Best Shows in Denver 2/13/20 – 2/18/20

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The New Pornographers perform at the Gothic Theatre on February 15

Thursday | February 13

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Serpentfoot circa 2018, photo by Tom Murphy

What: Serpentfoot, Plastic Daggers and Fern Roberts
When: Thursday, 2.13, 7 p.m.
Where: Lost Lake
Why: Serpentfoot is a Fort Collins-based psychedelic garage rock band kind of in the realm of boogie blues and fuzzy surf rock. Plastic Daggers could be considered a punk band because it has that arch and brass energy and attitude. But with a bass and drums with dual vocals its sound is refreshingly spare yet maximalist. This is the debut show from Fern Roberts, the new band of former Emerald Siam, Overcasters and Light Travels Faster bass player Todd Spriggs.

Friday | February 14

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Chella And The Charm circa 2015, photo by Tom Murphy

What: Chella and the Charm w/Jen Korte & The Loss, White Rose Motor Oil, Jackie Zubrzycki, Erika Ryann
When: Friday, 2.14, 8 p.m.
Where: Hi-Dive
Why: This is an event called Sweethearts of the Rodeo and features some of Denver’s greatest female-led bands. Chella and the Charm may perform some of its songs more about relationships and love but it’s never simplistic, rote pop Americana platitudes. Chella’s incisive mind poetically peels apart the zeitgeist and presents the strugges and joys with a rare poetic insight. Jen Korte is one of the most versatile and hard-working musicians in Denver whose dynamic songwriting expands the genres and styles in which she chooses to operate.

What: Bianca Mikahn, R A R E B Y R D $, Pearls and Perils and Shockermom
When: Friday, 2.14, 8 p.m.
Where: Mutiny Information Café
Why: A showcase for some of the best and most imaginative hip-hop artists in Denver at the moment. Bianca Mikahn’s noise experiments and soundscapes paired with her poetry is always a surprisingly compelling combination. R A R E B Y R D $ breaks hearts and heals minds with their dense beats and passionate vocals and wordplay. Pears and Perils is like if Bjork went more lushly downtempo and did hip-hop. Shockermom fuses emotionally vibrant jazz vocals with ambient hip-hop and one of the best things you’ll see all month.

What: Silversun Pickps w/Eliza & The Delusionals
When: Friday, 2.14, 7 p.m.
Where: Ogden Theatre

What: Cheap Perfume, Flora De La Luna and The Yellnats
When: Friday, 2.14, 8 p.m.
Where: Seventh Circle Music Collective
Why: Colorado Springs-based political punk band Cheap Perfume puts the fun into caustic send-ups of the misogynist aspects of American culture.

Saturday | February 15

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Mattiel, photo by Jason Travis

What: Lloyd Cole
When: Saturday, 2.15, 7 p.m.
Where: Swallow Hill
Why: Lloyd Cole came to prominence in the 80s as the lead singer of the great jangle pop band The Commotions. But by the turn of the decade he had gone solo but still writing thought-provoking songs though in a slightly different style suitable to his poetic imagination. In that way he followed a similar path to Robyn Hitchcock when he left The Soft Boys. One of the criminally underknown songwriting greats of our era. Currently touring following the 2019 release of his latest album Guesswork.

What: The New Pornographers w/Diane Coffee
When: Saturday, 2.15, 8 p.m.
Where: Gothic Theatre
Why: There’s always been something orchestral to The New Pornographers’ spacious pop songs. Like something assembled in a studio in the late 60s with Brian Wilson and Van Dyke Parks but with a modern set of musical ideas and instincts. Its 2019 album In the Morse Code of Brake Lights also highlights how despite the grandeur of its creative vision its songs manage to seem like glimpses into intimate moments of vulnerable, existential contemplation.

What: Mattiel w/Calvin Love
When: Saturday, 2.15, 8 p.m.
Where: Lost Lake
Why: Mattiel has a knack for taking surreal everyday situations and turn them into synth pop epics. Her 2019 album Satis Factory does some sonic time traveling between early 60s girl group and Connie Frances-esque melodies, late 70s New Wave pop wiry energy and a contemporary ironic tone. But her delivery doesn’t feel jaded or detached, just playing with the songwriting format to comment on culture and society in a way that uses nostalgic elements to speak of the present in the past tense.

What: Pictureplane w/ DEBR4H and Entrancer
When: Saturday, 2.15, 8 p.m.
Where: Hi-Dive
Why: Former Denverite Pictureplane jokingly coined the term “witch house” around a decade ago. But his own music transcends such easy categorization as a mélange of hip-hop, glitch pop and noise.

What: Sango w/Savon and Dante ThatGuy
When: Saturday, 2.15, 8 p.m.
Where: Summit Music Hall

What: Eigengrau, Night of Dark Light, Causer and Human Consumption
When: Saturday, 2.15, 7 p.m.
Where: Seventh Circle Music Collective

Sunday | February 16

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Pinegrove, photo by Daniel Topete

What: Bernie Sanders Rally
When: Sunday, 2.16, 4 p.m.
Where: Colorado Convention Center
Why: For anyone what wants to go and see the current frontrunner in the primaries for the nomination to be the Democratic Party candidate for the office of President of the United States.

