Best Shows in Denver and Beyond 10/31/19 to 11/6/19

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Bethlehem Steel performs 11.1.19 at Lion’s Lair, photo by Jeanette D. Moses

Thursday | October 31

What: The Legendary Pink Dots w/Orbit Service, The Drood, DJ Mudwulf and VJ Dizy Pixl
When: Thursday, 10.31, 8:30 p.m.
Where: Ophelia’s Electric Soap Box
Why: The Legendary Pink Dots and its mystical, spectral, ambient psychedelia will turn 40 next August and is currently undertaking a tour celebrating the landmark date along with its new album, 2019’s Angel in the Detail. The new record contains elements of what has always made LPD great including entrancing atmospheres, singer Edward Ka-Spel’s poetic lyrics that articulate deep truths about the human condition and how it manifests in our lives and civilizations. It also comments on the perilous state of things in the world today and especially in “The Junkyard” and how the elites are trying to finish completing a world system that renders those of us not in that upper one percent of one percent as pieces of junk in world civilization. The surreal and beautifully disturbing music video is well worth a view. Also sharing the bill tonight is the likeminded Denver-based ambient psychedelic rock band Orbit Service which has been gracing local stages and well beyond since the mid-90s. The Drood, also from Denver, is like a dark psychedelic prog band with punk-intensity and a sense of theater and the ability to create exorcistic emotional experiences in song. DJ Mudwulf will set the mood with what is sure to be a great set for the holiday and VJ Dizy Pixl will set the visual mood as per her usual level of excellence.

What: Wu Tang Clan w/Jedi Mind Tricks, Immortal Technique and Dillon Cooper
When: Thursday, 10.31, 5:30 p.m.
Where: Red Rocks

What: T.S.O.L. w/Noogy and The Pitch Invasion
When: Thursday, 10.31, 7 p.m.
Where: Oriental Theater

What: Dragondeer w/Dog City Disco and What Young Men Do
When: Thursday, 10.31, 8 p.m.
Where: Cervantes’ Other Side

Friday | November 1

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Yung Bae, photo by Peter Dons

What: Bethlehem Steel w/Gila Teen and guest
When: Friday, 11.1, 9 p.m.
Where: Lion’s Lair
Why: Bethlehem Steel has been together since 2012 but started garnering national attention for its outstanding performances at the South By Southwest festival in 2016. At that time the group had out a couple of EPs but released its debut full length Party Naked Forever in 2017. Its thrilling collision of fuzzy pop and dynamic atmospheric rock has drawn comparisons to 90s noise pop acts like Weezer and contemporary artists like Courtney Barnett and Waxahatchee. But often enough the group’s expansive, imaginative songwriting and creative ambition has resulted in some music that pushes boundaries of the loud and quiet format that many bands have adopted of late so that its songs will remind some of the emotionally stirring music of older bands like Failure, Slint and Rainer Maria. It has that kind of fire and caustic sound as well as lyrics that delve deep into the darker regions of the psyche with a defiant spirit lighting the way. In September, Bethlehem Steel released its fantastic self-titled full-length for which it is touring in support. Also on the bill is Gila Teen, the experimental post-punk band that brilliantly mixes moody atmospheres with a splintery pop punk.

What: Yung Bae w/Birocratic and Jaguar Nights
When: Friday, 11.1, 8 p.m.
Where: Marquis Theater
Why: Dallas Cotton started making music as Yung Bae while living in Portland, Oregon but his production-based future funk started garnering him wider audiences while still a student at Oregon State University. His sound straddles that sort of 70s soul and R&B-inspired sounds and the aesthetic of modern electronic pop music. So while he references classic music it comes off with a more modern sensibility and energy. It hearkens to a previous era and the unsullied excitement of that music but in a way that couldn’t really have been accomplished at the time in terms of how he sculpts sound and edits it together. In 2019 Yung Bae released his fifth album in as many years with Bae 5.

What: Red Wing Black Bird album release w/Plague Garden and Married a Dead Man
When: Friday, 11.1, 9 p.m.
Where: Skylark Lounge
Why: Denver darkwave band Red Wing Black Bird is releasing its latest album produced by DJ Charon of Necromantic/Fenando Altonaga of industrial band eHpH.

