Best Shows in Denver and Beyond 10/31/19 to 11/6/19

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Bethlehem Steel performs 11.1.19 at Lion’s Lair, photo by Jeanette D. Moses

Thursday | October 31

What: The Legendary Pink Dots w/Orbit Service, The Drood, DJ Mudwulf and VJ Dizy Pixl
When: Thursday, 10.31, 8:30 p.m.
Where: Ophelia’s Electric Soap Box
Why: The Legendary Pink Dots and its mystical, spectral, ambient psychedelia will turn 40 next August and is currently undertaking a tour celebrating the landmark date along with its new album, 2019’s Angel in the Detail. The new record contains elements of what has always made LPD great including entrancing atmospheres, singer Edward Ka-Spel’s poetic lyrics that articulate deep truths about the human condition and how it manifests in our lives and civilizations. It also comments on the perilous state of things in the world today and especially in “The Junkyard” and how the elites are trying to finish completing a world system that renders those of us not in that upper one percent of one percent as pieces of junk in world civilization. The surreal and beautifully disturbing music video is well worth a view. Also sharing the bill tonight is the likeminded Denver-based ambient psychedelic rock band Orbit Service which has been gracing local stages and well beyond since the mid-90s. The Drood, also from Denver, is like a dark psychedelic prog band with punk-intensity and a sense of theater and the ability to create exorcistic emotional experiences in song. DJ Mudwulf will set the mood with what is sure to be a great set for the holiday and VJ Dizy Pixl will set the visual mood as per her usual level of excellence.

What: Wu Tang Clan w/Jedi Mind Tricks, Immortal Technique and Dillon Cooper
When: Thursday, 10.31, 5:30 p.m.
Where: Red Rocks

What: T.S.O.L. w/Noogy and The Pitch Invasion
When: Thursday, 10.31, 7 p.m.
Where: Oriental Theater

What: Dragondeer w/Dog City Disco and What Young Men Do
When: Thursday, 10.31, 8 p.m.
Where: Cervantes’ Other Side

Friday | November 1

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Yung Bae, photo by Peter Dons

What: Bethlehem Steel w/Gila Teen and guest
When: Friday, 11.1, 9 p.m.
Where: Lion’s Lair
Why: Bethlehem Steel has been together since 2012 but started garnering national attention for its outstanding performances at the South By Southwest festival in 2016. At that time the group had out a couple of EPs but released its debut full length Party Naked Forever in 2017. Its thrilling collision of fuzzy pop and dynamic atmospheric rock has drawn comparisons to 90s noise pop acts like Weezer and contemporary artists like Courtney Barnett and Waxahatchee. But often enough the group’s expansive, imaginative songwriting and creative ambition has resulted in some music that pushes boundaries of the loud and quiet format that many bands have adopted of late so that its songs will remind some of the emotionally stirring music of older bands like Failure, Slint and Rainer Maria. It has that kind of fire and caustic sound as well as lyrics that delve deep into the darker regions of the psyche with a defiant spirit lighting the way. In September, Bethlehem Steel released its fantastic self-titled full-length for which it is touring in support. Also on the bill is Gila Teen, the experimental post-punk band that brilliantly mixes moody atmospheres with a splintery pop punk.

What: Yung Bae w/Birocratic and Jaguar Nights
When: Friday, 11.1, 8 p.m.
Where: Marquis Theater
Why: Dallas Cotton started making music as Yung Bae while living in Portland, Oregon but his production-based future funk started garnering him wider audiences while still a student at Oregon State University. His sound straddles that sort of 70s soul and R&B-inspired sounds and the aesthetic of modern electronic pop music. So while he references classic music it comes off with a more modern sensibility and energy. It hearkens to a previous era and the unsullied excitement of that music but in a way that couldn’t really have been accomplished at the time in terms of how he sculpts sound and edits it together. In 2019 Yung Bae released his fifth album in as many years with Bae 5.

What: Red Wing Black Bird album release w/Plague Garden and Married a Dead Man
When: Friday, 11.1, 9 p.m.
Where: Skylark Lounge
Why: Denver darkwave band Red Wing Black Bird is releasing its latest album produced by DJ Charon of Necromantic/Fenando Altonaga of industrial band eHpH.

What: Future of Bass: smith, Mize, Wriza and Killa Nova
When: Friday, 11.1, 9 p.m.
Where: The Black Box

What: Lucy Dacus w/Liza Anne and Sun June
When: Friday, 11.1, 8 p.m.
Where: Gothic Theatre

Saturday | November 2

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Altas circa 2019, photo by Tom Murphy

What: Dia De Muertos celebration: Altas, Plume Varia and Los Mocochetes
When: Saturday, 11.2, 8 p.m.
Where: Hi-Dive
Why: Denver instrumental rock band Altas is doing its now annual Dia De Muertos show in which the members will dress in the appropriate regalia for the occasion making the show a true event rather than just another gig. The group’s sweeping, cinematic grandeur and fiery musical pyrotechnics and mastery of mood and atmosphere is worth witnessing alone but also on the bill is psychedelic rock band Los Mocochetes and downtempo dream pop band Plume Varia and its emotionally rich and haunted compositions.

What: The Locust w/Disposal Notice and Its Just Bugs
When: Saturday, 11.2, 8 p.m.
Where: Summit Music Hall
Why: The Locust recently reconvened to bring its mutant, death metal inflected, noisy hardcore on a national tour. The group’s surreal imagery and costumes along with its equally bizarre lyrics has made it difficult to lump in with any convenient musical movement. Its Just Bugs (the apostrophe is left off) is an industrial punk hip-hop group from Colorado and just as impossible to pigeonhole.

What: Twin Peaks w/Post Animal and Ohmme
When: Saturday, 11.2, 8 p.m.
Where: Gothic Theatre
Why: Twin Peaks from Chicago weathered the mid-2010s blowout of garage rock and neo-psychedelic rock that was making the underground rock scene of a certain stripe become fairly stale and performatively exciting. What helped was that Twin Peaks was writing good songs and hasn’t stayed stuck in the same sound for its entire career thus far. Its 2019 album Lookout Low sounds like an odd and interesting hybrid of power pop and the weirdo punk of The Fall at its most Lou Reed-inspired, mix in some unusual flourishes of 70s rock with nods to Peter Frampton and Thin Lizzy. All while delivering spirited and sometimes gloriously ragged performances which are much needed at a time when a sanitary quality has permeated too much modern music.

