the pop songwriters in the mainstream, Charli XCX has long been one of the more consistently inventive and fascinating whose lyrics also hit as poignant and poetic.

Thursday | 04.07
What: CELE Presents: Chihei Hatakeyama w/Carl Ritger and Wind Tide
When: 7-11 p.m.
Where: 860 Vallejo St. (Denver)
Why: Chihei Katakeyama is an ambient/experimental electronic/drone artist from Tokyo, Japan whose work has found a home on Kranky but lately largely out of his own White Paddy Mountain imprint which showcases other artists that operate in similar realms of composition and sound design. Carl Ritger has been producing prepared environmental sound experiences under his own name and as Radere and a fixture of Denver’s ambient music scene for more than a decade. Wind Tide is presumably the musique concrète/ambient artist from Littlefield, Texas whose use of field recordings and processed noise captures the essence of the background sounds of civilization that often go ignored unless brought explicitly to your attention though not often as creatively as Wind Tide has done in an extensive Bandcamp catalog.

Jawbreaker, photo by John Dunne

Thursday and Friday | 04.07 and 04.08
What: Jawbreaker w/Descendents, Face To Face and Samiam
When: 6 p.m.
Where: Fillmore Auditorium
Why: Between 1986 and its break-up in 1996, Jawbreaker helped to shape the aesthetics and sound of what became pop punk and emo during that time and going forward. With albums like 1994’s influential 24 Hour Revenge Therapy and Dear You from 1995, which the group celebrates with this tour, Jawbreaker brought an existential self-examination to the lyrics and a creativity to the dynamics and textures of its songs that transcended the genres it helped to define. The trio has been back together since 2017 with a documentary about the band Don’t Break Down: A Film About Jawbreaker releasing that same year. Listening back to its old albums the fingerprints of that music is clearly evident on a large swath of punk-oriented music of the past 25 years. Also on this bill are pioneering pop punk band The Descendents whose own anthemic songs likely proved an inspiration for Jawbreaker and both Face to Face and Samiam also sharing the stage this night.

Sarah Shook & The Disamers, photo by Harvey Robinson

Saturday | 04.09
What: Sarah Shook & The Disarmers w/Lillian
When: 8 p.m.
Where: Hi-Dive
Why: Sarah Shook could have had a perfectly fine and successful career sticking to the modern country sound of their excellent first two records Sidelong and Years. Shook’s expressive vocals and finely crafted songs have always been informed by a thoughtful sensitivity with some grit underlying the delivery. The new album, 2022’s Nightroamer, produced by Dwight Yoakam collaborator Peter Anderson, has touches of effects on Shook’s voice which might strike some longtime fans as odd but overall those sonic details and a more expansive quality to the sound in general on the album feels like it opened up the singer’s songwriting a bit and lends it a quality that sounds more full and the musical equivalent of a color photo versus a black and white. Both have their appeal but more hues in emotion are emphasized. Lillian is a Denver-based singer-songwriter whose luminous songs in an Americana vein are difficult to pigeonhole. Her new album Chasing Shadows will be released at a show at The Skylark Lounge Bobcat Club on April 21.

Hex Cassette at Hi-Dive 2021, photo by Tom Murphy

Saturday | 04.09
What: Lose Your Head II: Ponce (Swampy Erotic Punk Blues), Julian St. Nightmare (Goth Rock), Ray Diess (Goth Pop), Savant Tarde (Post Wave), Hex Cassette (SynthGoth For Satan), Painted City (Synth Pop)
When: 6:30 p.m.
Where: Jester’s Palace
Why: Lose Your Head is an event that highlights some of Denver’s better underground bands in a more dawkwave, post-punk and experimental pop vein. The genres listed above in parentheses work as a vague idea of what you’re in for. Julian St. Nightmare are a visceral yet atmospheric post-punk band. Hex Cassette is industrial darkwave pop with a confrontational and wildly energetic live show. Painted City is for sure synth pop but in that art rock sense one might have seen more in the early 80s but with a sensibility that speaks to having coming up post-Radiohead. Ray Diess is definitely “Goth Pop” but also with a theatrical live show that fans of classic EBM will appreciate.

Saturday | 04.09
What: Abandons, Brother Saturn, Equine and Denizens of the Deep
When: 7 p.m.
Where: Seventh Circle Music Collective
Why: Brother Saturn will celebrate the release of his latest album Dreams of Sand at this show. As per usual, ethereal soundscapes that are both subtle and transporting and fans of the Hearts of Space program will find a lot to like with his material in general. Abandons is a heavier post-rock band. Denizens of the Deep also produces ambient/noise/modern classical music in a variety of modes but the latest album End Times is a good deal of distorted synth drone over mournful, melancholic compositions and moody piano. Equine is avant-garde prog informed by modal jazz and cosmic mathematics.

Saturday | 04.09
What: Fern Roberts, Vampire Squids From Hell and Mossgatherers
When: 8-11 p.m.
Where: Enigma Bazaar
Why: Fern Roberts is a band that isn’t easy to classify and its latest album I’ll Do It Again Tomorrow occupies a musical space between late 80s Talk Talk, Animal Collective and Beach Fossils. Vampire Squids From Hell are an instrumental, psychedelic surf rock band.

Melvins, photo by Bob Hannam

Sunday | 04.10
What: Ministry w/Melvins and Corrosion of Conformity
When: 6 p.m.
Where: Mission Ballroom
Why: For this tour Ministry is mainly tapping into its songs from Psalm 69 and earlier and even playing”Supernaut” which leader Al Jourgensen covered for an EP by his side project 1000 Homo DJs. So maybe some other early material is in store for the rest of the tour as well. Corrosion of Conformity wasn’t explicitly a crossover band but one whose hardcore bridged the worlds of punk and thrash almost from the beginning. And of course Melvins are always a reliably entertaining live act that has pushed its own envelope since its early days in the 80s when it inspired a great swath of the grunge scene including guitarist/vocalist Buzz Osbourne teaching Kurt Cobain to play guitar and drummer Dale Crover having been a member of Nirvana for a time in the early days. The trio’s impact on modern rock music is often underrated but indelible. In 2021 Melvins released two albums, Working with God, a record more in line with its always compelling noise rock, and Five Legged Dog, an acoustic album. You never have to worry about a rote Melvins show so get there early and see one of the truly great bands of the last 40 years in a place that sounds as great as Mission Ballroom.

Girl Talk, photo by Joey Kennedy

Monday | 04.11
What: Girl Talk w/Hugh Augustine
When: 7 p.m.
Where: Ogden Theatre
Why: Gregg Gillis as Girl Talk took the mashup to new levels in the 2000s as a DJ who, inspired by 90s IDM, alternative artists and noise, created surprisingly unique blends of sounds, rhythms and musical concepts. In 2022 Girl Talk released a collaborative album with Wiz Khalifa, Big K.R.I.T. And Smoke DZA called Full Court Press in which Gillis was able to use his production expertise to weave together the contributions of three hip-hop artists not short on personality and idiosyncratic styles. The album represents Gillis’ first full record since 2010’s All Day but also one of the higher points of an already interesting and genre bending career.

Bootblacks, photo by Katrin Albert Photography

Tuesday | 04.12
What: Bootblacks w/Plague Garden and DJ Kilgore
When: 7 p.m.
Where: HQ
Why: Bootblacks started in New York City in 2010 around the early stage of the current wave of darkwave and post-punk. Its intricate rhythms and brooding atmospherics sync well with what feels like a visceral intensity, especially live, that brings an urgency and forcefulness to the music that is missing from the music of some later bands tapping into similar sources of inspiration. Bootblacks didn’t get to tour on its 2020 album Thin Skies for reasons with which we’re all too entirely familiar so this tour will find the band able to give the material its proper presentation. Fans of Chameleons will appreciate Bootblacks dusky take on dreamlike, observational nightlife anthems. Plague Garden is a similarly-minded post-punk band from Denver with roots in punk and EBM.

Anton Newcombe of Brian Jonestown Massacre, photo by Thomas Girard

Tuesday | 04.12
What: Brian Jonestown Massacre w/Mercury Rev
When: 7 p.m.
Where: Ogden Theatre
Why: Brian Jonestown Massacre and Mercury Rev started around the same time around the beginning of the 90s on opposite sides of the country. But both incorporated elements of folk, psychedelic rock and experimental soundscaping into their respective mix of sounds. BJM became an influential band in the American and international underground with a fiercely DIY spirit that went from making records to touring and promoting its music. Singer Anton Newcombe’s thoughtful and poetic lyrics and ever evolving songwriting injected the expansive and imaginative spirit of late 60s psychedelic rock and art rock into a the zeitgeist of the often anemic late-90s post-alternative rock musical landscape and culture with ample personality and unpredictable live shows, some going sideways, mostly striking a chord with disaffected creative people wherever the band toured. Since that time Newcombe has tried his hand at a variety of musical styles while maintaining a subversive and forward thinking creative vision channeled into prolific output. In late spring we can expect to see the release of the new BJM record Fire Doesn’t Grow On Trees and its the result of Newcombe’s active experiments in composition and production over the past few years in his Berlin studio. Of course live the group is reliably vital. Mercury Rev from upstate New York was started by former Flaming Lips guitarist Jonathan Donohue and with longtime guitarist Grasshopper, Mercury Rev too has been on a creative arc that has taken them to fascinating places from early, warped psychedelia and space rock to the deeply affecting dream pop of breakthrough album Deserter’s Songs (1998) and explorations of personal mythology and the ways our inner lives manifest in how we make sense of the world on every album since. Live, Mercury Rev is transcendent, inspirational and just the thing you need to fill up after a long time being hollowed out by the less fun aspects of life.

Tuesday | 04.12
What: Bill Frisell Trio
When: 6 p.m.
Where: MCA Denver’s Holiday Theater
Why: Bill Frisell is one of the great living jazz guitarists. From Baltimore, Frisell spent many of his formative years in Denver and Colorado as a graduate of East High School. Going to Berklee took him back to the east coast and he was a studio musician for the prestigious jazz label ECM and when he was living in Hoboken, New Jersey he became a fixture in the NYC jazz scene where he came to collaborate with multiple luminaries of the era including John Zorn, going on to become a member of Naked City, the wildly experimental jazz band. By the late 80s Frisell had relocated to Seattle and continued his already noteworthy solo career but also continuing to collaborate with the likes of Ryuichi Sakamoto and on film and television scores. Frisell maintains his connections to the Denver avant-garde and occasionally plays locally including this rare chance to see his trio at the MCA Denver’s Holiday Theater.

The Velveteers, photo by David Mermilliod

Friday | 04.15
What: The Velveteers w/Dry Ice and Rose Variety
When: 7 p.m.
Where: Fox Theatre
Why: The Velveteers released its most recent album Nightmare Daydream in 2021 and demonstrated a great leap forward in terms of songwriting for anyone that hadn’t been keeping up with the band in its live performances. Produced by Dan Auerbach of Black Keys fame, Nightmare Daydream is a blues rock record informed by imaginative songwriting with lyrics that reveal an astute assessment of relationships, the social scene around the world of music and the nuances of human psychology but channeled into bombastic songs that in the live setting have proven to be forceful and captivating. Anyone that saw the Gothic Theatre album release show got to witness a band in full command of its powers with a fiery performance that felt like you were getting to see a famous rock band on the verge of reaching a far wider audience. With upcoming dates with Rival Sons and Greta Van Fleet it’s likely the trio’s star will be rising so catch The Velveteers for a hometown show at The Fox Theatre before it breaks through to a mainstream audience.

Friday | 04.15
What: Mogwai w/Nina Nastasia
When: 7:30 p.m.
Where: Gothic Theatre
Why: Scottish post-rock band Mogwai has consistently delivered cinematic guitar music across the breadth of its career going back nearly three decades. But even at that its 2021 album As the Love Continues comes as a bit of a surprise as it includes even more evocative vocals in no way buried in the mix as well as those more processed and a finely nuanced soundscaping with electronic elements and rock instrumentation working in perfect sync to at times remind one of a Wendy Carlos composition (i.e. “Fuck Off Money”). There are no mediocre Mogwai albums but it is one that goes to wider vistas musical vistas than to which the band has traveled in some time.

Saturday | 04.16
What: Actors w/Scifidelic, Weathered Statues and DJ Sin
When: 7 p.m.
Where: HQ
Why: Canadian post-punk band Actors have been crafting New Wave-inflected darkwave for around a decade now and its 2021 album Acts of Worship sounds like a dance club soundtrack from a forgotten, 1980’s transcendental science fiction movie. Like maybe if the club Tech Noir from The Terminator got its own movie after being re-opened in 2020. The album’s echoing guitar riffs, melodically brooding vocals, hazy synth lines accented with crystalline tones are reminiscent of early 80s Human League had the league fully incorporated guitars and taken some inspiration from Fad Gadget. And the warping, upbeat, melancholic melodies of songs like “Killing Time (Is Over)” is thoroughly captivating with its unconventional dynamics like something you’d hear on an early Brian Eno “solo” album.

Saturday | 04.16
What: Calm./Time w/Wilt to Live and Lucy Freedom at Mutiny Information Café 8 p.m.
When: 7 p.m.
Where: HQ
Why: Calm./Time is one of the great hip-hop projects of Denver music with sharp, political lyrics infused with an incisive and playful sense of humor. With some of the most creative beats steeped in not only classic alternative hip-hop but experimental music and art pop, Calm. (comprised of rapper Time and producer Awareness) always seems to make high concept social commentary accessible and engaging.

Saturday | 04.16
What: Pile (Rick Maguire solo)
When: 7 p.m.
Where: Seventh Circle Music Collective
Why: From the Facebook event page because I can’t do better: “While the band is known for its dynamic and bombastic live performances, Maguire recontextualizes the material by performing on his own, something he has continued to do throughout the project’s history. 2021 saw documentation of this aspect of Pile in Songs Known Together, Alone, a solo re-imagining of 15 songs across Pile’s catalog.”

Snail Mail, photo by Tina Tyrell

Sunday | 04.17
What: Snail Mail w/Joy Again
When: 7 p.m.
Where: Ogden Theatre
Why: Lindsey Jordan seems to have packed more than a lifetime of heartbreak and pain into her 2021 Snail Mail album Valentine. The title track alone so vividly captures what it feels like to be in the worst throes of a bad breakup and is kind of an inverted Valentine expressing feelings of love and affection that have no direction because of the split and how that can churn inside you leaving you in agonized confusion. Which is a tricky feeling to get across. “Ben Franklin” is apparently about Jordan’s time in a rehab facility, a place for which there all sorts of reasons to end up in for a time, and in the music video for the song she moves about with an energetic playfulness the way many people do with words and actions until they’re ready to have the breakthroughs that are necessary to move on. But the whole record is a brilliantly poetic pop exploration of the various phases of being in some of life’s lowest places set to lush arrangements and inventive guitar compositions that are reminiscent of the more interesting late 90s emo bands that blurred genre lines like Rainer Maria and Milemarker except that Jordan’s sounds reflect the gentleness better suited to expressing wounded feelings and lingering hurt. And yet there is a sense that these songs helped Jordan to crawl through the most vivid memories of their inspirations.

