Best Shows in Denver 7/4/19 – 7/10/19

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Priests perform at Lost Lake on 7/7, photo by Drew Hagelin

Thursday | July 4

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Rubedo at Tree Fort Music Fest circa 2013, photo by Tom Murphy

What: Rubedo’s Independence Day V w/Matt Embree (member RX Bandits, Dispatch and The Sound of Animals Fighting), Poor Bodhi, DJ Reubot
When: Thursday, 07.04, 7 p.m.
Where: Bluebird Theater
Why: For five years now Rubedo has been doing an Independence Day show that includes friends and comrades in music and cultural resistance. This year includes Matt Embree, frontman of eclectic prog/punk/psych band Rx Bandits who is also a member of post-hardcore supergroup The Sound of Animals Fighting. Rubedo itself is no stranger to being difficult to pigeonhole. All its players have a degree of respectable musical chops and adept at mixing improvised sections in the songs based on the mood of the moment. One might call it a prog band because of the direct influence of The Mars Volta but also psychedelic rock and indirectly the musical thinking and techniques of hip-hop even though its all live instrumentation. The storytelling and themes of Rubedo songs somehow also manage to be positive and aimed toward a better future and celebrating the present without coming off as insincere.

Friday | July 5

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Pictureplane circa 2015, photo by Tom Murphy

What: Pictureplane w/OptycNerd and DEBR4H
When: Friday, 07.05, 8 p.m.
Where: Larimer Lounge
Why: Pictureplane returns to Denver where he first made waves in the underground beyond his home state of New Mexico. As one of the residents of Rhinoceropolis he was a real ambassador to experimental electronic dance bands in Denver and far beyond, evangelizing the DIY ethic and Rhinoceropolis and Monkey Mania to the places far and wide including performances in Russia. His musical style has evolved over the years and recently included more industrial textures and sounds but at his core, he’s an idiosyncratic artist who is trying to push his aesthetic in interesting directions.

Saturday | July 6

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Sour Boy, Bitter Girl circa 2011, photo by Tom Murphy

What: Get Your Eyes Swoll: Last Humans, Tears to Li6ht and Gothsta
When: Saturday, 07.06, 8:30 p.m.
Where: The People’s Building
Why: This edition of GYES features dark chillwave artist Tears to Li6ht, lush Americana band Last Humans and Gothsta which is series host Claudia Woodman in her guise as a weirdo Goth pop star known for bizarre covers and even stranger originals.

What: Angry Hand of God, Never Kenezzard, Flat Earth
When: Saturday, 07.06, 9 p.m.
Where: 3 Kings Tavern
Why: A doom/stoner rock show featuring the now active again Angry Hand of God which experienced a bit of a heyday in the late 2000s before Denver metal, with a few notable exceptions, started attracting much attention outside of Colorado. Also on the bill is Never Kenezzard whose mixture of sludge rock, prog and psychedelia pushes the boundaries of heavy rock into innovative territory.

What: Short Shorts album release, Sour Boy, Bitter Girl, Safekeeper and Florea
When: Saturday, 07.06, 8 p.m.
Where: Globe Hall
Why: Short Shorts is a four-piece from Denver who will release their new EP Hang-Ups tonight. Somewhere betwixt surf rock and the kind of punk with a footing in 2010’s garage rock, Short Shorts have a sound that fans of the likes of Tacocat and Bully might enjoy. Echoes of 90s K Records bands. Also with song titles like “Jumbotron Debutate” and “Quantum Entanglement” the band’s pop songs are clearly a cut above and more thoughtful than one might expect from a band with a name like Short Shorts. On the bill are like-minded acts like the dark Americana band Florea and Sour Boy, Bitter Girl. The latter has a real knack for taking down and out sensibilities and turning them into earnest and thought-provoking pop songs with a literary flair.