What: Future of Bass: smith, Mize, Wriza and Killa Nova
When: Friday, 11.1, 9 p.m.
Where: The Black Box

What: Lucy Dacus w/Liza Anne and Sun June
When: Friday, 11.1, 8 p.m.
Where: Gothic Theatre

Saturday | November 2

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Altas circa 2019, photo by Tom Murphy

What: Dia De Muertos celebration: Altas, Plume Varia and Los Mocochetes
When: Saturday, 11.2, 8 p.m.
Where: Hi-Dive
Why: Denver instrumental rock band Altas is doing its now annual Dia De Muertos show in which the members will dress in the appropriate regalia for the occasion making the show a true event rather than just another gig. The group’s sweeping, cinematic grandeur and fiery musical pyrotechnics and mastery of mood and atmosphere is worth witnessing alone but also on the bill is psychedelic rock band Los Mocochetes and downtempo dream pop band Plume Varia and its emotionally rich and haunted compositions.

What: The Locust w/Disposal Notice and Its Just Bugs
When: Saturday, 11.2, 8 p.m.
Where: Summit Music Hall
Why: The Locust recently reconvened to bring its mutant, death metal inflected, noisy hardcore on a national tour. The group’s surreal imagery and costumes along with its equally bizarre lyrics has made it difficult to lump in with any convenient musical movement. Its Just Bugs (the apostrophe is left off) is an industrial punk hip-hop group from Colorado and just as impossible to pigeonhole.

What: Twin Peaks w/Post Animal and Ohmme
When: Saturday, 11.2, 8 p.m.
Where: Gothic Theatre
Why: Twin Peaks from Chicago weathered the mid-2010s blowout of garage rock and neo-psychedelic rock that was making the underground rock scene of a certain stripe become fairly stale and performatively exciting. What helped was that Twin Peaks was writing good songs and hasn’t stayed stuck in the same sound for its entire career thus far. Its 2019 album Lookout Low sounds like an odd and interesting hybrid of power pop and the weirdo punk of The Fall at its most Lou Reed-inspired, mix in some unusual flourishes of 70s rock with nods to Peter Frampton and Thin Lizzy. All while delivering spirited and sometimes gloriously ragged performances which are much needed at a time when a sanitary quality has permeated too much modern music.

What: Fathers, Limbwrecker, The Munsens and Muscle Beach
When: Saturday, 11.2, 8 p.m.
Where: Lost Lake

What: Dendera Bloodbath, Endometrium Cuntplow, Cau5er, Brother Saturn, Church Fire and Equine
When: Saturday, 11.2, 8 p.m.
Where: Rhinoceropolis

What: Rocket Dust, Tokyo Rodeo and The Slack
When: Saturday, 11.2, 8 p.m.
Where: Glitter City

Sunday | November 3

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Vivian Girls circa 2008, photo by Tom Murphy

What: Vivan Girls w/Down Time, Short Shorts and Backseat Vinyl — CANCELLED
When: Sunday, 11.3, 7 p.m.
Where: Marquis Theater
Why: Vivian Girls caused a stir in the indie underground of the 2000s and 2010s with their lo-fi, noisy pop songs. The group’s ability to mix buoyant dynamics with dark, brooding moods and sounds was a fascinating contrast. The band split in 2014 with members going on to perform in La Sera, The Babies and Upset (all still going concerns). But in summer 2019 the group announced it was reforming with a new record, Memory, on the way and released in September.

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SRSQ, photo by Tom Murphy

What: TR/ST w/SRSQ and DJ Slave 1
When: Sunday, 11.3, 7 p.m.
Where: Summit Music Hall
Why: TR/ST came to prominence as the new darkwave movement was coming together with a sound that seemed to come out of the then renewed interest in vintage synths, that cold, bright, moody sound of Goth-y 80s synth pop and its cousin chillwave. But Robert Alfons’ vibrant, soulful voice and imaginative soundsccaping are the key ingredients that elevated this project above many of its contemporaries. In 2019 TR/ST released The Destroyer (Part 1 and 2), a more experimental and ambient, ethereal set of songs than his previous offerings and a clear product of reassessing directions and ideas to produce something different. SRSQ (pronounced Seer Ess Que as in the lettes for the latter two) is Kennedy Ashlyn the charismatic singer formerly of brilliant dream pop band Them Are Us Too. Her 2018 album Unreality is a moody and emotionally harrowing and cathartic downtempo album that seems to have absorbed the darkness and pain of the underground world in the wake of the Ghost Ship fire and given it a voice that exorcises some of that energy.

What: Keytar Fest IV: The Jinjas, R A R E B Y R D $ and Claudzilla
When: Sunday, 11.3, 4 p.m.
Where: Glitter City
Why: Just like the title of the event suggests, this is a mini festival featuring all projects that incorporate keytars as an essential part of the songwriting and this includes weirdo synth punk Claudzilla and experimental hip-hop/IDM-inflected trio R A R E B Y R D $.

