Best Shows in Denver and Beyond January 2023

SUNN O))) Shoshin Duo performs at The Gothic Theatre on January 31, 2023
Shadows Tranquil in 2022, photo by Tom Murphy

Saturday | 01.07
What: Autumn Creatures w/Cherished, Bloodsports and Shadows Tranquil
When: 8
Where: Hi-Dive
Why: Autumn Creatures is a band from Colorado Springs whose music bridges the worlds of ambient, post-rock, orchestral post-metal, dream pop and outright shoegaze. So on a solid bill with Denver’s Cherished which has emerged from its early incarnation as more a post-punk and death rock band into the realm of shoegaze but with tweaking the edges of the aesthetic with unconventional vocal tones and rhythms that shift easily from drifty to direct. Bloodsports also from Denver is hitting the sweet spot of slowcore and shoegaze with introspective vocals and flares of noise to give what might be a more amorphous aesthetic some dramatic definition. Shadows Tranquil also doesn’t trade in subgenre adherence by thoroughly fusing chilly shoegaze with a touch of emocore and mathrock but all aimed at expressing direct emotional resonances with a maximalist sonic approach with an impressive level of musical detail and dynamic nuance.

Verhoffst in 2022, photo by Tom Murphy

Saturday | 01.07
What: Noise Brap: Barbie Bloodbath, Muttering, Verhoffst, Kneiffii, Sheet Metal Skingraft, Wontanii, Ghost Thief, Wolf Larva, Avarice and Mumble w/DJs Ursa, B2B and Combat Sport
When: 8
Where: Glob
Why: The concept of the brap was coined by Skinny Puppy and was even the title of the 1996 edition of its Back and Forth Series (3 & 4 for that iteration) which collected early instrumental demos and live recordings from earlier in the decade of collaborative electronic improvisations. And for this show the various artists in the local noise/electronic industrial/glitch scene will be teamed up with another for sessions throughout the evening and into the night.

Bret Sexton and Farrell Lowe in 2022, photo by Tom Murphy

Saturday | 01.07
What: Summit Quartet & SeFa LoCo
When: 7-9
Where: Mercury Café (Jungle Room)
Why: This is an evening of live improvised music featuring Right Brains Records artists Summit Quartet which includes Swedish pianist Walter Thompson and long time Denver-based avant-garde saxophonist and educator Mark Harris who has performed with the likes of Bob Hope, Roger Waters and Cab Calloway and locally known for his time in art rock projects Thinking Plague and Hamster Theater. Also on the bill is SeFaLoCo which includes not only Matt Smiley and Ron Coulter from Summit Quartet but long time local masters of improvised music Farrell Lowe and Bret Sexton.

Open Mike Eagle, photo from Bandcamp

Sunday and Monday| 01.08 and 01.09
What: Open Mike Eagle w/Video Dave and DVNEHPPY (w/Azon Classic) (on 01.08) and w/S.iah (on 01.09)
When: 7
Where: Larimer Lounge (01.08) and The Coast (01.09)
Why: Open Mike Eagle has been created “art rap” for more than two decades and has long been a star in the modern alternative rap world. His new album A Tape Called Component System with the Auto Reverse (2022) is a fine dose of his always creative and imaginative lyricism casting every day situations in surreal terms that reveal insights what might otherwise be mundane and everyday situations. The album includes contributions from Armand Hammer, Aesop Rock and opening artist Video Dave. His beats go beyond mere choice sample processing and have a cinematic and literary quality in their own right creating a layered listening experience.

Skyfloor in 2021, photo by Tom Murphy

Thursday | 01.12
What: Alphabet Soup #56: Funk Hunk, Savage Bass Goat, Yung Lurch, Furbie Cakes, Skyfloor
When: 9
Where: The Black Box
Why: Alphabet Soup returned in 2022 for every second Thursday of the month at The Black Box to bring you a bevy of local, eclectic and forward thinking dance and techno not getting showcased much at any other event or venue plus there’s no cover.

R A R E B Y R D $ in 2019, photo by Tom Murphy

Friday | 01.13
What: R A R E B Y R D $
When: 6-10
Where: Rainbow Dome
Why: Rainbow Dome is a project rooted in visual art and community building and this Capricorn Season-themed event involves roller skating, a dance party and a performance from hip-hop trio R A R E B Y R D $ whose music is brash, tender, emotionally rich and deep and incorporates a diverse sound that is an amalgamation of electro soul, ambient, R&B, alternative hip-hop and techno. If one were to count the top live music acts in Denver at the moment these people would have to be included.