What: Heart Bones feat. Har Mar Superstar and Sabrina Ellis w/Good Fuck and Mark Mallman
When: Saturday, 07.06, 8 p.m.
Where: Oriental Theater
Why: Two powerhouse performers in the same soulful synth pop band? Har Mar Superstar has long been putting on the most absurdly entertaining performances mixing soul and punk an dance music while Sabrina Ellis has been the animated and powerful frontwoman of A Giant Dog. Also, Good Fuck, the latest project from Tim Kinsella and Jenny Pulse, is like an experimental electronic German pop band but more like ADULT. than electroclash. Its 2019 self-titled album is a moody and spacious set of dark, noisy, techno industrial dance music.

Sunday | July 7

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New Ben Franklins circa 2009, photo by Tom Murphy

What: Priests w/Olivia Neutron John
When: Sunday, 07.07, 7 p.m.
Where: Lost Lake
Why: Fiercely DIY band Priests releases its what might be described as post-punk glam through its own label Sister Polygon Records. With the latter the group has helped to advocate for like-minded artists critical of the oligarchy like Downtown Boys and Snail Mail. It’s latest record is The Seduction of Kansas. Theatrical and dynamic, Priests make its flamboyantly strange aesthetic accessible. Olivia Neutron John is the dark, post-punk electroclash type of solo project of Anna Nasty whose 2019 self-titled debut is driven by brooding and stark low end and plenty of punk attitude.

What: New Ben Franklins w/The Smokestack Relics, Buck Fuffalo, Lank & The Shanks, Thomas Nap For President, The Wyatts, Schofield 45
When: Sunday, 07.07, 2 p.m.
Where: Globe Hall
Why: A bit of a country and Americana mini-festival that includes several of the local luminaries including New Ben Franklins whose flavor of that music has crossed over into post-punk and psychedelia.

What: Melissa Etheridge
When: Sunday, 07.07, 5:30 p.m.
Where: Hudson Gardens
Why: Melissa Etheridge is a cultural icon in various ways and beyond being a very public figure in the LGBTQ community going back decades. Before coming out in public in 1993, Etheridge had hit records on college and AOR radio with her 1988 self-titled debut, 1989’s Brave and Crazy and Never Enough from 1992. Etheridge came across as thoughtful, soulful, gritty and she had a kind of gravitas that relatively new artists don’t yet possess. Her songwriting held an appeal that transcended any specific considerations of sexuality and gender and her music even crossed over into the more adventurous radio stations that typically played classic rock mixed with some modern hits. Her first big hits came with “Come to My Window” and “I’m The Only One” from the 1993 album Yes I Am. In 2019 Etheridge released her latest record The Medicine Show—a strong showing of songwriting prowess and performance for an artist this far into a prolific career. It’s almost a hard rock record with Etheridge sounding more confident than ever and heartfelt odes to life and loss.

Monday | July 8

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Melissa Etheridge, photo courtesy the artist

What: Melissa Etheridge
When: Monday, 07.08, 6:30 p.m.
Where: Chautauqua Auditorium
Why: See above for Melissa Etheridge. This show is in the uniquely arranged Chautauqua Auditorium which is a bit like seeing a show in a very large barn with good acoustics.

Tuesday | July 9

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Bad Religion, photo by Alice Baxley

What: Bad Religion w/Dave Hause & The Mermaid
When: Tuesday, 07.09, 7 p.m.
Where: Ogden Theatre
Why: Bad Religion has long been reliable for having something to say in its music across its nearly forty year career and its latest album, 2019’s Age of Unreason, is no different. It’s fifteen tracks of anthemic, melodic punk against Trump and the authoritarian program worldwide in general. If any of it is heavy handed the times call for leaving no ambiguity in resisting the rise of fascism. Musically, one either likes the chances Bad Religion has taken or not but at least with its words the band has used its platform to challenging regressive political and cultural forces and to comment on the same with irreverent wit and intelligence.

Best Shows in Denver 6/27/19 – 7/3/19

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Earth performs June 27 at The Marquis Theater, photo courtesy the artist

Thursday | June 27

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Zealot, photo by Tom Murphy

What: Earth w/Helms Alee
When: Thursday, 06.27, 7 p.m.
Where: The Marquis Theater
Why: Earth is as much an influential and pioneering drone metal band as it is an avant-garde blues folk group imbued with mystical overtones. It’s 2019 album Full Upon Her Burning Lips finds the trio channeling more than the usual measure of its crawling, Black Sabbath-esque gloom. Seeing the live show it’s always fascinating to see how Adrienne Davies moves in an orchestrated string of slow sweeping moves and fast, accenting flourishes as Dylan Carlson and their collaborators of the moment drone with a smoky fluidity.

