Best Shows in Denver 12/6/18 – 12/12/18

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CupcakKe at Summit Music Hall, Saturday, December 8, 2018. Photo courtesy the artist

Thursday | December 6, 2018

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Quits circa Spring 2018, photo by Tom Murphy

Who: Red Fang w/Telekinetic Yeti and Quits
When: Thursday, 12.6, 7 p.m.
Where: Larimer Lounge
Why: Red Fang is a “stoner rock” band from Portland, Oregon that started out when that form of music was a big trend in underground metal. But Red Fang’s knack for writing a solid melody and its self-awareness and sense of humor set it apart from early on. After all, who gets über metal nerd comedian Brian Posehn to cameo in your music video (“Wires) unless you’re somewhat legit but don’t take yourself too seriously. It’s been a couple of years since the band’s most recent album but in 2018 it released an interesting choice for a single in Tubeway Army’s “Listen to the Sirens.” Opening the show are two fairly different kinds of bands. Dubuque, Iowa’s Telekinet Yeti makes a sort of groove-oriented doom-sludge, like a more psychedelic Fu Manchu. Quits from Denver is a noise rock juggernaut whose membership includes Luke Fairchild of Git Some fame, Doug Mioducki (formerly of indie pop band Felt Pilotes and noise rock groups Sparkles, Witchdoctor and CP-208) and Darren Kulback (ex-Hot White and Poison Rites). When the band started former Hot White vocalist/bassist Tiana Bernard brought her emotional intensity and charisma to the band but since she moved out of state, Neil Keener has stepped in with his considerable abilities honed in projects like Planes Mistaken For Stars, Git Some and Woven Hand.

Friday | December 7, 2018

 

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Godflesh, photo courtesy the artist

Who: Godflesh w/In The Company of Serpents
When: Friday, 12.7, 7 p.m.
Where: The Oriental Theater
Why: Godflesh was oft-cited as an early grindcore band by the national music press in the late 80s when the group’s landmark industrial metal album Streetcleaner was released in 1989. That same year other significant records in the realm of what came to be called alternative music emerged with Nine Inch Nail’s Pretty Hate Machine, Soundgarden’s Louder Than Love and Pixies’ Doolittle. The combination of scorching, grinding, forbidding guitar and bass work backed by beats generated through drum machines was not in line with metal orthodoxy and too abrasive even for most fairly adventurous radio stations. Though in being explicitly against the tough guy stance in its lyrics, Godflesh was certainly articulating an ethos that was in opposition to the hypermasculine rock and roll image and rhetoric of the time.

Fast forward decades and the duo has experimented with atmosphere and dynamics, expanding the palette of Godflesh overall while not dispensing with a style of music that reflects the harshness of the world as a sort of sonic totem against it. Guitarist Justin Broadrick has also explored various musical interests including forays into the realms of electronic music not always present in his work with Godflesh including the projects Techno Animal, Jesu, Pale Sketcher, Final and Scorn, among others. Bassist G.C. Green, who founded Godflesh with Broaderick in the mid-80s when the latter was a teenager whose pioneering guitar work on the first half of the 1987 Napalm Death album Scum was one of the blueprints for extreme metal generally and grindcore in particular, has also contributed more than his fair share to experimental music with his contributions to Final and Main. All the biographical details aside, Godflesh as a live duo is even more beautifully brutal than the records might suggest and as powerfully menacing.

Opening the show is the excellent Denver doom/extreme metal band In the Company of Serpents. The group has evolved quite a bit over the years from an early sort of high contrast death-grind doom sound and now Grant Netzorg’s songwriting has folded in his inspirations from dark Americana, Swans and Earth. It’s still towering riffs and gritty vocals but with a more song-oriented approach rather than what could at times seem conceptual.

