As with all things live music the annual The Underground Music Showcase (UMS to most) can’t happen in the usual manner but the organizers put together a lineup for a virtual music festival, variety show and retro telethon. Partnering with Colorado Music Relief Fund which supports Colorado musicians and music industry professionals affected by the COVID-19 pandemic, the event with run on Saturday, July 25, 2020 from 7 p.m. through 10 p.m. Mountain Time. There will be prize giveaways and party supplies delivered to viewers and while not quite the sprawling marathon of music, local and otherwise, it promises to provide some humor and good times with hosts comedians Christie Buchele and Nathan Lund. The event will broadcast from the Hi-Dive a venue that has been associated with the festival for most its run thus far.
This year’s lineup (in alphabetical order) includes: Down Time Float Like a Buffalo Lily Fangz Los Mocochetes Nathaniel Rateliff Neoma Ramakhandra The Milk Blossoms The Still Tide TheyCallHimAP Turvy Organ Wave Decay Wes Watkins Whitacre Wildermiss YaSi
With additional music provided by DealzMakesBeats.
What:Church Fire When: Thursday, 11.14, 6:30 p.m. Where: Ross-Broadway Library Why: Denver-based synth-noise-pop doom darlings Church Fire are playing this event sponsored by Titwrench as part of its Surfacing series highlighting female and LGBTQ underground and experimental artists. It’s after hours at the library in the Baker District and free.
What:Roller Disco 3 When: Thursday, 11.14, 9 p.m. – 2 a.m. Where: Roller City
What:Whipporwill w/Courtney Hartman When: Friday, 11.15, 6 p.m. Where: Washington’s (Fort Collins) Why: Fort Collins based alternative folk band Whippoorwill distilled its past few years of experiencing the turmoil of the land and the culture into its new album The Nature of Storms. On its 2017 tour the band experienced tornadoes, floods, forest fires, blizzards and the destructive nature of the Trump presidency itself and the polarized social and political climate surrounding it. With the personal lives of its members in disarray as well the trio pulled together and crafted one of the most affecting releases of the year that exceeds expectations for terms like “alternative folk” as the band seems to be channeling the pain and agony of the times into songs that if not exactly exorcising those emotions, brings a compassionate energy to the proceedings. This show celebrates the release of that record and hopefully soon the band will play regional shows in support followed by a tour soon enough.
What:Noise Vs. Doom IV When: Friday, 11.15, 7 p.m. Where: Seventh Circle Music Collective Why: This is the fourth edition of the Noise Vs. Doom event featuring bands that fall loosely into either category. Tonight’s lineup includes Denver noise legends Page 27, doom collective Ice Troll and avant-garde composer Victoria Lundy. Schedule below.
Clark Nova 6-615
Ice Troll 6:30 -6:50
minus X 7:00 – 7:20
Prayer Hands 7:30 -7:50
Haunted Sound Lab 8pm -8:20
Distance Research 8:30-9:00pm
9:15-9:45 Victoria Lundy
10-10:20 Page 27
10:30-11pm Deer Creek
DJ sets PterrorFranklin Soundsystem
(Frank Bell / James Jewkes )
What:No Swoon, Kissing Party and Voight When: Saturday, 11.16, 7 p.m. Where: Rhinoceropolis Why: No Swoon’s recently released self-titled full length is an example of how 2010s darkwave as evolved beyond the obvious classic reference points into the realm of sophisticated pop songcraft. Its vibrant tones and sense of sonic space is reminiscent of Chromatics but not tapping into feelings of nostalgia as much as a reflective yearning and introspection. Kissing Party is an indie pop band from Denver that has reliably been releasing quality material since the mid-2000s seeming to perpetually be able to draw on a sense of youthful romance and ideal love. Voight has been performing its brand of industrial post-punk noise-gaze since 2015 and is in the process of completing its new album due out in 2020.
What:GYES: Lady Gang, Preparation and Gothsta When: Saturday, 11.16, 8 p.m. Where: The People’s Building Why: The final Get Your Ears Swoll at the People’s Building in Aurora featuring experimental loop and psychedelic folk artist/one-woman band Lady Gang and Gothsta who plays truly unusual covers in a playful style that lives up to the name. The latter is organizer Claudia Woodman who will rename the event for the same location on a different day of the month in 2020.
