What:Day of Jubilee: Sliver and Marcus Church When: Friday, 2.07, 5-9 p.m. Where: The People’s Building Why: Marcus Church is a Denver-based power pop trio. Its gently jangle-y and fuzzy melodies sound like singer/guitarist Dustin Habel spent a whole lot of time obsessively listening to only records produced by Mitch Easter and the complete discographies of Teenage Fanclub and Big Star. That also means there’s a tender earnestness to the songwriting imbued with an uncommon tenderness and humanity. Sliver bypassed the 90s grunge nostalgia wave of recent years by making no bones about its musical roots in its hard driving, explosively emotional guitar rock. Mudhoney influence aside, its aesthetic is most informed by both the self-effacing, sensitive, introspective side of Pacific Northwest noise punk and the wiry, politically conscious end of DC hardcore.
What:Mainland Break w/Panther Martin, Mystic Wool and The New Creep When: Friday, 2.07, 9 p.m. Where: Lost Lake Why: Denver power pop band Mainland Break is releasing its video for “Gun Without Hire” at this show. The five piece band sounds like it listened to a whole lot of bands on the Flying Nun imprint in the 80s, some Swell Maps and The Feelies while forming and distilled that influence into upbeat pop songs.
What: Wolf Parade w/Land of Talk gothictheatre.com/events/detail/386833 When: Saturday, 2.08, 8 p.m. Where: Gothic Theatre Why: CanadianWolf Parade returns touring in support of its new record Thin Mind. Its blend of post-punk and power pop has helped define the aesthetic of modern indie rock as sonically eclectic with thoughtful lyrics.
What:Courtney Barnett When: Saturday, 2.08, 7:30 p.m. Where: The Stanley Hotel Why: Australian singer-songwriter Courtney Barnett has written some of the most personally insightful lyrics of the past two decades paired with emotionally vibrant guitar work and songwriting. She will perform solo for this rare, intimate show at The Stanley Hotel in Estes Park.
What:Miniature Tigers w/Katzú Oso When: Sunday, 2.09, 7 p.m. Where: Globe Hall Why: Miniature Tigers’ 2019 album Vampires of Daylight is an exploration of singer/songwriter Charlie Brand’s painful breakup and his return to writing and performing music after going through agonizing experiences that had him over the edge and art therapy through painting instead of music. The result is a raw yet tender album of deeply emotional songs about loss and the confused and tortured feelings that run you through the wringer.
What:The Paranoyds w/Spendtime Palace and Princess Dewclaw When: Wednesday, 2.12, 7 p.m. Where: Larimer Lounge Why: The Paranoyds’ psychedelic fuzz pop is a spirited and surreal take on noisy post-punk. Like The Raincoats having come up in Southern California on pop punk and American pop music with a similarly splintery aesthetic and exuberant live performances. Currently touring again in support of its excellent 2019 album Carnage Bargain.
What:Muscle Beach, Church Fire, Vexing and Grief Ritual When: Thursday, 1.16, 8 p.m. Where: Hi-Dive Why: With the exception of Church Fire whose own politically-charged, emotionally cathartic, noisy synth pop, this is basically a showcase for some of the best Denver bands who bridge the gap between experimental metal, hardcore and noise punk. Muscle Beach released its riveting new album Charms in 2019 and Vexing just let loose with its album Cradle.
What:Heilung When: Friday, 1.17, 7 p.m. Where: Ogden Theatre Why: Many bands in the past two or three decades claim to hearken back in their music to early northern European culture. Heilung took the concept a step or two further by basing their music on texts and runes from the Germanic people of the Viking era and longer ago infused with pan-ancient world cultures. The band members look like members of a Scandinavian mystery cult with elaborate outfits, some wearing horned head gear, performing with recreations of traditional instruments from various ancient cultures, guttural vocals reminiscent of Tuvan throat singing. It is a spectacle that is a ritualistic performance of music and poetry designed to transport you to the mindset of earlier humanity getting in touch with its subconscious mind communally.
What:The Still Tide Between Skies album release, Down Time and Heavy Diamond Ring When: Friday, 1.17, 7 p.m. Where: Hi-Dive Why: The Still Tide has been making waves in Denver and beyond for several years at this point with its poignantly expressive dream pop soundscapes. Its sounds are expansive yet are imbued with an intimate sensibility as though Anna Morsett is singing from the past toward the future. It takes you out of a mundane mindset and transports you to a realm where you can feel all the pressures, angst and demands of everyday life but it seems in context of a bigger picture hidden from your thinking most of the time. At least that’s the vibe of the band’s new record Between Skies. The lush and well-balanced soundscapes crafted by Morsett, Jake Miller, Joe Richmond and Nate Meese render incredibly accessible an album of meaningful songs about personal struggle and striving to make sense of the seemingly endless run of reverses and confusing experiences with your heart intact.