Who: The Number 12 Looks Like You, Rolo Tomassi, Arsonists Get All the Girls
When: Friday, 12.7, 7 p.m.
Where: Lost Lake
Why: The Number 12 Looks Like You melded together an instinct for amped emotional expression and math rock and by not sounding like every other screamo and post-hardcore band, established a bit of a cult status for its inventive sound that fans of Hella and Blood Brothers might find incredibly appealing. After breaking up in 2010, the group returned to active status in 2016 with this its first appearance in Denver since reconvening.

Who: Weaponizer w/Rotstrotter and Flight of Sleipnir
When: Friday, 12.7, 6:30 p.m.
Where: Bannock Street Garage
Why: Weaponizer’s blackened thrash has surprisingly keen songwriting as though the guys in the band grew up listening to metal but not getting lost in just the making sounds their parents might hate and actually writing songs that will probably endure past the time it’s no longer active. This show celebrates guitarist Justin Kelly’s fortieth birthday and the band will be joined by deathgrind band Rotstrotter and Flight of Sleipnir who seem to draw some major inspiration from Scandinavian, transcendental metal bands and perhaps people in the band have read Egil’s Saga or Heimskringla or any of the old Viking epics.

Saturday | December 8, 2018

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Calm. circa 2016, photo by Tom Murphy

Who: CupcakKe
When: Saturday, 12.8, 7 p.m.
Where: The Summit Music Hall
Why: Maybe CupcakKe is considered a “dirty rap” artist because of the sexual content of her raps. But she’s no more so than many artists who haven’t been similarly dubbed. Her creatively layered beats alone would make her an artist of note but even among the unapologetic, sometimes boastful, stream of words, CupcakKe actually makes some interesting, insightful and poignant truthful commentary about life. Her fourth album, 2018’s Eden, may be a bit moodier on a few tracks than some of her previous releases but it just demonstrates her range as an artist and nowhere on the album is the IDGAF about foolishness attitude in short supply.

Who: Calm. album release w/Extra Kool, Joe Alan and Cosmicam the Cosmos
When: Saturday, 12.8, 7 p.m.
Where: The Summit Music Hall
Why: Two of Denver’s underground hip-hop greats, Calm. and Extra Kool, perform tonight to raise awareness of the issues facing the homeless by inviting those who show up to donate coats and other warm gear to Denver Homeless Outloud which also dedicates its efforts to stop the city’s misguided and destructive camping ban. Calm. also releases its incendiary new album Things I Learned While Dying in Denver on this night as well.

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Anthony Ruptak, photo by Nick Velharticky

Who: Anthony Ruptak release of A Place That Never Changes w/Los Mocochetes and Kramies
When: Saturday, 12.8, 8 p.m.
Where: Hi-Dive
Why: Anthony Ruptak’s new album A Place That Never Changes nearly didn’t happen when all his music gear, songbooks and money for recording was stolen from his home. But years of good karma playing in the Mile High City and running one of the best open mic nights in town meant the community came to his aid and helped him to complete the debut LP. The record is never just one flavor. There are bits of freak folk, indie pop, chamber rock and pastoral country but it all comes together as a statement, in the form of vignettes, on a how life and your surroundings change even if you feel as though it never really, in essence, does. Ruptak brilliantly explores the frustrations, the worries, the aspirations, the fantasies and yearnings of a generation and a society that seems to be stalled out and assaulted by forces seemingly beyond our control. All while suggesting we can work around the situation if we open ourselves up to our own imagination and share the angst and struggles with others even if just a little. Fans of Mercury Rev, My Morning Jacket and Iron & Wine will find much to love about A Place That Never Changes.