What: Rosegarden Funeral Party w/Lorelai K and Faces Under the Mirror
When: Sunday, 2.16, 7 p.m.
Where: 3 Kings Tavern
Why: Rosegarden Funeral Party if keeping the torch alive for darkwave in Dallas at its base of operations Funeral Home before moving to Los Angeles this fall. The band’s 2019 album MARTYR is reminiscent of a melding of Clan of Xymox, Xmal Deutschland and the more glam end of of Concrete Blonde.

What: Darpabong EP release and final show w/The Plastic Rakes and Secret Mormon
When: Sunday, 2.16, 7 p.m.
Where: Mutiny Information Café
Why: Darpabong is finally releasing its debut EP leaked in 2019 at this show. The “Stoner Doom Dub” band includes members of Gort Vs. Goom so even if this final show is a bit of a goof the music will be legit.

What: Pinegrove w/Whitney Ballen
When: Sunday, 2.16, 7 p.m.
Where: Gothic Theatre
Why: Pinegrove is currently touring in support of its latest album Marigold. The record is its most focused effort to date conveying a sense of space and simplicity with interlocking, textured tones lending the songs a complexity not immediately obvious. The record comes out in the wake of songwriter Evan Stephens Hall’s undergoing therapy and other work following a 2017 allegation of sexual coercion as outlined in a 2018 article on Pitchfork by Jenn Pelly. If turmoil produces better art, perhaps Hall’s efforts at becoming a better person have lead to a good deal of creative clarity as well.

Tuesday | February 18

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The Jungle Giants, photo by Jesper Hede

What: The Jungle Giants w/Little Image
When: Tuesday, 2.18, 7 p.m.
Where: Larimer Lounge
Why: The Jungle Giants from Brisbane, Australia combine an R&B and soul sensibility into its jaunty pop songs. Its music videos suggest an aesthetic informed by independent film and Kurt Vonnegut. Though the group hasn’t released an album since 2017’s Quiet Ferocity, in 2019 and 2020 it released singles “Heavy Hearted” and “Sending Me Ur Loving” respectively so on this tour expect to hear new material before it appears on the band’s next record.

Best Shows in Denver 1/30/20 – 2/5/20

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Whipporwill performs at Hi-Dive on January 30. Photo by Glenn Ross

Thursday | January 30

Who: Telefon Tel Aviv w/Steve Hauschildt
When: Thursday, 1.30, 8:30 p.m.
Where: Ophelia’s Electric Soapbox
Why: On Dreams Are Not Enough, Telefon Tel Aviv delves into states of mind and existence as represented by the titles of the song: “I dream of it often,” “Standing at the bottom of the ocean,” “Mouth agape,” “Eyes Glaring” etc. The compositions combine texture and tone in a way processed to convey a sense of space and a journey into the imagination in a way to perhaps suggest that indeed merely having dreams is inadequate to having a life worth living even if we are often guided by them. Like a nod to Langston Hughes’ famous lines about a dream deferred. A dream does not, after all, occupy the same space in the psyche as conscious experiences. Songwriter Joshua Eustis invites on a journey to make these sonic spaces that might have sat in the backburner of his mind manifest. Steven Hauschildt has been crafting exquisite sonic experiences with software and analog synth for years including during his time with experimental electronic pop group Emeralds. As a solo artist his mastery of emotional colorings is impressive and his latest offering is 2019’s Nonlin.

What: Natural Violence Tape Release Show w/Many Blessings, DJ Pop CTRL and Dem Deya Sound System
When: Thursday, 1.30, 8 p.m.
Where: Meadowlark Bar

Friday | January 31

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Natalie Tate circa 2017, photo by Tom Murphy

What: Whipporwill w/Natalie Tate
When: Friday, 1.31, 8 p.m.
Where: Hi-Dive
Why: Whipporwill’s 2019 album The Nature of Storms charts a perilous personal journey that could have ended the band as it endured a fraught tour that took it through extreme, inclement weather followed by a period of personal travails that would test anyone’s resolve to continue with something as dubiously rewarding a music often is. But the result is a dynamic set of songs that transcends expectations knowing the group has roots in folk and indie rock as its compositions are imaginative and evocative with an ear not just for melody but deep atmosphere and emotional tenor. Whipporwill doesn’t hit us with an album full of the same, tried and true dynamics, rather, a series of well developed concepts as set pieces and short stories connected by a larger narrative about life and the interconnected significance of our experiences. Natalie Tate is one of Denver’s most interesting and talented songwriters who hasn’t played around town much but her combination of musical chops and a spirit of experimentation and innovation in songcraft has branched in fascinating directions since she emerged in the local music scene several years back.