Sunday | 04.17
What: Radolescents w/The Haji, Noogy and Egoista – canceled
When: 7 p.m.
Where: HQ
Why: Radolescents is Rikk Agnew and Casey Royer of the Adolescents along with original Adolescents guitarist Frank Agnew’s son Frank Agnew Jr on vocals, Dan O’Donovan on guitar and Dan Colburn on bass performing the Adolescents’ 1981 self-titled record aka The Blue Album in its entirety. Rikk Agnew has been responsible for some of the most inventive and memorable guitar tones out of punk rock including his performance on the 1982 deathrock classic Only Theatre of Pain while a member of Christian Death. Live performance video out there for this lineup has been pretty solid so here’s a chance to see one of the most iconic bands out of punk of the last 40+ years.

Sunday | 04.17
What: mssv aka Main Steam Stop Valve (Mike Bagg, Stephen Hodges and Mike Watt)
When: 9 p.m.
Where: Lion’s Lair
Why: mssv has quite a pedigree including obvious master bass player Mike Watt of Minutemen, fIREHOSE and Stooges fame but also Stephen Hodges who played drums on Tom Waits records like Swordfishtrombones, Rain Dogs and Mule Variations. He also played on various soundtracks including those for Until the end of the World and Twin Peaks: Fire Walk With Me. No big deal. But with Mike Bagg whose own performance resume is respective for his work with distinguished jazz artists and avant-garde musicians like Nels Cline. Together they make what might be described as a mutant type of free jazz and surf rock.

Monday | 04.18
What: Sleep w/Superwolves (Matthew Sweeney and Bonnie Prince Billy)
When: 7 p.m.
Where: Mission Ballroom
Why: The right people are going to appreciate this strange folk and blues band Superwolves comprised of Bonnie “Prince” Billy and Chavez guitarist/singer Matthew Sweeney opening for psychedelic sludgerocks’s heaviest of the heavy, Sleep. Some people are going to be so put off and angry that will be amusing on its own. Too bad for those people though because two great bands on one bill with this stylistic swing should happen more often. Will Oldham (Bonnie “Prince” Billy) has influenced a generation of musician though his various bands over the years and his solo records as well for inventive and intricate guitar work and heartfelt, tender, poetic and witty lyrics and Sleep has perhaps more than any other single band outside of Black Sabbath spawned the doom metal genre as we know it but few have equaled their sonic grandeur and imaginative songwriting.

Mondo Cozmo, photo by Travis Shinn

Monday and Tuesday | 04.18 and 04.19
What: The Airborne Toxic Event w/Mondo CozmoRescheduled, date TBD
When: 7 p.m.
Where: Ogden Theatre
Why: Joshua Ostrander aka Mondo Cozmo made a name for himself as the frontman for Laguardia in the the first half of the 2000s and then for a decade as the lead singer for Eastern Conference Champions. But since 2015 he has been recording and performing under the Mondo Cozmo moniker and crafting heartfelt and genre eclectic music. His new album, 2022’s This Is For The Barbarians takes Ostrander deep into his roots in rebellious folk artists like Bob Dylan and his more experimental electronic interests at the same time. The album is like a Radiohead album but more informed by folk and more overtly pop but with the appropriately rough around the edges quality to suit the times that surrounded the process of writing the songs with Ostrander commenting on the highs and very low depths of the world in the past half decade and his insight into personal psychology and the American zeitgeist is as cathartic as it is inspirational. And yes, opening for Toxic Airborne Event whose own long career of luminously gritty alternative rock has garnered a bit of a cult following. Its 2020 album Hollywood Park, sharing the title with singer Mikel Jollett’s memoir of the same name from the same year, was unsurprisingly as literarily as musically as poignant album as any in the group’s career to date and certainly seemingly its most personal.

IDLES, photo by Tom Ham

Tuesday | 04.19
What: IDLES w/Automatic
When: 7 p.m.
Where: Mission Ballroom
Why: IDLES first came to the attention of a wider international audience with the 2017 release of its debut full length album Brutalism. Its exhilaratingly spirited live shows and the poetic intensity and social consciousness and deep self-examination reflected in the lyrics had an immediately appeal that seemed another high point in the then relatively recent resurgence of punk and post-punk that made that style of music seem relevant and exciting again. The 2018 second album Joy As An Act of Resistance in title alone sounded like a call to action for putting energy and will into the world around you that engages people in a positive and compassionate yet passionate manner. Since then 2020’s Ultra Mono took some knocks by various critics as a creative plateau if not a dip in the exciting potential of the band’s previous work but Crawler (2021) proved IDLES is not out of ideas and certainly not out of the incredible energy that is clearly behind its live performances. When IDLES performed at Larimer Lounge 2018 it was unlike most club shows of late with lead singer Joe Talbot ranging far into the crowd to break down the performer and audience barrier the way the songs often do, like they’re speaking directly from your life. Opener Automatic is a trio from Los Angeles whose own flavor of rhythm-and-synth-driven post-punk is reminiscent of early OMD. Its forthcoming and second album Excess releases on June 24, 2022 with retrofuturist music videos that compliment its aesthetic so well. In commenting on the song “New Beginning” the band references the Swedish science fiction film Aniara which is one of the better neo-dystopian films of recent years.

Tuesday | 04.19
What: Soft Kill w/Alien Boy, Topographies, Candy Apple and Destiny Bond
When: 7:30 p.m.
Where: Hi-Dive
Why: Soft Kill was one of the earliest of the current wave of darkwave/post-punk bands with a decent string of releases with its 2020 album Dead Kids R.I.P. City being its finest and a poignant commentary on the confluence of the growth of Portland, Oregon both organically and through the poisonously mutant manner that the tech industry and other moneyed interests have initiated globally and the ways in which underground music scenes and cultures have been all but washed out of larger and perceivedly hip cities. The music was a little predictable in that obviously influenced by The Cure and The Chameleons way early on but that latest record has some more inventive songwriting and what comes across as a sincere and tender, melancholic observational lament on people lost and a way of life for creative people and others involved in vital subcultures essentially made a thing of the past or at least a shadow of its former self. Alien Boy is also from Portland and its own melancholic blend of punk, emo and atmospheric guitar rock is imbued with its own melancholic spirit inspired by the struggle with the usual everyday stuff that can be a drag if you’re at all sensitive and thoughtful but also with a culture that in too many quarters is hostile to the very existence of certain sectors of society. Candy Apple from Denver perfectly combines spirited hardcore and Hüsker Dü and The Jesus And Mary Chain-esque noise rock. Destiny Bond also from Denver comes from a similar realm of music but one closer to emo but more aggressive in its expression of vulnerability.

Black Map, photo from Bandcamp

Tuesday | 04.19
What: 10 Years w/Black Map and VRSTY
Where: The Oriental Theater
Why: Black Map is a post-hardcore band from San Francisco comprised of members of Far, Dredg and Trophy Fire. Though supporting alternative metal band 10 Years on this tour its 2022 album Melodoria is the kind of melodic heavy music that bends toward emo and definitely in your wheelhouse if you’re a fan of Circa Survive as its not on the screamo or pop punk end of post-hardcore.

Tuesday | 04.19
What: Jon Spencer & The HITmakers w/Quasi
When: 7 p.m.
Where: Globe Hall
Why: Jon Spencer has been giving us gloriously demented and exciting psychedelic blues and garage rock since at least his time in Pussy Galore. But with his new band he collides together all of the stuff you might expect with industrial music production and willingness to introduce non-musical sounds and concepts into the mix. The group’s new album Spencer Gets It Lit is like a retrofuturist science fiction movie as imagined through the lens of an unlikely Suicide and the Cramps team-up and then turned into wonderfully strange and sometimes unsettling songs, which has been Spencer’s modus operandi through various projects for decades. Anything to weird out the squares and honestly the world has been in desperate need for such creative gestures in increasing amounts over the last several years. On the record you can hear the synth and vocal stylings of Sam Coomes of opening band Quasi which is no experimental rock slouch project either with drummer Janet Weiss who in rock and roll right now has to be considered one of the top tier talents. Most people probably know her from her long stint in Sleater-Kinney but anyone lucky enough to have seen her with Quasi or Stephen Malkmus & The Jicks has seen a different facet of her considerable talent.

Letting Up Despite Great Faults, photo courtesy the artists

Wednesday | 04.20
What: Blushing, Letting Up Despite Great Faults, Old Soul Dies Young and Moodlighting
When: 7 p.m.
Where: Lost Lake
Why: This is pretty much the shoegaze or shoegaze adjacent show of the year with Blushing touring in support of its new album Possessions. Its hazy and urgent melodies are enveloping and hypnotic. Letting Up Despite Great Faults also based in Austin weaves in a bit more twee pop stylings into its gorgeous soundscapes. Its own new album, IV, is back to back entrancing material about the more subtle sides of life and daily struggles and in “She Spins” one of the great melodic guitar progressions of the past two decades. Old Soul Dies Young from Denver mixes expansive guitar atmospheres with an almost black metal grit and lo-fi aesthetic seemingly inspired in part by anime and manga, or so its releases on the group’s Bandcamp suggests. Moodlighting like Letting Up Despite Great Faults puts the pop songcraft at the center of its own amalgam of indiepop and dream pop.

Wednesday | 04.20
What: Parquet Courts w/Tim Kinsella and Jenny Pulse
When: 7 p.m.
Where: Ogden Theatre
Why: If you were to name the top ten post-punk bands now that are pushing that form of music forward with creativity and ambitious songwriting while putting out some of the most sharp critiques of modern politics and society, Parquet Courts would be near the top of that list. Its 2021 album Sympathy For Life has an almost mystical album art design and its songs combine the use of mythical storytelling with stories of the folly of human civilization, especially late stage capitalism, and our often flawed ways of coping in the face of a deeply uncertain future.

Waxahatchee, photo by Molly Matalon

Friday | 04.22
What: Waxahatchee w/Madi Diaz
When: 8 p.m.
Where: Ogden Theatre
Why: Katie Crutchfield has been releasing deeply personal and insightful folk pop albums as Waxahatchee since her 2012 solo debut album American Weekend. Crutchfield’s gift for articulating existential uncertainty, personal devastation and yearning has imbued her recorded output with a underlying but always present spirit of compassion for self and others. Her 2021 album Saint Cloud expands her sound palette further with synths and programming serving as a backdrop, a context for songs that speak directly to a world of accelerating sources of anxiety and by grounding her songs in directly relatable experiences rather than contemplative theoreticals. The songs come off like a great country record informed by imaginative songwriting that pairs grit with poetic observations as ingredients in keeping present when so many things drive us to dissociate.

Friday | 04.22
What: Emerald Siam, Weathered Statues and We Are Not a Glum Lot
Where: Enigma Bazaar
Why: Emerald Siam has long been fusing a dark and melancholic sound with a brightness of spirit that rises through the psychological murk that can bog everyone down so easily these days. Its membership includes former members of bands like Twice Wilted, Tarmints, The Bedsit Infamy and Wild Call and its alchemical use of rhythm tied to dynamic rhythms plus frontman Kurt Ottaway’s passionate vocals is hard to beat. Weathered Statues is a post-punk band from Denver whose sound is rooted in the classics of that subgenre but there is something so upbeat and spirited about its sound and performance that associating the music with something gloomy seems inaccurate as its moody atmospherics have an expansive energy. We Are Not A Glum Lot all but suggests it’s going to be a an emo band of some kind and that wouldn’t be too far off the mark as its intricate guitar melodies and wiry rhythms have a leg in 2000s emo but also one in shoegaze and gritty post-punk. Think something like Sunny Day Real Estate mixed with Jawbox and you have some idea of what you’re in for.

Saturday | 04.23
What: Ho99o9 w/N8NOFACE
When: 7 p.m.
Where: The Marquis Theater
Why: Ho99o9 from Newark, NJ have somehow managed to completely fold together industrial music, hip-hop, hyperpop, hardcore and noise for one of the most immediately riveting sounds around. The live show is as visceral and as confrontational as you might imagine but also brimming with a sense of joy at shattering the conventions of established genre music-making.

Mike Campbell & The Dirty Knobs, photo by Chris Phelps

Saturday and Sunday | 04.23 and 04.24
What: Mike Campbell & The Dirty Knobs w/Sammy Brue
When: 7 p.m.
Where: Fox Theatre and Bluebird Theater
Why: Mike Campbell is indeed the influential guitarist who was once a member of Tom Petty & The Heartbreakers and a co-writer of many of the band’s hit songs across decades. This is his new band and they’re touring small venues in support of the band’s lively new album External Combustion. So go expecting an arena rock level show at these small theaters. Less polished than the Heartbreakers, this project from Campbell showcases the musician consistently cutting loose a little more than he has in his long and storied career.

PUP, photo by Jess Baumung

Sunday and Monday | 04.24 and 04.25
What: PUP w/Sheer Mag, Pink Shift
When: 7 p.m. and 6:30 p.m.
Where: Ogden Theatre and Boulder Theater
Why: PUP is one great bands to have emerged out of the 2010s as purveyors of the kind of heartfelt pop punk that seemed to revitalize that style of music and bring to it a healthy sense of self-deprecation and introspection expressed in spirited, anthemic songs that feel less like refurbished angst and more like catharsis in camaraderie. Its new album The Unraveling of PUPTheBand has more than its fair share of tasty hooks but also of lyrics that vividly capture the frustrations of the average person trying to navigate the vicissitudes of life in the modern world seemingly on the brink of some kind of disaster. Sheer Mag is the punk band that sounds like it grew up listening to a ton of AC/DC and Slade but ended up discovering working class punk and decided not to see why those sounds and ideas should be separate. Its 2019 album A Distant Call has the visual aesthetics of a Judas Priest record but lyrics that were a sharp critique of plain old American greed and political corruption and the immediate and deleterious impacts on every aspect of life.

Particle Kid, photo by Randi Malkin Steinberger

Monday | 04.25
What: The Flaming Lips w/Particle Kid
When: 7 p.m.
Where: Mission Ballroom
Why: The Flaming Lips will forever be to some people the scrappy weirdo band from Oklahoma that made strange, psychedelic music with vivid lyrics about life’s challenging and colorful moments before and after a brief flirtation with mainstream popularity in the mid-90s before circumstances within the band and a crisis of creativity sent the group back to the drawing boards. After the parking lot experiments in performance, the perhaps ill-considered yet brilliant Zaireeka released on four CDs meant to be played simultaneously for the full effect of the music and then deep diving into alternative methods of recording with its creative high point then thus far with 1999’s The Soft Bulletin. In the 2000s the band’s star ascended further than most people might have expected with its various stylistic experiments and becoming the kind of band that seemed to be playing every festival and embraced by fans of unusual rock music and jam band types. And then the Lips would put out some of its most daring and deeply introspective and insightful albums like 2013’s The Terror and American Head from 2020. If history seems correct for the Lips, this would be a tour to see. Opening the show is Particle Kid and his eclectic, countrified, psychedelic new record TIME CAPSULE includes collaborations with J Mascis and Willie Nelson. Which sounds like it could be a trainwreck but instead it’s an unusually touching set of contemplative, observational songs on American culture and our trying to make sense of it all. It is somehow both nostalgic and imbued with a paradoxically chill immediacy.