Friday | 01.13
What: Modular Synth Night: Enemy Sender, ALX-106, Love Cosmic Love, Sine Mountain and Kent_ucky
When: 8
Where: Hi-Dive
Why: As the name of the event suggests this is a showcase for some of the local modular synth artists. Normally a show like this happens at a place like Black Box or maybe Fort Greene or with the artists separately at other spaces open to pure electronic music and the more avant electronic dance and techno music but that it’s happening at a venue like Hi-Dive is a testament to what those in the know already knew and that’s that there has been an blossoming interest in synthesizer music beyond the confines of EDM and electronic dance music for many years and maybe a sign of more events like this to come outside the usual venues.

Church Fire in 2021, photo by Tom Murphy

Saturday | 01.14

What: Coastless Creatives Presents Void: Feat. Closegood, Cole3K, Church Fire and Polly Urethane
When: 7
Where: Lost Lake
Why: Closegood is an experimental R&B duo originally based out of Los Angeles and may still be. Its 2021 album THOTFORM was a colorful set of music that sounded like a bit like R&B, glitch, hyper pop and something that one might expect on the Orange Milk label. Cole3K is similarly-minded in sound with a more hip-hop infused cadence but with production that sounds like the rapid fire shifting pulse of modern life. Church Fire is a hyper political electronic dance industrial trio from Denver but lately it has been incorporating production ideas from the realms of glitch and hyperpop in finding ways to express the reconciliation of self with a fragmented and fragmenting world in a time of great change and crisis where world governments, especially great powers, focus on pointless conflict and a charade of identity politics while the world burns and no one holding the reigns of economic and political power is taking a leadership position to address our collective challenges with the environment, authoritarian politics, economic inequality connected by the domination of global oligarchy. Church Fire’s music is in opposition to that and creating an oasis of joy and solidarity while performing it. Polly Urethane is an evolving visionary artist who seems comfortably situated in creating works that cross the boundaries of classical music, opera, noise, industrial, performance art, dream pop and post-punk. Her shows are an exercise in fearless confrontational challenge of the artist and audience dynamic.

Polly Urethane in 2022, photo by Tom Murphy

Tuesday | 01.17
What: Alice Does Computer Music, Certain Lives, Polly Urethane and Lanx Borealis
When: 8
Where: Glob
Why: Alice Does Computer Music is a New York City-based synth pop/hyperpop artist who incorporates cello into her immersive and playful soundscapes. Fans of Mitski may appreciate this artist’s particular brand of pop composition. Lanx Borealis is a Denver-based, dark ambient electronic artist whose work is in the realm of the sort of thing you might expect to hear on the long running Hearts of Space program on public radio. You never really know what kind of set you’re going to get from Polly Urethane and this might be a repeat of her show the previous Saturday or something more improvised or something new but always imaginative and powerful.

Blondshell in 2022, photo by Tom Murphy

Wednesday | 01.18
What: Suki Waterhouse w/Blondshell
When: 7
Where: Bluebird Theater
Why: Blondshell is the stage name of Sabrina Teitelbaum, a songwriter based out of Los Angeles whose singles have been making the rounds since 2022 when she started touring a bit as well on a national level. Her surprisingly fiery rock songs with lush pop hooks and commanding vocals as heard most recently with the December release of her “Veronica Mars” single are appealing enough but live Teitelbaum is a bit of a mysterious creature whose nearly acrobatic stage poses executed with an unaffected calm adds another dimension of performance style one doesn’t often see at a show like she’s incorporating yoga practice into the performance while keeping it theatrical and emotive. Suki Waterhouse is perhaps best known for her acting and modeling career having appeared in the films The Divergent Series: Insurgent (2015) and Ana Lily Amirpour’s gritty horror thriller The Bad Batch (2016) to name but two. In 2022 Waterhouse released her debut album I Can’t Let Go through Sub Pop as well as an EP called Milk Teeth after periodically releasing a single starting with 2016’s “Brutally.” Waterhouse’s hushed vocals and introspective, spacious, cinematic songs offer some insightful and nuanced perspectives on modern relationships.