What: Goon (album release) w/Sunk Cost, Gack and Sweet Kiss
When: Friday, 1.31, 7 p.m.
Where: Seventh Circle Music Collective
Why: Goon’s Natural Evil takes modern hardcore in a much more experimental direction with the use of noise and atmospheric sounds in a way that is both pointed, intense while warping those edges and taking the angular quality of the music and splaying the dynamic in unpredictable and ultimately wilder directions. The record frankly showcases how a merely excellent hardcore band can become one that can influence more than connoisseurs of that style of music as the appeal transcends subgenre.

What: Jacket of Spiders, Swami and Flat Earth
When: Friday, 1.31, 8 p.m.
Where: 3 Kings Tavern
Why: Jacket of Spiders includes former members of Tarmints, Twice Wilted and Cynic’s Bane. The result is surging, swirling guitar rock that is both colossal and ethereal and frankly out of step with a lot of what’s happening in Denver at the moment. Fans of the members’ previous bands as well as Space Team Electra and Bowery Electric should check out what the band is doing.

What: Guangdong Modern Dance Company
When: Friday, 1.30, 7:30 p.m.
Where: Newman Center

What: Lucy Daydream w/XOXFord
When: Friday, 1.31, 8 p.m.
Where: Larimer Lounge

Saturday | February 1

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Damn Selene, photo courtesy the artist

What: Damn Selene album release w/R A R E B Y R D $, 3Two and Stoney Bertz
When: Saturday, 2.01, 7 p.m.
Where: Seventh Circle Music Collective
Why: Damn Selene has been one of the most respected hip-hop artists of the Denver underground for a handful of years in the more experimental end of that scene. The artist’s beats are rooted in noise, darkwave and industrial soundscaping paired with emotionally charged vocals taking at aim at society with honesty and a gift for combining storytelling with mythmaking and self-examination. Those qualities manifest brilliantly on the new album Nobody By That Name Lives Here Anymore. Selene’s vibrant synth work and transporting melodies vibe well with those of R A R E B Y R D $ whose blend of radical vulnerability and swagger weaves well with its own entrancing beats informed by a rich palette of sounds drawing from dub, analog synth music, classic hip-hop, noise, ambient music and whatever has caught the trio’s ear at the moment.

What: The Heroine, Tokyo Rodeo and Stone Deaf
When: Saturday, 2.01, 9 p.m.
Where: 3 Kings Tavern
Why: Just when the whole “Southern Rock” thing seems played out, rote and utterly performative, The Heroine from San Antonio is there to play up every trope with a sincerity and conviction that is impossible to mime and has to come from an honest place. The Heroine sounds a bit like a way better and non-wack version of Motley Crue circa Dr. Feelgood and performs its shows like they have something to prove to someone even if only to themselves. Tokyo Rodeo from Denver performs with a similar spirit with its own songs reflecting a fire to live an authentic and vibrant life creating the kind of music that sounds like the people making it really lived and felt deeply and aimed for the catharsis of creative expression that only comes from some form of rock and roll.

What: The Yellnats, The Slack and Short Shorts – Winter Coat Donation Drive
When: Saturday, 2.01, 7:45 p.m.
Where: Mutiny Information Café

Monday | February 3

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Mick Jenkins, photo by Sam Schmieg

What: EarthGang w/Mick Jenkins, Wynne and Jurdan Bryant
When: Monday, 2.03, 7 p.m.
Where: Cervantes’ Masterpiece Ballroom
Why: EarthGang’s 2019 album Mirrorland was inspired by the 1978 film The Wiz and the band ran with the surreal quality of the film and infused it into a journey into the modern American cultural and political landscape with the attendant perils, struggles and triumphs. The Atlanta-based duo excels at using the formats of jazz, sampling, rap and soul to craft music that might be called psychedelic in another musical context except it isn’t disorienting, it’s focused on lived experience and creating the world you want to see rather than escapism.

Wednesday | February 5

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Claudzilla, photo by Tom Murphy

What: Weird Wednesday: Ruche Mere, Claudzilla, Space Jail
When: Wednesday, 2.05, 9 p.m.
Where: Bowman’s Vinyl and Lounge
Why: Weird Wednesday this month includes performances from series host Claudzilla and her strange synth pop songs and unique covers, Ruche Mère a duo that uses electronic and organic instruments including bells and improvised percussive textural sounds to create what might be described post-industrial/post-civilization found object folk and Space Jail’s IDM-esque, ambient psychedelic folk soundscapes.

Best Shows in Denver 1/23/20 – 1/28/20

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Poppy performs at the Gothic Theatre on January 28, photo by Jesse Draxler

Thursday | January 23

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Portrayal of Guilt, photo by Tom Murphy

What: Portrayal of Guilt w/Street Sects, EUTH and Cau5er
When: Thursday, 1.23, 8 p.m.
Where: Hi-Dive
Why: Portrayal of Guilt is a post-hardcore band from Austin that weaves together elements of grindcore and noise soundscaping to create an angular kind of screamo bristling with menace. Its rhythms are more widely dynamic than one might expect from the mix of sounds and influences with chords allowed to hang to establish a mood that crawls to catharsis. Street Sects, also from Austin, is an industrial noise outfit whose confrontational performances may feel hidden in the banks of fog in its performance zone but the band manages to turn that haze into a realm where the tension it builds to unpredictable moments of eruption. Cau5er is a Denver project that comes partly out of hardcore but is firmly in the worlds of noise and power electronics with an impassioned delivery that belies notions of noise artists all being knob twiddlers. Schedule for the evening below provided as this show is being conducted in cooperation with the show at Mutiny across the street from the Hi-Dive.

