What:Church Fire When: Thursday, 11.14, 6:30 p.m. Where: Ross-Broadway Library Why: Denver-based synth-noise-pop doom darlings Church Fire are playing this event sponsored by Titwrench as part of its Surfacing series highlighting female and LGBTQ underground and experimental artists. It’s after hours at the library in the Baker District and free.
What:Roller Disco 3 When: Thursday, 11.14, 9 p.m. – 2 a.m. Where: Roller City
What:Whipporwill w/Courtney Hartman When: Friday, 11.15, 6 p.m. Where: Washington’s (Fort Collins) Why: Fort Collins based alternative folk band Whippoorwill distilled its past few years of experiencing the turmoil of the land and the culture into its new album The Nature of Storms. On its 2017 tour the band experienced tornadoes, floods, forest fires, blizzards and the destructive nature of the Trump presidency itself and the polarized social and political climate surrounding it. With the personal lives of its members in disarray as well the trio pulled together and crafted one of the most affecting releases of the year that exceeds expectations for terms like “alternative folk” as the band seems to be channeling the pain and agony of the times into songs that if not exactly exorcising those emotions, brings a compassionate energy to the proceedings. This show celebrates the release of that record and hopefully soon the band will play regional shows in support followed by a tour soon enough.
What:Noise Vs. Doom IV When: Friday, 11.15, 7 p.m. Where: Seventh Circle Music Collective Why: This is the fourth edition of the Noise Vs. Doom event featuring bands that fall loosely into either category. Tonight’s lineup includes Denver noise legends Page 27, doom collective Ice Troll and avant-garde composer Victoria Lundy. Schedule below.
Clark Nova 6-615
Ice Troll 6:30 -6:50
minus X 7:00 – 7:20
Prayer Hands 7:30 -7:50
Haunted Sound Lab 8pm -8:20
Distance Research 8:30-9:00pm
9:15-9:45 Victoria Lundy
10-10:20 Page 27
10:30-11pm Deer Creek
DJ sets PterrorFranklin Soundsystem
(Frank Bell / James Jewkes )
What:No Swoon, Kissing Party and Voight When: Saturday, 11.16, 7 p.m. Where: Rhinoceropolis Why: No Swoon’s recently released self-titled full length is an example of how 2010s darkwave as evolved beyond the obvious classic reference points into the realm of sophisticated pop songcraft. Its vibrant tones and sense of sonic space is reminiscent of Chromatics but not tapping into feelings of nostalgia as much as a reflective yearning and introspection. Kissing Party is an indie pop band from Denver that has reliably been releasing quality material since the mid-2000s seeming to perpetually be able to draw on a sense of youthful romance and ideal love. Voight has been performing its brand of industrial post-punk noise-gaze since 2015 and is in the process of completing its new album due out in 2020.
What:GYES: Lady Gang, Preparation and Gothsta When: Saturday, 11.16, 8 p.m. Where: The People’s Building Why: The final Get Your Ears Swoll at the People’s Building in Aurora featuring experimental loop and psychedelic folk artist/one-woman band Lady Gang and Gothsta who plays truly unusual covers in a playful style that lives up to the name. The latter is organizer Claudia Woodman who will rename the event for the same location on a different day of the month in 2020.
What:Hi-Dive 16th (and 7th) anniversary w/Wobbles, Rattlesnake Milk, Zebroids, George Cessna, Permanent Boner and DJ Marika When: Saturday, 11.16, 8 p.m. Where: Hi-Dive Why: Hard to believe the H-Dive has been around for sixteen years at this point but it remains a place to see some of Denver’s best underground bands and up and coming artists from around the world. This show brings together stalwarts of the club including Zebroids who are more an obnoxious collective of yobs than strictly a ridiculous but oddly good punk band and George Cessna whose sonically inventive songwriting blows expectations of the son of Slim Cessna in a great way.
What:Noise vs. Doom IV When: Saturday, 11.16, 8 p.m. Where: Seventh Circle Music Collective Why: Second night of Noise Vs. Doom with performances from vinyl-collage sound processor Atari, ambient noise sculptor Blank Human and experimental noise rock prog punk band Action Friend from Los Angeles, formerly from Denver. This evening’s schedule below.
6:30 -6:50 Mismo
7:45 -8:05 Atari
8:15- 8:35 Flood Ov Blood
8:45 -8:55 – DJ Yeldarb Franklin
9-9:20 Clutch Plague
10-10:20 Blank Human
10:30 -10:50 Cosmic Abyss
11pm Action Friend (Los Angeles CA)
DJ sets Mudwulf + Dj Zombie
What:DBUK When: Saturday, 11.16, 7 p.m. Where: Tuft Theater at Swallow Hill
Sunday | November 17
What:Vetiver w/Joe Sampson When: Saturday, 11.16, 8 p.m. Where: Ophelia’s Electric Soap Box Why: Before it became very much a part of the current stream of “indie” music, Andy Cabic was crafting exquisite psych folk songs that incorporated electronic elements in a fully integrated way. His 2019 album Up On High is a fairly stripped down affair but the delicately intricate rhythms and textures with Cabic’s expressive vocals are still there creating an unconventionally atmospheric quality akin to something one might have heard on a Byrds or early Dead record. Maybe something Mitch Easter would have produced in the 80s. But the sensibility is very modern and its emotional immediacy is immediately compelling. Opening the show is Joe Sampson, one of Denver’s most gifted songwriters who some may remember from his days in A Dog Paloma but in the last decade plus he’s been woodshedding his own material while also having played in Bad Weather California.
What: A$AP Ferg and Ski Mask the Slump God w/Murda Beatz, MadeinTYO, Pouya, Danny Towers, DJ Scheme When: Monday, 11.18, 6 p.m. Where: Mission Ballroom Why: A$AP Ferg is one of the most influential and creative artists in the world of trap and Ski Mask the Slump God is one of the great innovators in that genre but one who incorporates even more elements of punk and metal into his animated material and performances. Sometimes live rap shows are disappointing but this should very much be an exception.
Tuesday | November 19
What:Nots, Slugger and Dearborn When: Tuesday, 11.19, 8 p.m. Where: Lost Lake Why: Nots is the noise punk band from Memphis, Tennessee that is currently touring in support of its new album 3 out on Goner Records. Guitarist and singer Natalie Hoffman was once the bass player of Ex-Cult where she stood out as a charismatic performer with wiry energy in a band not short on those qualities.
What:An Evening With Helmet When: Wednesday, 11.20, 7 p.m. Where: Summit Music Hall Why: Helmet is the legendary noise rock/posthardcore band from New York whose 1992 album Meantime yielded a hit single “Unsung” during that period when anything a little different stood a chance of making it to the radio. The group’s blunt and angular riffs and aggressive groove has proven influential on a certain segment of heavy music since.
What:Frankie Cosmos w/Stephen Steinbrink and Ashley Koett When: Thursday, 11.7, 7 p.m. Where: Bluebird Theater Why: The latest Frankie Cosmos album is called Close It Quietly (out on Sub Pop) which is a title reflecting the tender, sensitive and utterly sincere quality of Greta Kline’s songwriting and psychologically insightful lyrics. Stephen Steinbrink’s golden voice and talent for inventive soundscapes in his pop songs has been brewing for more than a decade while he toured regularly in the DIY world. His 2018 album Utopia Teased is a pinnacle of his recorded output with a diverse array of moods and textures.
What:Houndmouth w/Kyle Emerson When: Friday, 11.8, 8 p.m. Where: Bluebird Theater Why: Kyle Emerson’s new album Only Coming Down is a thoughtful collection of songs written while the songwriter was splitting his time between his adopted home of Denver and Los Angeles. Emerson is from norther Ohio but moved to Denver in his late teens/early 20s where he fell in with an up and coming psychedelic pop band Plum which made waves before moving to the City of Angels and, as is often the cliché, broke up shortly thereafter. Since then Emerson moved back to the Mile High City where he established himself as a solo artist with the release of his sophisticated and introspective, folk inflected pop album Dorothy Alice. For this set of shows he’s opening for bluesy indie rock band Houndmouth from Indiana.
What:Ultra Metal 2 Night 1 When: Friday, 11.8, 5 p.m. Where: Rhinoceropolis Why: Since Denver Noise Fest isn’t happening this year, Johnathan Cash of Sunk Cost is picking up that slack again with the biggest noise festival in Colorado across two nights at Rhinoceropolis bringing together a wide range of artists from Colorado and well beyond. Go expecting the broad spectrum of noise from the presumed harsh noise, to prepared environment soundscaping, ambient, beat-driven industrial drone, noisy post-punk, glitch, weirdo techno, post-metal, organic sound composition, sound collage, field recording processing and more. Honestly, greater diversity here in purely sonic terms than any other festival in Colorado since the last Ultra Metal. See the schedule below.
5pm – doors open
5:40pm – J. Westerman
6pm – Blarney Mumble
6:20pm – Harms
6:40pm – Kid Mask
7pm – Dragging
7:20pm – Voight
7:40pm – Pat Hopewell
8pm – Genital Stigmata
8:20pm – Culled
8:40pm – John Ingram
9pm – Sounding
9:20pm – Ritual Chair
9:40pm – Developer
10pm – Kiran Arora
10:20pm – Xome
10:40pm – Conscious Summary
11pm – Baby Daddy
11:20pm – PCRV
11:40pm – Scathing
12am – VX Bliss
12:20am – GNO
12:40am – FILTH
1am – H Lite x Techno Allah
1:20am – Clutch Plague
1:40am – J. Hamilton Isaacs
What:Clan of Xymox w/The Bellweather Syndicate and The Siren Project When: Friday, 11.8, 7 p.m. Where: Oriental Theater
Why: Clan of Xymox is a Dutch post-punk band that influenced a generation of second wave Goth bands with its imaginative and bracing sounds and imagery. Adam Wingard featured Xymox tracks in his 2014 action thriller The Guest.
What:Ultra Metal 2 Night 2 When: Saturday, 11.9, 5 p.m. Where: Rhinoceropolis Why: See above regarding Ultra Metal. Schedule for night 2 below.
5pm – doors open
5:40pm – ilind
6pm – French Kettle Station
6:20pm – Goo Age
6:40pm – Earth Control Pill
7pm – Pet Sounds
7:20pm – Rush Falknor
7:40pm – Illicit Relationship
8pm – Sunk Cost
8:20pm – A Fail Association
8:40pm – Primordial Wound
9pm – T.E.F.
9:20pm – Sects
9:40pm – Jackson Pratt
10pm – Sissisters
10:20pm – Blind Date
10:40pm – Circuit Wound
11pm – Ancient, INC.
11:20pm – Tralphaz
11:40pm – Pedestrian Deposit
12am – Dromez
12:20am – Purism
12:40am – Blank Hellscape
1am – Total Mom
1:20am – Many Blessings
1:40am – Page 27
What:Necropanther w/Methane, Incarnit, Draghoria When: Saturday, 11.9, 8 p.m. Where: Hi-Dive Why: Death/thrash metal band Necropanther from Denver is celebrating the release of its latest album The Doomed City although it has those great, distorted vocals that you’d expect from a black metal outfit there’s always been something tuneful and catchy about the band’s output.
What:Pile w/Slow Code and Moon Pussy When: Sunday, 11.10, 8:30 p.m. Where: Fox Theatre Why: Pile formed in 2007, the same year as the Canadian band Women, and has exerted a similarly strong influence on underground guitar rock by going off the map of conventional structure, dynamics and tone. Its new album Green and Gray has all of its signature contorted and noisy angularity. Opening is Denver noise rock Moon Pussy whose Big Black-esque bluster is a revelation.
What:Vincent Comparetto Going Away Party When: Sunday, 11.10, 7 p.m. Where: Hi-Dive Why: Vincent Comparetto has been calling Denver home for over 20 years and is now moving to New York City. He got involved in the skating community in the 90s and discovered the local world’s punk and post-punk communities and has been avidly documenting the music scene and the cityscape for years as can be found in his ‘zines Follow Focus, particulary #2 in which he shared several of his shots of shows and the arts world in Denver. Here’s a public chance to say farewell to one of local cultures most cordial and thoughtful preservers of what has been and advocates for what is going on.
What:Hippo Campus w/The Greeting Committee When: Monday, 11.11, 7:30 p.m. Where: Boulder Theater Why: Hippo Campus released two albums in 2019 as Demos I and Demos II. While they sound a bit like the titles suggest and recorded between 2017 and 2018, the spare, raw quality of the recordings actually serve to highlight the band’s songwriting further. Its 2018 album Bambi showcased its knack for expertly produced pop songs while the new batch of material is almost the polar opposite like the experiments Magnetic Fields have engaged in over the years with its creative and varied use of technology in songwriting and processing sounds. But whatever its approach, Hippo Campus has proven its mastery of dynamics and tone.
