Best Shows in Denver and Beyond 10/24/19 – 10/30/19

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Black Belt Eagle Scout performs at Boulder Theater on October 30, this photo and thumbnail image by Sarah Cass

Thursday | October 24

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Penelope Isles, photo by Abbey Raymonde

What: Penelope Isles w/Sleepy Animals and Sad Bug
When: Thursday, 10.24, 7 p.m.
Where: Lost Lake
Why: Penelope Isles from Brighton, UK recently released its debut album, Until the Tide Creeps In, through Bella Union. The record is a mix of woozy indie pop and fuzzy guitar rock. Its washy dynamics and use of samples and incidental sounds on the record speaks to an almost sound design approach to the recording to convey a sense of place and an experience beyond some pristine studio product. It’s as though you’re hanging out with the band and going for a walk along that shore and trading stories about life. The band’s use of minor progression transitions is sublime making the record more evocative than might seem obvious on first blush and worth delving into for the sheer array of sounds and emotions running through the ten tracks.

What: Emergency Contact w/Debaser and American Culture
When: Thursday, 10.24, 9 p.m.
Where: Rhinoceropolis
Why: Seattle’s Emergency Contact is somewhere betwixt irreverent lo-fi slacker rock and pointed post-punk. Also on the bill is Josh Taylor (former Friends Forever and used to run Monkey Mania) as Debaser playing some strange bass-based songs. Unless it’s something completely different these days which it may be. American Culture is a guitar rock band rooted in indie pop but influenced by the chimy-dreamy-dark post-punk of The Cure. All shredders who care more about songwriting than showing off, which is a rarity.

What: Weathered Statues EP release, Triton FC, Rejekted Kauses
When: Thursday, 10.24, 8 p.m.
Where: Hi-Dive
Why: Weathered Statues is releasing its latest EP, Desolation. Fans of Xmal Deutschland and The Cure will find something to like about this post-punk band whose fluid rhythms and urgent melodies go for the dark places in the psyche as a path to catharsis and healing.

What: JPEGMAFIA w/Butch Dawson
When: Thursday, 10.24, 7 p.m.
Where: Bluebird Theater

Friday | October 25

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Maribou State, photo by Sam Neil

What: Maribou State w/Sea Moya
When: Friday, 10.25, 8 p.m.
Where: Gothic Theatre
Why: English duo Maribou State are known for their remixes of popular artists as well as musical collaborations with the likes of Khruangbin, Holly Walker and Pedestrian on its 2018 album Kingdoms of Colour. The project’s sound could be described as downtempo steeped in non-Western sounds and rhythms mixed with electronic jazz and soul. Its songs have mood aplenty but also an uplifting quality driven by creative song dynamics. Though often described as an electronic project, Maribou State includes live, acoustic drums, guitar and other instrumentation performed by humans and not just a track of well sculpted electronics. Fans of Prefuse 73 and Blockhead may find much to like with Maribou State.

What: Cat Power w/Zsela
When: Friday, 10.25, 7 p.m.
Where: Boulder Theater

What: Johnnascus, Techno Allah, Data Rainbow and $addy
When: Friday, 10.25, 8 p.m.
Where: Glitter City

What: Five Iron Frenzy w/Be Like Max & Scooter James – benefit for Habitat for Humanity of Puerto Rico
When: Friday, 10.25, 7 p.m.
Where: Bluebird Theater

Saturday | October 26

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Solypsis circa 2016, photo by Tom Murphy

What: Psychedelic Cave Collective Presents: Supreme Halloween Mega Bash 2019: Snowbeasts, Acidbat, Mondo Obscura, Red Side Vs. DJ Wise, Biostatic v. Denizens of the Deep, Psybrid, Solypsis, DJ Spacekeeper, DJ Hepster Pat, Visuals by Cheyenne Grow and Orchidz3ro
When: Saturday, 10.26, 9 p.m.
Where: Rhinoceropolis
Why: Thee beat driven ambient, noise and industrial extravaganza of the year in Denver. Acidbat is a hybrid of breakbeat and ambient glitch. Mondo Obscure is ambient bordering on psychedelia and new age mantra music. Biostatic is pure ambient but incorporating processed trumpet with finely sculpted electronic beats. Solypsis is here from Arizona with his own confrontational ambient-industrial mayhem. Visuals done by two of the real talents in Denver who get what goes well with this music.

Sunday | October 27

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The Vanilla Milkshakes with Frank Registrato on drums circa 2015, photo by Tom Murphy

What: Shibui Denver #7: Frank Registrato and Stalebread Scottie
When: Sunday, 10.27, 7 p.m.
Where: Mutiny Information Café
Why: Assuming a blizzard doesn’t descend on Denver, the next edition of Shibui Denver hosted by Queen City Sounds and Art scribe Tom Murphy will include Frank Registrato of The Vanilla Milkshakes who will perform vocal and piano songs for perhaps the first time in the Mile High City. He was once involved in the world of music in Orlando and Disney and in the orbit of Lou Pearlman and his pop music empire and brings a lifetime of vast musical experience into his songwriting and performances. Also on the bill from out of town making a special appearance is Stalebread Scottie of The Drunken Catfish Ramblers, blues folk artist from New Orleans, who appeared in the HBO series Treme.

Tuesday | October 29

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Samvega circa 2016, photo by Tom Murphy

What: Today’s Paramount, Samvega, Emily Shreve and Giardia
When: Tuesday, 10.29, 7 p.m.
Where: Lost Lake
Why: Doom/folk/psychedelic band Samvega will perform at this show that features other bands on the spectrum of math rock and experimental like Today’s Paramount and Giardia.

What: Matt and Kim w/SWMRS
When: Tuesday, 10.29, 7 p.m.
Where: Ogden Theatre

What: Wu-Tang Clan w/Onyx and Dillon Cooper
When: Tuesday, 10.29, 7 p.m.
Where: The Mission Ballroom

Wednesday | October 30

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Milly, photo courtesy the artist
What: Swervdriver w/Criminal Hygiene and Milly
When: Wednesesday, 10.30, 7 p.m.
Where: Bluebird Theater
Why: Of all the bands lumped in with early 90s shoegaze, Swervedriver, like Catherine Wheel, was one those that rocked a little harder than most and its use of car metaphors seemed to vibe with an American sensibility as well. The band’s 1991 debut album Raise yielded classic blazers like “Son of Mustang Ford” and “Rave Down.” Over the course of the next two decades and more the band evolved and explored new vistas of sound and is now touring for its 2019 album Future Ruins. Opening act Criminal Hygiene from Los Angeles sounds like a mix of slowcore delicacy and fuzzy indie pop. Milly, also based in Los Angeles, started as the home recording project of frontman Brendan Dyer when he was living in Connecticut. But the band has fleshed out a spacious and evocative sound employing entrancing gradients of atmosphere and floating melodies. The group recently released its Our First Four Songs EP showing great promise as modern slowcore soundsculptors with an ear for transporting dynamics.

What: Devendra Banhart w/Black Belt Eagle Scout
When: Wednesesday, 10.30, 7 p.m.
Where: Boulder Theater
Why: Psychedelic folk genius Devendra Banhart is now touring in support of his latest album Ma. His shows are always a lush presentation of his fascinatingly colorful and left field compositions. But sharing the bill is Black Belt Eagle Scout. Katherine Paul released the album Mother of My Children under that moniker in September 2018 to great acclaim for its vivid and poetic depiction of the experiences of queer Indigenous people in a sensitive and nuanced manner. Her bright, atmospheric folk songs and gently soulful vocals reveal an inner strength that comes across powerfully. She recently released her new record At the Party With My Brown Friends.

What: The Bloody Mary’s and Sympathy F
When: Wednesesday, 10.30, 7 p.m.
Where: Moe’s Original BBQ

What: Camilla’s Ball: Scifidelic, The UnioN and Married a Dead Man
When: Wednesesday, 10.30, 7 p.m.
Where: The Bug Theatre

What: Com Truise w/Altopalo and Beshken
When: Wednesesday, 10.30, 8:30 p.m.
Where: Fox Theatre

What: Ghostmane w/Lil Tracy, Harm’s Way, Horus the Astroneer and ParvO
When: Wednesesday, 10.30, 6 p.m.
Where: Ogden Theatre

Best Shows in Denver 8/9/19 – 8/14/19

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Rolling Stones perform at Mile High Stadium on August 10. Photo by Dave Hogan.

Friday | August 9

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Jay Aston’s Gene Loves Jezebel, photo by Ian Collins

What: The Alarm, Modern English and Jay Aston’s Gene Loves Jezebel
When: Friday, 08.09, 7 p.m.
Where: Oriental Theater
Why: In the 1980s all three of these bands embodied the kind of highly melodic post-punk that articulated both the bleakness of an era and the hope that they and the rest of humanity would endure writing songs celebrating life and love and honoring the uncertainty, tentativeness and sometimes, yes, even gloominess that cast a pall over society with the impending threat of nuclear holocaust. Over thirty years hence we’re all in another period of doom hanging over the planet from, once again, the threat of nuclear war but also the collapse of our ecosystem and the rise of another wave of aggressive fascism throughout the world. Since these three bands have reconvened each has also been writing some of the best music of their careers and commenting on the times with songs that aren’t trying to capture past glory so much as writing music worthy of their legacy of not getting stuck in a rut. Modern English’s 2016 album Take Me to the Trees, Jay Aston’s Gene Loves Jezebel’s 2017 record Dance Underwater and The Alarm’s 2019 offering Sigma reflect not just the strength of the respective band’s original creative vision but also their growth as artists valid in the modern era.

What: The Yellow Rake 15 year anniversary night 1 w/Simulators, Moon Pussy, Charly Fasano, Brian Polk and Karl Christian Krumpholz
When: Friday, 08.09, 8 p.m.
Where: Mutiny Information Café
Why: The Yellow Rake is a Denver-based literary and culture magazine that is celebrating a remarkable fifteen years in existence with performances from local bands Simulators and Moon Pussy and writers and artists Charly Fasano, Karl Christian Krumpholz and Yellow Rake founder Brian Polk. The celebration will run two nights beginning tonight at Mutiny Information Café.

What: Martin Atkins DJ sets and spoken word
When: Friday, 08.09, 9 p.m.
Where: Tracks
Why: Martin Atkins who has been a major figure in post-punk and industrial music going back four decades (i.e. Nine Inch Nails, Killing Joke, Ministry, Public Image Limited) will do a DJ set tonight and perform some spoken word, possibly reading from his own body of work.

Saturday | August 10

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This Will Destroy You, photo by Veronika Reinert

What: This Will Destroy You w/Brin
When: Saturday, 08.10, 8 p.m.
Where: Oriental Theater
Why: This Will Destroy You is one of the better ambient post-rock bands. Mainly because its dynamics aren’t limited to the predictable builds and then inevitable catharsis like Sigur Ros without all the alien light and energy that imbues that band’s music. This Will Destroy You’s 2018 albums New Others Part One and Part Two finds the band further developing its textural elements giving its new set of soundscapes a depth of low end it didn’t lack but one that highlights the more ethereal melodies with a a evocative contrast in tone.

What: Rolling Stones: 2019 No Filter Tour
When: Friday, 08.10, 6:30 p.m.
Where: Mile High Stadium
Why: Anyone not know who the Rolling Stones are? Use your search engine and learn about the iconic rock and roll band that fused a gritty, heavily blues influenced rock music and evolved it in various and fascinating ways for years with lyrics that often indulged in unusual, offbeat subjects and really a broad spectrum of human experience making their songs long term engaging and influential. Keith Richards’ autobiography Life is one of a handful of essential books written by a musician.

What: GYES: Arc Sol, Mainland Break, Slugger
When: Friday, 08.10, 8 p.m.
Where: The People’s Building
Why: This edition of Get Your Ears Swoll brings to Northwest Aurora, Colorado experimental rock bands with a psychedelic loose edges.

What: The Yellow Rake 15th Anniversary Night 2: SPELLS, Black Dots, Muscle Beach and Joy Subtraction
When: Friday, 08.10, 8 p.m.
Where: Hi-Dive
Why: The second night of The Yellow Rake’s celebration of fifteen years of existence takes place at the Hi-Dive with some of Denver’s best punk and post-hardcore bands.

What: Glasss Fest Day 1
When: Friday, 08.10, 12 p.m.
Where: Rhinoceropolis
Why: This two day event spanning roughly twelve hours each day brings together some of the most interesting of underground bands that often do not get much play at the clubs or more commercial venues. Which makes it an event worth attending to catch a slice of what you’re missing out on if you only go to venues that don’t book experimental music. Most of this stuff isn’t particularly challenging unless your idea of genius is mainstream pop music that is bland but has the veneer of quality or if you’re mainly only into one genre of music not represented. It’s an eclectic booking in a way that needs to happen in Denver and elsewhere more often. Schedule below. All times p.m. as if you needed to be told.

12:30 – DJ Zombie
3 – Grrrl
3:30 Kah Li
4 – Nothing is Everything
4:30 – MYTHirst
5 – Adam Selene
5:30 – Bios+a+ic
6 – Elle Green
6:30 – Sliver
7 – Bianca Mikahn
7:30 – Denizens of the Deep
8 – House N Complex
8:30 – Pearls & Perils
9 – Princess Dewclaw
9:30 – Abeasity Jones
10 – R A R E B Y R D $
10:30 – Catdog
11 – Techno Allah
11:30 – Savage Bass Goat

Sunday | August 11

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Umbras Animas, photo by Tom Murphy

What: Glasss Fest Day 2
When: Sunday, 08.11, 12 p.m.
Where: Rhinoceropolis
Why: See above for Glasss Fest.

1 – Sobremarcha/Hepster Pat DJ Sets
3 – Umbras Animus
4 – Galleries
4:30 Wngdu
5 – Disposal Notice
5:30 – Sumguy
6 – Bowshock
6:30 John Gross
7 – Venus305 / DCC
7:30 – Lady of Sorrows
8 – Pythian Whispers
8:30 – Dead Characters
9 – Soulless Maneater
9:30 Sadbug
10 – Joohsup
10:30 – $addy
11 – Hepster Pat DJ set

Tuesday | August 13

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Plume Varia, photo by Tom Murphy

What: Quits, Multicult (MD), Sliver and Equine
When: Tuesday, 08.13, 12 p.m.
Where: 3 Kings Tavern
Why: Basically a noise rock show except for Equine who is probably doing a noisy guitarscaping sort of set. And Sliver who are basically a grunge color-by-numbers act. At least when it comes to their Layne Staley wannabe singer/guitarist. But they’re pretty alright in spite of all of that. Multicult is a Baltimore-based noise rock band in the vein of Shellac and The Unsane. Quits is a Denver band with a similar aesthetic and one that doesn’t skimp on the raw emotional outbursts.