The Mañanas in 2022, photo by Tom Murphy

Friday | 01.20
What: The Velveteers w/The Mañanas and Pink Lady Monster
When: 7
Where: Bluebird Theater
Why: The Velveteers return from a year of playing big out of town shows with their scorching yet joyful brand of blues rock and psychedelia with two performances and this night the Denver show with two of Denver’s finest. The spirited garage rock/power pop group The Mañanas and their breezy rhythms and sound like something that might have happened had indiepop bands taken even more of a cue from tropicalía. Pink Lady Monster seemed to emerge onto the Denver scene fully formed with an aesthetic that perfectly amalgamates dream pop, psychedelic rock and downtempo in a way reminiscent of both Broadcast and Blonde Redhead.

Friday | 01.20
What: Kool Keith w/Stay Tuned and DJ boyhollow
When: 7
Where: Mercury Café
Why: Kool Keith is the eccentric and influential rapper whose music with Ultramagnetic MCs and Dr. Octagon alone earn him an important place in the history of hip-hop. His surreal wordplay, profane humor and chameleonic style coupled with numerous alter egos have exerted a clear influence on hip-hop since the 1980s as a creative figure with a singular and evolving vision. Opening is the great, Denver-based crew Stay Tuned whose own style of hip-hop with two MCs is not short on imaginative culture and media commentary set to supremely creative beats in the vein of the likes of Dilla and A Tribe Called Quest. DJ-ing the show is legendary track selector boyhollow whose long running alternative music dance night Lipgloss recently went from a weekly to a monthly event.

The Velveteers in 2021, photo by Tom Murphy

Saturday | 01.21
What: The Velveteers w/Shady Oaks and The Nova Kicks
When: 8
Where: Fox Theatre
Why: This night The Velveteers play a hometown show with Americana inflected blues and garage rock band Shady Oaks and Denver indie rock band The Nova Kicks.

Instant Empire in 2015, photo by Tom Murphy

Saturday | 01.21
What: Instant Empire w/A Mouthful of Thunder and A Place for Owls
When: 8
Where: Globe Hall
Why: Since 2011 Instant Empire has been threading together classic New Wave sensibilities with introspective and hazy melodies. A Mouthful of Thunder is the latest band from Stephen Till formerly of Hearts of Palm and Black Black Ocean. Who? At any rate, Till’s sensitive lyrics and knack for dynamic melodies and inventive hooks are present here too as evidenced by its 2020 album Careful Now. A Place For Owls released its excellent self-titled debut full length in 2022 and sure it can be lumped under the clumsy umbrella genre designation of indie rock. But there is a level of orchestral composition that brings to the music a full and rich sound that complements well its yearning and existentially explorational lyrics.

Saturday | 01.21
What: Lykotonon w/Ritual Aesthetic, Noctambulist, Morningstar Delirium and DJ Swarth
When: 7
Where: Hi-Dive
Why: Lykotonon includes members of Wayfarer, Stormkeep and Blood Incantation and its music might be described loosely as experimental black metal in that it’s more in the realm of Wolves in the Throne Room than Darkthrone and underpinned with spooky electronics that give the music an otherworldly feel. The group recently released its new album Promethean Pathology (2022) and this might be seen as something like an album release show since the record dropped on November 25. Also on the bill are like-minded denizens of the more interesting end of local extreme metal.

Grief Ritual in 2021, photo by Tom Murphy

Sunday | 01.22
What: Velnias w/Ghosts of Glaciers and Grief Ritual
When: 8
Where: Hi-Dive
Why: Velnias is tricky to pin down in clear terms because its music isn’t just doom or progressive psychedelic black metal. But its appealingly forbidding yet melodic and epic songs have found an audience well beyond its unlikely hometown of Nederland, Colorado where it’s not just banjos and jam bands. Ghosts of Glaciers will be a good complement to the bill with its own progressive, doomy post-metal and Grief Ritual’s cutting, hardcore-influenced is a relentless assault on authoritarian nihilism.