Yumi Zouma, photo by Nick Grennon

Monday | 04.25
What: Yumi Zouma w/Mini Trees
When: 7 p.m.
Where: Bluebird Theater
Why: Yumi Zouma from Christchurch, Canterbury, New Zealand have spent the last eight years or so crafting tender dream pop imbued with a buoyant energy tempered by hazy, introspective tones. It’s 2022 album Present Tense explores the nuances of love and romance in the current period with a poetic sensibility and music that flows with a smoothly cinematic quality lending each song feel like a short film with all the drama of the story coming together poignantly in under four minutes. Jazz-like structures and strings throughout the album renders it like a new take on chamber pop without any of the pretentiousness.

Deftones, photo by Tamar Levine

Monday | 04.25
What: Deftones w/Gojira and VOWWS
When: 6 p.m.
Where: Ball Arena
Why: Deftones are arguably the most influential of the newer style of metal band that came to prominence in the 1990s. The ability of the band to not just tap into a hybrid metal aesthetic but to weave in an always interesting and evolving atmospheric element that has been a part of its songwriting since early on. 2000’s White Pony was like a dream pop album written with the sound palette of a brooding metal group in search of a sound that better expressed the breadth and depth of emotions of its content with the tonal nuance to hit the ears with something more creative and interesting than the usual bludgeoning edginess of much of 90s metal. The combination gave the anger and pain in the album a raw accessibility than it might have had otherwise. The group’s 2020 album Ohms pushed the songwriting further into a more soundscape-y mode that had more in common with the likes of Failure and at times Swervedriver than metal. But that record came out in the middle of the first wave of the pandemic and of course the veteran band didn’t have a way to tour in support of what might be its finest set of songs until this run of shows with support from French death metal band Gojira and prominent darkwave duo VOWWS.

Deserta, image from Bandcamp

Tuesday | 04.26
What: Deserta w/Little Trips and Mon Cher
When: 7 p.m.
Where: Hi-Dive
Why: Deserta is a Los Angeles-based shoegaze band whose songs sound like a more benevolent side of a Nicolas Winding Refn movie. The project’s new album Every Moment, Everything You Need has whispery vocals that fit right in with the languid builds and grainy melodies and insular mood. Its previous album 2020’s Black Aura My Sun was reminiscent of a more summery Slowdive if influenced by bedroom pop and the new record like a modern take on 80s New Wave but with sultry guitar atmospherics that trail off into the middle distance. Little Trips is a lo-fi dream pop outfit from Denver with a knack for subtle synth melodies that integrate well with chill beats and Mon Cher, also from the Mile High City, is a synth and piano-driven dream pop trio whose melancholic spaciousness is refreshingly not in some trendy mold of that style of music broadly speaking.

Tuesday | 04.26
What: Bloody Knives w/Twin Image and Juliet Mission
When: 9 p.m.
Where: Lion’s Lair
Why: Austin’s Bloody Knives sound like what might be called an industrial shoegaze band with fairly strong electronic and electric musical components in its sound and seeming inspiration from 90s experimental electronic pop. Twin Image is the latest project from former Fell frontman and songwriter/multi-instrumentalist Josh Wambeke and this time it’s more like a shoegaze/slowcore hybrid which is roughly the lane in which Fell existed but Twin Image is even more introspective and somehow more brash. Juliet Mission includes former members of alternative rock/shoegaze band Sympathy F and this long-running project truly captures and expresses the dark, moody vibe of Denver from back when downtown at night was both a perilous and magical place, evoking the specific melancholic flavor that is one of the hallmarks of the city no matter how much shine Nü Denver projects try to gloss over the top.

Knocked Loose, photo by Perri Leigh

Wednesday | 04.27
What: Knocked Loose w/Movements, Kublai Khan and Koyo
When: 6 p.m.
Where: Ogden Theatre
Why: While metalcore battered itself into self-parody as a movement sometime in the 2000s its leading lights and adjacent artists of note like Poison the Well, The Dillinger Escape Plan, Converge and others have endured as an influence on hardcore and heavy music for their ability to express a furious kind of outrage through cathartic live performances and having a more imaginative take on that hybrid musical style that can seem monolithic. Since the 2010s metalcore has experienced a kind of renaissance with Knocked Loose from Oldham County, Kentucky being one of the most prominent bands out of that new wave. In 2021 Knocked Loose released its latest EP A Tear In The Fabric of Life with an full animation of the EP by Swedish filmmaker Magnus Jonsson from a story by Knocked Loose frontman Bryan Garris. This time out the band seems to be drawing out its grindcore influence a bit while expanding its dynamic range.

Thursday | 04.28
What: MONO w/Bing & Ruth
When: 7 p.m.
Where: Bluebird Theater
Why: Japanese post-rock band MONO has been quite prolific in its 23 years of existence releasing creatively ambitious, mostly instrumental rock albums that speak more eloquently to emotions and ideas in a nuanced and eloquent way than many standard issue rock bands that spell out what they have to say more explicitly. This has mean the group’s music takes on rendering its meaning beyond specific cultural context. The music is rock but also extends to a modern version of classical music with elegant structure and formal composition tempered by an organic spontaneity. Live this quality translates perhaps most directly.

Vahco Before Horses circa 2018, photo by Tom Murphy

Thursday | 04.28
What: Vahco Before Horses, Polly Urethane, Pearls and Perils, Blank Human, Esu the Illest, Space Pirate, Morpgorp and Joohs Uhp
When: 7 p.m.
Where: Globe Hall
Why: Vahco Before Horses is moving to the Netherlands soon and this is going to be his last show as a resident of Denver. The producer/singer/musician has run a local record label called Glasss and now Glass Melts which focused on more experimental music in the local underground and beyond. Vahco spent some time on both coasts in the music industry at various levels and brought some of that sensibility to his work in music in Denver. His own music is a surprisingly soulful form of electronic pop music with powerful vocals and vivid emotional portraits of life. Also on this bill is experimental downtempo artist Pearls and Perils, the weirdo techno of Blank Human, avant-garde mashup hip-hop hooligans Joohs Uhp, transcendent industrial pop soundscaper Polly Urethane, forward thinking rapper-producer Esu the Illest and others. Though kind of a farewell show to Vahco it’s also a fairly solid showcase of one important branch of left field underground music from the Mile High City.

VR Sex, photo courtesy the artists

Friday | 04.29
What: VR Sex w/Lunacy
When: 8 p.m.
Where: Hi-Dive
Why: VR Sex is the more punk alias of Andrew Clinco of Drab Majesty fame. This project is more gritty in tone, noisier and more brash. Adopting the performance moniker of Noel Skum (an irreverent anagram of Elon Musk which is pretty on point), Clinco’s songwriting for VR Sex is ordered around clashing dynamics that sound like the kinds of songs a futuristic biker gang might listen to when getting up to some crimes aimed at yet another attempt at authoritarian control of all things in an asymmetrical warfare approach to taking down the man. The new record Rough Dimension with its cover clearly a nod to The Blair Witch Project all too poignantly encapsulates in sound the static, urgency and chaos that we face every day but blasting it apart with buzz saw riffs and attitude. Lunacy from Pennsylvania recently released Echo In The Memory is a bracing, ghostly industrial post-punk record that sounds like life after humans per the History Channel series but for real—gorgeously stark soundscapes with firm rhythm lines and washes of ethereally caustic atmospheres.

Big Thief, photo by Alexa Viscius

Friday | 04.29
What: Big Thief w/Kara-Lis Coverdale
When: 8 p.m.
Where: Mission Ballroom
Why: Big Thief became so popular so quickly you might be excused for dismissing it out of hand as a buzz band of the moment. But its particular brand of indie folk rock strikes deep chords, comes off as deeply honest and personal and its use of space expertly rendered so that it feels like Adrianne Lenker is singing directly to you about your own life. Its 2022 album Dragon New Warm Mountain I Believe in You seems so developed and practiced yet also unvarnished and vulnerable. If there is a popular style of indie folk that has been plaguing playlists and the airwaves and watering down the impact of the music, Big Thief here is the opposite of that by embracing what might be considered flaws as simply an essential aspect of our analog humanity and the way we live and exist in a world where not everything is streamlined for easy consumption and the band takes many sonic chances on the record that many artists on a similar level of popularity would not and that makes what Big Thief is doing now seem incredibly refreshing.

Tempers, photo by Julia Khoroshilov

Saturday | 04.30
What: Tempers w/Lesser Care, Julian St. Nightmare and Kill You Club DJs
When: 8 p.m.
Where: Hi-Dive
Why: Tempers from NYC has been developing its dusky darkwave synth pop for the last several years with albums that seem to draw on a hazy 80s post-punk aesthetic for inspiration but also rooted in modern techno. Its 2022 album New Meaning is arguably its most coherent effort yet with songs about coming to terms with living in a time of great uncertainty and needing to create meaning where it might be eroding in meaningful ways in various areas of life and in the world around you. The cover image of the staircase to nowhere that is a part of contemporary creepy pasta culture as manifested so powerfully in Butcher’s Block, the third season of prematurely canceled horror anthology series Channel Zero. As a symbol for the album it works too as an enigmatic image that requires us to imagine where we might make the staircase take us and the peril of not building something beyond the great unknown that seems to be paralyzing the psyches of so many and otherwise sowing insecurity and desperation in a social environment that wasn’t already short on such things.

Saturday | 04.30
What: LEAF w/Negativland and SUE-C
When: 7 p.m.
Where: The Arts Hub
Why: Lafayette Electronic Arts Festvial returns with a set from legendary performance art/avant-garde electronic/sound collage project Negativland and live cinema artist SUE-C collaborating on a performance that comments on the dystopian tech environment that is plaguing so much of life in the 21st century thus far.

Best Shows in Denver February 2022

Dinosaur Jr, photo by Cara Totman

Tuesday | 02.08
What: Everything is Terrible KIDZ KLUB Tour
When: 7 and 10 p.m.
Where: Sie Film Center
Why: Los Angeles-based video collage and and performance collective Everything Is Terrible! Brings its latest live show and presentation of some of the best of the worst video clips found at thrift stores, garage sales, odd ends of video websites and the like to Sie Film Center. This tour is called KIDZ KLUB so surely some of the most demented yet often earnest bits of trash Americana will make its way into the show perhaps themed after some of the surreal and you want to think are manufactured parody but aren’t passages of video made for children and for educational purposes. But who can say and with the costumes and other outright strangeness that comes with an EIT live show it’ll all be maximum weird in a time when normie culture insipidity is the norm and we need stuff this eccentric and inspired as a reminder that accidental creativity can be fun when recontextualized and presented with a spirit of fun and an odd sense of humor and irony.

Wednesday | 02.09
What: Action Bronson & Earl Sweatshirt w/The Alchemist and Boldy James
When: 7 p.m.
Where: Mission Ballroom
Why: Earl Sweatshirt has been one of the most innovative hip-hop artists of recent years mixing a more traditional hip-hop beat making approach with utilizing ideas and sounds well outside the usual spectrum of that style of music making. Some of his albums at times sound more like a noise record than anything you hear much outside the most experimental of underground hip-hop projects. The Alchemist is also one of the cutting edge beat makers of today and his 2021 album with Armand Hammer pushed the art form to new vistas of soundscaping to bolster that duo’s own masterfully creative rapping and production. Action Bronson may not quite be in that league as an innovator but his forcefulness as a rapper and performer is unquestionable.

Spyderland at Down in Denver Fest September 2021

Friday | 02.11
What: Church Fire, Spyderland, Glass Human and Partyteeth
When: 9 p.m.
Where: The Squire Lounge
Why: Church Fire has spent the better part of the past decade honing its vital fusion of darkwave, political punk and electronic dance music and today remains a forceful live act that should probably be known outside of Denver but for now you can still catch them at small stages mostly in and around Denver and the eastern slope of Colorado. Spyderland brings some songwriting heft to its eclectic and inventive pop songs combining Marie Litton’s experience in bands like Clever Elsie, Ghost Buffalo and Lil’ Thunder with Drew McClellan’s knack for hybridizing genres and production methods to make for music that has tactile presence while inviting its listeners to dream beyond one’s immediate limitations.

Saturday | 02.12
What: Down In Denver Fest Presents: Emerald Siam w/Zealot and Gila Teen
When: 10 p.m.
Where: Broadway Roxy
Why: This is a fundraising event for the 2022 edition of Down In Denver Fest. Last year some local underground music luminaries put together a festival pretty much last minute with a focus on local artists in a way other festivals were not. It featured all the bands playing this event as well as groups from a broad spectrum of time having put into the local scene and genres. At a time when local culture is neglected and otherwise treated as fodder for digital marketing platforms rather than cultivated and curated in a manner outside that technocratic way of thinking an event like Down In Denver Fest is necessary. So for this night you get the brooding and triumphant psychedelia of Emerald Siam, Zealot’s playfully thought-provoking pop and Gila Teen’s emo-enriched post-punk noise rock.

Friday | 02.11
What: Satellite Pilot, King Ropes, Flora de la Luna
Where: Lion’s Lair
Why: Bozeman, Montana’s King Ropes are a bit like the Dead Milkmen of lo-fi psych Americana whose 2021 album Way Out West straddles the line between the early, on-the-verge-of-collapsing charm of early Mercury Rev and the irreverent humor and oddly respectable musical chops of Dead Milkmen.

Saturday | 02.12
What: The Backseat Lovers
When: 7 p.m.
Where: Ogden Theatre
Why: The Backseat Lovers from Provo, Utah strike that delicate balance between folk pop, hazy, late afternoon psychedelic rock and Americana. It’s a blend that might not work or sound like too much music in the larger indie world. But there’s enough grit in the band’s music and an earnestness in its performances to set it apart from other bands in a similar spectrum of style. Its dynamics and balance of force and delicacy allows its songs to go from hushed, contemplative moods to heightened emotional flares of intensity with a rare grace. The band is set to go back into the studio to record its next album so this would be a good time to catch it in high form performing its earlier music and maybe catch some of the new material before these guys put it through the studio process.

Saturday | 02.12
What: Bluebook, American Culture and Alison Lorenzen
When: 8 p.m.
Where: Hi-Dive
Why: Bluebook has had an interesting arc of musical evolution since its inception in the 2000s and lately its experimental, baroque pop has emerged as theatrical and dramatic with Julie Davis striking a commanding and focused figure with a band that creates a mysterious atmosphere. So with punk-infused indie pop band American Culture on the bill seems like an odd pairing but one fitting since American Culture frontman Chris Adolf is a bit of a musical rebel whose own vision places a premium on authenticity and not fitting in with expectation. Its 2021 album For My Animals on the respected Happy Happy Birthday To Me Records imprint is possibly Adolf’s most fully realized album to date with expert players to help manifest meaningful and powerful pop music in an era of entirely too much blandness.