Monday | December 10, 2018

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Protomartyr, photo by Daniel Topete

Who: Protomartyr and Preoccupations w/Teeth of the Hydra
When: Monday, 12.10, 7 p.m.
Where: The Bluebird Theater
Why: On a short list of the great post-punk/art punk bands of today would have to include Detroit-based noise rock weirdos Protomartyr and Preoccupations from Alberta, Canada and its brooding yet expansive atmospheric guitar rock. So it’s only fitting that the two bands are touring together and releasing a split single on which each band covered the other. Preoccupations’ interpretation of Protomartyr’s “Pontiac 87” from that band’s 2015 album The Agent Intellect is brimming with a moving, haunted sense of resignation. Whereas Protomartyr’s cover of “Forbidden” from Preoccupations’ 2016 self-titled album honors the somber grit that gives way to elevated emotional states that made the original so compelling. Both bands have a gift for using atmosphere with an emotional push and intensity coupled with layered musical textures and dynamics that even when each hits a hypnotic peak of repetition it remains heady until the end. Each band would be worth seeing alone but a bill together makes it potentially one of the great shows in Denver of 2018.

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Middle Kids, photo by Maclay Heriot

Who: Middle Kids w/The Shacks
When: Monday, 12.10, 7 p.m.
Where: Larimer Lounge
Why: Australian rock band Middle Kids released its debut full-length, Lost Kids, in 2018 and did us all a favor by showing how one can be pretty much unabashedly influenced by music that one’s peers made trendy and do something more interesting with it. The songs seem to be rooted in a sort of folk rock songwriting mode, twinges of 70s Laurel Canyon haunting its edges, while incorporating elements of fuzzy 90s rock. But with uncommonly thoughtful and wise lyrics that are nostalgic yet self-conscious of the tendency to romanticize when the bare truth can often be more poetic than a sanitized personal revision of one’s life.

Tuesday | December 11, 2018

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The Helio Sequence (Benjamin Weikel), photo by Ana Pupulin

Who: The Helio Sequence w/Wild Pink
When: Tuesday, 12.11, 7 p.m.
Where: Globe Hall
Why: The Helio Sequence were exploring spacious melodies and daydream tones when it wasn’t too widely present in modern music outside of IDM acts like Boards of Canada and Clark. As a duo, the band had to be creative and efficient in their execution of sounds so there is a fairly different sound from other bands that are often placed under the banner of indie rock. Before the latter was a clumsily vague banner term The Helio Sequence was often described as being within the realm of psychedelic rock and shoegaze, which is true enough, but its musical roots also stretch to Pacific Northwest underground rock, drummer Benjamin Weikel even having drummed on the 2004 Modest Mouse record Good News for People Who Love Bad News. In 2008 The Helio Sequence released its second, and breakthrough, album Keep Your Eyes Ahead. It represented a more overtly well-composed pop direction that band would expound upon thereafter—soaring melodies, introspective lyrics and always inventive soundscaping. For this tour the project is celebrating the ten year anniversary of the album that propelled it into a circle of success wider than underground cult status.

Who: Demoncassettecult w/Machu Linea and Mirror Fears
When: Tuesday, 12.11, 8 p.m.
Where: Lion’s Lair
Why: Beat driven, noise influenced experimental electronic music is the theme for this show. Demoncassettecult combines industrial soul samples (close enough) with R&B vocals for something that shouldn’t exist but completely makes sense live and on the projects recordings. Machu Linea is the latest project from Armando Garibay who was a member of The Circus House, a sort of avant-garde psychedelic pop band that included former Ancient Elk vocalist Anna Smith. Machu Linea is like downtempo deep house reminiscent of Sunday 8PM-period Faithless but updated. Same dusky, beautifully moody, hip-hop-inflected dance music. Machu Linea’s 2018 album GIRL would be in the upper echelons of a best of dance music list for the year if the wider world was aware of it. Mirror Fears, of course, has been pushing the envelope of electronic music in Denver without being an electronic dance artist per se. Not that dance beats and programming aren’t part of her sound because they are but she also comes to the music from the perspective of someone who spent time in a dream pop band as well as being steeped in the local noise and experimental music scenes. Lately her songwriting has delved further into beat-driven electronic composition.