What: Meet the Giant, The Jinjas, Monty O’Blivion and Zealot
When: Thursday, 06.27, 7 p.m.
Where: Thought//Forms Gallery
Why: Zealot would be a Mountain Goats cover band but Luke Hunter James-Erickson would find that too rote so he injects his own eclectic tastes into the songwriting. Recently released the “Snake Goddess” single, a typically eccentric, high energy, angular indie rock gem. Meet the Giant, informed by electronic music and hip-hop beat-making, write and perform deeply evocative, brooding rock songs that maybe now would overlap with the whole darkwave thing except that Meet the Giant often crosses over into the realm of hard rock in a way most of those bands don’t.

What: Cholo Goth Night featuring Dave Parley of Prayers
When: Thursday, 06.27, 9 p.m.
Where: Streets Denver
Why: Just like it says, Cholo Goth Night at Streets Denver with Dave Parley of Cholo Goth and spinning Darkwave and Goth for the evening. When this event happens in the Los Angeles area and select other cities Parley brings in other darkwave musicians of note to guest a set but not for tonight.

Friday | June 28

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Blue October, photo by Chris Barber

What: The Kinky Fingers w/Vic N’ the Narwhals and Colfax Speed Queen
When: Friday, 06.28, 8 p.m.
Where: Hi-Dive
Why: Now that the Denver “party rock” scene has withered away and garage psych/surf is going the way of pop punk in the early 2000s only the strong and more interesting survive. In the case of these three bands it’s partly because their songwriting was always good and their individual sounds not so susceptible to the blowout of trendiness. Each has also evolved.

What: Tyto Alba and Steele Douglas
When: Friday, 06.28, 5 p.m.
Where: Museum of Contemporary Art Denver
Why: Tyto Alba is always surprisingly evocative with music coming from the tender places of the psyche and coloring the tones in warm, incandescent tones and hypnotic rhythms. Seeing them on a rooftop while a thunderstorm threatens to hover in but never does? Seems symbolic and entirely appropriate.

What: Blue October w/Mona
When: Friday, 06.28, 7 p.m.
Where: Ogden Theatre
Why: Blue October has been around for nearly a quarter of a century now and its career has crossed over from the old way of major labels and the album release cycle to the modern mess and disarray of the industry now that offers bands to connect directly to an audience more so than ever before but to earn far less for their efforts. That the group has weathered that period is impressive itself. Oddly enough its own style of power pop seemingly inspired by late 80s proto-alternative rock like Icehouse and The Outfield and their dramatic presentation of being a bit on the outs of true emotional fulfillment but yearning for that special connection with another human with music that is a little too triumphant in tone and uplifting to be sad bastard music. But Blue October didn’t stay trapped in a past style and its newer music reflects a diversity of newer influences.

What: Primal Birth: Hotpiss, Drume, Eyeface, Padfut, Worldwide Dungeon, DJ 7 Heads
When: Friday, 06.28, 10 p.m.
Where: Rhinoceropolis
Why: A bit of a weirdo underground techno show that starts late and goes late like a rave.

Saturday | June 29

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PUP, photo by Vanessa Heins

What: Westword Music Showcase
When: Saturday, 06.29, 12 p.m.
Where: Golden Triangle Neighborhood
Why: This is the longest running music festival of its type in Denver. Held on just one day in the Golden Triangle neighborhood near the Westword offices off Tenth Ave and Broadway, it is arguably the most concise way all year to see a broad spectrum of the local scene without having to walk too far. This year’s line-up includes several of the local luminaries. Here is a list of see-if-you-can acts at each of the stages and a given set time. Tastes will vary and I’m certainly no expert on big chunks of the local music world.

