Best Shows in Denver and Beyond 11/21/19 – 11/27/19

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Lisa Prank performs at Hi-Dive on November 24. Photo circa 2016 by Tom Murphy

Thursday | November 21

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Wilderado, photo by Grant Spanier


What: Zeta (Venezuela), Clarion Void, Disposal Notice, Its Just Bugs
When: Thursday, 11.21, 9 p.m.
Where: Rhinoceropolis
Why: Venezuelan band Zeta has been developing its experimental hardcore sound since 2003. It’s sound is a parts progressive rock and punk but in a way that’s expressive and moody while not sacrificing the intensity. Currently touring in support of its 2019 album Mochima.

What: Mt. Joy w/Wilderado and Adam Melchor
When: Thursday, 11.21, 7 p.m.
Where: Ogden Theatre
Why: Wilderado’s new single “Surefire” sounds wistful and nostalgic in a way that allows for words to develop into an introspective narrative that blooms into an expansive melody alongside the story. Reminiscent of the way The War On Drugs echoes some of the vibe of Bruce Springsteen’s reflective, diary-like lyrics, this offering from the band builds on the atmospheric experiments of its 2018 EP Favors with more electric instrumentation and a more immersive sound without compromising the group’s use of space as a canvass for its emotional colorings.

Friday | November 22

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Married a Dead Man, photo by Ana Irene Valdes-Behrens

What: Married a Dead Man w/False Report, Dead Characters
When: Friday, 11.22, 8 p.m.
Where: Goosetown Tavern
Why: Denver’s Married a Dead Man is releasing its second album Awakening this night. The group’s sound might be described as somewhere between Xmal Deutschland’s wiry, urgent, dark atmospherics and modern pop melodies. The new set of songs, no doubt honed from live performances, are not just bandwagon new post-punk revival and darkwave. At times Megan Kelley’s performance and songwriting chops from her time as a solo artist infuse the songs with a warmth and coherence that gives the music a broader range than the genre of late can sometimes have with songs like “Burn” having a massive, expansive, dramatic dynamic that stretches the boundaries of what one might this band is capable of at first blush. Worth delving into beyond a casual listen.

What: Wildermiss w/Slow Caves
When: Friday, 11.22, 8 p.m.
Where: Bluebird Theater
Why: Wildermiss is a Denver-based indie rock band that is probably on the verge of much wider circles than simply relatively successful local band status. Its new EP In My Mind captures the spirit of our time now of great contrasts of emotional states and expectations, a mixture of fear and hopefulness that most people are experiencing due to the state of the planet, politics, culture and economics. We stand on the precipice of disaster and promise of a better future if we do not lack the will to make it happen. In My Mind expresses that tension well across its length.

What: Briffaut, Down Time and Inaiah Lujan
When: Friday, 11.22, 8 p.m.
Where: Hi-Dive
Why: Briffaut’s new album A Maritime Odyssey: Heaven is Only a Boat Race Away is a nice capsule of this band’s idiosyncratic songwriting. Fans of both King Krule and Deerhunter will find something to love about the band’s lush and unpredictable song structures and raw, emotional swells of tone and a disregard for whether a song or style or performance fits in with some established aesthetic outside its own. Too much music in the indie world is boringly predictable. Not just the indie world. Imitators of milquetoast artists and already successful formulas are rife in music now as at all times since popular music has been a thing. Thankfully Briffaut and its willingness to embrace its own weirdness has been intact since the beginning and gloriously so on the new album of imaginative soundscapes, completely unconventional songwriting and the ability to utterly transport us outside our usual frames of musical reference.

What: King Diamond w/Uncle Acid and the Deadbeats and Idle Hands
When: Friday, 11.22, 6 p.m.
Where: Fillmore Auditorium

What: Faim, Tuck Knee, Gack
When: Friday, 11.22, 8 p.m.
Where: Mutiny Information Café

What: Atomga w/Dandu, Spellbinder and DJ Yahru
When: Friday, 11.22, 8:30 p.m.
Where: Ophelia’s Electric Soapbox

What: False Cathedrals, Gila Teen, How to Think and Wolf Larva
When: Friday, 11.22, 8 p.m.
Where: Glitter City

What: Sour Boy, Bitter Girl and Dirty Shrines
When: Friday, 11.22, 8 p.m.
Where: The Squire Lounge

What: Broncho w/Hot Flash Heat Wave and Rinse & Repeat
When: Friday, 11.22, 7:30 p.m.
Where: Globe Hall

Saturday | November 23

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Blood Incantation, photo by Tom Murphy

What: Blood Incantation w/Vermin Womb, Dreadnought and Superstition
When: Saturday, 11.23, 8 p.m.
Where: Gothic Theatre
Why: Blood Incantation recently released its new album Hidden History of the Human Race. The Denver-based death metal band is a big of an enigma in that it has been slowly building a cult following for years and playing few local shows. But its songs, especially live, come across as larger than life, psychedelic although imbued with the technical precision of the best death metal, and as oddly accessible as the genre has ever been. The record is a science fiction concept album but one that has a cover designed by Bruce Pennington who did cover art for A Canticle For Leibowitz and the Dune books after the initial novel. Plus the guy did the iconic cover for Gene Wolfe’s landmark science fiction fantasy book The Shadow of the Torturer. Fine stuff for an album that is a thrilling reminder that death metal can still be fun and not a forbidding drag.

What: Black Star Gang ft. Yasiin Bey, Talib Kweli, DJ Premier w/Brother Ali, Evidence and The ReMINDers
When: Saturday, 11.23, 7:30 p.m.
Where: Mission Ballroom
Why: Black Star is a hip hop duo comprised of Talib Kweli and Yasiin Bey (Mos Def), two of the sharpest critics of American culture and innovators in the genre themselves. The project only has one album up to now, 1998’s Mos Def & Talib Kweli Are Black Star, but rumor has it they have another in the works produced by Madlib. So if you’ve caught the recent live performances maybe you’ve heard some of the new material and it seems likely it’ll be on display for this show.

What: Lusine w/JUSCHILL and HU
When: Saturday, 11.23, 8 p.m.
Where: Larimer Lounge

What: Broncho w/Hot Flash Heat Wave and Rinse & Repeat
When: Saturday, 11.23, 7:30 p.m.
Where: Globe Hall

What: Matt Rouch & The Noise Upstairs, Chella & The Charm, The Maykit
When: Saturday, 11.23, 7:30 p.m.
Where: The Skylark Lounge

Sunday | November 24

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The Shift circa 2015, photo by Tom Murphy

What: Lisa Prank w/The Tangles (fka The Tickles) and Horse Girl
When: Sunday, 11.24, 7 p.m.
Where: Hi-Dive
Why: Lisa Prank has established refined and thoughtful emo pop songs as a national artist since starting the project in Denver several years back. Her new record Perfect Love Song is a a little fuzzier, more confident but just as wise and as insightful.

What: Shibui Denver #8: Dead Orchids and The Shift
When: Sunday, 11.24, 6:30 p.m.
Where: Hi-Dive
Why: For this edition of Shibui Denver we will have two bands that don’t get nearly the attention they deserve. The Shift is an improvisational, experimental progressive rock band and includes Esmé Patterson and former Bad Weather California bassist Jeremy Averitt. Dead Orchids’ dark, brooding songs are a vital mix of post-punk and Americana but without the trendy habits that often mar bands trying their hand at either.

What: Vérité and YaSi
When: Sunday, 11.24, 7 p.m.
Where: Lost Lake

What: Kris Kristofferson & The Strangers
When: Sunday, 11.24, 5 p.m.
Where: Paramount Theatre

What: Neyla Pekarek’s Rattlesnake w/Chris Fleming, Bluebook and The Newfangled Four
When: Sunday, 11.24, 7 p.m.
Where: Bluebird Theater

What: Goon w/Whiskey Autumn and We Are Not a Glum Lot
When: Sunday, 11.24, 8:30 p.m.
Where: Lion’s Lair

Monday | November 25

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Midwife, photo by Tom Murphy

What: Midwife w/Hogwaller
When: Monday, 11.25, 7 p.m.
Where: Forest Room 5
Why: Midwife is an ambient folk artist of the highest order who was recently tapped to perform at The Flenser showcase at the Roadburn Festival in 2020 with her debut album on that record label later in the year. See her at these small rooms while you still can.

Tuesday | November 26

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HIDE circa 2016, photo by Tom Murphy

What: HIDE w/Echo Beds, Church Fire and Cau5er
When: Tuesday, 11.26, 8 p.m.
Where: Hi-Dive
Why: Confrontational, performance art-oriented industrial band HIDE is the urban dystopian futurist ritual catharsis we need now to burn off the darkness of the modern world. Its new album Hell is Here is a searing, discordant exorcism of the demons that plague the body politic.

What: B. Dolan w/Wheelchair Sports Camp
When: Tuesday, 11.26, 8 p.m.
Where: Ophelia’s Electric Soapbox

Wednesday | November 27

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The Hu, photo by Altankhuyag

What: Pigface w/eHpH, DJ N810, DJ Mudwulf
When: Wednesday, 11.27, 7 p.m.
Where: Summit Music Hall
Why: Pigface is the long-standing industrial supergroup with roots going back to the 80s with members of Ministry, KMFDM and other industrial luminaries. EhpH is a Denver-based duo whose mix of EBM and industrial rock is actually compelling and cathartic and doesn’t come off like its members’ musical imagination got stuck in the early 2000s.

What: Shark Dreams w/Nuancer, The Milk Blossoms and GhostPulse
When: Wednesday, 11.27, 7 p.m.
Where: Larimer Lounge
Why: Best local dream pop line-up in more than a minute with some of Denver’s best. Shark Dreams is more the kind of drifty indie pop with a leg in glittery, slowcore dynamic. Nuancer is as informed by experimental electronic music as pop. The Milk Blossoms are a hip-hop trio disguised as a heartfelt, hyper sincere, experimental indie pop group with a sense of humor and humanity. GhostPulse weaves together downtempo beats, unconventional instrumentation and luminously cloudy atmospherics.

What: The Hu w/Crown Land
When: Wednesday, 11.27, 6 p.m.
Where: The Black Sheep
Why: The Hu is a rock band from Mongolia that performs with traditional instruments, uses throat singing and yet its songs are an exquisite hybrid of Mongolian folk music and heavy metal. Could be corny but it is not, it is powerful, stirring stuff. Fans of Laibach will enjoy the sound of this band even though the styles are so different. Around since 2016 The Hu recently released its debut album The Gereg on Eleven Seven Records.

What: Neon Indian w/Lou Rebecca
When: Wednesday, 11.27, 7 p.m.
Where: Bluebird Theater

What: Emma Mayes & The Hip w/Los Mocochetes and Ghost Tapes
When: Wednesday, 11.27, 8 p.m.
Where: Lost Lake

What: Flaural w/Oko Tygra, Wet Nights and DJ Lexie
When: Wednesday, 11.27, 8 p.m.
Where: Hi-Dive

What: An Evening of Never Kenezzard 2 sets
When: Wednesday, 11.27, 9 p.m.
Where: The Squire Lounge

Best Shows in Denver 11/14/19 – 11/20/19

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No Swoon performs at Rhinoceropolis on Novembe 16

Thursday | November 14

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Church Fire, photo by Tom Murphy

What: Church Fire
When: Thursday, 11.14, 6:30 p.m.
Where: Ross-Broadway Library
Why: Denver-based synth-noise-pop doom darlings Church Fire are playing this event sponsored by Titwrench as part of its Surfacing series highlighting female and LGBTQ underground and experimental artists. It’s after hours at the library in the Baker District and free.