Who: John Grant w/Two Medicine
When: Tuesday, 12.11, 7 p.m.
Where: The Bluebird Theater
Why: John Grant’s Denver music history is pretty respectable as the keyboard player of an early incarnation of gloom rock legends Twice Wilted and then as the lead singer/pianist of dream pop band The Czars. But upon leaving Denver to pursue his artistic fortunes elsewhere, Grant embarked upon a critically acclaimed career under his own name beginning with 2010’s excellent Queen of Denmark. His command of electronic music composition in the context of artier pop songwriting has made all of his solo albums worth listening to on their own. That his lyrics are thoughtful, even insightful, and relevant to the vagaries of modern life has kept his songs fresh and striking. Currently Grant is touring in support of his 2018 album Love is Magic.

Who: S A D Nois, Lipglo$$, Equine and more
When: Tuesday, 12.11, 7:30 p.m.
Where: Seventh Circle Music Collective
Why: S A D Nois and its sound sits somewhere at the intersection of modern classical, noise and textured environment sound composition. Lipglo$$ is sort of like a weird, ambient, noise take on trap and profane and hypnotic. Maybe influenced by video game music and Tim & Eric. Equine is Kevin Richards’ use of his mastery of weird jazz chords and phrases, minimalism and processing both in fascinating directions.

Wednesday | December 12, 2018

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Allout Helter circa 2016, photo by Tom Murphy

Who: La Armada w/Allout Helter, Targets, No Sign of Remose and others
When: Wednesday, 12.12, 7 p.m.
Where: Seventh Circle Music Collective
Why: La Armada from Santo Domingo in the Domincan Republic is one of the most popular hardcore bands in the country and it has made an impact throughout the North American underground with its crossover sound and political lyrics. The quintet is in good company for this bill with Denver’s Allout Helter and Targets. The former shares some of the thrash sound of the latter and a bit of the grindcore edge of the latter.

Who: Kid Astronaut w/Kayla Marque, Dylan Streight, Shalom Dubas
When: Wednesday, 12.12, 7 p.m.
Where: Globe Hall
Why: Jon Shockness is moving to London soon to explore what the wider world of music outside of Denver and outside the United States has to offer his eclectic and considerable talent. He was once a member of the late great hip-hop group Air Dubai and a graduate of Denver School of the Arts where he recently told Colorado Public Radio he was able to be taken seriously even as a young artist, providing a solid foundation for his efforts sine. In 2018, as Kid Astronaut, Shockness released the project’s debut full-length, the sultry, powerful and imaginative Full Moon.

Best Shows in Denver and Beyond 8/30/18 – 9/5/18

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CJ Boyd performs at various venues in Colorado this weekend. Photo circa 2008 by Tom Murphy

Thursday | August 30, 2018

Who: A.M. Pleasure Assassins and CJ Boyd
When: Thursday, 08.30, 7 p.m.
Where: Downtown Artery, Fort Collins
Why: Fort Collins’ great lo-fi post-punkers A.M. Pleasure Assassins share the stage with internationally renowned avant-garde punk/folk/ambient/one-man pastoral classical artist C.J. Boyd. The latter is one of the few artists in general that has played in all fifty of the United States. For a decade, Boyd has traversed the country and collaborated with artists from every state and written some of the most accessible and evocative experimental music that defies any absolute categorization. Pick up at any point in his extensive catalog and you’re in for something interesting that will stretch your musical horizons in some fashion. Boyd is playing other shows in Colorado on this leg of his tour and if you’re not able to make this Fort Collins gig it would be worth seeking out where those other shows are happening whether in a house or a DIY space in Colorado Springs like the new Flux Capacitor.

