SUNN O))) Shoshin Duo performs at The Gothic Theatre on January 31, 2023 Shadows Tranquil in 2022, photo by Tom Murphy
Saturday | 01.07 What:Autumn Creatures w/Cherished, Bloodsports and Shadows Tranquil When: 8 Where: Hi-Dive Why: Autumn Creatures is a band from Colorado Springs whose music bridges the worlds of ambient, post-rock, orchestral post-metal, dream pop and outright shoegaze. So on a solid bill with Denver’s Cherished which has emerged from its early incarnation as more a post-punk and death rock band into the realm of shoegaze but with tweaking the edges of the aesthetic with unconventional vocal tones and rhythms that shift easily from drifty to direct. Bloodsports also from Denver is hitting the sweet spot of slowcore and shoegaze with introspective vocals and flares of noise to give what might be a more amorphous aesthetic some dramatic definition. Shadows Tranquil also doesn’t trade in subgenre adherence by thoroughly fusing chilly shoegaze with a touch of emocore and mathrock but all aimed at expressing direct emotional resonances with a maximalist sonic approach with an impressive level of musical detail and dynamic nuance.
Verhoffst in 2022, photo by Tom Murphy
Saturday | 01.07 What: Noise Brap: Barbie Bloodbath, Muttering, Verhoffst, Kneiffii, Sheet Metal Skingraft, Wontanii, Ghost Thief, Wolf Larva, Avarice and Mumble w/DJs Ursa, B2B and Combat Sport When: 8 Where: Glob Why: The concept of the brap was coined by Skinny Puppy and was even the title of the 1996 edition of its Back and Forth Series (3 & 4 for that iteration) which collected early instrumental demos and live recordings from earlier in the decade of collaborative electronic improvisations. And for this show the various artists in the local noise/electronic industrial/glitch scene will be teamed up with another for sessions throughout the evening and into the night.
Bret Sexton and Farrell Lowe in 2022, photo by Tom Murphy
Saturday | 01.07 What: Summit Quartet & SeFa LoCo When: 7-9 Where: Mercury Café (Jungle Room) Why: This is an evening of live improvised music featuring Right Brains Records artists Summit Quartet which includes Swedish pianist Walter Thompson and long time Denver-based avant-garde saxophonist and educator Mark Harris who has performed with the likes of Bob Hope, Roger Waters and Cab Calloway and locally known for his time in art rock projects Thinking Plague and Hamster Theater. Also on the bill is SeFaLoCo which includes not only Matt Smiley and Ron Coulter from Summit Quartet but long time local masters of improvised music Farrell Lowe and Bret Sexton.
Open Mike Eagle, photo from Bandcamp
Sunday and Monday| 01.08 and 01.09 What: Open Mike Eagle w/Video Dave and DVNEHPPY (w/Azon Classic) (on 01.08) and w/S.iah (on 01.09) When: 7 Where:Larimer Lounge (01.08) and The Coast (01.09) Why: Open Mike Eagle has been created “art rap” for more than two decades and has long been a star in the modern alternative rap world. His new album A Tape Called Component System with the Auto Reverse (2022) is a fine dose of his always creative and imaginative lyricism casting every day situations in surreal terms that reveal insights what might otherwise be mundane and everyday situations. The album includes contributions from Armand Hammer, Aesop Rock and opening artist Video Dave. His beats go beyond mere choice sample processing and have a cinematic and literary quality in their own right creating a layered listening experience.
Skyfloor in 2021, photo by Tom Murphy
Thursday | 01.12 What:Alphabet Soup #56: Funk Hunk, Savage Bass Goat, Yung Lurch, Furbie Cakes, Skyfloor When: 9 Where: The Black Box Why: Alphabet Soup returned in 2022 for every second Thursday of the month at The Black Box to bring you a bevy of local, eclectic and forward thinking dance and techno not getting showcased much at any other event or venue plus there’s no cover.
R A R E B Y R D $ in 2019, photo by Tom Murphy
Friday | 01.13 What:R A R E B Y R D $ When: 6-10 Where: Rainbow Dome Why: Rainbow Dome is a project rooted in visual art and community building and this Capricorn Season-themed event involves roller skating, a dance party and a performance from hip-hop trio R A R E B Y R D $ whose music is brash, tender, emotionally rich and deep and incorporates a diverse sound that is an amalgamation of electro soul, ambient, R&B, alternative hip-hop and techno. If one were to count the top live music acts in Denver at the moment these people would have to be included.
Friday | 01.13 What:Modular Synth Night: Enemy Sender, ALX-106, Love Cosmic Love, Sine Mountain and Kent_ucky When: 8 Where: Hi-Dive Why: As the name of the event suggests this is a showcase for some of the local modular synth artists. Normally a show like this happens at a place like Black Box or maybe Fort Greene or with the artists separately at other spaces open to pure electronic music and the more avant electronic dance and techno music but that it’s happening at a venue like Hi-Dive is a testament to what those in the know already knew and that’s that there has been an blossoming interest in synthesizer music beyond the confines of EDM and electronic dance music for many years and maybe a sign of more events like this to come outside the usual venues.
Church Fire in 2021, photo by Tom Murphy
Saturday | 01.14
What: Coastless Creatives Presents Void: Feat. Closegood, Cole3K, Church Fire and Polly Urethane When: 7 Where: Lost Lake Why: Closegood is an experimental R&B duo originally based out of Los Angeles and may still be. Its 2021 album THOTFORM was a colorful set of music that sounded like a bit like R&B, glitch, hyper pop and something that one might expect on the Orange Milk label. Cole3K is similarly-minded in sound with a more hip-hop infused cadence but with production that sounds like the rapid fire shifting pulse of modern life. Church Fire is a hyper political electronic dance industrial trio from Denver but lately it has been incorporating production ideas from the realms of glitch and hyperpop in finding ways to express the reconciliation of self with a fragmented and fragmenting world in a time of great change and crisis where world governments, especially great powers, focus on pointless conflict and a charade of identity politics while the world burns and no one holding the reigns of economic and political power is taking a leadership position to address our collective challenges with the environment, authoritarian politics, economic inequality connected by the domination of global oligarchy. Church Fire’s music is in opposition to that and creating an oasis of joy and solidarity while performing it. Polly Urethane is an evolving visionary artist who seems comfortably situated in creating works that cross the boundaries of classical music, opera, noise, industrial, performance art, dream pop and post-punk. Her shows are an exercise in fearless confrontational challenge of the artist and audience dynamic.
Polly Urethane in 2022, photo by Tom Murphy
Tuesday | 01.17 What: Alice Does Computer Music, Certain Lives, Polly Urethane and Lanx Borealis When: 8 Where: Glob Why: Alice Does Computer Music is a New York City-based synth pop/hyperpop artist who incorporates cello into her immersive and playful soundscapes. Fans of Mitski may appreciate this artist’s particular brand of pop composition. Lanx Borealis is a Denver-based, dark ambient electronic artist whose work is in the realm of the sort of thing you might expect to hear on the long running Hearts of Space program on public radio. You never really know what kind of set you’re going to get from Polly Urethane and this might be a repeat of her show the previous Saturday or something more improvised or something new but always imaginative and powerful.
Blondshell in 2022, photo by Tom Murphy
Wednesday | 01.18 What:Suki Waterhouse w/Blondshell When: 7 Where: Bluebird Theater Why: Blondshell is the stage name of Sabrina Teitelbaum, a songwriter based out of Los Angeles whose singles have been making the rounds since 2022 when she started touring a bit as well on a national level. Her surprisingly fiery rock songs with lush pop hooks and commanding vocals as heard most recently with the December release of her “Veronica Mars” single are appealing enough but live Teitelbaum is a bit of a mysterious creature whose nearly acrobatic stage poses executed with an unaffected calm adds another dimension of performance style one doesn’t often see at a show like she’s incorporating yoga practice into the performance while keeping it theatrical and emotive. Suki Waterhouse is perhaps best known for her acting and modeling career having appeared in the films The Divergent Series: Insurgent (2015) and Ana Lily Amirpour’s gritty horror thriller The Bad Batch (2016) to name but two. In 2022 Waterhouse released her debut album I Can’t Let Go through Sub Pop as well as an EP called Milk Teeth after periodically releasing a single starting with 2016’s “Brutally.” Waterhouse’s hushed vocals and introspective, spacious, cinematic songs offer some insightful and nuanced perspectives on modern relationships.
The Mañanas in 2022, photo by Tom Murphy
Friday | 01.20 What:The Velveteers w/The Mañanas and Pink Lady Monster When: 7 Where: Bluebird Theater Why: The Velveteers return from a year of playing big out of town shows with their scorching yet joyful brand of blues rock and psychedelia with two performances and this night the Denver show with two of Denver’s finest. The spirited garage rock/power pop group The Mañanas and their breezy rhythms and sound like something that might have happened had indiepop bands taken even more of a cue from tropicalía. Pink Lady Monster seemed to emerge onto the Denver scene fully formed with an aesthetic that perfectly amalgamates dream pop, psychedelic rock and downtempo in a way reminiscent of both Broadcast and Blonde Redhead.