What: Fathers, Limbwrecker, The Munsens and Muscle Beach
When: Saturday, 11.2, 8 p.m.
Where: Lost Lake

What: Dendera Bloodbath, Endometrium Cuntplow, Cau5er, Brother Saturn, Church Fire and Equine
When: Saturday, 11.2, 8 p.m.
Where: Rhinoceropolis

What: Rocket Dust, Tokyo Rodeo and The Slack
When: Saturday, 11.2, 8 p.m.
Where: Glitter City

Sunday | November 3

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Vivian Girls circa 2008, photo by Tom Murphy

What: Vivan Girls w/Down Time, Short Shorts and Backseat Vinyl — CANCELLED
When: Sunday, 11.3, 7 p.m.
Where: Marquis Theater
Why: Vivian Girls caused a stir in the indie underground of the 2000s and 2010s with their lo-fi, noisy pop songs. The group’s ability to mix buoyant dynamics with dark, brooding moods and sounds was a fascinating contrast. The band split in 2014 with members going on to perform in La Sera, The Babies and Upset (all still going concerns). But in summer 2019 the group announced it was reforming with a new record, Memory, on the way and released in September.

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SRSQ, photo by Tom Murphy

What: TR/ST w/SRSQ and DJ Slave 1
When: Sunday, 11.3, 7 p.m.
Where: Summit Music Hall
Why: TR/ST came to prominence as the new darkwave movement was coming together with a sound that seemed to come out of the then renewed interest in vintage synths, that cold, bright, moody sound of Goth-y 80s synth pop and its cousin chillwave. But Robert Alfons’ vibrant, soulful voice and imaginative soundsccaping are the key ingredients that elevated this project above many of its contemporaries. In 2019 TR/ST released The Destroyer (Part 1 and 2), a more experimental and ambient, ethereal set of songs than his previous offerings and a clear product of reassessing directions and ideas to produce something different. SRSQ (pronounced Seer Ess Que as in the lettes for the latter two) is Kennedy Ashlyn the charismatic singer formerly of brilliant dream pop band Them Are Us Too. Her 2018 album Unreality is a moody and emotionally harrowing and cathartic downtempo album that seems to have absorbed the darkness and pain of the underground world in the wake of the Ghost Ship fire and given it a voice that exorcises some of that energy.

What: Keytar Fest IV: The Jinjas, R A R E B Y R D $ and Claudzilla
When: Sunday, 11.3, 4 p.m.
Where: Glitter City
Why: Just like the title of the event suggests, this is a mini festival featuring all projects that incorporate keytars as an essential part of the songwriting and this includes weirdo synth punk Claudzilla and experimental hip-hop/IDM-inflected trio R A R E B Y R D $.

What: Danny Brown w/Ashnikko and Zeeloperz
When: Sunday, 11.3, 7 p.m.
Where: Cervantes’ Masterpiece Ballroom
Why: Ever since the larger world outside of Detroit started cluing into Danny Brown’s genius following the release of 2010’s The Hybrid, the rapper has garnered a large cult following for his eccentric yet sharply cogent and thoughtful yet raw lyrics and production that incorporates a wide range of sounds that one hadn’t often heard in hip-hop outside of the underground and alternative circles of the 90s and early 2000s. Brown picked up where that left off and pushed things further particularly on his 2016 album Atrocity Exhibition which borrowed its title from a science fiction novel by J.G. Ballard and whose beats sounded almost like a new hybrid of industrial and rap that reflected the atmospherics as much as the textures and rhythms. With his new album, 2019’s uknowhatimsayin¿ Brown follows a similar sonic path but brings together more organic, almost found sounds with processed layers of atmosphere. Intact is his gift for surreal imagery and wordplay that gets under your skin.

Monday | November 4

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GRÜN WASSER, photo courtesy the artists

What: GRÜN WASSER w/Natural Violence, French Kettle Station and Night Shift DJs
When: Monday, 11.4, 9 p.m.
Where: Rhinoceropolis
Why: GRÜN WASSER is a Chicago-based electro-pop/industrial whose pulsing rhythms and dreamlike moods sound like endless nights wandering a menacing urban landscape and commenting on the culture of the nightlife. That is if the group’s new album Not OK with Things (Holodeck Records) is any indication. There is an almost claustrophobic quality to its densely atmospheric beats contrasted with Keely Dowd’s lightly echoing, ethereal vocals. French Kettle Station has been through more permutations of his sound than many artists bother to explore but of late he’s been developing a sound that’s still rooted slightly in 1980s No Wave disco and modern glitch dance pop but also influenced by 1980s adult contemporary music and its unexpectedly newly influential use and voicing of drums and vintage synths in a way that in any other contexts would be utterly wack but takes on an almost spiritual cast in certain underground electronic artists including that side of what FKS has been up to in the past year or two. His latest album, Over X Millenia takes those ideas and injects them with non-western rhythmic ideas and a New Age music aesthetic for something new yet strangely familiar. Its closest cousin that comes readily to mind is Brian Eno and David Byrne’s 1981 classic My Life in the Bush of Ghosts.

Tuesday | November 5

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HTRK, photo by Kate Meakin

What: HTRK w/Midwife, Echo Beds, Human Tide
When: Tuesday, 11.5, 8 p.m.
Where: Rhinoceropolis
Why: Since 2003 HTRK, originally from Australia, has been making music inspired by the brooding, otherworldly atmosphere of the films of David Lynch. Though the name of the band is pronounced “Hate Rock” it’s not so much rock except in the experimental sense as much as downtempo and ambient soundscaping. In 2010 founding musician Sean Stewart passed away leaving Nigel Yang and Jonnine Standish to carry on and as a duo HTRK has released a handful of some of the most fascinating music mixing electric music with an electronic aesthetic being made today. The group’s latest album is Venus in Leo with its exquisitely subtle dynamics and cinematic approach to its composition and sound design with lingering, impressionistic guitar riffs drifting around Standish’s hushed and soulful vocals.