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Smokescreens, photo by Gina Clyne

Who: Smokescreens, The Molochs and American Culture
When: Thursday, 08.30, 8 p.m.
Where: Hi-Dive
Why: Chris Rosi and Corey Cunningham were once members of Plateaus and Terry Malts having toured together during the ascent of the garage/psych revival. But by mid-decade both moved to Los Angeles where they formed Smokescreens out of a mutual love for the off-standard melodic strategy of American pop and more in the vein of New Zealand weirdo, jangle-y punk bands of the 80s on the Flying Nun imprint as well as noisier American music like The Velvet Underground and The Aislers Set. One might make a good case for some influence of The Feelies and a touch of Jay Reatard and No Age in there. All of those influences would mean nothing if the songwriters weren’t capable of doing anything interesting or original out of their own skill set. The band’s 2018 album Used to Yesterday is proof that Smokescreens is making some of the more sonically interesting, guitar-driven pop music today. Combining a tenderness and delicacy of tone and texture with great momentum and energy, Smokescreens is a band that is as idiosyncratic as its influences, which is no mean feat given Flying Nun’s catalog of unique greatness alone.

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The Magpie Salute, photo by David McLister

Who: The Magpie Salute w/Brent Cowles
When: Thursday, 08.30, 7 p.m.
Where: Boulder Theater
Why: Formed in 2016 by former members of Black Crowes including Rich Robinson, Marc Ford and Sven Pipien, The Magpie Salute is perhaps less beholden to the blues rock that was the bedrock of Black Crowes. At least if the band’s new album, 2018’s High Water 1 is any indication. Sure, some of the structure and tones are there but the sonic palette is broader with the band at this point. The title track suggests psych Americana but the album refreshingly doesn’t get stuck in a single mode, mood or dynamic. There’s a 70s feel to the record but one that gives you a greater appreciation for the details that make that songwriting style compelling even today even if you’re heard enough of that sort of thing. Robinson and his bandmates grew up with and within those musical traditions and with this band they’re giving those influences a renewed vitality that is oft-imitated and rarely manifested with this degree of credibility because it doesn’t feel forced and the highly developed songcraft born out of years playing in other bands speaks for itself.

Who: Equine, Tunica Externa, biostatic
When: Thursday, 08.30, 8 p.m.
Where: Mutiny Information Café
Why: Depth of sound field throughout this show with the guitar drones and tone sculpting of Equine, Tunica Externa’s super minimal soundscapes with guitar and loops and biostatic’s synth, live sampled trumpet and processed sounds. None of the artists is much alike, uses very different methods of making their sounds but all have grounded in a way of making music that isn’t rooted in any particular, pre-established style, which should be recommendation enough for going to this show if you’re looking for something well outside the mainstream.

Friday | August 31, 2018

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Brotherhood of Machines, photo by Tom Murphy

Who: Under the Floorboards Celebration: Midwife, Bigawatt, Brotherhood of Machines, Curta and Multicast
When: Friday, 08.31, 8:30 p.m.
Where: Syntax Physic Opera
Why: KGNU’s Under the Floorboards program showcases music that is decidedly left field. So this show will include the minimalist, ambient folk/lo fi production of Midwife, Bigawatt’s operatic avant-post-punk paired with experimental drummer Death Pose, Brotherhood of Machines’ Popol Vuh/dub techno-esque ambient in collaboration with Jake Danna of hip-hop duo Curta. And Multicast, which has been doing ambient music in Colorado for longer than most of the people in Colorado’s quite large ambient scene. With biostatic hosting and serving as a DJ for the night.

