Best Shows in Denver and Beyond January 2023

SUNN O))) Shoshin Duo performs at The Gothic Theatre on January 31, 2023
Shadows Tranquil in 2022, photo by Tom Murphy

Saturday | 01.07
What: Autumn Creatures w/Cherished, Bloodsports and Shadows Tranquil
When: 8
Where: Hi-Dive
Why: Autumn Creatures is a band from Colorado Springs whose music bridges the worlds of ambient, post-rock, orchestral post-metal, dream pop and outright shoegaze. So on a solid bill with Denver’s Cherished which has emerged from its early incarnation as more a post-punk and death rock band into the realm of shoegaze but with tweaking the edges of the aesthetic with unconventional vocal tones and rhythms that shift easily from drifty to direct. Bloodsports also from Denver is hitting the sweet spot of slowcore and shoegaze with introspective vocals and flares of noise to give what might be a more amorphous aesthetic some dramatic definition. Shadows Tranquil also doesn’t trade in subgenre adherence by thoroughly fusing chilly shoegaze with a touch of emocore and mathrock but all aimed at expressing direct emotional resonances with a maximalist sonic approach with an impressive level of musical detail and dynamic nuance.

Verhoffst in 2022, photo by Tom Murphy

Saturday | 01.07
What: Noise Brap: Barbie Bloodbath, Muttering, Verhoffst, Kneiffii, Sheet Metal Skingraft, Wontanii, Ghost Thief, Wolf Larva, Avarice and Mumble w/DJs Ursa, B2B and Combat Sport
When: 8
Where: Glob
Why: The concept of the brap was coined by Skinny Puppy and was even the title of the 1996 edition of its Back and Forth Series (3 & 4 for that iteration) which collected early instrumental demos and live recordings from earlier in the decade of collaborative electronic improvisations. And for this show the various artists in the local noise/electronic industrial/glitch scene will be teamed up with another for sessions throughout the evening and into the night.

Bret Sexton and Farrell Lowe in 2022, photo by Tom Murphy

Saturday | 01.07
What: Summit Quartet & SeFa LoCo
When: 7-9
Where: Mercury Café (Jungle Room)
Why: This is an evening of live improvised music featuring Right Brains Records artists Summit Quartet which includes Swedish pianist Walter Thompson and long time Denver-based avant-garde saxophonist and educator Mark Harris who has performed with the likes of Bob Hope, Roger Waters and Cab Calloway and locally known for his time in art rock projects Thinking Plague and Hamster Theater. Also on the bill is SeFaLoCo which includes not only Matt Smiley and Ron Coulter from Summit Quartet but long time local masters of improvised music Farrell Lowe and Bret Sexton.

Open Mike Eagle, photo from Bandcamp

Sunday and Monday| 01.08 and 01.09
What: Open Mike Eagle w/Video Dave and DVNEHPPY (w/Azon Classic) (on 01.08) and w/S.iah (on 01.09)
When: 7
Where: Larimer Lounge (01.08) and The Coast (01.09)
Why: Open Mike Eagle has been created “art rap” for more than two decades and has long been a star in the modern alternative rap world. His new album A Tape Called Component System with the Auto Reverse (2022) is a fine dose of his always creative and imaginative lyricism casting every day situations in surreal terms that reveal insights what might otherwise be mundane and everyday situations. The album includes contributions from Armand Hammer, Aesop Rock and opening artist Video Dave. His beats go beyond mere choice sample processing and have a cinematic and literary quality in their own right creating a layered listening experience.

Skyfloor in 2021, photo by Tom Murphy

Thursday | 01.12
What: Alphabet Soup #56: Funk Hunk, Savage Bass Goat, Yung Lurch, Furbie Cakes, Skyfloor
When: 9
Where: The Black Box
Why: Alphabet Soup returned in 2022 for every second Thursday of the month at The Black Box to bring you a bevy of local, eclectic and forward thinking dance and techno not getting showcased much at any other event or venue plus there’s no cover.

R A R E B Y R D $ in 2019, photo by Tom Murphy

Friday | 01.13
What: R A R E B Y R D $
When: 6-10
Where: Rainbow Dome
Why: Rainbow Dome is a project rooted in visual art and community building and this Capricorn Season-themed event involves roller skating, a dance party and a performance from hip-hop trio R A R E B Y R D $ whose music is brash, tender, emotionally rich and deep and incorporates a diverse sound that is an amalgamation of electro soul, ambient, R&B, alternative hip-hop and techno. If one were to count the top live music acts in Denver at the moment these people would have to be included.

