What:PUP w/Screaming Females, The Drew Thompson Foundation When: Thursday, 3.5, 7 p.m. Where: Ogden Theatre Why: PUP started out as one of the new wave of pop punk bands but the inherent psychological insight of its early albums blossomed most fully on its unusually thought-provoking 2019 album Morbid Stuff.
What:Paul DeHaven album release Echoes and Overtones w/Lake Mary/Chaz Prymek When: Thursday, 3.5, 8 p.m. Where: Ubisubibi Room Why: Paul DeHaven (formerly of Paper Bird) is releasing his latest album Echoes and Overtones tonight at an intimate show at Ubisububi Room in the basement of The Thin Man. Time time out DeHaven assembled songs from a large batch of material and found a tonal and thematic resonance among his more mellow compositions and brought in old live favorites “Souvenir American Gun” and “I Love You Love Me” to round out an album of pastoral, vivid stories tied to specific times, seasons and places in DeHaven’s life.
Friday | March 6
What:Lower Dens w/:3LON When: Friday, 3.6, 8 p.m. Where: Globe Hall Why: Lower Dens once again gave us a vibrant, evocative electronic art pop album with 2019’s The Competition in which the band uses creativity as a vehicle for exploring the pain and confusion of the current era of history with human civilization at a perilous crossroads between environmental apocalypse and fascism and a path toward a more compassionate and sane future.
What:Day of Jubilee: Marcus Church and Sliver When: Friday, 3.6, 5 p.m. Where: The People’s Building Why: Rescheduled from February – Marcus Church is a Denver-based power pop trio. Its gently jangle-y and fuzzy melodies sound like singer/guitarist Dustin Habel spent a whole lot of time obsessively listening to only records produced by Mitch Easter and the complete discographies of Teenage Fanclub and Big Star. That also means there’s a tender earnestness to the songwriting imbued with an uncommon tenderness and humanity. Sliver bypassed the 90s grunge nostalgia wave of recent years by making no bones about its musical roots in its hard driving, explosively emotional guitar rock. Mudhoney influence aside, its aesthetic is most informed by both the self-effacing, sensitive, introspective side of Pacific Northwest noise punk and the wiry, politically conscious end of DC hardcore.
What:Best Coast w/Mannequin Pussy When: Saturday, 3.7, 8 p.m. Where: Ogden Theatre Why: Best Coast is touring in support of its 2020 album Always Tomorrow, its first in five years following a period in which singer Bethany Cosentino felt creatively tapped out and the record is about coming back from that space of feeling trapped inside your own anxieties and emotional exhaustion.
What:Freq Boutique 36 featuring Victoria Lundy When: Monday, 3.9, 8 p.m. Where: Fort Greene Why: This is the three year anniversary of synthesizer showcase Freq Boutique that includes good food and drink as well as a synth open mic. This edition will include a performance from Theremin and synth artist Victoria Lundy whose own compositions are steeped in pop and the classical avant-garde. She has performed in various Denver bands including The Inactivists, The Goofus Device and Carbon Dioxide Orchestra.
Wednesday | March 11
What:Gene Loves Jezebel w/Red Wing Black Bird and Plague Garden When: Wednesday, 3.11, 7 p.m. Where: Ophelia’s Electric Soap Box Why: This is the Michael Aston version of Gene Loves Jezebel, the influential 80s post-punk/new wave band whose eclectic aesthetic and lush melodies influenced a segment of what became alternative rock in the 1990s. Opening is darkwave/shoegaze one-man act Red Wing Black Bird whose 2019 album Too Klaus For Comfort was a unique fusion of synth pop and industrial post-punk and swirling guitar. Plague Garden’s flavor of modern death rock seemingly draws inspiration from the early Cure records and Valor Kand-era Christian Death. The duo recently released the haunting and harrowing LEFT IN THE GRAVE.
What:Portrayal of Guilt w/Street Sects, EUTH and Cau5er When: Thursday, 1.23, 8 p.m. Where: Hi-Dive Why: Portrayal of Guilt is a post-hardcore band from Austin that weaves together elements of grindcore and noise soundscaping to create an angular kind of screamo bristling with menace. Its rhythms are more widely dynamic than one might expect from the mix of sounds and influences with chords allowed to hang to establish a mood that crawls to catharsis. Street Sects, also from Austin, is an industrial noise outfit whose confrontational performances may feel hidden in the banks of fog in its performance zone but the band manages to turn that haze into a realm where the tension it builds to unpredictable moments of eruption. Cau5er is a Denver project that comes partly out of hardcore but is firmly in the worlds of noise and power electronics with an impassioned delivery that belies notions of noise artists all being knob twiddlers. Schedule for the evening below provided as this show is being conducted in cooperation with the show at Mutiny across the street from the Hi-Dive.
Street Sects 10pm
Portrayal of Guilt 11pm
What:Red Death (DC), Enforced (RVA), Chair of Torture and Wide Man When: Thursday, 1.23, 8 p.m. Where: Mutiny Information Café Why: Washington DC’s Red Death is a modern crossover band whose synthesis of thrash and hardcore is reminiscent of a more aggro version of what Megadeth was doing earlier in its career. If that sounds appealing, Enforced from Richmond, Virginia and Chair of Torture from Denver are mining similar territory with the latter with more than a leg in grindcore. See schedule for the evening below as it is being done in conjunction with the show mentioned above at the Hi-Dive.
7:30-7:50 Chair of Torture
8:05-8:25 Wide Man
8:40-9:10 Red Death
What:Use the Sun (Reunion), Old Sport and American Grandma When: Saturday, 1.25, 7 p.m. Where: Seventh Circle Music Collective Why: Denver’s Use the Sun is reuniting for one night to bring forth its joyous mixture of melodic punk and surf rock. Also included is a lately relatively rare show from Old Sport who have been part of that resurgence of bands that were influenced by the better, mathier end of emo and post-hardcore. American Grandma is a slowcore band whose elegant and introspective guitar compositions blur the line between folk, ambient and dream pop.
What:Neil Haverstick When: Saturday, 1.25, 7 p.m. Where: Swallow Hill Why: Neil Haverstick is Denver’s biggest proponent of microtonal guitar so much so that he wrote a book about it. His songs, though, come from an emotional place and his roots in blues and folk inform even though his style brings in a great deal of avant-garde thinking into the mix and makes it accessible.
What:Shibui Denver #9: The Vanilla Milkshakes, Lazarus Horse and Pythian Whispers When: Sunday, 1.26, 7 p.m. Where: Mutiny Information Cafe Why: This latest edition of Shibui Denver will feature outsider pop punk band The Vanilla Milkshakes, the earnest, existential, angular indie rock of Lazarus Horse and Pythian Whispers’ psychedelic ambient soundscapes with visuals by Mark Mosher, electro-ambient artist and founder of Rocky Mountain Synth Meetup.
Tuesday | January 28
What:GosT w/Church Fire and Elay Arson When: Tuesday, 1.28, 7 p.m. Where: Larimer Lounge Why: GosT blurs the line between metal and synthwave and definitely for fans of Perturbator. Church Fire blurs that line a little too but more in the tribal, pagan vein without hitting you over the head with the aesthetic and its industrial/dance pop hybrid is one of the most compelling things going on in Denver or anywhere.
What:Poppy w/VOWWS When: Tuesday, 1.28, 7 p.m. Where: Gothic Theatre Why: Poppy’s genre-mashup is not for everyone. But the theatrical presentation of her mix and remix of extreme metal, kawaii pop and surreal psychedelic pop turns on a dime like something John Zorn might have thought of had Naked City come up in the 90s and 2000s and not in the realm of avant-garde jazz and grindcore. Currently touring in support of her new album I Disagree. VOWWS has managed to shed a lot of the previous associations in the last year with retro rockist tendencies. Its sound is more like a hard edged darkwave to post-punk what a band like True Widow is to metal and shoegaze.
What:Frankie Cosmos w/Stephen Steinbrink and Ashley Koett When: Thursday, 11.7, 7 p.m. Where: Bluebird Theater Why: The latest Frankie Cosmos album is called Close It Quietly (out on Sub Pop) which is a title reflecting the tender, sensitive and utterly sincere quality of Greta Kline’s songwriting and psychologically insightful lyrics. Stephen Steinbrink’s golden voice and talent for inventive soundscapes in his pop songs has been brewing for more than a decade while he toured regularly in the DIY world. His 2018 album Utopia Teased is a pinnacle of his recorded output with a diverse array of moods and textures.
What:Houndmouth w/Kyle Emerson When: Friday, 11.8, 8 p.m. Where: Bluebird Theater Why: Kyle Emerson’s new album Only Coming Down is a thoughtful collection of songs written while the songwriter was splitting his time between his adopted home of Denver and Los Angeles. Emerson is from norther Ohio but moved to Denver in his late teens/early 20s where he fell in with an up and coming psychedelic pop band Plum which made waves before moving to the City of Angels and, as is often the cliché, broke up shortly thereafter. Since then Emerson moved back to the Mile High City where he established himself as a solo artist with the release of his sophisticated and introspective, folk inflected pop album Dorothy Alice. For this set of shows he’s opening for bluesy indie rock band Houndmouth from Indiana.
What:Ultra Metal 2 Night 1 When: Friday, 11.8, 5 p.m. Where: Rhinoceropolis Why: Since Denver Noise Fest isn’t happening this year, Johnathan Cash of Sunk Cost is picking up that slack again with the biggest noise festival in Colorado across two nights at Rhinoceropolis bringing together a wide range of artists from Colorado and well beyond. Go expecting the broad spectrum of noise from the presumed harsh noise, to prepared environment soundscaping, ambient, beat-driven industrial drone, noisy post-punk, glitch, weirdo techno, post-metal, organic sound composition, sound collage, field recording processing and more. Honestly, greater diversity here in purely sonic terms than any other festival in Colorado since the last Ultra Metal. See the schedule below.
5pm – doors open
5:40pm – J. Westerman
6pm – Blarney Mumble
6:20pm – Harms
6:40pm – Kid Mask
7pm – Dragging
7:20pm – Voight
7:40pm – Pat Hopewell
8pm – Genital Stigmata
8:20pm – Culled
8:40pm – John Ingram
9pm – Sounding
9:20pm – Ritual Chair
9:40pm – Developer
10pm – Kiran Arora
10:20pm – Xome
10:40pm – Conscious Summary
11pm – Baby Daddy
11:20pm – PCRV
11:40pm – Scathing
12am – VX Bliss
12:20am – GNO
12:40am – FILTH
1am – H Lite x Techno Allah
1:20am – Clutch Plague
1:40am – J. Hamilton Isaacs
What:Clan of Xymox w/The Bellweather Syndicate and The Siren Project When: Friday, 11.8, 7 p.m. Where: Oriental Theater
Why: Clan of Xymox is a Dutch post-punk band that influenced a generation of second wave Goth bands with its imaginative and bracing sounds and imagery. Adam Wingard featured Xymox tracks in his 2014 action thriller The Guest.