What: Pure Bathing Culture w/Plume Varia
When: Tuesday, 08.13, 7 p.m.
Where: Larimer Lounge
Why: Pure Bathing Culture started with Sarah Versprille and Daniel Hindman who are also members of experimental folk band Vetiver. PBC is more in the realm of dream pop but with a more organic base with vibrant and sparkling guitar work amid lush synths as well as Versprille’s warm vocals. The group’s 2019 album Night Pass is its first since being dropped from Partisan Records. And rather than a darker than usual album to reflect the process of the experience, Night Pass sounds like a band that kept going its previous creative trajectory of introspective, upbeat yet downtempo pop songs. Opening the show is Plume Varia who share a similar sensibility but whose sound palette is a little more dusky and with singer Cheri Cobbs’ vocals soulful and deeply evocative.

What: Matt Weston (Albany), Ryan Mcryhew and Ryan Seward
When: Tuesday, 08.13, 7:30 p.m.
Where: Rhinoceropolis
Why: This will be something of an experimental improvisational show including locals Ryan Mcryhew better known for his work as modular synth and beats composer Entrance and avant-garde percussionist Ryan Seward. Both will join Matt Weston whose own left field percussion and electronics has brought him into collaborative spheres with the likes of Roger Miller (of Mission of Burma), Jim O’Rourke, drone legend Kevin Drumm, free jazz saxophone player Charles Gayle and Jack Wright, another master sax improviser.

Wednesday | August 14

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Kamasi Washington, photo by Durimel

What: Herbie Hancock and Kamasi Washington
When: Wednesday, 08.14, 7:30 p.m.
Where: Mission Ballroom
Why: Herbie Hancock probably needs no introduction as one of the most important artists in modern jazz as a composer, pianist and band leader. He played in Miles Davis Quarter, he was a pioneer of jazz fusion and funk, he has composed soundtracks, he had a 1983 pop hit with “Rockit” which fused jazz and hip-hop. His accomplishments are, frankly, to massive to list. Also on this bill is Kamasi Washington whose own role as a master saxophonist (he’s played on records by Kendrick Lamar, Thundercat, St. Vincent and others, no big deal), composer, band leader and producer parallels Hancock’s own. As a live performer Washington orchestrates the show with a subtle mastery that feels relaxed and informal due to the songwriting and the years of work already put in but which feels like watching a grandmaster at work. So go early to catch Washington and stay for one of the few living legends of jazz demonstrate his own musical magic.

Best Shows in Denver and Beyond 06/06/19 – 06/12/19

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Altas releases All I Ever Wanted Was at Rhinoceropolis on June 8. Photo by Evan Semoìn

Thursday | June 6

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Reverend Dead Eye circa 2008, photo by Tom Murphy

What: Reverend Dead Eye w/Vic N’ The Narwhals and DJ Rett Rogers
When: Thursday, 06.06, 8 p.m.
Where: Hi-Dive
Why: Reverend Dead Eye now lives in Switzerland and mostly tours Europe but on occasion he graces his old stomping grounds (literally and figuratively) of Denver and treats us to a set of wild-eyed gospel blues post-punk. He will be joined this evening by rock and roll band Vic N’ The Narwhals with a DJ set from Blue Rider and Bad Licks guitarist Rett Rogers.

What: Honduh Daze, Moon Pussy and Demoncassettecult & Junior Deer duo
When: Thursday, 06.06, 8:30 p.m.
Where: Lion’s Lair
Why: Vachco Before Horses is celebrating his birthday doing a duo set as Demoncassettecult and Junior Deer so it’ll be a bit of weirdo hip-hop and ambient soul. Moon Pussy is like Denver’s industrial-esque equivalent of a noise rock band like Shellac but with some on board guitar processing to help sculpt those sounds into the bands already eruptive, angular and cathartic groove.

What: Talib Kweli w/Voz 11, 1-natVson-1 and Time
When: Thursday, 06.06, 8:30 p.m.
Where: Fox Theatre
Why: Talib Kweli is one of the reigning poet laureates of hip-hop, politically charged as his is and otherwise. Check in anywhere in his catalog and you’ll find something vital and thought-provoking and outright compelling whether that’s records under his own name or projects like Black Star. As usual the opening acts for one of his shows is quality including Time whose fusion of underground/experimental hip-hop, humorous and organically intellectual wordplay and socio-political insight is never less than mind-expanding and fun. Voz 11 is kind of an industrial rap artist who will be joined for this show by Wesley Davis of Symbolic Insight Records and ambient solo project Bios+a+ic.

Friday | June 7

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Spearhead, photo by Jay Blakesberg

What: Michael Franti and Spearhead w/Snarky Puppy and Victoria Canal
When: Friday, 06.07, 6:30 p.m.
Where: Red Rocks
Why: Whether you prefer his time in industrial rap groups The Beatnigs and The Disposable Heroes of Hiphoprisy or his current work in conscious reggae fusion folk band Spearhead, Michael Franti has been aiming his creative compass toward critiquing the dominant paradigm with the goal of creating a better, more nurturing and healthier world. As per usual, prior to the concert proper there will be a yoga session at Red Rocks starting at 4:30 p.m.. May seem quaint to some but at least Franti isn’t giving mere lip service to self-improvement. The band is currently touring in support of Stay Human, Vol. II which came out in January. Also on the bill are jazz fusion prog stars Snarky Puppy.

What: Instant Empire w/Anthony Ruptak and Post Paradise
When: Friday, 06.07, 8 p.m.
Where: Syntax Physic Opera
Why: It’s been a minute since we’ve heard from Instant Empire. The indie rock band has been through some changes but has endured to give us Cathedral, a set of the usual thoughtful songwriting and evocative music from the band. Read our interview with Scotty Saunders from the band soon.

What: Amygdala, Caffeine, Euth, Sore Eyes and Herse
When: Friday, 06.07, 7 p.m.
Where: Seventh Circle Music Collective
Why: A show that proves that current hardcore is not all the same or trying to mimic the sound or style from something 35+ years ago while not skimping on the energy and sense of danger that made that music exciting in the first place.

What: Pete Tong
When: Friday, 06.07, 9 p.m.
Where: Bar Standard
Why: Pete Tong is an influential figure in modern electronic music and EDM. Early in life he was something of a soul music DJ on radio in the UK and then as the 80s moved on, a pioneering DJ of Acid House and the Balearic beat that his friend Paul Oakenfold helped to popularize. Oakenfold, joking, coined the expression “It’s all gone Pete Tong” in 1987 to indicate things have gone a bit wrong. Through his ongoing electronic music shows at the BBC (Essential Selection and It’s All Gone Pete Tong) and his efforts at curating and making accessible electronic dance music in the USA. Tong has done big shows in Ibiza and all around the world but this night he’s doing his thing at a small club like Bar Standard.

What: My Life With the Thrill Kill Kult w/Curse Mackey and Church Fire
When: Friday, 06.07, 7 p.m.
Where: Marquis Theater
Why: My Life With the Thrill Kill Kult is not just the horror carny pioneering industrial dance band but also, on most nights, one of the greatest, most fun live bands of all time. Denver’s Church Fire is not nearly as camp but there is an element of playful theatricality to its performances of its own brand of industrial music that is really more a kind of politically-informed synth pop. No down side.

Saturday | June 8

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Gun Street Ghost, photo by Adam Rojo

What: Out There Arts Fest with Blackcell, Church Fire, DJ Mudwulf, Raw Form, Vahco, DJ Spinshits
When: Saturday, 06.08, 8 p.m.
Where: Grace
Why: This is an event to showcase the art space Grace and includes live performances from the above as well as visual/conceptual art and artists, workshops, food and outdoor murals.

What: Altas w/Plume Varia and Voight
When: Saturday, 06.08, 7 p.m.
Where: Rhinoceropolis
Why: With its new album All I Ever Wanted Was, Denver-based instrumental rock band incorporated the electronic/synth side of the band more completely with keyboard player Meghan Lillis contributing full in the songwriting and arranging process with the core and founding trio of Enrique Jimenez, Israel Jimenez and Juan Carlos Flores. The group’s 2014 album Epoca De Bestias lived up to its name and the cinematic scope the band has always conjured with its songwriting. But there is an even greater cohesion and focus this time out with some tongue in cheek titles from a band whose membership has always been on point with the humor. “Cosas Nunca Dichas” is Spanish for “Things Never Said.” The dual meaning including the fact that there are no lyrics in an Altas song is pretty good. “Glasgow Smile”? Surely a significance beyond suggesting it’s a nod to Mogwai exists but that’s also pretty choice as Mogwai use plenty of inside jokes and humor for songs that need no spelling out of meaning. “Valentin Trujillo (An Unsung Hero)” is presumably a reference to the famous Mexican actor who was a major star in the 1980s and whose films often dared to make thoughtful commentary on the politics and culture of his home country and beyond. The final song on the album “Rattenkönig,” or “Rat King” in German. There’s got to be a story there and we hope to bring that to you at some point. The more you delve into the new record and its gorgeously expanded dynamic and sonic palette the more there is to discover as with all great albums. And hey, you get to see the great dream pop band Plume Varia and industrial post-punk soundscapers Voight while you’re at it.

What: Get Your Ears Swoll 7: Sliver, Married a Dead Man and Hate Minor
When: Saturday, 06.08, 8:30 p.m.
Where: The People’s Building
Why: Hate Minor is an artsy prog duo with former Nightshark and Aenka saxophonist Becca Mhalek on drums. Married a Dead Man is a death rock/post-pun/darkwave four-piece that came out of hardcore. Sliver, how a band that mapped out and deconstructed and reconstructed “Break Stuff” as inspiration for all their songs is on a bill like this it’s difficult to say. Good thing singer/guitarist Chris Mercer’s bandmates are patient, understanding, indulgent people and when he, as promised, he gets around to writing the next album around “Sick of Life” because it “nearly got [him] to join the Navy, dude,” some people can join in on the intervention.

What: Gun Street Ghost album release w/Jeff Cramer and New Mexican hi-dive.com/event/1855201-gun-street-ghost-album-release-denver
When: Saturday, 06.08, 8 p.m.
Where: Hi-Dive
Why: In calling the new Gun Street Ghost album Battles it seems as though the band is preparing us for a record brimming with great stories of the struggles we’d rather avoid or skip but which we fight every day without knowing it. Thinking person’s pop written in the language of honky tonk Americana.

What: Johnnascus, Karhlyle, Causer, Kid Mask, HXCMIDI and Henny Graves
When: Saturday, 06.08, 8 p.m.
Where: Thought//Forms Gallery
Why: Austin’s Johnnascus is an industrial rap artist whose videos are not only interesting but borderline scary in the way Creepy Pasta videos can be. It’ll be a good pairing with Detroit’s Karhlyle and his downtempo techno/hip-hop, Kid Mask’s own genre bending noise/industrial hip-hop beatmaking and the electronic/breakcore hardcore of HXCMIDI.

What: Neckbeard Deathcamp, Theories, Dryad and Malevich
When: Saturday, 06.08, 8 p.m.
Where: Bar-K (Colorado Springs)
Why: Neckbeard Deathcamp is the parody black metal/noise industrial band that put out the gloriously titled White Nationalism is for Basement Dwelling Losers in July 2018. Brilliant send-up and the music is oddly legit as well.

Sunday | June 8

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Those Darn Gnomes, photo by Anita Martinez

What: Bobcat Goldthwait and Dana Gould gothictheatre.com/events/detail/372302
When: Sunday, 06.09, 7 p.m.
Where: Gothic Theatre
Why: A lot of people probably remember Bobcat Goldthwait as that crazy guy with the piercing whine from the Police Academy movies. But he never would have got there if not for his brilliant work as an alternative comedian in the 1980s when he would pierce hypocritical pieties with confessional and surrealistic observations and bits that helped to push comedy in a more interesting direction at arguably the early peak of the popularity of stand-up. He has gone on to be a noteworthy filmmaker whose movies (e.g. Shakes the Clown, God Bless America and World’s Greatest Dad) not just darkly humorous but which shine a light on aspects of our culture that are often ignored and if we stopped doing so we might have a healthier society. Dana Gould has been performing his own brand of borderline surreal comedy since the early 80s as well and coming to be known by a more mainstream audience though a comedian of choice for those with a taste for left field humor for decades.

What: Fuck Your Birthday w/Those Darn Gnomes, Narcissa and Galleries
When: Sunday, 06.09, 7 p.m.
Where: Thought//Forms Gallery
Why: Fuck Your Birthday is an American and Chinese, noisy math/garage rock band. That means it has elements of early 90s emo and harder-edged garage rock but doesn’t really fit in with either to well. More like Rainer Maria or Japandroids than some post-hardcore or screamo band. Those Darn Gnomes are somewhere betwixt a free jazz performance art band, grindcore and art folk. Narcissa is a like-minded band from Denver and Galleries is sort of a psychedelic hard rock band.

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Possume, photo courtesy the artist

What: Slugger w/Possum, After the Carnival and more
When: Sunday, 06.09, 7 p.m.
Where: Seventh Circle Music Collective
Why: Toronto’s Possum is a fuzz-toned, heavy psych band. And while that sound is basically old hat at this point except to later comers to modern psychedelia, Possum’s version of that is not the kind that comes off like neo-Laurel Canyon vibe worshipping indie rockers discovering the use of a Memoryman and a Big Muff with a tiny bit of wah. It’s mind-melting epics take a deep dive into drawn out melodic grooves that take some chops and commitment to sonic exploration to craft. Also the band has a song called “Wizard Beard” so it’s not all without a sense of humor. Sharing the bill is a band with a tentacle or two in 70s hard rock and psychedelia with Slugger. But as with Possum, Slugger’s strength is in the songwriting and being of that world rather than wearing it like a trendy outfit.

Tuesday | June 11

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Emma Ruth Rundle, photo courtesy the artist

What: MONO w/Emma Ruth Rundle
When: Tuesday, 06.11, 7 p.m.
Where: The Marquis Theaterthos
Why: Tokyo’s MONO makes post-rock with a classical music sensibility that makes a lot of other bands working in that realm of music seem safe and quaint. Emma Ruth Rundle’s heavy, dark, doom folk is somehow both intimate and majestic. Her latest album On Dark Horses is a trip to, as the title suggests, the shadowy places of the psyche in search of an inner truth that can be elusive unless you’re willing to go all in and face the buried pain and your dark side with compassion and acceptance. It’s her heaviest record to date and her most daring to date.