Breckenridge Brewery Stage
12:25 YaSi
6:10 Jai Wolf

White Claw Stage
7:20 CHVRCHES

Vinyl Main
12:50 Techno Allah
2:30 Erin Stereo

#vybe
12:50 Venus Cruz
6:40 Lady Gang
7:30 RARE BYRD$

Stoney’s Main
12:35 Gora Gora Orkestar
5:35 Wes Watkins
7:15 Roka Hueka
8:05 Los Mocochetes

Bar Standard
12:50 Hail Satan
2:30 Ghosts of Glaciers
5:50 Fathers
6:40 Plasma Canvas
7:30 Cheap Perfume

Temple/Mirus Gallery
3:20 Starjammer

Stoney’s South
1:40 Brianna Straut
2:30 Bevin Luna
5:50 Florea

The Church
12:00 eHpH
2:30 Ramakhandra
5 Vic n’ the Narwhals
5:50 Spirettes
6:40 The Hollow

100% Agave
1:40 Bret Sexton
5:50 Los Dog Ensemble
6:40 The Maybe So’s
7:30 Joshua Trinidad Trio

What: PUP w/Ratboys and Beach Bunny
When: Saturday, 06.29, 9 p.m.
Where: Gothic Theatre
Why: PUP started making waves a handful of years ago outside its hometown of Toronto, Ontario among aficionados of pop punk and emo who missed that brashly confessional style of songwriting before the music hit maximum saturation level in the early-to-mid 2000s. When the band began in 2010 a quasi-movement was under way across the North American continent in making fun, melodic punk that was raw and expressive. With PUP and others the key difference was embracing the relatively unrefined side of that songwriting and how that opened possibilities for the music to go where it will rather than fall directly in a worn out style. This has given PUP’s songwriting a freshness that even if at first it seems completely within the realm of standard pop punk. Its new record, 2019’s Morbid Stuff, arguably its best to date, revealed the influence of the more vital garage punk and 2000s lo-fi noise rock on its sound. Like the Reatards and perhaps No Age. Its irreverent spirit and deft local cultural references that are relatable to people who experience similar social phenomena in their own cities makes for a consistently endearing listen.

What: Luxury Hearse, Timelord SFX and blank human
When: Saturday, 06.29, 7 p.m.
Where: Tennyson’s Tap
Why: Luxury Hearse combines the forces of blank human’s ambient/noise sound sculpting and Psychic Secretary’s beat-driven experimental electronic music. What to call it? Some might think industrial because of its sometimes sharp edges but it’s more in the vein of edgier yet dream-like dance music.

What: 5th Annual Colorado Goth Fest: Suicide Commando and Læther Strip w/Offerings to Odin, The Union, The Midnight Marionettes, eHpH and WitchHands
When: Saturday, 06.29, 6 p.m.
Where: Oriental Theater
Why: This edition of the Colorado Goth Fest features headliners who are significant and one might say pioneering artists in the realm of EBM with Suicide Commando and Læther Strip. The local acts are a fairly diverse group as well including death rock band WitchHands from Colorado Springs and Denver’s own EBM/electro-post-punk duo eHpH.

What: Blue October w/Mona ogdentheatre.com/events/detail/369899
When: Saturday, 06.29, 8 p.m.
Where: Ogden Theatre
Why: For Blue October see above for 6.28.

Monday | July 1

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Culture Abuse circa 2018, photo by Tom Murphy

What: Culture Abuse w/Tony Molina, Young Guy, Dare, Regional Justice Center and Cadaver Dog
When: Monday, 07.01, 7 p.m.
Where: Marquis Theater
Why: Culture Abuse has big melodic hooks for a band that came up through the milieu of garage punk. It’s 2018 album Bay Dream greatly expanded its range as a band both tonally, dynamically and emotionally as it’s informed by a sensitivity to the inevitability of the death of those close to you and a wry sense of humor and irony. After all Culture Abuse has a song called “Dave’s Not Here (I Got The Stuff Man)” referencing the classic Cheech & Chong skit. While there’s plenty of wiry punk energy behind the material, especially live, it’s really more of a great power pop record. Tony Molina got started in music playing in hardcore bands but his solo work is more in line with jangle pop and C86 with a sprinkling of The Byrds. His own 2018 record Kill the Lights wouldn’t have been out of place in the same musical realm as Teenage Fanclub circa 1992. Except with more folk-inflected, introspective songwriting throughout.