Friday | 01.20 What:Kool Keith w/Stay Tuned and DJ boyhollow When: 7 Where: Mercury Café Why: Kool Keith is the eccentric and influential rapper whose music with Ultramagnetic MCs and Dr. Octagon alone earn him an important place in the history of hip-hop. His surreal wordplay, profane humor and chameleonic style coupled with numerous alter egos have exerted a clear influence on hip-hop since the 1980s as a creative figure with a singular and evolving vision. Opening is the great, Denver-based crew Stay Tuned whose own style of hip-hop with two MCs is not short on imaginative culture and media commentary set to supremely creative beats in the vein of the likes of Dilla and A Tribe Called Quest. DJ-ing the show is legendary track selector boyhollow whose long running alternative music dance night Lipgloss recently went from a weekly to a monthly event.
The Velveteers in 2021, photo by Tom Murphy
Saturday | 01.21 What: The Velveteers w/Shady Oaks and The Nova Kicks When: 8 Where: Fox Theatre Why: This night The Velveteers play a hometown show with Americana inflected blues and garage rock band Shady Oaks and Denver indie rock band The Nova Kicks.
Instant Empire in 2015, photo by Tom Murphy
Saturday | 01.21 What:Instant Empire w/A Mouthful of Thunder and A Place for Owls When: 8 Where: Globe Hall Why: Since 2011 Instant Empire has been threading together classic New Wave sensibilities with introspective and hazy melodies. A Mouthful of Thunder is the latest band from Stephen Till formerly of Hearts of Palm and Black Black Ocean. Who? At any rate, Till’s sensitive lyrics and knack for dynamic melodies and inventive hooks are present here too as evidenced by its 2020 album Careful Now. A Place For Owls released its excellent self-titled debut full length in 2022 and sure it can be lumped under the clumsy umbrella genre designation of indie rock. But there is a level of orchestral composition that brings to the music a full and rich sound that complements well its yearning and existentially explorational lyrics.
Saturday | 01.21 What:Lykotonon w/Ritual Aesthetic, Noctambulist, Morningstar Delirium and DJ Swarth When: 7 Where: Hi-Dive Why: Lykotonon includes members of Wayfarer, Stormkeep and Blood Incantation and its music might be described loosely as experimental black metal in that it’s more in the realm of Wolves in the Throne Room than Darkthrone and underpinned with spooky electronics that give the music an otherworldly feel. The group recently released its new album Promethean Pathology (2022) and this might be seen as something like an album release show since the record dropped on November 25. Also on the bill are like-minded denizens of the more interesting end of local extreme metal.
Grief Ritual in 2021, photo by Tom Murphy
Sunday | 01.22 What: Velnias w/Ghosts of Glaciers and Grief Ritual When: 8 Where: Hi-Dive Why: Velnias is tricky to pin down in clear terms because its music isn’t just doom or progressive psychedelic black metal. But its appealingly forbidding yet melodic and epic songs have found an audience well beyond its unlikely hometown of Nederland, Colorado where it’s not just banjos and jam bands. Ghosts of Glaciers will be a good complement to the bill with its own progressive, doomy post-metal and Grief Ritual’s cutting, hardcore-influenced is a relentless assault on authoritarian nihilism.
Nightshark in 2006, photo by Tom Murphy
Thursday | 01.26 What:Nightshark w/Quits, Tripp Nasty, Sense From Nonsense When: 8 Where: Hi-Dive Why: Free jazz/noise rock avant-garde legends Nightshark is playing its first show in over a decade and its first with saxophonist Becca Mhalek in more than fifteen years. The trio of Mhalek, Mike Buckley and Andrew Lindstrom were staples of the Denver underground scene in the 2000s playing small clubs, drive bars and DIY spaces regularly with its mind-altering musicianship and wild energy. Later incarnations of the group included the likes of Neil Keener of Wovenhand fame and Brittany Gould who some may know for her transcendent ambient folk project Married in Berdichev. But the classic trio was the longest lasting and the lineup for this reunion. Sharing the stage will be some other luminaries of the 2000s and 2010s Denver DIY world with composer and modular synth artist Tripp Nasty who has recently launched a new lathe cut label called From the Desk of the Sick Librarian which released the new Sense From Nonsense record. The latter is the solo micro soundtrack and synth and film project of Tom Nelsen who many may know from his tenure in both mutant garage rock band Vicious Women and industrial post-punk phenoms Echo Beds. Quits will also bring its noise rock madness and eruptive energy to the show with former members of White Dynamite, Sparkles, Hot White and Felt Pilotes. All killer.
Pink Lady Monster in 2022, photo by Tom Murphy
Friday | 01.27 What: Church Fire, Velvet Horns and Pink Lady Monster When: 7 Where: Enigma Bazaar Why: Church Fire will grace the west side with its politically charged industrial dance party and raw emotional power. Velvet Horns is supposedly a pop punk band in the queercore vein and that’s true enough in essence but there’s nothing corny about its intensity and storytelling, like they aimed right for the vulnerable emotions that is part of the best of pop punk. Pink Lady Monster’s art pop psychedelia always seems to have a paradoxical mysterious immediacy with songs that defy easy genre tagging as its songs aren’t readily comparable to any obvious influences.
Circuit des Yeux in 2014, photo by Tom Murphy
Friday | 01.27 What:Circuit des Yeux and Bleak Mystique When: 7 Where: The Coast Why: Experimental indie folk artist Haley Fohr has been releasing fascinating records as Circuit des Yeux since at least 2010. Her spectral, almost classical compositions and otherworldly and dramatic vocals seem like something that one might expect from another era or parallel universe in which Alice Coltrane is a figure in her more New Age period was cited as an influence alongside Magma as much as any classic rock or folk artist. Her 2021 album -io is like a long lost Nico record with shades of Julia Holter and Laurel Halo but of course Fohr’s unique and always boundary pushing style.
Haunt Me in 2022, photo by Tom Murphy
Friday | 01.27 What: Haunt Me w/Hex Cassette and Julian St. Nightmare When: 9 Where: The Crypt Why: Haunt Me is a darkwave post-punk band from Austin, Texas that often performs in a nearly choking cloak of fog so that its echoing melodies seem to indeed come through to you in a disembodied manner grounded by hypnotic beats. This swing through Colorado includes two dates, this one at The Crypt with the confrontational and fun occult darkwave dance style of the inimitable Hex Cassette who always breaks the barrier between audience cajoling performer and manic dancer in the audience. Julian St. Nightmare’s songwriting as a post-punk band is consistently pushing the barriers of the musical style with not only superior musicianship and diverse songwriting but great style and stage presence.
Sunnnner in 2022, photo by Tom Murphy
Saturday | 01.28 What: Haunt Me w/Hex Cassette and Sunnnner When: 8 Where: Trident Booksellers & Cafe Why: This second Haunt Me show this time in Boulder out back of the Trident book store on the west end of Pearl Street Mall not only includes Hex Cassette but Denver trio Sunnnner whose weirdo post-punk and noise rock is so idiosyncratic in its presentation it is psychedelic rock by default. Meaning the group is much more exciting and interesting than any possible hints of roots in garage rock might be there.
Why Bonnie, photo by Grace Pendelton
Saturday | 01.28 What:Why Bonnie, Sun June and Porlolo When: 8 Where: Hi-Dive Why: Why Bonnie began as a songwriting outlet for singer/guitarist Blair Howerton but by the time of its 2018 debut EP In Water the project had developed into a full band. Howerton’s vivid lyrics and command of loud and quiet dynamics and crafting of warm, evocative melodies has yielded a richly diverse body of work that has been described as shoegaze Americana but the band’s music has more in common with the likes of Rilo Kiley, Soccer Mommy and Julien Baker than Mojave 3. The group’s 2022 album 90 in November is a collection of stories of unromanticized nostalgia. That approach lends the songs an unusual and fascinating aspect of being able to appreciate one’s past as it is and not to over or undervalue how you’ve grown as a person and the ongoing process of personal development. Veteran pop Americana legends Porlolo from Denver opens the show with Erin Roberts’ own insightful takes on personal folly and a life lived without fitting neatly under a subcultural umbrella.