What:Caustic Soda EP release w/Sinister Pig and Princess Dewclaw When: Friday, 1.17, 7 p.m. Where: Seventh Circle Music Collective Why: Caustic Soda is a noise punk band from Boulder whose new EP Stud Count will be available at this show. As the title suggests it’s a pointed critique of the all the destructive and regressive ideas that have seemed to issue forth prominently in the wake of Donald Trump announcing his candidacy for president: the misogyny, the bizarre anti-science right, open racism—all the stuff nascent fascism spews into the world.
What:Lazarus Horse Oh, The Guilt album release w/Disinherited and Dead Characters When: Saturday, 1.18, 8 p.m. Where: Mutiny Information Café Why: Eddie Durkin was once a member of the promising and powerful experimental guitar pop band Sparkler Bombs but for various reasons had to take a break from playing in bands and playing shows. But his time away allowed him to incubate and hone his talent further and his latest project Lazarus Horse has been performing now and then with a set of songs that are rough enough around the edges to be fresh and interesting but refined in the execution of dynamics to not be confused for an off-the-cuff band still not in possession of a sense of intentionality. The group’s new album Oh, The Guilt will be an earworm for fans of Codeine, Red House Painters, Versus and Slint. The songs have a simple construction but because of that they are capable of a great emotional range as the layers of sound interact with a fluidity that the sometimes splintery tones might suggest otherwise. The vulnerability on display is disarming, honest and inviting. Given the arc of the songs it’s part eulogy for a time in Denver Durkin experienced while playing DIY spaces in the late 2000s and early 2010s and a map for navigating the new reality in the Mile High City and America in general, one that seems to have put so much up in the air with no sense of confidence in social stability. It’s a record showing bravery and self-awareness in the face of massive uncertainty and possible civilizational collapse.
What:Punk Against Trump: Cheap Perfume, Allout Helter, Over Time, Filthy Hearts, Altar Girls (debut) When: Saturday, 1.18, 7 p.m. Where: Marquis Theater Why: Maybe in the years ahead Trump and everything he willfully and unintentionally encouraged among the forces of cultural and political reaction will be in the rearview and great punk bands won’t have to have fundraiser for groups that are keeping essential services and a compassionate mission alive but for now Punk Against Trump remains a proud tradition in Denver.
What: Ladies Night (band) and Lifers When: Saturday, 1.18, 9 p.m. Where: The Squire Lounge
Sunday | January 19
Drune, photo courtesy the artists
What:Drune (album release), New Standards Men and Simulators When: Sunday, 1.19, 7 p.m. Where: Larimer Lounge Why: Drune’s debut album SEER is three extended tracks with Roman numerals as the title. Doing so almost invites you to have no preconceptions about what you might be in for with the listening even if you’ve heard the band is a doom band or “heavy.” And it is but there is an elegance to Drune’s composition that has as much in common with bands like Black Mountain who push the aesthetic into unconventional sonic territory as it does with any doom band. James Cook’s soaring vocals and the modulated rhythms syncing with guitar riffs that are as textural and moody as brutal. It’s a sonically expansive record that rewards your attention. Drune doesn’t drone on the same idea ad infinitum, its evolution through a song suggests a narrative structure that pulls you in for the long haul.
Tuesday | January 21
GZA, photo courtesy GZA management
What:GZA 25th Anniversary of Liquid Swords w/Righteous Revolution (feat. 1-natVson-1), D-Stylz & High Key (Affliction Music), DJ Notch, Killah Priest When: Tuesday, 1.21, 7:30 p.m. Where: Summit Music Hall Why: GZA’s 1995 album Liquid Swords is of course a classic of 90s hip-hop fusing a more traditional genre aesthetic with genre-bending innovations in the use of atmospheric elements in the production to give the whole record an otherworldly quality worthy of its transcendental lyrics. While it might be difficult to prove this record sounds like one of the primary influences on late-90s alternative hip-hop like artists on the Anticon, Mush and Rhymesayers imprints and on experimental electronic music and bands as unusual and adventurous as Black Moth Super Rainbow and CocoRosie. Whatever its exact impact and legacy, Liquid Swords gets into your head and still manages to surprise with the sheer creativity in its use of sound and GZA’s masterful wordplay like a thinking person’s futuristic crime drama manga.