What:The Aquabats When: Monday, 11.11, 7 p.m. Where: Gothic Theatre Why: It’s odd to think that The Aquabats has been around for over twenty-five years now. Hailing from Huntington Beach, California, the quintet’s mixture of ska, punk and pop is as surreal as it is playful. Its singer The MC Bat Commander (aka Christian Jacobs) is better known for his involvement with the kids’ show Yo Gabba Gabba! these days but The Aquabats was a good natured send-up of the Orange County punk scene as the opposite of a macho, violent band. Instead The Aquabats have assumed the personae of super heroes and its multi-media presentation through its own TV shows and sillymusic videos has allowed the band to transcend not just genre appeal but appeal beyond the realm of punk and ska, which the group has long since left behind in favor of greater musical diversity in its songwriting. Go expecting more than just a musical performance, expect the full integration of that with theater and comedy routines and special guest performers along with its usual incorporation of the audience into the proceedings as well.
What:Elephant Stone w/Frankie and the Witch Fingers and Emerald Siam When: Tuesday, 11.12, 7 p.m. Where: Hi-Dive Why: Elephant Stone’s psychedelic pop songs have weathered the glut of wannabe psychedelic rock of the past several years by going beyond the tropes and creating transcendent melodies incorporating traditional Indian musical styles and methods for a sound that seems to drift in from some brighter realm than our own. Frankie and the Witch Fingers is a little more traditionally garage psyche but the sheer momentum of its performances elevates it beyond the languid pace and laid back style we’ve come to expect all while maintaining a delicacy of feeling. Emerald Siam from Denver has some of that psychedelic garage rock in its musical DNA but is more like a moody, dark, post-punk band that discovered that musical catharsis comes from overcoming one’s personal momentum rather than sinking deeper into it.
What:FKA Twigs When: Tuesday, 11.12, 7 p.m. Where: Mission Ballroom Why: FKA Twigs brilliantly fuses downtempo with experimental electronic music. Her new album Magdalene is basically an environmental noise record with elements of R&B and soul in a pop format in the foreground.
What:Big Freedia w/Low Cut Connie When: Tuesday, 11.12, 7 p.m. Where: Gothic Theatre Why: Big Freedia’s “sissy bounce” is like some hip-hop performance art spell-casting that is disorienting yet utterly riveting.
What: At the Heart of the World w/Lowfaith and Polyurethane When: Tuesday, 11.12, 7 p.m. Where: Rhinoceropolis
Wednesday | November 13
What:The Coathangers w/Control Top and Rocket Dust When: Wednesday, 11.13, 7 p.m. Where: Lost Lake Why: The Coathangers have evolved a lot since the incendiary and thrilling chaos of their earlier punk rock without losing any of that raw power. Now touring for The Devil You Know, The Coathangers have completely integrated its instinct for tearing down convention with sharply focused songwriting.
What:Sun Seeker w/Duncan Fellows When: Wednesday, 11.13, 7 p.m. Where: Larimer Lounge Why: Duncan Fellows from Austin unexpectedly makes a blend of Americana, psychedelic pop and 2000s indie rock work through creative layering of instrumentation and vocals giving its songs great dynamic range and an element of unpredictability. There’s a lot of imitation in music at the moment and while Duncan Fellows may not strike some as incredibly original, give them a good listen and it becomes obvious they’re at least following their musical instincts where the mood flows rather than where pre-existing style suggests. In that way the group is a bit like Foxygen and Unknown Mortal Orchestra without sounding like either. Its use of synths as a full compositional element sets it apart from most of its peers as well as heard put to full effect on the group’s latest release the Eyelids Shut EP.
What:Sun Blood Stories, Space Jail, The Teeth of the Hydra and Prayer Hands When: Thursday, 10.17, 7:30 p.m. Where: Glitter City Studio Why: Sun Blood Stories from Boise, Idaho, has been creating its experimental psychedelic music since 2011. Though the band emerged around the time when the most recent wave of psychedelic rock was headed toward its peak, Sun Blood Stories seemed to come from a different place. Its shows feel a bit like you’re seeing what a traveling, shamanistic musical ceremony might be like. Its songs, some rock, some weirdo folk, all informed by an attempt to create a mood and an experience as much as, or more so, than melody. The group is now touring in support of its 2019 album Haunt Yourself.
What:Temples w/Honey Harper When: Friday, 10.18, 8 p.m. Where: Gothic Theatre Why: Temples from Kettering, England made big waves with its debut album Sun Structures at the apex of the neo-psychedelic era. But one thing that has set Temples apart from its peers is its mastery of layered dynamics like an orchestration of oil projections. The Krautrock-like rhythms, the sheets of luminous ethereal sounds, the haunted and the soaring vocals, guitars carrying both melody and texture shimmering throughout, Temples didn’t get stuck playing in an indie folk band that discovered weird pedals one day and jammed out to “Anemone” by the Brian Jonestown Massacre endlessly. Temples perfectly weds pop songcraft with mind-altering sound experiments. Its 2019 album, Hot Motion, finds the band exploring new vistas of evocative soundscaping mixing a palette of classic psychedelic era rock sounds and strong songwriting with modern sensibilities.
What:Riceboy Sleeps (Jónsi & Alex Somers) w/Wordless Orchestra When: Friday, 10.18, 7 p.m. Where: Paramount Theatre Why: Most people probably know Jónsi as a member of Sigur Rós and thus no stranger to transcendent, orchestral music. With his partner Alex Somers he makes experimental ambient music and their latest album, their first with this project in a decade, is 2019’s Lost & Found. The show will be an evocative production with Wordless Orchestra conducted by Robert Ames with orchestra arrangements by David Handler. A mixture of classical, ambient and the avant-garde, the footage from this tour so far has shown a moving performance of uncommon grace and hushed intensity.
What:Aldous Harding w/Hand Habits (solo) When: Saturday, 10.19, 8 p.m. Where: Larimer Lounge Why: Aldous Harding’s weirdo folk songs and compellingly eccentric performances is definitely for fans of Kate Bush and Joanna Newsom. Her 2019 album Designer is a showcase for her storytelling genius.
What:Guerilla Toss w/cindygod and Corner Girls When: Saturday, 10.19, 8 p.m. Where: Hi-Dive Why: A brilliant collision of dub, post-punk and psych-synth imbued disco, Guerilla Toss brings an upbeat yet surreal sensibility to its shows. It’s new record, What Would The Odd Do?released October 18 and this is more or less the band’s tour kickoff show.
What:Get Your Ears Swoll 11: The Vagrant Sea, Landgrabbers When: Saturday, 10.19, 8:30 p.m. Where: The People’s Building Why: The Vagrant Sea is a punk-inflected noise rock band or a noisy punk band. Either way its members are veterans of Denver’s underground rock scene including former members of The Symptoms, Dirty Lookers, Tarmints and many others. Landgrabbers is a honky tonk punk band with emphasis on the latter. At a time when most punks are aiming for a niche subgenre, Landgrabbers refreshingly focus on writing solid songs and leave the fashion show, sonically and otherwise, to those more inclined.
What:The Distillers w/Death Valley Girls When: Saturday, 10.19, 7 p.m. Where: Ogden Theatre Why: The Distillers’ brash punk rock burned bright and flamed out between starting in 1998 and breaking up in 2006 leaving behind a few records of songs about raging against feeling like being kicked to the bottom rung but making that kind of scrappy underdog status seem glorious. Singer Brody Dalle cut a commanding figure and after the band split she spent some time writing music in Spinnerette and under her own name. But as of 2018, The Distillers are back together at a time when maybe its ferocious performances with snotty yet tuneful songs will find a wider audience hungry for something that vital. Also on the bill is Death Valley Girls whose inspirationally bizarre blend of surf rock, post-punk and psychedelia is truly born of an individual collective imagination channeled into spirited performances.
What:Clay Rendering, Weathered Statues, French Kettle Station, Prison Glue When: Saturday, 10.19, 9 p.m. Where: Rhinoceropolis Why: Clay Rendering is often called a mix of dream pop and black metal and that’s fair enough but it might also be considered a rebirth of synth infused death rock. Its 2019 album California Black Vows sounds like what Iceage might have sounded like if it went more darkwave and less in the direction of The Bad Seeds.
What:Jonathan Richman w/Tommy Larkins When: Saturday, 10.19, 7 p.m. Where: Daniels Hall at Swallow Hill Why: Because Jonathan Richman is the godfather of twee pop and radical sincerity in vulnerability in rock music. And he hasn’t exactly toned down that approach as a performer in nearly fifty years. He’s a national treasure.
Sunday | October 21
What:All Your Sisters, Weaken, Voight and Fatal Fantasy (DJ) When: Sunday, 10.20, 8 p.m. Where: The Zodiac (Colorado Springs) Why: All Your Sisters from Los Angeles and Denver’s Echo Beds (playing the Monday show in Denver at Rhinoceropolis) are headed out on a tour to the East Coast. The former released the album Trust Ruins in April 2019 and re-established itself as practitioners of harrowing, industrial death disco. Voight are a jagged machine of sound and sometimes convulsive, sometimes broodily intense sounds that erupt with a barrage of cathartic energy to purge the dulling effects of late capitalism.
What:All Your Sisters w/Echo Beds, Midwife and B|_ank When: Monday, 10.21, 9 p.m. Where: Rhinoceropolis Why: For All Your Sisters see above on October 20. Echo Beds is an alchemical combination of stark hardcore aesthetics and organic industrial post-punk.
What:Whitney w/Lala Lala When: Monday, 10.21, 7 p.m. Where: Ogden Theatre Why: Whitney’s debut album Light Upon the Lake (2016) benefited from both hitting a trend early of the sort of Laurel Canyon, countrified psychedelic pop embraced in the American underground and from its exquisite arrangements and ear for dynamics in a way that has been missing from far too much modern pop music. The follow-up album, 2019’s Forever Turned Around is a tender and sensitive meditation on the fear and confusion hanging in the collective psyche of late complicated by issues of addictions of various kinds, a heavier than expected set of subjects from music that sounds so spacious and heavenly.
What:Chelsea Wolfe w/Ioanna Gika When: Tuesday, 10.22, 8 p.m. Where: Stanley Hotel Why: What could be more perfect than the haunting intensity of Chelsea Wolfe’s songs, performed acoustically as is the style of at least one of her albums, at the haunted Stanley Hotel in advance of Halloween? Wolfe recently released her new album Birth of Violence which features some of her more acoustic songwriting than the heavy drones and atmospheric black metal of her last few offerings. It showcases a more intimate side of Wolfe’s deeply personal storytelling rather than the nightmarish visions with which you might be more familiar with the artist and a testament to her enduring talent.
What:The KVB w/Numb.er and Eventually It Will Kill You When: Tuesday, 10.22, 8 p.m. Where: Larimer Lounge Why: The KVB’s synth-driven post-punk is reminiscent of Fad Gadget’s dark avant-pop with its distorted, urgent soundscapes and brooding, introspective vocals. Currently touring in support of its 2019 album Submersion.
What:Shovels & Rope w/John Paul White (of The Civil Wars) When: Tuesday, 10.22, 7 p.m. Where: Ogden Theatre Why: John Paul White one half of bluesy Americana duo The Civil Wars with Joy Williams. In 2019 he released his third solo album The Hurting Kind. Its flavor is a little more introspective than some of his previous work with The Civil Wars. But the level of detail and warmth of tone is there. Apparently he was inspired by the almost orchestral production and songwriting of early 60s Nashville acts and he brings that sensibility to this new batch of songs by taking his gift for turning simple and spare elements into a lush sound that touches on fine emotional notes. Exquisitely crafted songs by one of America’s premier songwriters. Shovels & Rope is the alternative country band from Charleston, South Carolina comprised of Cary Ann Hearst and former Denverite, and former Tinker’s Punishment frontman, Michael Trent.
What:mxmtoon w/Alexander 23 When: Wednesday, 10.23, 7 p.m. Where: Larimer Lounge Why: mxmtoon went from bedroom pop musician to international renown from 2017 to 2019 initially releasing more humorous songs and moving on to more sincere expressions of feeling. Her 2018 debut EP plum blossom garnered her critical acclaim for her finely composed pop songs that feel spontaneous and insouciant. Through social media and other internet outlets like TikTok, Vine, Snapchat, Soundcloud, mxmtoon, or Maia, has made comedic videos and shared her work connecting with hundreds of thousands of fans. In 2019 she released her debut full-length, self-released, the masquerade. There’s something lighthearted but genuine about her songs and her intuitive knack for an earworm melody and wordplay is consistently impressive.
What:Free Music, Koto Robo, Cop Circles album release, French Kettle Station, J. Hamilton Isaacs When: Wednesday, 10.23, 9 p.m. Where: Rhinoceropolis Why: Cop Circles is the weirdo afrobeat/avant-garde jazz influenced project of one Luke Leavitt. He is releasing his latest album Penultimate Conclusions at this show. Also on the bill is eccentrically brilliant experimental pop project Free Music from Minneapolis, the relentless and inspired adult contemporary/glitch/synth pop hybrid of French Kettle Station, J. Hamilton Isaacs’ transporting modular synth compositions and Koto Robo’s synthesis of 80s video game sounds (though not 8-bit) and synth pop.