Kali Malone, photo by Mauricio Guillen
Tuesday | 01.31 What:SunnO))) w/Kali Malone When: 7 Where: Gothic Theatre Why: In its SHOSHIN (初心) Duo configuration SunnO))) returns to its core, original live form with founders and guitarists Stephen O’Malley and Greg Anderson performing its signature heavy volume ritualistic drones dealing in what they refer to as “profound valve amplification, spectral harmonics, distortion and volume.” From the beginning the duo has crafted primal waves of sound that serve as some of the heaviest ambient music rooted in an abstract rock instrument foundation, warping and mutating both aesthetics in an alchemical synthesis that is transcendent and glacially crushing. Don’t go expecting a doom band, sure it’s not quite the same without long time collaborator, the singular vocalist Attila Csihar, but all configurations of SunnO))) offer a mind-altering live experience unlike any other band in the world of heavy music or really any other. Opening the proceedings is Kali Malone. The composer grew up in Colorado and moved to Stockholm, Sweden in her late teens and has become internationally renowned for her avant-garde works of drone and modern classical music. Anyone that saw Malone performing at house shows and DIY spaces in Colorado got to see an early form of Malone’s gift for meditative, minimalist soundscapes but her 2019 album The Sacrificial Code brought her to wider international audiences. Her new album, the gorgeously layered and transportingly murky Does Spring Hide Its Joy (January 2023) includes contributions from SunnO)))’s Stephen O’Malley and Lucy Railton released on O’Malley’s Ideologic Organ imprint on 3 LPs and 3 CDs.
Friday | 07.01 What:Aldous Harding w/H. Hawkline When: 7 p.m. Where: Gothic Theatre Why: Ever since the release of her 2014 self-titled debut album Aldous Harding has been crafting some of the most unique songs in the realm of indie folk of the past few decades. With each album Harding offers songs that seem like a blend of the deeply personal, the mythical and the conceptual. Her song titles suggest a surreal aesthetic that lends itself to her imaginative story telling and a willingness to seek beyond tropes and clichés for ways of signing about relationships, identity, aspirations and dreams and commenting on society. 2017’s Party and her subsequent North American tour revealed Harding to be a truly and fascinatingly idiosyncratic artist whose emotionally powerful and riveting performances were reminiscent of Joni Mitchell with a touch of Kate Bush. Her latest album Warm Chris (2022) puts the focus on fusing the jazz elements of her songwriting with the avant-garde pop for a set of songs that sound like lounge music from a parallel universe where creative weirdos are in charge and creativity is more valued than affirming popular trends.
Reverb and The Verse, photo by Tom Murphy
Friday | 07.01 What:Yonbre Netz w/Reverb and The Verse When: 9 p.m. Where: Broadway Roxy Why: Yonbre Netz is a Boulder-based hip-hop and experimental electronic artist whose varied collaborations can be heard on his Spotify account where his keen ear for colorful, percussive melodies can be heard. But this is also a rare chance to catch Reverb and The Verse who recently put out their tenth and supposed final album BLACKWALL under this project name. Shane Etter and Jahi Simbai have been at it since the late 90s making hip-hop that has always been rich with creative soundscaping and truly clever wordplay informed by incisive commentary on society and the travails of everyday life. Seemingly never content to repeat the same musical ideas album to album the duo’s catalog of material is a great trail of creative evolution and experimentation. BLACKWALL is a little like if Public Enemy collaborated with Nine Inch Nails with the gift for emotionally charged and politically and poetically astute as that comparison might imply. You may not get many chances to catch those guys in action and the Broadway Roxy would be a great room to make that the opportunity to witness one of the finest hip-hop acts Denver has to offer.
Friday | 07.01 What:Vmthanaachth w/Church Fire, Sell Farm, Ray Diess (album release) and Coma Roulette When: 8 p.m. Where: Glob Why: Vmthanaachth from Dallas, Texas combines ambient music and industrial with classical avant-garde in a way that fans of Pedestrian Deposit will appreciate. Church Fire has been really upping their game with making irresistible bangers that also dismantle status quo sentiments and ways of being. For those not in the know Church Fire is something like an alchemical mixture of synth pop, industrial dance music, confrontational feminist punk and one of the best bands out of Denver or anywhere of the past decade. Ray Diess is releasing his latest album the hyperpop inflected and rawly honest It’ll Always Ache. It sounds like something that might have come out of Manchester in the late 80s or early 90s but with musical references and more obvious inspirations of a couple of decades later. There is some fine shade and ascerbic wit across the album but in the end it’s about seeking the authentic in experiences and embracing one’s own feelings as valid and does so with passion and playfulness.
Spyderland, photo by Tom Murphy
Friday | 07.01 What:Spyderland video/EP release w/Machu Linea and Random Temple When: 8 p.m. Where: The Skylark Lounge/Bobcat Room Why: Spyderland is an electro pop duo comprised of Marie Litton and Drew McClellan. The two have been veterans of the Denver underground scene for years and to their credit this project is really unlike anything else they’ve done. Rather, they’ve taken their strengths as artists and applied then to crafting a different style of music meaning an experimental form of pop that can at times be a bit downtempo but with a spirited sense of play running through how they spark off each other as performers. It comes off as a bit of a musical dialogue which lends itself to a body of imaginative and fresh songwriting. For this show Spyderland is releasing a new animated video and its new EP. Machu Linea is a likeminded artist who can often be seen DJing around town but it turns out Armando Garibay has a gift for assembling beats and sounds that transform popular styles into something far more inventive. The 2020 album HeXotica showcased Garibay’s range as an artist and collaborator with some of the most talented artists in the local hip-hop and electronic music scenes. Random Temple has been in various types of bands over the years but under this moniker his ambient and IDM music freely weaves together textures, tones and even musical structures as a way to deconstruct conventions of genre.
sleepdial in June 2022, photo by Tom Murphy
Monday | 07.04 What:Zach Rowden, Terravault Network, Tripp Nasty and sleepdial When: 9 p.m. Where: Glob Why: Zach Rowden is a member of collaborative improvisational project Crazy Doberman that began life as a series of collaborations with John Olson of Wolf Eyes fame. But since its inception in the late 2010s Crazy Doberman has had a prolific output of recordings. Under his own name or with Tongue Depressor Rowden has been running experiments in texture and environmental sounds as they intersect with a hypnotic, almost ritualistic form of ambient. Terravault Network is Eli Windler (Spectral Voice, City Hunter, No Thought and others) and Kevin Wesley (Hot White) making industrial ambient soundscapes that sound like abstracted and processed environmental field recordings at a distance from an active factory late night near the train tracks and processed to preserve rhythms and an enigmatic mood. Tripp Nasty has had quite the eclectic run of music experiments over the years from modern classical music to performance art, weirdo punk and now an almost academic analog/modular synth composition project that he recently displayed opening for legendary avant-garde musician William Basinski. Sleepdial is Luke Thinnes’ musical alter ego to French Kettle Station. Whereas the latter pushes the boundaries of electronic dance music and new age pop, the former is Tim Hecker-esque textured ambient music that layers subtle running pulses and flowing drifts of white noise and purely abstract melody that conveys a sense of endless space and wonder.
Darkest Hour, photo by Rick Ceauliue
Tuesday | 07.05 What: Darkest Hour w/Toxic Holocaust and Necropanther When: 7 p.m. Where: The Marquis Theater Why: Darkest Hour from Washington D.C. has been evolving its particular flavor of melodic death metal mixed with post-hardcore since its inception in 1995. Its epic guitar progressions and apocalyptic visual style makes the band sound and look like something from the near future after the fallout of the collapse of worldwide civilization as we know it has been sorted out. This tour represents the group’s first with new lead guitarist Nico Santora and Darkest Hour will perform its 2007 album Deliver Us in its entirety and subsequent to the tour the group will return to the studio to record its tenth album. Opening the show is blackened death thrash mutants Necropanther from Denver as well as veteran thrash band Toxic Holocaust from Portland, Oregon whose own music has more than a leg in hardcore and grind as evidenced by its blast beats fused with acidic, Venom-esque menace.
Grief Ritual October 2021, photo by Tom Murphy
Tuesday | 07.05 What:Under the Pier, The God Awful Truth, Vexing and Grief Ritual When: 7 p.m. Where: Hi-Dive Why: Under the Pier is a math-y post-hardcore outfit from Baltimore whose songs feel chaotic even as they are guided by a bizarre precision of execution. Vexing from Denver is difficult to pin down even though it clearly has roots in extreme metal and post-hardcore mainly because it also comes off like a grindcore band that’s dialing back the onslaught a little to let sounds hang in the air and hit you differently than a persistent force. Makes its gruff vocals and mathematically precise accents in a riff seem more nuanced and creative. Grief Ritual is going through some transitions since long time guitarist Mykel Monroe is departing but this may be a last chance to check out his guitar wizardry with Grief Ritual. Its own hardcore stylings have a brutal elegance from guitar pyrotechnics, to finely executed, cathartic vocals to surprisingly spare yet interlocking rhythms that allow for the songs to switch moods and focus of forcefulness with great flexibility. Its most recent album The Gallows Laugh may be more in the realm of metallic hardcore but has the beautifully confrontational and caustic quality of a melodic black metal record.