Nightshark in 2006, photo by Tom Murphy

Thursday | 01.26
What: Nightshark w/Quits, Tripp Nasty, Sense From Nonsense
When: 8
Where: Hi-Dive
Why: Free jazz/noise rock avant-garde legends Nightshark is playing its first show in over a decade and its first with saxophonist Becca Mhalek in more than fifteen years. The trio of Mhalek, Mike Buckley and Andrew Lindstrom were staples of the Denver underground scene in the 2000s playing small clubs, drive bars and DIY spaces regularly with its mind-altering musicianship and wild energy. Later incarnations of the group included the likes of Neil Keener of Wovenhand fame and Brittany Gould who some may know for her transcendent ambient folk project Married in Berdichev. But the classic trio was the longest lasting and the lineup for this reunion. Sharing the stage will be some other luminaries of the 2000s and 2010s Denver DIY world with composer and modular synth artist Tripp Nasty who has recently launched a new lathe cut label called From the Desk of the Sick Librarian which released the new Sense From Nonsense record. The latter is the solo micro soundtrack and synth and film project of Tom Nelsen who many may know from his tenure in both mutant garage rock band Vicious Women and industrial post-punk phenoms Echo Beds. Quits will also bring its noise rock madness and eruptive energy to the show with former members of White Dynamite, Sparkles, Hot White and Felt Pilotes. All killer.

Pink Lady Monster in 2022, photo by Tom Murphy

Friday | 01.27
What: Church Fire, Velvet Horns and Pink Lady Monster
When: 7
Where: Enigma Bazaar
Why: Church Fire will grace the west side with its politically charged industrial dance party and raw emotional power. Velvet Horns is supposedly a pop punk band in the queercore vein and that’s true enough in essence but there’s nothing corny about its intensity and storytelling, like they aimed right for the vulnerable emotions that is part of the best of pop punk. Pink Lady Monster’s art pop psychedelia always seems to have a paradoxical mysterious immediacy with songs that defy easy genre tagging as its songs aren’t readily comparable to any obvious influences.

Circuit des Yeux in 2014, photo by Tom Murphy

Friday | 01.27
What: Circuit des Yeux and Bleak Mystique
When: 7
Where: The Coast
Why: Experimental indie folk artist Haley Fohr has been releasing fascinating records as Circuit des Yeux since at least 2010. Her spectral, almost classical compositions and otherworldly and dramatic vocals seem like something that one might expect from another era or parallel universe in which Alice Coltrane is a figure in her more New Age period was cited as an influence alongside Magma as much as any classic rock or folk artist. Her 2021 album -io is like a long lost Nico record with shades of Julia Holter and Laurel Halo but of course Fohr’s unique and always boundary pushing style.

Haunt Me in 2022, photo by Tom Murphy

Friday | 01.27
What: Haunt Me w/Hex Cassette and Julian St. Nightmare
When: 9
Where: The Crypt
Why: Haunt Me is a darkwave post-punk band from Austin, Texas that often performs in a nearly choking cloak of fog so that its echoing melodies seem to indeed come through to you in a disembodied manner grounded by hypnotic beats. This swing through Colorado includes two dates, this one at The Crypt with the confrontational and fun occult darkwave dance style of the inimitable Hex Cassette who always breaks the barrier between audience cajoling performer and manic dancer in the audience. Julian St. Nightmare’s songwriting as a post-punk band is consistently pushing the barriers of the musical style with not only superior musicianship and diverse songwriting but great style and stage presence.

Sunnnner in 2022, photo by Tom Murphy

Saturday | 01.28
What: Haunt Me w/Hex Cassette and Sunnnner
When: 8
Where: Trident Booksellers & Cafe
Why: This second Haunt Me show this time in Boulder out back of the Trident book store on the west end of Pearl Street Mall not only includes Hex Cassette but Denver trio Sunnnner whose weirdo post-punk and noise rock is so idiosyncratic in its presentation it is psychedelic rock by default. Meaning the group is much more exciting and interesting than any possible hints of roots in garage rock might be there.

Why Bonnie, photo by Grace Pendelton

Saturday | 01.28
What: Why Bonnie, Sun June and Porlolo
When: 8
Where: Hi-Dive
Why: Why Bonnie began as a songwriting outlet for singer/guitarist Blair Howerton but by the time of its 2018 debut EP In Water the project had developed into a full band. Howerton’s vivid lyrics and command of loud and quiet dynamics and crafting of warm, evocative melodies has yielded a richly diverse body of work that has been described as shoegaze Americana but the band’s music has more in common with the likes of Rilo Kiley, Soccer Mommy and Julien Baker than Mojave 3. The group’s 2022 album 90 in November is a collection of stories of unromanticized nostalgia. That approach lends the songs an unusual and fascinating aspect of being able to appreciate one’s past as it is and not to over or undervalue how you’ve grown as a person and the ongoing process of personal development. Veteran pop Americana legends Porlolo from Denver opens the show with Erin Roberts’ own insightful takes on personal folly and a life lived without fitting neatly under a subcultural umbrella.