What:Hi-Dive 16th (and 7th) anniversary w/Wobbles, Rattlesnake Milk, Zebroids, George Cessna, Permanent Boner and DJ Marika When: Saturday, 11.16, 8 p.m. Where: Hi-Dive Why: Hard to believe the H-Dive has been around for sixteen years at this point but it remains a place to see some of Denver’s best underground bands and up and coming artists from around the world. This show brings together stalwarts of the club including Zebroids who are more an obnoxious collective of yobs than strictly a ridiculous but oddly good punk band and George Cessna whose sonically inventive songwriting blows expectations of the son of Slim Cessna in a great way.
What:Noise vs. Doom IV When: Saturday, 11.16, 8 p.m. Where: Seventh Circle Music Collective Why: Second night of Noise Vs. Doom with performances from vinyl-collage sound processor Atari, ambient noise sculptor Blank Human and experimental noise rock prog punk band Action Friend from Los Angeles, formerly from Denver. This evening’s schedule below.
6:30 -6:50 Mismo
7:45 -8:05 Atari
8:15- 8:35 Flood Ov Blood
8:45 -8:55 – DJ Yeldarb Franklin
9-9:20 Clutch Plague
10-10:20 Blank Human
10:30 -10:50 Cosmic Abyss
11pm Action Friend (Los Angeles CA)
DJ sets Mudwulf + Dj Zombie
What:DBUK When: Saturday, 11.16, 7 p.m. Where: Tuft Theater at Swallow Hill
Sunday | November 17
What:Vetiver w/Joe Sampson When: Saturday, 11.16, 8 p.m. Where: Ophelia’s Electric Soap Box Why: Before it became very much a part of the current stream of “indie” music, Andy Cabic was crafting exquisite psych folk songs that incorporated electronic elements in a fully integrated way. His 2019 album Up On High is a fairly stripped down affair but the delicately intricate rhythms and textures with Cabic’s expressive vocals are still there creating an unconventionally atmospheric quality akin to something one might have heard on a Byrds or early Dead record. Maybe something Mitch Easter would have produced in the 80s. But the sensibility is very modern and its emotional immediacy is immediately compelling. Opening the show is Joe Sampson, one of Denver’s most gifted songwriters who some may remember from his days in A Dog Paloma but in the last decade plus he’s been woodshedding his own material while also having played in Bad Weather California.
What: A$AP Ferg and Ski Mask the Slump God w/Murda Beatz, MadeinTYO, Pouya, Danny Towers, DJ Scheme When: Monday, 11.18, 6 p.m. Where: Mission Ballroom Why: A$AP Ferg is one of the most influential and creative artists in the world of trap and Ski Mask the Slump God is one of the great innovators in that genre but one who incorporates even more elements of punk and metal into his animated material and performances. Sometimes live rap shows are disappointing but this should very much be an exception.
Tuesday | November 19
What:Nots, Slugger and Dearborn When: Tuesday, 11.19, 8 p.m. Where: Lost Lake Why: Nots is the noise punk band from Memphis, Tennessee that is currently touring in support of its new album 3 out on Goner Records. Guitarist and singer Natalie Hoffman was once the bass player of Ex-Cult where she stood out as a charismatic performer with wiry energy in a band not short on those qualities.
What:An Evening With Helmet When: Wednesday, 11.20, 7 p.m. Where: Summit Music Hall Why: Helmet is the legendary noise rock/posthardcore band from New York whose 1992 album Meantime yielded a hit single “Unsung” during that period when anything a little different stood a chance of making it to the radio. The group’s blunt and angular riffs and aggressive groove has proven influential on a certain segment of heavy music since.
October has long traditionally been the busiest month for shows coming to Denver and keeping up with them much less catching everything you’d like to witness is challenging even if money and time aren’t big considerations. Here are not even close to all the cool concerts in the Mile High City and the surrounding area through October 11, 2017.