Puscifer, photo by Travis Shinn
Wednesday | 07.06 What: Puscifer w/Moodie Black When: 7 p.m. Where: Mission Ballroom Why: Puscifer is Maynard James Keenan’s vehicle for a plethora of creative musical ideas that don’t really fit in with the art prog of his more famous band Tool. So he’s been able to infuse it with some of his more innovative experiments in sound and theatrical performance. The group hasn’t toured the U.S.A. since 2016 and reports of shows and footage that has made it onto the internet reveals what you might hope for and expect with elaborate sets and Maynard performing almost like a cosmic variety show host and his cohort of weirdos. The most recent Puscifer album Existential Reckoning (2020) must have been a head scratcher for anyone expecting industrial rock or hard rock in general. Its extensive and evocative use of synths and other keyboards as the drivers of melody and dramatic vocals is tempting to compare to something Peter Gabriel might be doing now but also not unlike something Gary Numan might do and really one of the most sonically fascinating records of Keenan’s career thus far.
Thursday | 07.07 What:The Pine Hill Haints w/Glueman and George Cessna When: 8 p.m. Where: Hi-Dive Why: The Pine Hill Haints from Auburn, Alabama perform fairly traditional bluegrass and folky country with great the intensity and energy. Fans of rockabilly will probably appreciate what the Haints have to offer but its music also seems just slightly out of frame of normalcy to be interesting. Opening the show is George Cessna whose 2021 album Lucky Rider is a beautifully and paradoxically warmly haunting piece of work that transcends “alt-country” into the realm of slowcore and pastoral, Lanois-esque Americana that feels like reading an idiosyncratic noir novel comprised of impressionistic vignettes about navigating a culture and society in decline and trying to do something worthwhile with integrity in spite of one’s personal limitations and the weight of one’s history and attachment to tradition and sentimental notions.
Gila Teen, photo by Tom Murphy
Friday – Sunday | 07.08 – 07.10 What:Compost Heap Music Festival V When: 3-11 p.m. Where: Seventh Circle Music Collective Why: Can’t sum up why better than the verbiage from the FB event below which includes set times and other information.
“It’s happening again! July 8th, 9th, and 10th! One of the biggest temporary DIY music festivals you’ll ever see! Three days of great music from underground bands from across the nation and local support that you may have never heard of but you will definitely love!
ACCESSIBILITY INFO: This event will be wheelchair accessible. ADA portapotty onsite. Proof of vaccination is required. Masks are strongly encouraged. Denver will be hot and dry, dress in breathable and moisture wicking clothing and avoid dark colors. There will be shade provided and cooling misting fans throughout the day. This event will be live-streamed. We created this festival with a goal, it’s organized to center and amplify the music and art of marginalized folks, and to celebrate radical perspectives and ideologies in general. It’s focus is to try and raise awareness about oppressive institutions that stunt our ability to flourish as individuals and communities, and to come together to resist against them for our collective liberation, express solidarity and make some new friends.
FRIDAY, JULY 8TH 4:00-4:25 Team Nonexistent 4:35-5:00 Mx Wander (PA) 5:10-5:35 Old Scratch & The Holy Mess (AZ) 5:45-6:10 Bird Teeth (WA) 6:20-6:45 Chatterbox and the Latter Day Satanists 6:55-7:20 Endless, Nameless 7:30-7:55 Gutter Town (AZ) 8:05-8:30 Fables of the Fall 8:40-9:05 Shooting Tsars (TX) 9:15-9:45 RAT BATH (WI) 10:00-10:30 Ceschi Ramos (CT) 10:45-11:15 Crow Cavalier
SATURDAY, JULY 9TH 3:00-4:00 OPEN MIC 4:00-4:25 Marissa. 4:35-5:00 Loud in the Morning (WA) 5:10-5:35 Sunnnner 5:45-6:10 HappyHappy (IN) 6:20-6:45 Fruiting Body of the Larger 6:55-7:20 Straight Line Arrival (ND) 7:30-7:55 Gila Teen 8:05-8:30 Danbert Nobacon (WA) (x Chumbawamba) 8:40-9:05 Ludlow (OR) 9:15-9:45 Self Neglect (NM) 10:00-10:30 Lo Cash Ninjas (NN) 10:45-11:15 Doom Scroll
SUNDAY, JULY 10TH 3:00-4:00 OPEN MIC 4:00-4:25 The Michael Character (MA) 4:35-5:00 Rumbletramp (NC) 5:10-5:35 Hello the Camp (ID) 5:45-6:10 Helga Pataki 6:20-6:45 Gone Full Heathen 6:55-7:20 The Ragetones 7:30-7:55 Mr. Atomic 8:05-8:30 Dana Skully and the Tiger Sharks (IN) 8:40-9:05 Caustic Soda 9:15-9:45 Noogy (TX) 10:00-10:30 Plasma Canvas 10:45-11:15 Anxiety Cat (LA) (x Taxpayers)
Compost Heap music festival is a not-for-profit event. All festival revenue will be used to pay touring bands, or donated to the Harm Reduction Action Center in honor of Marci, a dear friend who is no longer with us. Thank you for your support.
$45-75 suggested donation for a weekend (3 day) pass
$20-25 suggested donation for a day pass
+$5 SEVENTH CIRCLE MEMBERSHIP FEE (if you don’t have one already): In order to attend any event at the venue you must posses a membership card. This helps 7C stay afloat and protects them from getting shut down, help keep DIY alive in Denver!
If you would like to pre-order your weekend pass, please email us @ compostheap2022@gmail.com (please put “Compost Heap 2022 pass” in the subject line) You should get an immediate response, but if for some reason you don’t, please email wormfooddiy@gmail.com instead.”
New Standards Men, photo by Tom Murphy
Saturday | 07.09 What: Derek Monypeny w/New Standards Men, Sex Funeral and Pythian Whispers When: 2 p.m. Where: Mutiny Information Café Why: Derek Monypeny is coming from communing with the Methuselah tree to bring his accumulated musical wisdom fostered while living in Joshua Tree. Think drone and “free jazz” if you were hanging with Alejandro Jodorowsky and Werner Herzog. Sex Funeral brings their celebration of the transmogrification of tantric rites through the necromantic meditation practices cultivated in secret sites in southern Iowa. The manifestation of these mystical energies will emerge as improvisational ritual drone for guitar and electronics. New Standards Men are fresh off a sabbatical merging analog synth and guitar as synth alchemy as structured exercises based on the deep secret knowledge shared by Robert Moog, Don Buchla and Morton Subotnick as conducted by Terry Riley. And probably opening this afternoon of high psychedelic frequency modulation is Pythian Whispers. Lore has it the three early members of the band that wrote and performed the album The Dark Edge of Hippie Life met on a mountaintop, perhaps at Machu Picchu, perhaps at Alamut Castle, perhaps in the secret chamber below the skeletons of ancient trees at the top of Mount Evans. Whatever the truth might be and whatever arcane secrets of improvisational music learned it will be unleashed in short form by those ragged vagabonds of psych prog ambient. So what do you have to lose and trust me everything of something to gain? Probably donation based. We’ll see if Jodorowsky can come from Paris to do tarot readings for the event but no promises. Tamam shud.
Hulder, photo by Liana Rakijian
Sunday | 07.10 What: Skeleton and Hulder When: 7 p.m. Where: Larimer Lounge Why: Austin’s Skeleton started out as a hardcore band but has since its 2014 inception morphed into something that has clear sonic roots in thrash and black metal. Its 2020 self-titled album is too slow to be some kind of crossover thing but not slow enough to be some kind of doom project. Its blunt yet jagged riffs are reminiscent of early thrash but without be defined by that aesthetic. Also on the bill is HULDER whose own black metal style weaves together an elegant classical music sensibility with a refined black metal onslaught that reaches epic peaks of evocative and gritty atmospheres like the elevated subjects of her songs. The new album The Eternal Fanfare finds HULDER expanding her sonic palette so that melody and texture seem to work in perfect tandem to cinematic effect like scoring the saga of an ancient heroic journey to the underworld and back.
duck turnstone, December 2021, photo by Tom Murphy
Monday | 07.11 What:TV Star w/Broken Record, Flor De La Luna and Duck Turnstone When: 8 p.m. Where: Hi-Dive Why: TV Star from Seattle apparently aimed at being somewhere between the sound of dysfunctional era The Brian Jonestown Massacre and the more dream pop period of The Jesus and Mary Chain. But it ended up more in the realm of late period Sarah Records jangle pop with delicate melodies and warm vocals. Denver’s “Flora de la Luna” talks about being a “tough guy boy band” but really sounds more like an angsty power pop band with really tight songwriting and enough sneer to keep it from being safe. Maybe that’s what they meant by the whole “tough guy” thing that one presumes was a more humorous and ironic thing you write about your band as an inside joke. Broken Record also from Denver is like if an emo band discovered Dinosaur Jr and didn’t shed some of its roots including drawing some slight inspiration from Rainer Maria. duck turnstone is the band fronted by Melissa K. Jones who moved to Denver in 2018 with her then partner, apparently had an ugly break-up, and then shortly thereafter the pandemic happened and she had the opportunity to pour some of her heartbreak into writing music that in 2021 she was able to turn into a full band shortly after she released the album Howling & Crying under her own name. The album is a collection of vivid and delicate portraits of human vulnerability and exploring the nuances of rebuilding your life on your own terms. The live band is more in the power/indie pop vein.