What: Roller Disco 3
When: Thursday, 11.14, 9 p.m. – 2 a.m.
Where: Roller City

What: JP Harris w/Bison Bone, White Rose Motor Oil
When: Thursday, 11.14, 8 p.m.
Where: Hi-Dive

Friday | November 15

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Whipporwill, photo by Glenn Ross

What: Whipporwill w/Courtney Hartman
When: Friday, 11.15, 6 p.m.
Where: Washington’s (Fort Collins)
Why: Fort Collins based alternative folk band Whippoorwill distilled its past few years of experiencing the turmoil of the land and the culture into its new album The Nature of Storms. On its 2017 tour the band experienced tornadoes, floods, forest fires, blizzards and the destructive nature of the Trump presidency itself and the polarized social and political climate surrounding it. With the personal lives of its members in disarray as well the trio pulled together and crafted one of the most affecting releases of the year that exceeds expectations for terms like “alternative folk” as the band seems to be channeling the pain and agony of the times into songs that if not exactly exorcising those emotions, brings a compassionate energy to the proceedings. This show celebrates the release of that record and hopefully soon the band will play regional shows in support followed by a tour soon enough.

What: Entrancer LP release Downgrade, Lone Dancer, Techno Allah, Felix Fast4ward, DJ ilind
When: Friday, 11.15, 9:30 p.m.
Where: Rhinoceropolis
Why: It’s been a couple of years or since Denver-based analog synth/techno composer Entrancer has released an album but his latest release on Multidim Records, Downgrade, shows where deep house could go if it followed a more conceptual pathway with a spirit of playfulness.

What: Noise Vs. Doom IV
When: Friday, 11.15, 7 p.m.
Where: Seventh Circle Music Collective
Why: This is the fourth edition of the Noise Vs. Doom event featuring bands that fall loosely into either category. Tonight’s lineup includes Denver noise legends Page 27, doom collective Ice Troll and avant-garde composer Victoria Lundy. Schedule below.

Clark Nova 6-615
Ice Troll 6:30 -6:50
minus X 7:00 – 7:20
Prayer Hands 7:30 -7:50
Haunted Sound Lab 8pm -8:20
Distance Research 8:30-9:00pm
9:15-9:45 Victoria Lundy
10-10:20 Page 27
10:30-11pm Deer Creek

DJ sets PterrorFranklin Soundsystem
(Frank Bell / James Jewkes )

What: Specific Ocean, Panther Martin, Amazing Adventures
When: Friday, 11.15, 7 p.m.
Where: Lost Lake

What: The Kinky Fingers, Serpentfoot, TOOMUCHBLOND and Funk Hunk
When: Friday, 11.15, 8 p.m.
Where: Hi-Dive

What: Kiltro w/Spirettes and Turvy Organ
When: Friday, 11.15, 8:30 p.m.
Where: Broadway Roxy

What: Pink Fuzz EP release w/21 Taras and Star Garbage
When: Friday, 11.15, 8 p.m.
Where: Silo Sound Recording Studio

Saturday | November 16

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Action Friend circa August 2006, photo by Tom Murphy

What: No Swoon, Kissing Party and Voight
When: Saturday, 11.16, 7 p.m.
Where: Rhinoceropolis
Why: No Swoon’s recently released self-titled full length is an example of how 2010s darkwave as evolved beyond the obvious classic reference points into the realm of sophisticated pop songcraft. Its vibrant tones and sense of sonic space is reminiscent of Chromatics but not tapping into feelings of nostalgia as much as a reflective yearning and introspection. Kissing Party is an indie pop band from Denver that has reliably been releasing quality material since the mid-2000s seeming to perpetually be able to draw on a sense of youthful romance and ideal love. Voight has been performing its brand of industrial post-punk noise-gaze since 2015 and is in the process of completing its new album due out in 2020.

What: GYES: Lady Gang, Preparation and Gothsta
When: Saturday, 11.16, 8 p.m.
Where: The People’s Building
Why: The final Get Your Ears Swoll at the People’s Building in Aurora featuring experimental loop and psychedelic folk artist/one-woman band Lady Gang and Gothsta who plays truly unusual covers in a playful style that lives up to the name. The latter is organizer Claudia Woodman who will rename the event for the same location on a different day of the month in 2020.

What: Hi-Dive 16th (and 7th) anniversary w/Wobbles, Rattlesnake Milk, Zebroids, George Cessna, Permanent Boner and DJ Marika
When: Saturday, 11.16, 8 p.m.
Where: Hi-Dive
Why: Hard to believe the H-Dive has been around for sixteen years at this point but it remains a place to see some of Denver’s best underground bands and up and coming artists from around the world. This show brings together stalwarts of the club including Zebroids who are more an obnoxious collective of yobs than strictly a ridiculous but oddly good punk band and George Cessna whose sonically inventive songwriting blows expectations of the son of Slim Cessna in a great way.

What: Noise vs. Doom IV
When: Saturday, 11.16, 8 p.m.
Where: Seventh Circle Music Collective
Why: Second night of Noise Vs. Doom with performances from vinyl-collage sound processor Atari, ambient noise sculptor Blank Human and experimental noise rock prog punk band Action Friend from Los Angeles, formerly from Denver. This evening’s schedule below.

6pm-6:20 Jochanaan
6:30 -6:50 Mismo
7-7:30 Mautam
7:45 -8:05 Atari
8:15- 8:35 Flood Ov Blood
8:45 -8:55 – DJ Yeldarb Franklin
9-9:20 Clutch Plague
9:30-9:50 Voideater
10-10:20 Blank Human
10:30 -10:50 Cosmic Abyss
11pm Action Friend (Los Angeles CA)
DJ sets Mudwulf + Dj Zombie

What: DBUK
When: Saturday, 11.16, 7 p.m.
Where: Tuft Theater at Swallow Hill

Sunday | November 17

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Vetiver, photo by Alissa Anderson

What: Vetiver w/Joe Sampson
When: Saturday, 11.16, 8 p.m.
Where: Ophelia’s Electric Soap Box
Why: Before it became very much a part of the current stream of “indie” music, Andy Cabic was crafting exquisite psych folk songs that incorporated electronic elements in a fully integrated way. His 2019 album Up On High is a fairly stripped down affair but the delicately intricate rhythms and textures with Cabic’s expressive vocals are still there creating an unconventionally atmospheric quality akin to something one might have heard on a Byrds or early Dead record. Maybe something Mitch Easter would have produced in the 80s. But the sensibility is very modern and its emotional immediacy is immediately compelling. Opening the show is Joe Sampson, one of Denver’s most gifted songwriters who some may remember from his days in A Dog Paloma but in the last decade plus he’s been woodshedding his own material while also having played in Bad Weather California.

What: An Evening With Bruce Cockburn
When: Saturday, 11.16, 7 p.m.
Where: Boulder Theater

What: Gort Vs. Goom, Toxi Wife, Trip Lip and Blacker Face (Chicago)
When: Saturday, 11.16, 8 p.m.
Where: Lion’s Lair

Monday | November 18

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A$AP Ferg circa 2018, photo by Tom Murphy

What: A$AP Ferg and Ski Mask the Slump God w/Murda Beatz, MadeinTYO, Pouya, Danny Towers, DJ Scheme
When: Monday, 11.18, 6 p.m.
Where: Mission Ballroom
Why: A$AP Ferg is one of the most influential and creative artists in the world of trap and Ski Mask the Slump God is one of the great innovators in that genre but one who incorporates even more elements of punk and metal into his animated material and performances. Sometimes live rap shows are disappointing but this should very much be an exception.

Tuesday | November 19

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Nots circa 2015, photo by Tom Murphy

What: Nots, Slugger and Dearborn
When: Tuesday, 11.19, 8 p.m.
Where: Lost Lake
Why: Nots is the noise punk band from Memphis, Tennessee that is currently touring in support of its new album 3 out on Goner Records. Guitarist and singer Natalie Hoffman was once the bass player of Ex-Cult where she stood out as a charismatic performer with wiry energy in a band not short on those qualities.

What: Wilco w/Tuomo and Markus
When: Tuesday, 11.19, 6:30 p.m.
Where: Mission Ballroom

Wednesday | November 20

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Helmet, photo by Jacob Blickenstaff, copyright earMUSIC

What: An Evening With Helmet
When: Wednesday, 11.20, 7 p.m.
Where: Summit Music Hall
Why: Helmet is the legendary noise rock/posthardcore band from New York whose 1992 album Meantime yielded a hit single “Unsung” during that period when anything a little different stood a chance of making it to the radio. The group’s blunt and angular riffs and aggressive groove has proven influential on a certain segment of heavy music since.

What: Slayer w/Ministry and Phil Anselmo and the Illegals
When: Wednesday, 11.20, 8 p.m.
Where: Broadmoor World Arena

Best Shows in Denver and Beyond 10/31/19 to 11/6/19

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Bethlehem Steel performs 11.1.19 at Lion’s Lair, photo by Jeanette D. Moses

Thursday | October 31

What: The Legendary Pink Dots w/Orbit Service, The Drood, DJ Mudwulf and VJ Dizy Pixl
When: Thursday, 10.31, 8:30 p.m.
Where: Ophelia’s Electric Soap Box
Why: The Legendary Pink Dots and its mystical, spectral, ambient psychedelia will turn 40 next August and is currently undertaking a tour celebrating the landmark date along with its new album, 2019’s Angel in the Detail. The new record contains elements of what has always made LPD great including entrancing atmospheres, singer Edward Ka-Spel’s poetic lyrics that articulate deep truths about the human condition and how it manifests in our lives and civilizations. It also comments on the perilous state of things in the world today and especially in “The Junkyard” and how the elites are trying to finish completing a world system that renders those of us not in that upper one percent of one percent as pieces of junk in world civilization. The surreal and beautifully disturbing music video is well worth a view. Also sharing the bill tonight is the likeminded Denver-based ambient psychedelic rock band Orbit Service which has been gracing local stages and well beyond since the mid-90s. The Drood, also from Denver, is like a dark psychedelic prog band with punk-intensity and a sense of theater and the ability to create exorcistic emotional experiences in song. DJ Mudwulf will set the mood with what is sure to be a great set for the holiday and VJ Dizy Pixl will set the visual mood as per her usual level of excellence.

What: Wu Tang Clan w/Jedi Mind Tricks, Immortal Technique and Dillon Cooper
When: Thursday, 10.31, 5:30 p.m.
Where: Red Rocks

What: T.S.O.L. w/Noogy and The Pitch Invasion
When: Thursday, 10.31, 7 p.m.
Where: Oriental Theater

What: Dragondeer w/Dog City Disco and What Young Men Do
When: Thursday, 10.31, 8 p.m.
Where: Cervantes’ Other Side

Friday | November 1

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Yung Bae, photo by Peter Dons

What: Bethlehem Steel w/Gila Teen and guest
When: Friday, 11.1, 9 p.m.
Where: Lion’s Lair
Why: Bethlehem Steel has been together since 2012 but started garnering national attention for its outstanding performances at the South By Southwest festival in 2016. At that time the group had out a couple of EPs but released its debut full length Party Naked Forever in 2017. Its thrilling collision of fuzzy pop and dynamic atmospheric rock has drawn comparisons to 90s noise pop acts like Weezer and contemporary artists like Courtney Barnett and Waxahatchee. But often enough the group’s expansive, imaginative songwriting and creative ambition has resulted in some music that pushes boundaries of the loud and quiet format that many bands have adopted of late so that its songs will remind some of the emotionally stirring music of older bands like Failure, Slint and Rainer Maria. It has that kind of fire and caustic sound as well as lyrics that delve deep into the darker regions of the psyche with a defiant spirit lighting the way. In September, Bethlehem Steel released its fantastic self-titled full-length for which it is touring in support. Also on the bill is Gila Teen, the experimental post-punk band that brilliantly mixes moody atmospheres with a splintery pop punk.