What:Ultra Metal 2 Night 2 When: Saturday, 11.9, 5 p.m. Where: Rhinoceropolis Why: See above regarding Ultra Metal. Schedule for night 2 below.
5pm – doors open
5:40pm – ilind
6pm – French Kettle Station
6:20pm – Goo Age
6:40pm – Earth Control Pill
7pm – Pet Sounds
7:20pm – Rush Falknor
7:40pm – Illicit Relationship
8pm – Sunk Cost
8:20pm – A Fail Association
8:40pm – Primordial Wound
9pm – T.E.F.
9:20pm – Sects
9:40pm – Jackson Pratt
10pm – Sissisters
10:20pm – Blind Date
10:40pm – Circuit Wound
11pm – Ancient, INC.
11:20pm – Tralphaz
11:40pm – Pedestrian Deposit
12am – Dromez
12:20am – Purism
12:40am – Blank Hellscape
1am – Total Mom
1:20am – Many Blessings
1:40am – Page 27
What:Necropanther w/Methane, Incarnit, Draghoria When: Saturday, 11.9, 8 p.m. Where: Hi-Dive Why: Death/thrash metal band Necropanther from Denver is celebrating the release of its latest album The Doomed City although it has those great, distorted vocals that you’d expect from a black metal outfit there’s always been something tuneful and catchy about the band’s output.
What:Pile w/Slow Code and Moon Pussy When: Sunday, 11.10, 8:30 p.m. Where: Fox Theatre Why: Pile formed in 2007, the same year as the Canadian band Women, and has exerted a similarly strong influence on underground guitar rock by going off the map of conventional structure, dynamics and tone. Its new album Green and Gray has all of its signature contorted and noisy angularity. Opening is Denver noise rock Moon Pussy whose Big Black-esque bluster is a revelation.
What:Vincent Comparetto Going Away Party When: Sunday, 11.10, 7 p.m. Where: Hi-Dive Why: Vincent Comparetto has been calling Denver home for over 20 years and is now moving to New York City. He got involved in the skating community in the 90s and discovered the local world’s punk and post-punk communities and has been avidly documenting the music scene and the cityscape for years as can be found in his ‘zines Follow Focus, particulary #2 in which he shared several of his shots of shows and the arts world in Denver. Here’s a public chance to say farewell to one of local cultures most cordial and thoughtful preservers of what has been and advocates for what is going on.
What:Hippo Campus w/The Greeting Committee When: Monday, 11.11, 7:30 p.m. Where: Boulder Theater Why: Hippo Campus released two albums in 2019 as Demos I and Demos II. While they sound a bit like the titles suggest and recorded between 2017 and 2018, the spare, raw quality of the recordings actually serve to highlight the band’s songwriting further. Its 2018 album Bambi showcased its knack for expertly produced pop songs while the new batch of material is almost the polar opposite like the experiments Magnetic Fields have engaged in over the years with its creative and varied use of technology in songwriting and processing sounds. But whatever its approach, Hippo Campus has proven its mastery of dynamics and tone.
What:The Aquabats When: Monday, 11.11, 7 p.m. Where: Gothic Theatre Why: It’s odd to think that The Aquabats has been around for over twenty-five years now. Hailing from Huntington Beach, California, the quintet’s mixture of ska, punk and pop is as surreal as it is playful. Its singer The MC Bat Commander (aka Christian Jacobs) is better known for his involvement with the kids’ show Yo Gabba Gabba! these days but The Aquabats was a good natured send-up of the Orange County punk scene as the opposite of a macho, violent band. Instead The Aquabats have assumed the personae of super heroes and its multi-media presentation through its own TV shows and sillymusic videos has allowed the band to transcend not just genre appeal but appeal beyond the realm of punk and ska, which the group has long since left behind in favor of greater musical diversity in its songwriting. Go expecting more than just a musical performance, expect the full integration of that with theater and comedy routines and special guest performers along with its usual incorporation of the audience into the proceedings as well.
What:Elephant Stone w/Frankie and the Witch Fingers and Emerald Siam When: Tuesday, 11.12, 7 p.m. Where: Hi-Dive Why: Elephant Stone’s psychedelic pop songs have weathered the glut of wannabe psychedelic rock of the past several years by going beyond the tropes and creating transcendent melodies incorporating traditional Indian musical styles and methods for a sound that seems to drift in from some brighter realm than our own. Frankie and the Witch Fingers is a little more traditionally garage psyche but the sheer momentum of its performances elevates it beyond the languid pace and laid back style we’ve come to expect all while maintaining a delicacy of feeling. Emerald Siam from Denver has some of that psychedelic garage rock in its musical DNA but is more like a moody, dark, post-punk band that discovered that musical catharsis comes from overcoming one’s personal momentum rather than sinking deeper into it.
What:FKA Twigs When: Tuesday, 11.12, 7 p.m. Where: Mission Ballroom Why: FKA Twigs brilliantly fuses downtempo with experimental electronic music. Her new album Magdalene is basically an environmental noise record with elements of R&B and soul in a pop format in the foreground.
What:Big Freedia w/Low Cut Connie When: Tuesday, 11.12, 7 p.m. Where: Gothic Theatre Why: Big Freedia’s “sissy bounce” is like some hip-hop performance art spell-casting that is disorienting yet utterly riveting.
What: At the Heart of the World w/Lowfaith and Polyurethane When: Tuesday, 11.12, 7 p.m. Where: Rhinoceropolis
Wednesday | November 13
What:The Coathangers w/Control Top and Rocket Dust When: Wednesday, 11.13, 7 p.m. Where: Lost Lake Why: The Coathangers have evolved a lot since the incendiary and thrilling chaos of their earlier punk rock without losing any of that raw power. Now touring for The Devil You Know, The Coathangers have completely integrated its instinct for tearing down convention with sharply focused songwriting.
What:Sun Seeker w/Duncan Fellows When: Wednesday, 11.13, 7 p.m. Where: Larimer Lounge Why: Duncan Fellows from Austin unexpectedly makes a blend of Americana, psychedelic pop and 2000s indie rock work through creative layering of instrumentation and vocals giving its songs great dynamic range and an element of unpredictability. There’s a lot of imitation in music at the moment and while Duncan Fellows may not strike some as incredibly original, give them a good listen and it becomes obvious they’re at least following their musical instincts where the mood flows rather than where pre-existing style suggests. In that way the group is a bit like Foxygen and Unknown Mortal Orchestra without sounding like either. Its use of synths as a full compositional element sets it apart from most of its peers as well as heard put to full effect on the group’s latest release the Eyelids Shut EP.
What:Psychedelic Porn Crumpets w/Meatbodies and Serpentfoot When: Thursday, 09.19, 7 p.m. Where: Larimer Lounge Why: The unlikely named Psychedelic Porn Crumpets from Perth, Australia at least picked an apt moniker because it captures what you’re in for. Oh, sure, stoner rocked psychedelia thrown together with prog and fuzzy melodies and tripped out choruses. Its new album And Now For the Whatchamacallit has surreal song titles like “My Friend’s a Liquid,” “Digital Hunger,” “Hymn For A Droid” and “Keen For Kick Ons.” If Lewis Carroll had been born in the 90s and grew up at a time when the older kids in Tame Impala and Pond were kicking around in the local scene he might have ended up in a band like this.
What:Cuco w/Ambar Lucid and KAINA When: Thursday, 09.19, 7 p.m. Where: Mission Ballroom Why: At twenty-one Omar Banos aka Cuco is a bonafide pop star who came up on Chicano rap stars like Baby Bash and MC Magic. Like the latter he also sings and raps in English and Spanish. Banos has also folded into his soundscapes a laid back kind of psychedelic pop sound. While his songwriting and the production thereon is strong and evocative, his music videos and storytelling shows a side of life that is honest, surprisingly candid and often uncomfortable but real and therein lies the power of the presentation of his music. “Bossa No Sé” from his debut album Para Mi (2019) navigates the troubled waters of a breakup with sensitivity, complexity and comfort with uncertainty and confusion. Cuco’s balance of the romantic and the realistic has been fascinating so far.
What:The Melvins w/Redd Kross and Toshi Kasai When: Friday, 09.20, 8 p.m. Where: Gothic Theatre Why: Melvins have done pretty much whatever they’ve wanted to that was fun for them music-wise since beginning in 1983. Before grunge was a thing, Melvins had already perfected that sound and aesthetic as well as a certain strain of doom. Most left field heavy music today can probably trace a bit of influence to the band originally from Montesano, Washington. The group’s prolific catalog covers a good deal of sonic territory and the band has collaborated with the likes of industrial music pioneer Lustmord, Jello Biafra and, recently, with Swedish noise-punk stars Shitkid (who are performing select dates on the current tour) on the Bangers EP. The group has experimented with the format of its lineup such as when the members of Big Business joined for two drummers and a bassist. And now with two bassists and a single drummer. Or as Melvins Lite with Mr. Bungle (among other projects) member Trevor Dunn on bass. Melvins might also be the only American band to have played all fifty states in fifty days. You never quite know what you’re in store for with a Melvins show except that it’ll be worth your time unless heavy, imaginative music and powerful performances thereof aren’t your thing. Melvins bassist Steven McDonald is doing double duty this tour with his original band, the influential punk/power pop group Redd Kross.
What:Boris w/Uniform When: Friday, 09.20, 8 p.m. Where: Marquis Theater Why: Japanese heavy, experimental psych and drone extravaganza, Boris, is currently touring in support of its 2019 album LφVE & EvφL due out October 4. If you’re going expecting their mind-altering psychedelic freakouts, rumor has it you may be let down. But if you are into the slow roiling drone the band has engaged in in the past but updated and more like a psych SunnO))) this would be the tour to catch. Opening the show is industrial noise band Uniform which is comprised of former members of The Men and Drunkdriver.
What:30 Years of Work: VAHCO 1989-2019 Physical release w/Dead Characters, Chromadrift, nIGHTtIMEsCHOOLbUS, Bowshock and Demoncassettecult When: Friday, 09.20, 7 p.m. Where: Mutiny Information Café Why: Vahco Before Horses aka Vahco Strickland has spent the last thirty years involved in producing, promoting and writing music in various formats and styles. This show celebrates his career retrospective and the release of the flash drive containing one hundred of his songs. The performances will include collaborations with various members of bands affiliated with his Glasss Records imprint as well as a showcase for his more electronic pop songs and his industrial ambient collage songwriting as Demoncassettecult.