What: Muscle Beach, Buildings (MN) and Simulators
When: Monday, 07.01, 8 p.m.
Where: Streets Denver
Why: Buildings form Minneapolis is a vital cross between a math-y noise rock and post-hardcore. Muscle Beach is of similar mind but its own version of post-hardcore is a splintery assault on the senses that drags you down emotional pathways that purge angst and personal darkness – all done with a cathartic sense of joy. Simulators are an angular noise rock duo whose music is both cutting and unhinged yet mathematically precise. It’s always an interesting contrast.

Wednesday | July 3

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Total Trash, photo by Tom Murphy

What: Bud Bronson + the Good Timers, The Right Here, Bad Licks, DJ Sara Splatter
When: Wednesday, 07.01, 8 p.m.
Where: Hi-Dive
Why: Bud Bronson + The Good Timers are always surprisingly good. Its earnest power pop sounds like it’s of today but has a quality and a vibe that is reminiscent of the stories and sentiments one heard in the music of late 70s/early 80s Bruce Springsteen and Tom Petty. Also on the bill is Bad Licks who somehow do a kind of psychedelic blues rock that is legitimate and high energy because good songwriting transcends pre-conceptions.

What: Weird Wednesdayl: Total Trash, Pretty Loud, Klaus Dafoe
When: Wednesday, 07.01, 9 p.m.
Where: Bowman’s Vinyl
Why: Total Trash is a band comprised of luminaries of Denver’s indie rock scene going back nearly two decades and yet it’s not all middle aged people. If you remember Fissure Mystic, Fingers of the Sun and Lil’ Slugger, it’s people from those bands. It’s psychedelic, shoegaze-y jangle pop is transporting yet relatable and down to earth. Klaus Dafoe is an instrumental band that collides together 2000s math rock, weirdo punk and indie pop for a sound that is familiar yet unusual.

What: Pale Sun, Palehorse/Palerider, Random Temple and Grass
When: Wednesday, 07.01, 7 p.m.
Where: Lost Lake
Why: Palehorse/Palerider’s drummer Nathan Marcy said to bring earplugs. Good idea, because his own group is the kind of doom/shoegaze/dark desert psych band that makes beautifully dark, atmospheric, consciousness expanding music with ritual/tribal flourishes that is, yes, in fact, quite loud. In good company with gritty psych band Grass and Pale Sun. The latter’s dreamy yet dense rock music will take you to a different psychological space than the one with which you walked into the show. Includes former members of Bright Channel, Space Team Electra and Snake Rattle Rattle Snake.

Best Shows in Denver 06/14/18 – 06/20/18

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Japanese Breakfast performs Tuesday, June 19, 2018 at The Ogden Theater with Belle and Sebastian. Photo by Joyce Jude

Thursday | June 14, 2018

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Reuben And The Dark, photo by Kaelen Ohm

Who: Glasss Presents the Speakeasy Series Season 2: Equine, Death In Space, Shawn Mlekush and JAMF
When: Thursday, 06.14, 7 p.m.
Where: Hooked On Colfax
Why: This edition of the series focused on more experimental artists mostly from the Denver area includes Equine, the guitar and sometimes beats and other refinements project of former Epileptinomicon and Moth Eater musician Kevin Richards. Death In Space is Aleeya Wilson’s guitar and electronics project. Her December 2017 release Demo EP2 basically combined lo-fi slowcore with minimal synth techno but you never really know exactly what you’re in for at one of Wilson’s shows, which is no knock. Shawn Mlekush is one of the minds behind experimental synth band Jackson Induced Mutant Laboratory and his solo work has a similar quality of meditative, melancholy ambient guitar, synth and loops like you’re getting a peek into someone’s solitary but restful vacation in the subtropics in early Spring when pretty much no one takes time off to get away. It gives the music a quality that is truly out of step with the hurried pace of modern life in post-industrial America.