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Minami Deutsch, photo courtesy the artists

What: Kikagaku Moyo w/Minamu Deutsch
When: Tuesday, 11.5, 7 p.m.
Where: Gothic Theatre
Why: Kikagaku Moyo from Japan is a true synthesis of 70s Krautrock, classic Japanese psychedelic rock and more traditional Japanese folk. Currently the group is touring with the like-minded Tokyo band Minami Deutsch. The group’s urgent rhythms, mesmerizing drones and hypnotic dynamics sound like what it is to travel through Tokyo and its subtle but odd mixture of old world and high tech metropolis side by side in all of the city’s giant districts. On the group’s new EP, Can’t Get There that dynamic often takes you to a place of anxiety and then release as it draws you into its irresistible groove.

What: Jeffrey Lewis & The Voltage w/Adam Baumeister
When: Tuesday, 11.5, 7 p.m.
Where: Hi-Dive
Why: A rare chance to see eccentric, genius freak folk and comic artist legend Jeffrey Lewis and his band along with local star of experimental folk and psychedelia, Adam Baumeister, head of Meep Records and former member of Navy Girls and Bad Weather California.

What: Cannibal Corpse w/Thy Art is Murder, Perdition Temple
When: Tuesday, 11.5, 6:30 p.m.
Where: Boulder Theater

What: Arc Sol, Slugger and Gothsta
When: Tuesday, 11.5, 9 p.m.
Where: Mercury Café

What: 1349 w/Uada and Cloak
When: Tuesday, 11.5, 6:30 p.m.
Where: Oriental Theater

Wednesday | November 6

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Dinosaur Jr, photo by Levi Walton

What: Negative Approach w/Blood Loss and Tuck Knee
When: Wednesday, 11.6, 7 p.m.
Where: Lost Lake
Why: Negative Approach from Detroit was one of the bands out of that early wave of American hardcore than seemed particularly seething and intense and fronted by John Brannon who went on to noisy psychedelic blues band Laughing Hyenas and Easy Action. Easily one of the greatest frontmen of rock music because he seems to actually be losing his mind swept up in the moment.

What: Weird Wednesday: FangFuck, Zealot and Bolonium
When: Wednesday, 11.6, 9 p.m.
Where: Bowman’s Vinyl & Lounge
Why: Weird Wednesday includes left field indie rock local supergroup Zealot and Bolonium a band inspired by Devo and which comes off like an odd combination of band, cheesy game show and Troma film.

What: Kurt Vile and the Violators w/Dinosaur Jr
When: Wednesday, 11.6, 7 p.m.
Where: The Mission Ballroom
Why: Dinosaur Jr is the missing link between gritty classic rock like Neil Young, hardcore and 90s alternative rock and more influential on modern music than is often obvious. The mixture of sheer volume with tunefulness reconciled eras of music in a way that is often taken for granted and which bands like Nirvana and other massively commercial successful bands took to topple the music industry marketing machine and culture. Apparently modern folk/psychedelic artist Kurt Vile has felt this influence and thus has Dinosaur on this tour and for its part, the members of Dinosaur Jr have continued to release music, some of the best of its career in the past decade.

What: (Sandy) Alex G w/Indigo De Souza and Tomberlin
When: Wednesday, 11.6, 7 p.m.
Where: Marquis Theater

Best Shows in Denver 8/16/19 – 8/21/19

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The Inactivists perform at Streets Denver for the DARC All Stars show. Photo circa 2016 by Tom Murphy

Friday | August 16

What: Derelicts w/Cyclo-Sonic, Clusterfux and The Lurchers
When: Friday, 08.16, 8 p.m.
Where: Streets Denver
Why: The Derelicts are a bratty punk band from Seattle legendary for its unhinged stage shows in a scene know for them. Lead singer Duane Bodenheimer grew up in Denver and was part of the punk world here before moving to Seattle to join this infamous outfit. Clusterfux are the legendary Denver street punk band that has been going since the early 90s.

What: Flying Lotus in 3D w/Brandon Coleman Spacetalker, Salami Rose Joe Louis, PBDY
When: Friday, 08.16, 8 p.m.
Where: The Mission Ballroom
Why: Flying Lotus returns with his visually stunning “in 3D” performance in support of his new album Flamagra. The sets often involve a bit of a stage set where Steven Ellison aka Flying Lotus controls the sound and perhaps aspects of the visuals for an engulfing audio-visual experience. See below for a taste from 2017. Though Flying Lotus has crossed over between experimental electronic and EDM and funk and hip-hop his imaginative soundscaping continues to evolve in ever more colorful directions with an ear and eye for the presentation of that music for people who show up to craft a mutually inspiring performance.

Saturday | August 17

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Little Fyodor and Babushka Band circa 2016, photo by Tom Murphy

What: Sigilcraft with Tom Banger The Art of Making Things Happen: Using Art, Sound and Video to Create Change
When: Saturday, 08.17, 2-4 p.m.
Where: Mercury Café
Why: Tom Banger, former punk/experimental/underground music promoter in Denver through the 80s and into the 90s will demonstrate the use of creative endeavor to enact change in one’s life and beyond. See event page for details including suggestions for bringing imagery from magazines or books in the crafting of the aforementioned sigil. Banger will also present artifacts of his music promotion past at the Central Library on Monday 8/19.

What: Physical Wash, Voight, Entrancer and Staggered Hooks
When: Saturday, 08.17, 9 p.m.
Where: Rhinoceropolis
Why: Physical Wash is the solo project of High Functioning Flesh’s Susan Abstract. Both are melodic and in the classic industrial/EBM mold but whereas HFF is more akin to the likes of Nitzer Ebb and Front 242, Physical Wash is a little weirder and more in the vein of late 80s Skinny Puppy.