Saturday | September 21
What:Zealot album release w/Simulators and The Vanilla Milkshakes When: Saturday, 09.21, 8 p.m. Where: Hi-Dive Why: Zealot is releasing its debut album The Book of Ramifications. But what this debut album doesn’t make obvious are the musical roots of the group in Denver underground rock. Does that matter? It does if you know who The Don’ts and Be Carefuls, Supply Boy, Façade and Ideal Fathers were. Or The Outfit, The Pseudo Dates, Violent Summer or Fingers of the Sun were. Much less Catatonic Lydia or Le Divorce. All of that goes into informing the upbeat, well-crafted pop songs that comprise the band’s new album and the sizzling, wiry energy of its performances. There is a tick toward the positive running through the record. Rather than a “city of the dead” there’s “City of the Living.” Instead of irrevocable mistakes there’s “Fix it in Post.” Rather than a dark horse there’s a “Show Pony.” Instead of a broken heart there’s “Overloud Heart.” You get “Somnambulist” instead of insomnia. “Black Paint” rather than institutional yellow. A “Snake Goddess” rather than the insecure dictator Yaweh. “Casio Argento” in place of Dario or Asia. And more. It’s an upbeat record with some tight melodies and a charming economy of songwriting. The Simulators will bring the angular menace of its music and Vanilla Milkshakes will deliver earnest, blustery pop punk as companion to Zealot’s fastidious songcraft. Oh yes, there’s also a companion covers album called Revised Edition featuring renditions of all the songs on the new record as done by the band’s local scene peers as well as a solo cover done by the band’s bassist Suzi Allegra. All of which is a gesture not many bands would bother to attempt to release concurrent with a new album.
What:Charlie Cunningham w/The Still Tide When: Saturday, 09.21, 8 p.m. Where: Globe Hall Why: The Still Tide’s Anna Morsett has played in Colorado musical projects as varied as Ark Life, Porlolo and These United States as well as with Natalie Tate and Brent Cowles. But perhaps where she shines brightest is in her own band The Still Tide. Her guitar work is both ethereal and fiery, her ear for dynamics and tone keen and imaginative. Morsett’s songwriting is both intimate yet expansive, introspective and yearning, reconciling contrasts with a broad emotional palette. And she’s opening for noteworthy UK singer-songwriter Charlie Cunningham whose 2017 album lines included the deeply evocative single “Minimum” and its entrancing atmospheres.
What:Wovenhand w/Jaye Jayle When: Saturday, 09.21, 8 p.m. Where: Larimer Lounge Why: Evan Patterson is rightfully known for his heavier music with Young Widows and Breather Resist. But his Jaye Jayle project is taking him in a different direction with a pastoral songwriting style that serves well the contemplative storytelling of the music he initially wrote as a solo project rather than something that needed to fit into the format of a full, loud band. These days he has partners in realizing the musical vision and the results is a kind of haunted Americana. Which makes it an ideal pairing with Americana infused post-punk/noise rock band Wovenhand from Denver. Wovenhand started out as very much in the post-Sixteen Horsepower vein continuing what singer and main songwriter David Eugene Edwards had been developing since the late 80s. But in the past decade the music has become more sonically intense (it was always emotionally so) and incorporating a broader range of dynamics and sounds so that early fans may even find it, except for Edwards’ undeniable spiritual presence, unrecognizable.
What:Greg Laswell w/Sarah Slaton When: Saturday, 09.21, 7 p.m. Where: The Soiled Dove Underground Why: Greg’s warmth and humanity expressed in clever and insightful turns of phrase has made him a national treasure of a songwriter.
What:Mdou Moctar w/Pale Sun When: Saturday, 09.21, 8 p.m. Where: Lost Lake Why: Mdou Moctar might be the most internationally renowned guitarist and songwriter out of Niger in the modern era and his electric adaptations of Tuareg guitar music has made him a favorite among discerning music fans who are open to such fusions of musical ideas, rhythms and sounds. To the uninitiated he may sound like an exotic prog artist but his music is deep and sophisticated. He is again touring in support of his 2019 album Ilana (The Creator).
What:Surf Curse w/Dirt Buyer When: Sunday, 09.22, 7 p.m. Where: Larimer Lounge Why: Surf Curse is a duo from Los Angeles whose name may convey the impression it’s one of those surf rock/garage psych bands that have plagued the musical landscape for around a decade. And to some extent that’s exactly what these guys are. Except there’s something raw about their songwriting and performances and their music videos, whoever is directly involved in their scripting and design, speak to an uncommon creative imagination and as though the people in the band had in mind films that their songs might suit. Pick any of the videos and you’ll find something that’s a cut above most videos most bands are making these days. The band’s new album, Heaven Surrounds You, was released on September 13 on Danger Collective. For a duo Nick Rattigan and Jacob Rubeck manage to have a full sound yet spare songwriting so they’re doing something right.
What:Pop Will Eat Itself w/Chemlab and Scifidelic w/DJ Dave Vendetta When: Sunday, 09.22, 7 p.m. Where: Oriental Theater Why: Pop Will Eat Itself is a genre bending band that dispensed with the usual stylistic boundaries between grebo, sleaze rock and industrial dance music akin to My Life With the Thrill Kill Kult. Chemlab was one of the bands that helped define the sound and aesthetic of industrial rock in the 90s fusing old school industrial with hard rock.
Monday | September 23
What:Acid King w/Wizard Rifle and Warish When: Monday, 09.23, 7 p.m. Where: MarquisTheater Why: Acid King is on tour in support of the twentieth anniversary of its classic psych doom album Busse Woods. The group began in the early 90s when its sound was very much not in vogue but two decades later its heavy, experimental psych metal, not fully duplicated by other artists, has made it a cult band among connoisseurs of that realm of music.
What:Jay Som w/Boy Scouts and Affectionately When: Tuesday, 09.24, 7 p.m. Where: Larimer Lounge Why: Jay Som’s hazy pop songs have a personal emotional insight and sophistication of songcraft that can be easy to miss when you’re lost in the moment with her. Her new album Anak Ko blurs the lines between noisy shoegaze, indie pop and the 70s Laurel Canyon sound. Taylor Vick of Boy Scouts has written one of the most affecting, vivid and cathartic set of songs about loss and healing from sorrow and setbacks of the past few years for the new Boy Scouts album Free Company. Her unconventional melodies and song dynamics give her compositions a depth and complexity that reward repeatedly exploring her catalog.
What:Like A Villain, Harms, Earth Control Pill and Debaser When: Tuesday, 09.24, 8 p.m. Where: Rhinoceropolis Why: Like A Villain is sort of an industrial ambient act whose dark and heavily textured atmospheres explore the personal and collective psyche in operatic vocals and processed loops. The new album What Makes Vulnerability Good, released on September 20, 2019, makes exquisite use of space in tone and rhythm that it engulfs you gently before you realize it.
Wednesday | September 25
What:Tash Sultana w/The Tesky Brothers When: Tuesday, 09.24, 6:30 p.m. Where: Red Rocks Why: Tash Sultana is a guitar prodigy whose psychedelic rock, blues and folk songs created with her expert ability to play multiple part at once and along with loops is impressive on its own but the energy and enthusiasm with which she plays is infectious. As a multi-instrumentalist, Sultana crafts her songs real time in an almost orchestral manner as an orchestra of one. Difficult to pigeonhole a genre for Sultana as her songwriting style is unique but might be compared to an artist like Tune Yards.
What:Russian Circles w/Facs When: Tuesday, 09.24, 7 p.m. Where: Bluebird Theater Why: Russian Circles is an instrumental metal band from Chicago but it’s songs are more akin to post-rock in their use of mood and nuanced dynamic builds from spare tonal echoes to roilingly triumphant riffs that burst and rain down like ash following a volcanic eruption or like a dam bursting releasing a torrent of sonic water and debris. Its 2019 album Blood Year finds the band evoking ancient civilizations (“Kohokia”) and primal mythological imagery (“Hunter Moon” and “Ghost on High”). Opening the show is Chicago’s Facs. The latter is making the kind of post-rock that is more like some of the most experimental post-punk going now. Guitarist and vocalist Brian Case was once a member of weirdo math rock band 90 Day Men and experimental rock band Disappears. With Facs he and the rest of the band are pushing the creative envelope with song structure, texture and dynamics. That group’s 2019 EP Lifelike has a secure place on our year end best list for its chilling, cinematic soundscapes and gritty, stark, moody songwriting.
What:DJ Fresh Kill, Earth Control Pill, Cop Circles and H-Lite When: Thursday, 08.29, 8 p.m. Where: Rhinoceropolis Why: This is a benefit show for the CRFW Fund which supports the body of work of the late Colin Ward and which “assists artists via grants and other means of support.” Ward would have turned 29 on this August 29 and the artists on the bill were friends and creative comrades of the artist and musician. A lot of high energy electronic dance music from DJ Fresh Kill and H-Lite, conceptual No Wave afrobeat post-disco from Cop Circles and the chill soundscaping of Earth Control Pill.
What:The Sugar Hill Gang w/Furious 5 and White Fudge & The Antagonist When: Thursday, 08.29, 7 p.m. Where: The Oriental Theater Why: For a lot of people The Sugar Hill Gang was the first rap band. But hip-hop pre-dated that by some years beginning with the soundsystem parties thrown by DJ Kool Herc. The Sugar Hill Gang was probably the earliest, commercially successful rap group with its 1979 hit song “Rapper’s Delight.” Also on this bill is the Furious 5 who, with Grandmaster Flash, had been a pioneering hip-hop crew before The Sugar Hill Gang hit the charts. So this is a bit like getting to see some of the earliest days of hip-hop as we know it in one show.
Friday | August 30
What:Meek, Future Scars, Kali Krone, Madelyn Burns When: Friday, 08.30, 8 p.m. Where: Rhinoceropolis Why: Meek mixes live drums with 31G and-esque processed vocals and electronic beats for a result that’s somewhere between noise and industrial. But really not like much except for maybe, maybe, solo USAISAMONSTER minus guitar. Santa Fe’s Future Scars is pretty much impossible to pigeonhole except to say it’s a rock or a pop band but it has the cutting, hard hitting guitar drive of metal, the delicacy and texture of the most tender indie rock, the soaring vocals of some torch song pop and post-punk rhythmic drive. And that’s for one song. Other times, meditative, heavy drone with introspective melodies like Emma Ruth Rundle. Kali Krone’s dreamy slowcore seems about perfect for the swelter cool off. Madelyn Burns’ spooky singer-songwriter should appeal to fans of early Grouper.
What:Mutual Benefit w/Paw Paw and Card Catalog When: Friday, 08.30, 8 p.m. Where: Lost Lake Why: Mutual Benefit’s moody, soundscape-y pop songs are like getting a glimpse into someone’s having processed some deep thinking and distilled it to the poetic essence of those collective feelings. Loosely in the realm of Americana but with some great sound collage in the songwriting. Paw Paw is the project of former Woodsman drummer Eston Lathrop. Sort of ambient, sort of organic electronic pop, experimental solo guitar and synth songs to transport you to another, better place for a half an hour or so.