Best Shows in Denver and Beyond 5/31/19 – 06/5/19

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Judas Priest performs at Broadmoor World Arena on June 5

Friday | May 31

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Big Freedia circa 2011, photo by Tom Murphy

What: Hieroglyphics w/Rap Noir, Stoney Hawk, S.A.V.E.1, Mike Wird, LoS, Stonewall BLVD
When: Friday, 05.31, 8 p.m.
Where: Cervantes’ Masterpiece Ballroom
Why: Hieroglyphicsfrom Oakland, California and have long been one of the most influential groups in underground hip-hop. Comprised of Del the Funky Homosapien, Casual, Pep Love, Domino, DJ Toure and the four members of Souls of Mischief (Phesto, A-Plus, Opio nd Tajai), Hieroglyphics operate in a way that’s classic, old school hip-hop, composing using a sort of free form jazz style with sampling and vocals and more experimental production and the feel of a 70s exploitation film but one where maybe the music was made by a Gil Scott-Heron and Lee Scratch Perry collaboration. This show will include all original members so you’ll get to see some of the sharpest and most deft wordplay in the game.

What: Chromeo, Thievery Corporation, Big Freedia, Adeline, Peanut Butter Wolf
When: Friday, 05.31, 5 p.m.
Where: Red Rocks
Why: Electro soul stars Chromeo seem to bring their bombastic, weirdo new wave pop to Red Rocks every summer and consistently bring artists that will push their fans’ collective music brains beyond their current bounds. This time basically co-headlining with downtempo dub duo Thievery Corporation. More on the outside of the loose realm of music in which the aforementioned operate are Big Freedia and Peanut Butter Wolf. The former is an icon of New Orleans sissy bounce. Which is a really abstract way of saying that Big Freedia is a charismatic and highly energetic performer whose performances blur the line between sissy bounce, noisy industrial dance and a kind of what might be called punk dub. It’s impossible to ignore and may alienate some people with how strange it is to some sensibilities but also one of the most powerful things you’ll get to see at Red Rocks this summer. Peanut Butter Wolf is the founder of experimental hip-hop/electronic music/post-punk imprint Stones Throw, which has regularly issued some of the most fascinating music of the past 23 years.

Saturday | June 1

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Dead Milkmen, photo by Jessica Kourkounis, 2014

What: Goth Prom 4 featuring Assemblage 23, DJs Kilgore, Slave1 and Dutch Confetti
When: Saturday, 06.01, 5 p.m.
Where: EXDO Events Center
Why: This year’s edition of Goth Prom will be headlined by EBM/Future Pop legend Assemblage 23. The Seattle-based group has managed to consistently make emotionally honest and compelling music in a realm of industrial dance that is often basically unconscious self-parody that aims to be edgy and dark but misses the mark more often than not. At least Assemblage 23 songs are well-written and seem more aimed to evoke a headspace and mood rather than adherence to tropes.

What: Dead Milkmen w/Granny Tweed
When: Saturday, 06.01, 8 p.m.
Where: Gothic Theatre
Why: Dead Milkmen were an irreverent punk band from a time when a lot of punk and hardcore was taking itself entirely too seriously. But Dead Milkmen stretched the boundaries of 80s punk by observing few conventions beyond an iconoclastic spirit.

What: Painting With Statue, Echo Beds, DJ Pop CTRL and Animal / object
When: Saturday, 06.01, 9 p.m.
Where: Rhinoceropolis
Why: Painting With Statue is a trio from California that makes noise via what sounds like analog field recording manipulation, sampling and raw low end and white noise. Animal / object is Colorado’s premier avant-garde spontaneous composition band. Who knows what DJ Pop CTRL will be this time other than weirdo folk pop. Echo Beds rarely plays now due to work on its new record so here’s a now rare chance to see the organic-industrial, noisy post-punk legends in the flesh and steel.

What: Places Back Home w/Spirettes, Everignite, Random Temple
When: Saturday, 06.01, 8 p.m.
Where: Globe Hall

What: Peanut Butter Wolf w/DJ A-L
When: Saturday, 06.01, 8:30 p.m.
Where: Ophelia’s Electric Soapbox

What: Esmé Patterson w/Carsie Blanton
When: Saturday, 06.01, 6 p.m.
Where: Leavitt Pavillion

Sunday | June 2

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Universal Devils, photo by Tom Murphy

What: Summitus Kitharlogus
When: Sunday, 06.02, 6 p.m.
Where: Rhinoceropolis
Why: A left of field guitar mini fest with performances by or featuring: Weasel Tears, Equine, Amos Helvey, Adam Selene, Lepidoptera, Farrrell Lowe, Joe Mills, Sean Patrick Faling-sonic friction guitarworks, Prayer Hands, Death In Space, Saduwu, Brother Saturn, Sean Mlekush, Space Geist, Bradley Franlik Santulli, Broken Guitar Ensemble, BentonamO, bios+a+ic, Night Grinder.

What: Whiskey Orphans, Slow Poisoner and Universal Devils
When: Sunday, 06.02, 8 p.m.
Where: Lion’s Lair
Why: Whiskey Orphans sounds like the name suggests. Fortunately, that means more than hard drinking Americana. There is also a touch of sensitivity and wistfulness underlining the sparse melodies. Universal Devils is Tricky Dick Wickett’s one-man metallic singer songwriter project and more odd and original than those mere words could convey.

Monday | June 3

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KEN mode, photo by Brenna Faris

What: KEN mode w/Abrams, BleakHeart and Ten Foot Beast
When: Monday, 06.03, 8 p.m.
Where: Hi-Dive
Why: KEN mode is a metallic, noisy, post-hardcore band whose name is a shortened version of “Kill Everyone Now mode” and in terms of blowing up a groove and cutting a riff into relentlessly jagged pieces, the band has done plenty of that in the more absurdly humorous over-the-top abstract sense. It’s latest album Loved from 2018 has song titles that read like chapters in the diary of a nihilistic misanthrope. For example: “Doesn’t Feel Pain Like He Should,” “The Illusion of Dignity,” “Learning To Be Too Cold” and “Fractures in Adults.” Given the title of the record one has to respect the dark sense of humor informing all of it including the creepy album cover. Fans of Unsane and Jesus Lizard will find much to like here.

Tuesday | June 4

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Slim Cessna’s Auto Club circa 2017, photo by Tom Murphy

What: Slim Cessna’s Auto Club with Kid Congo Powers & The Pink Monkey Birds
When: Tuesday, 06.04, 7 p.m.
Where: Ivywild School Gymnasium
Why: Slim Cessna’s Auto Club, the long-running alt-country act from Denver, brings its Vaudeville west and vibrantly emotional and lively performance to Colorado Springs along with Kid Congo Powers & The Pink Monkey Birds. Powers was once a member of Gun Club, The Cramps and Nick Cave & The Bad Seeds, among others, and with the Pink Monkey Birds he brings a lifetime of stories, insight and masterful songwriting to making his own music with a body of work as worthy as anything else in which he’s been involved.

Wednesday | June 5

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Snails and Oysters circa 2015, photo by Tom Murphy

What: Weird Wednesday: Gothsta, Snails and Oysters and Little Fyodor solo
When: Wednesday, 06.05, 9 p.m.
Where: 3 Kings Tavern
Why: This month’s editon of Weird Wednesday maintains peak weirdness with Gothsta who does odd keytar pop songs. Then again, if keytar is involved it’s going to be strange but that just enhances the bizarro nature of the music anyway. Plus some legit keytar covers of songs you wouldn’t expect to hear from her unless you’ve been listening to The Space Lady and not even then. Snails and Oysters is Joe Mill’s solo avant-garde/ambient guitar project in which his combines textures and moods to weave a unique soundscape. Little Fyodor is kinda King Weirdo in Denver and has been for decades going from tape collage/manipulation project Walls of Genius to Little Fyodor and Babushka Band. When a lot of punk is fairly conformist, Fyodor is decidedly not that with a visual presence and songwriting diversity and acumen that is so punk it should be its own subgenre with a clever name you won’t read here because Fyodor is also fairly difficult to pigeonhole as merely punk.

What: Judas Priest w/Uriah Heep
When: Wednesday, 06.05, 7:30 p.m.
Where: Broadmoor World Arena
Why: Judas Priest started in 1969, a year after Black Sabbath formed. But unlike the latter Priest came into its own shortly before the release of its debut album, 1974’s Rocka Rolla. By then iconic vocalist Rob Halford brought his elemental, wide-ranging singing to the band and guitarist Glenn Tipton joined and with K.K. Downing gave the group its signature two guitar sound that gives its music a dynamism and depth that has been influential on many heavy metal and hard rock bands since. After the debut album, Judas Priest embarked on a series of genre-defining records starting with 1976’s majestic Sad Wings of Destiny. The group weathered the manufactured scandals of the 80s when would-be censors targeted the band, and a broad range of other artists, for the corruption of youth and suicide. Judas Priest’s often remarkably thoughtful and in recent years as heavy metal has become embraced by a more mainstream audience the group’s vivid storytelling and energy is finding an audience with a new generation of fans.

Opening the show is Uriah Heep who are arguably the progenitors of a style of melodic boogie rock and hard psychedelia that has been heavily influential on a younger generation of heavy metal musicians. It, too, started up in 1969 and operated in a similar milieu of music as the aforementioned Sabbath as well as Deep Purple. Like the latter, Uriah Heep had a prominent keyboard presence in its songwriting and no strangers to songs about wizards, the forces of evil and the life of a hard touring band. But more so than some of the other bands mentioned above, Uriah Heep clearly has a foot in English folk rock that informs its song structures and vocalist Bernie Shaw’s evocative cadence. The group hasn’t done any major touring in years so this is a rare chance to see them live.

Best Shows in Denver 10/25/18 – 10/31/18

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Black Moth Super Rainbow performs at The Bluebird Theater on Tuesday, October 30, 2018 with Stargazer Lilies and Air Credits. Photo courtesy the artist.

Thursday | October 25, 2018

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The Damned, photo by Steve Gullick

Who: The Damned w/Radkey and The Darts
When: Thursday, 10.25, 7 p.m.
Where: The Gothic Theatre
Why: The Damned famously released the first UK punk single “New Rose” on October 22, 1976 through Stiff Records. While the group didn’t cause as much of a stir as the Sex Pistols or garner as much fame as The Clash, it has, long term has arguably been as influential as both on not just punk generally but also post-punk and Goth with its aesthetic, musically and in terms of visual style. After several lineup changes, including founding member Captain Sensible coming and out of the band, The Damned have persisted as a vital live act. In 2018 the group released its first album in a decade: Evil Spirits. Easily the band’s best, most satisfying record since the late 70s, Evil Spirits doesn’t break new ground, it just reaffirms the fact that The Damned may have been punk but it’s also one not short on strong songwriting. Sounding somewhere between a more raw 70s glam band and thoughtful 80s post-punk, the new set of songs from The Damned are a somewhat melancholic take on the state of the world but inside that tonality is a spirit of defiance through creativity. Also on this tour is Radkey, a trio comprised of the Radke brothers whose style of garage punk is more in the vein of early pioneers like Death and, well, The Damned.

Who: Demeoncassettecult, bios+a+ic + Equine, Pearils & Perils, Juniordeer, Sobremarcha and SADnois
When: Thursday, 10.25, 7 p.m.
Where: Thought//Forms
Why: Demoncassettecult will perform material from his time in industrial noise duo Dr. Montgomery Maxwell at this show. Biostatic will team up for a unique set with guitar drone artist Equine. Pearils & Perils will bring some dusky atmospheric, downtempo R&B..

Who: Fathers and Muscle Beach Tour Kickoff w/Nightwraith and Limbwrecker
When: Thursday, 10.25, 8 p.m.
Where: Hi-Dive
Why: Two of Denver’s metallic, post-hardcore bands are going on tour and celebrating the occasion with this kickoff tour. Fathers includes now former members of Lords of Fuzz, Black Acid Devil, Cult of the Lost Cause and Native Daughters so its heavy music pedigree is respectable enough. But it’s debut, self-titled record, out in Fall 2017 forged a bit of a different musical identity for its members with music akin to the aggressive and thorny drive and dynamism of bands like Converge and Coalesce. Muscle Beach, especially its newer material, compresses a great amount of energy and movement into a small span of time and cuts out the inessential. In doing so, the trio’s songs defy easy genre designation and despite its relentless energy there is a grace and fluidity to music not really designed to possess either quality.

Friday | October 26, 2018

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Kamasi Washington, photo courtesy the artist

Who: Kamasi Washington w/Victory
When: Friday, 10.26, 7 p.m.
Where: The Ogden Theatre
Why: Kamasi Washington is reaping the benefits of a lifetime of learning and honing his craft and bringing to the playing of saxophone and composing music a creativity that has some critics and fans placing him among the jazz legends of yesteryear. History will decide if Washington is worthy of such accolades but his body of work and his various collaborations in the worlds of jazz and hip-hop speaks for itself. He is among one of the true talents bridging various realms of music with equal aplomb. In that way he and bassist Thundercat have much in common as both have contributed to albums by the likes of Pulitzer Prize-winning hip-hop producer and rapper Kendrick Lamar as well as releasing acclaimed and innovative albums in their own rights. In 2018, released both a full-length with Heaven and Earth and a companion EP The Choice. Difficult to assess Washington’s legacy at this point but this is a chance to witness his music live at a medium-sized venue either at The Ogden Theatre or tomorrow night in Boulder at The Boulder Theater.

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Sharone & The Wind, photo by KMiller Photography

Who: Sharone & The Wind’s Night of Terror 2 w/Shattered Halo, Married a Dead Man, Dead But Fancy, Rotten Reputation 
When: Friday, 10.26, 8 p.m.
Where: Moe’s Original BBQ, Englewood
Why: As Sharone & The Wind have developed over the past two years as a band, it has also established itself as a theatrical live act. No holiday is more suited to the group’s dark, emotionally-charged, art metal than Halloween. For the second year running, the band has assembled friends and peers to share a set at Moe’s Original BBQ to ring in the holiday with what will surely be a set that will include props and go beyond a band merely getting on stage and rocking.