What: Yung Bae w/Birocratic and Jaguar Nights
When: Friday, 11.1, 8 p.m.
Where: Marquis Theater
Why: Dallas Cotton started making music as Yung Bae while living in Portland, Oregon but his production-based future funk started garnering him wider audiences while still a student at Oregon State University. His sound straddles that sort of 70s soul and R&B-inspired sounds and the aesthetic of modern electronic pop music. So while he references classic music it comes off with a more modern sensibility and energy. It hearkens to a previous era and the unsullied excitement of that music but in a way that couldn’t really have been accomplished at the time in terms of how he sculpts sound and edits it together. In 2019 Yung Bae released his fifth album in as many years with Bae 5.

What: Red Wing Black Bird album release w/Plague Garden and Married a Dead Man
When: Friday, 11.1, 9 p.m.
Where: Skylark Lounge
Why: Denver darkwave band Red Wing Black Bird is releasing its latest album produced by DJ Charon of Necromantic/Fenando Altonaga of industrial band eHpH.

What: Future of Bass: smith, Mize, Wriza and Killa Nova
When: Friday, 11.1, 9 p.m.
Where: The Black Box

What: Lucy Dacus w/Liza Anne and Sun June
When: Friday, 11.1, 8 p.m.
Where: Gothic Theatre

Saturday | November 2

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Altas circa 2019, photo by Tom Murphy

What: Dia De Muertos celebration: Altas, Plume Varia and Los Mocochetes
When: Saturday, 11.2, 8 p.m.
Where: Hi-Dive
Why: Denver instrumental rock band Altas is doing its now annual Dia De Muertos show in which the members will dress in the appropriate regalia for the occasion making the show a true event rather than just another gig. The group’s sweeping, cinematic grandeur and fiery musical pyrotechnics and mastery of mood and atmosphere is worth witnessing alone but also on the bill is psychedelic rock band Los Mocochetes and downtempo dream pop band Plume Varia and its emotionally rich and haunted compositions.

What: The Locust w/Disposal Notice and Its Just Bugs
When: Saturday, 11.2, 8 p.m.
Where: Summit Music Hall
Why: The Locust recently reconvened to bring its mutant, death metal inflected, noisy hardcore on a national tour. The group’s surreal imagery and costumes along with its equally bizarre lyrics has made it difficult to lump in with any convenient musical movement. Its Just Bugs (the apostrophe is left off) is an industrial punk hip-hop group from Colorado and just as impossible to pigeonhole.

What: Twin Peaks w/Post Animal and Ohmme
When: Saturday, 11.2, 8 p.m.
Where: Gothic Theatre
Why: Twin Peaks from Chicago weathered the mid-2010s blowout of garage rock and neo-psychedelic rock that was making the underground rock scene of a certain stripe become fairly stale and performatively exciting. What helped was that Twin Peaks was writing good songs and hasn’t stayed stuck in the same sound for its entire career thus far. Its 2019 album Lookout Low sounds like an odd and interesting hybrid of power pop and the weirdo punk of The Fall at its most Lou Reed-inspired, mix in some unusual flourishes of 70s rock with nods to Peter Frampton and Thin Lizzy. All while delivering spirited and sometimes gloriously ragged performances which are much needed at a time when a sanitary quality has permeated too much modern music.

What: Fathers, Limbwrecker, The Munsens and Muscle Beach
When: Saturday, 11.2, 8 p.m.
Where: Lost Lake

What: Dendera Bloodbath, Endometrium Cuntplow, Cau5er, Brother Saturn, Church Fire and Equine
When: Saturday, 11.2, 8 p.m.
Where: Rhinoceropolis

What: Rocket Dust, Tokyo Rodeo and The Slack
When: Saturday, 11.2, 8 p.m.
Where: Glitter City

Sunday | November 3

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Vivian Girls circa 2008, photo by Tom Murphy

What: Vivan Girls w/Down Time, Short Shorts and Backseat Vinyl — CANCELLED
When: Sunday, 11.3, 7 p.m.
Where: Marquis Theater
Why: Vivian Girls caused a stir in the indie underground of the 2000s and 2010s with their lo-fi, noisy pop songs. The group’s ability to mix buoyant dynamics with dark, brooding moods and sounds was a fascinating contrast. The band split in 2014 with members going on to perform in La Sera, The Babies and Upset (all still going concerns). But in summer 2019 the group announced it was reforming with a new record, Memory, on the way and released in September.

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SRSQ, photo by Tom Murphy

What: TR/ST w/SRSQ and DJ Slave 1
When: Sunday, 11.3, 7 p.m.
Where: Summit Music Hall
Why: TR/ST came to prominence as the new darkwave movement was coming together with a sound that seemed to come out of the then renewed interest in vintage synths, that cold, bright, moody sound of Goth-y 80s synth pop and its cousin chillwave. But Robert Alfons’ vibrant, soulful voice and imaginative soundsccaping are the key ingredients that elevated this project above many of its contemporaries. In 2019 TR/ST released The Destroyer (Part 1 and 2), a more experimental and ambient, ethereal set of songs than his previous offerings and a clear product of reassessing directions and ideas to produce something different. SRSQ (pronounced Seer Ess Que as in the lettes for the latter two) is Kennedy Ashlyn the charismatic singer formerly of brilliant dream pop band Them Are Us Too. Her 2018 album Unreality is a moody and emotionally harrowing and cathartic downtempo album that seems to have absorbed the darkness and pain of the underground world in the wake of the Ghost Ship fire and given it a voice that exorcises some of that energy.

What: Keytar Fest IV: The Jinjas, R A R E B Y R D $ and Claudzilla
When: Sunday, 11.3, 4 p.m.
Where: Glitter City
Why: Just like the title of the event suggests, this is a mini festival featuring all projects that incorporate keytars as an essential part of the songwriting and this includes weirdo synth punk Claudzilla and experimental hip-hop/IDM-inflected trio R A R E B Y R D $.

What: Danny Brown w/Ashnikko and Zeeloperz
When: Sunday, 11.3, 7 p.m.
Where: Cervantes’ Masterpiece Ballroom
Why: Ever since the larger world outside of Detroit started cluing into Danny Brown’s genius following the release of 2010’s The Hybrid, the rapper has garnered a large cult following for his eccentric yet sharply cogent and thoughtful yet raw lyrics and production that incorporates a wide range of sounds that one hadn’t often heard in hip-hop outside of the underground and alternative circles of the 90s and early 2000s. Brown picked up where that left off and pushed things further particularly on his 2016 album Atrocity Exhibition which borrowed its title from a science fiction novel by J.G. Ballard and whose beats sounded almost like a new hybrid of industrial and rap that reflected the atmospherics as much as the textures and rhythms. With his new album, 2019’s uknowhatimsayin¿ Brown follows a similar sonic path but brings together more organic, almost found sounds with processed layers of atmosphere. Intact is his gift for surreal imagery and wordplay that gets under your skin.

Monday | November 4

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GRÜN WASSER, photo courtesy the artists

What: GRÜN WASSER w/Natural Violence, French Kettle Station and Night Shift DJs
When: Monday, 11.4, 9 p.m.
Where: Rhinoceropolis
Why: GRÜN WASSER is a Chicago-based electro-pop/industrial whose pulsing rhythms and dreamlike moods sound like endless nights wandering a menacing urban landscape and commenting on the culture of the nightlife. That is if the group’s new album Not OK with Things (Holodeck Records) is any indication. There is an almost claustrophobic quality to its densely atmospheric beats contrasted with Keely Dowd’s lightly echoing, ethereal vocals. French Kettle Station has been through more permutations of his sound than many artists bother to explore but of late he’s been developing a sound that’s still rooted slightly in 1980s No Wave disco and modern glitch dance pop but also influenced by 1980s adult contemporary music and its unexpectedly newly influential use and voicing of drums and vintage synths in a way that in any other contexts would be utterly wack but takes on an almost spiritual cast in certain underground electronic artists including that side of what FKS has been up to in the past year or two. His latest album, Over X Millenia takes those ideas and injects them with non-western rhythmic ideas and a New Age music aesthetic for something new yet strangely familiar. Its closest cousin that comes readily to mind is Brian Eno and David Byrne’s 1981 classic My Life in the Bush of Ghosts.

Tuesday | November 5

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HTRK, photo by Kate Meakin

What: HTRK w/Midwife, Echo Beds, Human Tide
When: Tuesday, 11.5, 8 p.m.
Where: Rhinoceropolis
Why: Since 2003 HTRK, originally from Australia, has been making music inspired by the brooding, otherworldly atmosphere of the films of David Lynch. Though the name of the band is pronounced “Hate Rock” it’s not so much rock except in the experimental sense as much as downtempo and ambient soundscaping. In 2010 founding musician Sean Stewart passed away leaving Nigel Yang and Jonnine Standish to carry on and as a duo HTRK has released a handful of some of the most fascinating music mixing electric music with an electronic aesthetic being made today. The group’s latest album is Venus in Leo with its exquisitely subtle dynamics and cinematic approach to its composition and sound design with lingering, impressionistic guitar riffs drifting around Standish’s hushed and soulful vocals.

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Minami Deutsch, photo courtesy the artists

What: Kikagaku Moyo w/Minamu Deutsch
When: Tuesday, 11.5, 7 p.m.
Where: Gothic Theatre
Why: Kikagaku Moyo from Japan is a true synthesis of 70s Krautrock, classic Japanese psychedelic rock and more traditional Japanese folk. Currently the group is touring with the like-minded Tokyo band Minami Deutsch. The group’s urgent rhythms, mesmerizing drones and hypnotic dynamics sound like what it is to travel through Tokyo and its subtle but odd mixture of old world and high tech metropolis side by side in all of the city’s giant districts. On the group’s new EP, Can’t Get There that dynamic often takes you to a place of anxiety and then release as it draws you into its irresistible groove.

What: Jeffrey Lewis & The Voltage w/Adam Baumeister
When: Tuesday, 11.5, 7 p.m.
Where: Hi-Dive
Why: A rare chance to see eccentric, genius freak folk and comic artist legend Jeffrey Lewis and his band along with local star of experimental folk and psychedelia, Adam Baumeister, head of Meep Records and former member of Navy Girls and Bad Weather California.

What: Cannibal Corpse w/Thy Art is Murder, Perdition Temple
When: Tuesday, 11.5, 6:30 p.m.
Where: Boulder Theater

What: Arc Sol, Slugger and Gothsta
When: Tuesday, 11.5, 9 p.m.
Where: Mercury Café

What: 1349 w/Uada and Cloak
When: Tuesday, 11.5, 6:30 p.m.
Where: Oriental Theater

Wednesday | November 6

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Dinosaur Jr, photo by Levi Walton

What: Negative Approach w/Blood Loss and Tuck Knee
When: Wednesday, 11.6, 7 p.m.
Where: Lost Lake
Why: Negative Approach from Detroit was one of the bands out of that early wave of American hardcore than seemed particularly seething and intense and fronted by John Brannon who went on to noisy psychedelic blues band Laughing Hyenas and Easy Action. Easily one of the greatest frontmen of rock music because he seems to actually be losing his mind swept up in the moment.

What: Weird Wednesday: FangFuck, Zealot and Bolonium
When: Wednesday, 11.6, 9 p.m.
Where: Bowman’s Vinyl & Lounge
Why: Weird Wednesday includes left field indie rock local supergroup Zealot and Bolonium a band inspired by Devo and which comes off like an odd combination of band, cheesy game show and Troma film.

What: Kurt Vile and the Violators w/Dinosaur Jr
When: Wednesday, 11.6, 7 p.m.
Where: The Mission Ballroom
Why: Dinosaur Jr is the missing link between gritty classic rock like Neil Young, hardcore and 90s alternative rock and more influential on modern music than is often obvious. The mixture of sheer volume with tunefulness reconciled eras of music in a way that is often taken for granted and which bands like Nirvana and other massively commercial successful bands took to topple the music industry marketing machine and culture. Apparently modern folk/psychedelic artist Kurt Vile has felt this influence and thus has Dinosaur on this tour and for its part, the members of Dinosaur Jr have continued to release music, some of the best of its career in the past decade.