Friday | 01.13
What: Modular Synth Night: Enemy Sender, ALX-106, Love Cosmic Love, Sine Mountain and Kent_ucky
When: 8
Where: Hi-Dive
Why: As the name of the event suggests this is a showcase for some of the local modular synth artists. Normally a show like this happens at a place like Black Box or maybe Fort Greene or with the artists separately at other spaces open to pure electronic music and the more avant electronic dance and techno music but that it’s happening at a venue like Hi-Dive is a testament to what those in the know already knew and that’s that there has been an blossoming interest in synthesizer music beyond the confines of EDM and electronic dance music for many years and maybe a sign of more events like this to come outside the usual venues.

Church Fire in 2021, photo by Tom Murphy

Saturday | 01.14

What: Coastless Creatives Presents Void: Feat. Closegood, Cole3K, Church Fire and Polly Urethane
When: 7
Where: Lost Lake
Why: Closegood is an experimental R&B duo originally based out of Los Angeles and may still be. Its 2021 album THOTFORM was a colorful set of music that sounded like a bit like R&B, glitch, hyper pop and something that one might expect on the Orange Milk label. Cole3K is similarly-minded in sound with a more hip-hop infused cadence but with production that sounds like the rapid fire shifting pulse of modern life. Church Fire is a hyper political electronic dance industrial trio from Denver but lately it has been incorporating production ideas from the realms of glitch and hyperpop in finding ways to express the reconciliation of self with a fragmented and fragmenting world in a time of great change and crisis where world governments, especially great powers, focus on pointless conflict and a charade of identity politics while the world burns and no one holding the reigns of economic and political power is taking a leadership position to address our collective challenges with the environment, authoritarian politics, economic inequality connected by the domination of global oligarchy. Church Fire’s music is in opposition to that and creating an oasis of joy and solidarity while performing it. Polly Urethane is an evolving visionary artist who seems comfortably situated in creating works that cross the boundaries of classical music, opera, noise, industrial, performance art, dream pop and post-punk. Her shows are an exercise in fearless confrontational challenge of the artist and audience dynamic.

Polly Urethane in 2022, photo by Tom Murphy

Tuesday | 01.17
What: Alice Does Computer Music, Certain Lives, Polly Urethane and Lanx Borealis
When: 8
Where: Glob
Why: Alice Does Computer Music is a New York City-based synth pop/hyperpop artist who incorporates cello into her immersive and playful soundscapes. Fans of Mitski may appreciate this artist’s particular brand of pop composition. Lanx Borealis is a Denver-based, dark ambient electronic artist whose work is in the realm of the sort of thing you might expect to hear on the long running Hearts of Space program on public radio. You never really know what kind of set you’re going to get from Polly Urethane and this might be a repeat of her show the previous Saturday or something more improvised or something new but always imaginative and powerful.

Blondshell in 2022, photo by Tom Murphy

Wednesday | 01.18
What: Suki Waterhouse w/Blondshell
When: 7
Where: Bluebird Theater
Why: Blondshell is the stage name of Sabrina Teitelbaum, a songwriter based out of Los Angeles whose singles have been making the rounds since 2022 when she started touring a bit as well on a national level. Her surprisingly fiery rock songs with lush pop hooks and commanding vocals as heard most recently with the December release of her “Veronica Mars” single are appealing enough but live Teitelbaum is a bit of a mysterious creature whose nearly acrobatic stage poses executed with an unaffected calm adds another dimension of performance style one doesn’t often see at a show like she’s incorporating yoga practice into the performance while keeping it theatrical and emotive. Suki Waterhouse is perhaps best known for her acting and modeling career having appeared in the films The Divergent Series: Insurgent (2015) and Ana Lily Amirpour’s gritty horror thriller The Bad Batch (2016) to name but two. In 2022 Waterhouse released her debut album I Can’t Let Go through Sub Pop as well as an EP called Milk Teeth after periodically releasing a single starting with 2016’s “Brutally.” Waterhouse’s hushed vocals and introspective, spacious, cinematic songs offer some insightful and nuanced perspectives on modern relationships.

The Mañanas in 2022, photo by Tom Murphy

Friday | 01.20
What: The Velveteers w/The Mañanas and Pink Lady Monster
When: 7
Where: Bluebird Theater
Why: The Velveteers return from a year of playing big out of town shows with their scorching yet joyful brand of blues rock and psychedelia with two performances and this night the Denver show with two of Denver’s finest. The spirited garage rock/power pop group The Mañanas and their breezy rhythms and sound like something that might have happened had indiepop bands taken even more of a cue from tropicalía. Pink Lady Monster seemed to emerge onto the Denver scene fully formed with an aesthetic that perfectly amalgamates dream pop, psychedelic rock and downtempo in a way reminiscent of both Broadcast and Blonde Redhead.