Who: Reuben and the Dark w/Florea and Bright Silence (solo)
When: Thursday, 06.14, 7 p.m.
Where: Larimer Lounge
Why: Reuben and the Dark is certainly operating in the realm of indie folk with its soaring melodies and uplifting song dynamics. But the Canadian band’s lyrics are brimming with a sweeping emotionalism that work in perfect sync with an inventive and fluid rhythm scheme working underneath the foreground of frontman Reuben Bullock’s expressive vocal delivery. The band’s 2018 album Arms of a Dream has a refreshing array of songwriting styles and its music video and lyrics for “All Or Nothing” challenges culturally entrenched ideas of gender roles and how we relate to one another.

Saturday | June 16, 2018

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Bacon Brothers, photo by AJ Fasano

Who: Bacon Brothers
When: Saturday, 6.16, 8 p.m.
Where: Stanley Hotel
Why: Michael and Kevin Bacon are rightfully better known for their work in cinema and television. Michael, the older brother, for his scoring countless TV and movie soundtracks and Kevin as an iconic actor whose distinguished career spans the past four decades beginning with his role as Chip Diller in 1978’s National Lampoon’s Animal House. The brothers have played music together from a young age but their band didn’t take on a formal existence until 1995. The band’s country rock and folk songs has more than its fair share of soul in part due to Kevin’s resonant voice which has just enough grit to give it some character. Of course live there will be plenty of banter and humor and an ease of connection between the Bacon Brothers so that the band never comes across as some vanity act in the way we’ve seen with some other people from the acting world who try their hands at music.

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Speedy Ortiz, photo by Shervin Lainez

Who: Speedy Ortiz w/Anna Burch and Xetas
When: Saturday, 06.16, 8:30 p.m.
Where: Larimer Lounge
Why: Since starting Speedy Ortiz as a solo project in 2011, Sadie Dupuis has established herself as one of modern indie rock’s most interesting voices. She was drawing upon the fuzz pop sound of the 90s late alternative rock era before it became a feature of a not small stripe of underground American rock in recent years before it was even remotely trendy. But Dupuis is a multidimensional artist whose work reflects various creative interests that influenced her art including comic, collage and tarot art and their associated signifiers/symbolism. Speedy Ortiz was on the edge of releasing its new album in 2016 or early 2017, a collection of songs about the usual, everyday concerns given poetic and creative life through the lens of Dupuis’ imagination. But the results of the election gave the band pause because, according to a February 2018 interview with Dupuis with Consequence of Sound, the more personal aspect of the songs seemed to lose meaning given the seriousness of the moment. So the group scrapped the album. 2018’s Twerp Verse is a fairly different record from all previous Speedy Ortiz releases in tone and overall subject matter. The songwriting chops and keen ear for evocative melodies are there but the lyrics are so vividly incisive it makes you appreciate even more how articulate Dupuis has been all along in her music career. Read the words to any song from the album and you have to be in awe at Dupuis’ ability to write fairly pointed words that tell it like it is without reeling back in an attempt to let certain people feel okay with their abuse and creepiness—all of course written into well-crafted pop songs. Bravo.

Who: Mike Huckaby (Detroit), Mark Hosler, Normal Ones and Sassmouth
When: Saturday, 06.16, 8 p.m.
Where: Mercury Café
Why: Mike Huckaby is one of the great modern practioners of techno and seeing one of his sets along would make this show worthy of attendance especially at the Mercury which has a great sound system but doesn’t host as many live music shows as it once did. But also on this bill is Mark Hosler of Negativland who will bring something unique and unusual to perform.

Who: Scrunchies (MN), Surf Mom, Rat Bites, Bad Year
When: Saturday, 06.16, 6-10 p.m.
Where: Broadway Bar & Bites
Why: Scrunchies are an all female punk band from Minneapolis that just released its new album Stunner. Fans of Seven Year Bitch, Bikini Kill, Bratmobile and early Sleater-Kinney would do well to check this band out. But if you show up you’ll also get to see Surf Mom, arguably Denver’s best fuzz rock/punk duo as well as Rat Bites, the latest project to include former Rainbow Sugar, Sin Desires Marie and Old Time Relijun drummer Germaine Baca.