Euth 8:30
Cau5er 9:15
Street Sects 10pm
Portrayal of Guilt 11pm

What: Red Death (DC), Enforced (RVA), Chair of Torture and Wide Man
When: Thursday, 1.23, 8 p.m.
Where: Mutiny Information Café
Why: Washington DC’s Red Death is a modern crossover band whose synthesis of thrash and hardcore is reminiscent of a more aggro version of what Megadeth was doing earlier in its career. If that sounds appealing, Enforced from Richmond, Virginia and Chair of Torture from Denver are mining similar territory with the latter with more than a leg in grindcore. See schedule for the evening below as it is being done in conjunction with the show mentioned above at the Hi-Dive.

7:30-7:50 Chair of Torture
8:05-8:25 Wide Man
8:40-9:10 Red Death
9:25-9:55 Enforced

What: Yacht w/Mux Mool
When: Thursday, 1.23, 8 p.m.
Where: Larimer Lounge

Friday | January 24

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$addy circa 2018, photo by Tom Murphy

What: 666/69/420: Dance Night featuring $addy, Trisicloplox, Kid Mask, Platonic Belt, Blank Human
When: Friday, 1.24, 8 p.m.
Where: Rhinoceropolis
Why: This is a showcase for some of the most interesting artists in the Denver noise world who incorporate aspects of dance music and glitch into the mix.

What: Casey James Prestwood w/High Plains Honky, Coop & The Chicken Pluckers
When: Friday, 1.24, 8 p.m.
Where: Hi-Dive
Why: A legitimately good country show with bands that write meaningful music instead of wallowing in country music tropes.

What: Ron Pope w/Caroline Spence
When: Friday, 1.24, 8 p.m.
Where: Bluebird Theater

What: Hate Minor, The Gurkhas and Plastic Rakes
When: Friday, 1.24, 7:30 p.m.
Where: Glitter City

What: R A R E B Y R D $ w/Calico Club and Ginger Perry
When: Friday, 1.24, 8 p.m.
Where: Lion’s Lair

What: Fatal Mistake IV Benefit: The Consequence, Tuck Knee, Videodrome, F.O.A.M., Direct Threat
When: Friday, 1.24, 8 p.m.
Where: Seventh Circle Music Collective

What: Deer Creek, Barstool Messiah and Never Kenezzard
When: Friday, 1.24, 9 p.m.
Where: Englewood Tavern

What: Necromantic (goth/darkwave DJ night)
When: Friday, 1.24, 9 p.m.
Where: Skylark Lounge

Saturday | January 25

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Old Sport circa 2018, photo by Tom Murphy

What: Use the Sun (Reunion), Old Sport and American Grandma
When: Saturday, 1.25, 7 p.m.
Where: Seventh Circle Music Collective
Why: Denver’s Use the Sun is reuniting for one night to bring forth its joyous mixture of melodic punk and surf rock. Also included is a lately relatively rare show from Old Sport who have been part of that resurgence of bands that were influenced by the better, mathier end of emo and post-hardcore. American Grandma is a slowcore band whose elegant and introspective guitar compositions blur the line between folk, ambient and dream pop.

What: Neil Haverstick
When: Saturday, 1.25, 7 p.m.
Where: Swallow Hill
Why: Neil Haverstick is Denver’s biggest proponent of microtonal guitar so much so that he wrote a book about it. His songs, though, come from an emotional place and his roots in blues and folk inform even though his style brings in a great deal of avant-garde thinking into the mix and makes it accessible.

What: Rhinoceropolis Benefit: Cian, Jason Sidney Sanford, Prison Glue, Born Dumb, Lanx Borealis, Birth, Swamps
When: Saturday, 1.25, 8 p.m.
Where: Rhinoceropolis

What: Hail Satan, Brew Ha!Ha! And Asalt
When: Saturday, 1.25, 9 p.m.
Where: 3 Kings Tavern

Sunday | January 26

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Lazarus Horse circa 2017, photo by Tom Murphy

What: Shibui Denver #9: The Vanilla Milkshakes, Lazarus Horse and Pythian Whispers
When: Sunday, 1.26, 7 p.m.
Where: Mutiny Information Cafe
Why: This latest edition of Shibui Denver will feature outsider pop punk band The Vanilla Milkshakes, the earnest, existential, angular indie rock of Lazarus Horse and Pythian Whispers’ psychedelic ambient soundscapes with visuals by Mark Mosher, electro-ambient artist and founder of Rocky Mountain Synth Meetup.