Who:Tennyson w/Photay When: Thursday, 10.05, 7 p.m. Where: Globe Hall Why: Tennyson is a duo from Canada that seems to have found a way to fully synthesize jazz, IDM, pop and dub techno into lush pop songs that get under your skin and into your psyche. Difficult to compare them to anyone other than maybe artists on the Ghostly International imprint because so many of them are breaking conventions in general as well. If Lusine, Thundercat and Boards of Canada collaborated on a pop album it might sound like Tennyson but Tennyson’s beautiful, finely crafted compositions don’t feel like a real nod to anyone else, a true rarity in modern music. Its new EP, Uh Oh!, is a perfect introduction to what this brother and sister project has to offer.
Who:1865668232 (Ithaca), Distance Research, Sunk Cost, Matt Struck, Hypnotic Turtle simulcast When: Thursday, 10.05, 9 p.m. Where: The Skylark Why: Musical Mayhem is a bi-weekly event at The Skylark Lounge hosted by Claudia Woodman who also does Weird Wednesdays at 3 Kings Tavern.This week it’s noise and ambient night with harsh noise sculptor extraordinaire, Jonathan Cash, performing as Sunk Cost. Distance Research is the analog/modular synth project of sound and visual artist Sean Faling. The guy has more synths at his place than anyone but maybe Gabriel Temeyosa of Kuxaan-Sum and he crafts his sets around various arrangements of gear meaning every show is a little different but always excellent. 1865668232 is based out of Ithaca, New York and traveling with a show in Denver of sound collage atmospheres.
Who:Glacial Tomb, Nightwraith, Space in Time, Urn When: Thursday, 10.05, 7 p.m. Where: Hi-Dive Why: Sort of a doom and stoner rock/psychedelic metal night at the Hi-Dive with Glacial Tomb which includes members of Khemmis and Cult of the Lost Cause. Urn is basically a new version of the great Denver sludge psych band Skully Mammoth. Nightwraith is a melodic doom band whose recent self-titled EP is ripe with crunchy riffing and post-hardcore-esque black metal vocals. Space in Time is what happens when talented musicians from punk, country and pop bands update trippy heavy rock from the 70s like Captain Beyond and Uriah Heep.
Who:Palehound w/Down Time and Mr. Atomic When: Thursday, 10.05, 7 p.m. Where: Lost Lake Why: Ellen Kempner somehow takes the kind of folk-inflected, confessional indie rock song and injects it with new life through a compelling and moving vulnerability and poetic honesty. In some ways her music is reminiscent of a modern day Melanie—well crafted yet raw songwriting. The 2017 album, A Place I’ll Always Go, has more of a full band sound and filled out with more electronic soundscapes but without losing any of the sense Kempner’s revealing her deepest loves, fears and wishes.
Who:Ghost Tapes album release of Mad Props w/Fed Rez, Sur Ellz and DJ Soulrane When: Friday, 10.06, 7 p.m. Where: Syntax Physic Opera Why: Ghost Tapes if finally releasing its debut album, Mad Props. The quintet’s sound is somewhere between soul and smooth jazz minus any cheese factor. Rather, its music is the sort of thing you might expect to hear if you stopped in to some hip coffee shop off the Pacific Coast Highway and caught the house band doing its music and poetry residency outside its usual gig of touring the country in a successful indie rock band. Perhaps that’s a tortured metaphor but there is something intimate and beautiful about a Ghost Tapes performance that will fit in well with Syntax Physic Opera. Also on the bill are two of Denver’s best experimental hip-hop projects: the more jazz-inflected Fed Rez and the lushly loop/beat driven Sur Ellz.
Who:Sympathy F and JL Universe When: Friday, 10.06, 8 p.m. Where: The Walnut Room Why: Sympathy F is one of the longest running bands in Denver. It would be too facile to say the band is merely dream pop because it incorporates singer Elizabeth Rose’s jazz chops honed in her solo side project and the other players make rock music with the fluid dynamics of a improv jazz band with a dreamlike quality that draws you into the group’s storytelling. Really, Sympathy F’s music recreates the feel of Denver pre-LoDo when there was a shadowy, gritty and haunting yet comfortable vibe to a place where while there was potential danger around every corner there was also a sense of wide openness and untapped possibility. The band’s next album, its third in 26 years, is due out later this year.