Friday | 01.20
What: Kool Keith w/Stay Tuned and DJ boyhollow
When: 7
Where: Mercury Café
Why: Kool Keith is the eccentric and influential rapper whose music with Ultramagnetic MCs and Dr. Octagon alone earn him an important place in the history of hip-hop. His surreal wordplay, profane humor and chameleonic style coupled with numerous alter egos have exerted a clear influence on hip-hop since the 1980s as a creative figure with a singular and evolving vision. Opening is the great, Denver-based crew Stay Tuned whose own style of hip-hop with two MCs is not short on imaginative culture and media commentary set to supremely creative beats in the vein of the likes of Dilla and A Tribe Called Quest. DJ-ing the show is legendary track selector boyhollow whose long running alternative music dance night Lipgloss recently went from a weekly to a monthly event.

The Velveteers in 2021, photo by Tom Murphy

Saturday | 01.21
What: The Velveteers w/Shady Oaks and The Nova Kicks
When: 8
Where: Fox Theatre
Why: This night The Velveteers play a hometown show with Americana inflected blues and garage rock band Shady Oaks and Denver indie rock band The Nova Kicks.

Instant Empire in 2015, photo by Tom Murphy

Saturday | 01.21
What: Instant Empire w/A Mouthful of Thunder and A Place for Owls
When: 8
Where: Globe Hall
Why: Since 2011 Instant Empire has been threading together classic New Wave sensibilities with introspective and hazy melodies. A Mouthful of Thunder is the latest band from Stephen Till formerly of Hearts of Palm and Black Black Ocean. Who? At any rate, Till’s sensitive lyrics and knack for dynamic melodies and inventive hooks are present here too as evidenced by its 2020 album Careful Now. A Place For Owls released its excellent self-titled debut full length in 2022 and sure it can be lumped under the clumsy umbrella genre designation of indie rock. But there is a level of orchestral composition that brings to the music a full and rich sound that complements well its yearning and existentially explorational lyrics.

Saturday | 01.21
What: Lykotonon w/Ritual Aesthetic, Noctambulist, Morningstar Delirium and DJ Swarth
When: 7
Where: Hi-Dive
Why: Lykotonon includes members of Wayfarer, Stormkeep and Blood Incantation and its music might be described loosely as experimental black metal in that it’s more in the realm of Wolves in the Throne Room than Darkthrone and underpinned with spooky electronics that give the music an otherworldly feel. The group recently released its new album Promethean Pathology (2022) and this might be seen as something like an album release show since the record dropped on November 25. Also on the bill are like-minded denizens of the more interesting end of local extreme metal.

Grief Ritual in 2021, photo by Tom Murphy

Sunday | 01.22
What: Velnias w/Ghosts of Glaciers and Grief Ritual
When: 8
Where: Hi-Dive
Why: Velnias is tricky to pin down in clear terms because its music isn’t just doom or progressive psychedelic black metal. But its appealingly forbidding yet melodic and epic songs have found an audience well beyond its unlikely hometown of Nederland, Colorado where it’s not just banjos and jam bands. Ghosts of Glaciers will be a good complement to the bill with its own progressive, doomy post-metal and Grief Ritual’s cutting, hardcore-influenced is a relentless assault on authoritarian nihilism.

Nightshark in 2006, photo by Tom Murphy

Thursday | 01.26
What: Nightshark w/Quits, Tripp Nasty, Sense From Nonsense
When: 8
Where: Hi-Dive
Why: Free jazz/noise rock avant-garde legends Nightshark is playing its first show in over a decade and its first with saxophonist Becca Mhalek in more than fifteen years. The trio of Mhalek, Mike Buckley and Andrew Lindstrom were staples of the Denver underground scene in the 2000s playing small clubs, drive bars and DIY spaces regularly with its mind-altering musicianship and wild energy. Later incarnations of the group included the likes of Neil Keener of Wovenhand fame and Brittany Gould who some may know for her transcendent ambient folk project Married in Berdichev. But the classic trio was the longest lasting and the lineup for this reunion. Sharing the stage will be some other luminaries of the 2000s and 2010s Denver DIY world with composer and modular synth artist Tripp Nasty who has recently launched a new lathe cut label called From the Desk of the Sick Librarian which released the new Sense From Nonsense record. The latter is the solo micro soundtrack and synth and film project of Tom Nelsen who many may know from his tenure in both mutant garage rock band Vicious Women and industrial post-punk phenoms Echo Beds. Quits will also bring its noise rock madness and eruptive energy to the show with former members of White Dynamite, Sparkles, Hot White and Felt Pilotes. All killer.

Pink Lady Monster in 2022, photo by Tom Murphy

Friday | 01.27
What: Church Fire, Velvet Horns and Pink Lady Monster
When: 7
Where: Enigma Bazaar
Why: Church Fire will grace the west side with its politically charged industrial dance party and raw emotional power. Velvet Horns is supposedly a pop punk band in the queercore vein and that’s true enough in essence but there’s nothing corny about its intensity and storytelling, like they aimed right for the vulnerable emotions that is part of the best of pop punk. Pink Lady Monster’s art pop psychedelia always seems to have a paradoxical mysterious immediacy with songs that defy easy genre tagging as its songs aren’t readily comparable to any obvious influences.