The Siren Project in April 2010, photo by Tom Murphy

Saturday | 02.12
What: The Siren Project w/The Midnight Marionettes and Katastrophy
When: 7 p.m.
Where: Globe Hall
Why: The Siren Project is one of the longest running bands in the Denver post-punk and Gothic-industrial underground with roots in the 90s, influenced by both alternative rock, European folk music and downtempo electronic music. Charismatic frontwoman Malgorzata Wacht and longtime keyboard player Alex Seminara weave a beguiling and unique style of thrillingly dramatic and lush dark pop with a strong strain of romanticism and self-affirmation.

The Wombats, photo by Tom Oxley

Monday | 02.14
What: The Wombats w/Clubhouse
When: 7 p.m.
Where: Ogden Theatre
Why: UK indie band The Wombats like many bands began work on their new album in 2019 and had to piece together the songwriting and recording as best they could from 2020 through 2021 due to the ongoing global pandemic. But Fix Yourself, Not the World was finally released in January 2022 and it’s the sort of cinematic pop with a literary flair we’ve come to expect from the band. The lead single “Method to The Madness” builds into a glorious torrent of sound like a manifestation of our collective frustrations unleashed. And the album appears to be a struggling against and an acceptance of the things we can’t change but learn to work around or take into account in our attempts to move forward through life.

Wednesday | 02.16
What: Public Opinion, Destiny Bond, No Roses and The Clue
When: 7 p.m., $10
Where: Mutiny Information Cafe
Why: Local hardcore show. Destiny Bond has a bit of D-beat flavor.

Thursday | 02.17
What: Abandons, New Standards Men and Hoverfly
When: 9 p.m.
Where: Lion’s Lair
Why: If heavy instrumental music is something you’re into Abandons has been making some of the more dynamic and moody variety thereof for a few years or so. More post-rock than doom and extreme metal but there’s a plenty of that in the mix too. Fortunately for this show you also get to see those instrumental heavy music experimental tricksters New Standards Men whose twin albums I Was a Spaceship and Spain’s First Astronaut answer the question not enough people were asking in wondering where art rock bands into Zappa, Isis, Amphetamine Reptile noise rock, post-hardcore, John Zorn and ambient music were hiding.

Thursday | 02.17
What: Screwtape, MSPAINT, Cyst and CFX Project
When: 7 p.m.
Where: Seventh Circle Music Collective
Why: MSPAINT from Hattiesberg, MS sound for all the world like a noisy post-punk band that came out of a brilliant blend of hardcore, Protomartyr-esque art punk and Sleaford Mods attitude. One wonders also if they were into mclusky or Future of the Left at some point in their creative trajectory. You also get to see one of Denver’s top five punk bands in Screwtape who always put on a ferociously energetic show.

Cautious Clay, photo courtesy the artist

Thursday – Saturday | 02.17 – 02.19
What: Cautious Clay w/Ivy Sole and Julius Rodriguez
When: 8 p.m.
Where: Belly-Up (02.17) and Bluebird Theater (02.1802.19)
Why: Cautious Clay’s wide emotional range as a vocalist and his introspectively and poignantly observed lyrics coupled with the eclectic beats and instrumentation of his songs is instantly captivating. Through a series of EPs over the past few years as well as his 2021 album Deadpan Love, Clay has revealed himself to be one of the most creatively vibrant artists in recent years whose music spans beyond R&B and hip-hop as the jazz influences in his music synergize well with ambient and psychedelic pop undertones. Catch Clay during his run through Colorado at the Belly-Up in Aspen and The Bluebird Theater in Denver (dates and links above).

Saturday | 02.19
What: Machine Girl w/Evic Shen and Polly Urethane
When: 8 p.m.
Where: Hi-Dive
Why: Machine Girl is pretty much impossible to pigeonhole with any simple genre designation. Fans of digital hardcore, breakcore/glitchcore, industrial in the more modern mode will definitely find something to like about its surreal and colorful production and refreshingly coherent songwriting for a world of music that makes a virtue of the musical equivalent of radical jump cuts in tempo and tenor. People into Ho99o9, Atari Teenage Riot, Ghösh, 100 gecs and their ilk should at least give this band a listen. It’s like the next generation or two out from whatever it was HEALTH did in the 2000s and witch house from the same era. Yet it has some stylistic resonances with all of that. Rumor has it that at a Machine Girl show at a DIY venue people danced so hard part of the floor caved in so Machine Girl goes hard. If a legit horror movie could be made up of memes and rapid cycling anime footage it would sound like the duo’s 2020 album U-Void Synthesizer. Denver’s own dream pop/industrial project Polly Urethane is clearly a good fit for the bill.

Enumclaw, photo courtesy the artists

Sunday | 02.20
What: Naked Giants w/Enumclaw
When: 7 p.m.
Where: Larimer Lounge
Why: Naked Giants are a lively and playful rock band whose roots in grunge and psychedelic rock are obvious without preventing the trio to lay out some nice surprises where they go way beyond expectations they set for themselves at the show. Enumclaw shares a similar irreverent spirit and effusive punk energy but their guitar work has more in common with The Smiths and The Cure than Nirvana or Mudhoney or even Jay Reatard. Their combination of authenticity and eccentricity as a live band is proving to be uncommonly compelling.

The Weather Station, photo by Jeff Bierk

Monday | 02.21
What: The Weather Station w/Helena Deland https://globehall.com/event/the-weather-station-helena-deland-presented-by-kgnu
When: 7 p.m.
Where: Globe Hall
Why: Tamara Lindeman of The Weather Station has the rare gift of being able to project an ethereal thoughtfulness and fragile elegance and emotional strength at once. The group’s 2021 album Ignorance brings forth a full range of sounds and orchestrated emotions for one of the most satisfying listens of any album that we at Queen City Sounds basically slept on last year. Catch The Weather Station ahead of the March 4 release of its new album How Is It That I Should Look at the Stars.

Wallice, photo by Jerry Maestas

Thursday | 02.24
What: Still Woozy w/Wallice https://www.missionballroom.com/event/405967-mission-ballroom-denver-tickets
When: 7 p.m.
Where: Mission Ballroom
Why: Still Woozy is part of a big wave of bedroom pop of the past decade but like the better artists out of that world he has some musical chops with a background in classical guitar and formal educaton in electronic music that aren’t so obvious and fortunately get focused in songwriting. After spending a few years in the math rock band Feed Me Jack, Sven Gamsky departed in 2016 to start making music under the moniker Still Woozy. Making a virtue of what might be seen as a limited format, the music out of Still Woozy has a simple charm informed by a subtle sophistication in the songwriting. In 2021 he released his debut album If This Isn’t Nice, I Don’t Know What Is. Opening the show is Wallice whose own roots in jazz training have been channeled into finely crafted and poignant pop songs. Her single “Punching Bag” garnered her early attention as a poetically succinct summation of a friendship gone awry and how our digital footprints can complicate life when we’d really rather just part ways with someone. The track appeared on her 2021 EP Off the Rails which included songs that showcased Wallice’s growth as a songwriter beyond the style of contemporary indie pop. “Michael” really nails how all the tired narratives a young woman or really anyone else has had to suffer from a certain kind of male is just unwelcome. Some things never change but thanks to Wallice all the same for articulating this so well and Philip Stilwell for giving the song visual form.

Godspeed You! Black Emperor at Ogden Theatre in 2018, photo by Tom Murphy

Friday and Saturday | 02.25 and 02.26
What: Godspeed You! Black Emperor
When: 8 p.m. (02.25) and 7:30 p.m. (02.26)
Where: Gothic Theatre (02.25) and Boulder Theater (02.26)
Why: Godspeed You! Black Emperor are pioneers of post-rock but also a band whose left anarchist politics are part of its operating as a group and its music therefore is orchestrated and organic while sounding as planned as a classical piece of music. But the group does not skimp on evoking feelings and pairs the emotional content of its songs with the visual representation thereof often as projections on the stage as a stirring visual component. Godspeed’s 2021 album G_d’s Pee at State’s End! reintroduced a strong component of musique concrète to help ground and reinforce its more than usual tumultuous, brash and direct compositions.

Saturday | 02.26
What: Blood Incantation
When: 7 p.m.
Where: Gothic Theatre
Why: Experimental death metal band Blood Incantation will perform its 2022 ambient album Timewave Zero in its entirety and then engage in some improv for this show. Will there be any of the death metal its more conventionally-minded fans might crave? Who can say but the guys in the band are into enough unusual and experimental music that likely the ambient album will be worth a listen. Heck, if Wolves in the Throne Room could put out Celestite at the peak of their popularity, Blood Incantation can drop something like Timewave Zero at one of the peaks of its own renown.

Saturday | 02.26
What: Dinosaur Jr w/Pink Mountaintops
When: 7 p.m.
Where: Ogden Theatre
Why: Dinosaur Jr influenced more music than is generally taken into account and clearly an inspiration to the entire shoegaze movement of the 90s, all of alternative rock and even current psychedelic guitar bands from the more indie variety to those heavier. J. Mascis honed in on the tender feelings and angst people often shuffle aside trying to get through life and gave voice and dignity to feelings that many people would otherwise find shameful. Along the way Dinosaur Jr also managed to never release an album that wasn’t always surprisingly well crafted with imaginative guitar rock in a seemingly endless knack for reinventing the language of the instrument in the context of tasty hooks and evocative storytelling. And as a live band always intense yet seeming to tap into a daydreamy quality.

Saturday | 02.26
What: Denial Of Life w/Implied Risk, Moral Law and Ukko’s Hammer
When: 10 p.m.
Where: HQ
Why: Tacoma, Washington’s Denial of Life brings its thrash punk stylings to HQ for a late night set with local hardcore bands of similar spirit including the D-beat super group Ukko’s Hammer.

Best Shows in Denver September 2021

Emerald Siam performs at Down in Denver Fest on Saturday, Sep 4, 2021 11 p.m. Photo by Tom Murphy From Dec 2019
Quits in October 2019, photo by Tom Murphy

Saturday – Monday | September 4-6
What: Down In Denver Fest
When: Labor Day Weekend
Where: Larimer Lounge
Why: With the erosion of the national and local media especially in coverage of local music and culture as a parallel to increasing income inequality the curation of a local scene virtually everywhere in America has all but disappeared. Publications that once served as active legacy institutions that traditionally documented and preserved local culture in a robust way have either dissolved or transitioned to a digital marketing portal model with a subsequent narrowing of content and cultural mission. Music festivals often following a lifestyle branding concept in sync with the lifestyle model of much of digital media following the implosion of the blogosphere can feel like Philip K. Dick circa Do Androids Dream of Electric Sheep was more of a prophet than we’d prefer to believe. The Down in Denver Fest organizers remember a time when the rich and broad diversity of Denver’s local scene was more honored and represented in local music festivals and older artists were not expected to retire but, rather, respected for their past and current efforts. While Denver and other cities are in disarray with the forces of drastic income inequality and subsequent gentrification local cultural history seems to pass into irrelevance like a social media feed more quickly than at any previous moment in human history, episodes without context, products to consume and discard. But this is antithetical to lived human experience and human life and our collective craving for connection not just to other people but our experiential, existential context that defines our lives for a certain period or our entire lives. Maybe Down In Denver Fest won’t provide this to everyone but the inspiration behind it is the understanding that local culture and the people who make it a living thing past and present are not just the atomized dots of a marketing galaxy but a continuum that can be and is accessible. So go expecting to see a broad slice of bands representing decades of Denver music history from bands from a variety of genres and styles to DJs from the Denver underground. Visit the event website for the line-up and schedule and to sample artists. Also listen to the Queen City Sounds Podcast featuring a handful of stories from the Denver scene from some of the people that were involved and have helped to make various corners of the city’s musical milieu.

Midwife in October 2019, photo by Tom Murphy

Monday | September 6
What: Midwife w/Sympathy Pain and Sketches
When: 8 p.m.
Where: Hi-Dive
Why: Midwife is touring more broadly in support of her 2021 album Luminol, a soothing yet heart wrenching record mourning deep loss and fumbling for healing the caustic burns on your heart from the death of friends, the crumbling of the cultural infrastructure that gave one’s life more definition than it might have had and a nation and international community in disarray from grand forces of inequality and the rise of fascism and science denial with no seeming relief on the horizon. It isn’t a dire record but an honest one cast in gossamer guitar work and introspective, dreamlike vocals that tap into those dark places of the mind and not to say it’s all going to be okay but rather as a reminder that you’re not crazy and your feelings of despair, deep discontent and righteous anger are real and valid. Midwife is also performing at Trident Bookstore in Boulder on September 8 and The Coast in Fort Collins on September 12.

Thursday | September 9
What: Denver Meatpacking Company w/I’m A Boy, Wiff and Sleep Demons
When: 7 p.m./8 p.m.
Where: Lost Lake
Why: Denver Meatpacking Company pull liberally from 90s alternative rock for inspiration but its fuzzy guitar work is couched in solid pop hooks that prevent it from sounding like a throwback act. Which makes it a good pairing with I’m A Boy and its own power pop sensibilities and refreshingly unaffected love for bombastic and theatrical rock and roll.

Sunday | September 12
What: Denver Does Denver
When: 1-10 p.m.
Where: Green Valley Ranch Town Center Amphitheater 5060 Argonne St., Denver, CO 80249
Why: It has been 11 years since the last Denver Does Denver event happened when various musicians in the Denver scene covered music by peers and influences in local music at the Meadowlark Bar and its environs. This reboot of the event, once again curated by educator and member of experimental funk and world music phenoms Pink hawks, Yuzo Nieto, is taking place outdoors in Green Valley Ranch and features a typically fascinating set of musicians showcasing the creative wares of other bands and songwriters that otherwise wouldn’t normally be thus recognized for their impact.

Thursday | September 16
What: St. Vincent
When: 7 p.m.
Where: Mission Ballroom
Why: Annie Clark has been experimenting with concepts across her musical career and giving us not only a respectable body of work and consistently fascinating songwriting and inventive musicianship but a creative arc in which she’s willing to take risks. None more so than her 2021 album Daddy’s Home. It is clearly a well-arranged series of vignettes about life in New York City as told through the sonic lens of 70s pop and rock like an East Coast answer to Joni Mitchell’s fantastic and insightful 1970 album Ladies of the Canyon. The structure of the album feels like reading a short novel with a cinematic scope and revelations about character and concept reminiscent of the flow of Virgnia Woolf’s Mrs. Dalloway. Every tour, certainly for her last three albums, has involved creative and entrancing production and even set design subverting the standard rock and pop paradigm so if you go expect some of that deep creativity for which Annie Clark and St. Vincent are rightfully known.