What: The Rotten Blue Menace w/The Repercussions, Noogy, Tuck Knee
When: Saturday, 08.17, 7 p.m.
Where: Seventh Circle Music Collective
Why: The Rotten Blue Menace was one of Denver’s greatest ska punk bands in the vein of Choking Victim and Against All Authority before going more or less inactive a few years back. Here’s a chance to see the band at the venue you could most often catch its spirited performances.

What: Denver Art Rock Collective All Stars: Inactivists, Little Fyodor, Gort Vs. Goom, Cattle Axe and The Plastic Rakes
When: Saturday, 08.17, 8 p.m.
Where: Streets Denver
Why: Denver Art Rock Collective is a loose affiliation of bands that don’t really fit into any distinct musical categories but are united by having an eccentric artistic vision behind the music and this event features some of the group’s greatest bands. Naturally punk/noise pioneer Little Fyodor will bring the weirdness as well as great songcraft, Gort Vs. Goom is the Blue Oyster Cult, Melvins and Devo hybrid no one was expecting or asking for but which we need in this bland era and The Inactivists return after who knows how long a hiatus to lay out twisted pop songs too clever for their own good but also catchy enough that in a parallel universe the band would have had a string of hit records. The Plastic Rakes includes former Mourning Sickness guitarist Matt Maher and Cattle Axe includes former New Ancient Astronauts and Superbuick guitarist/vocalist Kasey Elkington.

What: The Claypool Lennon Delirium w/Uni
When: Saturday, 08.17, 8 p.m.
Where: Ogden Theatre
Why: Les Claypool and Sean Lennon’s band together, The Claypool Lennon Delirium, is making some of the most transporting, conceptual psychedelia being made by anyone right now and at the live show you’ll also probably get treated to some inspired reworkings of their respective individual catalog but also some Beatles material as they did “Tomorrow Never Knows” in their current style when the band stopped through to play The Fox Theatre in 2017.

What: Snail Mail w/Choir Boy
When: Saturday, 08.17, 8 p.m.
Where: Bluebird Theater
Why: Lindsey Jordan will eventually outgrow her current phase of songwriting with the gentle guitar work, albeit highly refined and sophisticated, that’s a little too much like that of many of her indie rock peers. But her lyrics reveal someone who is capable of articulating great, vivid nuances of feeling and unconventional thinking.

Sunday | August 18

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Phantogram, photo by Reagan Hackleman

What: Old Man Gloom w/Oryx and Echo Beds
When: Sunday, 08.18, 8 p.m.
Where: Marquis Theater
Why: Old Man Gloom is sort of an extreme/atmospheric metal/post-hardcore super group comprised of members of Isis, Converge, Sumac and Cave-In. Its music is haunting, psychedelic and unrelenting. Oryx is an extreme metal band from Denver that is sometimes lumped in with doom and if you’re into doom you won’t be disappointed but Oryx’s presentation and creativity within that realm of music sets it apart from many of its peers. Echo Beds is the organic-industrial post-punk band whose confrontational sound and political lyrics are both harrowing and transcendent.

What: Y La Bamba and Esmé Patterson
When: Sunday, 08.18, 6 p.m.
Where: Larimer Lounge
Why: Y La Bamba is a band from Portland, Oregon that is impossible to pigeonhole as folk or world music or “Latin” or post-punk or experimental pop because it’s all of that to varying degrees. It’s music, though, is a sonically rich and engrossing band whose ability to craft a vivid mood and deeply emotional listening experience that’s transporting and grounding at once is impressive. Esmé Patterson in her now long-standing solo career is an artist whose work is rooted more in feeling and concept than genre. Patterson made her mark in indie folk band Paper Bird but her solo records have all explored the nature of identity and relationships and her live performances seem to experiment with the very format of what a live band can look like and how it can present itself without limiting itself to past expectations.

What: The Claypool Lennon Delirium w/Uni
When: Sunday, 08.18, 7:30 p.m.
Where: Boulder Theater
Why: See above for Claypool Lennon Delirium.

What: Phantogram w/Bob Moses
When: Sunday, 08.18, 8 p.m.
Where: The Mission Ballroom
Why: Phantogram’s synth pop is cinematic and sweeping in scope and presentation even back when the band wasn’t playing rooms as big as The Mission Ballroom. More than some of its early peers, Phantogram created a sound that felt like it was engaging your imagination as much as your emotions and bringing you along for its ride into broad vistas of sound and inspiration while speaking to a broad spectrum of the human experience. Its newer music seems to be expanding into more soulful territory though no album has been forthcoming since 2016’s Three. Its “Into Happiness” single, though, more than hints at its next musical direction.

Monday | August 19

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Calexico and Iron & Wine, photo by Piper Ferguson

What: Calexico and Iron & Wine w/Madison Cunningham
When: Monday, 08.19, 8 p.m.
Where: Denver Botanic Gardens
Why: Calexico and Iron & Wine last collaborated on a recording with 2005’s In the Reigns EP. But in 2018 Sam Beam, Joey Burns and John Convertino were able to get together to write and record the eight songs that make up their new record together, 2019’s Years to Burn. It’s the kind of album that sounds like its intricate details were somehow well mapped out and intuitive. Like friends who get each others instincts and share sensibilities and aesthetics. Which given these artists seems obvious. And it’s an album on which thoughts and observations are explored with a sense of life’s complexities and ambiguities and the comfort that can come with being able to navigate through tentative times in your life and in the world if you’re not too set in your ways and hardened to your own heart and the world around you.

What: Punk Show and Tell with Tom Banger
When: Monday, 08.19, 6 p.m.
Where: Central Library Floor 7 Training Room
Why: Denver punk promoter/musician/underground culture legend Tom Banger will present artifacts from his life and times in that world with actual items from his library donated to the Denver Public Library as part of its history collection. It’s a rare and curated glimpse into Denver’s cultural heritage and its connection with underground music and culture around the world.

Tuesday | August 20

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BIG|BRAVE, photo by Rachel Cheng

What: Big|Brave w/Deaf Kids, Yakuza, Human Tide, Gruesome Relics and Volunteer Coroner
When: Tuesday, 08.20, 8 p.m.
Where: Rhinoceropolis
Why: It might be an exaggeration to call this the extreme metal show of the month much less the year. But it does include experimental drone metal trio Big|Brave and its contorted atmospherics and emotionally charged vocals, Deaf Kids’ polyrhythmic, psychedelic industrial punk and Yakuza’s menacing, sludgy, dark and heavy yet ethereal drones. And that’s only half the bill.