Sunday | June 17, 2018

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Iceage, photo by Steve Gullick

Who: Iceage w/Mary Lattimore
When: Sunday, 06.17, 7 p.m.
Where: The Bluebird
Why: Iceage has never fit fully into any specific musical subgenre despite the best attempts to do so. New Brigade had too much atmosphere to be a hardcore record but enough edge and intensity to appeal to fans of hardcore. You’re Nothing was refreshingly like a melodic, raging noise rock album. With Plowing Into the Field of Love, though, began a change toward expanded musicality and songs that recalled the ragged punk and decadence sound of Crime and the City Solution and Nick Cave. Beyondless, Iceage’s 2018 album, finds the band pushing more into that realm and the expressive range of the music has been enhanced with expansive, drifty dynamics that might draw comparisons with psychedelic rock bands like The Brian Jonestown Massacre except that the BJM is likely not an influence. Rather an attempt to express and navigate contorted and conflicting emotions and sense of being at ease with uncertainty even as it floods and crashes into your world.

Monday | June 18, 2018

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CHRCH, photo by Hannah Stone

Who: CHRCH w/Body Void, Boar Worship, Terminus and Matriarch
When: Monday, 06.18, 8 p.m.
Where: Hi-Dive
Why: CHRCH’s cavernous soundscapes are reminiscent of those of SunnO))) but it has a more organic, feral quality to its sonic palette. Eva’s vocals pierce the lingering, pummeling flood of cthonic drone of the band as though carving an incantation on rapidly cooling lava with sheer power of her words. Meaning there’s something magical, dark and powerful about the band’s music and its new album Light Will Consume Us All captures that as well as it can outside of the live setting. Fortunately, you’ll have a chance to see CHRCH for yourself tonight at the Hi-Dive with some of extreme music’s heaviest.

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Quiet Slang, photo by Charlie Lowe

Who: Quiet Slang w/Abi Reimold
When: Monday, 06.18, 7 p.m.
Where: Globe Hall
Why: James Alex is best known in recent years as the exuberant frontman of punk/pop band Beach Slang. Although a punk veteran going back to 1990 with his old band Weston, Alex struck a chord with the utter sincerity and emotional glow of Beach Slang. Probably some people thought it was overcompensating positivity but the band’s songs deal with the deep heartbreak and disappointment and other struggles of life, it’s just that the presentation is that of an amplified enthusiasm. With Quiet Slang, Alex tries on a more subdued presentation and it might be said it’s sort of an acoustic take on Beach Slang with the usual thoughtful lyrics and heartfelt delivery. Alex’s music is clearly one meant to reach out for connection to other people who want something real in a cynical world where we’re encouraged to hide genuine feelings in order to avoid hurt. Alex encourages himself and others to risk that hurt because the alternative is a soul dead world where everyone plays it safe and never really gets to experience a vibrantly full life.

Tuesday | June 19, 2018

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Japanese Breakfast circa 2016, photo by Tom Murphy

Who: Belle & Sebastian w/Japanese Breakfast
When: Tuesday, 06.19, 7 p.m.
Where: Ogden Theatre
Why: Belle and Sebastian is practically the template for bedroom pop if written by especially imaginative and thoughtful people. Belle and Sebastian’s body of work sometimes sounds like Stuart Murdoch spent a lot of time creating the back stories of the people he encountered in the street or at the grocery store during his seven years recovering from Chronic Fatigue Syndrome prior to starting the band. But the level of detail and psychological insight is what has long made the band’s music relevant past any connection to any trend. Early in 2018 the group released its latest set of songs on three EPs called How to Solve Our Human Problems Part 1, Part 2 and Part 3.

Sharing the bill with Belle and Sebastian is Japanese Breakfast. The band based out of Eugene, Oregon is a bit different from singer/guitarist Michelle Zauner’s previous rock band Little Big League. With Japanese Breakfast Zauner used pop songcraft to address issues of exoticism, sexism and talking about heavy life issues with a refreshing honesty and poignancy. The group’s second album, 2017’s Soft Sounds from Another Planet shed any creative artifice further while also bringing to the songwriting a focus and musical inventiveness that made it one of the most interesting guitar pop records of recent years. Zauner and company take the musical ideas further than you would expect, giving its music a timeless quality that many of its trendier peers won’t enjoy. But all informed by Zauner’s native compassion and wry, but never distancing, sense of humor.