Friday | September 17
What: Herbie Hancock
When: 7 p.m.
Where: Ellie Caulkins Opera House
Why: Herbie Hancock and his stunningly brilliant keyboard and synth work alongside his mindblowingly talented collaborators put on one of the greatest live shows going regardless of genre. His roots in some of the jazz legends of the 60s and 70s are impressive enough but his albums under his own name often reveal a passion and genius for composition that he channels into accessible and engrossing songs and performances that remain relevant and powerful.

Friday and Saturday | September 17-18
What: Westword Music Showcase
When: See schedule per day at http://www.westwordshowcase.com
Where: Rino Arts District and Mission Ballroom
Why: The Westword Music Showcase returns with an expanded presentation in the Rino Arts District northwest of downtown Denver including performances at the Mission Ballroom for headlining acts like Young The Giant, Kaytranada, Thundercat, Matoma, Hippo Campus and Duke Dumont with a bevy of local acts nominated by experts in the local scene tapped for their knowledge by the long running alternative weekly paper.

Monday | September 20
What: Mannequin Pussy w/Angel Du$t and Pinkshift
When: 7 p.m.
Where: Bluebird Theater
Why: Philadelphia’s Mannequin Pussy has long commented on sexism and its effect on identity and how those issues dovetail into the colonist mentality and the most deleterious and sometimes subtle corrosive effects of capitalism. But doing so in a way that seems as tender and sensitive as it is ferocious, cast in noise rock and melodic punk. In 2021 Mannequin Pussy released its gloriously caustic EP Perfect.

Monday and Tuesday | September 20 and 21
What: Mdou Moctar
When: 7 p.m.
Where: Globe Hall
Why: Mahamadou Souleymane is a Tuareg songwriter from Niger who is known to the musical world at large as Mdou Moctar with a growing international following despite the lyrics to his songs being in Tamasheq. His intricate guitar work and sincere performance style renders what might seem exotic to some Americans immediately relatable. Moctar’s fusion of blues and rock with West African musical styles and sounds come off both familiar and arrestingly fresh. In 2021 he released the album Afrique Victime through Matador, his first for an imprint other than specialist label Sahel Sounds. An intense and engaging performer, Moctar’s gracious and self-effacing demeanor doesn’t quite prepare you for the emotionally charged journey of the show but makes it one you want to take.

Tuesday | September 21
What:
Twin Tribes and Wingtips w/Plague Garden
When: 7 p.m.
Where: The Oriental Theater
Why: A great pairing of the Brownsville, Texas lo-fi post-punk band Twin Tribes and Chicago’s darkwave pop sensations Wingtips. The former released a beautifully curated remix album in 2021 called Altars including remixes from Turkish post-punk legends She Past Away, Dave Parley of Prayers, Wingtips and Bootblacks. Wingtips’ new record Cutting Room Floor is a gorgeously composed set of expansive and bright yet hazily moody and reflective pop songs subverting the tropes of sounds and aesthetics borrowed from 80s era synth pop by many modern artists and seemingly as influenced by the likes of Thompson Twins and Howard Jones as Depeche Mode and Fad Gadget. Opening the show is Plague Garden whose 2021 album Requiem of Souls is a great expansion on their brooding and atmospheric blend of industrial and post-punk into more pop territory including an excellent cover of Tanita Tikaram’s 1988 hit single “Twisting in My Sobriety” that highlights the song’s then unfashionable level of self-examination.

Torres, photo by Shervin Lainez

Tuesday | September 21
What: Torres w/Ariana and The Rose
When: 7 p.m.
Where: Larimer Lounge
Why: Torres has from early in her career blended a more electronic pop aesthetic with a raw and gritty folk-inflected songwriting style and dynamically emotional vocals. Her 2021 album Thirstier is brimming with high contrast sounds that give the songs a forcefulness that was always there in her music but made unmistakable this time around.

Wednesday | September 22
What: Waltzer w/Vision Video, Voight, Lord Friday the 13th
When: 8 p.m.
Where: Hi-Dive
Why: Waltzer is Sophie Sputnik who fronted punk band Killmama for more than a few years. But her music theater background seems to have been yearning for greater expression if the debut Waltzer album Time Traveler is any indication and the bizarre music video for “Destroyer” which is like a humorous horror movies as a backdrop to soulful, R&B pop. Maybe Sputnik got to listening to a lot of Erykah Badu, Harry Nilsson and Todd Rundgren but she makes that lush, almost orchestral sound seem spare as well. Athens, Georgia-based post-punk/pop band Vision Video is an interesting contrast with its 2021 album Inked in Red reminiscent of 80s jangle pop, XTC and Pink Turns Blue. Voight is a Denver-based band that collides together noise rock, industrial/techno beats, emotionally-charged vocals and caustic shoegaze-y soundscapes.

Front 242 in April 2018, photo by Tom Murphy

Wednesday | September 22
What: Front 242 w/Consolidated, Blackcell and DJ N810
When: 7 p.m.
Where: The Oriental Theater
Why: Front 242 is one of the pioneers of the EBM wing of industrial music of the 80s with its stark visual style akin to a stylized Futurist aesthetic. Claiming to be apolitical and even amoral, Front 242’s pulsing, atmospheric dance music nevertheless takes aim at corrupt religious and political figures without an explicitly verbalized critique, rather choosing to present them as absurd and cartoonish. By contrast the overtly political industrial band Consolidated is part of this tour and from its album titles, to its music and confrontational performance style the group from San Francisco leaves no doubt about its leftist politics and activist cultural orientation while also injecting very pointed commentary with humor that also manages not to distract from the message. Denver’s long-running noise/industrial/EBM duo Blackcell opens the show with its own richly imagined and immersive soundscapes.

Wild Pink, photo by Mitchell Wojcik

Wednesday | September 22
What:
Ratboys X Wild Pink w/Bellhoss
When: 7 p.m.
Where: Globe Hall
Why: Earlier in 2021 Wild Pink released A Billion Little Lights, a pop album of lush orchestration and sage and sharply observed comments on one’s changing perspectives and priorities as one ages into adulthood physically and psychologically and the subsequent realization that the sureties of now will sometimes seem like the follies and cringe-worthy moments of the future. While songwriter John Ross wrote the album from the perspective of a single human life the themes seem to resonate strongly with society overall in the past decade and coming to terms with blind spots, injustice, inequality and chronically bad habits that have a fallout for oneself and others.

Saturday | September 25
What:
Lost Relics and Never Kenezzard
When: 9:30 p.m.
Where: Tooey’s Off Colfax
Why: Two giants of Denver sludge metal, Lost Relics and Never Kenezzard both demonstrate how heavy, doomy metal can be dynamic and even expansively psychedelic while hitting hard. Expect a new Lost Relics EP soon and Never Kenezzard’s follow-up to the excellent 2016 album Never Say…

Monday | September 27
What: Esmé Patterson
When: 7 p.m.
Where: Globe Hall
Why: The beginning of the global pandemic in March 2020 landed just in time to thwart plans for Esmé Patterson and her band to tour in support of her then new album There Will Come Soft Rains. The new record showcased Patterson’s ear for subtle emotional dynamics in songwriting and for expressing the complexity of one’s feelings in an uncluttered way. The spare melodies of the new batch of songs also demonstrate an attention to space in the songs perhaps as a symbolic way of honoring the need to such in one’s life in order to make sense of what can feel overwhelming. Not a pandemic record but sure seems like one that addresses little things in life we often ignore in our rush to push through everything when we need to and never really taking the time to feel what we need to in order to maintain a healthy state of mind.

Judas Priest in November 2014, photo by Tom Murphy

Wednesday | September 29
What:
Judas Priest w/Sabaton
When: 7 p.m.
Where: Mission Ballroom
Why: Perpetually underrated yet highly influential, Judas Priest is one of the pioneering bands of heavy metal that still occasionally tours and is still a powerful live act due in no small part to singer Rob Halford’s expressive and operatic vocals. With hits like “Breaking The Law” and “Living After Midnight” from its 1980 album British Steel, Judas Priest started to break into the mainstream with subsequent regular rotation on MTV. Getting to see Judas Priest at a theater like the Mission Ballroom with its excellent sound and seating layout is likely to be the most enjoyable environment to take in the band’s broad range of moods and highly charged dynamics.

Cadence Weapon in June 2012, photo by Tom Murphy

Thursday | September 30
What: Fat Tony and Cadence Weapon
When: 8 p.m.
Where: Hi-Dive
Why: Fat Tony and Cadence Weapon are rappers from Houston and Edmonton, Canada respectively but who both draw on an electric palette of sounds and influences and their use of imaginative beats and production have set them apart from many peers from early on in their respective careers. Their individual blends of classic rapping with free associating sounds and textures in the beat with an ear for songwriting and impassioned delivery make this one of the hip-hop shows to see this year in Denver. Fat Tony is touring following the 2020 release of his album Exotica and Cadence Weapon with his 2021 album Parallel World.

Queen City Sounds and Art Best Albums of 2020

Sex Swing | Type II | Rocket Recordings

This sprawling best of list was intended for publication in January 2021 but other priorities got in the way and I had written about many of these in brief in my year end best column for the December 2020 print edition of Birdy magazine in December. Others I wrote up for Birdy throughout the year. All of that text is here hopefully not in a form with my errors edited back in. At any rate it begins with what I’m going to call the album of the year, Type II by UK post-punk experimentalists Sex Swing. It not only stretched post-punk beyond the usual boundaries these days and it articulated the conflict, the outage and confusion of a world coming to terms with the great shortcomings of modern, international capitalism, the inadequacy of the conservative/far right and neoliberal government to address the needs of people across decades and most painfully and poignantly in the moment. That agony and anomie can be heard throughout the album but even separate from that context it’s just a great, experimental rock album. The original verbiage for the Birdy piece reads “An uncomromisingly mind-altering psychedelic noise rock ride through 2020 hell.” With any luck we’ll see the band in North America sooner than later and see for ourselves if the live show delivers. What follows is the rest of the best of list for 2020.

A.M. Pleasure Assassins | Careless Laughter | Self-released
This latest EP from Fort Collins-based, math-y post-punk band A.M. Pleasure Assassins sounds like it  was written after a long period of contemplation and self-imposed exile from one’s usual social activities. “Said Yer Outta Gas” is imbued with a rush of exuberance reflected in its words about emerging from winter into a period of new beginnings. “Get It Right” finds the band waxing into the warped garage punk territory like something one would expect out of Memphis, Tennessee the past two decades — raw and ragged yet bracing. “Cain Was Killing Abel” strikes a more contemplative tone and the sprawling “Pretty Dead Beat” creates a beautifully hypnotic pulse of sounds with bell tones processed through reverb and distorted drones for an effect like a late 90s Yo La Tengo track. The four songs give the impression of nostalgic reflection, but one where you see and feel deeply the joys and pains of a good time in your life  that you are wise enough now to know to enjoy in its full measure rather than through the lens of selective romanticism.

Abrams | Modern Ways | Sailor Records

Adulkt Life | Book of Curses | What’s Your Rupture?

ADULT. | Perception Is/As/Of Deception | Dais Records
Darkly urgent industrial dance anthems to purge today’s desperation, confusion and chaos.

Angel Olsen | Whole New Mess | Secretly Group
A tender yet bracingly fragile portrait of the realization that you can never adequately prepare for everything life might throw your way.

Anna von Hausswolff | Sacro Bosco | Southern Lord

A Shoreline Dream | Melting | Late Night Weeknight
With its first release since 2018’s Waitout EP, A Shoreline Dream presents a set of songs that seems less  ethereal than their previous output. From opening track “Turned Too Slow” to closing song “Atheris  Hispida” the progressive shoegaze duo has seemingly focused its attention on the texture and  physicality of the music. One is tempted to say the guitars are more like hard rock, but only if your idea of  hard rock is more in the vein of Swervedriver. But “Downstairs Sundays” has more in common with folk  music in its intricate guitar interplay though threading through an uplifting, introspective drone. A  Shoreline Dream still gives us its usual transporting melodies, but this time its astral realms are  more focused and vivid as though coming out of its musical dreamstate into a phase of making those  dreams real. 

Autechre | Sign | Warp Records
Cleanses the mind with textural tones and hypnotically immersive, abstract rhythms.

Bambara | Stray | Wharf Cat Records

Bestial Mouths | RESURRECTEDINBLACK | RUNE & RUIN

Bison Bone | Find Your Way Out | self-released

Black Wing | No Moon | The Flenser

blackcell | Burn the Ashes | self-released
Denver-based EBM/IDM band Blackcell returns with its first full- length album since 2013’s In the Key of  Black. Matt Jones’ processed, distorted vocals sound as ever like a dispossessed human resisting an ever increasing mechanization of life. These dark dance songs articulate so well the struggles of the human  condition and seem so resonant for today as meaningful choices and control over your own life are  leeched away into increasing labor defined by a gig economy, subscription and streaming services in the  modern equivalent of pay-per-view, and a failing political and economic system that has channeled all the  world’s wealth into fewer and fewer hands, nickeled and dimed to death and expected to take it like it is or  not to streamline the technocratic wealth pipeline. Blackcell offers no answers but this time, its Gary  Numan-esque end of the world techno feels particularly cathartic right now.  

BleakHeart | Dream Griever | Sailor Records

Body Double | Milk Fed | Zum
Vignettes of personal psychological horror expressed as seething, angular post-punk pop.

Body Negative | Fragments | Track Number Records

Bootblacks | Thin Skies | Artoffact Records
Soaring synths and guitar sketch a vivid image of a deep yearning for personal transcendence and rebirth.

Boris and Merzbow | 2R012P0 | Relapse Records
Alien soundscapes of stunning immediacy that challenge preconceptions of all artists involved.

Botanist | Photosynthesis | The Flenser

Cabaret Voltaire | Shadow of Fear | Mute

Camila Fuchs | Kids Talk Sun | Felte Records
Avant-garde, psychedelic synth pop for tropical vacations in parallel dimensions.

Causer | Hellebore: Demos | self-released

Chicano Batman | Invisible People | ATO Records
Un-ironic, un-corny psych Tropicalia love songs for an inclusive future of unified humanity.

Choir Boy | Gathering Swans | Dais Records
Every song is an introspective Goth R&B ode to radical self care.

Church Fire | Some Lonely Wip | self-released
This collection of “unfinished/unmixed/unmastered/instrumentals” bridges the gap between Nine Inch  Nails and Crystal Castles with their raw, lo-fi, maximalist glitch. Without the highly emotive and cathartic  vocals that have been part of Church Fire’s signature sound we are invited to visit the soundscapes that  give those vocals a powerful musical context. What is obvious here is the band’s playfulness and gift for  pairing dark tonal choices and buoyant rhythms anchored by spare textural elements. On “pixie death  tickle” there are wisps of voices but they serve as more a musical aside from the strong, bright, urgent  main passages. The “wip” in the title may refer to “works-in-progress” but these songs would work as  mood pieces in a soundtrack to the inevitable English language Inio Asano manga film in mirroring that  artist’s talent for simultaneously expressing melancholia and joy.  

cindygod | EP 2 | Fire Talk

Clipping. | Visions of Bodies Being Burned | Sub Pop
Brooding, seething, menacing industrial hip-hop horror stories from an all too near future.