What:Nuancer LP release w/SSIIGGHH, Dr3aMC@$T, Larians and Andy AI When: Friday, 08.30, 8 p.m. Where: Hi-Dive Why: Daniel DiMarchi is the genius bass player in the great dream pop band Tyto Alba and great indie rock band Oxeye Daisy. But part of what makes him a great bass player is his true ear for tonality and composition which he brings to his experimental electronic pop project Nuancer and this is the release show of I Hardly Know Her. Also on the bill is a rare show from Larians, the solo project of former Male Blonding guitarist/singer Noah Simons. Though a guitarist, Simons has long had an interest in left field and forward thinking electronic music like Burial and Larians is the manifestation of that interest. And tonight Larians releases the first EP Looming Boy. If Nicolas Jaar made trap it might sound something like that.
What:I Hate It Here, Causer, $addy, Eraserhead Fuckers and Kid Mask When: Friday, 08.30, 8:30 p.m. Where: Thought//Forms Gallery Why: The noise/heavy processed dance ambient/industrial show of the week. Granted the only one but heavy hitters like noise rapper Eraserhead Fuckers, hypnogogic environment sculptor Kid Mask and post-Goth ambient noise genius $addy alone make this a noteworthy lineup.
Saturday | August 31
What:The Velveteers UK tour kickoff w/Boot Gun, The Kinky Fingers and Bitter Suns When: Saturday, 08.31, 7 p.m. Where: Bluebird Theater Why: The Velveteers is a rock and roll trio from Denver whose live show is surprisingly powerful, forceful and grippingly emotional. The group is headed to the UK for a tour and this is the kickoff show with some of Denver’s other great, local, non-subgenre-specific rock bands including The Kinky Fingers who may be in the garage psych vein but its songwriting so tight and poignant it’s strikingly original.
What:To Be Astronauts, Meet the Giant, The Center and Bad Britton When: Saturday, 08.31, 7 p.m. Where: Lost Lake Why: Hard rock band To Be Astronauts is relasing its “Thoughts and Prayers” single tonight. Hard rock is a little generic a term. So yeah, in their sound you’ll hear a bit of industrial rock, grunge and anthemic punk without being stuck on any of that. And other like-minded bands are on the bill including Meet the Giant who, despite their ethereal and moody atmospheric rock gets heavy and driving often enough that they’ll fit in here.
Sunday | September 1
What:Molly Burch w/Jackie Cohen and Bellhoss When: Sunday, 09.01, 7 p.m. Where: Globe Hall Why: Molly Burch has the kind of classic pop voice that many try to imitate but few nail the cadence and tonality that she seems to do so effortlessly. Her songs are intricate and delicate but her poetic observations sharp and illuminating. Jackie Cohen taps into an earlier era of music but her sound is more like a strange strain out of ABBA and 60s girl groups. Bellhoss is in good company here with Becky Hostetler’s idiosyncratic storytelling and inventive guitar work somewhere betwixt Dinosaur Jr, Edith Frost and Joanna Newsom. Yeah, let’s go with that until a better description of this unique songwriter and performer comes to mind. Hostetler will also make all the charmingly awkward jokes on stage so you don’t have to.
What:The Wes Watkins (EP release) w/Dr3@m Ca$t and Snubluck When: Sunday, 09.01, 8 p.m. Where: Larimer Lounge Why: Wes Watkins is the brilliant trumpet player and vocalist whose talents have brought grace, cool and imagination to a broad swath of Denver music including his stint in Nathaniel Rateliff and the Night Sweats. But The Other Black, playing with poet, mystic, avant-garde hip-hop songwriter Bianca Mikahn, Wheelchair Sports Camp and others? His track record speaks for itself and tonight he’s releasing his new EP, a collection of jazz-inflected pop songs that seem to be streaming from a time in the future while sounding like it had to be recorded in the past putting Watkins out of time thus timeless, as seems appropriate for his soulful musical stylings.
Tuesday | September 3
What:Shonen Knife w/Me Like Bees and Sexy Pistils When: Tuesday, 09.03, 7 p.m. Where: The Oriental Theater Why: Shonen Knife is the legendary Japanese punk bands whose roots go back to the late 70s when not many women were playing music in Japan much less in a punk band. Its songs are often about fanciful and mythical things but its songwriting is sharp, powerful and uplifting.
What:Ian Svenonius DJ set / Dream Wish of a Casino Soul Closing Party When: Tuesday, 09.03, 8 p.m. Where: Pon Pon Why: Philosopher, brilliant social commentator, media mogul and genius frontman (The Make-Up, Nation of Ulysses, Weird War, Chain and the Gang etc.) Ian Svenonius will hold court with one of his unique DJ sets for the closing party for the art exhibit Dream Wish of a Casino Soul.
Wednesday | September 4
What:SunnO))) w/David Pajo and BIG BRAVE When: Wednesday, 09.04, 7 p.m. Where: Gothic Theatre Why: SunnO))) creates such intense, dense frequencies and slow dynamics with, assuming Atilla Csihar will be on hand, otherworldly vocals that run a broad spectrum of tonality that your brain may work differently after the show. Calling it “extreme metal” just doesn’t cut it as it’s a truly ritualistic experience and so engulfing you feel like you’ve really been through something by the end. David Pajo is the iconic guitarist of Slint, The For Carnation and a host of other bands including a short stint in the death metal group Dead Child. His solo material runs a fairly wide range of sounds and emotions and as Papa M he recently toured with Mogwai. Not to be missed. BIG BRAVE is a cathartic collision of industrial, drone metal and emotional exorcism.
What:Weird Wednesday: Gothsta, Dorian, Hypnotic Turtle Radio DJ, Cabal Art When: Wednesday, 09.04, 9 p.m. Where: Bowman’s Vinyl and Lounge Why: Weird Wednesday is the monthly musical showcase that lives up to its name and curated by Claudia Woodman. This time she will be performing in her persona of Gothsta and for this performance she says, “Gothsta covers goth songs on the melodica that have some link to climate change-related themes, because Gothsta is depressed about global warming. Gothsta will have some extra special content that has to do with the Amazon burning and will be joined by Hypnotic Turtle’s Diablo Montalban for dueling melodicas/improv along with noise loops generated for this performance.” It’s rare that anything lives up to hype like that but this show probably will.
What:Drab Majesty w/Body of Light, Xeno & Oaklander and DJ boyhollow When: Thursday, 08.22, 7 p.m. Where: 3 Kings Tavern Why: The darkwave show of the summer. Drab Majesty is a transgender, glam, post-punk, space alien duo that has been instrumental in making the new post-punk/Goth wave popular outside the usual circles and within the old school scene. The 2019 album Modern Mirror reveals the group’s for well crafted songs beyond the entrancing, atmospheric mood that could overshadow Deb Demure’s writing in the past. Body of Light has synthesized the minimal synth influences descended from early Depeche Mode and EBM into a dynamic, darkly ambient synth pop. Xeno & Oaklander’s minimal analog synth compositions suggest a foundation in cinema and it’s own 2019 album Hypnos takes the listener on a journey into a journey into a desolate and eerily lonely future where alien archaeologist/anthropologists study what happened to us foolish humans in the Twenty-First and Twenty-Second centuries with an emphasis on the art and music created around the turn of the Twenty-First century.
What:The Yawpers w/CITRA When: Thursday, 08.22, 6 p.m. Where: Leavitt Pavilion Why: The Yawpers bring their unhinged blues punk to Leavitt Pavilion for a free show. The trio’s most recent album, 2019’s Human Question, really does delve thoughtfully and urgently into what this whole mess of humanity is about and what we can and should be doing in this life individually and collectively given our flaws and deficits of feeling, of cognition, talent and capability. But The Yawpers suggest we can’t just quit as past civilizations faced similarly destructive situations politically, economically, spiritually, environmentally and culturally.
Friday | August 23
What:Big Dopes album release w/Spirettes and Whiskey Autumn When: Friday, 08.23, 8 p.m. Where: Hi-Dive Why: Big Dopes releases its new album Crimes Against Gratitude tonight at the Hi-Dive. The trio’s songs combine a rich, moody low end courtesy Justin Catanzaro’s bass and Eddie Schmid’s rich vocals. Intricate melodies and dynamic rhythms with the band, including drummer Ricky Brewer, giving the songs a rare expressiveness and vibrancy. Schmid’s lyrics seem to come from poignantly observational biographical snapshots. In telling these stories the band tells the story of a generation coming to terms with diminished future possibilities but refusing to give into despair yet finding a way to cope with creativity and empathy rather than callousness. It’s guitar-based indie rock of a sort but one that seems as informed by the emotional resonance of R&B as by left field alternative rock.
What:The Bellweather Syndicate w/The Siren Project, Autumn and Julian Black When: Friday, 08.23, 7 p.m. Where: Herman’s Hideaway Why: The Bellweather Syndicate is William Faith and Sarah Rose. The former was a bassist in later era Christian Death with Rozz Williams as well as a longtime member of Faith & The Muse and playing in Sex Gang Children and The March Violets. The dark post-punk band has a driving low end and a sense of urgency to its ethereal yet gritty melodies. Autumn’s dream pop sounds like someone in the band, or everyone, listened to a whole lot of the Stone Roses, Chameleons and Kitchens of Distinction and took that as a launching point in crafting what is its own sound. The Siren Project from Denver is a synthesis of European post-punk sensibilities and emotionally expansive trip-hop.
What:Solypsis, Blackcell, Acidbat and Kid Mask When: Friday, 08.23, 8 p.m. Where: Thought//Forms Why: A more experimental take on electronic music, noise and the avant-garde all around at this show including Denver Goth-industrial/noise legends Blackcell, Kid Mask’s disregard for specific style in making his deeply emotional and affecting soundscapes, Acidbat’s glitchcore industrial ambient and Solypsis which is almost as much performance art as ambient industrial.
Saturday | August 24
What:The Pamlico Sound vinyl release w/The Soltones and Cosmic Joe When: Saturday, 08.24, 8 p.m. Where: Larimer Lounge Why: The Pamlico Sound is releasing its new album The Funk is Not For Sale on vinyl for this show. The Boulder-based group is lead by Will Baumgartner who has played in various funk bands in Denver for years but whose roots are in New York where he, as a young kid, went to Woodstock (the original) and who moved about and played in the No Wave scene of late 70s and early 80s NYC. So The Pamlico Sound, which is very much a funk band in the traditional ways has a little different flavor in its exuberance and weirdness. The Soltones also have some funk in its sound but its smooth songwriting is steeped in jazz and R&B and its lushly composed songs have a soothing mood that doesn’t wax into the soporific, just emotionally refined and transporting.