Tuesday | January 28

What: GosT w/Church Fire and Elay Arson
When: Tuesday, 1.28, 7 p.m.
Where: Larimer Lounge
Why: GosT blurs the line between metal and synthwave and definitely for fans of Perturbator. Church Fire blurs that line a little too but more in the tribal, pagan vein without hitting you over the head with the aesthetic and its industrial/dance pop hybrid is one of the most compelling things going on in Denver or anywhere.

What: Poppy w/VOWWS
When: Tuesday, 1.28, 7 p.m.
Where: Gothic Theatre
Why: Poppy’s genre-mashup is not for everyone. But the theatrical presentation of her mix and remix of extreme metal, kawaii pop and surreal psychedelic pop turns on a dime like something John Zorn might have thought of had Naked City come up in the 90s and 2000s and not in the realm of avant-garde jazz and grindcore. Currently touring in support of her new album I Disagree. VOWWS has managed to shed a lot of the previous associations in the last year with retro rockist tendencies. Its sound is more like a hard edged darkwave to post-punk what a band like True Widow is to metal and shoegaze.

What: Thrice w/mewithoutYou, Drug Church and Holy Fawn
When: Tuesday, 1.28, 5:30 p.m.
Where: Summit Music Hall

Best Shows in Denver 01/03/20 – 01/07/20

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Eyebeams It Means Trouble cover. Eyebeams performs at Rhinoceropolis on January 4, 2020

Friday | January 3

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R A R E B Y R D $, photo by Tom Murphy

What: Day of Jubilee: R A R E B Y R D $
When: Friday, 1.3, 6 p.m.
Where: The People’s Building
Why: Day of Jubilee is a First Friday event at The People’s Building in Aurora, Colorado. Tonight’s proceedings include live music at 7 p.m. with R A R E B Y R D $. R A R E B Y R D $ is a hip-hop group from Denver. Its two MCs, Key~Lady and KoKoLa, combine swagger and soul, inspiration and heartbreak into an alchemical musical experience. Their beats bring together gangsta rap’s mastery of bass sculpting, exploratory synth experiments and hazy, hypnotic drones with organic, Afro-Cuban rhythms. R A R E B Y R D $ ranges widely in the subject matter of its lyrics from the playfully earthy to the emotionally deep and transcendent but always with the spirit of inviting you into that private world with a welcoming emotional intimacy rare in a live performance.

What: Joshua Trinidad Trio (Joshua Trinidad, Joe Wirtz and Gordon Koch)
When: Friday, 1.3, 5:30 p.m.
Where: Spangalang Brewery
Why: Joshua Trinidad and his trio typically blast mind-altering free jazz with spirited play and great musical chemistry stirring the emotions to elevated levels.

What: Jacket of Spiders, Terminals, Lux Hearse, Denizens of the Deep
When: Friday, 1.3, 9 p.m.
Where: Tennyson’s Tap

Saturday | January 4

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Church Fire (pictured: Shannon Webber), photo by Tom Murphy

What: Eyebeams album release w/96 Ponies, Vampire Squids From Hell and Slugger
When: Saturday, 1.4, 9 p.m.
Where: Rhinoceropolis
Why: Eyebeams is releasing its second album It Means Trouble. The bright, languid psychedelia of the record ranges far from what we’ve come to expect from that loose genre of the past decade. It’s as though lead vocalist/guitarist Suzi Allegra absorbed all the influences that have manifested in recent music but long before when she was growing up and used it as a launching point into emotional outer space. The songs seem to explore issues of anxiety, fears, existential frustrations, feeling perpetually dreaming and wishing rather than doing and ending on a note of learning to calm the mind as a place from which to figure out what you really feel, what you really want and maybe how to actually get there.

What: Bands Against the Ban: Church Fire, Married a Dead Man, Hate Minor and Rebel Girl Productions
When: Saturday, 1.4, 7:30 p.m.
Where: Oriental Theater
Why: Since members of the Senate are trying to have Roe Vs. Wade revisited with aims of overturning legal abortion in a country not actually founded by the Christian version of the Taliban, it will be necessary for people to voice their desire not to live in Medieval Europe again. And this show featuring some of Denver’s most interesting bands is a benefit in the struggle against the forces of reaction. This event is a benefit for Planned Parenthood Votes Colorado and was organized by Megan Kelley of darkwave band Married a Dead Man and David Pereira of noise rockers Hate Minor. Local experimental dance/darkwave band Church Fire will headline and embody a spirit of resistance with its own music and burlesque troupe Rebel Girl Productions will bring its own performance unique in that realm of expression as well.