Cyclo Sonic | Pile of Bones EP | self-released

Damn Selene | Nobody By That Name Lives Here Anymore | self-released

Dan Deacon | Mystic Familiar | Domino Records

Dead Voices On Air | Stone Cross Shuttle Worn | self-released

Deafbrick (Deafkids + Pet Brick) | s/t | Rocket Recordings

Death Bells | New Signs Of Life | Dais Records
Atmospheric post-punk brimming with an infectious sense of hope after a time of struggle.

Death Valley Girls | Under the Spell of Joy | Suicide Squeeze
Acid jazz flavored garage psych with an ear for emotionally rich infinite horizons.

Deerhoof | Teenage Cave Artists | Joyful Noise
Reliably Beefheartian, lo-fi No Wave-esque, boundary-breaking avant-pop.

Down Time | Hurts Being Alive | self-released

Drew Danburry | Icarus Phoenix A Sides and B Sides 2020 | Telos

Drew McDowell | Angalma | Dais Records

Dyad | Dormant | self-released
Charles Ballas and Jeremy Averitt are perhaps better known for their participation in acts like  Howling Hex and Esmé Patterson’s live band respectively as well as their production work for  Echo Beds. But DORMANT from their long-running collaborative project DYAD showcases  their mutual knack for genre-bending IDM-esque soundscapes. DYAD freely blends elements of  non-Western polyrhythms, intricate and textured instrumentation, luminous jazz keyboard  progressions and tasteful electronic arrangements that convey an eclectic and international flavor.  Imagine music equally influenced by Herbie Hancock, 80s Ethiopian synth pop, Daft Punk,  Warp Records artists and informed by a deep sense of play, and you will have some idea of the  soothing and imagination stirring quality of this music and its brilliantly new age downtempo  future jazz sounds. 

eHpH | Infrared | self-released
This Denver-based electro-industrial duo minces no words on the opening track “Idiot” in its  introductory sample “I’m gonna say one thing, fuck Trump.” And then on to choice  sampling of 45s words and those of journalists cataloging some of his offenses against humanity.  The menacing descending synth bass progression and minimalistic percussion puts the focus on  the words. The rest of the album is less explicitly and specifically topical but it is the band’s most  fully realized and focused effort yet. The pulsing pace and Fernando Altonaga’s distorted vocals  draw you into meditations on the perils of creeping authoritarianism on “Tarnished.” The  pastoral pace and deep melancholy of “Forever Haunted” resonates with the artfully despairing  tones of the Closer period of Joy Division the way its circular guitar line and synth melody rides  a wave of personal revelation and the contemplation of an unrelievedly bleak future. EhpH  has long been one of the more interesting modern EBM bands but Infrared demonstrates that the  group of Altonaga and Angelo Atencio have fully integrated those roots with a more  contemporary post-punk and darkwave sensibility, thus never sounding stuck in the  past. 

Emerald Siam | Inventions of Ascension | self-released

Emma Ruth Rundle & Thou | May Our Chambers Be Full | Sacred Bones Records

Emmy The Great | April / 月音 | Bella Union

Entrancer | Decline Vol. 4 | Multidim
In constructing this latest installment in Entrancer’s Decline series Ryan McRyhew utilized Rob  Hordijik’s DIY synth, the Benjolin, as well as the Make Noise Shared System. Though both are modular  synthesis devices and visually look complex, McRyhew, in naming the equipment on the Bandcamp  page, takes some of the technological mystery out of music making with synths  and puts the emphasis on the creativity end. For twenty-seven minutes forty-four seconds of the single  track of this album, “Decline XVI,” we travel with McRyhew through the sonic analog of the distorted  ebb and flow of civilizational decay that we seem to be experiencing right now. Yet at the  heart of the piece we hear a separation of more industrial sounds and those more organic like the  inevitability of nature reasserting its primacy in our own consciousnesses and in the entire world.

Equine | Light Wa/orship | Noise Pelican

Eve Maret | Stars Aligned | White Supulchre Records

Eyebeams | It Means Trouble | Hot Congress

Eyedress | Let’s Skip to the Wedding | Lex Records

Eye of Nix | Ligeia | Scry Recordings
Uplifting, psychedelic, blackened noise doom journey to a pagan underworld and back.

Facs | Void Moments | Trouble In Mind
The post-punk equivalent of crime jazz’s subterranean menace.

Faim | Hollow Hope | Deathwish

Fearing | Shadow | Funeral Party

Fire-Toolz | Rainbow Bridge | Hausu Mountain Records

Flaming Lips | American Head | Warner Records
Overflowing with compassion and musical salves for the pain and despair of the fractured American psyche.

French Kettle Station | Spirit Mode | Slagwerk

Future Islands | As Long As You Are | 4AD
A soulfully soothing and transporting examination of the roots of one’s melancholic impulses.

Galleries | Resolve | self-released

Ganser | Just Look at That Sky | Felte Records
Incandescent yet contemplative post-punk dense with conceptual content and poignant social commentary.

Gold Cage | Social Crutch | Felte Records

Hard to Be a Killer: A Tribute to Ralph Gean
In an alternate universe Ralph Gean is a beloved rock and roll hero widely known for his  brilliantly unique and off-beat songwriting. But the British Invasion derailed that trajectory and  Gean instead has since become a bit of a legendary figure with a cult following in Denver music  who has periodically played shows and championed by figures as politically disparate as Boyd  Rice (who compiled a collection of Gean’s work in 2007) and Jello Biafra. That fandom is  reflected on this sprawling tribute album assembled by Arlo White of Hypnotic Turtle Radio and  bands like Deadbubbles and The Buckingham Squares. Every interpretation of Gean’s songs is a  worthy listen and a fine showcase for his sheer breadth as an artist. Contributions from local,  experimental eccentrics like Little Fyodor & Babushka, Claudzilla and The Babysitters lovingly  capture Gean’s essential appeal as an artist with an unvarnished charm and humor. Eric Allen of  The Apples in Stereo fame highlights the science fiction cowboy persona that Gean could convey while White’s band Diablo Montalban with the late, great eccentric DJ and Denver cultural figure  Frank Bell give “Switzerland” a real dark exotica treatment reminiscent of weirder moments in  Tom Waits’ catalog. A fascinating portrait of an important yet often overlooked artist.

H Lite | Green Youth Heattech | self-released
Anton Kruger has been known for his inventive, hyperkinetic electronic and experimental music. But for  this new EP he took a deep dive into contemplative realms of sound. Elegant, heavenly strings, luminous  swells of tone and crystalline percussion embody the title of the song “Light Language.” The spacious  sound design aspect of all the song’s on the album are reminiscent of Plaid in the enigmatic playfulness  and the stretching consciousness to find inspiration through creative work. Every song brings forth a  singular and imaginative portrait of tone, texture and rhythm that takes you on a journey to alien spaces  that strike one as familiar and ultimately comforting like a dream. It is post-glitchcore IDM that dispenses  with the anxiety in favor of a soothing spirit.

Houses of Heaven | Silent Places | Felte Records
Gloomy street tribal dance anthems fortified with dark, minor chord melodies.

Human Impact | s/t | Ipecac Recordings

In The Company Of Serpents | Lux | self-released
In the Company of Serpents has long been a band that has aimed to infuse its music with its  interest in cinema, esoteric knowledge, literature, and with all of those come out of directi human experience, emotion and an attempt to make sense of life and imbue it with  meaning. Lux is the fullest manifestation of those aims written into its most sonically dynamic  set of songs to date. The crushing yet fluid heaviness of its sound is paired perfectly with  elements of song that wouldn’t sound out of place on a Spaghetti Western soundtrack. “The  Fool’s Journey” opens the record as a sort of map for the path set before us ending with the  enigmatic “Prima Materia.” It’s a musically diverse and rich album that places In the Company  of Serpents apart from a mere doom band and more in the realm of Swans’ and Neurosis’ own  heavy explorations of the human psyche. 

IDLES | Ultra Mono | Partisan
Pointed yet loving politi-punk built on a hip-hop framework.

Insect Ark | The Vanishing | Profound Lore Records
A seething and entrancing hybrid of a Junji Ito manga and industrial psychedelic doom.

Jarv Is | Beyond the Pale | Rough Trade Records

jOoHS UhP | Big Glasss | Records
This record is so irreverent and self-deprecating it uses the swagger language of much of hip-hop to make  statements that are the opposite of anything some other artists would brag about. The irony runs so deep  even the elements of the music sounds like swagger. There is a song called  
“NoWeDon’tWannaMakeGoodMusic.WeTriedAndIt’sBoring.” The glitchy, industrial beats are so  unconventional and eccentric you would never confuse this duo with anything resembling traditional hip-hop. It all has more in common with Renaldo & The Loaf and The Residents  than even a weirdo like Kanye. Though often confrontational and obnoxious there’s no denying the  relentless creativity of the production and glorious seeming lack of regard for how a song is supposed to  sound. 

Juliet Mission | Surren | self-released
Surren is the third EP from Denver-based post-punk band Juliet Mission. As with previous releases the  trio’s command of blending layers of atmosphere with strong rhythms and a contemplative melancholy is  impressive. The short title track actually has three movements that flow from existential introspection to  passages of dark realization to a mood of uneasy acceptance. All four songs in their brooding beauty  demonstrate, as have the most recent albums from The Church, that you can write vital and engrossing  rock songs from an adult point of view with elegance and grace, and without defaulting to an adolescent,  and thus thematically limited, perspective. 

Jupiter Sprites| Holographic | Jupiter Sprites Records

Kaitlyn Aurelia Smith | The Mosaic of Transformation | Ghostly International

Killd By | Neotropical (tape reissue) | Noumenal Loom

King Krule | Man Alive! | Matador
Like The Fall gone hip-hop chillout lounge post-bad trip horror movie dreaming.

Klara Lewis | Ingrid | Editions Mego
Distorted melancholic cello drones like the glitched image memories of past life regression.

KoKo La | Curriculum Vitae | self-released
Koko La has long already established herself as an artist of note as one of the MCs and producers in the  hip-hop group R A R E B Y R D $. Her soulful voice and presence often draws out subconscious  emotions and gives them form in the music and performance. Curriculum Vitae finds Koko La exploring  the experiences that have shaped her. Aided by Machete Mouth and Kitty Opinion$ on a couple of tracks,  Koko La excels here with shining a light on those experiences that challenge you in various ways, while  at the same time, giving you a better sense of self and the boundaries you must draw the border for people who might seek to dismiss you as a human or otherwise put you in your place. The trap beats and  hushed atmospheres provide a fascinating listening experience, like you’re honoring the subconscious  thoughts and feelings that affect your waking life by giving them an identifiable form that also allows you  to comprehend, embrace and reconcile the wounded sides of yourself. 

Lazarus Horse | Oh the Guilt! | self-released

Lithics | Tower of Age | Trouble In Mind
Surreal, minimalist post-punk funk disintegrating into disorder like American democracy.

Lone Dancer | Temporal Smearing | Multidim

Mamaleek | Come and See | The Flenser

Many Blessings | Emanation Body | Translation Loss Records
Ethan McCarthy of Primitive Man renown returns to his ongoing noise soundscapes with the enigmatic  and forbidding Many Blessings. In typical fashion this set of five pieces stretches beyond what McCarthy  has done with the project in the past. Throughout this album there is not the harsh noise and deconstructed  drones of some earlier work. Rather, it is layered collages of sound that give voice to the raw angst and  anxieties that sit as a background hum of modern civilization eating away at our collective  unconsciousness. The concluding track “Harm Signal” is like a symbol for the whole effort — a flow of  sounds, a frequency, that we usually ignore but which causes untold destruction to our existence.  These songs identify and give expression to energies and forces we’ve bypassed our whole lives but which  are now impossible to ignore, like a sound art metaphor for the social and political forces that have come  home to roost of late. 

Marissa Nadler | Moons | self-released

Melkbelly | PITH | Carpark Records/Wax Nine

Memory Bell | Solace | self-released

Metz | Atlas Vending | Sub Pop

Midwife | Forever | The Flenser
Madeline Johnston wrote Forever during one of the darkest times of the Denver DIY music  and art community. Her community was scattered and challenged in the wake of the Ghost Ship fire with  so many lives seeming to be on hold with no hint about when thatdespairing period would end. And  the 2018 death of Colin Ward hit everyone whose lives he touched so deeply that it seems like the kind of  hurt that will never fully heal. Johnston’s almost ghostly, delicate and vulnerable vocals and distorted,  ethereal guitar seem to drift together in an effort to make some sense of those feelings with a nuance and  sensitivity that always comes across as emerging directly from those places of acute pain and ache  and loss, and honoring the need to just feel all of that whenever the need strikes and for however long into  your life it lasts even if that is, indeed, forever. An especially touching and evocative tribute to a uniquely  restless and creative yet sensitive and emotionally refined person in Colin Ward, Forever is a tender and  heartbreaking, healing catharsis in the listen. 

Mild Wild | Mild Wild, Vol. 1 | self-released
Intensely personal, imaginatively lo-fi aural snapshots of daydreams and poetic observations.

Mint Field | Sentimiento Mundial | Felte Records
Dream pop slow burner illuminating and warming the inner regions of the melancholic heart.

Moby | All Visible Objects | Mute Records
Retro rave and chillout lounge songs mourning our collective loss, yearning for a hopeful future.

Molchat Doma | Monument | Sacred Bones Records
Introspective, elegantly minimalistic, lo-fi, Belarusian gloom pop.

Mong Tong | Mystery | Guruguru Brain

Moodie Black | FUZZ | Fake Four

Moon Pussy | Hurt Wrist | The Ghost Is Clear Records
Guitar riffs like swarms of angry insects sweeping through. Syncopated percussion like start- and- stop  jackhammers. Bass lines like a half- ton coil being struck and emitting a menacing fluidity. Tortured  vocals erupt with Brutalist, post-hardcore poetry. All of this helps to make this latest Moon Pussy record  the perfect companion and reaction to a radically uncertain world seemingly in perpetual crisis mode and  on the verge of we know not what. Fans of bands on the Amphetamine Reptile imprint or Touch and Go  will be thrilled with the band’s seemingly endless supply of inspired, aggressive and savage noise rock  riffs and the ability to articulate directly from a place of desperation and outrage. “Fail Better” should be  the theme song of these United States.  