Circuit des Yeux in 2014, photo by Tom Murphy

Friday | 01.27
What: Circuit des Yeux and Bleak Mystique
When: 7
Where: The Coast
Why: Experimental indie folk artist Haley Fohr has been releasing fascinating records as Circuit des Yeux since at least 2010. Her spectral, almost classical compositions and otherworldly and dramatic vocals seem like something that one might expect from another era or parallel universe in which Alice Coltrane is a figure in her more New Age period was cited as an influence alongside Magma as much as any classic rock or folk artist. Her 2021 album -io is like a long lost Nico record with shades of Julia Holter and Laurel Halo but of course Fohr’s unique and always boundary pushing style.

Haunt Me in 2022, photo by Tom Murphy

Friday | 01.27
What: Haunt Me w/Hex Cassette and Julian St. Nightmare
When: 9
Where: The Crypt
Why: Haunt Me is a darkwave post-punk band from Austin, Texas that often performs in a nearly choking cloak of fog so that its echoing melodies seem to indeed come through to you in a disembodied manner grounded by hypnotic beats. This swing through Colorado includes two dates, this one at The Crypt with the confrontational and fun occult darkwave dance style of the inimitable Hex Cassette who always breaks the barrier between audience cajoling performer and manic dancer in the audience. Julian St. Nightmare’s songwriting as a post-punk band is consistently pushing the barriers of the musical style with not only superior musicianship and diverse songwriting but great style and stage presence.

Sunnnner in 2022, photo by Tom Murphy

Saturday | 01.28
What: Haunt Me w/Hex Cassette and Sunnnner
When: 8
Where: Trident Booksellers & Cafe
Why: This second Haunt Me show this time in Boulder out back of the Trident book store on the west end of Pearl Street Mall not only includes Hex Cassette but Denver trio Sunnnner whose weirdo post-punk and noise rock is so idiosyncratic in its presentation it is psychedelic rock by default. Meaning the group is much more exciting and interesting than any possible hints of roots in garage rock might be there.

Why Bonnie, photo by Grace Pendelton

Saturday | 01.28
What: Why Bonnie, Sun June and Porlolo
When: 8
Where: Hi-Dive
Why: Why Bonnie began as a songwriting outlet for singer/guitarist Blair Howerton but by the time of its 2018 debut EP In Water the project had developed into a full band. Howerton’s vivid lyrics and command of loud and quiet dynamics and crafting of warm, evocative melodies has yielded a richly diverse body of work that has been described as shoegaze Americana but the band’s music has more in common with the likes of Rilo Kiley, Soccer Mommy and Julien Baker than Mojave 3. The group’s 2022 album 90 in November is a collection of stories of unromanticized nostalgia. That approach lends the songs an unusual and fascinating aspect of being able to appreciate one’s past as it is and not to over or undervalue how you’ve grown as a person and the ongoing process of personal development. Veteran pop Americana legends Porlolo from Denver opens the show with Erin Roberts’ own insightful takes on personal folly and a life lived without fitting neatly under a subcultural umbrella.

Kali Malone, photo by Mauricio Guillen

Tuesday | 01.31
What: SunnO))) w/Kali Malone
When: 7
Where: Gothic Theatre
Why: In its SHOSHIN (初心) Duo configuration SunnO))) returns to its core, original live form with founders and guitarists Stephen O’Malley and Greg Anderson performing its signature heavy volume ritualistic drones dealing in what they refer to as “profound valve amplification, spectral harmonics, distortion and volume.” From the beginning the duo has crafted primal waves of sound that serve as some of the heaviest ambient music rooted in an abstract rock instrument foundation, warping and mutating both aesthetics in an alchemical synthesis that is transcendent and glacially crushing. Don’t go expecting a doom band, sure it’s not quite the same without long time collaborator, the singular vocalist Attila Csihar, but all configurations of SunnO))) offer a mind-altering live experience unlike any other band in the world of heavy music or really any other. Opening the proceedings is Kali Malone. The composer grew up in Colorado and moved to Stockholm, Sweden in her late teens and has become internationally renowned for her avant-garde works of drone and modern classical music. Anyone that saw Malone performing at house shows and DIY spaces in Colorado got to see an early form of Malone’s gift for meditative, minimalist soundscapes but her 2019 album The Sacrificial Code brought her to wider international audiences. Her new album, the gorgeously layered and transportingly murky Does Spring Hide Its Joy (January 2023) includes contributions from SunnO)))’s Stephen O’Malley and Lucy Railton released on O’Malley’s Ideologic Organ imprint on 3 LPs and 3 CDs.