Who: 1st Annual Halloween Throwdown Night 1: Dragondeer Vs. Bowie w/Def Knock and The Milk Blossoms
When: Friday, 10.26, 8:30 p.m.
Where: Globe Hall
Why: If the members of Dragondeer weren’t incredibly talented musicians they wouldn’t be able to play their own brand of psychedelic blues much less take on the musical identities of two bands whose music is part of the DNA of international rock music whether acknowledged or not. On Friday night, the group will play songs from the catalog of David Bowie, an artist whose musical corpus combined exquisite, thoughtful, pop music and the avant-garde in various proportions with little regard to strict genre conventions. Opening this first night is The Milk Blossoms, a band whose emotionally tender yet fierce pop songs show how you can seem to be writing from secret places but have the requisite personal bravery to bare the art made from there to the world.

Who: Bluebook EP release w/Shark Dreams and Midwife
When: Friday, 10.26, 8 p.m.
Where: Fort Greene Bar
Why: It’s been a minute since Bluebook released anything. Julie Davis has been busy with other, equally fascinating projects and having a child, among other things. The new Bluebook material, part of which can be heard on the new EP The Astronaut’s Wife, was written with Jess Parsons and while it contains some of the familiar elements that have made Davis’ music interesting from very early on like her vivid, commanding voice and her use of a difficult to manage and master instrument like upright bass along with various loops and the sounds that Parsons brings to the project. There is a mysterious quality to the band’s presentation of the music these days too and that just gives the storytelling a bit of an atmospheric edge. Also on the bill is one of Denver’s most interesting songwriters and organic soundscapers, Midwife.

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FIDLAR, photo courtesy the artist

Who: Fidlar w/Dilly Dally and Side Eyes
When: Friday, 10.26, 8 p.m.
Where: Gothic Theatre
Why: Fidlar could have just been another garage punk band except that Zac Carper and Elvis Kuehn met while working at a recording studio and thus had a better than average sense of what made recordings sound good and what kind of preparation a band might need to undertake in order to not waste a lot of time not getting what they want out of that process. Nevertheless, there is a freshness to its sound that has as much in common with 2010s indie pop as it does with post-Reatards garage punk—catchy tunes, a little loose around the edges, irreverent and self-deprecating. The group will release its new record Almost Free on January 25, 2019 but you’ll get to hear a good deal of it first on this tour.

Who: Rot Congress
When: Friday, 10.26, 9 p.m.
Where: The Skylark Lounge
Why: Hot Congress was the promising indie rock label that, for a time in the late 2000s and early 2010s, galvanized a certain segment of the Denver music scene with releases, promotion, events featuring its artists and an eccentric yet striking aesthetic. The label hasn’t been active in years but it maintains its Halloween tradition of gathering local Denver bands associated with Hot Congress for a show called Rot Congress at which the bands dress up and have, on occasion, taken up humorous alternate names. Here is a schedule for this year’s event, all times p.m.: 9:30 Zealot, 10:15 Kissing Party, 11 The Interesting Times Gang, 11:45 The Jinjas.

Saturday | October 27, 2018

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Ian Sweet, photo by Kelsey Hart

Who: Ian Sweet w/Young Jesus
When: Saturday, 10.27, 8 p.m.
Where: Hi-Dive
Why: Ian Sweet is Jillian Medford’s vehicle for exploring the intersections between one’s own neuroses and her responsibilities to others, some of whom she has taken on a type of caretaker role. Or so she so poetically articulates on her 2018 sophomore record Crush Crusher. With luminous melodies, gentle and textured rhythms and lush soundscapes, Medford crafts songs that reflect a strength of character of necessity balanced against the crushing anxiety that develops when battling your own demons and making sure those under your care, formally or otherwise, don’t go neglected. It’s rock, it’s indie pop., it’s dreamy stuff but because of the subject matter and Medford’s imaginative songwriting it has a heft yet uplifting quality suggesting a complexity not heard enough in popular music. Also on the bill, Young Jesus whose what one might call indie prog songs recall late 90s math rock where that music mixed with 90s emo. A bit like Minus the Bear but more melancholy.

Who: 1st Annual Halloween Throwdown Night 2: Dragondeer Vs. The Dead w/Dog City Disco
When: Saturday, 10.27, 8:30 p.m.
Where: Globe Hall
Why: This second night of Dragondeer’s Halloween show features the band taking on the challenging repertoire of the Grateful Dead. As pioneers of DIY, independent music having a viable existence and the soundtrack to a real moment of American counterculture, the Grateful Dead’s can be polarizing. But its blend of psychedelia, bluegrass and improvisational jazz has often been imitated by hundreds of bands with mixed results. But if you go and check out any one of the group’s early records without having some bias getting in the way, it’s interesting stuff unlike much of anything else going on at the time with truly masterful improvisational live performances captured on some bootlegs and its own official live releases, particularly Europe ’72. Will Dragondeer be up to the challenge and not be like so many wack wannabes in the jam band scene? Likely so given the level of talent involved.

Who: The Crüxshadows, Seraphim Shock, Radio Scarlet and DJ Mudwulf
When: Saturday, 10.27, 8 p.m.
Where: The Oriental Theater
Why: The Crüxshadows are one of the very few bands that combine trance and dark wave that doesn’t immediately inspire a chuckle. Mainly because the band has found a way to make that sound good rather than the laughable EBM/Future Pop thing that plagued the late 90s and the 2000s. Joining the Florida band for this show are two Denver bands. Industrial rock/trashy vampire costume performance art band Seraphim Shock are legends in certain Goth circles in Denver. Since the mid-90s, the group has somehow made the schlocky-ness of industrial rock, pop metal and Gothic aesthetics as manifested in the popularity of vampire mythos in the 90s with the novels of Anne Rice and the RPG Vampire: The Masquerade, maybe even Nancy Collins’ Sonja Blue novels, seem not so hokey or gloriously so. Seraphim Shock has been that band to synthesize all of it and make it highly entertaining for over two decades now. Radio Scarlett might be the only legit death rock band in the Mile High City. Even if it turns out it’s the only one, it’s at least good. Okay, there’s Grave Moss too and both are excellent bands.

Who: Cyclo-Sonic, The Gurkhas, Cyanidols and Gata Negra
When: Saturday, 10.27, 8:30 p.m.
Where: The Skylark
Why: Some of Denver punk’s elder, but not elderly, punk musicians who are still playing in respectable bands will take the stage at The Skylark tonight. Cyclo-Sonic includes former members of The Choosey Mothers, The Fluid, The Frantix and Rok Tots and they can still pull off a spirited performance. Cyanidols include a handful of Denver punk and indie rock veterans including former Tarmints and The Symptoms bassist/vocalist Sonya Decman and Chris Kieft and Oscar Pop who have played in too many notable bands to name going back to the 80s Denver punk underground. Gata Negra is Whitney Rehr’s bluesy punk/power pop band when she’s not also playing in I’m A Boy.

Sunday | October 28, 2018

 

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Victoria Lundy, photo by Tom Murphy

Who: Textures: Herpes Hideaway, Haunted Sound Lab, Victoria Lundy
When: Sunday, 10.28, 7:30 p.m.
Where: Mutiny Information Café
Why: This edition of Textures will feature a special encore presentation of Herpes Hideaway’s creepy diorama and puppet set to accompany his dark ambient music and usual witches’ costume. Appropriately enough Haunted Sound Lab will perform as well as Victoria Lundy who will grace the night with her haunting, classically-inspired Theremin and synth compositions. Maybe she’ll reprise parts of her Miss American Vampire release show.

Who: Insane Clown Posse w/Clownvis Presley, Dirty Rotten Rhymers, Swizzy J and Hex Rated (LSP)
When: Sunday, 10.28, 7:30 p.m.
Where: Stampede
Why: Insane Clown Posse brings its dark carnival to Aurora, Colorado for a show at Stampede. The latter is a club that has in years past been known more as a home to country music. But its large dance floor and upper floor open to the performance space lends itself well to larger shows in general. No need to explain ICP but it’s live shows are highly entertaining with lots of over the top stage antics and a high level of surreal kitsch and fun even if you’re not into the music. Clownvis Presley is, yes, an Elvis tribute act with a clown version of Elvis providing the vocals and the name of the band. ICP hasn’t been to the Denver area for a long time despite the Mile High City being a place in America where it is most popular so maybe the guys have something special in store for this tour around Halloween.

Tuesday | October 30, 2018

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Sugar Candy Mountain, photo courtesy the artist

Who: Black Moth Super Rainbow w/The Stargazer Lilies and Air Credits
When: Tuesday, 10.30, 7 p.m.
Where: The Bluebird Theater
Why: Black Moth Super Rainbow amalgamated Tom Fec’s sound experiments with making the musical equivalent of collage art, giving it an even more organic and fuzzy around the edges, analog quality than simply processed sampling. As with other artists who mastered their own production style in a like-minded vein such as Boards of Canada, cLOUDED and J Dilla, Fec and BMSR created an otherworldly and transporting sound with a sense of innocence about it yet often profane and frank in content. Adopting stage names (Tobacco and Seven Fields of Aphelion, for instance), BMSR’s shows are often an immersive experience creating an emotional and imaginative zone for the night. The band’s latest full-length, 2018’s Panic Blooms, is an even further reach into abstraction as a means of conveying a direct link into the realms of imagination and emotion. BMSR has always been an alchemical blend of hip-hop, psychedelic electronic music and IDM but one grounded in a working class culture in middle America where a sense of one’s isolation breeds aspirational daydreaming and/or drug abuse as a means of escaping the dream shattering mundanity of everyday life. Where you can see on TV and in media a more glamorous life that seems out of reach of everyone you know and you look at your own life and think, “Is this it? Forever?” BMSR’s music honors that desperation and melancholy while making music suggesting other options and possibilities and finding the extraordinary even within your own psychic angst and disappointment.

Who: Sugar Candy Mountain, Ancient Elk and Palo Santo
When: Tuesday, 10.30, 7 p.m.
Where: Globe Hall
Why: Sugar Candy Mountain’s hazy tropicalia and psych folk pop sounds like what a handful of their music videos look like—the soundtrack to a road trip across the American west in a future imagined by Jim Jarmusch. The band’s new record Do Right takes its songwriting beyond the languid, single note picking that is the specialty of bands nicking the Laurel Canyon inspired garage rock vibe for a kind of retrofuturist sound that might be compared to Kim Stanley Robinson’s Three California’s trilogy, in particular 1988’s The Gold Coast. Nerdy science fiction comparison’s aside, Sugar Candy Mountain may on the surface sound like another pop psychedelia band but its imaginative songwriting and knack for capturing a modern sense of wanderlust and dissatisfaction without going dark is not just refreshing but extraordinary.

Who: Amigo the Devil w/Harley Poe
When: Tuesday, 10.30, 7 p.m.
Where: The Marquis Theater
Why: Amigo the Devil’s latest album, Everything is Fine, as in not, is like a collection of modern noir short stories with a darkly humorous bent. That it’s pretty much just Danny Kiranos and his acoustic guitar (with some very minimal percussion and piano on various songs) is even more impressive because it feels full and that anything more would take away from the stark beauty of the songwriting. There’s a song called “Cocaine and Abel,” another called “Hungover in Jonestown,” yet another called “I Hope Your Husband Dies”—all suggesting skullduggery and over-the-top scenes. But there’s a tenderness and sensitivity there too, a nuance of emotion that hits you unexpectedly like the quieter moments in a Cormac McCarthy novel. A great set of music for Halloween week but also enjoyable beyond any seasonal appeal because Kiranos’ music comes from the heart and not a sense of lurid kitsch.

Wednesday | October 31, 2018

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Spirit Award, photo by Brenna Nickels

Who: Itchy-O Hallowmass w.Echo Beds
When: Wednesday, 10.31, 8 p.m.
Where: Summit Music Hall
Why: Itchy-O recently released its best album to date with Mystic Spy | Psykho Dojo. It doesn’t capture the live show because no recording could but as a listening experience it takes you into realms of experience that are an analogue and a companion to the live show that is enjoyable on its own. If you can’t witness the spectacle of a thirty plus member band dressed up as operatives of an inter-dimensional band of mystics and penitents of a an ethos dedicated to human liberation and artistic exploration through group performance art for yourself the record is plenty rewarding on its own. But if you can, make it to one of the band’s infrequent shows and take in its controlled chaos on its terms. For this show the group will share the stage with Echo Beds, the Denver industrial punk band whose own new album, Buried Language, is a leap forward for the band’s presentation in the recorded format. Live, with the oil drum and vocal caterwaul, electronic percussion and cutting guitar work, Echo Beds is as thrilling and forbidding as its recordings suggest and a perfect parallel artist for the way the records translate on the part of Itchy-O.

Who: Amigo the Devil w/Harley Poe
When: Wednesday, 10.31, 7 p.m.
Where: The Marquis Theater
Why: For Amigo the Devil, see above for 10/30/18.

Who: Danzig 30 Year Anniversary w/Venom Inc., Power Trip and Mutoid Man
When: Wednesday, 10.31, 6:30 p.m.
Where: Fillmore Auditorium
Why: Danzig will perform cuts from across his solo career. Sometimes the music borders on corny but really melodramatic in the best sense but always dark and honest about that side of Danzig’s psyche. On other tours the band plays the hits but for this one the group will dig a little deeper into the catalog.

Who: Colfax Speed Queen, Ned Garthe Explosion, Vic N’ The Narwhals and Spirit Award
When: Wednesday, 10.31, 8 p.m.
Where: Syntax Physic Opera
Why: Spirit Award’s new album Muted Crowd is a good one for the Halloween holiday considering the song “Supreme Truth” is about Japan’s terror cult Aum Shinrikyo and “Witching Hour” is based on singer/guitarist Daniel Lyon’s encounters with the paranormal in a house in Seattle. But the music isn’t spooky so much as dense with energized atmospheres, echoing vocals and urgent rhythms. The Seattle-based trio will be joined by three of Denver’s own off beat rock and roll bands with Colfax Speed Queen’s post-psych garage, Ned Garthe Explosion’s humorous yet intense and colorful take on psychedelic rock and Vic N’ The Narwhals time traveling southern California via the American southwest presentation of R&B-inflected surf rock.

Best Shows in Denver and Beyond 8/30/18 – 9/5/18

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CJ Boyd performs at various venues in Colorado this weekend. Photo circa 2008 by Tom Murphy

Thursday | August 30, 2018

Who: A.M. Pleasure Assassins and CJ Boyd
When: Thursday, 08.30, 7 p.m.
Where: Downtown Artery, Fort Collins
Why: Fort Collins’ great lo-fi post-punkers A.M. Pleasure Assassins share the stage with internationally renowned avant-garde punk/folk/ambient/one-man pastoral classical artist C.J. Boyd. The latter is one of the few artists in general that has played in all fifty of the United States. For a decade, Boyd has traversed the country and collaborated with artists from every state and written some of the most accessible and evocative experimental music that defies any absolute categorization. Pick up at any point in his extensive catalog and you’re in for something interesting that will stretch your musical horizons in some fashion. Boyd is playing other shows in Colorado on this leg of his tour and if you’re not able to make this Fort Collins gig it would be worth seeking out where those other shows are happening whether in a house or a DIY space in Colorado Springs like the new Flux Capacitor.