Eyebeams It Means Trouble cover. Eyebeams performs at Rhinoceropolis on January 4, 2020
Friday | January 3
R A R E B Y R D $, photo by Tom Murphy
What:Day of Jubilee: R A R E B Y R D $ When: Friday, 1.3, 6 p.m. Where: The People’s Building Why: Day of Jubilee is a First Friday event at The People’s Building in Aurora, Colorado. Tonight’s proceedings include live music at 7 p.m. with R A R E B Y R D $. R A R E B Y R D $ is a hip-hop group from Denver. Its two MCs, Key~Lady and KoKoLa, combine swagger and soul, inspiration and heartbreak into an alchemical musical experience. Their beats bring together gangsta rap’s mastery of bass sculpting, exploratory synth experiments and hazy, hypnotic drones with organic, Afro-Cuban rhythms. R A R E B Y R D $ ranges widely in the subject matter of its lyrics from the playfully earthy to the emotionally deep and transcendent but always with the spirit of inviting you into that private world with a welcoming emotional intimacy rare in a live performance.
What:Joshua Trinidad Trio (Joshua Trinidad, Joe Wirtz and Gordon Koch) When: Friday, 1.3, 5:30 p.m. Where: Spangalang Brewery Why: Joshua Trinidad and his trio typically blast mind-altering free jazz with spirited play and great musical chemistry stirring the emotions to elevated levels.
Church Fire (pictured: Shannon Webber), photo by Tom Murphy
What:Eyebeams album release w/96 Ponies, Vampire Squids From Hell and Slugger When: Saturday, 1.4, 9 p.m. Where: Rhinoceropolis Why: Eyebeams is releasing its second album It Means Trouble. The bright, languid psychedelia of the record ranges far from what we’ve come to expect from that loose genre of the past decade. It’s as though lead vocalist/guitarist Suzi Allegra absorbed all the influences that have manifested in recent music but long before when she was growing up and used it as a launching point into emotional outer space. The songs seem to explore issues of anxiety, fears, existential frustrations, feeling perpetually dreaming and wishing rather than doing and ending on a note of learning to calm the mind as a place from which to figure out what you really feel, what you really want and maybe how to actually get there.
What:Bands Against the Ban: Church Fire, Married a Dead Man, Hate Minor and Rebel Girl Productions When: Saturday, 1.4, 7:30 p.m. Where: Oriental Theater Why: Since members of the Senate are trying to have Roe Vs. Wade revisited with aims of overturning legal abortion in a country not actually founded by the Christian version of the Taliban, it will be necessary for people to voice their desire not to live in Medieval Europe again. And this show featuring some of Denver’s most interesting bands is a benefit in the struggle against the forces of reaction. This event is a benefit for Planned Parenthood Votes Colorado and was organized by Megan Kelley of darkwave band Married a Dead Man and David Pereira of noise rockers Hate Minor. Local experimental dance/darkwave band Church Fire will headline and embody a spirit of resistance with its own music and burlesque troupe Rebel Girl Productions will bring its own performance unique in that realm of expression as well.
What:Caustic Soda, Feeling Old (WA), Broken Lawn Chairs and Sliver When: Sunday, 1.5, 7 p.m. Where: Seventh Circle Music Collective Why: Sliver’s Chris Mercer wanted to revisit his folk punk roots “not shit like Andrew Jackson Jihad, Pat the Bunny or Camper Van Beethoven, the good shit like Days N’ Daze.” Fortunately his bandmates convinced him that playing with Boulder-based noise punk band Caustic Soda, folk-inflected indie rock punks Feeling Old from Seattle and Broken Lawn Chairs, an actual folk punk band, from Castle Rock. Sliver fortunately won’t torture us with Mercer’s idea of what “real” folk punk sounds like and might actually be enjoyable this time too.
Monday | January 6
Equine, photo by Tom Murphy
What:lovelesslust w/Equine and Gila Teen When: Monday, 1.6, 7 p.m. Where: Lion’s Lair Why: loveless lust is a mix of synth pop and industrial and thus a good fit with two bands from Denver that don’t fit neatly into any musical milieu either. Gila Teen is the hybrid sad boy post-punk/emo band we all need in the world right now.