What: Deathwish w/Cadaverine, Zygrot and Victim of Fire
When: Tuesday, 08.20, 7 p.m.
Where: Seventh Circle Music Collective
Why: Deathwish is the thrash punk band from Madison, Wisconsin, not the UK thrash band from the 80s. But if you’re a fan of the latter it seems like you’d be into the Wisconsin band as both have a similar proclivity for confrontational vocals, burning guitar riffs and a disdain for mainstream normalcy.

Wednesday | August 21

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David Dondero circa 2009, photo by Tom Murphy

What: David Dondero and Patrick Dethlefs
When: Wednesday, 08.21, 8 p.m.
Where: Hi-Dive
Why: David Dondero is a lifer whose music reflects a dedication to telling the truth about various corners of human existence and experience through poignant stories delivered with his signature voice warm and sensitive and on the verge of quavering, accompanied by intricate guitar work played with a dynamic urgency. Patrick Dethlefs is a Denver-based singer songwriter whose highly emotive songwriting is thought-provoking and inspires a compassionate examination of your own feelings and reactions to the events in your life through his own openness in singing about his own travails and reflections.

Best Shows in Denver 11/22/18 – 11/28/18

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Pale Waves performs Monday, November 26, at The Bluebird Theater with Kailee Morgue and The Candescents. Photo by Brian Griffin.

Thursday | November 22, 2018

 

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Mac Sabbath, photo by Jeremy Saffer

Who: Mac Sabbath w/Franks & Deans bluebirdtheater.net/events/detail/359843
When: Thursday, 11.22, 8 p.m.
Where: The Bluebird Theater
Why: Mac Sabbath performs Black Sabbath covers, with fast food themed lyrics, in the guise of fast food characters from some chain gone dark. Are they really aliens from another dimension like Bizarro or escaped mental patients? Who can say, really. But when Black Sabbath gives you the nod of approval maybe your weirdo cover band has some legitimacy. The group has two official music videos released since its inception in 2014 and a flexi disc for the “Pair-a-Buns” single and nothing else yet since singer Ronald Osborne has declared a complete denial of the existence of technology after the 70s. Why not record or, even more quaint, an 8-track? We may yet see such releases from the mysterious band. But for now, and for purposes of the sheer spectacle of the thing, Mac Sabbath is best seen live.

Sunday | November 25, 2018

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J. Hamilton Isaacs, photo by Tom Murphy

Who: Elvis Costello & The Imposters
When: Sunday, 11.25, 7 p.m.
Where: The Fillmore Auditorium
Why: Elvis Costello is probably too famous for any introduction. What he contributed/contributes to music is a gift for perfectly capturing a mood, a moment, a frame of mind with detail and humanity. This doesn’t always mean he’s writing songs that fit in with what some people might think of as the “appropriate” way to think and feel about the subject of the song. You may even listen to one of his songs and think, to put it charitably,“What a jerk!” But that’s the point. Whether a character created for the song or a bit of an abstraction of his actual thoughts, Costello’s songs are compelling because whether or not you share the sentiments the songs are poetic and believable pulling up just shy of being sentimental even if he does often employ a sense of nostalgia. His character sketches are vivid and resonate with an emotive familiarity. Currently the songwriter is touring with his band The Imposters in support of Costello’s 2018 album Look Now.

Who: Centered: Steve Hauschildt, Reighnbeau and J. Hamilton Isaacs
When: Sunday, 11.25, 7 p.m.
Where: Savoy at Curtis Park
Why: Steve Hauschildt probably became first known to a national audience during his 2006-2013 run with experimental electronic trio Emeralds. The group fused ambient music with pop and the minimalist end of Twentieth Century classical music. As a solo artist, Hauschildt has delved further into exploring the possibilities of minimalism in composition and creating an sound environment with depth and texture. His 2018 album Dissolvi is reminiscent of a Squarepusher record with the beautiful level of tonal detail but after any deep house influence. Not an ambient dance record, per se, but it could be considered one of the best. Reighnbeau from Santa Fe, NM is a band that includes Bryce Hample, Colleen Johnson and Madeleine Johnston. So for the uninitiated, heavy hitters in underground ambient and experimental pop. Its sound tends toward an organic tone while employing plenty of sonic material that could only come from a computer or other electronic device. The group has a layered sound suggesting a complex mixture of emotions. J. Hamilton Isaacs has been a fixture of Denver’s experimental music scene for over a decade whether he is often acknowledged for it or not. His own beat-driven electronic experiments blend together sequencing/sampling and modular synthesis. Always different, always interesting.

Who: Textures: Wonderlust, Chromadrift, Crimson Highways
When: Sunday, 11.25, 7:30 p.m.
Where: Mutiny Information Café
Why: This months’ Textures Ambient Showcase features post-rock/ambient soundscape artist Chromadrift whose Drew Miller also composes soundtrack-y music in a more abstract shoegaze vein as Brother Saturn. Also, Daniel Mescher as Crimson Highways uses loops and electronics to compose impressions and textured emotional colorings to transport you away from the tonight’s cold.

Monday | November 26, 2018

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Author & Punisher, photo courtesy Relapse Records

Who: Pale Waves w/Kailee Morgue and The Candescents
When: Monday, 11.26, 7 p.m.
Where: The Bluebird Theater
Why: Manchester, UK band Pale Waves doesn’t overtly flout conventional song structure and what makes for solid pop melodies. But the band’s early material, upbeat in tone and pacing, hit some of the same emotional touchstones as artists like CHVRCHES and Lorde. But Pale Waves look like an updated version of a dark post-punk band from the 80s and many of its songs, particularly on the 2018 full-length debut My Mind Makes Noise., explore themes of loss, existential uncertainty and identity with an assurance and sensitivity one might not expect from a pop band with a strong visual aesthetic. About the title, singer Heather Baron-Gracie told us that it is an acknowledgment of how our minds are filled with ideas and emotions and it can sometimes be overwhelming but that we can, to some extent, also choose which noises we amplify and feed. In providing interesting contrasts that challenge assumptions (Goth-ish-presenting band making emotionally rich pop songs, pop songs with deeply melancholic themes), Pale Waves demonstrates to people who care to pay attention that one needn’t adhere to narrow expectations in music or in one’s own life.