What: Danny Brown w/Ashnikko and Zeeloperz
When: Sunday, 11.3, 7 p.m.
Where: Cervantes’ Masterpiece Ballroom
Why: Ever since the larger world outside of Detroit started cluing into Danny Brown’s genius following the release of 2010’s The Hybrid, the rapper has garnered a large cult following for his eccentric yet sharply cogent and thoughtful yet raw lyrics and production that incorporates a wide range of sounds that one hadn’t often heard in hip-hop outside of the underground and alternative circles of the 90s and early 2000s. Brown picked up where that left off and pushed things further particularly on his 2016 album Atrocity Exhibition which borrowed its title from a science fiction novel by J.G. Ballard and whose beats sounded almost like a new hybrid of industrial and rap that reflected the atmospherics as much as the textures and rhythms. With his new album, 2019’s uknowhatimsayin¿ Brown follows a similar sonic path but brings together more organic, almost found sounds with processed layers of atmosphere. Intact is his gift for surreal imagery and wordplay that gets under your skin.

Monday | November 4

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GRÜN WASSER, photo courtesy the artists

What: GRÜN WASSER w/Natural Violence, French Kettle Station and Night Shift DJs
When: Monday, 11.4, 9 p.m.
Where: Rhinoceropolis
Why: GRÜN WASSER is a Chicago-based electro-pop/industrial whose pulsing rhythms and dreamlike moods sound like endless nights wandering a menacing urban landscape and commenting on the culture of the nightlife. That is if the group’s new album Not OK with Things (Holodeck Records) is any indication. There is an almost claustrophobic quality to its densely atmospheric beats contrasted with Keely Dowd’s lightly echoing, ethereal vocals. French Kettle Station has been through more permutations of his sound than many artists bother to explore but of late he’s been developing a sound that’s still rooted slightly in 1980s No Wave disco and modern glitch dance pop but also influenced by 1980s adult contemporary music and its unexpectedly newly influential use and voicing of drums and vintage synths in a way that in any other contexts would be utterly wack but takes on an almost spiritual cast in certain underground electronic artists including that side of what FKS has been up to in the past year or two. His latest album, Over X Millenia takes those ideas and injects them with non-western rhythmic ideas and a New Age music aesthetic for something new yet strangely familiar. Its closest cousin that comes readily to mind is Brian Eno and David Byrne’s 1981 classic My Life in the Bush of Ghosts.

Tuesday | November 5

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HTRK, photo by Kate Meakin

What: HTRK w/Midwife, Echo Beds, Human Tide
When: Tuesday, 11.5, 8 p.m.
Where: Rhinoceropolis
Why: Since 2003 HTRK, originally from Australia, has been making music inspired by the brooding, otherworldly atmosphere of the films of David Lynch. Though the name of the band is pronounced “Hate Rock” it’s not so much rock except in the experimental sense as much as downtempo and ambient soundscaping. In 2010 founding musician Sean Stewart passed away leaving Nigel Yang and Jonnine Standish to carry on and as a duo HTRK has released a handful of some of the most fascinating music mixing electric music with an electronic aesthetic being made today. The group’s latest album is Venus in Leo with its exquisitely subtle dynamics and cinematic approach to its composition and sound design with lingering, impressionistic guitar riffs drifting around Standish’s hushed and soulful vocals.

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Minami Deutsch, photo courtesy the artists

What: Kikagaku Moyo w/Minamu Deutsch
When: Tuesday, 11.5, 7 p.m.
Where: Gothic Theatre
Why: Kikagaku Moyo from Japan is a true synthesis of 70s Krautrock, classic Japanese psychedelic rock and more traditional Japanese folk. Currently the group is touring with the like-minded Tokyo band Minami Deutsch. The group’s urgent rhythms, mesmerizing drones and hypnotic dynamics sound like what it is to travel through Tokyo and its subtle but odd mixture of old world and high tech metropolis side by side in all of the city’s giant districts. On the group’s new EP, Can’t Get There that dynamic often takes you to a place of anxiety and then release as it draws you into its irresistible groove.

What: Jeffrey Lewis & The Voltage w/Adam Baumeister
When: Tuesday, 11.5, 7 p.m.
Where: Hi-Dive
Why: A rare chance to see eccentric, genius freak folk and comic artist legend Jeffrey Lewis and his band along with local star of experimental folk and psychedelia, Adam Baumeister, head of Meep Records and former member of Navy Girls and Bad Weather California.