What:The King Khan & BBQ Show w/Colfax Speed Queen When: Tuesday, 1.7, 8 p.m. Where: Larimer Lounge Why: King Khan has been making psychedelic garage rock and evolving the art form since before it became hip again and again in the 2000s from back when he was a member of The Spaceshits in Kukamongas in the late 90s. With The King Khan & BBQ Show he and fellow Spaceshit Mark Sultan blended doo wop and garage punk and were in the same circles of likeminded acts Black Lips. Khan has also been involved in King Khan & The Shrines, but the BBQ show is like some late 60s psychedelic soul revue updated for the modern era. Denver-based Colfax Speed Queen will be a great pairing with its own electrifying live show of noisy psychedelic punk.
What:Psychedelic Porn Crumpets w/Meatbodies and Serpentfoot When: Thursday, 09.19, 7 p.m. Where: Larimer Lounge Why: The unlikely named Psychedelic Porn Crumpets from Perth, Australia at least picked an apt moniker because it captures what you’re in for. Oh, sure, stoner rocked psychedelia thrown together with prog and fuzzy melodies and tripped out choruses. Its new album And Now For the Whatchamacallit has surreal song titles like “My Friend’s a Liquid,” “Digital Hunger,” “Hymn For A Droid” and “Keen For Kick Ons.” If Lewis Carroll had been born in the 90s and grew up at a time when the older kids in Tame Impala and Pond were kicking around in the local scene he might have ended up in a band like this.
What:Cuco w/Ambar Lucid and KAINA When: Thursday, 09.19, 7 p.m. Where: Mission Ballroom Why: At twenty-one Omar Banos aka Cuco is a bonafide pop star who came up on Chicano rap stars like Baby Bash and MC Magic. Like the latter he also sings and raps in English and Spanish. Banos has also folded into his soundscapes a laid back kind of psychedelic pop sound. While his songwriting and the production thereon is strong and evocative, his music videos and storytelling shows a side of life that is honest, surprisingly candid and often uncomfortable but real and therein lies the power of the presentation of his music. “Bossa No Sé” from his debut album Para Mi (2019) navigates the troubled waters of a breakup with sensitivity, complexity and comfort with uncertainty and confusion. Cuco’s balance of the romantic and the realistic has been fascinating so far.
What:The Melvins w/Redd Kross and Toshi Kasai When: Friday, 09.20, 8 p.m. Where: Gothic Theatre Why: Melvins have done pretty much whatever they’ve wanted to that was fun for them music-wise since beginning in 1983. Before grunge was a thing, Melvins had already perfected that sound and aesthetic as well as a certain strain of doom. Most left field heavy music today can probably trace a bit of influence to the band originally from Montesano, Washington. The group’s prolific catalog covers a good deal of sonic territory and the band has collaborated with the likes of industrial music pioneer Lustmord, Jello Biafra and, recently, with Swedish noise-punk stars Shitkid (who are performing select dates on the current tour) on the Bangers EP. The group has experimented with the format of its lineup such as when the members of Big Business joined for two drummers and a bassist. And now with two bassists and a single drummer. Or as Melvins Lite with Mr. Bungle (among other projects) member Trevor Dunn on bass. Melvins might also be the only American band to have played all fifty states in fifty days. You never quite know what you’re in store for with a Melvins show except that it’ll be worth your time unless heavy, imaginative music and powerful performances thereof aren’t your thing. Melvins bassist Steven McDonald is doing double duty this tour with his original band, the influential punk/power pop group Redd Kross.
Boris, photo courtesy the artists
What:Boris w/Uniform When: Friday, 09.20, 8 p.m. Where: Marquis Theater Why: Japanese heavy, experimental psych and drone extravaganza, Boris, is currently touring in support of its 2019 album LφVE & EvφL due out October 4. If you’re going expecting their mind-altering psychedelic freakouts, rumor has it you may be let down. But if you are into the slow roiling drone the band has engaged in in the past but updated and more like a psych SunnO))) this would be the tour to catch. Opening the show is industrial noise band Uniform which is comprised of former members of The Men and Drunkdriver.
Demoncassettecult (Junior Deer on left), photo by Tom Murphy
What:30 Years of Work: VAHCO 1989-2019 Physical release w/Dead Characters, Chromadrift, nIGHTtIMEsCHOOLbUS, Bowshock and Demoncassettecult When: Friday, 09.20, 7 p.m. Where: Mutiny Information Café Why: Vahco Before Horses aka Vahco Strickland has spent the last thirty years involved in producing, promoting and writing music in various formats and styles. This show celebrates his career retrospective and the release of the flash drive containing one hundred of his songs. The performances will include collaborations with various members of bands affiliated with his Glasss Records imprint as well as a showcase for his more electronic pop songs and his industrial ambient collage songwriting as Demoncassettecult.