What:Hot Snakes w/SPELLS When: Thursday, 09.05, 7:30 p.m. Where: Oriental Theater Why: It would be too facile to cite biographical information about Hot Snakes at this point. Influential noise rock band from San Diego comprised of former/current members of Drive Like Jehu, Rocket From the Crypt, Pitchfork and Obits. Its shows are incendiary, its songs imbued with a dark yet dry sense of humor and its angular guitar rock also not short on dynamic grooves that seem too confrontational to work as unconventional dance music but don’t tell that to John Reis. The group is currently re-touring in support of its monumental 2018 album Jericho Sirens. If you go early to catch SPELLS, just think of them as an 80% version of Hot Snakes because that’s good enough. And other inside jokes that don’t work on the internet.
What:The 126.96.36.199s w/The Ghoulies and The Vanilla Milkshakes When: Thursday, 09.05, 8 p.m. Where: Streets Denver Why: The 188.8.131.52s are a lively surf rock and rockabilly band from Japan who came to a larger public consciousness in the West after appearing in Kill Bill Vol. 1. The Ghoulies are a similarly-minded sorta rockabilly garage punk band and The Vanilla Milkshakes will make all the awkward jokes that desperately need to be made and break up the evening some with its well-crafted, outsider pop punk.
What:The Funs, Sweetness Itself, American Culture, Natural Violence When: Thursday, 09.05, 8 p.m. Where: Rhinoceropolis Why: The Funs is a band from Illinois that combines a twee indie pop sensibility with a dream pop sound palette. Think Black Tambourine post-shoegaze. American Culture took the Dinosaur Jr and Meat Puppets thing and put it through an indie pop lens and listened to a bunch of Cure records and came up with something different but bearing the fingerprints of all of that in its sound and ethos. Natural Violence is Michael Stein’s (Homebody, School Knights) latest project. A kind of spindly, super refined post-punk pop band.
What:Mystic Wool, Arc Sol and Total Trash When: Thursday, 09.05, 9:30 p.m. Where: Mercury Café Why: Arc Sol is former Silverface guitarist Michael Thompsons’s new band that somehow welds Neil Young-esque rock wih psychedelia without really sounding like he’s trying to be in the same lineage as any of that in the past decade and that’s impressive on its own. Total Trash is a Denver indie rock supergroup including former and current members of Fingers of the Sun, Fissure Mystic, Lil’ Slugger, Quantum Creep and Eyebeams. Mystic Wool’s synth compositions sound as though someone had to go on some prolonged retreat with no access to the internet and just a music player that had the Deerhunter discography, early Air albums, Candy Claws and Harmonia albums.
Saturday | September 7
What:TEARS to LI6HT, Hate Minor and Claudzilla When: Saturday, 09.07, 7 p.m. Where: Seventh Circle Music Collective Why: This show is a fundraiser for ProgressNow Colorado’s Keep Abortion Safe initiative and it will include sets from experimental electronic artist TEARS to LI6HT, experimental noise rock duo Hate Minor and Claudzilla’s melodica Goth strangeness.
What:Mannequin Pussy w/Destroy Boys and Ellis When: Saturday, 09.07, 8 p.m. Where: Larimer Lounge Why: Mannequin Pussy’s melodic punk is anthemic, emotionally raw and affecting. Like some sort of power pop band from the 80s with the expansive songwriting style and inventive dynamics but whose lyrics are soul searching and pointed but never cruel. The group’s 2016 album Romantic was full of joyful chaos exorcising trauma and sadness with bursts of sound and energy. The new record, 2019’s Patience, is more introspective but no less imbued with the radical vulnerability and personal insight that has made its music worth a deep listen from the beginning.
What:Audio Dream Sister, Whiskey Orphans, Austin Sterling When: Saturday, 09.07, 9 p.m. Where: 3 Kings Tavern Why: Audio Dream Sister hasn’t played in a million years. Meaning maybe in half a decade or more or so it seams. The sludge rock band from Denver was a staple of the heavy rock and punk scene for years and its adept songwriting and psychedelic sensibilities set it apart from the “stoner rock” set of the day.
What:De La Soul w/DJ Mick When: Saturday, 09.07, 8 p.m. Where: Ogden Theatre Why: De La Soul brought something a little strange to hip-hop when it came onto the scene in the 80s blending psychedelic rock aesthetics with weirdo funk and rap. It also used that perspective to examine social issues from a different angle and in its own way had as incisive a social critique as contemporaries like Public Enemy and The Disposable Heroes of Hiphoprisy.
Sunday | September 8
What:King Crimson When: Sunday, 09.08, 6:30 p.m. Where: Paramount Theatre Why: King Crimson was one of the earliest of the progressive/art rock bands to have emerged in the late 60s, incorporating classical music concepts and a sense of dramatic orchestration into ambitous rock songs. Its 1969 debut In the Court of the Crimson King set a creative high water mark for the progressive rock genre with imaginative lyrics and songwriting that employed musical chops with real creativity to write emotionally arresting songs like the title track and “21st Century Schizoid Man.” While guitarist Robert Fripp is the sole remaining original member he has been the musician in the band that has steered the ship consistently from the beginning through its various phases from the early sort of amalgam of folk, rock, jazz, classical and psychedelia through the experimental hard rock phase of the 2000s through to today.
What:King of Heck (NV), Endless, Nameless, Old Sport and Zephyr When: Sunday, 09.08, 8 p.m. Where: Rhinoceropolis Why: King of Heck from Nevada is a “desert rock” band that sounds like it came up on a lot of Gravity Records bands, Fugazi, melodic post-hardcore and modern underground emo. Old Sport from Denver is a great blending of post-hardcore and noisy proto-alternative rock like Dinosaur Jr.
Monday | September 10
What:Voight, Dancing Plague (OR), French Kettle Station and Luxury Hearse When: Monday, 09.09, 7 p.m. Where: Seventh Circle Music Collective Why: A darkwave show at Seventh Circle with Denver’s shoegaze/post-punk/industrial synthesists Voight, EBM/dance Goth group Dancing Plague from Oregon, French Kettle Station and his animated 80s adult contemporary/avant-garde/New Wave music and Luxury Hearse’s beat driven ambient pop.
What:Hazel English w/Modern Leisure When: Monday, 09.09, 7 p.m. Where: Larimer Lounge Why: Hazel English is oft compared to another Oakland, California artist Day Wave. But one might just as well compare her hazy, bright dream pop to the work of Alvvays because it has a similarly wistful and expansive quality that gives one a sense of introspective yearning. Joining her on the bill is Denver indie pop group Modern Leisure. Singer Casey Banker has been crafting some of the more thoughtful and impassioned pop songs out of Denver for more than a decade and Modern Leisure is the continuation of his legacy.
Tuesday | September 10
What:Kristin Hersh (electric trio) w/Fred Abong When: Tuesday, 09.10, 7 p.m. Where: Hi-Dive Why: Kristin Hersh formed post-punk band Throwing Muses with Tanya Donelly in 1981 when both were fourteen years old. But that band went on to be one of the early alternative rock bands that helped to define the aesthetic of the UK record label 4AD with its emotionally powerful music and inventive songwriting. In that band and as a solo artist Hersh has used mythology and culture and her own struggles with mental illness to produce a body of work that is both startlingly intimate and imaginatively far reaching in scope. Her latest record, 2018’s Possible Dust Clouds draws on specific mythologies and personal history to deliver a set of songs that strikes deep emotional chords expressed with Hersh’s signature, textural voice and warmth as well as unconventional rhythms and guitar voicing. Somehow Hersh’s songs seem like manifestations of archetype and the forces of nature cooperating to speak eternal yet personal truth through her.
What:Silence in the Snow, Echo Beds, Blood Loss and Causer When: Tuesday, 09.10, 8:30 p.m. Where: Rhinoceropolis Why: Oakland’s Silence in the Snow sometimes comes off like a neo-darkwave band because it is but its root is an urgent post-punk akin to the likes of Red Lorry, Yellow Lorry and Xmal Deutschland. Its new record Levitation Chamber finds the band mixing ethereal guitar with high emotive vocals and deep, irresistible rhythms.
What:Lady of Sorrows and Dead Orchids When: Thursday, 04.18, 6:30 p.m. Where: Hooked On Colfax Why: This week’s Speakeasy Series features Lady of Sorrows which is a combination of luminous, synth-driven post-punk and spiritual operatic vocals. It would be a misstep to compare it to Dead Can Dance or Enya or something like that but fans of either might find Lady of Sorrows interesting. Dead Orchids is on the darker end of post-punk but bluesy and gritty.
Friday | April 19
What:OKO TYGRA Album release w/Voight and DJ Noah (of Flaural) When: Friday, 04.19, 8 p.m. Where: Hi-Dive Why: OKO TYGRA has been through a few permutations as singer/guitarist Joshua Novak and his bandmates have explored various paths to creating a lush, expansive sound that reflected but was not limited to the sort of dream pop and post-punk that is the group’s foundational influence. With Assistoma the quartet created a fluidly dynamic set of songs that use subtle textures and drifting hazes of melody like Novak is floating in clouds of emotion and memories moving forward and commenting in typically thoughtful fashion on how so much of modern life is conditional on the seemingly tentative nature of relationships (personal, professional, social) while we yearn for something more solid with genuine connection. Although there is an ethereal quality, Novak sings with a warmth that casts his music in a different mode than a lot of the music that influenced him. Grounded in the rhythm and low end, Assistoma’s tracks seem to dance throughout the record with grace and nuance without getting bogged down in any kind of stylistic repetition while maintaining a coherent sonic aesthetic. Also on the bill is industrial post-punk duo Voight who keep threatening to do an all production set but is still always worth seeing for the sheer colossus of wiry energy and sonic intensity of its performances.
What:In The Valley Below presents: The Pink Chateau When: Saturday, 04.20, 7 p.m. Where: Alamo Drafthouse Sloan’s Lake Why: In The Valley Below is doing a different kind of tour this time around with a sonically immersive live performance and the screening of its film The Pink Chateau. The latter is a sort of silent movie with musical accompaniment in which a series of vignettes involving a young woman follows a stranger into the countryside into dreamlike vignettes exploring the protagonists deep desires and the nature thereof. All inspired by, according to the promotional video on YouTube (youtube.com/watch?v=G6H-qvyf72U) “vintage French erotica and the faded colors of 1970s films.” Maybe a bit engimatic like Picnic at Hanging Rock or like a more introspective, non-vulgar Going Places. Whatever the tone or influences, the music of The Pink Chateau is, like much of the band’s music, gorgeously saturated and enveloping giving the experience the aforementioned immersive quality as the soundtrack won’t be provided by a prerecorded track but by a live band.
What:Lost Network, Never Kenezzard, Blinddryve, Wiretrap, DJ Cozmos Mudwulf, visuals Opia When: Saturday, 04.20, 8 p.m. Where: 3 Kings Tavern Why: With Lost Network and Wiretrap this will be kind of a hybrid of industrial rock and EBM show but not the sort that is steeped in the future pop version of that. Lost Network is a bit like where Ministry should have gone after Filth Pig. Never Kenezzard is an experimental kind of sludge metal band but one more like Unsane if the people in the band were more into Frank Zappa and John Zorn.
What:Shelley Hirsch When: Saturday, 04.20, 7 p.m. Where: The Muse Why: Shelley Hirsch is an avant-garde vocalist and performance artist whose range and diversity doesn’t sit comfortably in any genre. She has worked with John Zorn, Ikue Mori, David Weinstein and Anthony Coleman. Her forceful and imaginative vocal exercises can be both exhilarating and forbidding, eccentric and otherworldly.
What:Space in Time, Halahierba and Keef Duster When: Saturday, 04.20, 8 p.m. Where: Hi-Dive Why: It’s 4.20 so hey, a show with legitimately worthwhile stoner rock/sludge metal bands should happen somewhere and tonight it’s at the Hi-Dive.
What:Ages and Ages w/The Harmaleighs and Mondegreen When: Saturday, 04.20, 8 p.m. Where: Larimer Lounge Why: Ages and Ages has been developing its particularly engaging style of pop music since 2009. Utilizing unconventional percussion alongside a drum set and expertly orchestrated vocals and instrumentation, Ages and Ages sounds like it could have come out of the tail end of the first wave of indie pop with a sound that seems to embrace the infectious melodies of ABBA and the meticulous song craft of Harry Nilsson as well as the experimental flourishes of the Beatles. Of course the influence of The Apples in Stereo and Olivia Tremor Control are in the mix. Its 2019 album Me You They We is a beautiful blend of introspective exploration of inner space and the nature of yearning.
What:Half Hearts, Porlolo and Tammy Shine When: Saturday, 04.20, 9 p.m. Where: Syntax Physic Opera Why: It’s the debut of Jason Heller’s and Karen Walton’s new power pop band. Heller is a renowned science fiction author, editor and music writer but he’s also been a member of some of the greatest bands from Denver including Crestfallen, Red Cloud West and The Blue Ontario. Walton has been the drummer for beloved local punk acts like Turbo Knife Fight, Rabid Ragdolls and Naako Deesko. But her musical interests have always been far ranging and her sensibilities with those of Heller seem like a good match. You also get to see Porlolo’s witty, irreverent folk pop and Tammy Shine, the charismatic singer of Dressy Bessy, doing her more or less solo thing.