Mr. Bungle | The Raging Wrath of the Easter Bunny Demo | Ipecac

Mr. Gnome | The Day You Flew Away | El Marko Records

Mrs. Piss | Self-Surgery | Sargent House

Napalm Death | Throes of Joy in the Jaws of Defeatism | Century Media

New Standards Men | I Was A Spaceship | self-released

Night of the Living Shred | Return of the Night of the Living Shred | self-released
The name of this album of course invokes the title of the 1985 horror comedy Return of the Living Dead.  And the Colorado Springs-based metal group has taken the opportunity to give us an unusual and eclectic  record that not only reflects its members’ broad taste in music but a deeply healthy sense of humor about  the world and themselves. “Shred Shoppe Quartert” is an a cappella song in the style of a barbershop  quartet. There are rap, punks, death metal, doom and grindcore songs. All of it performed with  a charming exuberance even though the entire track list reads like something out of a heavy metal version  of Mad Magazine. “We Get it, Mike Patton Is a Musical Genius” with screaming like a cover of  something by Naked City with lyrics mocking that? That’s genius. Even though the record is largely a put  on in one way or another, the fact that it has so much variety makes it eminently listenable.  

No Age | Goons Be Gone | Drag City

Of Feather And Bone | Sulfuric Disintegration | Profound Lore Records

Oneohtrix Point Never | Magic Oneohtrix Point Never | Warp Records

Otzi | Storm | Artoffact Records
Emotionally intense post-punk at the intersection of Sleater-Kinney and The Cure.

Perry Weissman 3 | Backlog | self-released

Plack Blague | Wear Your Body Out | self-released

Plague Garden | LEFT IN THE GRAVE | self-released

Pod Blotz | Transdimensional System | Dais Records

Pole | Fading | Mute Records

Primitive Man | Immersion | Relapse Records

Princess Dewclaw | Wild Sugar | Glasss Records
On the Wild Sugar EP Princess Dewclaw has reinvented itself as a gritty, industrial darkwave band. That  element was there on its 2017 album Walk of Shame (in fact the songs “Walk of Shame” and “Into the  Words” have carried over in a significantly different form), but there seems more of an edge here. The  vocals come more directly from channeling anxiety and pain into catharsis. Rather than acoustic  drums the electronic and programmed drums sync more closely with the cutting synth work. The effect is  like a caustic and politically charged take on a pop song with mainstream appeal. In that way it has an  appeal similar to that of Alice Glass’s emotionally raw solo offerings.

Protomartyr | Ultimate Success Today | Domino Records
Burning poems songs evoking a Jim Thompson-esque modern America in slashing/clashing post-punk.

Public Memory | Ripped Apparition | Felte Records
If Tarkovksy and Jarmusch could team up to make a cyberpunk movie this would be the soundtrack.

Rafael Anton Irisarri | Peripeteia | Dais Records

Raspberry Bulbs | Before the Age of Mirrors | Relapse Records

Reverb And The Verse | RESONATE | self-released
Since 1999 Reverb & The Verse has been developing and writing some of the most imaginative hip-hop  out of Denver. The groupput their songwriting on this ninth record through  a rigorous process of experimentation and weeding out the material deemed not quite  there. Though steeped in classic MC wordplay, the beats and expertly crafted synth work and rhythms  seem as informed by the likes of Minneapolis alternative hip-hop that came out of the 90s as it does 80s  and 90s synth pop. All of these elements make for a sonically rich and diverse listen a bit like a cross  between Clipse and Meat Beat Manifesto. 

Riki | s/t | Dais Records
Goth synth pop for skate rink parties in abandoned malls.

Run The Jewels | RTJ4 | Jewel Runners

Shabazz Palaces | The Don of Diamond Dreams | Sub Pop

Shitkid | 20/20 | PNKSLM
An unlikely and fascinating hybrid of garage rock and soulful synth pop.

Shocker Mom | The Mediocre Depression | self-released

Sightless Pit | Grave of a Dog | Thrill Jockey
Sublime and caustic, often claustrophobic, soundscapes of terrifying and transcendent beauty.

SNAD/Jackson Lee| Jargon/Syntax Error 12” EP | Deep Club Records

SPELLS | Stimulants & Sedatives | Snappy Little Numbers
This record is raw even by SPELLS standards. But it’s perfect for 11 songs about the messiness of  adulthood with lyrics that frankly go for the jugular. This isn’t new for this pop punk band and its  anthemic choruses, but it’s always interesting to hear the contrast between the primal pop of the  songwriting and incisive portraits of American life that dispense with the soul-destroying niceties. “We  Can’t Relate” is a pointed declaration of the disconnect between the culture of the wealthy and the  working class. “I’m Sorry I’m Not Sorry” is something of an apology song for being how you have to be  in a world that demands essentially unacceptable compromises. Imagine an amalgam of Blatz, Stiff Little  Fingers and The Replacements and you have an idea of the sound, the vibe and the sentiments expressed  throughout. 

Spice | s/t | Dais Records

Sprain | As Lost Through Collision | The Flenser
Colossal, sprawling, slowcore deep dives into the catharsis of anxiety and rootlessness.

Spunsugar | Drive-Through Chapel | Adrian Recordings

Squarepusher | Be Up a Hello | Warner Records

Stay Tuned | Remote Control | self-released
Brilliantly sampling from American media and entertainment culture, both musically and thematically,  Stay Tuned has produced not just a signature song with this arc of eleven tracks but a signature album.  Dense with content each song uses the format of autobiography to comment on aspects of society like the  shallowness of celebrity culture and the way we formulate our dreams and aspirations in terms and  frameworks taken from preexisting constructs like television shows, movies, video games and other  media — of course expressed through the corporate controlled channels we most often use to  communicate with one another. But in free associating musical and other media references in a collage of  sounds in the beat, Stay Tuned uses media tropes and collective myths and imagery to showcase how we  can subvert the prevailing power relationships and the monopolistic paradigms of our time.  

Stephen Malkmus | Traditional Techniques | Matador

Studded Left | Sidewalk Vitamins | Girlgang Music

Stūrī Zēvele | Labvakar | self-released
An endearing indie pop manifestation of the essence of close and warm friendships.

Sumac | May You Be Held | Thrill Jockey

Suo and Data Rainbow | s/t | Multidim

SUUNS | FICTION EP | Joyful Noise

Syko Friend | Fontanelle | Post Present Medium

The Drood | Totally Comfortable | self-released

The High Water Marks | Ecstasy Rhymes | Minty Fresh

The Microphones | The Microphones In 2020 | P.W. Elverum & Sun

The Paranoyds | Pet Cemetery EP | Suicide Squeeze

The White Swan | Nocturnal Transmission | CockThermos

Through Flames | Through Flames | self-released
Riveting, radical experiments in political poetry and sound design.

TI-83 | Demo | self-released

Time | These Songs Kill Fascists | Dirty Laboratory
Hip-hop artist Chris “Time” Steele displays a true gift for fusing autobiography and lived experience with  historical context and knowledge of political theory on this album. He’s always been a brilliant lyricist  whose expert wordplay has seemingly effortlessly combined his sharp sense of humor with a wide ranging curiosity about the world and a growing body of knowledge of history, culture and politics. On  These Songs Kill Fascists, Steele works with Daiba, Mick Jenkins, long time producer AwareNess,  Giuseppe, Ron Miles, JXSHYB, Cat Soup and Psalm One to create a jazz-inflected story cycle  commenting astutely on social issues now getting some focus. While a riveting listen purely as a well crafted album, These Songs Kill Fascists does not function as merely socially conscious entertainment, it  seems to have been crafted as a form of praxis that challenges artist and listener in a dialectic of critical  pedagogy that mutually encourages ongoing personal growth and social transformation.

Tobacco | Hot, Wet & Sassy | Ghostly International
Bright, bombastic, noisy synths paired with darkly humorous musings disrupt the album’s aesthetic of nostalgic comfort sounds.

Torres | Silver Tongue | Merge Records

Uniform | Shame | Sacred Bones Records
Scorching and thrillingly diverse industrial hardcore inspired by noir literature.

Usaisamonster | Amikwag | Yeggs Records

Vivian | The Warped Glimmer | self-released

Voight | s/t | self-released
Maybe it’s Chase Dobson’s treatments and mixing and mastering after Adam Rojo and Nick Salmon wrote  and recorded this album, but the self-titled Voight album is the closest the duo has come to sounding like  it’s blurring the line between its rock and electronic aesthetics. Guitar chords burn and shimmer out,  percussion flurries and traces out a minimalist beat and Salmon’s vocals float through the songs like a  person who was once lost but is now rediscovering his ability to feel and to express those emotions with a  coherent self-awareness. Every song has an expansive quality reminiscent of Clan of Xymox and The Twilight Sad. The tone of the album perfectly walks the line between urgency and introspection without  ever compromising an underlying delicacy of spirit and emotional refinement.

Wayfarer | A Romance With Violence | Profound Lore Records

Wetware | Flail | Dais Recordings

White Rose Motor Oil | You Can’t Kill Ghosts | self-released

Windy & Carl | Allegiance and Conviction | Kranky

WL | ADHD | Beacon Sound

Wolf Parade | Thin Mind | Sub Pop

Yves Tumor | Heaven To A Tortured Mind | Warp Records
Futuristic, effervescent, downtempo, synth pop-inflected, R&B informed non-binary funk.

Best Shows in Denver 2/21/20 – 2/25/20

Chastity Belt
Chastity Belt performs at Bluebird Theater on February 23, photo by Beto Barkmo

Friday | February 21

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Stonefield, photo courtesy the band

What: Kyle Emerson w/Turvy Organ, Panther Martin and Crystal Seth
When: Friday, 2.21, 8 p.m.
Where: Hi-Dive
Why: Kyle Emerson’s new album Only Coming Down is a thoughtful collection of songs written while the songwriter was splitting his time between his adopted home of Denver and Los Angeles. Emerson is from norther Ohio but moved to Denver in his late teens/early 20s where he fell in with an up and coming psychedelic pop band Plum which made waves before moving to the City of Angels and, as is often the cliché, broke up shortly thereafter. Since then Emerson moved back to the Mile High City where he established himself as a solo artist with the release of his sophisticated and introspective, folk inflected pop album Dorothy Alice. Tonight he shares the bill with stars of the local indie rock milieu in Turvy Organ and Panther Martin.

What: Stonefield w/Pink Fuzz, SSIIGGHH
When: Friday, 2.21, 8 p.m.
Where: Lost Lake
Why: Amy, Hannah, Holly and Sarah Findlay are four sisters that formed the hard psychedelic rock band Stonefiled in 2006 in Darraweit Guim in Victoria, Australia. Its early offerings (for example Through the Clover) were in the realm of 70s boogie rock with hints of the psychedelia that would characterize their later songwriting. By the time of 2019’s Bent, the group hasn’t shed its infectious tunefulness but its overall sound is much heavier, brimming with expertly sculpted melodic fuzz and at times bordering on a fusion of Krautrock and early 2000s stoner rock. Fans of Stereolab, Trans Am and Hawkwind will find a lot to like about this latest incarnation of the band’s evolution.

What: Jack Wright/Ben Wright+Michael O’Neill/Ryan Seward, New Standards Men, Ryan McRyhew and Chris Culhane
When: Friday, 2.21, 7 p.m.
Where: Rhinoceropolis
Why: A night of avant-garde jazz, improvisational experimental rock and analog synth composition.

What: Tonguebyte (EP release) w/Paul Maul, Cagemates and CFX Project
When: Friday, 2.21, 7 p.m.
Where: Seventh Circle Music Collective

Saturday | February 22

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Ezra Furman, photo by Jessica Lehrman

What: Ezra Furman w/Kelley Stoltz
When: Saturday, 2.22, 7 p.m.
Where: Bluebird Theater
Why: Ezra Furman’s 2019 album Twelve Nudes is a lush yet somehow lo-fi collection of songs filled with raw emotion and experiences presented with a startling honesty couched in the sound of some 1960s girl group sound fused with fuzzy garage rock production. It’s a fascinating and bracing listen that gets past your filters before the impact of what you’re hearing hits you and the experience awakens you to the playful weightiness of Furman’s songwriting.

What: Shadows Tranquil, Emerald Siam, Midwife and Ophelia Drowning
When: Saturday, 2.22, 9 p.m.
Where: Mercury Café
Why: Dark, shoegaze-y post-punk band Shadows Tranquil performs this night with the brooding yet transcendent Emerald Siam, Midwife’s riveting, ethereal, tender, intimate soundscapes and Danish dungeon synth project Ophelia Drowning.

What: Kendra & The Bunnies
When: Saturday, 2.22, 8 p.m.
Where: Mutiny Information Café
Why: Kendra & The Bunnies brings an unconventional and disarming creativity and sensitivity to a folk psychedelia that seems out of place and out of time. When so many modern indie bands are still mining Laurel Canyon, Kendra & The Bunnies tapped slightly into the vibe of Northern California hippies and made it their own.

What: Cyclo-Sonic, Joy Subtraction and The Pollution
When: Saturday, 2.22, 8 p.m.
Where: 1010 Workshop
Why: Cyclo-Sonic is comprised of veterans of Denver’s great second era of punk in the 80s with former members of The Fluid, The Frantix, Rok Tots and The Choosey Mothers. Which would mean not much if the band wasn’t any good but it turns out that the band’s leftfield reinterpretation of melodic proto-punk and garage is shockingly vital and compelling. Joy Subtraction came out of the more arty end of punk inspired by the likes of Alice Donut and Nomeansno. The Pollution is an unlikely merging of psychedelic prog and punk.

What: Bernstock 2020: Innerspace, False Report, Castele, Lungburn, Rotten Reputation and Wall of the Fallen
When: Saturday, 2.22, 5 p.m.
Where: Seventh Circle Music Collective
Why: Local Denver punk and hardcore bands come together for a fundraiser to benefit the only candidate in the Democratic race to run against Trump that fully embraces a pro-working class agenda and grassroots democracy.

What: Bud Bronson & The Good Timers, Colfax Speed Queen and Pout House
When: Saturday, 2.22, 8 p.m.
Where: Hi-Dive

What: Sorted #12: Objekt and Pariah
When: Saturday, 2.22, 10 p.m.
Where: TBA

Sunday | February 23

Chastity Belt
Chastity Belt, photo by Beto Barkmo

What: Shibui Denver #10: Fern Roberts and Red Wing Black Bird
When: Sunday, 2.23, 7 p.m.
Where: Mutiny Information Café
Why: This edition of Shibui Denver will feature darkwave project Red Wing Black Bird and the latest band from former Emerald Siam and Light Travels Faster bassist Todd Spriggs, Fern Roberts.

What: Chastity Belt w/Nanami Ozone and Hugh F
When: Sunday, 2.23, 7 p.m.
Where: Bluebird Theater
Why: Chastity Belt has been on a great run of seeming to reinvent its aesthetic over the past two or three records. Its 2019 self-titled record has seemingly shed whatever influences informed its earlier work in favor of a more introspective, dream pop-esque, borderline post-punk aesthetic but rooted in a sophisticated expression of emotional complexity, the kind that only comes with processing loss whether personally, or of one’s place in the world or of one’s community or feeling lost in a world where things seem upended and your place in it seems tentative. Who can say is the reason for this change but it is the group’s finest offering to date in its ability to evoke feelings that a more straight ahead rock and roll songwriting style struggles to articulate.