Best Shows in Denver 12/26/19 – 12/31/19

Thursday | December 26

Sliver_Mar31_2019_TomMurphy
Sliver, photo by Tom Murphy

What: Sliver w/Sad Bug, The Slacks, Forla De La Luna, Black & White Motion Picture
When: Thursday, 12.26, 7 p.m.
Where: Lost Lake
Why: Lately Sliver frontperson Chris Mercer has been taking vocal lessons from Ed Sheerhan so that they could stop “sounding like I’m totally ripping off Eddie Vedder.” While their songwriting reveals a deep affection for the Everclear catalog the band tries to steer Mercer away from their dreams of having “basically a Silverchair tribute band.” See for yourself if any of this is true tonight.

What: Nektromantic w/Juliet Mission and Plague Garden
When: Thursday, 12.26, 9 p.m.
Where: Shag Lounge
Why: Nekromantic is the bi-monthly post-punk and darkwave night at the Shag Lounge but in the new year those nights will be the second and third Thursday and another night at the Skylark to be announced soon. This evening’s schedule includes a rare live band showcase with Juliet Mission, a post-punk band with roots in the late 80s and early 90s Denver underground scene as all three members were in an early line-up of jazz-inflected shoegaze band Sympathy F. Plague Garden is the post-punk side project of the members of eHpH and Paul Baker of Red Wing Black Bird.

What: Homegrown
When: Thursday, 12.26, 8 p.m.
Where: Grafenberg Sketch Comedy And Improv Theater
Why: This is a live performance from Homegrown, a comedy troupe consisting of contributors of some of the best current comedy television series running with Anne Lane (Rick and Morty), Betsy Sodaro (Disjoined and Bob’s Burgers) and Haley Mancini (Shameless and Powerpuff Girls). Opening the night are Justin Franzen, Nick Ross and Max Schwarz opening

What: Slynger w/Vic N’ The Narwhals and George Cessna
When: Thursday, 12.26,7 p.m.
Where: Larimer Lounge

Friday | December 27

GreenDruid_Jul21_2018_TomMurphy
Green Druid (older), photo by Tom Murphy

What: Green Druid w/Scepter of Eligos and Tricoma
When: Friday, 12.27, 8 p.m.
Where: Lost Lake
Why: Sludge metal night at Lost Lake. Green Druid is more on the psych end of doom and Tricoma on the black metal end of the same.

Saturday | December 28

DeVotchKa_2_by_Jen_Rosenstein
DeVotchKa, photo by Jen Rosenstein

What: DeVotchKa w/The Copper Children
When: Saturday, 12.28, 7 p.m.
Where: Bluebird Theater
Why: First of two year end shows for Denver-based, dark cabaret band DeVotchKa who have recently come back from a several years of hiatus in releasing new music with 2018’s excellent This Night Falls Forever. The band has been through several permutations of its development as a creative group from the “gypsy punk” phase early on to its now more orchestral, grand melodrama and broad emotional expression.

What: Velnias w/Gruesome Relics, Fell Harvest
When: Saturday, 12.28, 8 p.m.
Where: Hi-Dive

What: The Born Readies, Elektric Animals and The Ghoulies
When: Saturday, 12.28, 8 p.m.
Where: Lost Lake

Monday | December 30

KidCongoPowersAndPinkMonkeyBirds_Feb3_2014_TomMurphy
Kid Congo Powers & Pink Monkey Birds circa 2014, photo by Tom Murphy

What: Slim Cessna’s Auto Club w/Kid Congo & The Pink Monkey Birds and Hang Rounders
When: Monday, 12.30, 8 p.m.
Where: Hi-Dive
Why: Slim Cessna’s Auto Club is continuing its tradition of New Year’s Eve shows across two nights starting on this date with the same bill both nights. The Denver-based band is part Vaudeville act and dramatic, countrified post-punk with its stylized and compelling live show. Also on the bill is Kid Congo Powers’ classic Chicano rock band. Powers was once a member of Gun Club, The Cramps and Nick Cave and the Bad Seeds but with the Pink Monkey Birds he’s able to shape that into his own musical vision steeped in the aforementioned and glam rock. Hang Rounders is an unabashedly classic country band with a modern flavor.

What: Fuzzy J w/Chris Shrift and Kali Krone
When: Monday, 12.30, 7 p.m.
Where: Lost Lake

Tuesday | December 31

ChimneyChoir_030219-139
Chimney Choir, photo courtesy the artists

What: Chimney Choir (light shadow) album release party
When: Tuesday, 12.31, 9 p.m.
Where: Mercury Café
Why: Avant-garde pop group Chimney Choir is releasing its latest album (light shadow) tonight and as per usual, you’re in for the kind of show that pretty much no one else is doing and which will involve multi-media, physical props, costumes and more than likely some inspired audience participation aspect just for this show, probably never to be repeated again.