Kali Malone, photo by Mauricio Guillen

Tuesday | 01.31
What: SunnO))) w/Kali Malone
When: 7
Where: Gothic Theatre
Why: In its SHOSHIN (初心) Duo configuration SunnO))) returns to its core, original live form with founders and guitarists Stephen O’Malley and Greg Anderson performing its signature heavy volume ritualistic drones dealing in what they refer to as “profound valve amplification, spectral harmonics, distortion and volume.” From the beginning the duo has crafted primal waves of sound that serve as some of the heaviest ambient music rooted in an abstract rock instrument foundation, warping and mutating both aesthetics in an alchemical synthesis that is transcendent and glacially crushing. Don’t go expecting a doom band, sure it’s not quite the same without long time collaborator, the singular vocalist Attila Csihar, but all configurations of SunnO))) offer a mind-altering live experience unlike any other band in the world of heavy music or really any other. Opening the proceedings is Kali Malone. The composer grew up in Colorado and moved to Stockholm, Sweden in her late teens and has become internationally renowned for her avant-garde works of drone and modern classical music. Anyone that saw Malone performing at house shows and DIY spaces in Colorado got to see an early form of Malone’s gift for meditative, minimalist soundscapes but her 2019 album The Sacrificial Code brought her to wider international audiences. Her new album, the gorgeously layered and transportingly murky Does Spring Hide Its Joy (January 2023) includes contributions from SunnO)))’s Stephen O’Malley and Lucy Railton released on O’Malley’s Ideologic Organ imprint on 3 LPs and 3 CDs.

Best Shows in Denver and Beyond 10/31/19 to 11/6/19

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Bethlehem Steel performs 11.1.19 at Lion’s Lair, photo by Jeanette D. Moses

Thursday | October 31

What: The Legendary Pink Dots w/Orbit Service, The Drood, DJ Mudwulf and VJ Dizy Pixl
When: Thursday, 10.31, 8:30 p.m.
Where: Ophelia’s Electric Soap Box
Why: The Legendary Pink Dots and its mystical, spectral, ambient psychedelia will turn 40 next August and is currently undertaking a tour celebrating the landmark date along with its new album, 2019’s Angel in the Detail. The new record contains elements of what has always made LPD great including entrancing atmospheres, singer Edward Ka-Spel’s poetic lyrics that articulate deep truths about the human condition and how it manifests in our lives and civilizations. It also comments on the perilous state of things in the world today and especially in “The Junkyard” and how the elites are trying to finish completing a world system that renders those of us not in that upper one percent of one percent as pieces of junk in world civilization. The surreal and beautifully disturbing music video is well worth a view. Also sharing the bill tonight is the likeminded Denver-based ambient psychedelic rock band Orbit Service which has been gracing local stages and well beyond since the mid-90s. The Drood, also from Denver, is like a dark psychedelic prog band with punk-intensity and a sense of theater and the ability to create exorcistic emotional experiences in song. DJ Mudwulf will set the mood with what is sure to be a great set for the holiday and VJ Dizy Pixl will set the visual mood as per her usual level of excellence.

What: Wu Tang Clan w/Jedi Mind Tricks, Immortal Technique and Dillon Cooper
When: Thursday, 10.31, 5:30 p.m.
Where: Red Rocks

What: T.S.O.L. w/Noogy and The Pitch Invasion
When: Thursday, 10.31, 7 p.m.
Where: Oriental Theater

What: Dragondeer w/Dog City Disco and What Young Men Do
When: Thursday, 10.31, 8 p.m.
Where: Cervantes’ Other Side

Friday | November 1

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Yung Bae, photo by Peter Dons

What: Bethlehem Steel w/Gila Teen and guest
When: Friday, 11.1, 9 p.m.
Where: Lion’s Lair
Why: Bethlehem Steel has been together since 2012 but started garnering national attention for its outstanding performances at the South By Southwest festival in 2016. At that time the group had out a couple of EPs but released its debut full length Party Naked Forever in 2017. Its thrilling collision of fuzzy pop and dynamic atmospheric rock has drawn comparisons to 90s noise pop acts like Weezer and contemporary artists like Courtney Barnett and Waxahatchee. But often enough the group’s expansive, imaginative songwriting and creative ambition has resulted in some music that pushes boundaries of the loud and quiet format that many bands have adopted of late so that its songs will remind some of the emotionally stirring music of older bands like Failure, Slint and Rainer Maria. It has that kind of fire and caustic sound as well as lyrics that delve deep into the darker regions of the psyche with a defiant spirit lighting the way. In September, Bethlehem Steel released its fantastic self-titled full-length for which it is touring in support. Also on the bill is Gila Teen, the experimental post-punk band that brilliantly mixes moody atmospheres with a splintery pop punk.