Who:Sheer Mag w/Tenement and American Culture When: Saturday, 10.07, 8 p.m. Where: Larimer Lounge Why: One of the most anticipated punk tours of recent years not being undertaken by an established name includes two of the genre’s most acclaimed acts, Sheer Mag and Tenement. Sheer Mag might be compared to the Minutemen for current punk not because the bands sound anything alike. But because both had/have musicians with chops who aren’t afraid to let that show in the songwriting out of some misguided adherence to standard punk aesthetics. Both also were unabashed admirers of older music many of their peers think/thought wack. Vocalist Tina Halladay sounds like Janis Joplin fronting a garage rpunk band that listened to a lot of James Gang and The Allman Brothers. Should be completely dumb but it really works and the live band is a force to be reckoned with. Tenement sounds like a snotty power pop band with a raw melodic sense reminiscent of maybe Teenage Fanclub or pre-1983 The Replacements. Local openers American Culture should be as known as the other bands on the bill on a national scale but its own rawly melodic and glittery take on punk might be too big a leap for some to accept in the same realm of music. But its own impassioned performances speak otherwise and the lyrics about being an eternal outsider in a world of fake sophistication and a yearning for authentic choices for living a life worth living are clearly the stuff of which great punk songs are made.
Who:Ought w/US Weekly and Male Blonding When: Tuesday, 10.10, 7 p.m. Where: Larimer Lounge Why: Ought’s noisy, Fall-esque, whorling melodies reminiscent of Television driven by steady, hypnotic rhythms set it apart from a lot of other post-punk bands of the current decade. Was it aware that Protomartyr had got off the ground in Detroit three years before its own formation? That Women had developed its Wire-esque, spiky yet deeply atmospheric aesthetic before that? Hardly matters as Ought sounds like neither band but there is a strong resonance between the music of all those bands. With Ought there is also a sense of urgency to its music and an ability to draw you into its gritty, dreamlike compositions before you know you’re under their spell. Austin-based no-wave/post-hardcore/noise rock band US Weekly may be difficult to track down using conventional search engine methods but it’ll be worth it. Because these guys are a bit like Flipper on fast mode. Denver’s Male Blonding garnered some influence from Canadian post-punk of the 2000s but its rhythm section takes the music into a different realm of sound. Coupled with the group’s imaginative dual guitar work and Noah Simons’ commanding vocals, Male Blonding is simply carving its own path and not easily planted in the realms of post-punk or indie rock.
Who:Big Thief w/Little Wings and Mega Bog When: Tuesday, 10.10, 7 p.m. Where: Globe Hall Why: Big Thief’s new record, Capacity, is a pleasant and thoughtful enough listen. But Adrianne Lenker’s tender vocal delivery is what makes the songs because even if she’s conventionally melodic she brings a sense of melancholic yearning that’s pretty compelling. Definitely for fans of Jenny Lewis solo or during her tenure with Rilo Kiley. Mega Bog has been one of America’s best kept musical secrets for too long. Originally from the Pacific Northwest, Mega Bog now resides in New York City where it now doubt rubbed shoulders with Big Thief. Singer/songwriter Erin Birgy and her bandmates aren’t really working in a genre unless you count “good drum.” Its latest record, Happy Together, is an eclectic affair that will remind some people of Laurie Anderson (especially “London” to Anderson’s “Blue Lagoon”). It’s part jazz and part seemingly lifting otherworldly atmospherics from Birgy’s dreams.
Who:Worriers, Thin Lips, Cheap Perfume, Lawsuit Models When: Tuesday, 10.10, 7 p.m. Where: The Moon Room Why: Worriers are the bouncy, melodic punk band of former The Measure (SA) guitarist and singer Lauren Denitzio. The band’s 2015 album, Imaginary Life, produced by Laura Jane Grace of Against Me!, is a charming mixture of irreverent self-examination cataloging life’s downbeats, playfully pointed social commentary and genuinely clever wordplay. Cheap Perfume shares Denitzio’s sense of humor, politics and energy and earlier this year the band debuted the video for a song called “It’s Okay (To Punch Nazis).” And given Richard Spencer’s recent turn with a ten minute or so protest revisiting Charlottesville it’s difficult for any normal person to disagree with the sentiment even if you’re not inclined to act on the song literally.