Tuesday | 07.12 What: Kill You Club Presents: Haunt Me w/Weathered Statues, S!ntax and Precious Blood When: 8 p.m. Where: Glob Why: Haunt Me is a post-punk/darkwave band from Austin whose 2021 album This Sadness Never Ends had some familiar hallmarks of the genre with the spidery guitar melodies and Paul Banks-esque vocals. But Haunt Me tends to switch up the rhythms and dynamics in unexpected ways and never full stays the same vibe for the whole song thus setting itself apart from many of its peers. Weathered Statues is a post-punk band from Denver with roots in the local punk scene. S!ntax is an industrial noise project with some grounding in confrontational performance art.
Mondo Cozmo, photo courtesy the artist
Tuesday and Wednesday | 07.12 and 07.13 What: The Airborne Toxic Event w/Mondo Cozmo When: 7 p.m. Where: Ogden Theatre Why: [Rescheduled from April 2022] Joshua Ostrander aka Mondo Cozmo made a name for himself as the frontman for Laguardia in the the first half of the 2000s and then for a decade as the lead singer for Eastern Conference Champions. But since 2015 he has been recording and performing under the Mondo Cozmo moniker and crafting heartfelt and genre eclectic music. His new album, 2022’s This Is For The Barbarians takes Ostrander deep into his roots in rebellious folk artists like Bob Dylan and his more experimental electronic interests at the same time. The album is like a Radiohead album but more informed by folk and more overtly pop but with the appropriately rough around the edges quality to suit the times that surrounded the process of writing the songs with Ostrander commenting on the highs and very low depths of the world in the past half decade and his insight into personal psychology and the American zeitgeist is as cathartic as it is inspirational. And yes, opening for Toxic Airborne Event whose own long career of luminously gritty alternative rock has garnered a bit of a cult following. Its 2020 album Hollywood Park, sharing the title with singer Mikel Jollett’s memoir of the same name from the same year, was unsurprisingly as literarily as musically as poignant album as any in the group’s career to date and certainly seemingly its most personal.
The Black Keys, photo by Jim Herrington
Wednesday | 07.13 What:The Black Keys w/Band of Horses and Ceramic Animal When: 6 p.m. Where: Red Rocks Why: When The Black Keys started out of Akron, Ohio in 2001 it seemed very much like a niche, blues rock outfit like the lesser cousin of The White Stripes. When the duo first rolled through Denver it played small venues like Lion’s Lair where it opened for Reverend Dead Eye. But Dan Auerbach and Patrick Carney stuck it out and developed their sound and songwriting and transformed what was likely a stripped down initial configuration into something more akin to a minimalist funk phenomenon as embodied well by its 2022 album Dropout Boogie. With the expansion of sounds and textures for the album the touring line-up of the band is also much more expansive than the core of Auerbach and Carney that will showcase how The Black Keys are a bit like a blues based rock version of ELO which is no bad thing. Opening is the well-known indie rock power pop group Band of Horses whose expansive songwriting is irresistibly uplifting especially its 2006 hit “The Funeral.” The proceedings will begin with a set from Ceramic Animal whose Dan Auerbach produced new album Sweet Unknown is brimming with warmly melancholic songs informed by a poignantly tangible sense of loss and reconciliation with emotional devastation and the inadequacy with which life and culture prepares one for the loss of the most significant people in your life.
Ceramic Animal, photo by Up in Smoke PhotoElizabeth Colour Wheel in 2019, photo by Tom Murphy
Friday | 07.15 What:Primitive Man w/INDIAN, Jarhead Fertilizer, Body Void, Spirit Possession and Elizabeth Colour Wheel When: 7 p.m. Where: Bluebird Theater Why: Primitive Man assembled one of the most interesting lineups of heavy music you’re likely to see in Denver all year in celebration of its 10 year anniversary as a band. The death-grind trio has long created some of the most brutal, crushing and exciting music of the past decade obliterating the line between noise, extreme metal and doom while making commentary on a world all but ruined by international corruption and collusion in diminishing the lives of everyone below the 1% of the 1% of the economic and political power scale in ways deranged and in the end self-destructive. It’s cathartic stuff and in its sharp edges and raw ugliness holds a mirror up to the world we all feel hitting us but may not see or hear concentrated so powerfully in one place. It will also be one of the few times to see the band locally for a good deal of time to come. Chicago’s INDIAN has for nearly 20 years crafted a sound that wouldn’t be out of step with what one hears out of a band on Amphetamine Reptile or Touch and Go but with more sludge rock flavor and songs that go in for a more fluid and wide ranging dynamism than most bands that get lumped in with the canon of doom. Elizabeth Colour Wheel is a startlingly energetic fusion of a noisy shoegaze band and a grindcore outfit as unlikely as that combination sounds. Body Void’s ominous, clashing guitar and drum interplay has a somehow both feral and elegant quality that lends the desperate, distorted vocals an elevated outrage and pain like a harsh noise duo using more standard instrumentation to deliver a dense, caustic and textural soundscape.
Knuckle Pups in October 2021, photo by Tom Murphy
Friday | 07.15 What:Knuckle Pups “TV Ready” album release w/Jeff Cormack of South of France and Earth to Luna When: 7 p.m. Where: Mercury Café Why: Knuckle Pups is an indie pop band that has been around for a few years but which is finally putting out its debut album TV Ready. Oliver Holloway was once a member of the great folk punk band The Fainting Fansies that used to hold shows at a place where some or all of the band members lived back when people could rent out a house in neglected or underutilized houses or buildings in Denver. That time in deep, DIY “Old Denver” days has stuck with Holloway and Knuckle Pups isn’t a band short on charmingly earnest expressions of joy helped by the fact that the group’s multiple singers harmonize extraordinarily well.
Sky Creature, photo by Noah Kalina
Saturday | 07.16 What:The Velveteers w/Sky Creature and Holographic American When: 2 p.m. Where: Larimer Lounge Why: This is probably the smallest venue you’re going to see The Velveteers play for some time. The band that has taken a foundation of a modern interpretation of classic blues rock and infused it with sharply observed lyrics, imagination and youthful energy has been and will go to keep touring with Greta Van Fleet and playing big cities and the hinterland to large crowds. And that will be quite a contrast with Queens, NY-based experimental pop band Sky Creature whose new album Bear Mountain is exuberant and ethereal and by all indications mostly electronic. Majel Connery has a voice that is both intense and fey which suits being paired with music that sounds like something you’d want to hear if you could travel to a museum of snow globes and spend time in each exploring the worlds of which each gives you a surface level taste. It’s otherworldly stuff and has a cool energy that will be welcome on what is likely to be a hot day in Denver. Holographic American is a trio consisting of guitarist Caleb Tardio formerly of math rock wizard weirdos I Sank Molly Brown and currently of doom metal greats NightWraith and drummer Matt Grizzell who some may know for his time with prog indie band Alan Alda and indie rockers Instant Empire along with bassist Owen Pearson. So of course it’s a little different with some of that math rock vibe in its songs thus far released in demo form but moody and delicately and intricately yet not busily melodic.
Green Typewriters in 2011, photo by Tom Murphy
Saturday | 07.16 What:Green Typewriters album release w/Falcon’s Eye When: 7 p.m. Where: Enigma Bazaar Why: After fifteen years the psychedelic indiepop band Green Typerwriters are finally releasing its debut EP The Solar Anus which brings together musical ideas across its entire existence for a beautifully coherent and moving experimental pop album with as much wisdom as whimsy. Engineered and produced by Zach Bauer, one of Denver’s secret, genius pop songwriters and recordists, who most that know who he is know for having been a member of avant noise punks Zombie Zombie, stoner doom trio The Outer Neon, psychedelic post-punk art rock band Wicked Phoenix and Can tribute band Future Days. Among others. So you know the album is going to sound good and for the show the band is bringing in guests and making it the kind of show that you’re not going to get to see every day. Look out for the Queen City Sounds Podcast episode featuring Gioja and Jared Lacy from the band.
Saturday | 07.16 What: Emerald Siam, Cyclo Sonic and Bridey Murphy When: 8 p.m. Where: 1010 Workshop Why: Denver is fortunate that some of its elder statesmen and stateswomen are still out there making valid, interesting and imaginative music. So Emerald Siam and its flood of brooding atmospherics and rich emotional colorings help to turn finely honed songwriting into something that seems larger than life and will seem like you’re getting to see something mythical outside at 1010 Workshop. The band’s blend of post-punk darkness and the way The Church took that framework into a more psychedelic and expansive realm of music as a platform for telling meaningful stories with arrestingly poetic lyrics. Cyclo Sonic may be basically a garage rock punk band but when it’s Matt Bischoff formerly of The Fluid and Arnie Beckman formerly of Choosey Mothers and other luminaries of the local punk scene the songwriting just hits as stronger and the precision of rhythm pushed forward and working in tandem with a ferocious energy it makes a lot of other operating in a similar realm of music seem quaint. Bridey Murphy includes Jay Tonne (Black Forest Fire), John Call (Baldo Rex, Veronica), Rich Groskopf (Boss 302, The Black Smiths, The New Idols etc.), Collette St. Clair and Dave Harrison so it’s going to not be short on rock theater and surprisingly fun songs in the garage rock and soul vein.