What: Yung Bae w/Birocratic and Jaguar Nights
When: Friday, 11.1, 8 p.m.
Where: Marquis Theater
Why: Dallas Cotton started making music as Yung Bae while living in Portland, Oregon but his production-based future funk started garnering him wider audiences while still a student at Oregon State University. His sound straddles that sort of 70s soul and R&B-inspired sounds and the aesthetic of modern electronic pop music. So while he references classic music it comes off with a more modern sensibility and energy. It hearkens to a previous era and the unsullied excitement of that music but in a way that couldn’t really have been accomplished at the time in terms of how he sculpts sound and edits it together. In 2019 Yung Bae released his fifth album in as many years with Bae 5.

What: Red Wing Black Bird album release w/Plague Garden and Married a Dead Man
When: Friday, 11.1, 9 p.m.
Where: Skylark Lounge
Why: Denver darkwave band Red Wing Black Bird is releasing its latest album produced by DJ Charon of Necromantic/Fenando Altonaga of industrial band eHpH.

What: Future of Bass: smith, Mize, Wriza and Killa Nova
When: Friday, 11.1, 9 p.m.
Where: The Black Box

What: Lucy Dacus w/Liza Anne and Sun June
When: Friday, 11.1, 8 p.m.
Where: Gothic Theatre

Saturday | November 2

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Altas circa 2019, photo by Tom Murphy

What: Dia De Muertos celebration: Altas, Plume Varia and Los Mocochetes
When: Saturday, 11.2, 8 p.m.
Where: Hi-Dive
Why: Denver instrumental rock band Altas is doing its now annual Dia De Muertos show in which the members will dress in the appropriate regalia for the occasion making the show a true event rather than just another gig. The group’s sweeping, cinematic grandeur and fiery musical pyrotechnics and mastery of mood and atmosphere is worth witnessing alone but also on the bill is psychedelic rock band Los Mocochetes and downtempo dream pop band Plume Varia and its emotionally rich and haunted compositions.

What: The Locust w/Disposal Notice and Its Just Bugs
When: Saturday, 11.2, 8 p.m.
Where: Summit Music Hall
Why: The Locust recently reconvened to bring its mutant, death metal inflected, noisy hardcore on a national tour. The group’s surreal imagery and costumes along with its equally bizarre lyrics has made it difficult to lump in with any convenient musical movement. Its Just Bugs (the apostrophe is left off) is an industrial punk hip-hop group from Colorado and just as impossible to pigeonhole.

What: Twin Peaks w/Post Animal and Ohmme
When: Saturday, 11.2, 8 p.m.
Where: Gothic Theatre
Why: Twin Peaks from Chicago weathered the mid-2010s blowout of garage rock and neo-psychedelic rock that was making the underground rock scene of a certain stripe become fairly stale and performatively exciting. What helped was that Twin Peaks was writing good songs and hasn’t stayed stuck in the same sound for its entire career thus far. Its 2019 album Lookout Low sounds like an odd and interesting hybrid of power pop and the weirdo punk of The Fall at its most Lou Reed-inspired, mix in some unusual flourishes of 70s rock with nods to Peter Frampton and Thin Lizzy. All while delivering spirited and sometimes gloriously ragged performances which are much needed at a time when a sanitary quality has permeated too much modern music.