What: (Sandy) Alex G w/Indigo De Souza and Tomberlin
When: Wednesday, 11.6, 7 p.m.
Where: Marquis Theater

Best Shows in Denver and Beyond 06/06/19 – 06/12/19

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Altas releases All I Ever Wanted Was at Rhinoceropolis on June 8. Photo by Evan Semoìn

Thursday | June 6

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Reverend Dead Eye circa 2008, photo by Tom Murphy

What: Reverend Dead Eye w/Vic N’ The Narwhals and DJ Rett Rogers
When: Thursday, 06.06, 8 p.m.
Where: Hi-Dive
Why: Reverend Dead Eye now lives in Switzerland and mostly tours Europe but on occasion he graces his old stomping grounds (literally and figuratively) of Denver and treats us to a set of wild-eyed gospel blues post-punk. He will be joined this evening by rock and roll band Vic N’ The Narwhals with a DJ set from Blue Rider and Bad Licks guitarist Rett Rogers.

What: Honduh Daze, Moon Pussy and Demoncassettecult & Junior Deer duo
When: Thursday, 06.06, 8:30 p.m.
Where: Lion’s Lair
Why: Vachco Before Horses is celebrating his birthday doing a duo set as Demoncassettecult and Junior Deer so it’ll be a bit of weirdo hip-hop and ambient soul. Moon Pussy is like Denver’s industrial-esque equivalent of a noise rock band like Shellac but with some on board guitar processing to help sculpt those sounds into the bands already eruptive, angular and cathartic groove.

What: Talib Kweli w/Voz 11, 1-natVson-1 and Time
When: Thursday, 06.06, 8:30 p.m.
Where: Fox Theatre
Why: Talib Kweli is one of the reigning poet laureates of hip-hop, politically charged as his is and otherwise. Check in anywhere in his catalog and you’ll find something vital and thought-provoking and outright compelling whether that’s records under his own name or projects like Black Star. As usual the opening acts for one of his shows is quality including Time whose fusion of underground/experimental hip-hop, humorous and organically intellectual wordplay and socio-political insight is never less than mind-expanding and fun. Voz 11 is kind of an industrial rap artist who will be joined for this show by Wesley Davis of Symbolic Insight Records and ambient solo project Bios+a+ic.

Friday | June 7

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Spearhead, photo by Jay Blakesberg

What: Michael Franti and Spearhead w/Snarky Puppy and Victoria Canal
When: Friday, 06.07, 6:30 p.m.
Where: Red Rocks
Why: Whether you prefer his time in industrial rap groups The Beatnigs and The Disposable Heroes of Hiphoprisy or his current work in conscious reggae fusion folk band Spearhead, Michael Franti has been aiming his creative compass toward critiquing the dominant paradigm with the goal of creating a better, more nurturing and healthier world. As per usual, prior to the concert proper there will be a yoga session at Red Rocks starting at 4:30 p.m.. May seem quaint to some but at least Franti isn’t giving mere lip service to self-improvement. The band is currently touring in support of Stay Human, Vol. II which came out in January. Also on the bill are jazz fusion prog stars Snarky Puppy.

What: Instant Empire w/Anthony Ruptak and Post Paradise
When: Friday, 06.07, 8 p.m.
Where: Syntax Physic Opera
Why: It’s been a minute since we’ve heard from Instant Empire. The indie rock band has been through some changes but has endured to give us Cathedral, a set of the usual thoughtful songwriting and evocative music from the band. Read our interview with Scotty Saunders from the band soon.

What: Amygdala, Caffeine, Euth, Sore Eyes and Herse
When: Friday, 06.07, 7 p.m.
Where: Seventh Circle Music Collective
Why: A show that proves that current hardcore is not all the same or trying to mimic the sound or style from something 35+ years ago while not skimping on the energy and sense of danger that made that music exciting in the first place.

What: Pete Tong
When: Friday, 06.07, 9 p.m.
Where: Bar Standard
Why: Pete Tong is an influential figure in modern electronic music and EDM. Early in life he was something of a soul music DJ on radio in the UK and then as the 80s moved on, a pioneering DJ of Acid House and the Balearic beat that his friend Paul Oakenfold helped to popularize. Oakenfold, joking, coined the expression “It’s all gone Pete Tong” in 1987 to indicate things have gone a bit wrong. Through his ongoing electronic music shows at the BBC (Essential Selection and It’s All Gone Pete Tong) and his efforts at curating and making accessible electronic dance music in the USA. Tong has done big shows in Ibiza and all around the world but this night he’s doing his thing at a small club like Bar Standard.

What: My Life With the Thrill Kill Kult w/Curse Mackey and Church Fire
When: Friday, 06.07, 7 p.m.
Where: Marquis Theater
Why: My Life With the Thrill Kill Kult is not just the horror carny pioneering industrial dance band but also, on most nights, one of the greatest, most fun live bands of all time. Denver’s Church Fire is not nearly as camp but there is an element of playful theatricality to its performances of its own brand of industrial music that is really more a kind of politically-informed synth pop. No down side.

Saturday | June 8

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Gun Street Ghost, photo by Adam Rojo

What: Out There Arts Fest with Blackcell, Church Fire, DJ Mudwulf, Raw Form, Vahco, DJ Spinshits
When: Saturday, 06.08, 8 p.m.
Where: Grace
Why: This is an event to showcase the art space Grace and includes live performances from the above as well as visual/conceptual art and artists, workshops, food and outdoor murals.

What: Altas w/Plume Varia and Voight
When: Saturday, 06.08, 7 p.m.
Where: Rhinoceropolis
Why: With its new album All I Ever Wanted Was, Denver-based instrumental rock band incorporated the electronic/synth side of the band more completely with keyboard player Meghan Lillis contributing full in the songwriting and arranging process with the core and founding trio of Enrique Jimenez, Israel Jimenez and Juan Carlos Flores. The group’s 2014 album Epoca De Bestias lived up to its name and the cinematic scope the band has always conjured with its songwriting. But there is an even greater cohesion and focus this time out with some tongue in cheek titles from a band whose membership has always been on point with the humor. “Cosas Nunca Dichas” is Spanish for “Things Never Said.” The dual meaning including the fact that there are no lyrics in an Altas song is pretty good. “Glasgow Smile”? Surely a significance beyond suggesting it’s a nod to Mogwai exists but that’s also pretty choice as Mogwai use plenty of inside jokes and humor for songs that need no spelling out of meaning. “Valentin Trujillo (An Unsung Hero)” is presumably a reference to the famous Mexican actor who was a major star in the 1980s and whose films often dared to make thoughtful commentary on the politics and culture of his home country and beyond. The final song on the album “Rattenkönig,” or “Rat King” in German. There’s got to be a story there and we hope to bring that to you at some point. The more you delve into the new record and its gorgeously expanded dynamic and sonic palette the more there is to discover as with all great albums. And hey, you get to see the great dream pop band Plume Varia and industrial post-punk soundscapers Voight while you’re at it.

What: Get Your Ears Swoll 7: Sliver, Married a Dead Man and Hate Minor
When: Saturday, 06.08, 8:30 p.m.
Where: The People’s Building
Why: Hate Minor is an artsy prog duo with former Nightshark and Aenka saxophonist Becca Mhalek on drums. Married a Dead Man is a death rock/post-pun/darkwave four-piece that came out of hardcore. Sliver, how a band that mapped out and deconstructed and reconstructed “Break Stuff” as inspiration for all their songs is on a bill like this it’s difficult to say. Good thing singer/guitarist Chris Mercer’s bandmates are patient, understanding, indulgent people and when he, as promised, he gets around to writing the next album around “Sick of Life” because it “nearly got [him] to join the Navy, dude,” some people can join in on the intervention.

What: Gun Street Ghost album release w/Jeff Cramer and New Mexican hi-dive.com/event/1855201-gun-street-ghost-album-release-denver
When: Saturday, 06.08, 8 p.m.
Where: Hi-Dive
Why: In calling the new Gun Street Ghost album Battles it seems as though the band is preparing us for a record brimming with great stories of the struggles we’d rather avoid or skip but which we fight every day without knowing it. Thinking person’s pop written in the language of honky tonk Americana.

What: Johnnascus, Karhlyle, Causer, Kid Mask, HXCMIDI and Henny Graves
When: Saturday, 06.08, 8 p.m.
Where: Thought//Forms Gallery
Why: Austin’s Johnnascus is an industrial rap artist whose videos are not only interesting but borderline scary in the way Creepy Pasta videos can be. It’ll be a good pairing with Detroit’s Karhlyle and his downtempo techno/hip-hop, Kid Mask’s own genre bending noise/industrial hip-hop beatmaking and the electronic/breakcore hardcore of HXCMIDI.

What: Neckbeard Deathcamp, Theories, Dryad and Malevich
When: Saturday, 06.08, 8 p.m.
Where: Bar-K (Colorado Springs)
Why: Neckbeard Deathcamp is the parody black metal/noise industrial band that put out the gloriously titled White Nationalism is for Basement Dwelling Losers in July 2018. Brilliant send-up and the music is oddly legit as well.

Sunday | June 8

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Those Darn Gnomes, photo by Anita Martinez

What: Bobcat Goldthwait and Dana Gould gothictheatre.com/events/detail/372302
When: Sunday, 06.09, 7 p.m.
Where: Gothic Theatre
Why: A lot of people probably remember Bobcat Goldthwait as that crazy guy with the piercing whine from the Police Academy movies. But he never would have got there if not for his brilliant work as an alternative comedian in the 1980s when he would pierce hypocritical pieties with confessional and surrealistic observations and bits that helped to push comedy in a more interesting direction at arguably the early peak of the popularity of stand-up. He has gone on to be a noteworthy filmmaker whose movies (e.g. Shakes the Clown, God Bless America and World’s Greatest Dad) not just darkly humorous but which shine a light on aspects of our culture that are often ignored and if we stopped doing so we might have a healthier society. Dana Gould has been performing his own brand of borderline surreal comedy since the early 80s as well and coming to be known by a more mainstream audience though a comedian of choice for those with a taste for left field humor for decades.

What: Fuck Your Birthday w/Those Darn Gnomes, Narcissa and Galleries
When: Sunday, 06.09, 7 p.m.
Where: Thought//Forms Gallery
Why: Fuck Your Birthday is an American and Chinese, noisy math/garage rock band. That means it has elements of early 90s emo and harder-edged garage rock but doesn’t really fit in with either to well. More like Rainer Maria or Japandroids than some post-hardcore or screamo band. Those Darn Gnomes are somewhere betwixt a free jazz performance art band, grindcore and art folk. Narcissa is a like-minded band from Denver and Galleries is sort of a psychedelic hard rock band.

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Possume, photo courtesy the artist

What: Slugger w/Possum, After the Carnival and more
When: Sunday, 06.09, 7 p.m.
Where: Seventh Circle Music Collective
Why: Toronto’s Possum is a fuzz-toned, heavy psych band. And while that sound is basically old hat at this point except to later comers to modern psychedelia, Possum’s version of that is not the kind that comes off like neo-Laurel Canyon vibe worshipping indie rockers discovering the use of a Memoryman and a Big Muff with a tiny bit of wah. It’s mind-melting epics take a deep dive into drawn out melodic grooves that take some chops and commitment to sonic exploration to craft. Also the band has a song called “Wizard Beard” so it’s not all without a sense of humor. Sharing the bill is a band with a tentacle or two in 70s hard rock and psychedelia with Slugger. But as with Possum, Slugger’s strength is in the songwriting and being of that world rather than wearing it like a trendy outfit.