What: Slim Cessna’s Auto Club w/Kid Congo & The Pink Monkey Birds and Hang Rounders
When: Tuesday, 12.31, 8 p.m.
Where: Hi-Dive

What: Devotchka w/Banshee Tree and Kiltro
When: Saturday, 12.28, 7 p.m.
Where: Bluebird Theater

Best Shows in Denver 06/13/19 – 06/19/19

Tacocat
Tacocat, performs at Larimer Lounge on Saturday, June 15. Photo by Helen Moga

Thursday | June 13

TurvyOrgan_JakeCox1
Turvy Organ, photo by Jake Cox

What: Turvy Organ album release w/Panther Martin, Sour Boy Bitter Girl
When: Thursday, 06.13, 8 p.m.
Where: Hi-Dive
Why: The Ghost at the Feast is Denver indie rock band Turvy Organ’s new record. What has always set the group apart from the oft-necessary but lazy “indie rock” overarching term is that it most certainly is not operating to jump on some trendy sound or bandwagon. Yes, you’ll hear the echoes of Modest Mouse in some of Ilya Litoshik’s vocals but from there the dynamics of the music and the songwriting is too idiosyncratic to fit into the mold of anyone else. The new album has what sounds like a story arch trying to make sense of a deep yearning for place and identity and coming to accept things as they are. Very Zen. But that journey is one worth taking with the band. There isn’t a single sonic flavor Turvy Organ employs across the album except for maybe some tasty, energetic melodic bass lines. That may even be how the record ties together outside of Litoshik’s highly charged and wide-ranging vocals. Splicing together post-punk moodiness and wiry energy with the frayed musical and emotional edges of 90s lo-fi rock, Turvy Organ has not just come to terms with what it’s about as a band The Ghost at the Feast but with what it’s like to be an underground rock band at this juncture in our culture where if you’re not doing it for the right reasons you’ll undermine your goals by not seeming honest.

What: TOKiMONSTA w/Holly and Blackbird Blackbird
When: Thursday, 06.13, 9 p.m.
Where: Club Vinyl
Why: TOKiMONSTA garnered a name for herself for crafting imaginative and lush downtempo beats that wouldn’t be out of place in the body of work of some of the more melancholy artists on the Warp and Stones Throw roster. She has a real gift for expansive, complimentary synth lines and multiple layers of percussion to accent the tempo of her songs. As a DJ TOKiMONSTA mixes in plenty of material from across a broad spectrum of modern electronic music.

Friday | June 14

Thou_Nov30_2018_TomMurphy
Thou, photo by Tom Murphy

What: Electric Funeral Fest Night 1
When: Friday, 06.14, 3 p.m.
Where: Hi-Dive/3 Kings
Why: This is the fourth edition of Electric Funeral Fest which features some of the most interesting acts in underground “extreme” and experimental metal. Tonight’s programme is as follows:

3 Kings Tavern Stage:
5:15 – 5:55 Fathers
6:15 – 6:55 Dead Now
7:15 – 7:55 Destroyer of Light
8:15 – 8:55 Velnias
9:15 – 9:55 Sourvein
10:15 – 11:00 Acid Witch
11:30 – 12:35 Thou

Hi-Dive Stage:
5:40 – 6:20 Love Gang
6:40 – 7:20 Banquet
7:40 – 8:20 Oryx
8:40 – 9:20 Tia Carrera
9:40 – 10:20 Against the Grain
10:40 – 11:25 Royal Thunder
Afterparty
12:45 – 1:25 Bewitcher

Mutiny Information Cafe Stage:
3:00 – 3:40 Fossil Blood
4:00 – 4:40 Deathchant
5:00 – 5:40 Voideater
6:00 – 6:40 Hexxus
7:00 – 7:40 Greenbeard

What: Anderson .Paak w/Earl Sweatshirt and Thundercat
When: Friday, 06.14, 6 p.m.
Where: Red Rocks
Why: Three of the most creatively brilliant artists of modern hip-hop on one bill anywhere would be noteworthy, at Red Rocks it would be deserving of the word epic.

What: Sympathy F
When: Friday, 06.14, 9 p.m.
Where: Goosetown Tavern
Why: Formed in 1991, Sympathy F is one of the few, if not only, still active bands from Denver’s alternative rock era whose melancholic, jazz-inflected, dream pop reflects an era in Denver where the city felt dark, neglected and wide open. When creative weirdos could rent a warehouse on the relatively cheap and hang out with each other and converse and mutually inspire and otherwise have their own subculture that was vibrant and not well known by the world outside the Mile High City. When downtown had viaducts (Fifteenth and Twentieth Streets) that went from downtown proper to a now long gone warehouse district, where the old Montgomery Wards build stood west of downtown like the abandoned monolithic structure from a bygone era. That the band’s songs are emotionally powerful and moving and intense yet luminous doesn’t hurt because it has been written from a place of nostalgia, but at its heart is a shard of that unique time and place in Denver’s history and it shines forth from the band’s entrancing performances.