Who: Sympathy F
When: Friday, 08.31, 8 p.m.
Where: Goosetown Tavern
Why: Sympathy F came on to Denver stages during the early days of the alternative rock era. Early members of the band included current guitarists Doug Seaman and Tony Morales (who has also been a vocalist in the band from the beginning) and both lived in a building in the Capitol Hill neighborhood called The Blenheim, notable for its gateway looking like something from a medieval urban house, where they lived across the hall from future and current vocalist Elizabeth Rose who became fast friends with the two musicians who one day heard her singing along to the music they were writing. The band became a bit of a fixture in the local scene throughout the 90s, releasing one, self-titled album and a handful of cassette and compilation releases before the focus of the musicians went to other projects even though Sympathy F never disbanded. Over the past decade or so, the group has been more active and in 2016 releases its first album in over twenty years with its second self-titled album. It was a compilation of new and older recordings and demos that the members of the band rendered for a more modern release augmented by overdubs and a proper mixing and mastering treatment. At that time the band had intended to release a double album to get its backlog of material out into the world but that didn’t make sense and now the group is releasing what would have been the second half of the double album with a couple of new tracks that reflect new musical ideas that hint at where the group may go in the future with electronics a part of its lushly atmospheric, moody hard rock.The new album, available tonight, is The Blenheim, a nod to the band’s roots and the creative frisson that launched its fruitful and prolific, if not widely available on a recording until recently, career. See our upcoming interview with Seaman on the history of the band and its recent painstaking recording of at least one of its new songs.

Who: EVP w/Pearls and Perils and Gold Trash
When: Friday, 08.31, 9 p.m.
Where: BarFly
Why: Glasss Records occupies BarFly for the night. EVP’s pointed personal/political commentary informing its impassioned industrial noise pop will bring some edge to the laid back environs. Gold Trash’s noise-scape-y, beats collage electroclash will demonstrate how you can keep it weird and confrontational yet fun. Pearls and Perils makes downtempo R&B with a rich emotional quality and theatrical stage presence that is impossible to ignore.

Saturday | September 1, 2018

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Church Fire, photo by Tom Murphy

What: Temple Tantrum Day 1
When: Saturday, 09.1, 12 p.m., music starts 1 p.m. runs to 10 p.m.
Where: The Temple Studios
Why: Temple Tantrium is a two day festival that encourages attendees to arrive in costume and join in the festivities with twenty musical acts, fourteen art installations, comedy and performance art. For list of artists featured see below.
Music: Council of Word, Porcelain, F-ether, Halo Halo, Ginger Perry, JL Kane, R A R E B Y R D $, Princess Dewclaw, Church Fire, Plantrae

Visual/installation Artists: Ancient.Future, Charles Russel, Alex Anderson, Kat Nechleba, Kristina Rolander, Ryan Wurst, Izzy Jarvis, Regan Rosberg, Queen City Harlequinade, Kelly ShortNQueer, Tara Worley, Suchitra Mattai, Katine Lowe, Marsha Mack, Sandra Fettingus, Naomi Scheck, Joanne Shminke, Lori Owicz, Brendan Macleod.

Performance art and comedy: No Gods No Masters, Punketry, Gallagher Fest, Jessica L’Whor, Jaguar Morning Show

Who: Big Business w/Simulators and Quits
When: Saturday, 09.1, 8:30 p.m.
Where: Larimer Lounge
Why: Big Business is the sludge metal/noise rock band from Seattle comprised of former KARP and Murder City Devils members Jared Warren and Coady Willis. The duo spent a handful of years playing in Melvins where its bombastic, playful and joyous sound fit in with Melvins’ sense of the absurd. For this show the duo will be joined by sharp-edged post-punk band Simulators and eruptive noise rock supergroup Quits which includes former members of Denver-based noise rock outfits Sparkles and Hot White.

Who: Pink Fuzz LP release w/Love Gang and Boot Gun
When: Saturday, 09.1, 8 p.m.
Where: Lost Lake
Why: BANDITS from Boulder honed its hard blues rock sound for a few years under that name before adopting its new moniker, Pink Fuzz. The group releases what may be it’s first full-length record tonight. Though not a stoner rock band, fans of bands like Fu Manchu and Nebula will probably find a lot to like here.