What:Stick Figure w/Steel Pulse, Pepper, The Movement, Iya Terra, hosted by Nick Swardson When: Saturday, 04.20, 5:30 p.m. Where: Red Rocks Why: For better or worse, depending on your outlook on these things, there’s a reggae concert at Red Rocks on 4/20. But this one includes Steel Pulse. When the band started in 1975 in Birmingham, England, the home of other working class bands like Black Sabbath and Napalm Death, it helped to shape what reggae would sound like for decades. Its particular sound is more traditional but in a way that has evolved and embrace technology and production. Its latest album, and first in over a decade, is 2018’s Mass Manipulation.
Sunday | April 21
What:Eels w/Inspector Cluzo When: Sunday, 04.20, 7 p.m. Where: Gothic Theatre Why: Even a seemingly endless prolific and inventive songwriter like Mark Everett hits the wall. And that’s what Everett did following the touring cycle of 2014’s The Cautionary Tales of Mark Oliver Everett. Absolute burnout pushed the songwriter into taking a break from music after nearly thirty years of exploring a variety of emotional spaces through his songwriting. Having lost his father when he was 19, his sister to suicide in the mid-90s and his mother to lung cancer in the late 90s and a cousin in the 9/11 attacks, Everett has had more than his fair share of personal tragedy. In some ways re-living and processing that in your music gives it a depth and heaviness and an attended ambition to do justice to the subjects that isn’t always there in pop music. But carrying that weight also takes its toll on your psyche and then your life.
With 2018’s The Deconstruction, Everett takes the time to unravel the angst and burnout lays bare the need for patience and gentleness to self needed to recover when your core has fractured in the wake of the momentum of your life when that machine isn’t entirely working anymore in a way that suits real life. All the bravado, insisted enthusiasms and the pressure to be on and up all the time even as an artist who writes melancholic music will not get you over that kind of ditch in the road. It’s obvious The Deconstruction wasn’t meant to be a coherent album as in most of the rest of Everett’s career. One does not rediscover joy and reconnect to one’s creativity in a linear fashion, rather in honoring one’s frailties and soothing the endless series of existential crises that wrack the mind once you’ve bottomed out at level that didn’t seem possible when you’re a teenager or in your twenties. Or even in your thirties. What Everett is doing now is not just writing music with a sense of compassion and kindness at their root but showing how you can express at length, even with mixed results (unless you’re completely delusional life is a lot of mixed results that many overly ego driven people choose to edit out of their telling of it), that coming out of a low period can’t be accomplished through hard work alone, perhaps not at all, but in nurturing and discovering new or neglected ways of being you and creating therefrom.
What:Chris Cohen w/Jobless and American Culture When: Sunday, 04.21, 8 p.m. Where: Larimer Lounge Why: Former member of Deerhoof Chris Cohen has a gift for writing songs that have a hazy, easily digestible quality that perfectly capture quiet moments in everyday life with a poetic economy and emotional sensitivity. His 2019 self-titled album sounds like it could have come from an alternative reality version of Southern California in the 1970s. Like music that would suit the later-era Philip K. Dick novels or the works of Jim Thompson. That said, the new record is like a kinder, gentler Imperial Bedroom.
Tuesday | April 23
What:Com Truise w/Jack Grace and ginla When: Tuesday, 04.23, 7 p.m. Where: Gothic Theatre Why: Touring ahead of the May 17 release of his new album Persuasion System, Seth Haley’s Com Truise is making a stop in Denver and chances are you’ll get to experience that new music live before legally getting a hold of the new record. Seems as though Haley has further refined his sound with a greater degree of the separation of sound in the layers of tone and texture. Like futuristic “library music” mixed with downtempo but brightly melodious IDM, the new Com Truise stuff is musical science fiction capturing a likely future post-climate-change-crisis and post-oligarchic domination.
Wednesday | April 24
What:Big Business w/The Lycan When: Wednesday, 04.24, 8 p.m. Where: Hi-Dive Why:The Beast You Are could simply be described as psychedelic sludge. But that has never really encompassed what Big Business is about. The duo came out of the 90s punk and underground rock scene in the Pacific Northwest. Jared Warren from Karp and Coady Willis from Murder City Devils—both bands that would be difficult to pigeonhole on their own. Both musicians also played as part of Melvins for nearly a decade, yet another band whose musical legacy and sound is so much more than “sludge rock” or whatever one might call a band that was a direct influence on grunge. The Beast You Are, though, is a collection of dynamic, triumphant songs with unconventional melodies and an elevated updraft of tone. Big Business has always been, if nothing else, heavy but buoyant. On The Beast You Are, Big Business experiments further in the songwriting with its use of space and pacing. There’s still the headlong rush you’d expect from the band but also an imaginative application of its palette of sound that has kept the band from being predictable, an uncommon quality in heavy music. For Big Business it is not enough to pummel with its colossal sound but to have emotional and thoughtful intentionality behind it.
What:Throwing Thimgs, Bert Olsen (tour kickoff), Sad Dance Party and Zealot When: Thursday, 03.21, 7 p.m. Where: Seventh Circle Music Collective Why: Bert Olsen is taking its post-punk/death rock pop songs beyond Denver for a tour and kicking it off with this show alongside other musical misfits like Zealot, a pop band that is deep under the influence of The Mountain Goats—texture rich melodies, irrepressibly upbeat and crackling with wiry energy.
What:Rubblebucket w/Twain and Toth When: Thursday, 03.21, 7 p.m. Where: Fox Theatre Why: Rubblebucket reached deep into its members hearts in search of the material for Sun Machine, which discusses the struggles of life, death, heartbreak, despair, a yearning for rebirth into a next, better chapter of life while sitting in the depths of one’s psyche. The live presentation of this material, alongside the group’s fine earlier work, is done with an exuberant sense of theater.
What:Equine Tour Kickoff w/Death In Space, J. Hamilton Isaacs, Radiant Filth When: Thursday, 03.21, 8 p.m. Where: Thought//Forms Why: Equine will be taking his abstract guitar compositions on the road for a series of shows out to the east coast. Calling it ambient or “prepared guitar” isn’t quite accurate as Kevin Richards brings to bear a technical knowledge of tone and chord structure applied to his imaginative ear for an interesting and compelling arrangement. To launch him on his way are local peers in the like-minded Death In Space whose own guitar and loop experiments will be on full display as well as J. Hamilton Isaacs and his way of making analog synths make playful and bright dance beats and melodies.
What:Bright Light Social Hour w/Rubedo and Other Worlds When: Thursday, 03.21, 8 p.m. Where: The Gothic Theatre Why: Austin’s Bright Light Social Hour will treat you to an uplifting blend of ethereal tones and motorik beats. If psychedelic rock went a little bit synth pop and the emphasis was on soothing vibes rather than simply pursuing wild sonic gyrations, it might sound like what Bright Light Social Hour has perfected. Denver’s Rubedo is one of the opening acts. The trio has evolved its sound, aesthetic and conceptual thrust over the years. But lately it’s been a nice balance of heartfelt, soulful vocals and blues-inflected art work with intricate yet intuitive changes throughout its songs. It’s a band whose themes are essentially uplifting and on accentuating the positive but never with a heavy-handed and corny take.
Friday | March 22
What:MarchFourth w/Southern Avenue When: Friday, 03.22, 8 p.m. Where: Fox Theatre Why: MarchFourth predates by several years but is otherwise spiritual kin to Denver’s Itchy-O. Both used to have “Marching Band” as part of their name due to the robust horn and percussion sections of both bands. But wheres Itchy-O embodies a more experimental, darker, post-apocalyptic ritualistic side of the music, MarchFourth plays an eclectic kind of instrumental funk. Both are an eye-catching spectacle the likes of which you’re not likely to quite see with a more conventional band format. At a MarchFourth show you’ll also see acrobats, dancers and stiltwalkers with members dressed in a dazzling array of color and personalized detail.
What:Rubie Gold, nIGHTtIMEsCHOOLbUS and Talk Perfect When: Friday, 03.22, 8 p.m. Where: Mutiny Information Café Why: nIGHtIMEsCHOOLbUS is the downtempo hip-hop collaboration between Otem Rellik’s Toby Hendricks and Robin Walker of Shocker Mom. Emotionally tender, borderline ambient beats and warm vibes.
Saturday | March 23
What:Spine, Raw Breed, Cadaver Dog, Videodrome and Mob When: Saturday, 03.23, 7 p.m. Where: Seventh Circle Music Collective Why: Aggressive hardcore night at 7C with some of Denver’s best as well as Spine from Kansas City/Chicago. If those guys drive to practice that truly is hardcore.
What:R A R E B Y R D $ tape release w/Bulldozer Boy When: Saturday, 03.23, 9:30 p.m. Where: The Mercury Café Why: R A R E B Y R D $ is releasing its debut tape MIXTO$ at this show as well as other merch. The album was released digitally in 2018 under a slightly different name on Glasss Records but underwent a remixing via Tyler Breuer whose work as a musician and producer in various bands in Denver brought a different sensibility and ear to the proceedings. The experimental hip-hop trio will celebrate the occasion with a show including downtempo-jazz beatmaker Bulldozer Boy.
What:Get Your Ears Swoll: Night 4: Sweetness Itself, Rachael Pollard and Death In Space When: Saturday, 03.23, 8:30 p.m. Where: The People’s Building Why: Get Your Ears Swoll is a monthly music event at The People’s Building in Aurora. Rachael Pollard has been playing her fragile, playful, thoughtful, introspective songs in and around Denver for twenty years or more. The music feels like you’re getting glimpses into a private universe of talking animals, rainbow bridges to other dimensions and some of the most confessional poems written by anyone. Her shows invite you to connect with the better part of your own psyche. Death In Space could be anything at this point since Aleeya Wilson has integrated synths and guitar with loops. Only expect something interesting and sonically spare but not simplistic.
Sunday | March 24
What:Liz Phair w/Califone When: Sunday, 03.24, 7 p.m. Where: The Ogden Theatre Why: Had Liz Phair only released her 1993 album Exile in Guyville, her place in music history would have been set. The album was a deep, sophisticated, at times profane, feminist exploration of the dynamic in far too many music and creative scenes then and now in which men dominate and sideline women (or anyone that can be sidelined for reasons of identity) in subtle and not subtle ways. Her stories are so vivid and capture a truth so poignant they sound personal but they were not, Phair was just particular adroit in her portraits verbally and emotionally. Since then Phair has written straight ahead pop songs, fuzzy alternative rock, soundtracks and done sound design work so that her more recent albums seem like experiments integrating her career as a musician. Live she’s not the type to refuse to play her classic, beloved material and her sense of humor and sensitivity makes for a captivating time.
What:Carla Bley, Andy Sheppard and Steve Swallow When: Sunday, 03.24, 5:30 and 8 p.m. Where: Dazzle Why: Carla Bley was a major figure in 60s free jazz and her 1971 album with Paul Haines (father of Emily Haines of Metric), Escalator Over The Hill. Called a “jazz opera,” Escalator combined avant-garde jazz and folk and one has to assume it exerted influence on the spontaneous compositions of French prog band Magma. While Bley has played in various configurations large and small this Denver show, her first in around thirty years, will be a trio performance with Andy Sheppard on saxophone and Steve Swallow on bass.
What:Centered Volume 5: Paperbark, Entrancer, Street Soul Nekyia and Pameshen When: Monday, 03.25, 8 p.m. Where: Syntax Physic Opera Why: Jacob Isaacs has been putting together some of the greatest, underground showcases for artists of synthesizer music in the Denver area with his Centered series. This edition includes modular synth artist Paperbark. John Mulville lived in Denver for a handful of years where he became entrenched in the avant-garde and ambient scene with his atmospheric work that projected a tactile sensibility like sculpture done with sound. Entrancer’s own modular synth work has absorbed the influences of old school avant-garde electronic music as well as techno. Both Paperbark and Entrancer also draw inspiration from the production side of hip-hop and while it may not be so obvious in their work with more adventurous hip-hop artists embracing noise and experimental music of late the connection seems obvious especially when the waves of this music hits you in the live setting where its visceral impact is undeniable.
Wednesday | March 27
What:Jerry Paper w/Ava Luna and Ashley Koett When: Wednesday, 03.27, 7 p.m. Where: Larimer Lounge Why: Lucas Nathan was involved in making noise and psychedelic music before he finally decided to start making electronic music to disabuse himself of his prejudices against it. Because of that his music has a truly unusual and original take on what is essentially sample-based composition and retro-futurist weirdo hip-hop.
What:Palehorse/Palerider, Nox Novacula, No Gossip In Braille, Voight When: Wednesday, 03.27, 8 p.m. Where: Hi-Dive Why: Post-metal, post-deathrock, post-punk, post-shoegaze. The kind of bill that should happen all the time but rarely does when artists so unlike each other (beyond all being some kind of rock) have sounds that compliment each other well.