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Smokescreens, photo by Gina Clyne

Who: Smokescreens, The Molochs and American Culture
When: Thursday, 08.30, 8 p.m.
Where: Hi-Dive
Why: Chris Rosi and Corey Cunningham were once members of Plateaus and Terry Malts having toured together during the ascent of the garage/psych revival. But by mid-decade both moved to Los Angeles where they formed Smokescreens out of a mutual love for the off-standard melodic strategy of American pop and more in the vein of New Zealand weirdo, jangle-y punk bands of the 80s on the Flying Nun imprint as well as noisier American music like The Velvet Underground and The Aislers Set. One might make a good case for some influence of The Feelies and a touch of Jay Reatard and No Age in there. All of those influences would mean nothing if the songwriters weren’t capable of doing anything interesting or original out of their own skill set. The band’s 2018 album Used to Yesterday is proof that Smokescreens is making some of the more sonically interesting, guitar-driven pop music today. Combining a tenderness and delicacy of tone and texture with great momentum and energy, Smokescreens is a band that is as idiosyncratic as its influences, which is no mean feat given Flying Nun’s catalog of unique greatness alone.

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The Magpie Salute, photo by David McLister

Who: The Magpie Salute w/Brent Cowles
When: Thursday, 08.30, 7 p.m.
Where: Boulder Theater
Why: Formed in 2016 by former members of Black Crowes including Rich Robinson, Marc Ford and Sven Pipien, The Magpie Salute is perhaps less beholden to the blues rock that was the bedrock of Black Crowes. At least if the band’s new album, 2018’s High Water 1 is any indication. Sure, some of the structure and tones are there but the sonic palette is broader with the band at this point. The title track suggests psych Americana but the album refreshingly doesn’t get stuck in a single mode, mood or dynamic. There’s a 70s feel to the record but one that gives you a greater appreciation for the details that make that songwriting style compelling even today even if you’re heard enough of that sort of thing. Robinson and his bandmates grew up with and within those musical traditions and with this band they’re giving those influences a renewed vitality that is oft-imitated and rarely manifested with this degree of credibility because it doesn’t feel forced and the highly developed songcraft born out of years playing in other bands speaks for itself.

Who: Equine, Tunica Externa, biostatic
When: Thursday, 08.30, 8 p.m.
Where: Mutiny Information Café
Why: Depth of sound field throughout this show with the guitar drones and tone sculpting of Equine, Tunica Externa’s super minimal soundscapes with guitar and loops and biostatic’s synth, live sampled trumpet and processed sounds. None of the artists is much alike, uses very different methods of making their sounds but all have grounded in a way of making music that isn’t rooted in any particular, pre-established style, which should be recommendation enough for going to this show if you’re looking for something well outside the mainstream.

Friday | August 31, 2018

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Brotherhood of Machines, photo by Tom Murphy

Who: Under the Floorboards Celebration: Midwife, Bigawatt, Brotherhood of Machines, Curta and Multicast
When: Friday, 08.31, 8:30 p.m.
Where: Syntax Physic Opera
Why: KGNU’s Under the Floorboards program showcases music that is decidedly left field. So this show will include the minimalist, ambient folk/lo fi production of Midwife, Bigawatt’s operatic avant-post-punk paired with experimental drummer Death Pose, Brotherhood of Machines’ Popol Vuh/dub techno-esque ambient in collaboration with Jake Danna of hip-hop duo Curta. And Multicast, which has been doing ambient music in Colorado for longer than most of the people in Colorado’s quite large ambient scene. With biostatic hosting and serving as a DJ for the night.

Who: Sympathy F
When: Friday, 08.31, 8 p.m.
Where: Goosetown Tavern
Why: Sympathy F came on to Denver stages during the early days of the alternative rock era. Early members of the band included current guitarists Doug Seaman and Tony Morales (who has also been a vocalist in the band from the beginning) and both lived in a building in the Capitol Hill neighborhood called The Blenheim, notable for its gateway looking like something from a medieval urban house, where they lived across the hall from future and current vocalist Elizabeth Rose who became fast friends with the two musicians who one day heard her singing along to the music they were writing. The band became a bit of a fixture in the local scene throughout the 90s, releasing one, self-titled album and a handful of cassette and compilation releases before the focus of the musicians went to other projects even though Sympathy F never disbanded. Over the past decade or so, the group has been more active and in 2016 releases its first album in over twenty years with its second self-titled album. It was a compilation of new and older recordings and demos that the members of the band rendered for a more modern release augmented by overdubs and a proper mixing and mastering treatment. At that time the band had intended to release a double album to get its backlog of material out into the world but that didn’t make sense and now the group is releasing what would have been the second half of the double album with a couple of new tracks that reflect new musical ideas that hint at where the group may go in the future with electronics a part of its lushly atmospheric, moody hard rock.The new album, available tonight, is The Blenheim, a nod to the band’s roots and the creative frisson that launched its fruitful and prolific, if not widely available on a recording until recently, career. See our upcoming interview with Seaman on the history of the band and its recent painstaking recording of at least one of its new songs.

Who: EVP w/Pearls and Perils and Gold Trash
When: Friday, 08.31, 9 p.m.
Where: BarFly
Why: Glasss Records occupies BarFly for the night. EVP’s pointed personal/political commentary informing its impassioned industrial noise pop will bring some edge to the laid back environs. Gold Trash’s noise-scape-y, beats collage electroclash will demonstrate how you can keep it weird and confrontational yet fun. Pearls and Perils makes downtempo R&B with a rich emotional quality and theatrical stage presence that is impossible to ignore.

Saturday | September 1, 2018

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Church Fire, photo by Tom Murphy

What: Temple Tantrum Day 1
When: Saturday, 09.1, 12 p.m., music starts 1 p.m. runs to 10 p.m.
Where: The Temple Studios
Why: Temple Tantrium is a two day festival that encourages attendees to arrive in costume and join in the festivities with twenty musical acts, fourteen art installations, comedy and performance art. For list of artists featured see below.
Music: Council of Word, Porcelain, F-ether, Halo Halo, Ginger Perry, JL Kane, R A R E B Y R D $, Princess Dewclaw, Church Fire, Plantrae

Visual/installation Artists: Ancient.Future, Charles Russel, Alex Anderson, Kat Nechleba, Kristina Rolander, Ryan Wurst, Izzy Jarvis, Regan Rosberg, Queen City Harlequinade, Kelly ShortNQueer, Tara Worley, Suchitra Mattai, Katine Lowe, Marsha Mack, Sandra Fettingus, Naomi Scheck, Joanne Shminke, Lori Owicz, Brendan Macleod.

Performance art and comedy: No Gods No Masters, Punketry, Gallagher Fest, Jessica L’Whor, Jaguar Morning Show

Who: Big Business w/Simulators and Quits
When: Saturday, 09.1, 8:30 p.m.
Where: Larimer Lounge
Why: Big Business is the sludge metal/noise rock band from Seattle comprised of former KARP and Murder City Devils members Jared Warren and Coady Willis. The duo spent a handful of years playing in Melvins where its bombastic, playful and joyous sound fit in with Melvins’ sense of the absurd. For this show the duo will be joined by sharp-edged post-punk band Simulators and eruptive noise rock supergroup Quits which includes former members of Denver-based noise rock outfits Sparkles and Hot White.

Who: Pink Fuzz LP release w/Love Gang and Boot Gun
When: Saturday, 09.1, 8 p.m.
Where: Lost Lake
Why: BANDITS from Boulder honed its hard blues rock sound for a few years under that name before adopting its new moniker, Pink Fuzz. The group releases what may be it’s first full-length record tonight. Though not a stoner rock band, fans of bands like Fu Manchu and Nebula will probably find a lot to like here.

Sunday | September 2, 2018

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The Speedholes circa 2001, photo by Rebecca Bauer

What: Temple Tantrum Day 2
When: Saturday, 09.1, 12 p.m., music starts 1 p.m. runs to 10 p.m.
Where: The Temple Studios
Why: See the entry for this event above on September 1, 2018. The list of visual/installation artists and performance art and comedy is the same. But musical guests for this day include: Machu Linea, MEEK, Entrancer, ETERNAL, Baby Tony & The Teenies, L.A. Zwicky, Oxeye Daisy, Vic N’ The Narwhals, NEEFF, Nasty Nachos and Pictureplane.

Who: Merrick 25th Anniversary Party with debut of Rocket Dust, Vashion Seeds and Sam & Catherine from AKA Belle
When: Sunday, 09.2, 5 p.m.
Where: Globe Hall
Why: Kelly and Dan Merrick were members of noisy garage punk band The Speedholes in the 90s and early 2000s and were active participants in the vibrant Denver punk scene of that time. Both had roots in the Seattle underground scene of the 80s and 90s and were impacted by Denver musicians who made it to the Pacific Northwest regularly or even made it a home like maybe The Derelicts but certainly The Fluid and Spell. They’re celebrating their twenty-fifth wedding anniversary with the debut of their new band Rocket Dust with this show at Globe Hall.

Tuesday | September 5, 2018

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Mondo Obscura, photo by Tom Murphy

Who: Mondo Obscura and The Counselor (DJ set)
When: Tuesday, 09.5, 7 p.m.
Where: Chiba Bar | Colorado Springs
Why: Denver futuristic new age/ambient band Mondo Obscura lands in Colorado Springs for a two hour live set followed by DJ set from local weirdo The Counselor at a Japanese themed bar. Fortunately it won’t be the “Chiba City Blues” but if some guy named Case shows up looking like he might be hyped on stims and babbles something about Molly Millions and the Panther Moderns just be glad for the distraction and ask him how Acacia Park is treating him.

Wednesday | September 5, 2018

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Rolling Blackouts Coastal Fever, photo by Warwick Baker

Who: Rolling Blackouts Coast Fever w/Jo Passed
When: Wednesday, 09.5, 7 p.m.
Where: Larimer Lounge
Why: On the strength of the material on its first two EPs, 2016’s Talk Tight and 2017’s The French Press, Melbourne, Australia’s Rolling Blackouts Coast Fever drew favorable comparison by critics like Robert Christgau and Stephen Deusner to influential Australian jangle pop band The Go-Betweens. With the sparkling guitar tone and effluvient, often urgent, dynamics the comparison seems apt. But the band never really sounds like a throwback and especially not so on its 2018 full length Hope Downs wherein the guitar play weaves hanging chords into its bright melodies to convey more fully melancholic undertones and introspective moods. Like American indie rock band LVL UP, RBCF has a real knack for writing songs with a depth of composition using dissonance, textural rhythms and percussive melodies alongside more straightforward guitar work. Live the group performs with a nervy energy that gives what might otherwise be simply solid pop songs a palpable intensity.

Who: Weird Wednesday: KRBS (from Ludlow), Bonnie Weimer, Whimsically Macabre Music
When: Wednesday, 09.5, 9 p.m.
Where: 3 Kings Tavern
Why: This latest edition of Weird Wednesday features artists whose music doesn’t necessarily scream out “weird” but in the larger musical sense really is. Bonnie Weimer whose spare, banjo songs are reminiscent of Maureen Tucker solo or on her rare and excellent vocal performances in The Velvet Underground (particularly “After Hours”). Meaning it’s intimate, powerful and a bit mysterious. Presumably KRBS is Josh Kirby from the great Colorado folk/punk band Ludlow doing a solo performance. Kirby has an offbeat, often surreal sense of humor so that’s bound to be part of the set too. Whimsically Macabre Music is a solo piano project of Stacy Fahrion. The music doesn’t hit you over the head with its strangeness. In that sense it has more in common with how many Erik Satie pieces are haunting or various Shirley Jackson novels have an atmosphere just off enough to get under your skin without having to resort to cheap thrills.

Short Takes #2: August 2018

This is the latest installment of our periodical records review column with the featured album being Them Are Us Too’s posthumous swan song Amends out on Dais Records.

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Them Are Us Too, Amends, Dais Records

Them Are Us Too – Amends – Dais Records

Them Are Us Too’s gift to its listeners is a nearly unmatched ability to distill all the pain, disappointment and sadness of a lifetime of unrequited love and rejection by others, by society and ourselves into soaring melodies that sublimate those feelings into ethereal shadows that can no longer overwhelm us even if they can still haunt us. Amends may be the final record from the band due to the tragic death of guitarist Cash Askew in the 2016 Ghost Ship fire. But the music’s power to take gentle yet strong rhythms and couple them with intertwining melodies, luminescent and melancholy, as a vehicle for honoring genuine emotional expression is a testament to the duo’s enduring alchemical ability to soothe the spirit.

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AZALiA_SNAiL, NEON_RESiSTANCE, Silber (US)/Thokei Tapes (Germany)

AZALiA SNAiL – NEON RESiSTANCE – Silber (US)/Thokei Tapes (Germany)

Pretty much impossible to say when this album was written and recorded post-1980. Its sensibility and aesthetic points to 80s and 90s synth pop. The guitar on “Celeste (Can You Feel It)” sounds like something out of a more ambitious New Wave band but set inside a song that could have come out in the past 10 years among artists tapping into 80s pop sounds to capture a sense of nostalgia. But NEON RESiSTANCE isn’t mining nostalgia. It is doing something more interesting and meta by using an older set of musical parameters and sounds with modern production to evoke a personal style of songwriting that looks forward as many bands of the 80s seemed to be doing but avoiding getting that all wrong by really giving the songs an unusual emotional dimensionality and nuance with nostalgia-tinged melodies as relatable self-reflection and not self-obsession. Sonically it’s difficult to compare this multi-faceted pop record to much of anything else but perhaps Nina Hagen’s 1982 experimental rock/New Wave masterpiece NunSexMonkRock. There was little like that then, there’s little like this now and every track is worth your time.