Saturday | September 21
Zealot, photo by Tom Murphy
What:Zealot album release w/Simulators and The Vanilla Milkshakes When: Saturday, 09.21, 8 p.m. Where: Hi-Dive Why: Zealot is releasing its debut album The Book of Ramifications. But what this debut album doesn’t make obvious are the musical roots of the group in Denver underground rock. Does that matter? It does if you know who The Don’ts and Be Carefuls, Supply Boy, Façade and Ideal Fathers were. Or The Outfit, The Pseudo Dates, Violent Summer or Fingers of the Sun were. Much less Catatonic Lydia or Le Divorce. All of that goes into informing the upbeat, well-crafted pop songs that comprise the band’s new album and the sizzling, wiry energy of its performances. There is a tick toward the positive running through the record. Rather than a “city of the dead” there’s “City of the Living.” Instead of irrevocable mistakes there’s “Fix it in Post.” Rather than a dark horse there’s a “Show Pony.” Instead of a broken heart there’s “Overloud Heart.” You get “Somnambulist” instead of insomnia. “Black Paint” rather than institutional yellow. A “Snake Goddess” rather than the insecure dictator Yaweh. “Casio Argento” in place of Dario or Asia. And more. It’s an upbeat record with some tight melodies and a charming economy of songwriting. The Simulators will bring the angular menace of its music and Vanilla Milkshakes will deliver earnest, blustery pop punk as companion to Zealot’s fastidious songcraft. Oh yes, there’s also a companion covers album called Revised Edition featuring renditions of all the songs on the new record as done by the band’s local scene peers as well as a solo cover done by the band’s bassist Suzi Allegra. All of which is a gesture not many bands would bother to attempt to release concurrent with a new album.
Anna Morsett of The Still Tide, photo by Anthony Isaac
What:Charlie Cunningham w/The Still Tide When: Saturday, 09.21, 8 p.m. Where: Globe Hall Why: The Still Tide’s Anna Morsett has played in Colorado musical projects as varied as Ark Life, Porlolo and These United States as well as with Natalie Tate and Brent Cowles. But perhaps where she shines brightest is in her own band The Still Tide. Her guitar work is both ethereal and fiery, her ear for dynamics and tone keen and imaginative. Morsett’s songwriting is both intimate yet expansive, introspective and yearning, reconciling contrasts with a broad emotional palette. And she’s opening for noteworthy UK singer-songwriter Charlie Cunningham whose 2017 album lines included the deeply evocative single “Minimum” and its entrancing atmospheres.
What:Wovenhand w/Jaye Jayle When: Saturday, 09.21, 8 p.m. Where: Larimer Lounge Why: Evan Patterson is rightfully known for his heavier music with Young Widows and Breather Resist. But his Jaye Jayle project is taking him in a different direction with a pastoral songwriting style that serves well the contemplative storytelling of the music he initially wrote as a solo project rather than something that needed to fit into the format of a full, loud band. These days he has partners in realizing the musical vision and the results is a kind of haunted Americana. Which makes it an ideal pairing with Americana infused post-punk/noise rock band Wovenhand from Denver. Wovenhand started out as very much in the post-Sixteen Horsepower vein continuing what singer and main songwriter David Eugene Edwards had been developing since the late 80s. But in the past decade the music has become more sonically intense (it was always emotionally so) and incorporating a broader range of dynamics and sounds so that early fans may even find it, except for Edwards’ undeniable spiritual presence, unrecognizable.
What:Greg Laswell w/Sarah Slaton When: Saturday, 09.21, 7 p.m. Where: The Soiled Dove Underground Why: Greg’s warmth and humanity expressed in clever and insightful turns of phrase has made him a national treasure of a songwriter.
What:Mdou Moctar w/Pale Sun When: Saturday, 09.21, 8 p.m. Where: Lost Lake Why: Mdou Moctar might be the most internationally renowned guitarist and songwriter out of Niger in the modern era and his electric adaptations of Tuareg guitar music has made him a favorite among discerning music fans who are open to such fusions of musical ideas, rhythms and sounds. To the uninitiated he may sound like an exotic prog artist but his music is deep and sophisticated. He is again touring in support of his 2019 album Ilana (The Creator).