What:Deafheaven, Baroness and Zeal & Ardor When: Wednesday, 03.27, 6:30 p.m. Where: The Ogden Theatre Why: Baroness is on the verge of releasing its latest double album Gold & Grey. The band that has distinguished itself in the realm of sludge metal with intricate and imaginative guitar work and solid vocal harmonies has said that the new record will be the last in its series of color-themed titles. Seeing as guitarist and singer John Baizley is one of the most distinguished and sought-after visual artists in metal and music generally, it’ll be interesting to see what themes emerge from here. Until then you will likely be able to hear a good deal of the new material on this tour with blackened shoegaze band Deafheaven and experimental black metal outfit Zeal & Ardor.
What:Eugene Chadbourne / Ryan Seward, Bret Sexton / Farrell Lowe When: Wednesday, 03.27, 8 p.m. Where: Thought//Forms Why: Eugene Chadborne has been one of the important figures of avant-garde/free jazz for over four decades. Born in Mount Vernon, New York (just north of NYC), Chadbourne grew up in Boulder, Colorado before leaving for Canada to avoid the draft for the Vietnam War. Can hardly blame him. When he came back to America, he moved to NYC where he worked with Henry Kaiser and John Zorn and was encouraged by Anthony Braxton to keep with playing music rather than enter into a career as a journalist. Chadbourne’s prolific output, not fully documented on his Wikipedia page of course, has encompassed a broad range of musical styles and ideas. He has collaborated with Fred Frith, Sun City Girls, Camper Van Beethoven and Charles Tyler (who worked with Albert Ayler and Ornette Coleman). For this performance, Chadbourne will perform with Colorado based improvisational/spontaneous composition artist Ryan Seward with a performance from other Denver area heavy hitters in the local avant-garde scene, who frequently perform with Seward, Bret Sexton and Farrell Lowe. Chadborne will also play a fundraiser for the nonprofit Creative Music Works on Thursday and we’ll provide the information on that event in our next show listing.
Who:Nekrofilth album release w/Phallic Meditation and Keef Duster When: Thursday, 01.10, 8 p.m. Where: Hi-Dive Why: Nekrofilth releases its new album Worm Ritual tonight at a show with heavy psychedelic bands Phallic Meditation and Keef Duster. Nekrofilth’s sound is more akin to classic early thrash and black metal. On the new record the band does cover “Poison” by Venom, after all. Like the latter and Slayer, Nekrofilth has a playful quality to its aggression and ripping guitar work. Song titles like “Vomit Dog,” “They Took My Skin,” “Ready to Defile” and “Severed Eyes” suggest a healthy sense of the viscerally absurd with an unironic joy in the cartoonishly horrific the way one might enjoy the gnarliest B horror movie. Fans of blackened thrash rejoice, Nekrofilth has what you’re looking for.
Who:Random Temple w/Thistledown When: Thursday, 01.10, 9 p.m. Where: Black Buzzard Why: “Rhythm & Folk” band Thistledown will perform with Random Temple’s more production-oriented electronic project under his own name.
Friday | January 11, 2019
Who:Product Lust album release show w/Goon, Herse, Candy Apple When: Friday, 01.11, 7 p.m. Where: Seventh Circle Music Collective Why: Product Lust’s feral and driving 2018 album Year of the Rat is being celebrated tonight with a now rare live show as vocalist Kat Salvaggio is attending school out of Colorado. The seething post-punk band’s wiry energy fits in well with weirder hardcore and punk and thus this bill with Goon, Herse and Candy Apple is an opportunity to see bands that have punk of some stripe as their root but who are taking that spark in interesting directions.
Who:Lazarus Horse When: Friday, 01.11, 8 p.m. Where: Mutiny Information Café Why: Lazarus Horse is the band that comes about when someone with good taste in music and good creative instincts writes a bunch of experimental rock music that doesn’t seem obviously influenced by anything else but creative flights of fancy, escaping to daydreams while doing meaningless work as a tool for staying sane in a civilization that’s grinding its best people into the dirt. It’s the soundtrack to that internal rebellion that becomes contagious.
Saturday | January 12, 2019
Who:Glasss Presents: Chromadrift album release w/Gold Trash and Bowshock When: Saturday, 01.12, 8 p.m. Where: Mutiny Information Café Why: Chromadrift’s Cloudless Mind is the bright, ethereal flow of textured melodies that eases the freeze of winter. Fans of IDM and more abstract post-rock will appreciate Drew Miller’s blend of processed guitar, live synths and sequencing. Though the album dropped on January 3, this will be your first chance to see this music live in the new year. Also performing is noisy electroclash duo Gold Trash and downtempo jazz improv group Bowshock.
Who:e-scapes, Zealot and The Far Stairs When: Saturday, 01.12, 7:30 p.m. Where: The People’s Building Why: This’ll be probably the first indie rock show worth checking out in Aurora, Colorado since The Masculine organized one in 2009 at the old Other Side Arts space in downtown. The People’s Building is also downtown and across the street from Aurora Fox Theater. Zealot includes former members of The Don’ts and Be Carefuls, The Pseudo Dates, Violent Summer, Ideal Fathers and other bands most people haven’t heard of but should check out. The Far Stairs is a band that makes strange music sound more catchy and accessible than it has any right to.
Who:Pineross EP release w/Lady Gang When: Saturday, 01.12, 7 p.m. Where: Ubisububi Room Why: Kevin Larkin of Chimney Choir fame is releasing his most recent EP Esplanade at this show in the extra intimate and cozy Ubisububi Room underneath the Thin Man and St. Mark’s. Lady Gang sounds like a full band but is just Jen Korte making maximum creative use of a loop station to augment her already considerable talents as a singer-songwriter.
Who:Luke Vibert, Seied and Kanyon Walker When: Saturday, 01.12, 7:30 p.m. Where: The Black Box Why: Luke Vibert has long been on the forefront of modern experimental electronic dance music in various forms. Fans of Dilla, Flying Lotus and Blockhead will find a lot to like in Vibert.
Sunday | January 13, 2019
Who:Crushed!? W/The Uglys, Tides, Stonewall BLVD and Arctobog When: Sunday, 01.13, 7 p.m. Where: Seventh Circle Music Collective Why: Originally from the much smaller nearby town of Belen, Crushed!? is now based out of Albuquerque. Its post-hardcore sound has more in common with the likes of a more melodic At the Drive-In or Touché Amoré than the more screamo end of that music. Initially the music reminds one a bit of the great punk bands of the late 90s and early 2000s who adopted a bit of the math rock thing. But its rhythms are more inventive and wide-ranging like something one might have expected out of 90s DC and other East Coast rock like Versus, Helium and The Dismemberment Plan. The group’s 2018 album Sins of the Father is refreshingly difficult pin with a specific genre designation.
Monday | January 14, 2019
Who:R.Ariel, Kafari, Entrancer and Voight When: Monday, 01.14, 7:30 p.m. Where: DATELINE Why: This event is a combination of touring art installation courtesy and musical performances at DATELINE art gallery. R.Ariel’s new album Where You Are is an emotionally uplifting album of ethereal sounds and buoyant flow of bright tones. Kafari’s 2018 album Beholding is a masterpiece of minimalism like it was composed while somehow spending contemplative mornings underwater and absorbing a deep sense of peace. Entrancer has been spending years honing the ability to explore whatever directions his mastery of synthesis and beatmaking takes him. His 2018 album Decline Vol. 1 is true soundscaping that draws you into a sonic journey that while impressionistic and composed of deep layers of tone and texture conveys a sense of place physically and emotionally. Is the “Decline” of the title something to dread or something to greet as the inevitable cycle of life and death? The album offers no pat answers but it certain captures the ineffable moments of decline of a phase of one’s life, of civilizations and of all authoritarian orders. Voight may finally play a deep house/techno set. If not, it’ll be, by far, the loudest project of the night with its fiery and intense industrial post-punk shoegaze.
Who:Solos/Duos – Denver Avant Garde Music Society When: Monday, 01.14, 8 p.m. Where: Thought//Forms Why: This night, long held at other venues over the years, has re-emerged at Thought//Forms gallery. You never know what you’ll see but this night you’ll also get to see a set from Denver’s premiere spontaneous composition band Animal / object.
Who:Freq Boutique When: Monday, 01.14, 8 p.m. Where: Fort Greene Why: This reoccurring event organized by electronic equipment company WMD, this night is sort of an open mic for synthesizer enthusiasts. This night’s festivities may include a set from hip-hop/experimental electronic dance artist Strange Powers.
Tuesday | January 15, 2019
Who:Mick Jenkins w/Kari Faux When: Tuesday, 01.15, 7 p.m. Where: The Bluebird Theater Why: Mick Jenkins 2018 sophomore album Pieces of a Man is a bit of a tribute to Gil Scott-Heron’s 1971 album of the same name. Like Scott-Heron, Jenkins offers snapshots of the world around him in words with musical accompaniment to set the vibe. The organization of the album and the experience of listening to it is something like a hip jazz and poetry night. The opening track is called “Heron Flow” as a nod to Gil and his record’s opening track, the influential song poem “The Revolution Will Not Be Televised.” Jenkins and his collaborators evoke the feel of a hazy after hours jazz club across the record with a sense of blending old school production and present day wordsmithing. Jenkins makes fairly mundane life experiences seem mythic and cool as Scott-Heron did in his day. Also on this bill is one of modern hip-hop’s greatest talents, Kari Faux. Her EPs, partly boosted by music appearing in the comedy series Insecure, combine a rebellious swagger with an otherworldly and mysterious quality – a rarity in music generally.
Who:Ensiferum w/Septicflesh and Arsis When: Tuesday, 01.15, 7 p.m. Where: The Oriental Theater Why: Helsinki, Finland’s Ensiferum is a melodic death metal band in the vein of the Gothenburg style but on the more orchestral end. Its use of acoustic guitars and folk structure and progressions give its music an expansive feel that evokes images of standing at the helm of one’s longboat charging toward unsuspecting European enclaves in the ninth century. Fans of Enslaved may enjoy Ensiferum’s similarly joyful performances.
Who:Supersuckers w/The Hangmen and Reno Divorce When: Tuesday, 01.15, 7 p.m. Where: Larimer Lounge Why: Supersuckers started playing its brand of fuzzy cowpunk in Tucson, Arizona in 1988 before moving to Seattle in 1989 near the beginning of when more than a few music journalists from beyond the Pacific Northwest were starting to take not of happenings in the Emerald City’s underground. The band never made the big time the way the grunge bands everyone has heard of did but it has been able to carve out a career for itself and its wiseacre, intentionally lowbrow humor. Who else would start off their 1992 album on Sub Pop, The Smoke of Hell, with a song called “Coattail Rider” at the peak of the alternative rock explosion? Such chutzpah must continue to be honored. Oh yeah, the trio’s 2018 album, out on Acetate Records, is called Suck It. That the underground rock world has come back around to the sound Supersuckers perfected three decades ago is surely not lost on the band as a choice bit of irony. The song “History Of Rock n’ Roll” in which Eddie Spaghetti sings about how Supersuckers, the greatest band in the world is a footnote in the history of rock ‘n roll suggests they’re well aware.
Who:Daughters w/Echo Beds When: Thursday, 11.15, 9 p.m. Where: Larimer Lounge Why: When noise/experimental rock band Daughters reunited in 2013 there was no guarantee the group would do more than play a limited number of shows before going on hiatus again. Its first attempt at a record was scrapped because it didn’t feel, according to vocalist Lex Marshall, authentic to what the band was about. Its music was confrontational and visceral, executed with a savage precision and it didn’t fit too well into the boxes in which the group was often thrown: grindcore, math rock, art-metal, post-hardcore. Daughters bridged the gap between the disorientingly surreal and amped emotional immediacy. Its 2018 record You Won’t Get What You Want pushes the band’s sound into greater vistas of experimentation with its core sound, coming upon what sounds like some forgotten chapter of an industrial, post-punk and noise hybrid from the 80s. The words and the sounds of the record, however are very much of the now with a world teetering on the brink of chaos, a darkly liminal period that might make for the perfect backdrop to a J.G. Ballard novel. That Echo Beds, which recently released its own similarly-minded record, Buried Language, will open the show and set the stage for the sonic mayhem to follow.
Who:Claudio Simonetti’s Goblin When: Thursday, 11.15, 9 p.m. Where: The Gothic Theatre Why: Claudio Simonetti and his band Goblin created some of the most iconic horror movie soundtracks of all time having done those for Dario Argento’s Deep Red as well as the European release of George A. Romero’s Dawn of the Dead. But perhaps the group’s crowning musical achievement was the score for Argento’s 1977 supernatural horror classic Suspiria. The haunting music and unsettling vocalizations (often done by Simonetti himself) was the perfect companion to a movie not short on rich color and deeply affecting atmosphere. This version of Goblin lead by Simonetti will perform the soundtrack live during a screening of Suspiria with what Simonetti jokes about as Goblin’s other “greatest” hits following the film.