What: Daikaiju
When: Friday, 06.14, 7 p.m.
Where: Tennyson’s Tap
Why: Writing about Daikaiju seems folly at this moment so here’s a video that gets at some of the chaotic glory of the weirdo surf band from Alabama.

What: Lazarus Horse, Mt. Illimani, Enji and Sam Morris
When: Friday, 06.14, 8 p.m.
Where: Mutiny Information Café
Why: Maybe Eddie Durkin shoulda zigged when he shoulda zagged here and there in life. But haven’t we all? His old band Sparkler Bombs was pushing punk and noise rock and modern proto-psychedelia in interesting directions. But nearly a decade hence, Durkin has been writing songs under various project names including Lazarus Horse. Imagine if someone somehow bought Rainwater Cassette Exchange, The Glow Pt. 2 and a few Julianna Barwick and Grouper records pluse The Velvet Underground & Nico and got sent off with their parents to scientific station duty at Edinburgh of the Seven Seas with spotty internet but a good instruments and pedals and some recording equipment. That’s basically what Lazarus Horse sounds like—drawing on the weirdo rock familiar while sounding ineffably different from even that.

Saturday | June 15

Paranoyds_Tony Accosta
Paranoyds, photo by Tony Accosta

What: Tacocat and The Paranoyds w/Princess Dewclaw
When: Saturday, 06.15, 8 p.m.
Where: Larimer Lounge
Why: Seattle’s Tacocat and L.A.’s The Paranoyds are making thought-provoking and emotionally nuanced fuzzy post-surf-punk pop with a refreshing level of depth and spirited energy. Although Tacocat has been associated with the sort of surf punk thing the past decade it’s always been different from all of that because its songwriting has been brimming with irreverent humor, playfulness and a surreal and colorful aesthetic. The cover of its new album This Mess is a Place is striking when you see it at the record store and draws you in with its inviting, retrofuturistic collage style promising something within that will offer interesting stories and perspectives that aren’t trend hopping or trite blandishments about love or needing to always center all content on what’s topical. In that way Tacocat offer a view of a more interesting and vital future for all of us. Paranoyds can be reminiscent of The Raincoats if that band came from southern California instead of London with the wonderful, unconventional choruses and noisy guitar. Watch out for the group’s new 7-inch “Hungry Sam”/”Trade Our Sins” out on Suicide Squeeze July 12.

ChromeWaves_MelissaAtwood
Chrome Waves, photo by Melissa Atwood

What: Electric Funeral Fest IV
When: Saturday, 06.15, 3 p.m.
Where: Red Rocks
Why: See above for Electric Funeral Fest IV. Here is this night’s programme of performances:

3 Kings Tavern Stage:
4:15 – 4:55 Abrams
5:15 – 5:55 Thra
6:15 – 6:55 Yatra
7:15 – 7:55 Chrome Waves
8:15 – 8:55 Teeth
9:15 – 9:55 Gozu
10:15 – 11:00 Tombs
11:30 – 12:35 Torche

Hi-Dive Stage:
4:40 – 5:20 Casket Huffer
5:40 – 6:20 Sun Voyager
6:40 – 7:20 Trapped Within Burning Machinery
7:40 – 8:20 The Munsens
8:40 – 9:20 Fotocrime
9:40 – 10:20 Call of The Void
10:40 – 11:25 Dead Meadow
Afterparty
12:45 – 1:25 Bummer

Mutiny Information Cafe Stage:
3:00 – 3:40 Red Mesa
4:00 – 4:40 Upon a Fields Whisper
5:00 – 5:40 Horseneck
6:00 – 6:40 Dizz Brew
7:00 – 7:40 Dysphotic

JamilaWoods_BradleyMurray
Jamila Woods, photo by Bradley Murray

What: Jamila Woods w/Duendita
When: Saturday, 06.15, 7 p.m.
Where: Lost Lake
Why: Jamila Woods recently released Legacy! Legacy! with song titles drawn from names of some of the greatest artists, writers and thinkers of color from America and beyond. Rarely do musicians name check the likes of Zora Neale Hurston, Frida Kahlo, Eartha Kitt, Sun Ra, Octavia Butler, James Baldwin, Jean-Michel Basquiat, Miles Davis, Muddy Waters and others of similar cachet at all much less with such style and soulfulness. Woods’ voice is commanding and wise and one gets the sense you’re learning something about the human beings named as they impacted Woods as a person and an artist in her own right. She doesn’t pretend to speak for them but reflect their deep influence through her own lens and how their work has inspired her to do what she hopes is interesting and worthy in her own right. It’s a deep record worth repeated listens. Fans of Nina Simone and Erykah Badu should give Woods a listen.