What: Cannibal Corpse w/Thy Art is Murder, Perdition Temple
When: Tuesday, 11.5, 6:30 p.m.
Where: Boulder Theater

What: Arc Sol, Slugger and Gothsta
When: Tuesday, 11.5, 9 p.m.
Where: Mercury Café

What: 1349 w/Uada and Cloak
When: Tuesday, 11.5, 6:30 p.m.
Where: Oriental Theater

Wednesday | November 6

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Dinosaur Jr, photo by Levi Walton

What: Negative Approach w/Blood Loss and Tuck Knee
When: Wednesday, 11.6, 7 p.m.
Where: Lost Lake
Why: Negative Approach from Detroit was one of the bands out of that early wave of American hardcore than seemed particularly seething and intense and fronted by John Brannon who went on to noisy psychedelic blues band Laughing Hyenas and Easy Action. Easily one of the greatest frontmen of rock music because he seems to actually be losing his mind swept up in the moment.

What: Weird Wednesday: FangFuck, Zealot and Bolonium
When: Wednesday, 11.6, 9 p.m.
Where: Bowman’s Vinyl & Lounge
Why: Weird Wednesday includes left field indie rock local supergroup Zealot and Bolonium a band inspired by Devo and which comes off like an odd combination of band, cheesy game show and Troma film.

What: Kurt Vile and the Violators w/Dinosaur Jr
When: Wednesday, 11.6, 7 p.m.
Where: The Mission Ballroom
Why: Dinosaur Jr is the missing link between gritty classic rock like Neil Young, hardcore and 90s alternative rock and more influential on modern music than is often obvious. The mixture of sheer volume with tunefulness reconciled eras of music in a way that is often taken for granted and which bands like Nirvana and other massively commercial successful bands took to topple the music industry marketing machine and culture. Apparently modern folk/psychedelic artist Kurt Vile has felt this influence and thus has Dinosaur on this tour and for its part, the members of Dinosaur Jr have continued to release music, some of the best of its career in the past decade.

What: (Sandy) Alex G w/Indigo De Souza and Tomberlin
When: Wednesday, 11.6, 7 p.m.
Where: Marquis Theater

Best Shows in Denver 3/28/19 – 4/3/19

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Dilly Dally performs Friday 3/29 at Larimer Lounge. Photo by Michelle Homonylo

Thursday | March 28

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Eugene Chadbourne, photo courtesy the artistEugene Chadbourne

Who: Creative Music Works Fundraiser: Special guest Eugene Chadbourne
When: Thursday, 03.28, 7-9 p.m.
Where: Mighty Fine Productions
Why: Creative Music Works is, according to the event page, a “nonprofit organizartion providing educational and performance opportunities for musical innovators.” Meaning the organization furthers the endeavors of artists whose work often falls outside the traditional commercial and popular music environment—the people pushing the boundaries with form, method and conceptualization. CMW members Janet Feder, Mark Harris, Scott Kinnamon, Elena Carmerin Young and Isaac Linder will contribute to a performance as well as avant-garde music legend Eugene Chadbourne.

Who: Starjammer w/Bianca Mikahn
When: Thursday, 03.28, 4-7 p.m.
Where: 3 Kings Tavern
Why: Starjammer’s “avant-garde dub reggae”/performance art/home made instrument rig glory is paired tonight with one of Denver’s poetry greats and forward thinking hip-hop experimentalists, Bianca Mikahn.

Who: Rob Sonic w/The Maybe So’s, Brett Gretzky and Hakeem Furious
When: Thursday, 03.28, 8 p.m.
Where: Ophelia’s Electric Soapbox
Why: Rob Sonic has had a fairly distinguished career for his innovative hip-hop projects Sonic Sum and Hail Mary Mallon (which included Aesop Rock and DJ Big Wiz). What has made his various efforts interesting is his use of a fairly different palette of sounds from many of his peers. His 2018 album Defriender lays out moods and textures that wouldn’t be out of place on a post-punk or deep house track or an industrial noise song. Denver’s The Maybe So’s is a duo that also weaves in unconventional electronic music and samples of organic percussion into its flow of beats and poetry.

Friday | March 29

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American Culture, photo by Tom Murphy

Who: Dilly Dally w/Chastity and American Culture
When: Friday, 03.29, 8 p.m.
Where: Larimer Lounge
Why: On Dilly Dally’s 2015 album Sore the group sounded like a bit like a weird mixture of Bully and Courtney Barnett. But to be fair, it was probably something in the universe/confluence of influences across a broad swath of the collective musical consciousness. But with the 2018 album Heaven, Dilly Dally has expanded its range as a band and there is more brooding, atmospheric darkness flowing through its fuzz-laden riffs. It’s song “Doom” is more doom in tone and emotional resonance than a lot of what passes for such in the doom genre. But its inherently introspective yet expansive melodies keep the music from wallowing in stagnation. Along for this date is fellow Canadian band Chastity who are definitely more well within the realm of doomy noise rock. American Culture lately has straddled the line between indie pop, post-punk and psych country jam rock minus the wacktitude.