What: Redivider album release w/Coastal Wives, Corsicana, False Report
When: Saturday, 1.4, 8:30 p.m.
Where: Larimer Lounge

What: Helleborus w/Amdusias, Belhor and Throne
When: Saturday, 1.4, 7 p.m.
Where: Globe Hall

What: Dovekins reunion w/River Arkansas and Shenandoah Davis
When: Saturday, 1.4, 7 p.m.
Where: Mercury Café

Sunday | January 5

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Sliver, photo by Tom Murphy

What: Caustic Soda, Feeling Old (WA), Broken Lawn Chairs and Sliver
When: Sunday, 1.5, 7 p.m.
Where: Seventh Circle Music Collective
Why: Sliver’s Chris Mercer wanted to revisit his folk punk roots “not shit like Andrew Jackson Jihad, Pat the Bunny or Camper Van Beethoven, the good shit like Days N’ Daze.” Fortunately his bandmates convinced him that playing with Boulder-based noise punk band Caustic Soda, folk-inflected indie rock punks Feeling Old from Seattle and Broken Lawn Chairs, an actual folk punk band, from Castle Rock. Sliver fortunately won’t torture us with Mercer’s idea of what “real” folk punk sounds like and might actually be enjoyable this time too.

Monday | January 6

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Equine, photo by Tom Murphy

What: lovelesslust w/Equine and Gila Teen
When: Monday, 1.6, 7 p.m.
Where: Lion’s Lair
Why: loveless lust is a mix of synth pop and industrial and thus a good fit with two bands from Denver that don’t fit neatly into any musical milieu either. Gila Teen is the hybrid sad boy post-punk/emo band we all need in the world right now.

What: The King Khan & BBQ Show w/Colfax Speed Queen
When: Monday, 1.6, 8 p.m.
Where: Larimer Lounge.

Tuesday | January 7

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King Khan, photo by Miron Zownir

What: The King Khan & BBQ Show w/Colfax Speed Queen
When: Tuesday, 1.7, 8 p.m.
Where: Larimer Lounge
Why: King Khan has been making psychedelic garage rock and evolving the art form since before it became hip again and again in the 2000s from back when he was a member of The Spaceshits in Kukamongas in the late 90s. With The King Khan & BBQ Show he and fellow Spaceshit Mark Sultan blended doo wop and garage punk and were in the same circles of likeminded acts Black Lips. Khan has also been involved in King Khan & The Shrines, but the BBQ show is like some late 60s psychedelic soul revue updated for the modern era. Denver-based Colfax Speed Queen will be a great pairing with its own electrifying live show of noisy psychedelic punk.

Best Shows in Denver and Beyond 12/20/19 – 12/23/19

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Colorado Crew: Denvoid Pt. 2 is being released and celebrated during events this weekend

Friday | December 20

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Echo Beds, photo by Tom Murphy

What: Colorado Crew Denvoid Pt. 2 book release
When: Friday, 12.20, 6-8:30 p.m.
Where: Mercury Café
Why: This event will present the follow up to Bob Rob Medina’s 2015 book Denvoid and the Cowtown Punks which documented the Denver punk and underground music scene from 1982-1987. This volume, Colorado Crew: Denvoid Pt. 2 covers the years 1988-1996 in which punk changed, the major current strands of music in Denver emerged into strong, coherent form and the early phase of artist run DIY spaces developed into the form we know now.

What: Emerald Siam w/Echo Beds and Clusterfux
When: Friday, 12.20, 8 p.m.
Where: Hi-Dive
Why: The musical accompaniment to Colorado Crew: Denvoid Pt. 2 mentioned above with bands whose members were part of that late 80s through mid-90s scene.

What: Panther Martin w/Wet Nights, Marti and the Dads
When: Friday, 12.20, 7 p.m.
Where: Larimer Lounge

What: Reno Divorce w/Tejon Street Corner Thieves and Joy Subtraction
When: Friday, 12.20, 8 p.m.
Where: Globe Hall

What: Colorado People’s Alliance Fundraiser with Gone Full Heathen, Lost Boi, Joel Zigman and more
When: Friday, 12.20, 8 p.m.
Where: Seventh Circle Music Collective

Saturday | December 21

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Causer, photo by Tom Murphy

What: Grimy (Bryan Wendzel) and Cabron (Bob Rob Medina)
When: Saturday, 12.21, 1 p.m.
Where: Chain Reaction Records
Why: Early afternoon show connected to the release of Colorado Crew: Denvoid Pt. 2 featuring death-grind band Grimy and author Bob Rob Medina’s San Diego-based punk outfit Cabron playing a rare show (as well as another later this night).

What: The Rocky Mountain Synthesizer Meetup Presents: Synth Patrol
When: Saturday, 12.21, 1-3 p.m.
Where: Little Horse Books & Vintage
Why: Early afternoon concert featuring live vinyl sampling from Aefonic (Brian Horsfield), Cold Future (Victor John), monoscene (Christoph Scholtes) and Newecho (Mark Mosher).

What: Jon Snodgrass and Jux County
When: Saturday, 12.21, 5-8 p.m.
Where: Mutiny Information Café
Why: Another show connected to the release of Bob Rob Medina’s book Colorado Crew: Denvoid Pt. 2 including performances from longtime punk stalwart Jon Snodgrass and Jux County, one of the early cowpunk/alt-country bands from the mid-80s and who still occasionally play shows.