What: Fathers, Limbwrecker, The Munsens and Muscle Beach
When: Saturday, 11.2, 8 p.m.
Where: Lost Lake

What: Dendera Bloodbath, Endometrium Cuntplow, Cau5er, Brother Saturn, Church Fire and Equine
When: Saturday, 11.2, 8 p.m.
Where: Rhinoceropolis

What: Rocket Dust, Tokyo Rodeo and The Slack
When: Saturday, 11.2, 8 p.m.
Where: Glitter City

Sunday | November 3

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Vivian Girls circa 2008, photo by Tom Murphy

What: Vivan Girls w/Down Time, Short Shorts and Backseat Vinyl — CANCELLED
When: Sunday, 11.3, 7 p.m.
Where: Marquis Theater
Why: Vivian Girls caused a stir in the indie underground of the 2000s and 2010s with their lo-fi, noisy pop songs. The group’s ability to mix buoyant dynamics with dark, brooding moods and sounds was a fascinating contrast. The band split in 2014 with members going on to perform in La Sera, The Babies and Upset (all still going concerns). But in summer 2019 the group announced it was reforming with a new record, Memory, on the way and released in September.

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SRSQ, photo by Tom Murphy

What: TR/ST w/SRSQ and DJ Slave 1
When: Sunday, 11.3, 7 p.m.
Where: Summit Music Hall
Why: TR/ST came to prominence as the new darkwave movement was coming together with a sound that seemed to come out of the then renewed interest in vintage synths, that cold, bright, moody sound of Goth-y 80s synth pop and its cousin chillwave. But Robert Alfons’ vibrant, soulful voice and imaginative soundsccaping are the key ingredients that elevated this project above many of its contemporaries. In 2019 TR/ST released The Destroyer (Part 1 and 2), a more experimental and ambient, ethereal set of songs than his previous offerings and a clear product of reassessing directions and ideas to produce something different. SRSQ (pronounced Seer Ess Que as in the lettes for the latter two) is Kennedy Ashlyn the charismatic singer formerly of brilliant dream pop band Them Are Us Too. Her 2018 album Unreality is a moody and emotionally harrowing and cathartic downtempo album that seems to have absorbed the darkness and pain of the underground world in the wake of the Ghost Ship fire and given it a voice that exorcises some of that energy.

What: Keytar Fest IV: The Jinjas, R A R E B Y R D $ and Claudzilla
When: Sunday, 11.3, 4 p.m.
Where: Glitter City
Why: Just like the title of the event suggests, this is a mini festival featuring all projects that incorporate keytars as an essential part of the songwriting and this includes weirdo synth punk Claudzilla and experimental hip-hop/IDM-inflected trio R A R E B Y R D $.

What: Danny Brown w/Ashnikko and Zeeloperz
When: Sunday, 11.3, 7 p.m.
Where: Cervantes’ Masterpiece Ballroom
Why: Ever since the larger world outside of Detroit started cluing into Danny Brown’s genius following the release of 2010’s The Hybrid, the rapper has garnered a large cult following for his eccentric yet sharply cogent and thoughtful yet raw lyrics and production that incorporates a wide range of sounds that one hadn’t often heard in hip-hop outside of the underground and alternative circles of the 90s and early 2000s. Brown picked up where that left off and pushed things further particularly on his 2016 album Atrocity Exhibition which borrowed its title from a science fiction novel by J.G. Ballard and whose beats sounded almost like a new hybrid of industrial and rap that reflected the atmospherics as much as the textures and rhythms. With his new album, 2019’s uknowhatimsayin¿ Brown follows a similar sonic path but brings together more organic, almost found sounds with processed layers of atmosphere. Intact is his gift for surreal imagery and wordplay that gets under your skin.

Monday | November 4

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GRÜN WASSER, photo courtesy the artists

What: GRÜN WASSER w/Natural Violence, French Kettle Station and Night Shift DJs
When: Monday, 11.4, 9 p.m.
Where: Rhinoceropolis
Why: GRÜN WASSER is a Chicago-based electro-pop/industrial whose pulsing rhythms and dreamlike moods sound like endless nights wandering a menacing urban landscape and commenting on the culture of the nightlife. That is if the group’s new album Not OK with Things (Holodeck Records) is any indication. There is an almost claustrophobic quality to its densely atmospheric beats contrasted with Keely Dowd’s lightly echoing, ethereal vocals. French Kettle Station has been through more permutations of his sound than many artists bother to explore but of late he’s been developing a sound that’s still rooted slightly in 1980s No Wave disco and modern glitch dance pop but also influenced by 1980s adult contemporary music and its unexpectedly newly influential use and voicing of drums and vintage synths in a way that in any other contexts would be utterly wack but takes on an almost spiritual cast in certain underground electronic artists including that side of what FKS has been up to in the past year or two. His latest album, Over X Millenia takes those ideas and injects them with non-western rhythmic ideas and a New Age music aesthetic for something new yet strangely familiar. Its closest cousin that comes readily to mind is Brian Eno and David Byrne’s 1981 classic My Life in the Bush of Ghosts.