Who: Furbie Cakes, Space Monkey Mafia (MN), MTHirst, Fancy Pantz, Shocker Mom, Luxury Hearse and Wooflet
When: Friday, 03.29, 8 p.m.
Where: Your Mom’s House
Why: A show chock full of weirdo electronic bands, ambient and noise. And then Shocker Mom who is making the most heartwarming and healing sad beats currently being made.

Saturday | March 30

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Hand Habits, photo by Jacob Boll

Who: Hand Habits w/Tomberlin and Porlolo
When: Saturday, 03.30, 8 p.m.
Where: Larimer Lounge
Why: Meg Duffy may be more well-known for being a touring member of Kevin Morby’s band. But with the release of her album placeholder under the moniker Hand Habits should garner her plenty of attention for her own creative efforts. Superficially its mid-tempo moody indie folk but her words go deep into thoughts and feelings we don’t want to entertain but must face honestly. Not necessarily obvious and brutal trauma but the subtler pains that can deeply haunt you every day and from which are more elusive in evading. Disappointment in self, reflecting on one’s suddenly seemingly damning mistakes and the cognitive dissonance of the complexity of conflicting feelings about people, situations, existential ponderings and life in general that are all valid. Her tonal choices are all interesting and the perfect companion to explicating and maybe untangling and processing the aforementioned.

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Robyn Hitchcock, photo courtesy the artist

Who: Robyn Hitchcock
When: Saturday, 03.30, 7 p.m.
Where: Swallow Hill – Daniels Hall
Why: One thing that isn’t so obvious about seeing Robyn Hitchcock playing solo or with collaborators is how his simple but richly detailed guitar work is creatively varied and incorporates percussive elements with an expressive delicacy that focuses the emotional impact of his songwriting. He seems to be an endless well of interesting and poetic stories that make even what some may consider his lesser records worth a listen. Pick a point in Hitchcock’s career and you’ll find some of the best songwriting of that period whether while he was a member of The Soft Boys, his work with The Egyptians or The Venus 3. Like a magical-realist (emphasis on realist) novelist, Hitchcock’s songs offer observational insight into the human psyche through an intensely personal window.

Who: Jeff Carey, Sigtrygur Sigmarsson, Diffuser, Flesh Buzzard, Joshua Westerman. Sunk Cost and Page 27
When: Saturday, 03.30, 8 p.m.
Where: Thought//Forms
Why: Noise shows are pretty infrequent in Denver these days but this one is a showcase for some of the best noise acts going and not in the vein of the cliché harsh noise/shakebox feedback sculpting mode. Much more craft, imagination and originality here with Denver noise legends Page 27, former Austin-based noise prankster Sunk Cost, Adam Rojo of Voight’s Diffuser noise-scaping pieces and raw noise punk Flesh Buzzard. Among others.

Who: Black Dots, SPELLS, Lawsuit Models, Girl Scout Heroine and Good Family
When: Saturday, 03.30, 7 p.m.
Where: Seventh Circle Music Collective
Why: A fairly traditional punk show with less of the fashion victim thing than usual. SPELLS wears costumes and get a solid B for the music but hey, that’s better than you get a lot of the time. Girl Scout Heroine includes former members of The Geds and The Blast-Off Heads.

Who: King Buffalo w/Pale Sun and The Lycan
When: Saturday, 03.30, 8:30 p.m.
Where: Lost Lake
Why: What King Buffalo is doing, to some extent, we’ve seen a lot of over the past decade—drone-y, blues-y, doom-y psychedelia. But to give the band its due, if 2018’s Longing To Be The Mountain is any indication, it didn’t just adopt some motorik beats, it takes that sonic vehicle to places of heightened emotional impact beyond just hypnotic drive with occasional flourishes. Also it’s songwriting is much more creative and not grinding away at the same vibe and pace for an entire record. King Buffalo often reaches moments of true sonic sublimity in a way that transcends any genre associations. Pale Sun will bring a different kind of atmospheric heavy as the trio’s finely honed space rock has similar roots as King Buffalo but whose music touches subconscious places in the mind with both tone, rhythm and emotional vibrancy. Vocalist/guitarist Jeff Suthers channels the visceral quality of the music well with his singing but he’s also tapping into something in the collective consciousness in the performance as well.

Monday | April 1

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Olivia O’Brien, photo courtesy the artist

Who: Olivia O’Brien w/Kevin George
When: Monday, 04.01, 7 p.m.
Where: Larimer Lounge
Why: Olivia O’Brien was about fifteen years old when she got a boost up as a singer and songwriter after garnering the attention of Australian pop artist gnash who discovered her through her posting of a cover of one of his songs on Soundcloud. Over the past four years, O’Brien has recorded with gnash and released a string of singles. “Trust Issues” from 2016 revealed a thoughtful sensibility and self-awareness that can be uncommon in general but definitely in a teenager. O’Brien’s R&B and soul inflected pop and commanding, emotionally nuanced, stage presence will probably find a wider audience after this current tour and the April 26 release of her debut full-length Was It Even Real? For now, you can see her at a small club like Larimer Lounge.