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bios+a+ic – Vaccine – Symbolic Insight

bios+a+ic – Vaccine – Symbolic Insight

Wesley Davis seems to generate his albums around themes that express the essence of ideas that have taken up residence in his imagination. 2015’s cloudLanD has an airy, drifty feel suggesting a sense of space and peace. Vaccine’s claustrophobic drones and repeating circular phrases spawn others that intersect in ominous, dissonant patterns suggestive of one set of sounds mutually infecting another to produce a third sound that’s darker with descending tones. Not an anti-vax abstraction, but more a comment on not trusting corporations and moneyed interests to provide a cure. In that way, it’s a bit of a cyberpunk ambient album but one that doesn’t make the dystopia seem kinda cool.

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CURTA, End of Future Park, self-released

CURTA – End of Future Park – self-released

Jake Danna minces no words in his critique of American culture in general and his local community in particular. From the self-appointed expertise on all things and the lives of other people due to the internet and social media (“Ghost Milk”) to the limitations of bravado to dignify one’s life and art (“Prop Comic”) and the poisonous, self-eroding qualities of unreigned-in/unexamined cynicism (“I’m Still Cool, Right? (feat. WC Tank), Danna’s observations are a cogent assessment of the root ills of modern America’s writhing cultural anomy beyond platitudes of left and right. 4Digit’s production as further brought into detail by ManMadeMadMan’s mastering is what shines just as brightly. The beats, the streaming details of sound to accent the mood, tone and texture, the vibrant atmospheres and the masterful flow of melodies to suit the moment are not subtle so much as fully integrated and you get a to take in 4Digit’s imaginative composition with the 26+ minute closing track, “The Life of 4Digit Vol. 1.”

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Daisy Mortem, La vie c’est mort, self-released

Daisy Mortem – La vie c’est mort – We Are Vicious

An always engaging listen akin to an unlikely and thus refreshing synthesis of B-52s, Lords of Acid and breakcore, La vie c’est mort from Bordeaux, France’s Daisy Mortem is a sort of decadent industrial dance pop. A lot of American industrial dance groups fall back too much on mediocre 90s EBM. On this EP, Daisy Mortem taps more into mid-80s New Wave’s melodramatic emotionalism but using the sound palette of modern electronic dance music to craft songs with a giant sonic imprint. Imagine the curiously compelling upbeat and alien quality of Classix Nouveaux minus the schlock and with a sprinkling of influence from Sparks and Fad Gadget. If Fellini had lived to make a movie about Bohemian New York City in the 80s, he would have done well to have tapped Daisy Mortem to score the soundtrack because this band is that exact vibe—bombastic, lush and brimming with vitality.

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The Damned, Evil Spirits, Search and Destroy/Spinefarm Records

The Damned – Evil Spirits – Search and Destroy/Spinefarm Records

Easily The Damned’s best record since Machine Gun Etiquette. But it would be more honest to say it’s the band’s best record since it’s debut. Most bands more than forty years into their career are creatively treading water. The Damned apparently found some juice in their collective imagination to write an album in the classic style of writing a cohesive record of quality material beginning to end. Most bands write a record this vibrant early in their careers. “We’re So Nice” rocks harder than but has a similarly deft orchestration of melody and harmony one might expect out of The Zombies. It should come as no surprise that Tony Visconti, one of the minds behind shaping the best Bowie records, was on board for Evil Spirits. But even the most brilliant production can’t make up for subpar songwriting. Even if you didn’t know this was The Damned, so many of these songs are striking and timeless. “Shadow Evocation” is like a long lost cousin to something The Moody Blues might have written in the 60s—a windswept, imagination stirring mini-epic. What makes Evil Spirits such a remarkable album is that The Damned prove track to track that they know that if they relied on only one trick, one tempo, one songwriting style they’d bore themselves as much as us and that should count for something in any band much less one that could easily skate along on the laurels of its older classic material. The Damned have create what should in time be considered new classics with this record.

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Frog Eyes, Violent Psalms, Paper Bag Records

Frog Eyes – Violent Psalms – Paper Bag Records

For its final record, Frog Eyes has refined its raw noir Americana sound to a place of great clarity that brings the conflicted emotions into sharp focus. Carey Mercer still sounds like he’s shaken by the force of emotion even as he delivers his words with the confidence and quaver of a Bryan Ferry. With this album, more than previous Frog Eyes releases, each song sounds like a room, an environment, a psychological space Mercer enters with immediate, cogent commentary. At times, as with “Idea Man,” the music feels like the modern equivalent of an early-to-mid-70s Genesis record with the elegance of sonic detail, mysteriousness and grandeur. Maybe Mercer wasn’t listening to a steady diet of The Lamb Lies Down On Broadway or Foxtrot but this Frog Eyes swan song resonates with the artistic ambition and exploring the possibilities of one’s own songwriting and reach as a musician.

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Immersion, Sleepless, swim~

Immersion – Sleepless – swim~ 

Somewhere in England there’s a high tech train station going to the places where it sounds like Boards of Canada songs take place and this is the gentle effervescent music to put you in the mood to be in a place of peace and disconnect from the rough and tumble everyday world. The cycling tones of “Off Grid” seem aimed to help you reprogram your brain to check out of the ambient anomy that comes with life in the twenty-first century and take a trip through a languidly melodic soundscape for nearly fifty minutes before being dropped off in a beautiful place out in the country.

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The Milk Blossoms – Dry Heave the Heavenly – self-released

The Milk Blossoms – Dry Heave the Heavenly – self-released

With heartbreaking imagery throughout, this second album from The Milk Blossoms quickly becomes impossible to resist in drawing you in to tender yet intense emotional experiences that might be off putting to those with an aversion to psychological intimacy at this deep a level. But The Milk Blossoms never seem off putting. The band bares its alchemy of words and sounds with a brave openness borne of knowing you’re speaking truth or at least your truth—a quality that never goes out of style and which can never but completely duplicated as something idiosyncratic to the artist in question. The Milk Blossoms make pop music the way some people make something special for a loved one—with great attention to detail and with a care and affection and without expectation of anything in return. Was this written in an old lighthouse? A treehouse? A cottage in the woods waiting for the winter to thaw? Probably not but it has the feel of taking time out in isolation to allow the nuances and strength of feeling to emerge and find their perfect expression.

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Oryx, Stolen Absolution, Midnite Collective/Graven Earth

Oryx – Stolen Absolution – Midnite Collective/Graven Earth

This is the sound of the world around us crumbling and eroding and our inability or unwillingness to reverse course. Like the manifestation of Derrick Jensen’s Endgame. Oryx could have pummeled us with some doom-y deathgrind but there is simply a greater diversity of musical ideas here than all of that. The dynamics, for one, while often insistent, leave enough space so that the crushing avalanche of sound hits harder. It also means that, unlike some bands in the realm of extreme metal, Oryx’s songs never truly feel same-y. Across this album the duo pushes the boundaries of what the music can be by fully integrating brutal sonics with atmosphere. Stolen Absolution’s long stretches feel like an intense journey but none that leave you worn out for having taken them.

 

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Peach Kelli Pop, Gentle Leader, Mint Records

Peach Kelli Pop – Gentle Leader – Mint Records

Featuring what might be the album cover of the year for richness of content alone, Gentle Leader is ten songs in the noise pop vein. Upbeat, irreverent, bordering-on-twee-but-confident, Peach Kelli Pop’s songs have great melodic vocal harmonies and wide ranging rhythms. Closing track “Skylight” reveals the band’s experimental guitar edge hinted at earlier in the record confirming that Peach Kelli Pop has more to offer than the exquisite pop gems that have been a large part of its recorded catalog to date.

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Sugar Candy Mountain, Do Right, self-released

Sugar Candy Mountain – Do Right – self-released

The retro-futurist sonic flourishes across this album are reminiscent of a sunny Laurel Canyon psych Broadcast in a pop moment. Or perhaps like Death & Vanilla in that the melodies are nostalgic but the undertones and rhythms suggest a grounding outside the English-speaking music world. As the songs on the album fuzz and incandesce one wonders if the band watched a whole lot of reruns of The Ed Sullivan Show and nailed the vibe and the aesthetic when old Ed had on the hippest guests that didn’t have to compromise and could just shine on a program where the evils of the modern music industry weren’t so firmly in place to insidiously influence and water down popular music into the lowest common denominator product, rather when taste makers had taste and a sense of adventure. Do Right may be retro and couched in a sense of nostalgia but the details on album closer “Do You Know The Place,” and throughout the record, those qualities sound surprisingly fresh at a time when looking back four or five decades and more for inspiration is so played out.

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Synth_Drone collective, Tone Science, Symbolic Insight

Synth_Drone collective – Tone Science – Symbolic Insight

The track names on this album from Denver based synth supergroup Synth-Drone collective suggest a collective telling of life in some far flung future akin to Larry Niven’s Tales of Known Space but with the dark cloak of a minimalist, existentialist Tarkovsky science fiction film like Stalker. The name of the album doesn’t spell out but hints at the scientists of the time depicted in this album searching in earnest for the real science equivalent of the mythical first sound, the teleological ground zero vibration, that launched the universe into dynamic life because it has been discovered that the universe is dying and the only thing that can reverse the process is to discover the appropriate wavelengths to stop the impending doom of all and everything. Except someone in the scientific community knows it’s all for naught and just another attempt by sentient beings to interfere with the natural order of things with the hubristic notion that mortals can fix anything if they set their minds to it when in fact by our temporal nature and perspective we can never known enough to impact everything. Which is a downer but in the case of this album, it’s a beautifully compelling, drone-driven soundscape of a time when humans and other intelligent creatures have to learn to accept the inevitable.

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Wye Oak, The Louder I Call the Faster It Runs, Merge Records

Wye Oak – The Louder I Call, the Faster It Runs – Merge Records

There’s always been a bit of a cinematic quality to Wye Oak’s music and one might perhaps clumsily say the new album is to If Children what Fargo is to Blood Simple—not massively better but more sophisticated, more intentionally stylized with its newfound skill set and sonic palette. The melding of acoustic instruments and electronic production is so complete that the band seems to effortlessly bring to bear tones, rhythms, textures, melodies and atmospheres to craft songs as experiences. Wye Oak hasn’t ditched classic songwriting methods and models, it’s just taken those structures and filled them out with rich content. But what does Wye Oak have to say this time around? Refreshingly the band asks more questions than providing a set perspective. At a time when too many bold-yet-curiously-vapid-and-trite statements are made in the public sphere, it’s asking thoughtful questions and pondering issues about life and the world without a sense of one’s own certainty as a nod to the fact that we can’t know everything while not discrediting our own thoughts and feelings that makes this record remarkable. The title suggests chasing after goals while those goals we are encouraged to think of as ends in themselves become elusive and we are forced to really think about what it is we’re all on about and if the chase is worth it in the end. Because of that, The Louder I Call, the Faster It Runs really is the kind of record that needs to be out in the world questioning the dominant paradigm not with firebrand skepticism but compassionate curiosity for ourselves and others.

Best Shows in Denver 6/21/18 – 6/27/18

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Lithics perform at Tuesday 6/26/18 at Lost Lake with Super Bummer and Male Blonding. Photo by Christie Maclean.

Thursday | June 21, 2018

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Bios+a+ic circa 2015, photo by Tom Murphy

Who: Glasss Presents the Speakeasy Series Season 2: Bios+a+ic and Acidbat
When: Thursday, 06.21, 7 p.m.
Where: Hooked On Colfax
Why: For this edition of the Speakeasy Series Season 2 you can see Wesley Davis doing a rare performance as Bios+a+ic, his long-running ambient/experimental electronic and acoustic instrument project. Davis curates the Textures Ambient showcase series now hosted the last Sunday of every month (including this Sunday, 6/24) at Mutiny Information Café. This event marks the twenty year anniversary of Davis’ label Symbolic Insight. Also on the bill is Acidbat, Seth Ogden’s noise-techno-downtempo-IDM project. Though not short on the experimental of electronic soundscaping, Acidbat pushes the use of rhythm and beats in interesting directions.

Who: Cindygod w/French Kettle Station and Whoopsi
When: Thursday, 06.21, 8 p.m.
Where: Hi-Dive
Why: Probably a good reason to go to this show is to see New Wave Dance phenom French Kettle Station and his emotionally charged performance. But the main reason is to see the debut of Andy Rauworth’s and Craig Nice’s new band Cindygod. Rauworth and Nice were the indie rock duo Gauntlet Hair who made waves in the late 2000s/early 2010s with its energetic, noisy, sparkly rock songs. The group signed to Dead Oceans and did a short bit of touring before calling it quits in August 2013. For this band Rauworth is joined by Anton Krueger formerly of Bollywood Life (now H-Lite) and Eamonn Wilcox
who some may remember performing as Running Niwot a few years back.

Friday | June 22, 2018

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Calm., photo by Tom Murphy

Who: Pop Up: Music & Art with Calm., Adolfo Romero and poet Jesus Rodriguez, art by Goat Witch Goods
When: Friday, 06.22, 7:30 p.m.
Where: Hooked On Colfax
Why: The benefits of this show will go to benefit the undocumented community. It will include performances from poets Jesus Rodriguez and Adolfo Romero as well as the great Denver-based hip-hop duo Calm. whose own music reflects growing up poor in Park Hill and North Denver and an organic intellectual tradition. Also, rapper Chris Steele might lay down some of his surreal humor between songs and drop some knowledge outside the context of Calm.’s music.

Who: Pearls & Perils, Vahco and Victoria Lundy
When: Friday, 06.22, 9 p.m.
Where: Lion’s Lair
Why: Soulful downtempo and synths show from Glasss Records artists Pearls & Perils and Vahco. Olivia of Pearls & Perils creates a deep cloudscape of sound with her beats and her sultry voice and Vahco’s experimental R&B and powerfully emotive singing gives his songs a quality that transcends any specific genre of music to which it might be attached. Victoria Lundy is the godmother of experimental electronic music in Denver at this point from her time in Carbon Dioxide Orchestra two decades ago to her Theremin work for avant-pop outfit The Inactivists to the music under her own name that reflects the influence of Twentieth Century classical and avant-garde electronic music as well as her own imaginative use of synth and Theremin.

Who: Pink Hawks w/Wheelchair Sports Camp and Polyphoni
When: Friday, 06.22, 9 p.m.
Where: Ophelia’s Electric Soap Box
Why: Pink Hawks are one of few legit Afrobeat outfits in Denver led by Yuzo Nieto. The latter helped start the project as more of a free jazz trio but followed his instincts into more out jazz and Latin music to whatever it is one might exactly describe Pink Hawks now. Also on the bill is the great, jazz-inflected Denver hip-hop group Wheelchair Sports Camp whose playful yet deeply meaningful songs bridge the personal and the political with rapper/beatmaker Kaelyn Heffernan’s social activism. WSC doesn’t really sound like anyone else, reflective of its diverse roots.