Tuesday | June 11

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Emma Ruth Rundle, photo courtesy the artist

What: MONO w/Emma Ruth Rundle
When: Tuesday, 06.11, 7 p.m.
Where: The Marquis Theaterthos
Why: Tokyo’s MONO makes post-rock with a classical music sensibility that makes a lot of other bands working in that realm of music seem safe and quaint. Emma Ruth Rundle’s heavy, dark, doom folk is somehow both intimate and majestic. Her latest album On Dark Horses is a trip to, as the title suggests, the shadowy places of the psyche in search of an inner truth that can be elusive unless you’re willing to go all in and face the buried pain and your dark side with compassion and acceptance. It’s her heaviest record to date and her most daring to date.

Best Shows in Denver 03/14/19 – 03/20/19

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Adia Victoria performs at Larimer Lounge on 3/15

Thursday | March 14

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The Drood circa 2015, photo by Tom Murphy

Who: The Drood, Church Fire, blackcell, Mudwulf and dizypixl
When: Thursday, 03.14, 8 p.m.
Where: Ophelia’s Electric Soapbox
Why: The Drood could be described as a horror ambient band with a penchant for subverting the dark music paradigm with wry humor and deeply imaginative reworking of tropes into new shapes. It’s what gives the band a kind of timeless and otherworldly quality even as it uses familiar sounds and moods to weave its unusual narratives. Church Fire similarly uses the vocabulary of dance and industrial music to enter mythic psychological spaces to comment on culture and political issues without boring us with didactic and topical platitudes. Blackcell is the longest running industrial/EBM band in Denver but one that has evolved so much since its early days as essentially and industrial noise act into one of the great the abstract/ambient dance/darkwave bands today. Mudwulf will bring an unpredictable collection of underground electronic music to DJ and Dizypixl, known for her work with Skinny Puppy, will provide brain-stirring visuals.

Who: Ian Svenonius’ Escape-ism with his “FoundSoundDreamDrama”
When: Thursday, 03.14, 9 p.m.
Where: Lane Meyer Products
Why: Even though The Lost Record, the debut from Escape-ism, the latest project from Ian Svenonius, the frontman of The Nation of Ulysses, The Make-Up, Weird War and other noteworthy musical entities over the years. Musically it sounds like lo-fi electroclash (or an even more lo-fi take on that musical movement). But that jibes with what is obviously a concept with music videos that look like its borrowing the aesthetics of an un-cool era, particularly the Super-8 vibe of the video for “Nothing Personal,” to pull listeners, and presumably those attending the show, out of everyday consciousness. Across his career as a musician, Svenonius and his partners have attempted to make music to engage both body and mind whereas much of modern culture and entertainment seems aimed at atomizing us as people from each other but also within ourselves. That the show is booked at something outside the usual purview of a bar or conventional venue should be telling as well regarding the aims of the performance.

Friday | March 15

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Josh Ott, photo courtesy the artist

Who: Adia Victoria wNina and the Hold Tight and Brother Sister Hex
When: Friday, 03.15, 7:30 p.m.
Where: Larimer Lounge
Why: Adia Victoria’s 2016 album Beyond the Bloodhounds introduced the world to the songwriter’s brooding, expressive, bluesy songwriting. Her 2019 album Silences finds Victoria expanding her sound, now operating in a realm somewhere between Rubblebucket’s soulful pop and Nick Cave’s smoldering intensity.

What: LEAF Night 1: Performances
When: Friday, 03.15, 7 p.m.
Where: Colorado Music Festival & Center for Musical Arts
Why: This year’s edition of the Lafayette Electronic Arts Festival kicks off with a bevy of visionary avant-garde electronic music. This year’s programme of performances will inclue: Derek Holzer – Vector Synthesis AV Performance, Janet Feder and Joshua Ott – Prepared Guitar & Electronic Image, L’Astra Cosmo – AudioVisual Vector Synthesis, Sean Winters & Angie Eng – Piano and Electronic Image. In the cozy yet spacious performance space that is the Colorado Music Festival & Center for Musical Arts, these performances showcase some of the new ways in which creative people are integrating technology in both the musical and visual realm with concepts driving their application. Curated by David Fodel, LEAF strives to bring unique experiences that connect cutting edge artists with audiences/participants open to experiencing something you’re not likely to at a conventional music venue of any kind or all that much in academia either. Heady stuff.

What: Meet the Giant, Dead Orchids and Altas facebook.com/events/326517057982697
When: Friday, 03.15, 8 p.m.
Where: BarFly
Why: A free show and a bill that includes some of the best bands in Denver. Meet the Giant is an emotionally charged dream pop/rock band who are playing music with atmosphere and delicacy and nuance but delivered like its three members spent a youth in punk. Dead Orchids is a beautifully gloomy, bluesy, experimental rock project. Altas may be collectively the funniest band in Denver but the electrifying grandeur of its visceral instrumental rock lacks not for serious explorations of inner space.

Saturday | March 16

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Janet Feder, photo courtesy the artist

What: LEAF Night 2: artistTalks
When: Saturday, 03.16, 7 p.m.
Where: Colorado Music Festival & Center for Musical Arts
Why: This second night of the Lafayette Electronic Arts Festival includes the presentations/artistTalks, rather than performance, component of the event with a programme as follows: Derek Holzer – A Media Archaeology Of Vector Graphics, Jason and Deborah Benagozzi – What IS Signal Culture? The Signal IN the Culture, libi rose striegl – Digging In: A hands-on Guide to Media Archaeology, Janet Feder – Trip Sitting: A guided journey along the timeline of psychedelia.

What: Lipgloss pressents: Alice Glass DJ set w/Boyhollow
When: Saturday, 03.16, 9 p.m.
Where: Ophelia’s Electric Soapbox
Why: Alice Glass’s musical output since her departure from Crystal Castles in 2014 has been a showcase for a gift for poignant expressions of agonizing emotional turmoil and strength in the face of being torn up from the inside out.

What: Johnlukeirl fka DJ Clap, Techno Allah, Kid Mask, DJ JFK, Timelord SFX, Blank Human and Wayzout
When: Saturday, 03.16, 8 p.m.
Where: Thought//Forms Gallery
Why: A night of music where ambient, experimental dance and noise meet. A bit more on the bright tones and compositions bordering on an updated version of chillwave on the beats with Johnlukeirl and downtempo ambient noise and glitchcore with Kid Mask along with analog-synth driven ambient with Blank Human so definitely not all of a piece.

Sunday | March 17

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Motherhood, photo by Emulsion Lab/Kyle Cunjak

What: Sliver, Motherhood (CAN), Weep Wave (Seattle) and Thatcher
When: Sunday, 03.17, 8:30 p.m.
Where: Lion’s Lair
Why: This’ll be an eclectic bill with Sliver’s post-grunge bursts of arresting emotional intensity, Weep Wave’s lo-fi psychedelia akin to the likes of Caustic Resin and some of the weirder bands on the Siltbreeze imprint, Motherhood’s math-y art punk rendering of high concept pop songs (see our interview with the band here) and Thatcher’s Velocity Girl-esque shimmery melodies.

Monday | March 18

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JPEGMAFIA, photo courtesy the artist

What: Vince Staples w/JPEGMAFIA and Trill Sammy
When: Monday, 03.18, 7 p.m.
Where: Ogden Theatre
Why: Vince Staples and JPEGMAFIA are two of the most incisive critics of modern culture and the music industry. With a massive knowledge of music far beyond hip-hop both artists have some of the most sonically interesting beats going.

What: Endless, Nameless, Balms, Wander, YUFI64, Old Soul Dies Young
When: Monday, 03.18, 8 p.m.
Where: Seventh Circle Music Collective
Why: Denver-based, introspective math rock band Endless, Nameless celebrates its return from its most recent tour this night. Also on the bill is Balms from San Francisco whose fuzz-tinged shoegaze sounds like the melodic analog of waves crashing against jagged rocks. Fans of Ceremony’s most recent music or True Widow will find much to like about Balms. Its debut full-length Mirrors was released in February 2019. Wander is a post-rock band from the Bay Area (San Leandro) whose own dynamic buildups are reminiscent of the subtle yet irresistible flow of ocean tides and coastal breezes.

What: Blood Incantation, Of Feather and Bone, Black Curse, Prison Glue and Many Blessings
When: Monday, 03.18, 7 p.m.
Where: Syntax Physic Opera
Why: Blood Incantation is a band that sounds like its members are having fun with the sonically absurd possibilities inherent to an over-the-top-yet-technically-challenging genre like death metal. The result is one of the most unusual and powerful live bands you’re likely to see in the realm of metal or anything else. But the band and everyone else on this bill is coming together for a fundraiser for James Trejo of Cadaver Dog and various other projects who was assaulted on tour resulting in a broken orbital floor in his face. Some people’s children.

Tuesday | March 19

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The Black Queen, photo by Jen Whitaker

What: The Black Queen w/Uniform and SRSQ
When: Tuesday, 03.19, 7 p.m.
Where: The Marquis Theater
Why: The Black Queen is a darkwave band from Los Angeles comprised of former members/associates of The Dillinger Escape Plan and Nine Inch Nails (including Joshua Eustis who also writes and performs music as Telefon Tel Aviv). Its sound combines ethereal dream pop guitar sounds with the sort of soulfulness found in a lot of 80s synth pop. But with a more modern take as though vocalist Greg Puciato wasn’t just familiar with Talk Talk and Heaven 17 but Perfume Genius and Big Black Delta. In 2018 the group released its second album Infinite Games the day it played the prestigious Cold Waves festival (the Los Angeles edition). But this bill isn’t short on noteworthy artists out of the new industrial and darkwave era. Uniform’s confrontational and political minimal synth and industrial assault is along for this show as well as SRSQ (pronounced seer-skew), the now project from Kennedy Ashlyn, the vocalist and keyboard player of Them Are Us Too. The new music is ethereal with emotionally arresting vocals as one might expect but also with more a downtempo, yet majestic, after-hours dance club vibe. The SRSQ album, Unreality, came out on Dais Records in 2018.

What: Mike Krol w/Vertical Scratchers and Slugger
When: Tuesday, 03.19, 7 p.m.
Where: Globe Hall
Why: Mike Krol did it right. Emerged during the wave of the recent garage rock/psychedelic rock revival of the 2010s where his fuzz-drenched, wiry melodies fit in with the biggest movement in underground rock in years. Then came out the other end of the wave with his knack for snappy, wiry melodies and charmingly lo-fi production intact. Sure maybe you can hear the touches of Jay Reatard and the Oblivians in the music but Krol’s own spiky highlights and tonal gyrations are his own and his 2019 album out on Merge Records, Power Chords, showcases all of that as well as the songwriter’s keen psychological insight and gift for poetic turns of phrase.
What: Remain and Sustain, Meth., Motherhood, Its Just Bugs and Non Systemaddict
When: Tuesday, 03.19, 7 p.m.
Where: Seventh Circle Music Collective
Why: Seventh Circle gets plenty of experimental music through the door but this night is one that’ll be fairly mixed. Meth. is a Chicago-based noisecore band that mixes some genuine soundscaping into its set. Its Just Bugs is a confrontational hip-hop band from Colorado that often uses industrial beats and noise. Motherhood is a trio from Fredericton, New Brunswick that combines high concept songwriting with playfully intricate art rock. Remain and Sustain is a sort of deathgrind/hardcore band from Denver. To name a few.

Wednesday | March 20

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Better Oblivion Community Center, photo by Nik Freitas

What: Metric & Zoé w/July Talk
When: Wednesday, 03.20, 6:30 p.m.
Where: The Fillmore Auditorium
Why: Metric’s latest album, 2018’s Art of Doubt, crafts a complex narrative commentary on the factious times in which we live. Rather than something so heavy-handed and topical., the lyrics explore the psychological and existential gyrations that seem to have been reflected on the backdrop of a time of great peril, tension, hope and a desire for relief knowing that tough decisions can no longer be put off as we sit on the brink of climate disaster and extinction. That, in fact, an overwhelming sense of doubt blooms from everyone’s psyche inspiring extremes of feeling and the expression thereof. Across the album the band channels those feelings and rides out the eddies of the flow of feeling and the maddening peaks of heightened emotion. In the live setting Metric manifests its colorful and passionate songwriting in a cathartic and captivating manner so this might be a tour to catch.