What:Lily & Horn Horse, Banny Grove, French Kettle Station, Petite Garçon and Egg Walk When: Saturday, 08.24, 9 Where: Rhinoceropolis Why: Lily & Horn Horse is a New York duo that would be difficult to define except to say that its horn, vocals and beat combination is jazz, dream pop, downtempo hip-hop and avant-garde. Which is just as well given the eclectic sounds on the rest of the bill including French Kettle Stations neo-No Wave, adult-contemporary pop and performance art and Petite Garçon’s own post-garage indie pop. Supposedly the latter has a new album out tonight as well but we can neither confirm or deny so best to bring some money to buy a copy anyway.
What:Oko Tygra w/Bluebook, Hifi Gentry and Cuckoo When: Saturday, 08.24, 7 p.m. Where: Globe Hall Why: Oko Tygra is the perfect blend of R&B and dream pop in the grand 4AD label band mold. Bluebook is an interesting hybrid of downtempo, Americana and the avant-garde. Cuckoo is like if a math-y indie band merged with a garage rock band and then forged a musical identity beyond that but rooted in the best aspects of both.
Sunday | August 25
What:Shibui Denver #5: The Vagrant Sea, Tokyo Rodeo and DJ Couchman When: Sunday, 08.25, 7 p.m. Where: Mutiny Information Café Why: This edition of our monthly series at Mutiny features DJ Couchman of the band Total Trash and the DJ night Interesting Times spinning songs before the show and between sets. It will be the debut of The Vagrant Sea which includes former members of Tarmints, The Dirty Lookers and The Symptoms (among others) and rock and roll band Tokyo Rodeo will put in a performance fresh off the road.
What:Bryan Ferry w/Femme Schmidt When: Sunday, 08.25, 6:30 p.m. Where: The Paramount Theatre Why: Bryan Ferry is the charismatic singer of pioneering glam rock/experimental band Roxy Music. The latter was a huge influence on punk and alternative rock and whose music has managed to remain somewhat timeless as its classic songwriting style and willingness to go off the deep end into adventurous sonic territory has endured as captivating and relevant. Ferry’s solo work has a similarly creatively refined sensibility and flair for thoughtfully poetic lyrics.
What:KRS-One w/Righteous Revolution and illosophy When: Sunday, 08.25, 7 p.m. Where: Oriental Theater Why: KRS-One was the thought-provoking MC who was the frontman for influential hip-hop crew Boogie Down Productions. His whole career KRS-One has shined a light on society’s ills with an incisive and creative critique.
Monday | August 26
What:Mogwai w/Papa M When: Monday, 08.26, 7 p.m. Where: Summit Music Hall Why: Scottish instrumental rock band Mogwai play majestic, even epic journeys into rock music’s outer edges informed by a healthy sense irreverent humor. Papa M is the long running experimental guitar and atmospheric moods project of David Pajo. You know, the guy who brought so much imagination and genius guitar work to Slint, Stereolab, Will Oldham, Royal Trux, The For Carnation, Zwan, Yeah Yeah Yeahs, Dead Child and Interpol.
Tuesday | August 27
What:The Vibrators, Filthy Hearts, Cyclo-Sonic and The Pollution When: Tuesday, 08.27, 7 p.m. Where: Seventh Circle Music Collective Why: The Vibrators were an early English punk rock band who managed to stay around and still write worthwhile punk in the classic vein. If Stiff Little Fingers name themselves after one of your songs and go on to be a seminal influence on bands like Green Day your legacy is secure and yet The Vibrators bring a spirited live show that is worthy of that legacy as well. Its debut album Pure Mania should be in the library of any true punk connoisseur.
Wednesday | August 28
What:Black Flag w/The Line Cutters When: Wednesday, 08.28, 8 p.m. Where: Oriental Theater Why: It’s not the classic line up of Black Flag but Greg Ginn still rips out that iconic guitar work like he wrote it last week with the unalloyed joy of a young buck. Seeing Ginn lay waste to the room that way alone is worth the price of admission.
What:FEELS w/Midwife, Sweetness Itself and The Lifers When: Friday, 05.10 8 p.m. Where: Syntax Physic Opera Why: FEELS recently put out its sophomore effort Post Earth. Like its 2016 self-titled debut, the new album makes it obvious the group was the next step in musical evolution out of the garage, psych, fuzz rock era of a few years back that had grown stagnant and utterly predictable. FEELS has always been too weird for that seeming to be rooted in a style of songwriting that was more introspective and bedroom confessional punk poetry than trying to fit into some scene. Unless that scene was one where your eccentric, authentic self was cultivated and nourished. So yeah, while Post Earth may have some familiar elements it just comes off like a band trying to figure out what it wants to be by trying a lot of different things and thing coming back to embracing what makes its individual members shine in sync with each other to make the kind of punk that has more in common with the first wave where almost anything goes and no one is insisting on aesthetic orthodoxy than the niche subgenres that have come in between then and now. That uniqueness translates to a uniquely energetic live show as well.
What:Call of the Void w/Green Druid, Casket Huffer and BleakHeart When: Friday, 05.10, 8 p.m. Where: Hi-Dive Why: Call of the Void celebrates the release of its new album Buried in Light with this show with some of Denver’s heaviest. Call of the Void has been, no pun intended, grinding it out since 2011 when it was called Ironhorse. But the quartet has always been more than grindcore and more than death metal. Its song dynamics, its lyrics and vocals are closer to bands like Neurosis and Isis than some of its more obvious peers and influences. Buried in Light feels like more of a science fiction album about life post impending human colony collapse.
Saturday | May 11
What:GYES 6: Gort Vs. Goom, How to Think, Lady of Sorrows and Full Bleed When: Saturday, 05.11, 8:30 p.m. Where: The People’s Building Why: There are no “cool” bars nearby, the neighborhood is still sketchy sandwiched between CU Medical Centroplex, rapid development sprawl stumbling in from the west, the dystopian built-on-flight-fuel-soaked-ground of the Stapleton Development to the north and to the south the part of Aurora that is largely forgotten. Northwest Aurora, one of the few parts of central-ish Denver metro that has stubbornly resisted the influence of Nü Denver because it’s not along easily accessed by main arterial streets beyond Colfax. And yet, due to not predatory development The People’s Building exists and has events that you might want to go to including Get Your Eyes Swoll. Because of the booking involved it’s usually something very underground and definitely outside the mainstream. There’s probably literally no branch of Denver Metro underground music happening in public spaces in Aurora in general much less the Northwestern portion of the city tucked into Denver’s armpit like an infected splinter some fool has been trying to ignore for years until it became in demand once the vultures swooped in to buy out all the lower middle class homeowners with their dubious offers about buying ugly houses and the like. So for now, head east and maybe, just maybe, see prog punk weirdo duo Gort Vs. Goom and Lady of Sorrows who will bring her operatic, darkwave soundscaping to Denver’s dankest suburb.
What:Velveteers vinyl release w/The Kinky Fingers and Television Generation When: Saturday, 05.11, 9 p.m. Where: Silo Sound Why: Velveteers thankfully came along a few years back to save rock and roll from its tired tropes and cartoonish, patriarchal clap trap with a buzzsaw, thunderous vengeance and fiery live show. And you get to see The Kinky Fingers who make a great case that even when most bands are boring us with trendy post-psych burnout bullshit, one can take a style and inject it with elegance and imagination and make it worth our while to continue to go and see. Television Generation is the greatest power pop, grunge-not-throw-back-but-throw-forward wiseacre cultural commenting smart snark band in Denver. And that’s saying something.
What:iZCALLi album release w/Don Chicharron and The Hollow When: Saturday, 05.11, 8 p.m. Where: The Oriental Theater Why: You could do worse with your Saturday night than go see iZCALLi celebrate the release of its latest album. The band is fairly straight ahead rock and roll but with personality and some warped tones and dangerous flourishes in its party time jams. Good thing because otherwise Don Chicharron would wipe the floor with them with their own celebratory psychedelic room-wreck-ed-ness. Both have plenty of Latin music influence built in to keep going wack-full-gringo with Stevie Ray Vaughan worship or some shit. The Hollow doesn’t suck either. They’ll bring some of the metal and scrape the earth with it but Spencer Townshend Hughes and company know how to sculpt a tune with more grace and artfulness than a bunch of the clumsy metaphors in this write-up.
What:Disposal Notice, Eraserhead Fuckers, Wolfblitzer, hxcmidi When: Saturday, 05.11, 9 p.m. Where: Rhinceropolis Why: hxcmidi may look like she’s about to get up and throw down some yikes-level bedroom hip-hop but Aisha has a lot more in common with Realicide and thus the name—psyche sundering, harsh electronic beat and samples backed hardcore that shatters gentrified consciousness. Eraserhead Fuckers, now that guy looks like he’s going to show us all how to make a sweet Power Point and use FTP to load it to our pathetic starter websites and then laugh about it all later while getting “crunk” with his friends (a term about which they will all laugh like meme-lord gamers). But his lyrics shit through with incisive sounds and ideas are the shank the MAGA-hat wearing lunkheads and their cross-generational brethren need in this time of crisis.
What:DJ & Live PA sets by: Trisicloplox, $addy, Kid Mask, TimeLord SFX, Blank Human When: Saturday, 05.11, 8 p.m. Where: Thought//Forms Gallery Why: Okay, so you don’t want to have your mind blown by any of the above in their specific ways yet you want to get out to the chillzone without being put soundly to sleep. Technically this is a noise show but one with a stacked line-up of people who know how to transform the whole genre into mind-altering realms of sound and beat-driven injections of inspired strangeness. None of the acts are alike but share the same spirit of being furiously against boredom and musical mundanity.
Sunday | May 12
What:Tim Hecker & Konoyo Ensemble When: Sunday, 05.12, 8 p.m. Where: Bluebird Theater Why: For this first show in Colorado (probably) since March 2012 when Hecker performed in the Odd Fellows Hall in Boulder at an event sponsored by Communikey (now mostly defunct, boundary pushing electronic music group and festival), there will probably be more illumination than at an Autechre show or even the aforementioned performance where the light came from Hecker’s gear and the fire “Exit” sign. If footage of recent shows are any indication, it’ll be a fog-enshrouded affair with beams of light but none of it distracting from Hecker’s deep soundscapes and imagination-stirring, environmental drones. His recent Konoyo and Anoyo albums are less relatively pop-oriented than their immediate predecessor and not granulated like a sonic fog-sandstorm of the 2011’s Ravedeath, 1972. More like Hecker is giving us modern music with a similar mindset that informed the KPM 1000 catalog and Harold Budd and Eno collaborating again to go full abstract journey into sonic analogs of conscious awareness beyond the Bardo Thodol.
What:Cowgirl Clue, Venus305 and EVP When: Sunday, 05.12, 7 p.m. Where: Lost Lake Why: Forget the pictures of Ashley Rose Calhoun holding a BC Rich guitar. You could make something better at home with the proper routing tools, some basic electronic skills, soldering and some YouTube tutorials. And let’s hope she did and she’s using it as some kind of controller at some point. Kudos to her for putting on the cover of her album something colorful and strange. At any rate, her free-associating samples/synth track dance pop is playfully and unabashedly eccentric and like an update on electroclash. The local openers, Venus305 and EVP are like-minded weirdoes with confrontational performance styles that bring some edge to industrial dance and hip-hop-inflected pop.