Tuesday | April 2

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Ten Fé, photo by Eleanor Hardwick

Who: Ten Fé w/Ten Miles South and Paul Kimbiris & The Dark Side of Pearl
When: Tuesday, 04.02, 7 p.m.
Where: Globe Hall
Why: Been Moorhouse and Leo Duncan got their start busking in London before recording their 2017 debut album Hit the Light. Before taking the music on the road, the duo brought on board a band to fill out the sonic details. The group’s 2019 album Future Perfect, Present Tense sounds remarkably sophisticated for a relatively new band. Its particular incorporation of synth into songwriting might remind some listeners of The Call or later-era The Sound, but without the punk edge. That’s no knock on the music because its softness doesn’t quite wax into the 70s Laurel Canyon worship that’s been en vogue of late. Rather its the sound of a band exploring and refining where it will go next while perfecting an exquisitely lush minimalism without sacrificing the textural details that have made its songwriting noteworthy up to now.

Who: Vanilla Milkshakes digital album release show
When: Tuesday, 04.02, 7 p.m.
Where: Mutiny Information Café
Why: Its been four years since Vanilla Milkshakes released Tall People Have No Feelings. Line up changes and a release of a cover of “Breed” by Nirvana in 2018 later, the grunge-y pop-punk band (singer/guitarist David McGhee makes no bones about being influenced by The Offspring) has released its best record with Punching Cows. Recorded with Jack Endino and guitars tracked through one of Kurt Cobain’s old amps, on the record McGhee’s vocals are clearer and stronger, the songwriting more focused. But the idiosyncratic quality of the lyrics and McGhee’s vocals, which is one reason none of this comes off like a band that would be playing that final Warped Tour. The sense of melody and tight rhythms give even the most melancholy of the songs (“Mommy Said to Get a Job” and “Green And Sober” for instance) a buoyant quality that doesn’t seem to downplay the real feelings and experiences that likely inspired the song. There are enough rough edges to keep the record interesting throughout. The band performs infrequently these days so this is a good opportunity to see the Vanilla Milkshakes in a small venue with the jokes from stage inserted between songs. Besides, drummer Frank Registrato is a wizard at helping keep things on track with no heavy hand and the sheer finesse and power of his playing.

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Hop Along, photo by Matt Allen, OctFest

Who: Hop Along w/Summer Cannibals
When: Tuesday, 04.02, 7 p.m.
Where: Bluebird Theater
Why: Frances Quinlan performed in early versions of Hop Along as a solo acoustic act for the first four or five years until putting together a fledgling band around 2009. Even before signing to Saddle Creek Records in 2014, Quinlan’s songwriting was not short on imaginative storytelling like she was imagining the lives and situations she encountered in either her everyday life in Philadelphia or on the road and extrapolating it into colorful imagery and a keen sensitivity and insight into the subjects of her songs even when the inspiration is drawn directly from her own life. Any band that names its album Bark Your Head Off, Dog (2018) has a healthy sense of humor and the absurd without drifting into self-parody.

Wednesday | April 3

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Gort Vs. Goom circa 2014, photo by Tom Murphy

Who: Weird Wednesday: Gort Vs. Goom, The Far Stairs, The Pollution
When: Wednesday, 04.03, 7 p.m.
Where: 3 Kings Tavern
Why: None more weird for Weird Wednesday. Gort Vs. Goom are like the post-Devo, prog punk version of The Fugs. The Far Stairs is a deconstructionist pop project that sounds like more well-crafted pop than most bands trying to fool us into thinking they’re not utter frauds. Plus sometimes there’s a Robyn Hitchcock cover involved which bespeaks of an unspoken artistic ambition far beyond the usual. The Pollution got back to punk through burning through on hardcore, psychedelic rock, krautrock and Kiwi rock and taking bits and pieces of each to put together a Frankenstein’s Monster of music where you can’t find the sutures.

Best Shows in Denver 2/7/19 – 2/13/19

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Gang of Four performs at Globe Hall w/Plume Varia on February 11. Photo by DJ Markham

Thursday | February 7, 2019

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Hockey Dad, photo by Joseph Crackett

Who: Hockey Dad w/Hunny
When: Thursday, 02.07, 7 p.m.
Where: Globe Hall
Why: Australia is not the first place one thinks of when it comes to hockey but New South Wales has ski resorts so maybe the name of the band Hockey Dad, from Windang, isn’t as cheeky as seems but it’s a surf rock band so kudos. But Hockey Dad grew up surfing and skating so it’s sound reflects the spirit of that lifestyle more so than simply falling into trendy sound. With Hockey Dad think more like The Saints gone power pop.