Cola, photo courtesy the artists
Saturday | 07.16 What:Cola w/Voight and Gazes When: 8 p.m. Where: Hi-Dive Why: Cola consists of Tim Darcy and Ben Stidworthy formerly of great now defunct Canadian post-punk band Ought along with Evan Cartwright. When Ought split in 2021 ending a decade-long run as one of the more interesting and inventive guitar rock bands of recent years Cola came along shortly after and its 2022 debut album Deep In View (Fire Talk) with its offbeat song structures and hypnotic rhythms will appeal to fans of Ought for sure but also anyone who appreciates the art rock proclivities of a band like Pile. Voight may still be a guitar band at this point and not yet committed to being a full-on dark techno and power electronics project so you’ll get to see the post-punk/darkwave band scorch the rafters with its own intense and emotionally charged music. This is the first Gazes show and it features former Tyto Alba members Melanie Steinway and Andrew Bair along with former Male Blonding vocalist/guitarist Noah Simons. It’s a curse to call a band a supergroup but considering the membership of Gazes expect great things in a vein that will fit in with this bill overall.
Itchy-O, photo by Studio Apocalypse
Saturday | 07.16 What: Itchy-O’s Tetrapolar Purification Ceremony w/BleakHeart When: 7 p.m. Where: Fillmore Auditorium Why: Itchy-O has seemingly found ways to imbue its few shows on the large scale with an aspect of the mystical and tie it to a new dimension of the band’s sound and performance. This time the Tetrapolar Purification Ceremony will signal the debut of the SÖM SÄPTÄLAHN, a massive instrument inspired by the gamelan assembled from over six hundred pounds of cynbals and gongs donated from local percussionists and crafted in collaboration with the Colorado School of Mines in Golden, a prestigious academic institution that specializes in geology and engineering. The show will include an audience participation aspect involving three elemental themes of Fire, Air and Water. Perhaps the fourth in the “tetrapolar” theme of earth is the SÖM SÄPTÄLAHN itself. For Patreon supporters of the band there will be a ticket giveaway to an “augmented reality scavenger hunt.” It’s always an extravaganza of sights and sounds and with the addition of the new instrument it’s going to be a new era for the band that has consistently found ways to augment already familiar elements in new ways with new ritualistic creativity.
Steve Von Till, photo by James Rexroad
Wednesday | 07.20 What:Steve Von Till and Helen Money When: 7 p.m. Where: Globe Hall Why: Steve Von Till is the charismatic singer and guitarist from influential post-metal band Neurosis. Anyone familiar with the long arc of stylistic experiments in that band will probably appreciate what Von Till has done as a solo artist. His raspy vocals often sound like they’re harboring haunted memories and a flood of emotion that he has released in focused, cathartic bursts. His most recent albums No Wilderness Deep Enough (2020) and A Deep Voiceless Wilderness showcase the songwriter’s ear for organic song structure like his instrumentation is a direct reflection of the moods and feelings as weather patterns that swirl around you when you take a long period to reflect deeply on life and the often hidden wells of emotions you neglect as you spiral through life in a cultural hellscape that does little to nurture our humanity. Alison Chesley as Helen Money has contributed imaginative and evocative cello work for the likes of Bob Mould, Mono, Russian Circles, Broken Social Scene, Chris Connelly and Thalia Zedek. But her own arresting compositions have a stark yet maximalist beauty. With her cello, a spare chain of effects and a looping pedal, Chesley creates an orchestra of one that is both surprisingly heavy and elegantly ethereal, imbued with the compositional architecture of classical music. Her most recent album Atomic (Thrill Jockey, 2020) likely didn’t get the proper presentation as Von Till’s own most recent records didn’t and the sets of both artists seem like the perfect complement to each other’s.
Helen Money, photo by Natalie EscobedoFrench Police, photo from Bandcamp
Wednesday | 07.20 What:French Police w/Wisteria and Julian St. Nightmare When: 7 p.m. Where: Hi-Dive Why: French Police from Chicago have a brooding and delicate, darkly melodic sound like they dug deep into Italian and Russian post-punk of the 80s and wrote a set of songs in a cold apartment and had to do so through headphones so as not to get a noise complaint from a neighbor. That’s probably not how the music came about but it has that intimate and mildly claustrophobic quality that is also part of its downtempo charm. Wisteria from Los Angeles seems to have come out of a similar process of crafting the darkwave equivalent of bedroom pop with a thin synth sound that is somehow also evocative in a tender way that is a bit like one imagines what would have happened had New Order had to construct its music given similar limitations on writing the music. Julian St. Nightmare is a great example of when people discover an eclectic musical palette at a young age and find a way to integrate it all into a coherent and vibrant sound so you hear in its songs the influence of surf rock, Molchat Doma and The Cure—all performed with a for now self-effacing confidence and charm.
CXCXCX in May 2022, photo by Tom Murphy
Friday | 07.22 What:CXCXCX w/Occidental, Perdi La Luz, K129, Organ and DJ Precious Blood When: 8 p.m. Where: Hi-Dive Why: This is a Plains Archaic showcase featuring artists affiliated with the Denver-based experimental music label. CXCXCX seamlessly blends noise, techno and power electronics for a sound like dance music for a crumbling civilization. Occidental was once and may still be affiliated with the electronic music collective Deep Club that used to hold some of the most interesting and well curated underground techno and deep house and other forward thinking electronic music events in Denver for a few years. His own sound is more like a fusion of deep house and trance. Perdi La Luz is reminiscent of the kind of fluid and psychedelic techno one heard on some edges of what Underworld and Future Sound of London were doing in the late 90s. K129 plugs some well processed organic percussive sounds into a beat heavy techno mix. Organ is a collaboration between glitch techno noise artist Cremedelacrvvp and industrial glitchcore ambient artist Kid Mask. DJ Precious Blood recently did a solid post-punk set at a Kill You Club event for the Haunt You show but for this event we may hear some deep recent techno and IDM cuts.
Vinny Golia, photo from Bandcamp
Friday | 07.22 What: Vinny Golia w/SeFaLoCo When: 7 p.m. Where: Atlas Theater (709 16th St. Greeley) Why: Vinny Golia is a prolific and respected multi-instrumentalist and composer whose career has fused world music, modern classical music and avant-garde jazz. A specialist in woodwinds Golia’s work has been featured in performance with the likes of Anthony Braxton, John Zorn, Patti Smith, Eugene Chadbourne, Lydia Lunch and the Los Angeles Philharmonic Orchestra. He has led ensembles as small as the trio that will perform a series of three shows in eastern Colorado (this date in Greeley and others listed below) to the 50-piece Vinny Golia Large Ensemble. His music in both the small and larger format are vehicles for his imaginative musicianship with musical ideas that span more broadly and deeply than most musicians will ever attempt. Even in his 70s Golia has been an innovator in the use of texture and atmosphere and his 2020 album Music for Gongs, Singing Bowls and other Metallaphones is like the lost soundtrack for an elevated horror masterpiece (there’s even a song called “King of the Spanish Horror Movies”) while also sounding like a nod to Alex North’s score for 2001: A Space Odyssey and Penderecki. Not many free jazz masters of Golia’s stature roll through Colorado and this series of intimate shows might be a good time to catch him live.
Polly Urethane in May 2022, photo by Tom Murphy
Saturday | 07.23 What:Multidim Records Presents Listening Lawn II: DJ Ilind, Polly Urethane, Deb the Demo, Luke Leavitt, H-Lite and Entrancer When: 5-8 p.m. Where: Carpio Sanguinette Park Why: Multidim has been releasing some of the most forward thinking electronic music of the past few years and this showcase held at the Carpio Sanguinette Park includes a DJ set from avant-garde noise and techo artist Isaac Linder as Ilind, a purportedly more mellow performance from Polly Urethane whose recent live sets have been a bravura display of the blending of contemporary classical, industrial noise and the avant-garde, Deb the Demo’s tracks capture the mood of the modern media environment with both playful and urgent pieces of techno house that really push the brain beyond preconceptions of the genre and the methods of emotional expression, Luke Leavitt is always doing something different and even though many may know him for the expanded Afrobeat No Wave of his time as Cop Circles there will be a conceptual aspect to his performance with an intentional discipline behind the making of sounds, H-Lite has made some bright and upbeat electronic downtempo glitchcore bangers but his own sonic palette is also so broad and imaginative he’ll bring surprises too and of course Entrancer has been steadily refining and expanding his own craft of techno utilizing analog synths and a visionary challenging of where he’s already been as an artist.