Sunday | June 16

BertOlsen_Dec21_2018_TomMurphy
Bert Olsen, photo by Tom Murphy

What: Natural Velvet, Church Fire, Rabbit Fighter and Bert Olsen
When: Sunday, 06.16, 8 p.m.
Where: Lost Lake
Why: Natural Velvet bassist/singer Corynne Ostermann told the Baltimore Sun in 2016 “’Basically, we aim to be a “Sailor Moon” villainess.’” And who wouldn’t want to see that band? Apparently a post-punk band it sure has some nefarious punk energy but the fun kind like what you might imagine a raccoon is thinking. A good fit with Denver’s industrial dance pop powerhouse trio Church Fire whose subversive and politically charged music is not just cathartic but deeply emotional on multiple levels. This is the last show post-punk/dream pop duo Bert Olsen is playing under that name. The group recently lost its drummer and is changing to maybe using a drum machine and changing focus a bit and taking on the name Gila Teen. But it’ll still be Hunter Woods and Aidan Bettis on vocals/guitar and bass respectively so the same luminously evocative songwriting will remain.

Tuesday | June 18

Operator_Britt Kubat_crop
Operators, photo by Britt Kubat

What: Pile w/State Champion and Warring Parties
When: Tuesday, 06.18, 7 p.m.
Where: Larimer Lounge
Why: Pile has long been making the kind of post-punk/noise punk/lo-fi music that never really sounds like anyone else. Its new record Green and Gray is filled with the band’s signature, and always interesting, counter-point guitar riffing and richly varied song dynamics. The group switches up the pace in a song, conveying the way a mood will pass through your mind as you’re working through memories and contemplating what your life should be about and diving deep into how it really is. All their records are worth a listen and the latest one may be their best.

What: Charly Bliss w/Emily Reo
When: Tuesday, 06.18, 7 p.m.
Where: The Marquis Theater
Why: On 2017’s Guppy, Charly Bliss sounded a bit like other bands mining the 90s, fuzzy alternative pop bands for inspiration but with great energy and Eva Hendricks’ ebullient vocals. With Young Enough the group’s emotional palette seems to have grown exponentially and its sound evolved into a kind of atmospheric power pop but somehow without losing the verve that powered its full-length debut.

What: Lavender Fest Denver: Where in the Hell is Lavender House? The Longmont Potion Castle Story (screening)
When: Tuesday, 06.18, 6:30 p.m.
Where: Oriental Theater
Why: Longmont Potion Castle is the phone prank wizard extraordinaire of all time. His early use of odd sound processing methods for prank calling in the 80s and early 90s went above and beyond other, perhaps more well-known prank call “comedians.” Still mysterious after all these years someone finally made a documentary about his exploits and it’s screening tonight at the Oriental.

What: Operators w/Doomsquad
When: Tuesday, 06.18, 7 p.m.
Where: Lost Lake
Why: Dan Boeckner is best known for being in some of the most interesting rock bands of the past two decades including Wolf Parade and Divine Fits. But in the past five years and more he’s been in a band that now includes Devojka, Sam Brown and Dustin Hawthorne that has been exploring the use of analog synths to write the kind of bright, brooding pop songs that wouldn’t sound out of place at some weird “New Wave” in the early 80s that hosted the likes of Gary Numan, Sparks and Fad Gadget. Rather than simply ethereal melodies, Operators has a robust low end in its mix giving the music some real power and momentum rather than merely sounding pretty. The quartet is currently touring in support of its 2019 full-length Radiant Dawn.

Wednesday | June 19

Mastodon_JimmyHubbard1
Mastodon, photo by Jimmy Hubbard

What: Wand w/Dreamdecay
When: Wednesday, 06.19, 8 p.m.
Where: Globe Hall
Why: Wand bridged the gap between weirdo, psychedelic lo-fi rock à la Pavement with the heaviest metal but without ever come off live like a metal band. More like indie rock nerds who never had to turn their nose up at the kinds of dynamics and sounds one heard in 70s hard rock, prog, the more inspired jam bands and stuff like Sleep. Currently the group is touring in support of its 2019 album Laughing Matter. On the latter it sounds like the group has been listening to some more post-punk and post-rock like Slint.

What: Mastodon and Coheed and Cambria and Every Time I Die
When: Wednesday, 06.19, 5 p.m.
Where: Fillmore Auditorium
Why: On Mastodon’s 2009 album Crack the Sky the Atlanta-based metal quartet aimed to write their version of a classic rock album with strong melodies and great mood and solid songwriting. True enough the overall tenor of the record with its dynamics out of step with most metal at the time, but anticipating where so many rock bands, not just metal, would go over the next decade. This is sort of a Tenth Anniversary type tour but the band recently recorded an homage to its late manager Nick John called “Stairway to Nick John” that is a cover of the Led Zeppelin song that some people may have heard at some point in their lives. The single was released on Record Store Day and the proceeds are going to benefit the Hirschberg Foundation for Pancreatic Cancer.