Who: Echo & The Bunnymen w/Enation
When: Monday, 11.26, 7 p.m.
Where: The Paramount Theatre
Why: Echo & The Bunnymen didn’t just write that song in Donnie Darko, what was it, “The Killing Moon”? Or for an earlier generation, didn’t just do that Doors cover for the soundtrack to The Lost Boys. “People Are Strange,” though. At any rate, Echo & The Bunnymen for post-punk connoisseurs was one of the most consistently interesting bands of the 80s because until it’s 1987 self-titled album, the one that broke the band to the mainstream, of course, with the hit “Lips Like Sugar,” the group had had a string of fascinating, critically acclaimed records. There was an elegance of sentiment, a poetic sensibility and a deeply imaginative quality to the band’s music. Like it was tapping into the unconscious and creating its own mythology cast in dreamlike detail—shrouded in indigo lights and fog, early morning sunlight and mist. The first four Echo & The Bunnymen records are post-punk canon and for the rest of its career there’s been plenty of strong material, even on 1990’s fan-reviled, Ian McCulloch-less album Reverberation. McCulloch remains an enigmatic, romantic weirdo mystic of rock and roll which some my find confounding at times but, really, don’t we all need someone out there maintaining their own mythology in that way that is not harmful but gives hope to anyone who dared to dream of a more interesting world and had the guts to see making it a reality as an iconic band.

Who: The Body, Author & Punisher and Many Blessings
When: Monday, 11.26, 7 p.m.
Where: Larimer Lounge
Why: Two of the best bands that don’t fit too well into the world of metal or heavy music but don’t really fit into any other realm of music either except for maybe noise are sharing the stage tonight. And with Denver’s Many Blessings, a solo noise project of Primitive Man’s Ethan McCarthy. The Body from Providence, Rhode Island have long blurred any lines between doom, grindcore, hardcore, noise, industrial, electronic pop and ambient music. Just depends on the album. The group has been fairly prolific across its 19 years of existence but perhaps none more so than 2018 when the band produced a split industrial group Uniform as Mental Wounds Not Healing, an early 2018 record I Have Fought Against It, But I Can’t Any Longer (a grinding dirge that never seems to get boring) and the fall release O God who avenges, shine forth. Rise up, Judge of the Earth; pay back to the proud what they deserve. Live, the band unleashes intense energy while keeping it weird. No mean feat and The Body does so brilliantly. Author & Punisher is a one-man industrial band. Tristan Shone is an artist and a mechanical engineer who builds his unique instrumentation. One his early tours he definitely played DIY spaces in Denver but has made a bit of a name for himself outside noisenikdom and recognized for his innovative methods of composition. His latest album, 2018’s Beastland out on Relapse Records, is simultaneously possibly his most accessible and challenging record to date. As a frame of reference, imagine a late 80s Ministry and late 90s Neurosis collaboration album.

Tuesday | November 27, 2018

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Street Sects, photo courtesy the artist

Who: Street Sects w/Ten Foot Beast
When: Tuesday, 11.27, 8 p.m.
Where: Streets of London
Why: Street Sects fills the room with fog in order to disorient you already before its barrage of sounds, lights, rhythm and, on occasion, a bladeless chainsaw brought forth to make for a performance designed to take you out of your comfort zone. Is it noise? Industrial? Inspired by confrontational punk? Perhaps specifically by tales of Alan Vega swinging that bike chain at early Suicide shows in New York? Who can say. What is certain is that while its live shows are not short on visceral thrills, its records stand on their own as well. Its latest record, 2018’s The Kicking Mule is like a futuristic industrial noir with darkly amusing and hardboiled titles like “269 Soulmates,” “Suicide By Cop,” “Dial Down the Neon” and “Still Between Lovers.”

Who: Sharone (“I Love You, Goodbye” single release) w/Melody In Heart, Blake George, Sean Hennigan
When: Tuesday, 11.27, 7:30 p.m.
Where: Seventh Circle Music Collective
Why: Sharone Borik debuted as a talented singer-songwriter before launching her dark, hard rock band Sharone & The Wind in 2016. For this night, Borik is releasing her new solo single “I Love You, Goodbye.” Given Borik’s gift for songwriting and performing with a theatrical flair it should be interesting to see how she presents her solo work this time around.

Who: Glenn Jones and Janet Feder
When: Tuesday, 11.27, 7 p.m.
Where: Baur’s
Why: Two of guitar’s avant-garde greats on one bill. Glenn Jones has been a member of experimental rock band Cul de Sac since 1990 but he was also a collaborator and friend of John Fahey and he has written a film score for Roger Corman. His solo work is often very much in the folk vein but more elaborate and imaginative than too much of what passes as folk these days. Janet Feder was born in Boulder, raised in Denver, and has been pushing the guitar envelope in a variety of ways with form and composition for decades now. While her work might rightfully fall under the umbrellas of prog, the avant-garde, experimental folk and modern classical music, her actual songwriting is fairly organic and highly imaginative. This is a rare chance to see both artists on the same bill.

Wednesday | November 28, 2018

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Cult Leader, photo by Bobby Cochran

Who: Blockhead w/Yppah, Arms and Sleepers, Mikey Thunder and Jordan Polvina
When: Wednesday, 11.28, 8 p.m.
Where: Cervantes’ Other Side
Why: Tony Simon has been making some of the most interesting and transporting beats in hip-hop for nearly 20 years including his collaborations with Aesop Rock, Ilogic and Murs. His solo releases on the respected Ninja Tune imprint paint a tapestry of New York daydreams of the Big Apple of myth and journeys far beyond to places exotic to a city dweller. His compositions, part immersed in classic sampling tradition of taking bits of jazz and funk records and recontextualizing them, part weaving in experimental electronic music—his own and those possibly borrowed., are immediately captivating and mostly on the downtempo vibe. Live the music can be a bit like the DJ on a laptop sort of affair but on the sound system at Cervantes’ it’ll have a full sound.