Dust City Opera, photo by Gracie Meier
Saturday | 07.23 What: Dust City Opera When: 9 p.m. Where: Broadway Roxy Why: Albuquerque’s Dust City Opera recently released its latest album Alien Summer and perhaps fortuitously making a stop during an unusual summer in Denver and elsewhere with heat waves and social turmoil brewing. So the band’s theatrical performance of songs that sound like a colorful manifestation of years spent taking in campy science fiction and horror cinema and taking away from it all the inspiration to craft songs that don’t fit neatly into a trendy genre. The songs on the album is like a collection of poignant and poetic stories of human life even when the setting is a zombie apocalypse or an encounter with aliens. The pure amalgamation of chamber pop, indie folk and a hard rock edge in the guitar convey a cinematic feel that draws you in for the duration. Intimate and epic the miniature grunge and indiepop orchestra of Dust City Opera is something unique in an era of too much bland imitation.
Saturday | 07.23 What:Vinny Golia w/SeFaLoCo When: 7 p.m. Where: Muse Performance Space (Lafayette) Why: See above for more on Vinny Golia.
Sunday | 07.24 What:Vinny Golia Trio When: 2 p.m. Where: Art Lab (Fort Collins) Why: See above for more on Vinny Golia.
Goo Goo Dolls, photo by Claire Marie Vogel
Wednesday | 07.27 What:Goo Goo Dolls w/Blue October Where: Red Rocks Why: Goo Goo Dolls became a bit of a household name in the 90s due to hit songs like “Name” (1995) and of course “Iris” (1998). But the band originally from Buffalo, New York garnered a bit of a cult following during its early punk and then more power pop years for its potent blend of tunefulness, grit and raw emotional honesty. The group lead by singers John Rzeznik and Robby Takac has made a career of writing evocative songs about relationships, life and finding essential meanings in all of it so that even its ballads, love them or not, are not generally trite or without insightful commentary. The group’s latest album Chaos in Bloom, the first produced by Rzeznik, is definitely more in the realm of modern pop but if you watch the video for “Yeah, I Like You” you can hear more than a touch of that early punk rock verve and sharply observed social and personal commentary that sets it apart from a lot modern pop rock with undeniable instrumental hooks to pair with energetic vocal harmonies. But if you go it seems like there’s a better than average chance the Goo Goo Dolls will dip into its back catalog and not just the biggest hits.
Wednesday | 07.27 What:Roselit Bone w/Snakes and No Gossip In Braille When: 8 p.m. Where: Hi-Dive Why: Portland, Oregon-based Roselit Bone fronted by trans singer Charlotte McCaslin is somehow a rockabilly band, dark Americana, Mexican ranchera and whatever one might call the likes of Gun Club, The Blasters and Lone Justice. It’s a really different take on genre bending so that it can seem like some countrified folk but with the intensity of punk without the sonic trappings. Its most recent album Crisis Actor is a little more gentle in tenor but not in attitude and its songs of daily struggle and working class politics are poignant and powerful. Snakes similarly has the kind of frayed musical roots that bring together a variety of musical instincts in forming its own dark Americana informed by nuanced thinking on the ways one has conversations with oneself in an ongoing process of sorting out the oftentimes perverse misfortunes and charmed moments in life. It’s lively music but more philosophical than expected from music that has a similar flavor. No Gossip in Braille is decidedly not Americana but its ethereal post-punk comes from a similar emotional place in exploring and making meaning of experiences that hit us as vital whatever their essential and specific impact on our lives.
Black Star, photo from talibkweli.com
Thursday | 07.28 What:Black Star w/Dead Prez, Pharoahe Monch and TH1RT3EN When: 7 p.m. Where: Mission Ballroom Why: Yasin Bey and Talib Kweli were already stars of hip-hop in their own right when they formed Black Star in 1997 named after a shipping company founded by Pan-Africanist political activist Marcus Garvey. The project’s debut album Mos Def & Talib Kweli Are Black Star (1998) was pretty much an instant classic with thoughtful explorations of black culture with beats more in line with late-80s and early 90s hip-hop with a creative and vivid use of jazz and funk samples as well as more unique sounds that framed the powerful lyrics well in establishing a mood with cinematic resonance. Afterward the duo released a single here and there while focusing on other musical and creative endeavors. But in 2022 Black Star released its most recent record No Fear of Time. The almost existentialist bent of the lyrics remained but seemingly more direct and with music more stark yet no less imaginative and immersive. Black Star has toured in the last 25 years but not often and somehow its music seems even more relevant in subject matter today.
Thursday | 07.28 What: Lost Network, Blackcell and DJ Mudwulf When: 9 p.m. Where: Mercury Café Why: Lost Network might be considered an industrial rock band but more on the industrial side and plenty of its output is more in the realm of darkly ambient soundscapes. Though its guitar sound is more cutting and its sound often more jagged, fans of The Tea Party may find what this veteran band out of the Denver scene has been doing for years. Also on the bill is long-running, legendary EBM band Blackcell whose sharp social commentary and personal songwriting blurs the line between ambient music and classic EBM the first wave of which it emerged out of the tail end. Of course DJ Mudwulf will bring a set of songs that are well curated and also not 100% predictable. A lot of music out of the Goth-industrial world can be corny but that won’t be on display at this show.
TRAITRS, photo from Bandcamp
Saturday | 07.30 What: TRAITRS w/Radio Scarlet and Wingtips and DJ Luci Ghost When: 8 p.m. Where: Mercury Café Why: Canadian post-punk band TRAITRS on its 2021 album Horses in the Abattoir separated itself from many bands out of that vein of music with creative vocals that don’t sound like a cut-rate imitation of any obvious influences. And its synth work and songwriting has an orchestral aesthetic that establishes a truly enveloping and haunting sound that isn’t driven by the wheedly guitar sound that is the hallmark of too much darkwave now. TRAITRS’ sound is rich and expansive and though melancholic isn’t a downer. Chicago’s Wingtips is more electronic and one hears in its music including 2021’s excellent Cutting Room Floor a touch of influence from Vince Clarke-period Depeche Mode. Its moody songs have strong dance beats and the vocals widely expressive also distinguishing the group from some of its peers that intentionally sing in ways murky and obscure. There is something effusive in Wingtips’ songs that are immediately striking. Radio Scalet is a death rock band from Denver. The title of its 2017 album Too Goth for Punk, Too Punk for Goth sums up its aesthetic well and sure these people look the part but there is a joyful element to its performances that prevents it from slipping into the wrong end of dour. DJ Luci Ghost is a long time DJ in the local Goth-industrial scene but fortunately for anyone that is around for one of her sets her taste is much more eclectic and expansive beyond narrow conceptions of expected music.
What:Reverend Dead Eye w/Vic N’ The Narwhals and DJ Rett Rogers When: Thursday, 06.06, 8 p.m. Where: Hi-Dive Why: Reverend Dead Eye now lives in Switzerland and mostly tours Europe but on occasion he graces his old stomping grounds (literally and figuratively) of Denver and treats us to a set of wild-eyed gospel blues post-punk. He will be joined this evening by rock and roll band Vic N’ The Narwhals with a DJ set from Blue Rider and Bad Licks guitarist Rett Rogers.
What:Honduh Daze, Moon Pussy and Demoncassettecult & Junior Deer duo When: Thursday, 06.06, 8:30 p.m. Where: Lion’s Lair Why: Vachco Before Horses is celebrating his birthday doing a duo set as Demoncassettecult and Junior Deer so it’ll be a bit of weirdo hip-hop and ambient soul. Moon Pussy is like Denver’s industrial-esque equivalent of a noise rock band like Shellac but with some on board guitar processing to help sculpt those sounds into the bands already eruptive, angular and cathartic groove.
What:Talib Kweli w/Voz 11, 1-natVson-1 and Time When: Thursday, 06.06, 8:30 p.m. Where: Fox Theatre Why: Talib Kweli is one of the reigning poet laureates of hip-hop, politically charged as his is and otherwise. Check in anywhere in his catalog and you’ll find something vital and thought-provoking and outright compelling whether that’s records under his own name or projects like Black Star. As usual the opening acts for one of his shows is quality including Time whose fusion of underground/experimental hip-hop, humorous and organically intellectual wordplay and socio-political insight is never less than mind-expanding and fun. Voz 11 is kind of an industrial rap artist who will be joined for this show by Wesley Davis of Symbolic Insight Records and ambient solo project Bios+a+ic.