Who:Galleries, Grass and Wild Call When: Thursday, 11.15, 9 p.m. Where: Hi-Dive Why: There was a time not so long ago that Denver had, to put it charitably, way too many “psych rock” bands in the trendy mold. But lurking around in that world and a step or more apart from it were bands developing decidedly in their own directions while still rooted somewhat in the realm of psychedelic rock. Wild Call’s gritty, atmospheric, emotionally-charged songs seem like something from another era when subgenre’s didn’t matter so much as ethos and approach, finding your own voice rather than operating in a style even if you pulled from various styles in your songwriting but having something meaningful to say and an interesting way to say it. Grass borrowed a bit of that warped warble from My Bloody Valentine but sounds more like it learned a lot about edgy and nearly unraveled sounds from some of the more blustery bands on Siltbreeze in the 2000s like Times New Viking and Psychedelic Horseshit. Maybe a few nods in the direction of the Reatards. A maximalist lo-fi. Galleries is more like a band re-imagining classic rock through the lens of the influence of grunge and 2000s garage rock so it sure does sound a little different from any of that.
Friday | November 16, 2018
Who:The Flux Crew in concert When: Friday, 11.16, 8 p.m. Where: Pine Street Church Boulder 1237 Pine Street Why: Dino J.A. Dean will be the conductor of this fifteen piece ensemble that will engage in, according to the Facebook event page “real time collaborative composition.” What this means is essentially improv in the overlapping contexts of jazz, contemporary classical and the avant-garde. The musicians performing come from a broad spectrum of local artists from noise, jazz, classical, funk, folk, rock etc. all sonically synergizing toward a mutual musical goal. Dean’s illustrious career in theater, jazz, punk, dance and experimental music of a broad stripe from when he was in funk bands in the Los Angeles area, working as a sideman for Ike and Tina Turner and in the 80s playing trombone controlled synthesizer in the 80s with Jon Hassell. Dean has also worked with the late jazz great Butch Morris, acclaimed playright/actor/director Sam Shepard and modern dance choreographer Colleen Mulvihill. To name a few. Dean will bring that experience in collaborating with other artists in guiding the proceedings in this unique performance with his musical group The Flux Crew.
Who:Gouge Away, Drug Church, Heart Attack Man and Cheap Perfume When: Friday, 11.16, 8 p.m. Where: Hi-Dive Why: Drug Church is an hardcore band from Albany, NY, but one that isn’t on the nostalgia trip that some hardcore has been on in recent years. Drug Church has more in common with IDLES from the UK whose own expansively sonic songs tackle personal and social issues with an unbeatable combination of wry wit and sheer emotional intensity. Gouge Away from Fort Lauderdale has been making some of the most powerfully compelling punk of the last few years. But, and especially on its 2018 album Burnt Sugar, Gouge Away brings a particularly imaginative approach to its headlong rush of energy by not just writing most songs with the same dynamic, injecting atmosphere into its sustained bursts of fiery noise. In that way it has more in common with 90s noisy punk bands like Unwound and Karp. Unabashedly political, minus any boring didactic perspectives, Gouge Away is one of the bands keeping punk relevant a quarter a decade after it seemed to have been co-opted by the mainstream.
Who:The Motet w/Escort When: Friday, 11.16, 8 p.m. Where: The Ogden Theatre Why: The Motet is celebrating its twentieth year as a band in 2018. Founded by drummer/arranger Dave Watts, the group’s blend of Afrobeat, jazz and funk may be something one would expect from a band from Boulder but it’s also surprisingly fresh and the musicianship legitimately respectable. Also joining the veteran Colorado band is Escort from Brooklyn. Like-minded in some ways, Escort performs music that one can trace roots to back to when 70s funk and disco met in fruitful rather than laughable ways. Think more in the vein of Commodores and Chic but updated after American musicians absorbed European influences and the resurgence of jazz reclaimed from academia and the ossified old commercial jazz market. The Motet performs same time same venue on Saturday, November 17 The Motet but with with Cory Wong who will include special guest Antwaun Stanley of Vulfpeck in the line up.
Saturday | November 17, 2018
Who: Wax Trax Fortieth Anniversary w/Slugger When: Saturday, 11.17, 7 p.m. Where: The Mercury Café Why: Wax Trax might be the longest running record/music store in the Denver metropolitan area. While music stores might be considered a bit of an anachronism today they still serve an important function as a place to discover stuff you may not know about without the awkwardness of algorithms making suggestions based on what you view on a website. They are also places where you can meet other humans who might have a shared interest and where one might encounter something as quaint as a flyer for a show for bands you know nothing about and might find interesting. Also, not all local bands worth your time have a robust, easily found online presence. Besides, what music fan doesn’t enjoy organically finding something by browsing and not having something specific in mind? Wax Trax has been more than that. It has employed local musicians, one of its owners, Duane Davis, wrote incisive music reviews and other articles for several years and he and others at Wax Trax were involved in the local imprint Local Anaesthetic which put out records by some of the best punk and post-punk bands of the 80s. With the documentary about the store and the label that emerged out of that when the store’s founders moved to Chicago having screened in Denver last weekend it only seemed reasonable to have the actual celebration of the store’s first forty years at the Mercury Café. In the 80s both businesses were neighbors on 13th Avenue and Mercury Café was a hub for live, underground music—the relationship was somewhat synergistic. While there may not be a lot of live music for this event, aside from the psychedelic rock band Slugger fronted by current Wax Trax employee Gabriel Abelo, some of the memorabilia and stories shared will be worth attending to witness.
Who:J Mascis w/James Elkington When: Saturday, 11.17, 8 p.m. Where: Ophelia’s Electric Soapbox Why: J Mascis is rightfully known as the influential guitar shredder extraordinaire of influential rock band Dinosaur Jr. His buried vocals amidst blistering yet melodic songs turned out to be perfectly capable of laid back utterances that articulated the feelings and thoughts of someone that was checked out of the sanitized insipidity of much of 80s popular culture, offering an alternative, more personal, and ultimately more truthful perspective of living as a kind of weirdo in Reagan’s/Bush’s America. Mascis wrote most of those songs and for years he’s established a solo career that parallels the subject matter he has explored with Dinosaur except he’s able to be more nuanced in his vocal delivery and in later years, his broad songwriting palette has become more obvious. The 2018 record Elastic Days is lush and eclectic with contributions from Pall Jenkins of Black Heart Procession, Miracle Legion’s Mark Mulcahy and Zoë Randell of Luluc. But on the road, and for this show, it’ll be J and what he describes as “a little fort around” himself of amps, various stands and other refinements. At Ophelia’s the intimacy of the room will surely make this a memorable show.
Who: Hive w/Weathered Statues, Rotstrotter, Aseethe and Vexing
When: Saturday, 11.17, 8 p.m.
Where: Syntax Physic Opera
Why: Hive from Minneapolis is a melodic crust band not to be confused with the band HIVE from Chicago who are also from the Midwest and no strangers to blackened metal. So the excellent Denver-based crust/grind band Rotstrotter is a good fit on the bill as is the like-minded Vexing. Iowa’s Aseethe is a doom band and not too far removed from the same milieu of heavy music. Weathered Statues, though, are a dark, post-punk band whose musical DNA seems to include Xmal Deutschland, The Cure and DA! But there’s an undercurrent of dance rhythms that thankfully are nothing like what all these post-punk revival era “dance punk” bands were peddling. Just a clear sense of rhythm and pacing that draws you into the song as surely as its dusky atmosphere’s and Jennie Mather’s commanding vocals. Weathered Statues plays first and may confuse some people expecting all conventionally heavy music for the night.
Who:Municipal Waste w/Toxic Holocaust and Haunt When: Saturday, 11.17, 6 p.m. Where: The Oriental Theater Why: At a time when metalcore was reaching its apex, Richmond, Virginia’s Municipal Waste was making the kind of crossover music that would come back into vogue again nearly a decade after its 2001 inception. For the uninitiated, that crossover meaning the kind of music that emerged around the mid-80s when bands like DRI, which may have started out as hardcore punk, fed into its metallic instincts and synthesized hardcore and thrash metal, which itself was informed by punk. Because it was an early re-adopter, Municipal Waste became a bit of a cult band. Toxic Holocaust’s Joel Grind was also someone who was tapping back into that crossover sound in the late 90s but injected into his songwriting some of the evil sound and brutality of black metal.
Sunday | November 18, 2018
Who:Wrong, Portrayal of Guilt, Abrams, False Cathedrals When: Sunday, 11.18, 7 p.m. Where: Mutiny Information Café Why: Wrong is the kind of noise rock band that probably wouldn’t have quite happened in the 90s or earlier. While the Unsane and Helmet influence is there giving the music a precise yet savage edge, one can hear the stretch of sounds into distended otherworldliness as though steeped in the industrial psychedelia of post-Twitch Ministry and the haunted sludge of pre-Superunknown Soundgarden. It also has a bit of the near hysteria catharsis one hears in Daughters. The band’s 2018 album Feel Good has positive intentions but the songs themselves are all about feeling bad and purging that low end of one’s life.
Portrayal of Guilt’s 2018 album Let Pain Be Your Guide is a nightmarish set of pronouncements about the acceptance of life’s seemingly unacceptable but all too real aspects. It’s not all relentless, grind-y hardcore because there’s a nuance of sounds and dynamics that give harsh and brutal music a fascinating dimensionality that makes what might be forbidding music to many an accessibility built on how relatable the lyrics really are in the current social and political climate worldwide. Many songwriters express well the pains of some aspects of existence, Portrayal of Guilt’s songs sound like a direct line to that experience in case anyone is confused.
Tuesday | November 20, 2018
Who:Shallou w/Japanese Wallpaper When: Tuesday, 11.20, 7 p.m. Where: The Bluebird Theater Why: Melbourne, Australia’s Japanese Wallpaper is Gab Strum who seems to be a bit of an electronic music prodigy. In 2014, when he was a mere 17 years old, his song “Breathe In (ft. Wafia)” was featured in Zach Braff’s film Wish I Was Here. Strum’s brightly ethereal compositions sound like the next two steps in the evolution of chillwave and informed by the same production methods born out of hip-hop that informed that musical movement. Soothing without being soporific, Strum’s songs would be perfect for when you want to take some time to contemplate something important with clarity of mood and mind. Some of his newer material like “Fooling Around” is celebratory yet introspective and reveals Sturm’s clear evolution as an artist into realms of music beyond the tranquil minimalism of his earlier offerings.
Who:Odonis Odonis w/Church Fire and Voight When: Tuesday, 11.20, 7 p.m. Where: Lost Lake Why: Toronto’s Odonis Odonis sounds like DAF reborn in the techno/rave scene of Detroit 90s. At least on its latest album, 2017’s ominously luminous No Pop. The duo is joined this night by two Denver bands whose own music embody a similar wedding of darkwave industrial beats and a masterful command of incorporating noise with the more electro-dance-oriented Church Fire whose cathartic live show never disappoints and the post-punk/dark techno band Voight who are arcing out of a long period of legit A Place to Bury Strangers worship into more fascinatingly beat-driven territory.
Wednesday | November 21, 2018
Who:Kyle Emerson, Stelth Ulvang and Down Time When: Wednesday, 11.21, 8 p.m. Where: Hi-Dive Why: If Kyle Emerson isn’t already making waves on the indie touring circuit, he should be soon. The veteran Denver songwriter has been paying serious dues for a few years now touring small clubs and venues across America. His psychedelic folk pop are imbued with emotional warmth and insight as heard most recently in recorded form on his 2017 full-length album Dorothy Alice. The album closer “Post Egomania” is a perfect way to sum up the emotional and spiritual journey of the rest of the album. For this homecoming show from his most recent tour Emerson will share the stage with Stelth Ulvang of The Lumineers and one of Denver’s best indie rock bands, the not-so-obviously-but-unmistakably experimental Down Time.
Who:Reverb & The Verse When: Wednesday, 11.21, 7 p.m. Where: Bonacquisti Wine Why: Reverb & The Verse is one of the longer running hip-hop crews in Denver and one of the most diverse and boundary pushing in a way that’s difficult to say where the root of its music might lay beyond that of the breadth of palette that exists in hip-hop. Shane Etter, one of the band’s main producers from its early days is well-versed in a wide range of electronic music and recently did mastering on the 2018 album from literate documentarians of dystopian America, hip-hop duo Curta. Here is an infrequent opportunity to catch one of Denver’s finest live.