Who: Cult Leader, God Mother, Call of the Void and Kenaima
When: Wednesday, 11.28, 8 p.m.
Where: Lost Lake
Why: Salt Lake City’s sludge-grind band Cult Leader recently released its second album A Patient Man. While some of the material is what you might expect of a highly energized band out of its expected realm of music, the group took some hauntingly introspective turns on the record including the track “To: Achlys,” which sounds more like a dire, metallic, brooding post-punk song akin to a late 80s Swans song with a visually stunning music video depicting a man seeking solace in the arms of a stylized figure that resembles a Kali-esque death goddess. The group has been making waves lately and in December is taking Denver-based organo-industrial legends Echo Beds on a short tour. On the bill for this night is the great Denver death-grind outfit Call of the Void and adrenalized mathrcore band Kenaima.

Who: Screwtape EP release w/Noogy, World Movement, Dox and HYFY
When: Wednesday, 11.28, 6 p.m.
Where: The Oriental Theater
Why: Screwtape, one of Denver’s greatest political hardcore bands, is finally releasing its second EP and celebrating the occasion at this show at The Oriental Theater with some of its like-minded peers. By hardcore don’t take that to mean a young band imitating some earlier era of the music but taking those roots as inspiration for making something vital and of the now.

Best Shows in Denver 10/11/18 – 10/17/18

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ADULT. performs at Larimer Lounge on Saturday, 10/13/18, with Plack Blague and Voight

Thursday | October 11, 2018

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The Church circa 2016, photo by Tom Murphy

Who: Karl Blau w/Porlolo and High Plains Honky
When: Thursday, 10.11, 8 p.m.
Where: Hi-Dive
Why: Karl Blau has had a rich and varied career spanning the past two decades or so. As a member of lo-fi rock band D+ he wrote songs and performed with Bret Lunsford formerly of Beat Happening and future Microphones and Mount Eerie mastermind Phil Elverum. As a solo artist and musical curator with his Kelp Lunacy Advanced Plagiarism Society musical subscription artist, Blau has been involved in making music in widely disparate styles and often hybridizing them or outright creating something that’s impossible to classify beyond maybe simply pop. In recent years, Blau has been writing songs that seem shaped by everything else he’s made up to now with bossa nova percussion, African pop vocal cadences, hip-hop-and-reggae-informed lyrical phrasing and indie/freak folk sensibilities. In the past Blau has performed solo with a loop pedal and pulled off what sounds like a full band minus robust drums so you’re never full sure what you’re in for barring that it’ll be exceptional.

Who: The Church
When: Thursday, 10.11, 7:30/8 p.m.
Where: The Fox Theatre
Why: Australian rock band The Church is currently undertaking it’s tour for the thirtieth anniversary of its 1988 album Starfish. The band had already made a name for itself with fans of adventurous, inventive, literate and thoughtful yet heartfelt rock music. But Starfish was the group’s breakthrough to not just a wider audience but the mainstream with hits like “Under the Milky Way” and “Reptile.” While the group is justly celebrating the release of its iconic album for itself and fans that maybe didn’t get to see The Church in its 80s heyday (pardon the referential joke to the band’s 1985 album of the same name), the band’s new material is as vital as anything it has done in the past and you’ll get the best of both worlds at this show.

Friday | October 12, 2018

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Ralph Gean (with Andrew Lindstrom) circa 2014, photo by Tom Murphy

What: Anxious Little Friends Fest Day 1
When: Friday, 10.12, 6 p.m.
Where: Hi-Dive
Why: Record labels Snappy Little Numbers and Anxious and Angry collaborated on this two day festival at the Hi-Dive with some of the better local and not local punk and punk-related bands. For this night you can see two night headliners Off With Their Heads as well as Riverboat Gamblers, SPELLS, Dirty Few, Black Dots, Hooper and Modern Goon.

What: Franksgiving 2018
When: Friday, 10.12, 9 p.m.
Where: Hi-Dive
Why: This yearly event benefiting the Crohn’s and Colitis Foundation of America is hosted by local connoisseur of weird music Franklin Bell. Naturally he always finds some of the best local odd yet accessible bands for the vent. As usual, Little Fyodor & Babushka Band, one of Denver’s longest running and most consistently interesting weirdo punk institutions will perform as well as not-widely-recognized-but-absolutely-a-local-rock-and-roll-legend Ralph Gean, Fyodor drummer Tricky Dick Wicket’s side project that isn’t Universal Devils, Whiskey Orphans, the “sweet and sensitive keyboard songs” of No Pants Katie with DJ Frank Bell spinning kooky kuts.

Who: Screwtape w/Potato Pirates, Noogy, World Movement and Ultraviolet
When: Friday, 10.12, 7 p.m.
Where: Hi-Dive
Why: Screwtape’s politically-charged hardcore and dynamic live show has already made it a favorite among local fans of punk and the group is kicking off its latest tour to the south with this show sharing the bill with ska-punk veterans Potato Pirates and Colorado Springs hardcore outfit Ultraviolet.
Who: Multidim Records Official Launch Party
When: Friday, 10.12, 8 p.m.
Where: Leon
Why: Multidim Records is a new Denver-based label focusing on emerging artists in electronic and abstract music. Founded by Tommy Metz (Glissline) and Michael David King (Cities of Earth), this event will feature some of the artists on the label’s roster including the respective projects of the label’s founders as well as Andre Cactus + Ah, River and Mirror Fears.