Friday | June 7
Spearhead, photo by Jay Blakesberg
What: Michael Franti and Spearhead w/Snarky Puppy and Victoria Canal When: Friday, 06.07, 6:30 p.m. Where: Red Rocks Why: Whether you prefer his time in industrial rap groups The Beatnigs and The Disposable Heroes of Hiphoprisy or his current work in conscious reggae fusion folk band Spearhead, Michael Franti has been aiming his creative compass toward critiquing the dominant paradigm with the goal of creating a better, more nurturing and healthier world. As per usual, prior to the concert proper there will be a yoga session at Red Rocks starting at 4:30 p.m.. May seem quaint to some but at least Franti isn’t giving mere lip service to self-improvement. The band is currently touring in support of Stay Human, Vol. II which came out in January. Also on the bill are jazz fusion prog stars Snarky Puppy.
What:Instant Empire w/Anthony Ruptak and Post Paradise When: Friday, 06.07, 8 p.m. Where: Syntax Physic Opera Why: It’s been a minute since we’ve heard from Instant Empire. The indie rock band has been through some changes but has endured to give us Cathedral, a set of the usual thoughtful songwriting and evocative music from the band. Read our interview with Scotty Saunders from the band soon.
What:Amygdala, Caffeine, Euth, Sore Eyes and Herse When: Friday, 06.07, 7 p.m. Where: Seventh Circle Music Collective Why: A show that proves that current hardcore is not all the same or trying to mimic the sound or style from something 35+ years ago while not skimping on the energy and sense of danger that made that music exciting in the first place.
What:Pete Tong When: Friday, 06.07, 9 p.m. Where: Bar Standard Why: Pete Tong is an influential figure in modern electronic music and EDM. Early in life he was something of a soul music DJ on radio in the UK and then as the 80s moved on, a pioneering DJ of Acid House and the Balearic beat that his friend Paul Oakenfold helped to popularize. Oakenfold, joking, coined the expression “It’s all gone Pete Tong” in 1987 to indicate things have gone a bit wrong. Through his ongoing electronic music shows at the BBC (Essential Selection and It’s All Gone Pete Tong) and his efforts at curating and making accessible electronic dance music in the USA. Tong has done big shows in Ibiza and all around the world but this night he’s doing his thing at a small club like Bar Standard.
What:My Life With the Thrill Kill Kult w/Curse Mackey and Church Fire When: Friday, 06.07, 7 p.m. Where: Marquis Theater Why: My Life With the Thrill Kill Kult is not just the horror carny pioneering industrial dance band but also, on most nights, one of the greatest, most fun live bands of all time. Denver’s Church Fire is not nearly as camp but there is an element of playful theatricality to its performances of its own brand of industrial music that is really more a kind of politically-informed synth pop. No down side.
What:Altas w/Plume Varia and Voight When: Saturday, 06.08, 7 p.m. Where: Rhinoceropolis Why: With its new album All I Ever Wanted Was, Denver-based instrumental rock band incorporated the electronic/synth side of the band more completely with keyboard player Meghan Lillis contributing full in the songwriting and arranging process with the core and founding trio of Enrique Jimenez, Israel Jimenez and Juan Carlos Flores. The group’s 2014 album Epoca De Bestias lived up to its name and the cinematic scope the band has always conjured with its songwriting. But there is an even greater cohesion and focus this time out with some tongue in cheek titles from a band whose membership has always been on point with the humor. “Cosas Nunca Dichas” is Spanish for “Things Never Said.” The dual meaning including the fact that there are no lyrics in an Altas song is pretty good. “Glasgow Smile”? Surely a significance beyond suggesting it’s a nod to Mogwai exists but that’s also pretty choice as Mogwai use plenty of inside jokes and humor for songs that need no spelling out of meaning. “Valentin Trujillo (An Unsung Hero)” is presumably a reference to the famous Mexican actor who was a major star in the 1980s and whose films often dared to make thoughtful commentary on the politics and culture of his home country and beyond. The final song on the album “Rattenkönig,” or “Rat King” in German. There’s got to be a story there and we hope to bring that to you at some point. The more you delve into the new record and its gorgeously expanded dynamic and sonic palette the more there is to discover as with all great albums. And hey, you get to see the great dream pop band Plume Varia and industrial post-punk soundscapers Voight while you’re at it.
What:Get Your Ears Swoll 7: Sliver, Married a Dead Man and Hate Minor When: Saturday, 06.08, 8:30 p.m. Where: The People’s Building Why: Hate Minor is an artsy prog duo with former Nightshark and Aenka saxophonist Becca Mhalek on drums. Married a Dead Man is a death rock/post-pun/darkwave four-piece that came out of hardcore. Sliver, how a band that mapped out and deconstructed and reconstructed “Break Stuff” as inspiration for all their songs is on a bill like this it’s difficult to say. Good thing singer/guitarist Chris Mercer’s bandmates are patient, understanding, indulgent people and when he, as promised, he gets around to writing the next album around “Sick of Life” because it “nearly got [him] to join the Navy, dude,” some people can join in on the intervention.
What: Gun Street Ghost album release w/Jeff Cramer and New Mexican hi-dive.com/event/1855201-gun-street-ghost-album-release-denver When: Saturday, 06.08, 8 p.m. Where: Hi-Dive Why: In calling the new Gun Street Ghost album Battles it seems as though the band is preparing us for a record brimming with great stories of the struggles we’d rather avoid or skip but which we fight every day without knowing it. Thinking person’s pop written in the language of honky tonk Americana.
What:Johnnascus, Karhlyle, Causer, Kid Mask, HXCMIDI and Henny Graves When: Saturday, 06.08, 8 p.m. Where: Thought//Forms Gallery Why: Austin’s Johnnascus is an industrial rap artist whose videos are not only interesting but borderline scary in the way Creepy Pasta videos can be. It’ll be a good pairing with Detroit’s Karhlyle and his downtempo techno/hip-hop, Kid Mask’s own genre bending noise/industrial hip-hop beatmaking and the electronic/breakcore hardcore of HXCMIDI.
What: Bobcat Goldthwait and Dana Gould gothictheatre.com/events/detail/372302 When: Sunday, 06.09, 7 p.m. Where: Gothic Theatre Why: A lot of people probably remember Bobcat Goldthwait as that crazy guy with the piercing whine from the Police Academy movies. But he never would have got there if not for his brilliant work as an alternative comedian in the 1980s when he would pierce hypocritical pieties with confessional and surrealistic observations and bits that helped to push comedy in a more interesting direction at arguably the early peak of the popularity of stand-up. He has gone on to be a noteworthy filmmaker whose movies (e.g. Shakes the Clown, God Bless America and World’s Greatest Dad) not just darkly humorous but which shine a light on aspects of our culture that are often ignored and if we stopped doing so we might have a healthier society. Dana Gould has been performing his own brand of borderline surreal comedy since the early 80s as well and coming to be known by a more mainstream audience though a comedian of choice for those with a taste for left field humor for decades.
What:Fuck Your Birthday w/Those Darn Gnomes, Narcissa and Galleries When: Sunday, 06.09, 7 p.m. Where: Thought//Forms Gallery Why: Fuck Your Birthday is an American and Chinese, noisy math/garage rock band. That means it has elements of early 90s emo and harder-edged garage rock but doesn’t really fit in with either to well. More like Rainer Maria or Japandroids than some post-hardcore or screamo band. Those Darn Gnomes are somewhere betwixt a free jazz performance art band, grindcore and art folk. Narcissa is a like-minded band from Denver and Galleries is sort of a psychedelic hard rock band.
Possume, photo courtesy the artist
What:Slugger w/Possum, After the Carnival and more When: Sunday, 06.09, 7 p.m. Where: Seventh Circle Music Collective Why: Toronto’s Possum is a fuzz-toned, heavy psych band. And while that sound is basically old hat at this point except to later comers to modern psychedelia, Possum’s version of that is not the kind that comes off like neo-Laurel Canyon vibe worshipping indie rockers discovering the use of a Memoryman and a Big Muff with a tiny bit of wah. It’s mind-melting epics take a deep dive into drawn out melodic grooves that take some chops and commitment to sonic exploration to craft. Also the band has a song called “Wizard Beard” so it’s not all without a sense of humor. Sharing the bill is a band with a tentacle or two in 70s hard rock and psychedelia with Slugger. But as with Possum, Slugger’s strength is in the songwriting and being of that world rather than wearing it like a trendy outfit.
Tuesday | June 11
Emma Ruth Rundle, photo courtesy the artist
What:MONO w/Emma Ruth Rundle When: Tuesday, 06.11, 7 p.m. Where: The Marquis Theaterthos Why: Tokyo’s MONO makes post-rock with a classical music sensibility that makes a lot of other bands working in that realm of music seem safe and quaint. Emma Ruth Rundle’s heavy, dark, doom folk is somehow both intimate and majestic. Her latest album On Dark Horses is a trip to, as the title suggests, the shadowy places of the psyche in search of an inner truth that can be elusive unless you’re willing to go all in and face the buried pain and your dark side with compassion and acceptance. It’s her heaviest record to date and her most daring to date.
Queen City Sounds and Art 
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