Who: A Light Among Many, Kenaima, URN. and Giardia
When: Thursday, 02.07, 8 p.m.
Where: Hi-Dive
Why: A Light Among Many is heavy drone drenched in the primal spirits of the local landscape. URN includes former members of Skully Mammoth and thus doom with a sense of humor yet somehow still gritty and epic. Kenaima sounds a collision of Converge-esque post-hardcore and thrash. Giardia is pushing the envelope of heavy music by finding the sweet spot where drone-y bass, saturated synth work, jazz-inflected drums and weirdo prog intersect.

Friday | February 8, 2019

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Marcus Church, photo by Claudia Woodman

Who: Marcus Church EP release w/Kali Krone, Artless Bravado and Sweetness Itself
When: Friday, 02.08, 9 p.m.
Where: The Skylark Lounge
Why: Dustin Habel has been grinding away writing songs since at least the mid-2000s. Under the moniker Marcus Church he’s done solo work, playing all the instruments and recording the songs, as well as in collaboration with a small circle of bandmates. The prolific songwriter has perhaps not garnered the recognition he deserves for his lo-fi, Dinosaur Jr/Yo La Tengo-esque compositions, but the project’s latest effort, the Marcus F. Church EP, has a touch of jangle like something Mitch Easter might take an interest in producing—introspective and warm but upbeat. The band has been a trio for a bit now and tonight you can catch the new set of songs, as well as choice cuts from Habel’s catalog, live.

Who: Gun Street Ghost with The Regular, The Threadbarons and Paul Kimbiris & The Dark Side of Pearl
When: Friday, 02.08, 8 p.m.
Where: Globe Hall
Why: Mike Perfetti has been involved in many of Denver’s most interesting bands for going on two decades in his capacity as a bassist, drummer and guitarist. But with Gun Street Ghost Perfetti gets to share his gift for storytelling. Perfetti orchestrates the details of the story and the essence of the people in them with a masterful hand with the help of his talented bandmates. It’s been some time since Gun Street Ghost has put out a record but in the live setting you’ll likely get a taste of the new material and with any luck 2019 will see the release of the group’s full-length.

Who: Sonorous: Gregg Ziemba, Alex Trujillo, Joshua Trinidad
When: Friday, 02.08, 6 p.m.
Where: Syntax Physic Opera
Why: This is a dinnertime show from some of Denver’s most talented practitioners of jazz and experimental music including Gregg Ziemba and Alex Trujillo of Rubedo and Joshua Trinidad whose free jazz band Cougar Legs and psychedelic fusion project GoStar have showcased his prodigious talent. Trinidad and Ziemba also perform in Wheelchair Sports Camp. Heavy hitters.

Who: Bud Bronson & The Good Timers, Muscle Beach, SPELLS
When: Friday, 02.08, 8 p.m.
Where: Lost Lake
Why: Bud Bronson & The Good Timers are one of the few reliably great and spirited straight forward rock and roll bands anywhere. A touch of punk but BBTGT aren’t trying to be limited by subgenre. Muscle Beach is impossible to simply call post-hardcore or post-metal or even noise rock but are an inspired distillation of all three. SPELLS is a C+ party punk band but they really work for that C+ and are more fun than many B+ punk acts. They’re no Refused but who is?

Saturday | February 9, 2019

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Don Chicharrón, photo by Spencer Higbee

Who: Don Chicharrón album release w/Los Mocochetes, High Plains Honky and DJ A-Train
When: Saturday, 02.09, 8 p.m.
Where: Hi-Dive
Why: Don Chicharrón is a band whose blend of chicha (Peruvian cumbia with roots in popular music of the 1960s and 1970s that incorporated psychedelic rock and Andean folk music), metal, spaghetti Western and other musical forms is lively and fluid for a group of nine people who come from disparate musical backgrounds. Anyone that has been able to catch the group live knows it’s musicianship is expertly integrated so it never feels like anyone is doing too much at once. The group’s debut, self-titled full-length will be available at this show and its expansive compositions sound like the soundtrack to the Love and Rockets comic series in its multi-cultural aesthetic and ineffable sense of the futuristic.

Who: An Evening With Nels Cline 4
When: Saturday, 02.09, 9 p.m.
Where: Ophelia’s
Why: Nels Cline has been involved in more noteworthy music than any modern human has any right to claim including turns with Geraldine Fibbers, Wilco and John Zorn. This is one of his experimental jazz groups so expect plenty of left field improv.