Saturday | October 13, 2018

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Shocker Mom, photo by Tom Murphy

Who: ADULT. w/Plack Blague and Voight
When: Saturday, 10.13, 8 p.m.
Where: Larimer Lounge
Why: For twenty years, Detroit’s ADULT. has been on the forefront of mixing electronic pop, techno and industrial music with an experimental flair. In the late 90s, ADULT. helped to pioneer the sound and aesthetic that came to be called electroclash by around the turn of the century. As the duo explored sounds and performance it garnered a cult following among connoisseurs of electronic music paired with a dynamic and sometimes confrontational performance style. It adopted and mutated the sound and production ideas running through underground techno throughout the 2000s giving it a powerful and imaginative soundscape to match singer Nicola Kuperus’s emotionally-nuanced vocals. The band’s 2018 album This Behavior was the darker side of the songwriting that went into the 2017 album Detroit House Guests—both rich and dense with sonic detail and inventive rhythms.

Also on the this leg of the tour is Lincoln, Nebraska’s Plack Blague. Raws Schlesinger had been, maybe still is, involved in the Nebraska grind and extreme metal scene in various bands. But Plack Blague is a bit like a leather daddy Big Freedia but with beats that are the industrial and techno analogue to sissy bounce. On previous occasions in Denver, Plack Blague may have seemed to be a sonically abrasive spectacle but the act’s songs have taken on a compelling form beyond the spectacle without sacrificing the striking visual aspect of the band including Schleslinger’s undeniably amazing dance moves.

What: Anxious Little Friends Fest Day 2
When: Saturday, 10.13, 6 p.m.
Where: Hi-Dive
Why: This second night of Anxious Little Friends Fest includes performances from Off With Their Heads, The Bollweevils, SPELLS, Friends of Cesar Romero, Lawsuit Models, Great American House Fire and Bad Year.

What: KGNU Quarterly Showcase
When: Saturday, 10.13, 8:30 p.m.
Where: Lion’s Lair
Why: This edition of the KGNU Quarterly Showcase features some of Denver’s most innovative electronic artists. Shocker Mom’s dreamy, ambient R&B is the latest vehicle from Robin Walker. As a member of Cougar Pants, walker, along with Jessica Hughes, made a particularly tender and emotionally deep yet playful type of indie pop. As a solo performer, Walker distinguished herself as a talented vocalist and songwriter whose use of sound taps into a pre-linguistic part of the human brain, communicating the vibrations of a loving, healing aspect of the universe—which she has manifested most strongly with Shocker Mom. Also catch her in excellent hip-hop duo Nighttimeschoolbus. Larians is the solo side project of Male Blonding singer/guitarist Noah Simons. His brilliant take on IDM, techno and ambient may just be getting started but it’s obvious he’s learned a few things to build beyond from Burial and Aphex Twin. Bios+a+ic is the solo project of Textures Ambient Showcase and Symbolic Insight head Wesley Davis. All of his albums with the project are different and conceptual, representing ideas and sound experiments that tickled Davis’ imagination at the time of their creation. Also on the bill are All Mask and DJ Winter

Sunday | October 14, 2018

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Future Generations, photo (cropped) by Shervin Lainez

Who: Henry Rollins Travel Slideshow Tour
When: Sunday, 10.14, 7 p.m.
Where: Boulder Theater
Why: It’s been a good longer while than usual since Henry Rollins has done one of his spoken tours. This time around he’s sharing his photography and telling stories from his travels around the world. His spoken word shows are always worth checking out and with the images to prompt his memory and engage those who show up it will be a more immersive experience when coupled with his already fantastic storytelling.

Who: Future Generations w/Zuli and Whiskey Autumn
When: Sunday, 10.14, 7 p.m.
Where: Lost Lake
Why: Brooklyn has long been home to eclectic indie rock with artists, of necessity, trying out innovative musical ideas and strong songwriting in order to stand out. Future Generations’ 2018 album Landscape is like a stroll through a person’s day and life and composed as though the melodies and rhythms are a soundtrack with electronic, ambient textures to give the songwriting a context that connects all the music. Sure, each piece can be enjoyed on its own but the record feels like a new take on the classic album format from a time when bands felt like there were no throwaway songs and thought in terms of interconnecting themes. Probably not a concept album but one that works on a very conceptual level too.

Tuesday | October 16, 2018

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A Place To Bury Strangers circa 2012, photo by Tom Murphy

Who: A Place to Bury Strangers w/Kraus and cindygod
When: Tuesday, 10.16, 9 p.m.
Where: Globe Hall
Why: A Place To Bury Strangers is often credited as one of the bands that helped to re-popularize shoegaze in the underground. But the band’s contribution has run deeper as guitarist/vocalist Oliver Ackerman created unique guitar pedals with functionality that has helped push the sound of the instrument into new realms of noise and texture. As part of the pedal and sound equipment company/DIY space Death By Audio, Ackerman and company contributed to its creative community in a direct, pragmatic way. APTBS fused lo-fi, shoegaze, noise, post-punk and hardcore in fascinating ways. For an album or two it felt like maybe the project had plateaued even if the songwriting was still good. But the 2018 album Pinned with new drummer Lia Simon Braswell demonstrated that the band hasn’t run out of ideas for heady and disorienting soundscaping. Opening the show is Denver’s cindygod, the follow-up band to shoegaze/noise rock duo Gauntlet Hair. Now the band is a quartet with an even more exhilarating panoply of sound.

Wednesday | October 17, 2018

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Gold Trash, photo by Tom Murphy

Who: Sarah Ruth Alexander, Polecat Moon Pussy and Gold Trash
When: Wednesday, 10.17, 9 p.m.
Where: Thought//Forms
Why: [update, Shiny Around the Edges no longer on the bill] Sarah Ruth Alexander’s brooding yet luminous compositions utilizing effected vocals and acoustic instruments have made Dallas’ They Say The Wind Made Them Crazy one of the more interesting bands and critically acclaimed bands that in the past his intentionally been more or less off the internet because its music works best live. Alexander’s solo performances recall some of the most chilling moments of Nico’s solo work, The Marble Index, Desertshore and The End in particular, in its use of organic instruments in a manner suggesting an electronic music aesthetic as a way to tap into deeply rooted spaces in the psyche. One might also hear in her songs resonances with Jarboe’s more intensely tranquil performances with Swans. Moon Pussy is a noise rock band from Denver and Gold Trash could be said to be a soulful yet noisy version of an electroclash band.