Who:Karl Blau w/Porlolo and High Plains Honky When: Thursday, 10.11, 8 p.m. Where: Hi-Dive
Why: Karl Blau has had a rich and varied career spanning the past two decades or so. As a member of lo-fi rock band D+ he wrote songs and performed with Bret Lunsford formerly of Beat Happening and future Microphones and Mount Eerie mastermind Phil Elverum. As a solo artist and musical curator with his Kelp Lunacy Advanced Plagiarism Society musical subscription artist, Blau has been involved in making music in widely disparate styles and often hybridizing them or outright creating something that’s impossible to classify beyond maybe simply pop. In recent years, Blau has been writing songs that seem shaped by everything else he’s made up to now with bossa nova percussion, African pop vocal cadences, hip-hop-and-reggae-informed lyrical phrasing and indie/freak folk sensibilities. In the past Blau has performed solo with a loop pedal and pulled off what sounds like a full band minus robust drums so you’re never full sure what you’re in for barring that it’ll be exceptional.
Who:The Church When: Thursday, 10.11, 7:30/8 p.m. Where: The Fox Theatre Why: Australian rock band The Church is currently undertaking it’s tour for the thirtieth anniversary of its 1988 album Starfish. The band had already made a name for itself with fans of adventurous, inventive, literate and thoughtful yet heartfelt rock music. But Starfish was the group’s breakthrough to not just a wider audience but the mainstream with hits like “Under the Milky Way” and “Reptile.” While the group is justly celebrating the release of its iconic album for itself and fans that maybe didn’t get to see The Church in its 80s heyday (pardon the referential joke to the band’s 1985 album of the same name), the band’s new material is as vital as anything it has done in the past and you’ll get the best of both worlds at this show.
Friday | October 12, 2018
What:Anxious Little Friends Fest Day 1 When: Friday, 10.12, 6 p.m. Where: Hi-Dive Why: Record labels Snappy Little Numbers and Anxious and Angry collaborated on this two day festival at the Hi-Dive with some of the better local and not local punk and punk-related bands. For this night you can see two night headliners Off With Their Heads as well as Riverboat Gamblers, SPELLS, Dirty Few, Black Dots, Hooper and Modern Goon.
What:Franksgiving 2018 When: Friday, 10.12, 9 p.m. Where: Hi-Dive Why: This yearly event benefiting the Crohn’s and Colitis Foundation of America is hosted by local connoisseur of weird music Franklin Bell. Naturally he always finds some of the best local odd yet accessible bands for the vent. As usual, Little Fyodor & Babushka Band, one of Denver’s longest running and most consistently interesting weirdo punk institutions will perform as well as not-widely-recognized-but-absolutely-a-local-rock-and-roll-legend Ralph Gean, Fyodor drummer Tricky Dick Wicket’s side project that isn’t Universal Devils, Whiskey Orphans, the “sweet and sensitive keyboard songs” of No Pants Katie with DJ Frank Bell spinning kooky kuts.
Who:Screwtape w/Potato Pirates, Noogy, World Movement and Ultraviolet When: Friday, 10.12, 7 p.m. Where: Hi-Dive Why: Screwtape’s politically-charged hardcore and dynamic live show has already made it a favorite among local fans of punk and the group is kicking off its latest tour to the south with this show sharing the bill with ska-punk veterans Potato Pirates and Colorado Springs hardcore outfit Ultraviolet. Who:Multidim Records Official Launch Party When: Friday, 10.12, 8 p.m. Where: Leon Why: Multidim Records is a new Denver-based label focusing on emerging artists in electronic and abstract music. Founded by Tommy Metz (Glissline) and Michael David King (Cities of Earth), this event will feature some of the artists on the label’s roster including the respective projects of the label’s founders as well as Andre Cactus + Ah, River and Mirror Fears.
Saturday | October 13, 2018
Who:ADULT. w/Plack Blague and Voight When: Saturday, 10.13, 8 p.m. Where: Larimer Lounge Why: For twenty years, Detroit’s ADULT. has been on the forefront of mixing electronic pop, techno and industrial music with an experimental flair. In the late 90s, ADULT. helped to pioneer the sound and aesthetic that came to be called electroclash by around the turn of the century. As the duo explored sounds and performance it garnered a cult following among connoisseurs of electronic music paired with a dynamic and sometimes confrontational performance style. It adopted and mutated the sound and production ideas running through underground techno throughout the 2000s giving it a powerful and imaginative soundscape to match singer Nicola Kuperus’s emotionally-nuanced vocals. The band’s 2018 album This Behavior was the darker side of the songwriting that went into the 2017 album Detroit House Guests—both rich and dense with sonic detail and inventive rhythms.
Also on the this leg of the tour is Lincoln, Nebraska’s Plack Blague. Raws Schlesinger had been, maybe still is, involved in the Nebraska grind and extreme metal scene in various bands. But Plack Blague is a bit like a leather daddy Big Freedia but with beats that are the industrial and techno analogue to sissy bounce. On previous occasions in Denver, Plack Blague may have seemed to be a sonically abrasive spectacle but the act’s songs have taken on a compelling form beyond the spectacle without sacrificing the striking visual aspect of the band including Schleslinger’s undeniably amazing dance moves.
What:Anxious Little Friends Fest Day 2 When: Saturday, 10.13, 6 p.m. Where: Hi-Dive Why: This second night of Anxious Little Friends Fest includes performances from Off With Their Heads, The Bollweevils, SPELLS, Friends of Cesar Romero, Lawsuit Models, Great American House Fire and Bad Year.
What:KGNU Quarterly Showcase When: Saturday, 10.13, 8:30 p.m. Where: Lion’s Lair Why: This edition of the KGNU Quarterly Showcase features some of Denver’s most innovative electronic artists. Shocker Mom’s dreamy, ambient R&B is the latest vehicle from Robin Walker. As a member of Cougar Pants, walker, along with Jessica Hughes, made a particularly tender and emotionally deep yet playful type of indie pop. As a solo performer, Walker distinguished herself as a talented vocalist and songwriter whose use of sound taps into a pre-linguistic part of the human brain, communicating the vibrations of a loving, healing aspect of the universe—which she has manifested most strongly with Shocker Mom. Also catch her in excellent hip-hop duo Nighttimeschoolbus. Larians is the solo side project of Male Blonding singer/guitarist Noah Simons. His brilliant take on IDM, techno and ambient may just be getting started but it’s obvious he’s learned a few things to build beyond from Burial and Aphex Twin. Bios+a+ic is the solo project of Textures Ambient Showcase and Symbolic Insight head Wesley Davis. All of his albums with the project are different and conceptual, representing ideas and sound experiments that tickled Davis’ imagination at the time of their creation. Also on the bill are All Mask and DJ Winter
Sunday | October 14, 2018
Who:Henry Rollins Travel Slideshow Tour When: Sunday, 10.14, 7 p.m. Where: Boulder Theater Why: It’s been a good longer while than usual since Henry Rollins has done one of his spoken tours. This time around he’s sharing his photography and telling stories from his travels around the world. His spoken word shows are always worth checking out and with the images to prompt his memory and engage those who show up it will be a more immersive experience when coupled with his already fantastic storytelling.
Who:Future Generations w/Zuli and Whiskey Autumn When: Sunday, 10.14, 7 p.m. Where: Lost Lake Why: Brooklyn has long been home to eclectic indie rock with artists, of necessity, trying out innovative musical ideas and strong songwriting in order to stand out. Future Generations’ 2018 album Landscape is like a stroll through a person’s day and life and composed as though the melodies and rhythms are a soundtrack with electronic, ambient textures to give the songwriting a context that connects all the music. Sure, each piece can be enjoyed on its own but the record feels like a new take on the classic album format from a time when bands felt like there were no throwaway songs and thought in terms of interconnecting themes. Probably not a concept album but one that works on a very conceptual level too.
Tuesday | October 16, 2018
Who:A Place to Bury Strangers w/Kraus and cindygod When: Tuesday, 10.16, 9 p.m. Where: Globe Hall Why: A Place To Bury Strangers is often credited as one of the bands that helped to re-popularize shoegaze in the underground. But the band’s contribution has run deeper as guitarist/vocalist Oliver Ackerman created unique guitar pedals with functionality that has helped push the sound of the instrument into new realms of noise and texture. As part of the pedal and sound equipment company/DIY space Death By Audio, Ackerman and company contributed to its creative community in a direct, pragmatic way. APTBS fused lo-fi, shoegaze, noise, post-punk and hardcore in fascinating ways. For an album or two it felt like maybe the project had plateaued even if the songwriting was still good. But the 2018 album Pinned with new drummer Lia Simon Braswell demonstrated that the band hasn’t run out of ideas for heady and disorienting soundscaping. Opening the show is Denver’s cindygod, the follow-up band to shoegaze/noise rock duo Gauntlet Hair. Now the band is a quartet with an even more exhilarating panoply of sound.
Wednesday | October 17, 2018
Who:Sarah Ruth Alexander, Polecat Moon Pussy and Gold Trash When: Wednesday, 10.17, 9 p.m. Where: Thought//Forms Why: [update, Shiny Around the Edges no longer on the bill] Sarah Ruth Alexander’s brooding yet luminous compositions utilizing effected vocals and acoustic instruments have made Dallas’ They Say The Wind Made Them Crazy one of the more interesting bands and critically acclaimed bands that in the past his intentionally been more or less off the internet because its music works best live. Alexander’s solo performances recall some of the most chilling moments of Nico’s solo work, The Marble Index, Desertshore and The End in particular, in its use of organic instruments in a manner suggesting an electronic music aesthetic as a way to tap into deeply rooted spaces in the psyche. One might also hear in her songs resonances with Jarboe’s more intensely tranquil performances with Swans. Moon Pussy is a noise rock band from Denver and Gold Trash could be said to be a soulful yet noisy version of an electroclash band.
Who:Joe Dosik w/Moonglade When: Thursday, 09.13, 7 p.m. Where: Larimer Lounge Why: With funk band Vulfpeck, Joe Dosik is often a bit of a sideplayer on sax and keys but with his recently released solo debut full length Inside Voice, Dosik makes good on the promise of his 2018 EP Game Winner. The lush production and Dosik’s versatile, soulful vocals is like something out of the late 70s or early 80s. Like maybe Dosik sequestered himself away from most modern music and listened mostly to a lot of Billy Paul, Luther Vandross’s 1981 breakout Never Too Much and Joe Jackson’s 1982 album Night and Day. Dosik’s compositions tend to be produced with more space to let atmospherics hang and resolve in a way that great pop artists in the aforementioned era often indulged but which in modern pop seems a bit of an all too human anachronism. These days, that’s the kind of quaint touch we could use more of.
What:Turn It Around: The Story of East Bay Punk at Sie Film Center w/Aaron Cometbus and Anna Brown When: Thursday, 09.13, 6 p.m. Where: Sie Film Center Why: Aaron Cometbus’ ‘zine Cometbus has inspired generations of artists from other ‘zinesters, comics creators and musicians. His depiction of life across his body of work captured the moment, low and exciting, in a way few have. He and Anna Brown, a writer, surfer, educator and significant figure in the California punk world since the 80s, will be part of a Q&A after the screening of Turn It Around: The Story of East Bay Punk, a documentary about the punk scene in the San Francisco Bay area that brought us not just Maximum Rock ‘N’ Roll but the rich punk subculture that it documented and continues to do so including, for better or worse, the wave of pop punk that was the next major musical movement from the underground to emerge as alternative rock was splintering and co-opted by mainstream moneyed music industry interests.
Who:Musical Mayhem: Marvel West, Mean Hand, Limber Wolf When: Thursday, 09.13, 8:30 p.m. Where: Lion’s Lair Why: In case anyone missed it, Musical Mayhem, the more or less free format monthly hosted by Claudia Woodman is now at Lion’s Lair. While not mainly “weird” music, Woodman’s tastes tend to run that direction. But on this night American band Marvel West will make an appearance along with Mean Hand, a band led by long time Denver underground rock and punk legend Tom Mestnik. Rumor has it Denver’s luminous western slowcore-esque band Limber Wolf is low key releasing its album at this show as well.
Who:Rabbit Fighter, The Pretty Bones, Nighttimeschoolbus, Miss Owl & the Pull Apart When: Thursday, 09.13, 8 p.m. Where: Syntax Physic Opera Why: Touted as “Girl Power Night at Syntax” this show includes the mighty Nighttimeschoolbus, the duo of Robin Walker and Toby Hendricks who combine experimental hip-hop beat making and deeply affecting vocals. Rabbit Fighter has as its Facebook image a scene from Heathers quoting Veronica Sawyer, played by Winona Ryder, saying, “DEAR DIARY, I WANT TO KILL.” And, once in a while, who hasn’t felt that? If it really is a pop band at least it’s probably one with some attitude.
Who:Lowfaith record release w/Ridgeway, No Gossip In Braille and Voight When: Thursday, 09.13, 8 p.m. Where: Seventh Circle Music Collective Why: Dream pop/darkwave band Lowfaith is releasing its new album On Loss tonight at Seventh Circle playing with bands in a similar vein. No Gossip In Braille includes Echo Beds frontman Keith Curts and its lush, low key atmospheric rock is almost a polar opposite of his other project in tone and texture. Voight really combines the melancholy mood of a dark post-punk band with the furious energy of a noise punk project. While initially sounding a bit like a a great A Place to Bury Strangers tribute band, the duo has really brought in its more electronic side more fully, giving its already wiry yet brooding sound a calming quality in contrast to its often explosive live intensity.