What: Better Oblivion Community Center w/Lala Lala and Christian Lee Hutson
When: Wednesday, 03.20, 7 p.m.
Where: Gothic Theatre
Why:Better Oblivion Community Center is the latest band from Phoebe Bridgers and Conor Oberst. So yes, literate, thoughtful, refreshingly rough around the edges and emotionally vibrant and warm.

Best Shows in Denver 5/24/18 – 05/30/18

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High Plains Honky, photo by David Sands

Thursday | May 24, 2018

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Bianca Mikahn, photo by Tom Murphy

Who: Glasss Presents The Speakeasy Series Season 2: Left Handed Electronics, Grrrl, Bianca Mikahn
When: Thursday, 05.24, 7 p.m.
Where: Hooked On Colfax
Why: Bianca Mikahn’s combination of almost free verse poetry and beats should be well within the canon of hip-hop and ultimately is. But her delivery and her crafting of her songs has as much in common with the kind of hippie-ish, open mic, slam poetry world as it does with any hip-hop context. Mikahn’s ability to critique society at large while speaking to those issues with a compassion and positive spirit minus any note of insincerity sets her apart from most other artists. That her beats contains elements of noise and melodic ambient music makes her immediately accessible music an otherworldly dimension even as the songs are grounded in fairly earthbound experiences.

Who: High Plains Honky 7” release w/Casey James Prestwood and the Burning Angels Band and Danny Dodge & The Dodge Gang
When: Thursday, 05.24, 8 p.m.
Where: Hi-Dive
Why: If Ronnie Milsap had gone a little more honky tonk with a grittier voice, the results might sound a bit like High Plains Honky. The group is releasing its latest seven inch record tonight at the Hi-Dive joined by a couple of other bands who are no slouches in the local country scene. Maybe comparing a Denver band to a best selling artist like Milsap seems like a bit much to some but what made him such a compelling songwriter beyond the masterful combination of musicianship and an ear for catchy and evocative melodies is the vivid storytelling. High Plains Honky have both qualities as well as no holding up of the nose at pop conventions used in a country context. “Goin’ All The Way” and “I Know Where You Go,” the two sides of the record, seem so relatable even if country music isn’t your thing. A tastefully tiny hint of psychedelia haunts the edges of the music and the aspirational, anthemic quality of the stories suggest a deep knowledge of personal reality but needing to write the songs to escape being too bogged down by current circumstances to go after what you really want while also honoring the emotions subsequent to the potential disappointment, pain and lack of resolution that is a part of everyday life. High Plains Honky invites its listeners to dream just a little bit and to embrace their heartsickness.

What: Girls Rock Denver: Showcase series 7-11 p.m.: Dressy Bessy, Rotten Reputation, Contender, Cheap Perfume, Surf Mom, The Catcalls and Mirror Fears
When: Thursday, 05.24, 6:30 p.m.
Where: Hi-Dive
Why: This is a fundraiser for Girls Rock Denver to give some of the young women who want to be involved a scholarship to this summer’s programme and beyond. For your donation you get to see some of the best local bands from the indie pop legends Dressy Bessy, punk rock phenoms Rotten Reputation and Cheap Perfume, fuzz rock feminist rock band Surf Mom and electronic dream pop start Mirror Fears.

Who: DOA and MDC
When: Thursday, 05.24, 8 p.m.
Where: Streets of London
Why: In the annals of hardcore outside of American coastal cities, DOA and MDC have to be considered two of the most important acts out of that movement. DOA from Vancouver, British Columbia, was one of the hardest touring bands for years, spreading the gospel of hardcore across the continent and whose album Hardcore ’81 is, perhaps apocryphally, is often cited as the first use of the term in connection to the musical movement. DOA’s political songs struck personal tones in Joe Keithley’s deft songwriting allowing the band’s music to have an appeal beyond agreeing with every iota of the band’s politics. MDC started in Austin, Texas as The Stains with similarly political punk songs that were more left than most of its peers at the time. It didn’t hurt that singer Dave Dictor seemed to havea personal agenda to push the envelope with fans in his stage persona as the ultimate freak and always with the aim of challenging reductive notions of animal and human rights. Listen to that first MDC album and it’s clear that Dictor was an unabashed critic of police brutality and creeping fascism in a way that makes those songs and their specific anti-authoritarian tone even more relevant now.

Who: The Blackouts w/Adrian Conner (Hell’s Belles) and We Are Invisible and Wild Call
When: Thursday, 05.24, 8 p.m.
Where: 3 Kings Tavern
Why: The Blackouts are an all female rock band that really shows how you can have a fairly straightforward hard rock band and not fall to the boring tropes that happen with too many bands with roots in punk and metal. Adrian Conner from the great all-female AC/DC cover band Hell’s Bells is also playing this show as well as Wild Call, a band whose forthcoming album is reminiscent of White Hills and Medicine.

Who: Amy Shark and Tomi globehall.com/event/1663566-amy-shark-denver
When: Thursday, 05.24, 7 p.m.
Where: Globe Hall
Why: Amy Shark is a pop songwriter from Australia whose 2016 single “Adore” caught the attention of tastemakers in Australia and the song was reissued by Sony Music Australia. That Shark was either in her late 20s or 30 when the song came out explains a bit how her voice and the perspective present in the song had a bit of depth and more of the weight of experience than would be the case of a pop artist a decade or more younger. Shark’s debut full-length, Love Monster, will drop in July 2018 so you can catch her live tonight at Globe Hall before everyone has heard of her.

Friday | May 25, 2018

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Demo Taped, photo by Savannah Ogburn

Who: Amber Mark w/Demo Taped and Adiel Mitchell
When: Friday, 05.25, 8 p.m.
Where: Marquis Theater
Why: Amber Mark seemed to come out of nowhere when she uploaded her song “S P A C E” to Soundcloud in February 2016. Her voice strong and assured, drawing immediate comparisons to Sade for those qualities and a soulfulness one rarely hears in someone just twenty-two years old. But Mark had something to say and in subsequent singles like “Monsoon,” Mark revealed herself to be a brilliantly poetic songwriter. The 3:33 a.m. EP followed in 2017 and in 2018 Mark released the EP Conexão. Joining her on the Denver date of the tour is Adam Alexander, aka Demo Taped. His electronic pop songs are bright and upbeat but the subject matter of his songs run a broad range of subjects including struggles with anxiety and insecurity. His nuanced and layered songwriting manifested especially strongly on his 2018 EP Momentary.

Who: Orbit Service, Church Fire, The Drood and DJ Mudwulf
When: Friday, 05.25, 9 p.m.
Where: Lion’s Lair
Why: Denver ambient/space rock legends Orbit Service don’t play many shows these days and even less often at a dive bar like Lion’s Lair. The project’s primary figure, Randall Frazier, has been responsible for maintaining and putting together some of the best live sound in Denver rooms like Walnut Room and Ophelia’s Electric Soapbox as well as championing experimental music in the local scene and collaborating with Edward Ka-Spel of Legendary Pink Dots fame. And that would be reason enough to go to this show but also on the bill are Church Fire, a band one might describe as industrial synth pop but its inspired and emotionally fiery performances elevates what could be considered excellent dance music to a higher level. Also, The Drood, a dark, psychedelic, avant-garde prog band.

Who: How To Measure the Weather: Tobias Fike, Ryan Wade Ruehlen, Kari Treadwell, Scott Ferguson
When: Friday, 05.25, 6:30 – 7:30 p.m.
Where: Emmanuel Gallery
Why: This show has been described as a “migratory sound installation” meaning the performers, members of the Flinching Eye Collective, will move their respective sound-making rigs to take advantage of the Emmanuel Gallery on Auraria campus, one of the oldest buildings in Denver, and its architecture to provide a truly unique, one-off environmental sonic experience.

Who: Muscle Beach w/Colfax Speed Queen, Kenaima and Voight
When: Friday, 05.25, 8 p.m.
Where: Hi-Dive
Why: Confrontational, arty hardcore. Furious post-psych garage punk. Crushing, post-hardcore noise rock. Emotionally-charged, industrial post-punk. Also, four of Denver’s best, most interesting and always compelling and entertaining live bands.

Who: Super Bummer album release w/Eye and the Arrow and King Eddie
When: Friday, 05.25, 8 p.m.
Where: Syntax Physic Opera
Why: Super Bummer may be both one of the most ironic and yet accurate names in Denver underground music. The band’s melancholy compositions sure do articulate life’s downbeats with sincerity and self-deprecating humor—a rare combination. Its new album, Big Ambition, out on GROUPHUG, comes out tonight at Syntax where the band will share the stage with the broodingly melodic Americana band Eye and the Arrow and King Eddie, whose 2017 album Holographic Universe is a rabbit hole of beautifully enigmatic sounds and ideas to get lost in across its nine tracks.

Who: La Luz w/Savila and The Kinky Fingers
When: Friday, 05.25, 8:30 p.m.
Where: Larimer Lounge
Why: La Luz may have originally been (and continue to be) inspired by 60s surf rock giants and the great girl groups of the era. But the Los Angeles-based group have long since made their own mark in music, especially with its 2018 album Floating Features, out on Hardly Art. Spooky and soulful, La Luz have mastered the art of nuanced emotional textures and mood so that its songs can be urgent and spend passages of sound swirling in the sweeping heat of a memory that unexpectedly rushes back into your consciousness triggered some moment or detail you encounter in the present. Denver’s The Kinky Fingers possess similar powers of evoking vivid emotions and imagery with their own surf-rooted rock songs.

Saturday | May 26, 2018

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Victoria Lundy, photo by Tom Murphy

Who: Victoria Lundy, Snails and Oysters, Sporehive, Denizens of the Deep and Floating Cave, DJ sets by Franklin Bell and visuals by Orchidz3ro
When: Saturday, 05.26, 2:30 p.m.
Where: Mutiny Information Café
Why: An entire afternoon of some of Denver’s most interesting experimental and avant-garde bands. For instance, Snails and Oysters used to be just Joe Mills but is now a duo creating organic ambient music using rock instruments in unconventional ways. A project that cites psych folk legend Sandy Bull, the artist that did an arrangement of Carl Orff’s symphonic opera masterpiece “Carmina Burana” for five-string banjo and released it on a debut album in 1963, is definitely not coming from predictable places. While every act on the bill is worth checking out and nothing really much like each other, the star of the show is Victoria Lundy who at one time people might have said is better known for being the Theremin player in The Inactivists. But by now she has established herself locally as a gifted composer of electronic and ambient music with the Theremin and synth. One thing that sets Lundy apart is that her music tends to be free of transient, modern culture reference tropes and is rooted in 20th century classical and the first wave electronic music avant-garde. And yet, Lundy makes her music accessible and emotionally engaging. There is plenty of intellect going into the making of the music and the craft and technology but the art comes from the heart.

Who: 102 Wires
When: Saturday, 05.26, 5 p.m.
Where: Bar Max
Why: This is a celebration of the possibilities of guitar in music beyond the typical use of the instrument in popular or even experimental music. Read our interview with organizer Kevin Richards here.

Sunday | May 27, 2018

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eHpH, photo by Tom Murphy

What: A Life Celebration For Steve Gordon
When: Sunday, 05.27, 1 – 4 p.m.
Where: Mercury Café
Why: This will be an event honoring the late, great, Steve Gordon. Steve was a visual artist, sculptor and musician who contributed greatly to the local avant-garde improvisational and ambient music scenes in Denver. Steve passed away in early May following a prolonged battle with cancer but as a widely admired figure, his legacy of excellence, originality, humanity and humor will continue to have an impact in the Denver art world for years to come. For the event friends and collaborators will share stories, music, poetry, food and drink. Read Lauri Lynnxe Murphy’s excellent piece on Steve for Westword here and our own interview with the artist from November 2017 here.