Who:Touché Amoré w/Single Mothers, Gouge Away, Muscle Beach When: Tuesday, 10.10, 7 p.m. Where: The Moon Room Why: Touché Amoré may have kind of a silly name but its melodic post-hardcore while still heavy hitting has a kind of uplifting quality at times that has more in common with late 90s emo. But it’s all part of the same punk world so of course several bands have overlapping musical interests, Touché Amoré just integrated it all as well as expansive, shimmering atmospheric passages that sound like post-rock angels hovering at the edges of its core songs. And it’s kind of a big deal for 2000s post-hardcore fans that London, Ontario post-hardcore legends Single Mothers are playing in Denver. No downside on the bill including Denver’s own Muscle Beach who have found a truly sweet spot between metallic post-hardcore and fluid noise rock.
Who:Haujobb w/Blackcell and DJ Niq V When: Tuesday, 10.10, 8 p.m. Where: 3 Kings Tavern Why: Haujobb came about at time when there was a great deal of overlap between underground electronic music genres with Meat Beat Manifesto synthesizing EBM, techno and early drum and bass, The Orb creating dance music too weird for most dance clubs, Rabbit in the Moon embodying trance and house and indulging creative breakbeats. Haujobb’s own music was more grounded in EBM and industrial and darker than most of the music that would provide the soundtracks to raves and night-long parties in Ibiza even though its methods of creation wasn’t so far apart from the “electronic” acts who were its peers. Blackcell is one of Denver’s longest running bands in general and certainly out of the electronic and industrial music world going back to its origins in the early 90s when the project was more in the vein of noise with tape collages and samples alongside its synthesizer experiments. These days the duo uses mostly hardware synths, sequencers, drum machines and samplers to craft its richly layered, entrancing soundscapes.
Who:The Church w/The Heliosequence When: Wednesday, 10.11, 7 p.m. Where: Gothic Theatre Why: Many rock bands get stuck in a perpetual revisiting of teenage themes, hedonism and concerns bespeaking of a state of stunted personal development. The Church has never really been that band. Before becoming famous in the U.S. in the wake of the release of its 1988 album Starfish and hit single “Under the Milky Way,” The Church had been crafting albums of exquisite beauty that took the pop and rock song format in interesting directions both sonically and thematically. There was a literary quality to the band’s lyrics that more than hinted at thoughtfulness in the songwriting that aimed at a poetic understanding of life and human interactions beyond the rote clichés of art aiming at little more than entertainment. And with The Church it wasn’t purely intellectual or of the head and its powerful live shows became and remain a powerful shared experience of artist and audience alike. In 2014, The Church released arguably its best record to date with Further/Deeper. The title was a pitch perfect summary of an album in which the band was finding itself having to reinvent itself after the departure of founding guitarist Marty Wilson-Piper but also to continue making relevant music that wasn’t a retread of past glory—something, surprisingly, The Church has never really done, each album being a worthwhile listen. Futher/Deeper was also one of the few rock records written by musicians from an adult perspective without sounding jaded or safe. In 2017 The Church released its latest album Man Woman Life Death Infinity. The Helio Sequence probably gets lumped in with modern shoegaze and dream pop but the band was doing fascinating experiments with electronic music and an expanded sense of psychedelic music early in its career. These days the band is perfecting affecting soundscapes and lyrics that reach well beyond the realm of the mundane. A perfect pairing of bands in a year when that’s not been such a rarity.
Who:The Mercury Tree, Hamster Theatre and Neil Haverstick When: Wednesday, 10.11, 7 p.m. Where: The Walnut Room Why: Portland, Oregon’s The Mercury Tree is proof that progressive rock need not be over intellectualized as its layered atmospheres and rhythms, intricate in composition, are a heady and expansive listening experience. And that band would be worthy enough of attending the show but also a rare Denver appearance by Denver avant-garde rock/jazz legends Hamster Theatre and microtonal guitar wizard Neil Haverstick.
Who:GZA w/Low Hanging Fruit When: Wednesday, 10.11, 7 p.m. Where: Fox Theatre Why: The GZA at The Fox? Sure enough. As a founding member of Wu-Tang Clan, GZA has exerted a broad influence on much of the hip-hop to have come along since. But GZA’s lyrical brilliance paired with RZA’s production has impacted some of the most interesting electronic music made since the release of his landmark 1995 album Liquid Swords. That album transcended genre and its echoes can be heard in much of alternative and underground hip-hop today.