Friday | September 14, 2018
Who:Cyanidols, Luna Sol, Flat Earth and Landgrabbers When: Friday, 09.14, 8 p.m. Where: 3 Kings Tavern Why: For something on the harder edge of Denver’s punk world this would be the show to check out tonight. Cyanidols includes Sonya Decman (whose bass prowess and vocal power brought a good deal to Tarmints, The Symptoms and Brain Police) and Chris Kieft who has been a staple of Denver’s punk scene going back to the 80s along with Oscar Pop. Luna Sol is sort of a stoner rock band and includes Shanda Kohlberg formerly of The Swanks as well as former Supafuzz frontman Dave Angstrom. Landgrabbers is a little more countrified but it is a welcome throwback to that time in the Denver punk scene when a band could simply be good and not have to cater too much to some prevailing trend.
Who:Equine, Housekeys, Shawn Mlekush When: Friday, 09.14, 9 p.m. Where: Denver Distillery Why: Even though most of the local music and culture press is sleeping hard on it, the local experimental music scene is pretty active and sizeable. This low key show at Denver Distillery includes avant-guitar and loop maestro Equine, ambient soundscaper Housekeys and Shawn Mlekush who may be playing some entrancing abstract guitar drones and/or using synth in conjunction. Brought to you by Thought//Forms, the gallery that has been home to some of this music since starting up earlier this year. Who:UaZit, Goon, f-ether, Claudzilla When: Friday, 09.14, 8 p.m. Where: Lion’s Lair Why: UaZit from Indiana is this sort of weirdo electronic downtempo project that is as much performance art as it is music. Akin to hip-hop with beats that could work for that but also reminiscent of MC 900 Ft. Jesus. This Goon is not the hardcore band, rather the alternative hip-hop/trap producer. F-ether is somewhere in the realm of dub techno and house. Claudzilla is also an artist that blurs the line between bizarro pop and performance art. She might even do some strange covers as worthy as the originals. But for sure if you think Denver only really produces stuff for the temporary techbro colony that has occupied the Mile High City, Claudzilla is an antidote to such cultural pathologies.
Saturday | September 15, 2018
Who:Nothing w/Culture Abuse, Big Bite and Smut When: Saturday, 09.15, 7 p.m. Where: The Bluebird Theater Why: Nothing has evolved its shoegaze-y sound since its inception having come out of hardcore and other heavier music but without losing some of the dark edge that informs the lyrics. Its new album On the Blacktop seems sonically the most fully-realized of its records with gritty pop washes and burning shines over melancholic vocals. Even though Domenic Palermo still struggles with health issues and the ensuing psychological maladies that predate and have come about because of those, he still manages to find a way to make it all seem like something you can cope with and not be completely subsumed by even if it seems impossible sometimes. Pop punk has long since made a comeback but Culture Abuse makes it seem like the genre isn’t out of ideas musically and thematically. It’s 2018 album Bay Dream looks like some kind of late 90s party record with the graffiti style visuals and it could be if that party involved some deep existential examinations rather than simply melodramatic songs about love lost forever. Smut from Cincinnati sounds like its members already went through that 90s grunge revival phase and discovered more expansive sounds even if right now it is sonically somewhere in the middle in a way that seems more interesting than throwback.
Who:Jay Aston’s Gene Loves Jezebel w/Scifidelic and Radio Scarlet When: Saturday, 09.15, 8 p.m. Where: The Venue (1451 Cortez St., Denver) Why: After a bit of a legal battle between Jay Aston and his brother Michael, Jay Aston’s Gene Loves Jezebel that the band Jay leads gets to use in America while the original band name in the UK and vice versa for Michael. Jay Aston’s band put out its first album in nearly a decade in 2017 with the surprisingly compelling beginning to end album Dance Underwater. The new record gives you a real appreciation for Jay’s talent as a songwriter and musician with a broad tonal and emotional range and great nuance of expression. His band includes members of Gene Loves Jezebel going back to the mid-80s and likely the closest one will get to see the classic line-up of one of post-punk’s underrated groups. In the 80s Gene Loves Jezebel had dance club hits and proved influential on the Goth scene of the time and Jay’s songwriting has been surprisingly durable with his current crop of songs seeming timeless rather than capitalizing on past glory.
Who:Eyebeams EP & Blacklight Poster release w/Kissing Party and An Antiquated Bluff (Josie Cool solo) When: Saturday, 09.15, 9 p.m. Where: The Skylark Lounge Why: Denver’s Eyebeams is releasing its latest EP and blacklight poster tonight at The Skylark. The four-piece makes music that out of having already done the indie pop and psychedelic pop thing and taking the skill set learned there to do something that’s the next step in that creative arc. Suzi Allegra and Nathan Brazil played in some of the best pop/rock bands of the 2000s and 2010s with Games For May, The Pseudo Dates and Fingers of the Sun and wrote literate, smart songs that will presumably someday be part of Denver underground rock canon. Fernando Guzman and Andrew Elkins made their own indelible mark with the experimental/weirdo art rock band Fissure Mystic, a group in which they spent their teen years and early twenties honing the use of raw sound experimentation in a pop song context even if no one would ever really confuse Fissure for being a pop band. Elkins very much brought that sensibility with his end of the songwriting. Allegra played in Fissure for a couple of years, Guzman played in Fingers of the Sun. So Eyebeams is a bit of a consolidation and progression of the musical ideas all four musicians contribute to this band. The new, self-titled, EP demonstrates Allegra’s genius for fully integrating melody with dynamics and for writing songs that have more depth and complexity than simply one emotional flavoring and color without self-indulgent clutter. There is a melancholic tone to all of the songs but also a yearning for knowledge and clarity of oneself yet an acceptance of the reality of ambiguity you come to live with as an adult that as a younger person maybe you churn into melodrama. As a bonus, the band is releasing a special edition blacklight poster of its album cover at the show as well.
Who:Cometbus: Live Reading and Q&A with Aaron Cometbus When: Saturday, 09.15, 8 p.m. Where: Mutiny Information Café Why: For more on Cometbus see above on Thursday, September 13. For this night, Cometbus is doing a live reading from his body of work with a follow-up Q&A.
Who:WOE, WVRM, Noctambulist and Scepter of Eligos When: Sunday, 09.16, 8 p.m. Where: Lost Lake Why: The heaviest show of the week, nay, the month happens tonight at the Hi-Dive. Brooklyn’s WOE may be black metal but its furious live performance feels more like seeing Neurosis combining dark, relentless grinding psychedelia with eruptive energy. WVRM from Greenville, South Carolina is on the surface more straight ahead grind but there’s something flowing underneath that suggests someone in the band is deeply into noise and industrial music. That sensibility gives the music an textural quality and vibe that brings even more an edge to the sound. Noctambulist conveys a similar unconventionality to its death metal onslaught. Like they’re crafting atmospheres to replicate those of a Lovecrafting other dimension hanging with Nodens while he sits back while the Great Old Ones bash it out amongst each other seeding the civilizations of mortal life forms with nightmarish it their darker corners. It seems as though doom is a genre that’s starting to get played out but Scepter of Eligos really challenges that notion because its own take on having roots in that music is to inject it with a healthy heaping of more interesting atmospheric and rhythmic qualities that give its songs an uncommon dimensionality in the genre.
Monday | September 17, 2018
Who:Angel Olsen When: Monday, 09.17, 7 p.m. Where: The Paramount Theatre
Why: Angel Olsen is currently on her first solo tour in four years. The songwriter spent some time as a backing singer for Bonnie “Prince” Billy and Cairo Gang before striking out on her own and making a name for herself with her powerfully evocative voice and her ability to vividly articulate a complexity of emotion through lyrics and casting the perfect tone for the song. These qualities were there from early on but 2016’s My Woman revealed that Olsen wasn’t capable of just having a creative leap forward but transforming the sonic breadth of her music. The clever and wise songs of Burn Your Fire For No Witness was a brilliant indie rock album, My Woman was Olsen coming into her own and embracing possibilities for a record that seemed to convey that one can go forward in life without letting uncertainty be a stumbling block to your progress. For this tour Olsen will be performing stripped down versions of new material as well as some of her older songs yet playing fairly large rooms. Something about that hints at Olsen’s dry, absurdist sense of humor while acknowledging that she’s probably going to have to get used to those settings for the rest of her career.
Who:Gillian Welch and David Rawlings w/Punch Brothers When: Monday, 09.17, 6 p.m. Where: Red Rocks Why: Since early in her career, Gillian Welch has performed with an ineffable gravitas and seemingly easy mastery of her voice and the voicings of her instruments. Maybe her being an orphan, albeit adopted into a musical family, put a haunting in her brain from a young age, a layer of melancholy that many musicians spend a good deal of their 20s and 30s trying to cultivate so that when they try to sing the blues or country or rock and roll it has genuine weight behind songwriting and performance. Welch had that on her 1996 record Revival and has simply evolved into being of the great artists of the modern era alongside her musical partner David Rawlings. At this Welch and Rawlings are no strangers to big format concerts but a late summer show at Red Rocks seems just about perfect for one of their shows.
Tuesday | September 18, 2018
Who:Nine Inch Nails w/The Jesus and Mary Chain and Tobacco When: Tuesday, 09.18, 6 p.m. Where: Red Rocks Why: Nine Inch Nails has apparently been breaking out some material it hasn’t performed live in quite some time like all of the 1992 EP Broken at its tour kickoff. But that aside, every Nine Inch Nails tour brings one of the best live shows that anyone is doing any given year since the band broke in the late 80s. On a recent tour the group had live set changes on stage in addition to an impressive light show. And as per usual, someone in the NIN camp has great and adventurous tastes in co-headliners and opening acts. In the past NIN has brought on tour underground weirdo rock/electronic bands like Deerhunter, HEALTH and Oneohtrix Point Never. This time out for the co-headlining tour with legendary proto-shoegaze/alternative rock band The Jesus and Mary Chain, there will be Tobacco. The enigmatic electronic/psych/noise artist is perhaps more well known for his otherworldly pop band Black Moth Super Rainbow, but Tobacco is a bit of a different animal and at times could be considered a kind of avant-garde hip-hop with truly unique and mind-altering beats.
Who:Sinister Pig, Lion Slicer, Suspicious Activity When: Wednesday, 09.19, 6:30 p.m. Where: Chain Reaction Records Why: Lion Slicer is a punk band from Green Bay, Wisconsin making a stop in Denver on its “Wooly Eggnog Tour Part 2.” Does that mean it’s a little moldy? Who can say but since the show is free you have little to lose seeing it Chain Reaction Records. The band recently released its new record Lion Slicer Part 2, which if you’re into street punk, is great reminder that stuff didn’t die off into complete and utter obsolescence. Also on the bill are two of Denver’s better political hardcore bands with Sinister Pig and Suspicious Activity.
Who:The Mattson 2 and Astronauts, Etc. w/Stop Motion When: Wednesday, 09.19, 7 p.m. Where: Lost Lake Why: Anthony Ferraro of Astronauts Etc. has written a kind of downtempo masterpiece with his 2018 album Living in Symbol. Something akin to a hazy Laurel Canyon jazz record but one written on the American East Coast while spending the evenings prior to writing in a dimly lit and cozy bar hanging out with Justin Hayward and Joe Jackson. Then taking the recordings infused with all those mysterious, chilled out vibes to Jonathan Rado to put his own haunted psychedelic pop touches into the mixing and mastering. Mattson 2 is cut from a similar cloth albeit one more obviously drawing on jazz roots with real chops to augment its lounge fusion compositions.
Who:Miniature Tigers w/Jasper Bones When: Wednesday, 09.19, 7 p.m. Where: The Marquis Theater Why: Miniature Tigers came out of the mid-2000s as one of the more promising of Brooklyn’s indie pop bands. Although the influence of The Kinks and Elephant 6 bands were there, Mini Tigers also embraced the use of electronic instruments in its mix of sounds as well but with a more modern rather than retro sensibility. For its 2010 album Fortress the group collaborated on a song with Neon Indian as chillwave was reaching toward the apex of its popularity. The record that broke the band to a national, albeit still fairly underground, audience with touring to promote the album was 2008’s Tell It To The Volcano. This tour commemorates the 10 year anniversary of the release of the album but for a band that has consistently released albums since its inception, it’s a good chance to catch up with what the group is doing now.
Who:Ohmme w/Down Time and Mr. Atomic When: Wednesday, 09.19, 7 p.m. Where: Larimer Lounge Why: Chicago-based jazz pop duo Ohmme released their debut full-length album Parts in summer 2018 but the group comprised of vocalists/multi-instrumentalists Sima Cunningham and Macie Stewart had already established itself as a going concern melding technical prowess, avant-garde sensibilities and imaginative songwriting. The eclectic resume of both musicians including credits working with the likes of Richard Thompson of Fairport Convention and Chance the Rapper. The synergy of their live performances, though, prove that they’re a force to be reckoned with and not a recording project that is taking tentative steps into the live arena.