What: FOUR! (reunion), Cyclo-Sonic, Mind Rider (Sonny Kay), Cabron
When: Saturday, 12.21, 9 p.m.
Where: 1010 Workshop
Why: The final event related to the release of Colorado Crew: Denvoid Pt. 2 with performances from bands including people featured in the book with pop-punk legends FOUR!, garage punk band Cyclo-Sonic which includes members of The Fluid, Choosey Mothers and Rok Tots, Sonny Kay (Savalas, Angel Hair, The VSS) and Bob Rob Medina (Savalas, Cabron). Rumor has it Medina and Kay will perform a Savalas song.

What: Causer, Equine, Tears to Li6ht
When: Saturday, 12.21, 8 p.m.
Where: Glitter City
Why: Equine is an avant-garde guitar drone solo project of Kevin Richards. Causer is one of the most compelling and inventive newcomers to Denver’s noise scene with their mix of confrontational performance art and noise collage. Tears to Li6ht is a melodic ambient/experimental pop project.

What: Surfacing – Winter Solstice show: Mirror of Truth (Esmé Patterson solo project), EA$$IDE LUPITA Korryne solo, Bell Mine, Kaumaha
When: Saturday, 12.21, 8 p.m.
Where: Rhinoceropolis
Why: Titwrench festival will return in 2020 to feature some of the most interesting female, LGBTQIA and marginalized community artists. This event is a showcase for what’s to come and a fundraiser for the future festival. It’s the debut of Esmé Patterson’s experimental music project and will include a performance of Korryne of R A R E B Y R D $’ solo project EA$$IDE LUPITA.

What: Jade Cicada w/Seppa, Shield, Mad Zach, Bricksquash and Schmoop
When: Saturday, 12.21, 7 p.m.
Where: Mission Ballroom

What: Charlie Parr w/Dead Horses
When: Saturday, 12.21, 8 p.m.
Where: Bluebird Theater

What: Decemburger IV: In the Company of Serpents, Nekrofilth, Ghosts of Glaciers, The Munsens, Casket Huffer, Upon A Fields Whisper
When: Saturday, 12.21, 6 p.m.
Where: Hi-Dive

Sunday | December 22

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Umbras Animas, photo by Tom Murphy

What: Umbras Animas w/Lady of Sorrows, John Gross, Mismo and Pythian Whispers
When: Sunday, 12.22, 7 p.m.
Where: Rhinoceropolis
Why: Umbras Animas is bringing its latest drone and shadow pupper theater performance to Rhinoceropolis along with one of the Godfathers of Denver noise John Gross, operatic darkwave synth pop project Lady of Sorrows and soundtrack/soundscape projects Mismo and Pythian Whispers (full disclosure, Queen City Sounds and Art writer Tom Murphy’s band).

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Claudzilla, photo by Tom Murphy

What: Claudzilla w/Artificial Bladder (synth pop), Preparation (ambient)
When: Sunday, 12.22, 7 p.m.
Where: Mutiny Information Café
Why: Weirdo keytar pop maven Claudzilla will perform along with likeminded weirdos Artificial Bladder and Preparation.

Monday | December 23

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EVP, photo by Tom Murphy

What: Aunti Hoppa, Sur Ellz, Techno Allah and EVP
When: Monday, 12.23, 9 p.m.
Where: Rhinoceropolis
Why: A show where breakbeat dance music, hip-hop, electro soul and melodic industrial glitch meet.

Best Shows in Denver and Beyond 11/7/19 – 11/13/19

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Frankie Cosmos performs at Bluebird Theater on November 7, photo by Jackie Lee Young

Thursday | November 7

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Stephen Steinbrink circa October 2009, photo by Tom Murphy

What: Frankie Cosmos w/Stephen Steinbrink and Ashley Koett
When: Thursday, 11.7, 7 p.m.
Where: Bluebird Theater
Why: The latest Frankie Cosmos album is called Close It Quietly (out on Sub Pop) which is a title reflecting the tender, sensitive and utterly sincere quality of Greta Kline’s songwriting and psychologically insightful lyrics. Stephen Steinbrink’s golden voice and talent for inventive soundscapes in his pop songs has been brewing for more than a decade while he toured regularly in the DIY world. His 2018 album Utopia Teased is a pinnacle of his recorded output with a diverse array of moods and textures.

What: Juan MacLean DJ set w/boyhollow and Retrofette (DJ set)
When: Thursday, 11.7, 8:30 p.m.
Where: Ophelia’s Electric Soap Box

What: HXXS (KC), Luxury Hearse, Kid Mask, Blood Wolf (NM)
When: Thursday, 11.7, 8:30 p.m.
Where: Tennyson’s Tap

Friday | November 8

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Kyle Emerson, photo by Rett Rogers

What: Houndmouth w/Kyle Emerson
When: Friday, 11.8, 8 p.m.
Where: Bluebird Theater
Why: Kyle Emerson’s new album Only Coming Down is a thoughtful collection of songs written while the songwriter was splitting his time between his adopted home of Denver and Los Angeles. Emerson is from norther Ohio but moved to Denver in his late teens/early 20s where he fell in with an up and coming psychedelic pop band Plum which made waves before moving to the City of Angels and, as is often the cliché, broke up shortly thereafter. Since then Emerson moved back to the Mile High City where he established himself as a solo artist with the release of his sophisticated and introspective, folk inflected pop album Dorothy Alice. For this set of shows he’s opening for bluesy indie rock band Houndmouth from Indiana.