Who: Sliver, Pout House, Yellnat, Hair Club and Galleries
When: Friday, 06.22, 8 p.m.
Where: 3 Kings Tavern
Why: It’s a free show but that is no knock on its quality. Galleries is a heavy psychedelic band from Denver but one where the songwriting comes before simply rocking with a weirdo flourish. Sliver is a punk and grunge band influenced by, of course, Nirvana, but also hardcore pioneers Bad Brains and post-punk/proto-grunge band Wipers from Portland, Oregon. As good as any of those bands? Maybe. But, contrary to the band’s protestations otherwise, Sliver does not in fact suck.

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Krallice circa 2009, photo by Tom Murphy

Who: Trve Brewing’s 6th Anniversary Bacchanal Night 1: Krallice, Wayfarer, Fórn, Many Blessings
When: Friday, 06.22, 8 p.m.
Where: Hi-Dive
Why: Trve Brewing has been hosting a weekend of great extreme metal for several years now and this first night includes legendary black/technical death metal shredder Mick Barr with his band Krallice as well as Denver doom outfit Wayfarer and Many Blessings, the ambient/instrumental doom/noise project from Ethan McCarthy of Primitive Man.

Who: Definitely, Maybe, Thistledown, Ancient Elk and Laura Goldhamer
When: Friday, 06.22, 8 p.m.
Where: Denver Bicycle Café
Why: Definitely Maybe includes former members of the late, great, math rock band Scatter Gather. Ancient Elk shows us where avant-folk, psychedelia and soul meet. Laura Goldhamer has long been an influential figure in Denver’s later era indie pop and experimental folk world not just for her music but for her steering bookings at the now defunct DIY space Brooks Center Arts as well as her beautifully imaginative filmmaking.

Sunday | June 24, 2018

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Mingo, photo by Tom Murphy

Who: Textures 4 year anniversary at Mutiny w/Mingo, Bios+a+ic and The {Nothing} 
When: Sunday, 06.24, 7 p.m.
Where: Mutiny Information Café
Why: This Textures anniversary show also celebrates 20 years of Wesley Davis’ Symbolic Insight imprint. For the occasion, Davis will perform as Bios+a+ic, his long running ambient project. Additionally, Mingo, whose work has also been featured on Hearts of Space Program, will put in one of his few performances and The {Nothing} is a newer ambient/experimental project that is Travis Sturm who will provide the usual, greatly evocative visuals under his orchidz3ro moniker.

Monday | June 25, 2018

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Oko Tygra, photo by Tom Murphy

Who: The Horrors w/Oko Tygra
When: Monday, 06.25, 7 p.m.
Where: Bluebird Theater
Why: Even though The Horrors were basically a The Birthday Party tribute band early on, as evidenced by its promising debut album Strange House, it at least was one that seemed halfway credible. As the band evolved, and as the band aged out of their early 20s, The Horrors took on other flavors like late-era Spacemen 3 and Spiritualized with the 2009 Primary Colours album, motorik beats and all. With 2011’s Skying The Horrors made its inspirations in electronic music much more obvious but so well blended with the rock instrumentation that it was practically a new band whose gift for otherworldly and transporting compositions was fully formed. While not sounding the same at all one might say that The Horrors have become the British equivalent of Deerhunter. With 2014’s Luminous The Horrors went further into the realm of the electronic but with 2017’s V, the band has come to engaging in more straightforward pop songcraft while not shedding its experimental instincts and what it has learned during its impressive arc of development as a band. To say nothing of the group’s great visual style and theatrical performances which give the music its proper and impactful context.

Opening the show is Denver-based dream pop band Oko Tygra. Singer/guitarist Joshua Novak has been making emotionally stirring music since his days of performing as a what one might say singer-songwriter. Of course Novak’s songwriting seemed much more sonically ambitious from the beginning and with this band he’s able to create the kind of downtempo, lush music that has been in his imagination waiting for the right way to see expression for years.

Who: Men I Trust w/Pearl Sugar and Modern Leisure
When: Monday, 06.25, 7 p.m.
Where: Lost Lake
Why: Montreal’s Men I Trust operate independently of labels and PR folk pushing their music to press. And often that means the band is probably punk or some kind of rock. But no, the group’s music is minimalist, downtempo dream pop and its ethos reminiscent of bands that used to play the American DIY circuit in the late 2000s when you could never fully predict what kind of music would come through playing place in Denver like Rhinoceropolis, Mouth House and the like. Men I Trust has more in common with Cocteau Twins and Alvvays than modern synth pop or post-chillwave acts and its production sophisticated for a band existing largely outside the traditional channels of the music industry. But, really, isn’t that how many bands these days are doing it? From learning the skills to produce, mix and master their music and create music videos mainly to have control over one’s output but also because you can learn all those skills and not have to pay someone outside your immediate orbit to do the work. That part doesn’t really make the band unique in this day and age. However, Men I Trust seems like it’s put more than their fair share of time into releasing quality product from inception to setting it off for others to enjoy.

Tuesday | June 26, 2018

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Dirty Projectors circa 2007, photo by Tom Murphy

Who: Dirty Projectors w/Still Woozy
When: Tuesday, 06.26, 7 p.m.
Where: Bluebird Theater
Why: Whatever one thinks of Dirty Projectors you can’t really down a band that seems to explore new territory or at least find different angles on ideas it already developed well on earlier releases. Its forthcoming album Lamp Lit Prose (due out July 13, 2018) finds David Longstreth and company doing as it has done for years in weaving together a wide spectrum of musical traditions and ideas to produce music that many may find quirky but which pushes forward what pop music can be. This time the spidery and labyrinthine guitar work and non-western rhythm schemes inside fairly mathy overall structures is a fascinating wrinkle for a band that has rejected certain comparisons to prog. Because it’s not prog. It is, however, using technical musical ideas as a framework to experiment with unconventional ideas in its own musical legacy.

Who: Lithics w/Super Bummer and Male Blonding
When: Tuesday, 06.26, 7 p.m.
Where: Lost Lake
Why: Inevitably Lithics get compared to No Wave early NYC and Bush Tetras. And that sort of wiry, writhing alienation is part of its sonic DNA. But the urgent atonal math rock-esque quality of some of its songs and the junk-jangle riffs remind one a bit of great 90s math rock weirdos like A Minor Forest, Polvo and Autoclave as well as art punk peers like Palm and US Weekly. Nevertheless, Lithics, from Portland, Oregon, has distinguished itself with stark melodies and jagged changes of pace as well as singer Aubrey Hornor’s intense stage presence and piercing gaze that channels perfectly songs brimming with nervous energy distilled into brilliant nuggets of postmodern poetic meditations on the neuroses plaguing anyone paying attention in the world in the past decade. Its new album, Mating Surfaces (out now on Kill Rock Stars), is exactly the kind of harum scarum post-punk disco we need as an salve to challenge and help cope with the conformist shittiness that has taken over our national politics. Bonus: you get to see two of Denver’s greatest post-punk acts with the more psych Super Bummer and Male Blonding’s deeply atmospheric sound grounded by one of the greatest rhythm sections in the Mile High City.

Who: The Sidekicks w/Great American House Fire and The Spirit of the Beehive
When: Tuesday, 06.26, 7 p.m.
Where: Globe Hall
Why: The Sidekicks, from Cleveland, Ohio, spends most of their excellent 2018 album Happiness Hours proving that you can still be a pop-oriented punk band and not have to perpetually navigate life as an emotionally stunted teenager. It’s not a melancholy album. It’s not cynical. It’s not rife with the voice of someone who feels like they have it all figured out. What the band has figured out, though, is that their version of punk doesn’t have to fit the formula they grew up with in terms of instrumentation or the flavor of the sentiments expressed in the words—that punk, too, can evolve and grow with you if the people making it are willing to reimagine the music they love for a time in life they never really thought about reaching without feeling like they had to put anything fun behind. Denver bands Great American House Fire and The Spirit of the Beehive also didn’t get the memo on needing to keep on making punk like you never outgrew shitty street punk and problematic emo.

Wednesday | June 27, 2018

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Thurston Moore circa 2012, photo by Tom Murphy

Who: Thurston Moore
When: Wednesday, 06.26, 6-7 p.m.
Where: Innisfree Poetry Bookstore and Café
Why: Thurston Moore wasn’t just a charismatic member of one of alternative rock’s most influential and iconic bands. He was an ambassador for the underground in music and art throughout the 80s and through to today. He is also a scholar of the Beat movement and an instructor on that subject at Naropa University. Tonight he will be doing readings from his book Stereo Sanctity – Lyrics & Poems.

Who: Weird Wednesday: Dorian, Chromadrift, Denizens of the Deep
When: Wednesday, 06.26, 9 p.m.
Where: 3 Kings Tavern
Why: This edition of Weird Wednesday will have a focus on some of Denver’s greatest ambient bands. Chromadrift just released his latest album Skyline. It’s organic/electronic/textural beats frame luminous compositions reminiscent of Dntel will be soothing enough to make one forget how busy the Baker District has become of late. Denizens of the Deep’s soundtrack-y ambient music is the aural equivalent of an A.E. Van Vogt story set in some detailed yet completely alien and haunted far future after civilization has fallen for the umpteenth time—haunted, suggestive of decaying urban landscapes and dark yet comforting.

Best Shows in Denver and Beyond 01/25/18 – 01/31/18

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Echo Beds perform tonight, January 25, 2018, at Mutiny Information Café. Photo by Tom Murphy

Thursday | January 25, 2018

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Dinosaur Jr, photo by Tom Murphy

Who: GLAARE, Fearing, Echo Beds and Voight
When: Thursday, 01.25, 9 p.m.
Where: Mutiny Information Café
Why: Los Angeles-based post-punk bands GLAARE and Fearing will bring their lushly dark compositions to Mutiny, sharing the stage with like-minded Denver acts Echo Beds and Voight. GLAARE’s sound is closer to shoegaze bands with a strong electronic production component like Slowdive and Seefeel. Fearing shares some of those tendencies for slow, soaring atmospheres but with a darker flavor. Both bands had 2017 releases, GLAARE’s To Deaf and Day and Fearing’s Black Sand so expect a show that favors that era of each band’s music. Fans of Black Marble, John Maus and The Prids will find plenty to like about this show.

Who: LANDLINES film premiere w/Dinosaur Jr and Thurston Moore DJ set
When: Thursday, 01.25, 6:15 p.m.
Where: Ogden Theatre
Why: Vans is releasing its first full-length snowboard film, LANDLINE. Directed by Tanner Pendleton, who made Crazy Loco, about renowned young snowboarder Jed Anderson the screening will be preceded by a panel discussion with filmmakers and others affiliated with the production of the film. The presentation will include a performance from Dinosaur Jr who did some music for the soundtrack as well as a DJ set from Thurston Moore. It’s free but to attend please click the link above or here to RSVP.

Friday | January 26, 2018

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Night Grinder, photo by Tom Murphy

Who: Night Grinder album release w/Kid Mask and Muscle Brain
When: Friday, 01.26, 8 p.m.
Where: Mutiny Information Café
Why: Brad Schumacher is a veteran of the Saint Louis noise scene and when he relocated to Denver a few years back his Night Grinder project was a unique combination of experimental bass playing and noisy soundscapes. His new album Animus bridges musical worlds: industrial, noise, ambient, IDM and glitchcore. Although sometimes abrasive and alien, Animus has an undeniable immediacy and intimacy that is the hallmark of Schumacher’s work generally. On the occasion of the release of the album, Night Grinder will be joined by post-punk band Muscle Brain and experimental electronic wunderkind, Kid Mask.

Who: Denver Meatpacking Company, Vic N’ The Narwhals and Waiting Til Three
When: Friday, 01.26, 8 p.m.
Where: 3 Kings Tavern
Why: With the most recent garage rock revival in the rearview with some stubborn holdouts still grinding it out, now increasingly replaced with the inevitable re-invention and resurgence of the kind of fuzzy rock style popular in the 90s, the oversaturation point of the next wave is rapidly approaching. Fortunately, Denver Meatpacking Company is doing it right by writing songs in the quiet-loud vein popularized by Mission of Burma and then Pixies by giving the songwriting a mature but not tamed edge. Vic N’ The Narwhals are clearly influenced by garage rock, psychedelia and more classic rock and roll but blend enough raw energy with sophisticated songcraft to bypass immediate comparisons. Waiting Til Three often seems like the duo took some cues from In the Whale and 2000s garage rock but it has enough genuinely tender material to make you not think it’s not just another band riding that retro music nostalgia train.

Who: EVP, eHpH, Church Fire and Angel War
When: Friday, 01.26, 7 p.m.
Where: Flux Capacitor 2.0
Why: Some of Denver’s finest darkwave artists will perform at Flux in Colorado Springs this night. The forbidding, darkly luminous industrial pop of EVP, eHpH’s thorny EBM and Church Fire’s politically charged and fiery dance song rituals will make that library building the place to be in the Springs for the duration of the show.

Saturday | January 27, 2018

STRFKR
STRFKR, photo by Erika Reinsel

Who: STRFKR w/Reptaliens
When: Saturday, 01.27, 8 p.m.
Where: The Gothic Theatre
Why: STRFKR has come a long way since starting as a Joshua Hodges solo project. But the components of the bands sound have remained consistent even as it has refined and evolved from a more indie-synthpop sound of its early albums. The band’s first three albums were a great soundtrack to suburban aspirational daydreaming of a more meaningful existence minus the anxiety. By the time of 2013’s Miracle Mile, STRFKR’s sound wended toward the more funk end of its musical instincts, reflecting its full-band lineup at that point. 2016’s Being No One Going Nowhere fully incorporated the robust low-end that buoyed the more laid back melodies for which that band had become known. In 2017 the band delved into its backlog of unreleased material for three volumes of rarities. But beyond just an “odds and sods” collection, the three volumes of Vault trace Hodges’ personal struggles and unguarded moments as a musician channeled into creative endeavors. With any luck, you’ll get to hear some of this material on the current STRFKR tour.

Who: Circuit Des Yeux w/Howling Hex
When: Saturday, 01.27, 8 p.m.
Where: Larimer Lounge
Why: 2017’s Reaching For Indigo is the latest album from Chicago’s Circuit Des Yeux, the more or less solo project of Haley Fohr. With the project, Fohr has explored human relationships, including socialized roles and identity, in a deep way paired with accessible yet boundary pushing music that is beholden to neither pop or avant-garde conventions. The live show is performance art as much as musical so go expecting to see something different from the usual sort of thing you’d see at a small bar/venue like Larimer Lounge. Also on the bill is Denver’s Howling Hex, the long-running project of Neil Michael Hagerty who some may know from his days in Royal Trux and Pussy Galore. Howling Hex finds Hagerty and his collaborators taking concepts and rhythms pioneered by ranchero and norteño artists in making repetition of theme and meter a hypnotic and creative form of songcraft. Of course Hagerty injects other elements of sound into the mix making Howling Hex really unlike any other band with his own roots in music and not much obviously like a Mexican folk style band either.