Monday | May 13
What:Julia Jacklin w/Black Belt Eagle Scout When: Monday, 05.13, 7 p.m. Where: Larimer Lounge Why: Julia Jacklin’s vocal style is reminiscent of late 70s/early 80s Marianne Faithful with the sort of controlled, breathy yet tight and directed couplets. On her 2019 sophomore album Crushing, Jacklin evokes a smoky atmosphere enshrouding an introspective meditation on existential independence and rankling at the social expectations that undermine one’s sense of self. As facile as it is to say considering both songwriters are from Australia but fans of Aldous Harding will find much to appreciate with Julia Jacklin’s delicate and nuanced hand at songwriting and creatively poetic sensibilities. That and Jacklin just lays out how people need to step off and stop trying to make her fit into some mold that makes them feel comfortable with their own shortcomings and vices and let her figure out who she wants to be and where she wants to go on her own terms. Crushing is a heartfelt declaration of independence in one’s own heart and mind.
Tuesday | May 14
What:The Lemonheads with Tommy Stinson When: Tuesday, 05.14, 7 p.m. Where: Bluebird Theater Why: Like other bands of the era, The Lemonheads predated the alternative music eruption of the early 90s and were part of it on its own terms. Even though the band had signed to Atlantic for the release of its 1990 album Lovey it didn’t strike it big like it might have had the record come out a year or two later. The mixture of Americana, hard rock and punk coupled with Evan Dando’s gift for writing hooks and melodic songs with some bite and personal insight was very much what would be in great demand from 1991 onward but somehow The Lemonheads were never fully able to capitalize on what was becoming a trend but was also the group’s signature sound and sensibility. And yet, Lemonheads garnered some modest mainstream popularity before going on hiatus with Dando embarking on a solo career in 1998. The band has reunited as of 2005 and the songwriting has become tighter with essentially an edgier power pop sound but with Dando’s typically thoughtful, self-effacing words about heartache and loss. Tommy Stimson you should know from being the bass player of The Replacements but he also did his time in Guns ‘n Roses as well. As a solo artist, he’s a songwriter of no small gifts himself.
What:Garbage w/Pleasure Venom When: Tuesday, 05.14, 7 p.m. Where: Summit Music Hall Why: One of the great bands of the late alternative rock era that managed to remain great through to now. Shirley Manson is truly one of the most commanding singers fronting any band now and often disarmingly so because is able to belt out the tunes but with a nuance and delicacy of feeling that makes her performances so powerful.
Wednesday | May 15
What:Hatebreed w/Obituary, Madball, Prong, Skeletal Remains When: Wednesday, 05.15, 5:30 p.m. Where: The Ogden Theatre Why: Hatebreed is well known for being one of the torchbearers of 90s metalcore with its aggressive tones and spiky grooves. But one thing that seems obvious taking a sampling of its music throughout its career is that there’s a bit of the influence of Mike Scaccia-period Ministry. The willingness to let sounds hang atmospherically over the top of a driving, splintery, industrial riff. It’s an interesting contrast to the sort of tough guy image projected into the songwriting and presentation. In some ways Hatebreed is an interesting bridge in sound between Obituary’s driving death metal and Prong’s clipped dynamics and industrial dance/death disco sensibilities.
What:Walk Off the Earth w/Matt and Kim, Gabriela Bee of the Eh Bee Family When: Wednesday, 05.15, 6:30 p.m. Where: Red Rocks Why: Walk Off the Earth isn’t for everyone—that kind of folksy pop/indie rock/self-aware humor, posi-tip, quirky songwriting with elevated moods and a penchant for doing covers of songs that one would assume done out of a sense of irony but not so with Walk Off the Earth. At the end of 2018, though, the group lost its longtime member Mike “Beard Guy” Taylor due to natural causes and there was some speculation that the band was going on hiatus. But the quartet is now devoting the tour in honor of the memory of Taylor. Knowing the group, it’ll be as joyous as it has ever with a similarly exuberant set from indie rock party band openers Matt and Kim.
What:Lady of Sorrows and Dead Orchids When: Thursday, 04.18, 6:30 p.m. Where: Hooked On Colfax Why: This week’s Speakeasy Series features Lady of Sorrows which is a combination of luminous, synth-driven post-punk and spiritual operatic vocals. It would be a misstep to compare it to Dead Can Dance or Enya or something like that but fans of either might find Lady of Sorrows interesting. Dead Orchids is on the darker end of post-punk but bluesy and gritty.
Friday | April 19
What:OKO TYGRA Album release w/Voight and DJ Noah (of Flaural) When: Friday, 04.19, 8 p.m. Where: Hi-Dive Why: OKO TYGRA has been through a few permutations as singer/guitarist Joshua Novak and his bandmates have explored various paths to creating a lush, expansive sound that reflected but was not limited to the sort of dream pop and post-punk that is the group’s foundational influence. With Assistoma the quartet created a fluidly dynamic set of songs that use subtle textures and drifting hazes of melody like Novak is floating in clouds of emotion and memories moving forward and commenting in typically thoughtful fashion on how so much of modern life is conditional on the seemingly tentative nature of relationships (personal, professional, social) while we yearn for something more solid with genuine connection. Although there is an ethereal quality, Novak sings with a warmth that casts his music in a different mode than a lot of the music that influenced him. Grounded in the rhythm and low end, Assistoma’s tracks seem to dance throughout the record with grace and nuance without getting bogged down in any kind of stylistic repetition while maintaining a coherent sonic aesthetic. Also on the bill is industrial post-punk duo Voight who keep threatening to do an all production set but is still always worth seeing for the sheer colossus of wiry energy and sonic intensity of its performances.
What:In The Valley Below presents: The Pink Chateau When: Saturday, 04.20, 7 p.m. Where: Alamo Drafthouse Sloan’s Lake Why: In The Valley Below is doing a different kind of tour this time around with a sonically immersive live performance and the screening of its film The Pink Chateau. The latter is a sort of silent movie with musical accompaniment in which a series of vignettes involving a young woman follows a stranger into the countryside into dreamlike vignettes exploring the protagonists deep desires and the nature thereof. All inspired by, according to the promotional video on YouTube (youtube.com/watch?v=G6H-qvyf72U) “vintage French erotica and the faded colors of 1970s films.” Maybe a bit engimatic like Picnic at Hanging Rock or like a more introspective, non-vulgar Going Places. Whatever the tone or influences, the music of The Pink Chateau is, like much of the band’s music, gorgeously saturated and enveloping giving the experience the aforementioned immersive quality as the soundtrack won’t be provided by a prerecorded track but by a live band.
What:Lost Network, Never Kenezzard, Blinddryve, Wiretrap, DJ Cozmos Mudwulf, visuals Opia When: Saturday, 04.20, 8 p.m. Where: 3 Kings Tavern Why: With Lost Network and Wiretrap this will be kind of a hybrid of industrial rock and EBM show but not the sort that is steeped in the future pop version of that. Lost Network is a bit like where Ministry should have gone after Filth Pig. Never Kenezzard is an experimental kind of sludge metal band but one more like Unsane if the people in the band were more into Frank Zappa and John Zorn.
What:Shelley Hirsch When: Saturday, 04.20, 7 p.m. Where: The Muse Why: Shelley Hirsch is an avant-garde vocalist and performance artist whose range and diversity doesn’t sit comfortably in any genre. She has worked with John Zorn, Ikue Mori, David Weinstein and Anthony Coleman. Her forceful and imaginative vocal exercises can be both exhilarating and forbidding, eccentric and otherworldly.
What:Space in Time, Halahierba and Keef Duster When: Saturday, 04.20, 8 p.m. Where: Hi-Dive Why: It’s 4.20 so hey, a show with legitimately worthwhile stoner rock/sludge metal bands should happen somewhere and tonight it’s at the Hi-Dive.
What:Ages and Ages w/The Harmaleighs and Mondegreen When: Saturday, 04.20, 8 p.m. Where: Larimer Lounge Why: Ages and Ages has been developing its particularly engaging style of pop music since 2009. Utilizing unconventional percussion alongside a drum set and expertly orchestrated vocals and instrumentation, Ages and Ages sounds like it could have come out of the tail end of the first wave of indie pop with a sound that seems to embrace the infectious melodies of ABBA and the meticulous song craft of Harry Nilsson as well as the experimental flourishes of the Beatles. Of course the influence of The Apples in Stereo and Olivia Tremor Control are in the mix. Its 2019 album Me You They We is a beautiful blend of introspective exploration of inner space and the nature of yearning.
What:Half Hearts, Porlolo and Tammy Shine When: Saturday, 04.20, 9 p.m. Where: Syntax Physic Opera Why: It’s the debut of Jason Heller’s and Karen Walton’s new power pop band. Heller is a renowned science fiction author, editor and music writer but he’s also been a member of some of the greatest bands from Denver including Crestfallen, Red Cloud West and The Blue Ontario. Walton has been the drummer for beloved local punk acts like Turbo Knife Fight, Rabid Ragdolls and Naako Deesko. But her musical interests have always been far ranging and her sensibilities with those of Heller seem like a good match. You also get to see Porlolo’s witty, irreverent folk pop and Tammy Shine, the charismatic singer of Dressy Bessy, doing her more or less solo thing.
What:Stick Figure w/Steel Pulse, Pepper, The Movement, Iya Terra, hosted by Nick Swardson When: Saturday, 04.20, 5:30 p.m. Where: Red Rocks Why: For better or worse, depending on your outlook on these things, there’s a reggae concert at Red Rocks on 4/20. But this one includes Steel Pulse. When the band started in 1975 in Birmingham, England, the home of other working class bands like Black Sabbath and Napalm Death, it helped to shape what reggae would sound like for decades. Its particular sound is more traditional but in a way that has evolved and embrace technology and production. Its latest album, and first in over a decade, is 2018’s Mass Manipulation.
Sunday | April 21
What:Eels w/Inspector Cluzo When: Sunday, 04.20, 7 p.m. Where: Gothic Theatre Why: Even a seemingly endless prolific and inventive songwriter like Mark Everett hits the wall. And that’s what Everett did following the touring cycle of 2014’s The Cautionary Tales of Mark Oliver Everett. Absolute burnout pushed the songwriter into taking a break from music after nearly thirty years of exploring a variety of emotional spaces through his songwriting. Having lost his father when he was 19, his sister to suicide in the mid-90s and his mother to lung cancer in the late 90s and a cousin in the 9/11 attacks, Everett has had more than his fair share of personal tragedy. In some ways re-living and processing that in your music gives it a depth and heaviness and an attended ambition to do justice to the subjects that isn’t always there in pop music. But carrying that weight also takes its toll on your psyche and then your life.