What: Kendra & The Bunnies
When: Sunday, 2.23, 4-6 p.m.
Where: The Very Nice Brewing Company in Nederland 4-6 p.m.

What: Standards, Floral, How to Think and Birdhouse View
When: Sunday, 2.23, 7 p.m.
Where: Seventh Circle Music Collective

What: Dweezil Zappa Hot Rats Live + Other Hot Stuff 1969
When: Sunday, 2.23, 7 p.m.
Where: Gothic Theatre

Monday | February 24

What: Hannibal Buress w/Al Jackson and Tony Trimm
When: Monday, 2.24, 10”:15 p.m.
Where: Denver Comedy Works
Why: This is a free pop up comedy event featuring Hannibal Buress whose sharp, surreal comedy takes aim at the ridiculousness of modern life and odd ideas we all take for granted. He has also appeared in film and numerous television shows including brilliant turns on the Eric Andre Show and Broad City. For tickets signup/rsvp @ www.hannibalburess.com also text 312-584-5839 for a chance at tickets.

Tuesday | February 25

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Ceremony, photo by Rick Rodney

What: American Nightmare w/Ceremony
When: Tuesday, 2.25, 7 p.m.
Where: Bluebird Theater
Why: American Nightmare is a legit hardcore band in the modern mold. Ceremony was right there with them, though having formed in 2006 during American Nightmare’s hiatus from 2004-2011. But around the time of Ceremony’s 2012 album Zoo its sound if not its raw, confrontational energy as a live band was changing. Hints of a shift from hardcore into something more experimental was all over that record and by the time of The L-Shaped Man from 2015, Ceremony was a post-punk band. Its latest album, In the Spirit World Now has expanded the use of synths in the band’s overall sound has morphed even further in the direction of dance-y darkwave like Devo if that band had somehow emerged following the post-punk revival of the late 90s and early 2000s.

Best Shows in Denver 2/13/20 – 2/18/20

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The New Pornographers perform at the Gothic Theatre on February 15

Thursday | February 13

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Serpentfoot circa 2018, photo by Tom Murphy

What: Serpentfoot, Plastic Daggers and Fern Roberts
When: Thursday, 2.13, 7 p.m.
Where: Lost Lake
Why: Serpentfoot is a Fort Collins-based psychedelic garage rock band kind of in the realm of boogie blues and fuzzy surf rock. Plastic Daggers could be considered a punk band because it has that arch and brass energy and attitude. But with a bass and drums with dual vocals its sound is refreshingly spare yet maximalist. This is the debut show from Fern Roberts, the new band of former Emerald Siam, Overcasters and Light Travels Faster bass player Todd Spriggs.

Friday | February 14

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Chella And The Charm circa 2015, photo by Tom Murphy

What: Chella and the Charm w/Jen Korte & The Loss, White Rose Motor Oil, Jackie Zubrzycki, Erika Ryann
When: Friday, 2.14, 8 p.m.
Where: Hi-Dive
Why: This is an event called Sweethearts of the Rodeo and features some of Denver’s greatest female-led bands. Chella and the Charm may perform some of its songs more about relationships and love but it’s never simplistic, rote pop Americana platitudes. Chella’s incisive mind poetically peels apart the zeitgeist and presents the strugges and joys with a rare poetic insight. Jen Korte is one of the most versatile and hard-working musicians in Denver whose dynamic songwriting expands the genres and styles in which she chooses to operate.

What: Bianca Mikahn, R A R E B Y R D $, Pearls and Perils and Shockermom
When: Friday, 2.14, 8 p.m.
Where: Mutiny Information Café
Why: A showcase for some of the best and most imaginative hip-hop artists in Denver at the moment. Bianca Mikahn’s noise experiments and soundscapes paired with her poetry is always a surprisingly compelling combination. R A R E B Y R D $ breaks hearts and heals minds with their dense beats and passionate vocals and wordplay. Pears and Perils is like if Bjork went more lushly downtempo and did hip-hop. Shockermom fuses emotionally vibrant jazz vocals with ambient hip-hop and one of the best things you’ll see all month.

What: Silversun Pickps w/Eliza & The Delusionals
When: Friday, 2.14, 7 p.m.
Where: Ogden Theatre

What: Cheap Perfume, Flora De La Luna and The Yellnats
When: Friday, 2.14, 8 p.m.
Where: Seventh Circle Music Collective
Why: Colorado Springs-based political punk band Cheap Perfume puts the fun into caustic send-ups of the misogynist aspects of American culture.

Saturday | February 15

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Mattiel, photo by Jason Travis

What: Lloyd Cole
When: Saturday, 2.15, 7 p.m.
Where: Swallow Hill
Why: Lloyd Cole came to prominence in the 80s as the lead singer of the great jangle pop band The Commotions. But by the turn of the decade he had gone solo but still writing thought-provoking songs though in a slightly different style suitable to his poetic imagination. In that way he followed a similar path to Robyn Hitchcock when he left The Soft Boys. One of the criminally underknown songwriting greats of our era. Currently touring following the 2019 release of his latest album Guesswork.

What: The New Pornographers w/Diane Coffee
When: Saturday, 2.15, 8 p.m.
Where: Gothic Theatre
Why: There’s always been something orchestral to The New Pornographers’ spacious pop songs. Like something assembled in a studio in the late 60s with Brian Wilson and Van Dyke Parks but with a modern set of musical ideas and instincts. Its 2019 album In the Morse Code of Brake Lights also highlights how despite the grandeur of its creative vision its songs manage to seem like glimpses into intimate moments of vulnerable, existential contemplation.

What: Mattiel w/Calvin Love
When: Saturday, 2.15, 8 p.m.
Where: Lost Lake
Why: Mattiel has a knack for taking surreal everyday situations and turn them into synth pop epics. Her 2019 album Satis Factory does some sonic time traveling between early 60s girl group and Connie Frances-esque melodies, late 70s New Wave pop wiry energy and a contemporary ironic tone. But her delivery doesn’t feel jaded or detached, just playing with the songwriting format to comment on culture and society in a way that uses nostalgic elements to speak of the present in the past tense.

What: Pictureplane w/ DEBR4H and Entrancer
When: Saturday, 2.15, 8 p.m.
Where: Hi-Dive
Why: Former Denverite Pictureplane jokingly coined the term “witch house” around a decade ago. But his own music transcends such easy categorization as a mélange of hip-hop, glitch pop and noise.

What: Sango w/Savon and Dante ThatGuy
When: Saturday, 2.15, 8 p.m.
Where: Summit Music Hall

What: Eigengrau, Night of Dark Light, Causer and Human Consumption
When: Saturday, 2.15, 7 p.m.
Where: Seventh Circle Music Collective

Sunday | February 16

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Pinegrove, photo by Daniel Topete

What: Bernie Sanders Rally
When: Sunday, 2.16, 4 p.m.
Where: Colorado Convention Center
Why: For anyone what wants to go and see the current frontrunner in the primaries for the nomination to be the Democratic Party candidate for the office of President of the United States.

What: Rosegarden Funeral Party w/Lorelai K and Faces Under the Mirror
When: Sunday, 2.16, 7 p.m.
Where: 3 Kings Tavern
Why: Rosegarden Funeral Party if keeping the torch alive for darkwave in Dallas at its base of operations Funeral Home before moving to Los Angeles this fall. The band’s 2019 album MARTYR is reminiscent of a melding of Clan of Xymox, Xmal Deutschland and the more glam end of of Concrete Blonde.

What: Darpabong EP release and final show w/The Plastic Rakes and Secret Mormon
When: Sunday, 2.16, 7 p.m.
Where: Mutiny Information Café
Why: Darpabong is finally releasing its debut EP leaked in 2019 at this show. The “Stoner Doom Dub” band includes members of Gort Vs. Goom so even if this final show is a bit of a goof the music will be legit.

What: Pinegrove w/Whitney Ballen
When: Sunday, 2.16, 7 p.m.
Where: Gothic Theatre
Why: Pinegrove is currently touring in support of its latest album Marigold. The record is its most focused effort to date conveying a sense of space and simplicity with interlocking, textured tones lending the songs a complexity not immediately obvious. The record comes out in the wake of songwriter Evan Stephens Hall’s undergoing therapy and other work following a 2017 allegation of sexual coercion as outlined in a 2018 article on Pitchfork by Jenn Pelly. If turmoil produces better art, perhaps Hall’s efforts at becoming a better person have lead to a good deal of creative clarity as well.

Tuesday | February 18

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The Jungle Giants, photo by Jesper Hede

What: The Jungle Giants w/Little Image
When: Tuesday, 2.18, 7 p.m.
Where: Larimer Lounge
Why: The Jungle Giants from Brisbane, Australia combine an R&B and soul sensibility into its jaunty pop songs. Its music videos suggest an aesthetic informed by independent film and Kurt Vonnegut. Though the group hasn’t released an album since 2017’s Quiet Ferocity, in 2019 and 2020 it released singles “Heavy Hearted” and “Sending Me Ur Loving” respectively so on this tour expect to hear new material before it appears on the band’s next record.

Best Shows in Denver and Beyond 12/20/19 – 12/23/19

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Colorado Crew: Denvoid Pt. 2 is being released and celebrated during events this weekend

Friday | December 20

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Echo Beds, photo by Tom Murphy

What: Colorado Crew Denvoid Pt. 2 book release
When: Friday, 12.20, 6-8:30 p.m.
Where: Mercury Café
Why: This event will present the follow up to Bob Rob Medina’s 2015 book Denvoid and the Cowtown Punks which documented the Denver punk and underground music scene from 1982-1987. This volume, Colorado Crew: Denvoid Pt. 2 covers the years 1988-1996 in which punk changed, the major current strands of music in Denver emerged into strong, coherent form and the early phase of artist run DIY spaces developed into the form we know now.

What: Emerald Siam w/Echo Beds and Clusterfux
When: Friday, 12.20, 8 p.m.
Where: Hi-Dive
Why: The musical accompaniment to Colorado Crew: Denvoid Pt. 2 mentioned above with bands whose members were part of that late 80s through mid-90s scene.

What: Panther Martin w/Wet Nights, Marti and the Dads
When: Friday, 12.20, 7 p.m.
Where: Larimer Lounge

What: Reno Divorce w/Tejon Street Corner Thieves and Joy Subtraction
When: Friday, 12.20, 8 p.m.
Where: Globe Hall

What: Colorado People’s Alliance Fundraiser with Gone Full Heathen, Lost Boi, Joel Zigman and more
When: Friday, 12.20, 8 p.m.
Where: Seventh Circle Music Collective

Saturday | December 21

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Causer, photo by Tom Murphy

What: Grimy (Bryan Wendzel) and Cabron (Bob Rob Medina)
When: Saturday, 12.21, 1 p.m.
Where: Chain Reaction Records
Why: Early afternoon show connected to the release of Colorado Crew: Denvoid Pt. 2 featuring death-grind band Grimy and author Bob Rob Medina’s San Diego-based punk outfit Cabron playing a rare show (as well as another later this night).

What: The Rocky Mountain Synthesizer Meetup Presents: Synth Patrol
When: Saturday, 12.21, 1-3 p.m.
Where: Little Horse Books & Vintage
Why: Early afternoon concert featuring live vinyl sampling from Aefonic (Brian Horsfield), Cold Future (Victor John), monoscene (Christoph Scholtes) and Newecho (Mark Mosher).

What: Jon Snodgrass and Jux County
When: Saturday, 12.21, 5-8 p.m.
Where: Mutiny Information Café
Why: Another show connected to the release of Bob Rob Medina’s book Colorado Crew: Denvoid Pt. 2 including performances from longtime punk stalwart Jon Snodgrass and Jux County, one of the early cowpunk/alt-country bands from the mid-80s and who still occasionally play shows.

What: FOUR! (reunion), Cyclo-Sonic, Mind Rider (Sonny Kay), Cabron
When: Saturday, 12.21, 9 p.m.
Where: 1010 Workshop
Why: The final event related to the release of Colorado Crew: Denvoid Pt. 2 with performances from bands including people featured in the book with pop-punk legends FOUR!, garage punk band Cyclo-Sonic which includes members of The Fluid, Choosey Mothers and Rok Tots, Sonny Kay (Savalas, Angel Hair, The VSS) and Bob Rob Medina (Savalas, Cabron). Rumor has it Medina and Kay will perform a Savalas song.

What: Causer, Equine, Tears to Li6ht
When: Saturday, 12.21, 8 p.m.
Where: Glitter City
Why: Equine is an avant-garde guitar drone solo project of Kevin Richards. Causer is one of the most compelling and inventive newcomers to Denver’s noise scene with their mix of confrontational performance art and noise collage. Tears to Li6ht is a melodic ambient/experimental pop project.

What: Surfacing – Winter Solstice show: Mirror of Truth (Esmé Patterson solo project), EA$$IDE LUPITA Korryne solo, Bell Mine, Kaumaha
When: Saturday, 12.21, 8 p.m.
Where: Rhinoceropolis
Why: Titwrench festival will return in 2020 to feature some of the most interesting female, LGBTQIA and marginalized community artists. This event is a showcase for what’s to come and a fundraiser for the future festival. It’s the debut of Esmé Patterson’s experimental music project and will include a performance of Korryne of R A R E B Y R D $’ solo project EA$$IDE LUPITA.

What: Jade Cicada w/Seppa, Shield, Mad Zach, Bricksquash and Schmoop
When: Saturday, 12.21, 7 p.m.
Where: Mission Ballroom

What: Charlie Parr w/Dead Horses
When: Saturday, 12.21, 8 p.m.
Where: Bluebird Theater

What: Decemburger IV: In the Company of Serpents, Nekrofilth, Ghosts of Glaciers, The Munsens, Casket Huffer, Upon A Fields Whisper
When: Saturday, 12.21, 6 p.m.
Where: Hi-Dive

Sunday | December 22

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Umbras Animas, photo by Tom Murphy

What: Umbras Animas w/Lady of Sorrows, John Gross, Mismo and Pythian Whispers
When: Sunday, 12.22, 7 p.m.
Where: Rhinoceropolis
Why: Umbras Animas is bringing its latest drone and shadow pupper theater performance to Rhinoceropolis along with one of the Godfathers of Denver noise John Gross, operatic darkwave synth pop project Lady of Sorrows and soundtrack/soundscape projects Mismo and Pythian Whispers (full disclosure, Queen City Sounds and Art writer Tom Murphy’s band).

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Claudzilla, photo by Tom Murphy

What: Claudzilla w/Artificial Bladder (synth pop), Preparation (ambient)
When: Sunday, 12.22, 7 p.m.
Where: Mutiny Information Café
Why: Weirdo keytar pop maven Claudzilla will perform along with likeminded weirdos Artificial Bladder and Preparation.

Monday | December 23

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EVP, photo by Tom Murphy

What: Aunti Hoppa, Sur Ellz, Techno Allah and EVP
When: Monday, 12.23, 9 p.m.
Where: Rhinoceropolis
Why: A show where breakbeat dance music, hip-hop, electro soul and melodic industrial glitch meet.