Who: Church Fire, Eyebeams and Milk Blossoms
When: Saturday, 01.27, 9 p.m.
Where: The Skylark Lounge
Why: Church Fire never bores with its compelling, inspiring shows with music that mixes fiery punk attitude with noise, synth pop and electronic dance music. The Milk Blossoms turn vulnerable, fragile musical and emotional elements into powerful, deeply affecting songs that are somehow both cathartic, gentle and thought provoking. Eyebeams prove that psychedelia had places to go that were not rooted in the garage rock of the past decade. Songwriter and singer Suzi Allegra’s words creatively suss out the intricacies of identity and dreaming with immediacy and insight.

Sunday | January 28, 2018

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Dirty Fences, photo by Justin Aversano

Who: Dirty Fences w/Sliver and Fast Eddy
When: Sunday, 01.27, 7 p.m.
Where: Summit Music Hall
Why: Brooklyn’s Dirty Fences sound like the group immersed itself in classic power pop, 70s Oz rock and American proto-punk and carved its own sound out of that raw material. Its latest record, 2017’s Goodbye Love sounds like an homage to life in its ups and downs, to taking risks for fun and experiences beyond everyday mundanity and to the stories that come out of being willing to saying yes to promising opportunities as they come your way. Sliver melds the vitality and aggression of East Coast post-hardcore with the darkness and edge of early 90s grunge into a surprisingly effective amalgamation.

Who: Textures featuring Denizens of the Deep, Psychic Secretary and The Teeth of the Hydra
When: Sunday, 01.27, 7 p.m.
Where: Mutiny Information Café
Why: Textures, the monthly ambient showcase run by Wesley Davis of Symbolic Insight and bios+a+ic. This time around it’s the abstract environment sculpting compositions of The Teeth of the Hydra, the IDM-esque and hardware based futuristic ambient of Psychic Secretary and the organic/instrument and software composed soundtracking of Denizens of the Deep.

Monday | January 29, 2018

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Josh Ritter, photo by Laura Wilson

Who: Josh Ritter & The Royal City Band w/Nicki Bluhm
When: Monday, 01.29, 7 p.m.
Where: Ogden Theatre
Why: Josh Ritter sounds nothing like Neil Young. But he shares Young’s knack for having a consistent, identifiable sound while seemingly never allowing himself to get stagnant or stuck in a boring rut. He also has a similar ability to find ways to talk about everyday life in a way that provides insight and an intimate view into his own psyche, flaws and all without getting maudlin. His latest record, Gathering, is warmly upbeat and almost celebratory while giving a sense of an introspective mood—like you’re being invited into a series of private moments with a friend who isn’t trying to hide or isolate but is still a little emotionally raw from life’s slings and arrows of late.

Who: Breakdancing Ronald Reagan (album release) w/Stye, Docile Rottweiler, Ancient, INC., DJ Anime Love Hotel
When: Monday, 01.29, 7 p.m.
Where: Syntax Physic Opera
Why: Breakdancing Ronald Reagan aka Jonathan Cash is releasing his first album as a Denver resident. Even while based in Austin until 2017, Cash was no stranger to the Denver noise scene as a performer at Denver Noise Fest and other events in town. His combination of harsh noise and surrealistic sound collage along with a sometimes confrontational but always visceral performance has made his shows a hit with noiseniks beyond his usual bases of operations. Also on the bill is Stye, the solo project of Nick Salmon of Voight, H. Lite (formerly Bollywood Life) and other local luminaries of the noise world.

Best Shows in Denver 11/23/17 – 11/29/17

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Seraphim Shock circa 2010, performs <i>Red Silk Vow</i> in its entirety at Oriental Theater on Friday 11/24/17. Photo by Tom Murphy

Friday: November 24, 2017

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Naako Deesko, members of The Sehkunts, photo by Tom Murphy

Who: Seraphim Shock 20th Anniversary of Red Silk Vow w/Euphorbia and DJ Rockstar Aaron
When: Friday, 11.24, 9 p.m.
Where: The Oriental Theater
Why: Seraphim Shock started in the mid-90s during, despite what late-comer-commercially successful genre fiction like Twilight might seem otherwise, the height of the vampire craze in America. Anne Rice’s vampire novels with Lestat as a main character were enjoying a bit of a renaissance and Vampire: The Masquerade had become a popular role playing game (in 2018 the 5th edition of the game is due out) with a spin off television series produced by Aaron Spelling for Fox. But Seraphim Shock formed in Denver at a time when LoDo had become a thing that hadn’t dominated all of downtown and plenty of urban decay was a feature of the central part of the Mile High City. Its particular flavor of Goth-industrial music included the musicians performing as vampires with theatrical make-up and garb. What could have been silly instead came off as creating atmosphere and putting on a show rather than the image eschewing late alternative rock underground.

1997’s Red Silk Vow was Seraphim Shock’s debut album coming at a time when the mainstream music world in any sense was having zero to do with the Goth subculture so it seemed an anomaly as vocalist Charles Edward, who performed shows at that time looking Victorian vampire chic including a top hat and cloak, crooned for long lost loves and alternatively raging against cultural conservatism and against a repressive society in general—liberally using the image of Satan as not just the opponent of the Christian god but as a totem against the perverted use of religion to oppress human nature and impulse to creative endeavors.

After the 90s, Seraphim Shock’s music and image transitioned into an even more cartoonishly Satanic glam rock/Goth-industrial hybrid. Arguably the music was better and more developed it was hitting at the wrong time and long before the resurgence of the popularity of glam rock, Goth, industrial and related music of the last few years. But with this celebration of Seraphim Shock’s first album, maybe Edwards can capitalize on this moment.

Who: Sgt. D’s List, ROAC, Almataha
When: Friday, 11.24, 5 p.m.
Where: Chain Reaction Records
Why: Early grindcore show at Chain Reaction Records. Sgt. D’s List is an S.O.D. cover band fronted by Alton Schoonmaker of Doperunner and Aberrant. So it’ll be pretty legit and you can check out one of Denver’s best record stores.

Who: The Sehkunts last show w/Smokestack Relic and The Blackouts
When: Friday, 11.24, 8 p.m.
Where: Bar Bar (Carioca Café)
Why: The Blackouts is an all-female hard rock cover band whose members are veterans of the local punk and metal scene. The Sehkunts never played many shows but the people in the band have contributed to Denver’s local culture and music world for decades. The reason it’s the band’s last show is that singer Lisa Cook is moving out of state. Might have something to do with Denver having become a playground for the moneyed at the expense of everyone else. Sounds like all “cool” American cities these days. Cook is perhaps best known as the charismatic frontwoman and guitarist of the punk bands The Emmas and Turbo Knife Fight. In the latter she played with drummer Karen Walton who some may know from her days in the all female punk band Rabid Ragdolls. Walton and Cook played together in the short-lived punk duo Naako Deesko before playing with noteworthy punk and rock guitarist, Sherry Hern. Hern has played in various Denver bands over the years, and having guested in The Emmas now and then, including the all woman punk band Pin Downs and the hip-hop/noise rock phenoms Rainbow Sugar. Primarily an accomplished visual artist these days, Hern can still rock with the best of them. Because there are no real recordings this may be the last time you get to see or even hear The Sehkunts.

Saturday: November 25, 2017

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Animal / object in 2015 (pictured: Gordon Gano on left, Kurt Bauer in middle, Steven Gordon on right), photo by Tom Murphy

Who: Steve Gordon Benefit featuring Animal / object, Lynn Baker – Miguel Espinoza Flamenco Jazz Duo, David Dinsmore, Gordon Gano, The Noise Gallery and Perry Weissman III
When: Saturday, 11.25, 7 p.m.
Where: Mercury Café
Why: This is the benefit show for artist Steven Gordon of Animal / object, with whom we recently conducted an interview about his life in and out of art and music. Tonight the aforementioned musicians will perform including Steven’s own band. Gordon Gano of the Violent Femmes will perform a solo set, free/experimental jazz group Perry Weissman III will treat us to some of their own weirdness and an all-star case will perform as The Noise Gallery. You can donate to Steven at this link during his time dealing with pancreatic cancer pre-early 2018 surgery while he has to take a leave from his job. Because cancer is exhausting in a way that goes beyond the usual ways most of us experience.

Sunday: November 26, 2017

Synth Drone Collective
Synth Drone Collective, photo by Tom Murphy

Who: Textures: Synth Drone Collective
When: Sunday, 11.26, 7 p.m.
Where: Mutiny Information Café
Why: This will be the final Textures Ambient Showcase of 2017 hosted by Wesley Davis but it’s all heavy hitters in the Denver/Boulder synth world with a collaborative set as Synth Drone Collective from bios+a+ic, Mark Mosher, Chris Sessions, Sean Faling, Kuxaan-Sum and Chris Frain.

Monday: November 27, 2017

Purity Ring
Purity Ring circa 2012, photo by Landon Speers

Who: Purity Ring w/Oko Tygra
When: Monday, 11.27, 9 p.m.
Where: Boulder Theater
Why: Ever since the release of 2012’s Shrines, Purity Ring has exerted an influence on pop music production with its imaginative soundscaping born out of their idiosyncratic songwriting style. While still a member of Born Gold, Corin Roddick immersed himself in the art of beatmaking during the downtime that comes with touring and asked Megan James to perform vocals on some of his initial material. The bright, ethereal music sounded like pop songs influenced by hip-hop production. Subsequently the band has worked with Danny Brown and Angel Haze, it’s done numerous remixes, production work on a Chance the Rapper record, recently co-wrote/co-produced three songs on Katy Perry’s 2017 album Witness (whether by chance or otherwise, Katy Perry performed last night at Pepsi Center). But collaborating with massively commercially successful artists aside, Purity Ring’s core appeal is that its work is the product of cultivating their own imaginations and touring with the unique lighting rig designed by Roddick and making music that seems like as great an attempt to express dream imagery as has come down the pike in recent years. Opening the show is the great Denver dream pop band Oko Tygra whose own vision of transcendent sonic beauty will fit in perfectly with what follows the rest of the night.

Tuesday: November 28, 2017

Hockey Dad
Hockey Dad, photo by Joseph Crackett

Who: Mogwai w/Xander Harris
When: Tuesday, 11.28, 7 p.m.
Where: Boulder Theater
Why: For 22 years, Mogwai has proven that you can write highly expressive instrumental only rock songs that convey a mood, a sense of place, a non-verbal story better than many bands with lyrics. Early on, Mogwai accomplished this with guitars, bass, drums and keyboards. But following 2011’s towering epic Hardcore Will Never Die, But You Will, Mogwai has changed direction a bit of incorporated more synths and production into its sound for an effect like soundtracking an experience rather than what could be seen as cinematic vignettes on its previous albums. Mogwai were no strangers to movie soundtrack work at that point but it seemed to take that method and apply it to crafting its music independent of someone else’s creative vision. 2017’s Every Country Sun demonstrated that Mogwai’s gift for humorous, enigmatic, poetic song titles is still as strong as their ability to write evocative, imaginative music even as they no longer seem tied to having to rock.

Opening is analog synth style artist Xander Harris. His work is often compared to that of John Carpenter with good reason—his dark, brooding synth work evokes a sense of claustrophobia and menace while at the same time creating an expansive emotional atmosphere. Often his music seems inspired by dystopian, horror science fiction though in 2017 he did an alternative soundtrack to the Hoichi the Earless section of 1965 Japanese horror anthology Kwaidan.

Who: Hockey Dad w/The Frights and Vundabar
When: Tuesday, 11.28, 7 p.m.
Where: Boulder Theater
Why: If Hockey Dad is a “surf rock” band then surfing in Australia must fit with the marketing clichés used by Foster’s in the 90s. Except that rather than some weak beer, Hockey Dad is a rock duo inspired by 90s punk and garage rock circa The Sonics and The Wailers—melodic, a little rough around the edges and crackling with youthful energy. On the recordings either Zach Stephenson or Billy Fleming must play bass so maybe live they’ll bring on a third member for the tour. The band released its debut full-length, Boronia, in 2016 and its follow-up, Blend Inn, is due out on February 9, 2018 on Kanine Records.

Who: Kanga w/Adoration Destroyed and n810
When: Tuesday, 11.28, 8 p.m.
Where: 3 Kings Tavern
Why: Kanga makes the kind of industrial music certain artists aimed for in the 90s but ended up making sometimes clumsy industrial rock with a short shelf life. As an artist who did music programming for prominent horror films like The Conjuring II, Insidious III and The Devil’s Carnival, Kanga DuChamp has proven to have a real ear for a hook that works in a variety of contexts. Her 2016 self-titled full-length sounds like something from that 90s era of industrial music if the limiting sonic fetishes were shed such as over processed, crunchy guitar, alienating aggression in any aspect of a song, the distorted screaming that got old immediately after Trent Reznor took it in interesting musical directions while many just settled for being monochromatic vocalists. DuChamp actually sings. Her songs are still dense, edgy and dark while not shying away from pop songcraft. Maybe you could compare her music to that of Curve. Catch her at a small club like 3 Kings before she moves on to bigger venues.

Wednesday: November 29, 2017

Corner Girls
Corner Girls, photo by Tom Murphy

Who: Ashley Koett, The Corner Girls, Schapero and Terremoto
When: Wednesday, 11.29, 7 p.m.
Where: Globe Hall
Why: Ashley Koett isn’t yet well known anywhere but her sophisticated, jazz-inflected, soulful pop songs are reminiscent of Amy Winehouse had Winehouse come up listening to a lot of indie rock like Modest Mouse and Death Cab for Cutie, bands that are no strangers to fully incorporating electronic sounds in their own music. The Corner Girls are a surf rock band with a feminist punk edge. Schapero’s new single “Freaking Out” sounds like a combination of flamenco guitar and emotionally fragile ambient pop—spidery guitar, echoing, ghostly cloaks of sound around the vocals. Terremoto is a band whose sound harkens to that branch of early 2000s emo and post-rock that employs slow, fragile dynamics that reflect an introspective state of mind better than a lot of abstract, chill, ambient music.