With 2018’s The Deconstruction, Everett takes the time to unravel the angst and burnout lays bare the need for patience and gentleness to self needed to recover when your core has fractured in the wake of the momentum of your life when that machine isn’t entirely working anymore in a way that suits real life. All the bravado, insisted enthusiasms and the pressure to be on and up all the time even as an artist who writes melancholic music will not get you over that kind of ditch in the road. It’s obvious The Deconstruction wasn’t meant to be a coherent album as in most of the rest of Everett’s career. One does not rediscover joy and reconnect to one’s creativity in a linear fashion, rather in honoring one’s frailties and soothing the endless series of existential crises that wrack the mind once you’ve bottomed out at level that didn’t seem possible when you’re a teenager or in your twenties. Or even in your thirties. What Everett is doing now is not just writing music with a sense of compassion and kindness at their root but showing how you can express at length, even with mixed results (unless you’re completely delusional life is a lot of mixed results that many overly ego driven people choose to edit out of their telling of it), that coming out of a low period can’t be accomplished through hard work alone, perhaps not at all, but in nurturing and discovering new or neglected ways of being you and creating therefrom.
What:Chris Cohen w/Jobless and American Culture When: Sunday, 04.21, 8 p.m. Where: Larimer Lounge Why: Former member of Deerhoof Chris Cohen has a gift for writing songs that have a hazy, easily digestible quality that perfectly capture quiet moments in everyday life with a poetic economy and emotional sensitivity. His 2019 self-titled album sounds like it could have come from an alternative reality version of Southern California in the 1970s. Like music that would suit the later-era Philip K. Dick novels or the works of Jim Thompson. That said, the new record is like a kinder, gentler Imperial Bedroom.
Tuesday | April 23
What:Com Truise w/Jack Grace and ginla When: Tuesday, 04.23, 7 p.m. Where: Gothic Theatre Why: Touring ahead of the May 17 release of his new album Persuasion System, Seth Haley’s Com Truise is making a stop in Denver and chances are you’ll get to experience that new music live before legally getting a hold of the new record. Seems as though Haley has further refined his sound with a greater degree of the separation of sound in the layers of tone and texture. Like futuristic “library music” mixed with downtempo but brightly melodious IDM, the new Com Truise stuff is musical science fiction capturing a likely future post-climate-change-crisis and post-oligarchic domination.
Wednesday | April 24
What:Big Business w/The Lycan When: Wednesday, 04.24, 8 p.m. Where: Hi-Dive Why:The Beast You Are could simply be described as psychedelic sludge. But that has never really encompassed what Big Business is about. The duo came out of the 90s punk and underground rock scene in the Pacific Northwest. Jared Warren from Karp and Coady Willis from Murder City Devils—both bands that would be difficult to pigeonhole on their own. Both musicians also played as part of Melvins for nearly a decade, yet another band whose musical legacy and sound is so much more than “sludge rock” or whatever one might call a band that was a direct influence on grunge. The Beast You Are, though, is a collection of dynamic, triumphant songs with unconventional melodies and an elevated updraft of tone. Big Business has always been, if nothing else, heavy but buoyant. On The Beast You Are, Big Business experiments further in the songwriting with its use of space and pacing. There’s still the headlong rush you’d expect from the band but also an imaginative application of its palette of sound that has kept the band from being predictable, an uncommon quality in heavy music. For Big Business it is not enough to pummel with its colossal sound but to have emotional and thoughtful intentionality behind it.
Who:The Drood, Church Fire, blackcell, Mudwulf and dizypixl When: Thursday, 03.14, 8 p.m. Where: Ophelia’s Electric Soapbox Why: The Drood could be described as a horror ambient band with a penchant for subverting the dark music paradigm with wry humor and deeply imaginative reworking of tropes into new shapes. It’s what gives the band a kind of timeless and otherworldly quality even as it uses familiar sounds and moods to weave its unusual narratives. Church Fire similarly uses the vocabulary of dance and industrial music to enter mythic psychological spaces to comment on culture and political issues without boring us with didactic and topical platitudes. Blackcell is the longest running industrial/EBM band in Denver but one that has evolved so much since its early days as essentially and industrial noise act into one of the great the abstract/ambient dance/darkwave bands today. Mudwulf will bring an unpredictable collection of underground electronic music to DJ and Dizypixl, known for her work with Skinny Puppy, will provide brain-stirring visuals.
Who:Ian Svenonius’ Escape-ism with his “FoundSoundDreamDrama” When: Thursday, 03.14, 9 p.m. Where: Lane Meyer Products Why: Even though The Lost Record, the debut from Escape-ism, the latest project from Ian Svenonius, the frontman of The Nation of Ulysses, The Make-Up, Weird War and other noteworthy musical entities over the years. Musically it sounds like lo-fi electroclash (or an even more lo-fi take on that musical movement). But that jibes with what is obviously a concept with music videos that look like its borrowing the aesthetics of an un-cool era, particularly the Super-8 vibe of the video for “Nothing Personal,” to pull listeners, and presumably those attending the show, out of everyday consciousness. Across his career as a musician, Svenonius and his partners have attempted to make music to engage both body and mind whereas much of modern culture and entertainment seems aimed at atomizing us as people from each other but also within ourselves. That the show is booked at something outside the usual purview of a bar or conventional venue should be telling as well regarding the aims of the performance.
Friday | March 15
Who:Adia Victoria wNina and the Hold Tight and Brother Sister Hex When: Friday, 03.15, 7:30 p.m. Where: Larimer Lounge Why: Adia Victoria’s 2016 album Beyond the Bloodhounds introduced the world to the songwriter’s brooding, expressive, bluesy songwriting. Her 2019 album Silences finds Victoria expanding her sound, now operating in a realm somewhere between Rubblebucket’s soulful pop and Nick Cave’s smoldering intensity.
What:LEAF Night 1: Performances When: Friday, 03.15, 7 p.m. Where: Colorado Music Festival & Center for Musical Arts Why: This year’s edition of the Lafayette Electronic Arts Festival kicks off with a bevy of visionary avant-garde electronic music. This year’s programme of performances will inclue: Derek Holzer – Vector Synthesis AV Performance, Janet Feder and Joshua Ott – Prepared Guitar & Electronic Image, L’Astra Cosmo – AudioVisual Vector Synthesis, Sean Winters & Angie Eng – Piano and Electronic Image. In the cozy yet spacious performance space that is the Colorado Music Festival & Center for Musical Arts, these performances showcase some of the new ways in which creative people are integrating technology in both the musical and visual realm with concepts driving their application. Curated by David Fodel, LEAF strives to bring unique experiences that connect cutting edge artists with audiences/participants open to experiencing something you’re not likely to at a conventional music venue of any kind or all that much in academia either. Heady stuff.
What: Meet the Giant, Dead Orchids and Altas facebook.com/events/326517057982697 When: Friday, 03.15, 8 p.m. Where: BarFly Why: A free show and a bill that includes some of the best bands in Denver. Meet the Giant is an emotionally charged dream pop/rock band who are playing music with atmosphere and delicacy and nuance but delivered like its three members spent a youth in punk. Dead Orchids is a beautifully gloomy, bluesy, experimental rock project. Altas may be collectively the funniest band in Denver but the electrifying grandeur of its visceral instrumental rock lacks not for serious explorations of inner space.
Saturday | March 16
What:LEAF Night 2: artistTalks When: Saturday, 03.16, 7 p.m. Where: Colorado Music Festival & Center for Musical Arts Why: This second night of the Lafayette Electronic Arts Festival includes the presentations/artistTalks, rather than performance, component of the event with a programme as follows: Derek Holzer – A Media Archaeology Of Vector Graphics, Jason and Deborah Benagozzi – What IS Signal Culture? The Signal IN the Culture, libi rose striegl – Digging In: A hands-on Guide to Media Archaeology, Janet Feder – Trip Sitting: A guided journey along the timeline of psychedelia.
What:Lipgloss pressents: Alice Glass DJ set w/Boyhollow When: Saturday, 03.16, 9 p.m. Where: Ophelia’s Electric Soapbox Why: Alice Glass’s musical output since her departure from Crystal Castles in 2014 has been a showcase for a gift for poignant expressions of agonizing emotional turmoil and strength in the face of being torn up from the inside out.
What:Johnlukeirl fka DJ Clap, Techno Allah, Kid Mask, DJ JFK, Timelord SFX, Blank Human and Wayzout When: Saturday, 03.16, 8 p.m. Where: Thought//Forms Gallery Why: A night of music where ambient, experimental dance and noise meet. A bit more on the bright tones and compositions bordering on an updated version of chillwave on the beats with Johnlukeirl and downtempo ambient noise and glitchcore with Kid Mask along with analog-synth driven ambient with Blank Human so definitely not all of a piece.
Sunday | March 17
What:Sliver, Motherhood (CAN), Weep Wave (Seattle) and Thatcher When: Sunday, 03.17, 8:30 p.m. Where: Lion’s Lair Why: This’ll be an eclectic bill with Sliver’s post-grunge bursts of arresting emotional intensity, Weep Wave’s lo-fi psychedelia akin to the likes of Caustic Resin and some of the weirder bands on the Siltbreeze imprint, Motherhood’s math-y art punk rendering of high concept pop songs (see our interview with the band here) and Thatcher’s Velocity Girl-esque shimmery melodies.
Monday | March 18
What:Vince Staples w/JPEGMAFIA and Trill Sammy When: Monday, 03.18, 7 p.m. Where: Ogden Theatre Why: Vince Staples and JPEGMAFIA are two of the most incisive critics of modern culture and the music industry. With a massive knowledge of music far beyond hip-hop both artists have some of the most sonically interesting beats going.
What:Endless, Nameless, Balms, Wander, YUFI64, Old Soul Dies Young When: Monday, 03.18, 8 p.m. Where: Seventh Circle Music Collective Why: Denver-based, introspective math rock band Endless, Nameless celebrates its return from its most recent tour this night. Also on the bill is Balms from San Francisco whose fuzz-tinged shoegaze sounds like the melodic analog of waves crashing against jagged rocks. Fans of Ceremony’s most recent music or True Widow will find much to like about Balms. Its debut full-length Mirrors was released in February 2019. Wander is a post-rock band from the Bay Area (San Leandro) whose own dynamic buildups are reminiscent of the subtle yet irresistible flow of ocean tides and coastal breezes.
What:Blood Incantation, Of Feather and Bone, Black Curse, Prison Glue and Many Blessings When: Monday, 03.18, 7 p.m. Where: Syntax Physic Opera Why: Blood Incantation is a band that sounds like its members are having fun with the sonically absurd possibilities inherent to an over-the-top-yet-technically-challenging genre like death metal. The result is one of the most unusual and powerful live bands you’re likely to see in the realm of metal or anything else. But the band and everyone else on this bill is coming together for a fundraiser for James Trejo of Cadaver Dog and various other projects who was assaulted on tour resulting in a broken orbital floor in his face. Some people’s children.