What:Surf Curse w/Dirt Buyer When: Sunday, 09.22, 7 p.m. Where: Larimer Lounge Why: Surf Curse is a duo from Los Angeles whose name may convey the impression it’s one of those surf rock/garage psych bands that have plagued the musical landscape for around a decade. And to some extent that’s exactly what these guys are. Except there’s something raw about their songwriting and performances and their music videos, whoever is directly involved in their scripting and design, speak to an uncommon creative imagination and as though the people in the band had in mind films that their songs might suit. Pick any of the videos and you’ll find something that’s a cut above most videos most bands are making these days. The band’s new album, Heaven Surrounds You, was released on September 13 on Danger Collective. For a duo Nick Rattigan and Jacob Rubeck manage to have a full sound yet spare songwriting so they’re doing something right.
What:Pop Will Eat Itself w/Chemlab and Scifidelic w/DJ Dave Vendetta When: Sunday, 09.22, 7 p.m. Where: Oriental Theater Why: Pop Will Eat Itself is a genre bending band that dispensed with the usual stylistic boundaries between grebo, sleaze rock and industrial dance music akin to My Life With the Thrill Kill Kult. Chemlab was one of the bands that helped define the sound and aesthetic of industrial rock in the 90s fusing old school industrial with hard rock.
Monday | September 23
Acid King, photo courtesy the artists
What:Acid King w/Wizard Rifle and Warish When: Monday, 09.23, 7 p.m. Where: MarquisTheater Why: Acid King is on tour in support of the twentieth anniversary of its classic psych doom album Busse Woods. The group began in the early 90s when its sound was very much not in vogue but two decades later its heavy, experimental psych metal, not fully duplicated by other artists, has made it a cult band among connoisseurs of that realm of music.
What:Jay Som w/Boy Scouts and Affectionately When: Tuesday, 09.24, 7 p.m. Where: Larimer Lounge Why: Jay Som’s hazy pop songs have a personal emotional insight and sophistication of songcraft that can be easy to miss when you’re lost in the moment with her. Her new album Anak Ko blurs the lines between noisy shoegaze, indie pop and the 70s Laurel Canyon sound. Taylor Vick of Boy Scouts has written one of the most affecting, vivid and cathartic set of songs about loss and healing from sorrow and setbacks of the past few years for the new Boy Scouts album Free Company. Her unconventional melodies and song dynamics give her compositions a depth and complexity that reward repeatedly exploring her catalog.
What:Like A Villain, Harms, Earth Control Pill and Debaser When: Tuesday, 09.24, 8 p.m. Where: Rhinoceropolis Why: Like A Villain is sort of an industrial ambient act whose dark and heavily textured atmospheres explore the personal and collective psyche in operatic vocals and processed loops. The new album What Makes Vulnerability Good, released on September 20, 2019, makes exquisite use of space in tone and rhythm that it engulfs you gently before you realize it.
Wednesday | September 25
Tash Sultana, photo by Dara Munnis (@daramunnis)
What:Tash Sultana w/The Tesky Brothers When: Tuesday, 09.24, 6:30 p.m. Where: Red Rocks Why: Tash Sultana is a guitar prodigy whose psychedelic rock, blues and folk songs created with her expert ability to play multiple part at once and along with loops is impressive on its own but the energy and enthusiasm with which she plays is infectious. As a multi-instrumentalist, Sultana crafts her songs real time in an almost orchestral manner as an orchestra of one. Difficult to pigeonhole a genre for Sultana as her songwriting style is unique but might be compared to an artist like Tune Yards.
Russian Circles, photo courtesy the artists
What:Russian Circles w/Facs When: Tuesday, 09.24, 7 p.m. Where: Bluebird Theater Why: Russian Circles is an instrumental metal band from Chicago but it’s songs are more akin to post-rock in their use of mood and nuanced dynamic builds from spare tonal echoes to roilingly triumphant riffs that burst and rain down like ash following a volcanic eruption or like a dam bursting releasing a torrent of sonic water and debris. Its 2019 album Blood Year finds the band evoking ancient civilizations (“Kohokia”) and primal mythological imagery (“Hunter Moon” and “Ghost on High”). Opening the show is Chicago’s Facs. The latter is making the kind of post-rock that is more like some of the most experimental post-punk going now. Guitarist and vocalist Brian Case was once a member of weirdo math rock band 90 Day Men and experimental rock band Disappears. With Facs he and the rest of the band are pushing the creative envelope with song structure, texture and dynamics. That group’s 2019 EP Lifelike has a secure place on our year end best list for its chilling, cinematic soundscapes and gritty, stark, moody songwriting.