Sunday | September 2, 2018

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The Speedholes circa 2001, photo by Rebecca Bauer

What: Temple Tantrum Day 2
When: Saturday, 09.1, 12 p.m., music starts 1 p.m. runs to 10 p.m.
Where: The Temple Studios
Why: See the entry for this event above on September 1, 2018. The list of visual/installation artists and performance art and comedy is the same. But musical guests for this day include: Machu Linea, MEEK, Entrancer, ETERNAL, Baby Tony & The Teenies, L.A. Zwicky, Oxeye Daisy, Vic N’ The Narwhals, NEEFF, Nasty Nachos and Pictureplane.

Who: Merrick 25th Anniversary Party with debut of Rocket Dust, Vashion Seeds and Sam & Catherine from AKA Belle
When: Sunday, 09.2, 5 p.m.
Where: Globe Hall
Why: Kelly and Dan Merrick were members of noisy garage punk band The Speedholes in the 90s and early 2000s and were active participants in the vibrant Denver punk scene of that time. Both had roots in the Seattle underground scene of the 80s and 90s and were impacted by Denver musicians who made it to the Pacific Northwest regularly or even made it a home like maybe The Derelicts but certainly The Fluid and Spell. They’re celebrating their twenty-fifth wedding anniversary with the debut of their new band Rocket Dust with this show at Globe Hall.

Tuesday | September 5, 2018

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Mondo Obscura, photo by Tom Murphy

Who: Mondo Obscura and The Counselor (DJ set)
When: Tuesday, 09.5, 7 p.m.
Where: Chiba Bar | Colorado Springs
Why: Denver futuristic new age/ambient band Mondo Obscura lands in Colorado Springs for a two hour live set followed by DJ set from local weirdo The Counselor at a Japanese themed bar. Fortunately it won’t be the “Chiba City Blues” but if some guy named Case shows up looking like he might be hyped on stims and babbles something about Molly Millions and the Panther Moderns just be glad for the distraction and ask him how Acacia Park is treating him.

Wednesday | September 5, 2018

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Rolling Blackouts Coastal Fever, photo by Warwick Baker

Who: Rolling Blackouts Coast Fever w/Jo Passed
When: Wednesday, 09.5, 7 p.m.
Where: Larimer Lounge
Why: On the strength of the material on its first two EPs, 2016’s Talk Tight and 2017’s The French Press, Melbourne, Australia’s Rolling Blackouts Coast Fever drew favorable comparison by critics like Robert Christgau and Stephen Deusner to influential Australian jangle pop band The Go-Betweens. With the sparkling guitar tone and effluvient, often urgent, dynamics the comparison seems apt. But the band never really sounds like a throwback and especially not so on its 2018 full length Hope Downs wherein the guitar play weaves hanging chords into its bright melodies to convey more fully melancholic undertones and introspective moods. Like American indie rock band LVL UP, RBCF has a real knack for writing songs with a depth of composition using dissonance, textural rhythms and percussive melodies alongside more straightforward guitar work. Live the group performs with a nervy energy that gives what might otherwise be simply solid pop songs a palpable intensity.

Who: Weird Wednesday: KRBS (from Ludlow), Bonnie Weimer, Whimsically Macabre Music
When: Wednesday, 09.5, 9 p.m.
Where: 3 Kings Tavern
Why: This latest edition of Weird Wednesday features artists whose music doesn’t necessarily scream out “weird” but in the larger musical sense really is. Bonnie Weimer whose spare, banjo songs are reminiscent of Maureen Tucker solo or on her rare and excellent vocal performances in The Velvet Underground (particularly “After Hours”). Meaning it’s intimate, powerful and a bit mysterious. Presumably KRBS is Josh Kirby from the great Colorado folk/punk band Ludlow doing a solo performance. Kirby has an offbeat, often surreal sense of humor so that’s bound to be part of the set too. Whimsically Macabre Music is a solo piano project of Stacy Fahrion. The music doesn’t hit you over the head with its strangeness. In that sense it has more in common with how many Erik Satie pieces are haunting or various Shirley Jackson novels have an atmosphere just off enough to get under your skin without having to resort to cheap thrills.