Tuesday | March 19
What:The Black Queen w/Uniform and SRSQ When: Tuesday, 03.19, 7 p.m.
Where: The Marquis Theater
Why: The Black Queen is a darkwave band from Los Angeles comprised of former members/associates of The Dillinger Escape Plan and Nine Inch Nails (including Joshua Eustis who also writes and performs music as Telefon Tel Aviv). Its sound combines ethereal dream pop guitar sounds with the sort of soulfulness found in a lot of 80s synth pop. But with a more modern take as though vocalist Greg Puciato wasn’t just familiar with Talk Talk and Heaven 17 but Perfume Genius and Big Black Delta. In 2018 the group released its second album Infinite Games the day it played the prestigious Cold Waves festival (the Los Angeles edition). But this bill isn’t short on noteworthy artists out of the new industrial and darkwave era. Uniform’s confrontational and political minimal synth and industrial assault is along for this show as well as SRSQ (pronounced seer-skew), the now project from Kennedy Ashlyn, the vocalist and keyboard player of Them Are Us Too. The new music is ethereal with emotionally arresting vocals as one might expect but also with more a downtempo, yet majestic, after-hours dance club vibe. The SRSQ album, Unreality, came out on Dais Records in 2018.
What:Mike Krol w/Vertical Scratchers and Slugger When: Tuesday, 03.19, 7 p.m. Where: Globe Hall Why: Mike Krol did it right. Emerged during the wave of the recent garage rock/psychedelic rock revival of the 2010s where his fuzz-drenched, wiry melodies fit in with the biggest movement in underground rock in years. Then came out the other end of the wave with his knack for snappy, wiry melodies and charmingly lo-fi production intact. Sure maybe you can hear the touches of Jay Reatard and the Oblivians in the music but Krol’s own spiky highlights and tonal gyrations are his own and his 2019 album out on Merge Records, Power Chords, showcases all of that as well as the songwriter’s keen psychological insight and gift for poetic turns of phrase. What:Remain and Sustain, Meth., Motherhood, Its Just Bugs and Non Systemaddict When: Tuesday, 03.19, 7 p.m. Where: Seventh Circle Music Collective Why: Seventh Circle gets plenty of experimental music through the door but this night is one that’ll be fairly mixed. Meth. is a Chicago-based noisecore band that mixes some genuine soundscaping into its set. Its Just Bugs is a confrontational hip-hop band from Colorado that often uses industrial beats and noise. Motherhood is a trio from Fredericton, New Brunswick that combines high concept songwriting with playfully intricate art rock. Remain and Sustain is a sort of deathgrind/hardcore band from Denver. To name a few.
Wednesday | March 20
What:Metric & Zoé w/July Talk When: Wednesday, 03.20, 6:30 p.m. Where: The Fillmore Auditorium Why: Metric’s latest album, 2018’s Art of Doubt, crafts a complex narrative commentary on the factious times in which we live. Rather than something so heavy-handed and topical., the lyrics explore the psychological and existential gyrations that seem to have been reflected on the backdrop of a time of great peril, tension, hope and a desire for relief knowing that tough decisions can no longer be put off as we sit on the brink of climate disaster and extinction. That, in fact, an overwhelming sense of doubt blooms from everyone’s psyche inspiring extremes of feeling and the expression thereof. Across the album the band channels those feelings and rides out the eddies of the flow of feeling and the maddening peaks of heightened emotion. In the live setting Metric manifests its colorful and passionate songwriting in a cathartic and captivating manner so this might be a tour to catch.
Who:Starjammer – Empire of the Mantis When: Thursday, 01.31, 8 p.m. Where: 3 Kings Tavern Why: Squidds Madden brings his visionary multi-media, multi-instrumental one-man band to 3 Kings to demonstrate that “Avant Garde/Dub-Reggae” is not some kooky gimmick but an evolving futuristic music that is truly a synthesis of deeply experimental improvisational music and the production style that enhances a broad spectrum of sonic frequency, textures and rhythm.
Who:Endless, Nameless, Honey and Salt, Obtuse, Admiral and more When: Thursday, 01.31, 7 p.m. Where: Seventh Circle Music Collective Why: Kind of a math rock show with Obtuse who certainly draw on 90s and 2000s math rock for some of the inspiration but is thankfully more focused on the emotional possibilities when you don’t get tripped up on the time signatures and precision but use those as needed to express the raw nerves of a generation that late capitalism is trying to toss in the dumpster but not without some very articulate resistance.
Friday | February 1, 2019
Who:Maemyth, Galleries, Bert Olsen and matherial When: Friday, 02.01, 9 p.m. Where: 3 Kings Tavern Why: All the other bands on the bill are worth your time. But Bert Olsen, not named after anyone in the band, makes the kind of punk that is atmospheric, probably inspired in part by The Cure and early Christian Death, noisy and vividly emotional and not trapped by the need to sound like another era of punk. Bert Olsen is charting its own path and Hunter Wood’s vocals are both melodic and demonstrating a willingness to crack and distort to fit the mood of the moment. More rock music in general would benefit from such instincts but a lot of it is self-tamed and conditioned, traditionalist stuff.
Who:Broncho w/Pinky Pinky When: Friday, 02.01, 8 p.m. Where: Globe Hall Why: Too many artists and “comedians” have ruined irony for probably another generation by abusing its possibilities and basically by not being ironic, just wannabe surrealistic and too much of a broken person’s public diary presented as entertainment. Broncho didn’t fail in its employment of irony by making sardonic yet sincere commentary on American culture and life. When singer/guitarist Ryan Lindsey was in The Starlight Mints he injected some color into the tail end of the wave of indiepop that emerged in the early 90s. With Broncho it’s more rock but out of step with the tendency of a lot of modern rock music to be trapped entirely too much in past decades. The band’s latest record is 2018’s Bad Behavior.
Who:King Eddie, Briffaut and BabyBaby When: Friday, 02.01, 8 p.m. Where: Syntax Physic Opera Why: King Eddie began as something of a fairly predictable psychedelic rock band but by that time and the release of its 2017 album it completely refined and reinvented itself into one of the most interesting and creative bands in that realm of music. Briffaut is sort of freak folk, psychedelic indie rock but sounds like it was made by people who cut themselves off from outside influences for half a decade or more. Because of that, it’s music is always interesting and left-field.
Who:Dry Ice, Slugger, Satellite Pilot, Rose Variety and Ludoesmusic When: Friday, 02.01, 8 p.m. Where: Lost Lake Why: Apparently Dry Ice is from Highlands Ranch, Colorado. If it’s album 2018 Technicolor Yawning is any indication it sounds like the product of suburban boredom and thus this far into the band’s career means it’s sort of all over the place style-wise but that also means its not locked into being a particular genre and its eclectic quality yields some interesting material that might not have been possible had its members been channeled into a particular local scene. Slugger makes a case for garage and psychedelic rock inspired by classic rock not being totally played out.
Who:Boldtype, The Gamits, Reno Divorce and No Bueno When: Friday, 02.01, 7 p.m. Where: The Marquis Theater Why: Manuel Lopez was the passionate and affable drummer of Boldtype who recently passed away. This is a benefit show for his daughters and will include performances by his band as well as some of the best local punk rock bands that came up at the same time his group was coming into its own.
Saturday | February 2, 2019
Who:The Parrots + Mozes and The Firstborn, Billy Changer, Super Bummer When: Saturday, 02.02, 8 p.m. Where: Larimer Lounge Why: Mozes and The Firstborn from Eindhoven, The Netherlands came up during the peak of the 2010’s garage rock revival and toured internationally relatively early on its career. The band was always a little different from the other garage rock bands of that period because its sound was closer to power pop and its musicianship and songwriting had some uncommon refinement. In 2019 the group released its latest record Dadcore. To be fair, the band doesn’t sound like dadcore so much as its the typically Dutch dry, self-effacing and layered commentary on the cultural phenomenon and its own hearkening back to classic songwriting and what some may see as the quaint notion of guitar rock in the twenty-first century.
Who:The Pamlico Sound, Queens of the Galaxy and The Jessicas When: Saturday, 02.02, 8 p.m. Where: Lost Lake Why: The Pamlico Sound is a funk band lead by Will Baumgartner who went to Woodstock as a kid and who has been involved in the 80s No Wave movement as well as some of the more unexpectedly inventive and imaginative jam and funk bands from Colorado over the past two decades. It’s a spectacle and highly entertaining as Baumgartner is an engaging and unconventionally charismatic performer.
Monday | February 4, 2019
Who:Ron Gallo w/Post Animal and Stuyedeyed When: Monday, 02.04, 7 p.m. Where: Globe Hall Why: Ron Gallo is from Philadelphia but his solo work sounds like he spent some time in 1970s New York in the early punk scene with a wiry energy. Of course if psychedelic garage rock hadn’t happened his 2018 record Stardust Birthday Party wouldn’t have sounded like a bit like a manic Sparks. Whatever the touchstones might be, Gallo is one of the most dynamic rock musicians of the current era. Perhaps co-headlining is the psychedelic prog band Post Animal whose own spirited performances transcend any specific genre of music.
Who:Yoke Lore w/LP When: Tuesday, 02.05, 7 p.m. Where: The Ogden Theatre Why: Adrian Galvin was once a member of synth-heavy indie pop band Walk the Moon before going solo a few years back. His work under the name Yoke Lore is decidedly different from Walk the Moon in having softer edges while showcasing Galvin’s inventive use of layered sound in his songwriting with bright synths accenting his vocals with an evocative flair. He is currently touring in the wake of the release of his 2018 EP Goodpain as an opener for R&B-inflected indie pop songwriter LP.
Wednesday | February 6, 2019
Who:Weird Wednesday: The Diablo Montalban Experience, The Drood and Claudzilla When: Wednesday, 02.06, 9 p.m. Where: The Ogden Theatre Why: Weird Wednesday is as suggested by the name quite a bit this time around with keytar rock sorceress Claudzilla, experimental pop/psych band The Diablo Montalban Experience and The Drood. The latter often performs in costumes that look like a cross between anti-hero crusaders for cosmic justice and occult ritualists with music that fans of Legendary Pink Dots may find very much to their liking.
Who:P.O.S. w/Calm. and DJ Fundo When: Wednesday, 02.06, 7 p.m. Where: The Marquis Theater Why: P.O.S. is the Minneapolis-based rapper whose talents and range as an artist go far beyond including his masterful production on his own work as well as his musicianship in other bands including Gayngs, Marijuana Deathsquads and many others. He’s in good company with his sonically adventurous beats paired with Denver’s Calm., a duo comprised of Time and Awareness whose literate and incisive raps and deeply atmospheric production is always surprisingly impactful. Their latest release, 2018’s Things I Learned While Dying in Denver is one of the most sharply critical yet hopefully albums of the past few years.