Tuesday | November 5

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HTRK, photo by Kate Meakin

What: HTRK w/Midwife, Echo Beds, Human Tide
When: Tuesday, 11.5, 8 p.m.
Where: Rhinoceropolis
Why: Since 2003 HTRK, originally from Australia, has been making music inspired by the brooding, otherworldly atmosphere of the films of David Lynch. Though the name of the band is pronounced “Hate Rock” it’s not so much rock except in the experimental sense as much as downtempo and ambient soundscaping. In 2010 founding musician Sean Stewart passed away leaving Nigel Yang and Jonnine Standish to carry on and as a duo HTRK has released a handful of some of the most fascinating music mixing electric music with an electronic aesthetic being made today. The group’s latest album is Venus in Leo with its exquisitely subtle dynamics and cinematic approach to its composition and sound design with lingering, impressionistic guitar riffs drifting around Standish’s hushed and soulful vocals.

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Minami Deutsch, photo courtesy the artists

What: Kikagaku Moyo w/Minamu Deutsch
When: Tuesday, 11.5, 7 p.m.
Where: Gothic Theatre
Why: Kikagaku Moyo from Japan is a true synthesis of 70s Krautrock, classic Japanese psychedelic rock and more traditional Japanese folk. Currently the group is touring with the like-minded Tokyo band Minami Deutsch. The group’s urgent rhythms, mesmerizing drones and hypnotic dynamics sound like what it is to travel through Tokyo and its subtle but odd mixture of old world and high tech metropolis side by side in all of the city’s giant districts. On the group’s new EP, Can’t Get There that dynamic often takes you to a place of anxiety and then release as it draws you into its irresistible groove.

What: Jeffrey Lewis & The Voltage w/Adam Baumeister
When: Tuesday, 11.5, 7 p.m.
Where: Hi-Dive
Why: A rare chance to see eccentric, genius freak folk and comic artist legend Jeffrey Lewis and his band along with local star of experimental folk and psychedelia, Adam Baumeister, head of Meep Records and former member of Navy Girls and Bad Weather California.

What: Cannibal Corpse w/Thy Art is Murder, Perdition Temple
When: Tuesday, 11.5, 6:30 p.m.
Where: Boulder Theater

What: Arc Sol, Slugger and Gothsta
When: Tuesday, 11.5, 9 p.m.
Where: Mercury Café

What: 1349 w/Uada and Cloak
When: Tuesday, 11.5, 6:30 p.m.
Where: Oriental Theater

Wednesday | November 6

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Dinosaur Jr, photo by Levi Walton

What: Negative Approach w/Blood Loss and Tuck Knee
When: Wednesday, 11.6, 7 p.m.
Where: Lost Lake
Why: Negative Approach from Detroit was one of the bands out of that early wave of American hardcore than seemed particularly seething and intense and fronted by John Brannon who went on to noisy psychedelic blues band Laughing Hyenas and Easy Action. Easily one of the greatest frontmen of rock music because he seems to actually be losing his mind swept up in the moment.

What: Weird Wednesday: FangFuck, Zealot and Bolonium
When: Wednesday, 11.6, 9 p.m.
Where: Bowman’s Vinyl & Lounge
Why: Weird Wednesday includes left field indie rock local supergroup Zealot and Bolonium a band inspired by Devo and which comes off like an odd combination of band, cheesy game show and Troma film.

What: Kurt Vile and the Violators w/Dinosaur Jr
When: Wednesday, 11.6, 7 p.m.
Where: The Mission Ballroom
Why: Dinosaur Jr is the missing link between gritty classic rock like Neil Young, hardcore and 90s alternative rock and more influential on modern music than is often obvious. The mixture of sheer volume with tunefulness reconciled eras of music in a way that is often taken for granted and which bands like Nirvana and other massively commercial successful bands took to topple the music industry marketing machine and culture. Apparently modern folk/psychedelic artist Kurt Vile has felt this influence and thus has Dinosaur on this tour and for its part, the members of Dinosaur Jr have continued to release music, some of the best of its career in the past decade.

What: (Sandy) Alex G w/Indigo De Souza and Tomberlin
When: Wednesday, 11.6, 7 p.m.
Where: Marquis Theater