Who: Textures featuring Tunica Externa, paperbark, Lepidoptera
When: Sunday, 05.27, 7 p.m.
Where: Mutiny Information Café
Why: This will be John Mulville’s last show in Denver for a while as he’s moving back to Minneapolis for the duration. His ambient project paperbark has brought some of the most compelling, textured to grace Denver spaces in recent years. Generating sounds with treated modular synth tones, Mulville’s compositions suggest natural spaces with a physicality suggested by the earlier reference to texture. It’s like you experience a tactile sensation through a creative crafting of atmosphere. Though Mulville will be back through town, we won’t have the luxury of catching any of his soothingly hypnotic sets regularly.

Who: ManifestiV, Bloodied, eHpH and Keldari Station
When: Sunday, 05.27, 7 p.m.
Where: Seventh Circle Music Collective
Why: ManifestiV from Vallejo, California sounds like it came out of the intersection of the burner community that embraces both industrial music, electronic dance and New Age concepts in the use of sound. But it works though at times you expect it to be the soundtrack to some kind of hippie-esque cyberpunk video game. But who wouldn’t want to play that game? Denver’s Keldari Station sounds like it’s coming from a similar place but its own music is more pop, has more elements of dub and old school glam rock. eHpH, like the other bands on this bill, is a duo with a penchant for dark, atmospheric music. Except this duo has managed to combine EBM with industrial rock without sounding like they’re trying to fit in with the tired old Goth scene sound of the 90s and 2000s. The band’s music is more experimental, more nuanced in its emotional expressions, than bands who really want to be a new version of Suicide Commando.

Tuesday | May 29, 2018

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King Tuff, photo by Olivia Bee

Who: King Tuff w/Cut Worms and Sasami
When: Tuesday, 05.29, 7 p.m.
Where: Globe Hall
Why: At the end of his last tour, Kyle Thomas was sick of the party monster persona he had cultivated for years as King Tuff. The pressure to live up to something you’re not because it benefits you professionally and to some extent artistically erodes you more than a little on the inside and Thomas was feeling it. “I was a lost soul,” Thomas posted on his website regarding the release of his 2018 album The Other. “I didn’t know who I was anymore.” The new record is certainly a bit of a departure for Thomas. Any trace of the garage rock that informed his earlier releases is pretty much gone. There is a soulfulness and an overt spirit of experimentation running through all the songs for the release. In moments its tinge of futuristic funk and glam prog are reminiscent of I Robot period The Alan Parsons Project.

Also playing this show is Cut Worms. The band’s main creative force is Max Clarke who seems tapped into a mid-60s pop sort of sound and aesthetic. There is a simplicity and clarity of melody and songwriting that we’ve heard plenty of, likely, in this era of mining past decades for artistic inspiration. But especially on Clarke’s 2018 album Hollow Ground the subject matter isn’t so clean and tidy and his songs, like the era it perhaps sonically echoes, reflect a self-aware sense of social anxiety, a painful yearning but struggling with real or endlessly imagined inability to not fuck things up somehow and a willingness to stumble and scrape through even if life doesn’t always, or never does, turn out as planned or hoped. The brilliance comes in striking that balance—being real alongside the sounds of a time many romanticize in spite of the dark and grisly underbelly of people’s lives and the culture itself.

Who: Broncho w/The Paranoyds and Valen
When: Tuesday, 05.29, 8:30 p.m.
Where: Lost Lake
Why: Broncho formed in 2010 in the wake of the dissolution of indie pop weirdos Starlight Mints. Ryan Lindsey of the latter, went on to play guitars, keys and perform lead vocal duties in Broncho. The four-piece has always been kind of an outsider in the music world in that it never really fit in with any emerging trend and was probably too weird to hit it big time in the mainstream. But Lindsey knows he doesn’t belong there. At this point, Lindsay has already done his time deconstructing pop in Starlight Mints and it’s obvious that subverting the tropes of indie, garage and psych rock this past decade isn’t as interesting as it might have been a few years ago. 2016’s Double Vanity found Broncho excavating and exploring some of the sonic ideas that Phil Elverum was onto on those final two The Microphones records, 2001’s The Glow Pt. 2 and 2003’s Mount Eerie. But without imitating Elverum’s richly imaginative and innovative soundscaping. With any luck, this version of Broncho will represent the band’s next phase of its injecting the pop format with expansive ideas and sounds.

Wednesday | May 30, 2018

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Gang of Youths, photo by Sergey Osipov

Who: Gang of Youths w/Hannah Wicklund & The Steppin Stones
When: Wednesday, 05.29, 7 p.m.
Where: Globe Hall
Why: Gang of Youths’ 2017 sophomore album Go Farther in Lightness garnered near universal acclaim in the band’s home country of Australia. Rightfully so. It has the poetic insight and depth of early Bruce Springsteen and more recent from Titus Andronicus. Like both of those artists, Gang of Youths has a gift for taking the mythical/universal aspect of everyday experiences and giving it a poignantly personal expression. There’s a song called “What Can I Do If the Fire Goes Out?” that goes beyond that whole rediscovering your bliss and your passion nonsense. But it’s a whole record of songs that might seem like a collection of trite platitudes but in the end are the exact opposite. It’s highly energetic indie rock but the emotional and intellectual content run a lot deeper with Gang of Youths.

Who: Nunofyrbeeswax w/Open to the Hound, Claudzilla and Rat Bites
When: Wednesday, 05.30, 8 p.m.
Where: 3 Kings Tavern
Why: Berlin’s Nunofyrbeeswax brings together aspects of indie pop, naïve lo-fi rock and outsider pop in its music. Good thing its on a bill with local weirdos in keytar punk Claudzilla, gritty indie pop outfit Open to the Hound and Germs-esque noise punkers Rat Bites.

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White Hills, photo by Simona Dalla Valle

Who: Ufomammut w/White Hills and Tjutjuna
When: Wednesday, 05.30, 8 p.m.
Where: Hi-Dive
Why: Saying Ufomammut is a doom metal band from Italy is a bit like saying that Neurosis is a post-hardcore band from the Bay Area. Clearly Neurosis found some kinship with the trio from Tortona, Italy because Neurot Recordings issued the group’s most recent four records in the USA. Ufomammut’s music has elements of doom and sludge metal but its psychedelic drones and industrial sounds have more in common with the other bands on the bill than a straightforward doom band.

New York City’s White Hills has been exploring past settled territories of modern psychedelic rock since its 2003 inception. The duo of Dave W and Ego Sensation use drum machins and sampled rhythms to set a frame in which each can weave a mind-altering and hypnotic soundscape of vivid tones and dark atmospheres. The band’s storytelling and Dave’s vocals are reminiscent of what one might hear on a Legendary Pink Dots or Skinny Puppy album in which there’s no rockist self-aggrandizement or empty calories rhetoric. Dave has something to say, observations to make and narratives to give in his songs that are frankly worth listening to in themselves but couched in an immersive experience in the listening and especially so in the live setting. The group’s 2017 album Stop Mute Defeat, out on Thrill Jockey, is a major leap forward in terms of capturing the band’s masterful use of mood, texture and atmosphere to craft psychological experiences in the form of song.

Denver’s Tjutjuna rarely plays live shows these days, but the band and its talent for krautrock-inspired mind-expanding drones and percussion was always ahead of the curve of so-called “psychedelic rock” bands in the Mile High City. Like White Hills, Tjutjuna is no stranger to employing motorik beats except with a live drummer and the clear melding of the aesthetics of psych, noise and the avant-garde sets the group galaxies ahead of indie rockers who recently discovered how to maybe use reverb pedals with chorus. Quaint. Tjutjuna? Not so much.

Best Shows in Denver 03/01/18 – 03/07/18

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Melkbelly performs with Bully on Monday, March 5, 2018. ,Photo by Lenny Gilmore

Thursday | March 1, 2018

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Oryx, photo by Alvino Salcedo

Who: EyeHateGod w/Oryx, Tricoma and Blighter
When: Thursday, 03.01, 7 p.m.
Where: The Marquis Theater
Why: Oryx was a nearly ubiquitous name you’d see on the heaviest bills around Denver for a while. But the band seems to have hunkered down to write, refine and record its new album, 2018’s Stolen Absolution. Maybe “refine” is the wrong word as the record is a raw blast of rage and disgust with the bleak state of the world from the impending collapse of the natural environment as we used to know it and the utter shabbiness in the ways too many of us humans treat one another. It doesn’t sound despairing, it sounds more like a cry for humanity to get its collective shit together before we make one mistake too many. The crust/grind/black metal duo is releasing the album at this show in which its sharing the bill with like-minded, New Orleans sludge legends EyeHateGod, Denver purveyors of death doom Tricoma and Blighter, Colorado Springs’ titans of bridging the gap between crust punk and the heaviest of metal.

Friday | March 2, 2018

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Briffaut, photo by Kitty Colvin

Who: Briffaut album release w/Down Time and In/Planes
When: Friday, 03.02, 8 p.m.
Where: Syntax Physic Opera
Why: Briffaut’s new album, Helsinki, has a hazy lushness and freeform yet structured songwriting style that suggests jazz underpinnings. But mostly its soft tones and beats, its Mellotron-tinged and drifty atmospheres and idiosyncratic storytelling evoke imagery both surreal and all-too-real in the offhand everyday detail style employed by director Mike Mills. Musically it’s reminiscent of early The Helio Sequence and Animal Collective or even mid-2000s of Montreal—gorgeous melodies intertwined with noise and sound experiments to create a kind of pop music that pushes boundaries and has more long term durability as something you can listen to twenty or more years from now and still get something out of it that isn’t tied purely to nostalgia for one’s youth. In/Planes is apparently rooted in classic American pop meaning the duo has researched songwriters and music that has long fallen out of style but which never lost a certain emotional resonance and sophistication of craft that transcends time. The band’s refreshingly uncluttered songs are warm and soulful while not seeming to have done more than borrowed touches of doo wop and Brill Building-era pop. All of this can be heard on the band’s excellent 2017 EP Everything. Down Time reinvented indie pop in its brilliantly idiosyncratic style as heard on its debut 2017 full-length Good Luck!. Live the group has a striking freshness and inventive soundscaping that’s undeniably compelling.

Who: Jane/Eyre – Grapefruit Lab and Teacup Gorilla w/Dameon Merkl on vocals
When: Friday, 03.023, 7 p.m.
Where: The Bakery
Why: As we mentioned last week this is a queer adaptation of Charlotte Brontë’s classic 1847 coming-of-age novel. So it’ll be storytelling and songs provided by the Grapefruit Lab collective and Teacup Gorilla who are bringing in noted local frontman and raconteur extraordinaire, Dameon Merkl who some may know as one of the vocalists in Lost Walks as well as his turns in 90s punk band Random Victim and noir rock phenoms Bad Luck City. Because it’s Teacup Gorilla, a band that has long developed a relationship with theater and writing experimental rock music that can only loosely be defined as post-punk or glam rock because its imaginative songwriting and musicianship is much broader than a single genre. The run of this production concludes this weekend with shows on Friday evening March 2 ( and will include a performance from Ersatz Robots), Saturday evening March 3 with a surprise musical guest, and Sunday for a matinee performance at 2 p.m.

Catch this one before it ends because as far as adaptations of classic novels go it’s irreverence and faithfulness to the spirit of the book is rivaled by, if not in budget, sheer spectacle huge cast and production values, Peter Jackson’s Tolkien films and Game of Thrones. But none of the sword and sorcery though with plenty of high drama and the supernatural. The live soundtracking and Merkl as the sound of troubled and tortured spirits helps to enhance the brilliant three cast-member presentation.