Who: Esmé Patterson and band play the Songs of Prince from Sign O’ The Times w/Acuna Black and CRL CRRL
When: Saturday, 02.09, 8 p.m.
Where: The Oriental Theater
Why: Esmé Patterson brings together a group of ace players and collaborators to perform songs from Prince’s 1987 masterpiece Sign O’ The Times, which is entire apropos for the times we’re in now.

Who: Alphabet Soup #40: Felix Fast4ward, Furbie Cakes, MYTHirst, Yung Lurch and Dashwoo
When: Saturday, 02.09, 8 p.m.
Where: Thought//Forms
Why: This is the latest edition of Alphabet Soup, a showcase for some of the most forward thinking and innovative producers and soundscapers in Denver. The event used to take place mostly at Deerpile but with the demise of that performance space the event has been moved to other venues including tonight at Thought//Forms gallery.

Sunday | February 10, 2019

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Pedro the Lion, photo by Ryan Russell

Who: Pedro the Lion w/Tomberlin
When: Sunday, 02.10, 8 p.m.
Where: The Bluebird Theater
Why: Phoenix is more than just a clever title for the first Pedro the Lion record in fifteen years. David Bazan spent years touring as a more or less solo act and releasing a series of acclaimed records. But like most artists he hit a wall at some point and in 2016 he got to the place of a low point crossroads. Two years later he was writing and recording songs that made sense for Pedro the Lion with words of reinvention, rediscovery, reclamation and embrace of the spirit of one’s past self and past creations that helped to define the person you are now. While personal to Bazan and his bandmates, one thing Bazan has been able to do as a songwriter is to write material that transcends the personal, transcends any faith or philosophical orientation that informs it and to articulate with sensitivity and kindness the struggles and pain everyone seems to experience.

Monday | February 11, 2019

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Plume Varia performs Friday, 7/27 at Gary Lee’s. Photo by Tom Murphy

Who: Gang of Four w/Plume Varia
When: Monday, 02.11, 8:30 p.m.
Where: Globe Hall
Why: Gang of Four is the influential post-punk band that perfectly combined punk with disco and a sharp cultural critique that took aim at more universal issues in Western and global culture of the 1970s onward. After all, the band named itself after a Chinese political cabal involved in the Cultural Revolution. The first three Gang of Four albums (1979’s Entertainment!, Solid Gold from 1981 and Songs of the Free released in 1982) were a blueprint for 90s and 2000s dance punk as well as a direct influence on Red Hot Chili Peppers from the beginning (GOF guitarist, and sole original member, Andy Gill produced the 1984 self-titled debut from RHCP). But few of the band’s descendants could match Gang of Four in its intensity, sonic inventiveness much less socio-critical acumen. The band’s latest album, with its current line up, is HAPPY NOW released in 2019 via PledgeMusic. A little more topical than usual, naming, presumably, Ivanka Trump in a song, Gang of Four hasn’t exactly taken the gloves off. Opening the show is Denver-based downtempo dream pop duo Plume Varia performing one of its now rare shows.

Wednesday | February 13, 2019

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Glissline, photo by Tom Murphy

Who: SMRT, Big J. Beats, Glissline, Escapism
When: Wednesday, 02.13, 7 p.m.
Where: Lost Lake
Why: Glissline is Tommy Metz who has been releasing gorgeously lush, brightly melodic, beat-driven IDM for more than a decade. As Glissline, Metz has been melding visual elements with his musical compositions for a multi-sensory experience including a well-crafted low end. It’s dance music for dreaming. Big J. Beats is a producer whose work is most often, and justifiably so, associated with hip-hop but his imaginative soundscaping transcends genre completely which is why he is one of the Mile High City’s greatest beat makers.

Who: Richard Thompson Electric Trio w/Ryley Walker
When: Wednesday, 02.13, 7 p.m.
Where: Boulder Theater
Why: Richard Thompson was one of the leading lights of influential folk project Fairport Convention. He also played guitar on the first two Nick Drake albums. From the 1970s onward, Thompson has created a body of work that should be more well-known outside folk circles with brilliant rock and pop songs. There is also his prodigious work as a collaborator and contributor to other people’s recordings. His final album as the duo of Richard and Linda Thompson, 1982’s Shoot Out the Lights is a masterpiece of folk rock. Following the tour for that record the Thompsons split and Richard went on to a critically acclaimed and prolific solo career as well. As the name of the group suggests, this will be a showcase of Thompson’s electric music rather than the acoustic songs, though you never know, maybe Thompson will bring in some of his classic material written originally for acoustic but reconfigured for the electric trio. In 2018 Thompson released the dark and moody 13 Rivers.