Who: JJUUJJUU w/déCollage and King Eddie
When: Tuesday, 06.19, 7 p.m.
Where: Lost Lake
Why: Phil Pirrone of JJUUJJUU is the mastermind behind the psychedelic music festival Desert Daze and its wandering offshoot Desert Daze Caravan. His band, rather than a prime example of the tamed, watered down “psych rock” of recent trendiness, is more experimental and more genuinely aimed at taking the listener on a mind-altering journey through the use of drones, raw noise, evolving melodies and hypnotic rhythms. It’s still rock but refreshingly weird and fans of New Fumes’ and Black Angels’ gift for pushing their own envelope by going outside conventional uses of sound will find much to appreciate here. Local support from local psych music visionaries should set the stage perfectly with experimental pop band déCollage and its freeflowing, freeassociating visuals and sound and King Eddie’s cosmic rock excursions.

Wednesday | June 20, 2018

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Rotten Reputation, photo by Spencer Lovell

Who: Rotten Reputation w/Mr. Atomic, Television Generation and The Couch Bombs
When: Wednesday, 06.20, 7:30 p.m.
Where: Seventh Circle
Why: Rotten Reputation drops its new EP, Castration Station, tonight in advance of its upcoming tour. The Denver-based punk band is one of the few that is creating its own mythology and symbols, including its mascot Nancy (a mannequin torso), while making powerful songs commenting in no uncertain terms on sexism, gender identity, abuse and authoritarian government seem fun. Rotten Reputation will be in good company with neo-alternative/noise pop bands Mr. Atomic (listen to it’s excellent new single “Mr. Sadie” here) and Television Generation (which also released a new single “Stay” here) as well as pop punk band The Couch Bombs.

Who: Snail Mail w/Bonny Doon and Down Time
When: Wednesday, 06.20, 7 p.m.
Where: Larimer Lounge
Why: Lindsey Jordan has made quite a name for herself at age 19 for crafting winsome, noisy pop songs of uncommon emotional complexity. Her debut full-length Lush came out in early June 2018 to great critical acclaim. Many of Jordan’s songs have a simply melody throughout but she’s capable of expanding the sonic range on a dime with her guitar work as can be heard clearly in her single “Heat Wave.” Drawing obvious comparisons to Liz Phair and other talented 90s songwriters that got their start in the 90s articulating inner space so vividly, Jordan’s project Snail Mail has plenty of room to build on an already strong creative foundation.

Who: Gomez w/Eldren
When: Wednesday, 06.20, 7 p.m.
Where: Ogden Theatre
Why: Gomez hit it big with its 1997 debut album Bring It On. At a time when it might have been easy to try to ride the late Britpop wave, Gomez sounded more like a twangy American alternative rock band. But with more creativity than many of its States-side contemporaries. While the band’s sound has evolved over the years, gaining an almost orchestral quality as of its latest album, 2011’s Whatever’s On Your Mind, its core gift for making music that has a distinctly Americana flavor but made by guys from England has remained. For this tour the band will perform Bring It On in its entirety as well as choice cuts from across its long career.

Who: Karl Blau w/Patrick Dethlefs and Evan Holm
When: Wednesday, 06.20, 8 p.m.
Where: Hi-Dive
Why: Karl Blau’s contribution to American pop music probably won’t be fully appreciated any time soon as the prolific artist always seems to be on to a new experiment in songwriting and soundscaping. Pick up any record across his career and you’ll find something worthwhile and inventive even if it’s well within the realm of accessible pop music. His Kelp Lunacy Advanced Plagiarism Society series was a brilliant example of artist-driven releases as a subscription service to Blau’s diverse musical imagination. A master of the loop pedal and rhythm generally, Karl Blau’s songwriting knows few bounds and his performances always containing something ahead of the curve. A frequent collaborator with Phil Elverum (The Microphones and Mount Eerie) and Laura Veirs, Blau pushes pop music in interesting directions whether the rest of the pop music world has yet to catch on.