Who: Velvet Acid Christ at Purgatory 3-2 w/Offerings to Odin, DJ Mudwulf, DJ Bloodline, DJ Julian Black
When: Friday, 03.02, 9 p.m.
Where: Bar Standard
Why: Although in recent years Velvet Acid Christ has more than doubled the number of shows that he played in Denver in the first twenty years of the band’s existence, it’s not like he plays every week, every few months or even really every year. VAC began in the early 90s and became an influential and popular EBM act in its own right with a knack for surrealistic imagery and darkly humorous storytelling. It’s been a few years since we’ve seen any original releases from VAC so maybe in 2018 perhaps Bryan Erickson, the band’s sole full-time member, will put deliver a new set of dystopian future dance songs.

Who: R A R E B Y R D $, EVP, Bianca Mikahn, Giraft
When: Friday, 03.02, 9 p.m.
Where: Denver Bicycle Café
Why: This is a Glasss Presents show three of the imprint’s best acts are on the bill. R A R E B Y R D $ is making the kind of hip-hop that is beyond conscious, beyond merely experimental but always human and thoughtful in its exploration of the impact of society and our own minds in how we navigate life. EVP is difficult to describe in simple genre terms. Part punk, part industrial, part pop, part noise. Bianca Mikahn…does she make hip-hop or super experimental, poetry driven R&B? Whatever it is, Mikahn’s insightful words weaves together her personal vision of a more loving and inclusive future. Giraft is Julianna Beckert and Chris White who make a kind of post-IDM downtempo. White some may remember for his masterful bass work in Alan Alda and Voices Underwater.

Who: Modern Leisure (album preview party) w/Kissing Party and Bark Wilson
When: Friday, 03.02, 8 p.m.
Where: Lost Lake
Why: Modern Leisure is previewing its forthcoming debut full-length album (set for a summer release). Good thing the band is joined by another that brings some dignity to the term pop when applied to a modern indie rock band. That being Bark Wilson. Layered atmospheres and rhythms that you don’t often hear in a pop band are Bark Wilson’s noteworthy hallmark. Kissing Party has a whole catalog of heartbreaking/heartwarming songs about love and disappointment. Don’t let the band’s sometimes irreverent and sardonic stage persona fool you, they mean those songs and that’s what saves them from being quaintly romantic because despite any flaws, the group performs the songs with a sincerity to match the sentiments.

Who: Adult Swim Presents: Mr. Pickles’ Trash-tacular featuring Exodus, Municipal Waste and Call of the Void
When: Friday, 03.02, 7 p.m.
Where: Summit Music Hall
Why: The nerd and metalhead world has a lot of overlap. Did Mr. Pickles exert his demonic powers to influence the choice of line-up? If so, he certainly has good taste. Exodus is the influential Bay Area thrash band that helped to establish the genre. After all, Kirk Hammett left Exodus to join Metallica so the thrash pedigree is undeniable. But it’s Gary Holt’s crunchy and driving, expressive, guitar style and his tasteful solo as lead is oft imitated by rarely equaled. Virginia’s Municipal Waste, though coming along in the beginning of the Twenty-First Century, has exerted influence of its own inspired by 80s crossover groups. Its guitars sound like the perfect blend of thrash and late-era first wave hardcore. But its rhythm, particularly the drums, sound borderline grindcore. But Municipal Waste is perhaps best known for its irreverent sense of humor. A band that calls one of its videos “Thrashin’s My Business…and Business is Good has to get some points for iconoclasm. Call of the Void you wouldn’t call a crossover band even though its grind and hardcore amalgam might give that impression. Its sound is more savage than the typical crossover band but its articulation of pushing the sound of despair and desperation to the extreme as a form of catharsis is often just what you need.

Saturday | March 3, 2018

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Paperbark, photo by Tom Murphy

Who: Centered Vol. 2: {arsonist}, C. Reider, Paperbark, Luxury Hearse
When: Saturday, 03.03, 8:30 p.m.
Where: The Ubisububi Room
Why: This is going to be a kind of ambient/modular synth show in the basement of The Thin Man. With Paperbark, John Mulville uses his modular synth to make abstract sounds that capture textures and the feeling of being in the natural world even as it is completely unnatural, as it were, in generating his soundscapes. C. Reider’s vast catalog of fascinating sound experiments and compositions can be found most readily on his Bandcamp page. With releases going back to the late 80s, Reider is something like Colorado’s Aphex Twin except less on the glitch end and more on the avant-garde and ambient end of electronic music. Pittsburgh’s {arsonist} employs layered atmospheres, textures and strings to create otherworldly compositions reminiscent of The Future Sound of London side project Amorphous Androgynous. Luxury Hearse has a pretty diverse set of sounds but some of its best work sounds like a super chill, secret dance club for minimal synth heads.

Who: KGNU and Lion’s Lair Quarterly Showcase: Simulators, Mirror Fears, Joseph Lamar, Rich Jones and CRL CRRLL (DJ set after Rich Jones)
When: Saturday, 03.03, 8 p.m.
Where: Lion’s Lair
Why: KGNU is one of the few legit radio stations taking real chances with its programming these days (having a community sponsored format probably helps). So every quarter the station has been working with Lion’s Lair to book a showcase of some of the more forward thinking and experimental music in various spectrums of the local music world. This particular event is also a Fasor Records mini-showcase. The label started by CRL CRRLL will probably include like-minded artists who push the boundaries of where electronic dance music and hip-hop production intersect. As indicated above, CRRLL will do a DJ set. Also on hand for this show are raw and spare post-punk duo Simulators, maximalist, deeply emotional and socially critical electronic artist Mirror Fears and Joseph Lamar who has found a sweet spot with his solid songwriting based in indie rock, jazz, experimental electronic music and a theatrical performance style.

 

Who: Pretty Mouth, The Patient Zeros and Kitty Crimes
When: Saturday, 03.03, 9 p.m.
Where: Streets of London
Why: This is going to be a different kind of show. Pretty Mouth is Marie Litton’s more Americana side of her songwriting. That said, there is a spiritual quality to Litton’s songs and performance even though she seems to be writing from a life that hasn’t been short on struggle, heartache and a deep love for people and of living like you mean it. The Patient Zeros are in a similar realm of songcraft but more in a rock and roll vein. Too many bands have tried to be “rock and roll” but The Patient Zeros’ songs don’t sound like they learned about Jack White a few years ago but have none of the poetry or genuine swagger. The Patient Zeros never come off like the second-rate Kings of Leon. Kitty Crimes…Maria Kohler has always been up to some noteworthy music including Science Partner and Mercuria and the Gem Stars. Kitty Crimes has been sort of a dirty rap project but in Kohler’s hands there’s an elegance and transformative quality that renders that sort of thing into something fun and worth your time above and beyond the appeal of anything transgressive but not inherently harmful.

Monday | March 5, 2018

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Bully, photo by Alysse Gafkjen

Who: Bully w/Melkbelly
When: Monday, 03.05, 7 p.m.
Where: Larimer Lounge
Why: Bully’s first album, 2015’s Feels Like, polarized critics. Oh, sure, the band sounds like it was beyond influenced by early 90s alternative rock. When you grow up with some kind of music it’s bound to creep in there sometime. But the founder of the band, Alicia Bognanno got a degree in recording and did an internship at Electrical Audio—Steve Albini’s Chicago-based studios—before going on to working as a recording and live sound engineer and then establishing her own studio to record her own music. That’s a lot more dedication to craft than many musicians bother with learning or enduring. It doesn’t necessarily make for better music but deserves better consideration than outright dismissal. The follow-up record, 2017’s Losing, refines the jagged, angst-driven melodies that made the debut album worthwhile. In the past decade or so there has been a lot of safely celebratory music or the kind of music that hides raw feelings and outrage in palatable constructions. Any darkness and frustration you hear in Bognanno’s songs doesn’t feel manufactured or couched in some identity stereotype. Even if you feel like her music is a retread of 90s rock you have to give her credit for sincerity.

On the bill tonight as well is Chicago’s Melkbelly is roughly an exact contemporary of Bully and based in Chicago, where Bully recorded both of its full-length albums. Melkbelly’s music has often been referred to as noise rock, which fits well enough. But Miranda Winders’ voice is a consistently melodic focus amid the urgency of the beat and the pulsing, splintered sounds and sense that the song could fragment into burning chaos. Melkbelly has the spirit and energy of a punk band but its sounds are more experimental and more wide-ranging. More Live Skull and Melt Banana than Shellac or Daughters. The group’s 2017 album Nothing Valley is an auspicious debut full-length that signals throughout that Melkbelly isn’t going for just one or two sounds and dynamics. Also, a band that calls a song “Twin Lookin’ Motherfucker” has to be a bunch of glorious weirdos and cherished in a time when the music industry too often rewards easy marketability over outright quality and uniqueness.

Who: Alex Cameron and Molly Burch
When: Monday, 03.05, 7 p.m.
Where: Globe Hall
Why: Alex Cameron’s 2017 album Forced Witness sounds like it could have come out in the mid-80s and hit big alongside the likes of post-Squeeze Paul Carrack or Paul Young—new wave-y, well-crafted pop songs mixed with blue eyed soul. When a lot of other artists now are still tapping the classic rock sound or Laurel Canyon pop, Alex Cameron’s update on Icehouse sounds pretty fresh.

Molly Burch may be an artist whose sonic antecedents rest in Brill Building pop and soul singers but her smoky, hushed yet warm and resonant vocals and vulnerability have a mysterious quality that draw you in like Julee Cruise or Angel Olsen. Burch’s music has a familiar quality that waxes timeless rather than derivative. Her 2017 debut full length Please Be Mine sounds, track for track, like Godard’s 1960s films look—vivid yet dreamlike, emotionally tumultuous yet refined, a lyrical economy of style that uses space and silence to convey much more and much more effectively than clumsily spelling it all out.

Wednesday | March 7, 2018

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Brother Saturn, photo by Tom Murphy

Who: Weird Wednesday: Brother Saturn, Hello Darkness and Full Bleed
When: Wednesday, 03.07, 9 p.m.
Where: 3 Kings
Why: The current edition of Weird Wednesday features a pretty broad mix of sounds. Hello Darkness is sort of a folk punk band without the de riguer labor struggle era folk covers. Rather, its use of various acoustic instruments in the mix makes Hello Darkness the folk pop equivalent of a chamber pop band. Except with more political content than most bands that can be described as “chamber” anything. Considering two thirds of the band used to be in Reality Show it should come as no surprise there’s some lively emotionalism on stage. Brother Saturn’s melodic soundscapes are reminiscent of the 90s period of guitar and beat driven instrumental ambient/abstract rock acts like Bowery Electric, Seefeel, Magnog and Stars of the Lid. Maybe even Flying Saucer Attack. There is an innocence and elegance to the composition that suggests Drew Miller has carved out a space in his heart and imagination for a pure and universal expression of the kind of transcendently tranquil energy he articulates in his music in general. Brother Saturn is just the more shoegaze-ish end of that.

Who: James Blood Ulmer
When: Wednesday, 03.07 (store.dazzledenver.com/EventTicket/EventDetail/3229/id0/james-blood-ulmer) and Thursday, 3.08 (store.dazzledenver.com/EventTicket/EventDetail/3230/id0/james-blood-ulmer), 7 p.m.
Where: Dazzle
Why: James Blood Ulmer was one of the guitarists who was steeped in jazz but also helped to define fusion with his imaginative, textured guitar work with Art Blakey’s Jazz Messengers as the first electric guitarist to record and perform live with free jazz genius Ornette Coleman and his long time collaborations with Pharoah Sanders. Ulmer’s solo material tends to be a blend of styles with a rich mix of jazz, blues and brooding funk. Whatever Umer’s specific music alchemy of the moment, he brings more than dazzling technique and soul, he brings something otherworldly and riveting. The guitarist performs two shows in Denver. As indicated above, the evenings of March 7 and 8 at Dazzle.