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FILTH circa 2017, photo by Tom Murphy

What: Ultra Metal 2 Night 1
When: Friday, 11.8, 5 p.m.
Where: Rhinoceropolis
Why: Since Denver Noise Fest isn’t happening this year, Johnathan Cash of Sunk Cost is picking up that slack again with the biggest noise festival in Colorado across two nights at Rhinoceropolis bringing together a wide range of artists from Colorado and well beyond. Go expecting the broad spectrum of noise from the presumed harsh noise, to prepared environment soundscaping, ambient, beat-driven industrial drone, noisy post-punk, glitch, weirdo techno, post-metal, organic sound composition, sound collage, field recording processing and more. Honestly, greater diversity here in purely sonic terms than any other festival in Colorado since the last Ultra Metal. See the schedule below.

5pm – doors open
5:40pm – J. Westerman
6pm – Blarney Mumble
6:20pm – Harms
6:40pm – Kid Mask
7pm – Dragging
7:20pm – Voight
7:40pm – Pat Hopewell
8pm – Genital Stigmata
8:20pm – Culled
8:40pm – John Ingram
9pm – Sounding
9:20pm – Ritual Chair
9:40pm – Developer
10pm – Kiran Arora
10:20pm – Xome
10:40pm – Conscious Summary
11pm – Baby Daddy
11:20pm – PCRV
11:40pm – Scathing
12am – VX Bliss
12:20am – GNO
12:40am – FILTH
1am – H Lite x Techno Allah
1:20am – Clutch Plague
1:40am – J. Hamilton Isaacs

What: Clan of Xymox w/The Bellweather Syndicate and The Siren Project
When: Friday, 11.8, 7 p.m.
Where: Oriental Theater
Why: Clan of Xymox is a Dutch post-punk band that influenced a generation of second wave Goth bands with its imaginative and bracing sounds and imagery. Adam Wingard featured Xymox tracks in his 2014 action thriller The Guest.

What: Codename: Carter w/SPELLS and Zephyr
When: Friday, 11.8, 8 p.m.
Where: Hi-Dive

What: The Roots
When: Friday, 11.8, 8 p.m.
Where: The Fillmore Auditorium

Saturday | November 9

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Pedestrian Deposit circa 2012, photo by Tom Murphy

What: Ultra Metal 2 Night 2
When: Saturday, 11.9, 5 p.m.
Where: Rhinoceropolis
Why: See above regarding Ultra Metal. Schedule for night 2 below.

5pm – doors open
5:40pm – ilind
6pm – French Kettle Station
6:20pm – Goo Age
6:40pm – Earth Control Pill
7pm – Pet Sounds
7:20pm – Rush Falknor
7:40pm – Illicit Relationship
8pm – Sunk Cost
8:20pm – A Fail Association
8:40pm – Primordial Wound
9pm – T.E.F.
9:20pm – Sects
9:40pm – Jackson Pratt
10pm – Sissisters
10:20pm – Blind Date
10:40pm – Circuit Wound
11pm – Ancient, INC.
11:20pm – Tralphaz
11:40pm – Pedestrian Deposit
12am – Dromez
12:20am – Purism
12:40am – Blank Hellscape
1am – Total Mom
1:20am – Many Blessings
1:40am – Page 27

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Necropanther, photo courtesy the artists

What: Necropanther w/Methane, Incarnit, Draghoria
When: Saturday, 11.9, 8 p.m.
Where: Hi-Dive
Why: Death/thrash metal band Necropanther from Denver is celebrating the release of its latest album The Doomed City although it has those great, distorted vocals that you’d expect from a black metal outfit there’s always been something tuneful and catchy about the band’s output.

What: Pink Hawks’ Scorpio Party: Pink Hawks, Los Mocochetes, Brothers of Brass, DJ A-L
When: Saturday, 11.9, 8:30 p.m.
Where: Ophelia’s

What: Zebroids, Mr. Pacman, The Half Hearts, Ladies Night
When: Saturday, 11.9, 9 p.m.
Where: Lion’s Lair

What: Integrity w/Limbwrecker, Victim of Fire and Clusterfux
When: Saturday, 11.9, 7 p.m.
Where: Oriental Theater

What: Houndmouth w/Kyle Emerson
When: Saturday, 11.9, 8:30 p.m.
Where: Fox Theatre

Sunday | November 10

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Pile, photo by Elisabeth Fuchsia

What: Pile w/Slow Code and Moon Pussy
When: Sunday, 11.10, 8:30 p.m.
Where: Fox Theatre
Why: Pile formed in 2007, the same year as the Canadian band Women, and has exerted a similarly strong influence on underground guitar rock by going off the map of conventional structure, dynamics and tone. Its new album Green and Gray has all of its signature contorted and noisy angularity. Opening is Denver noise rock Moon Pussy whose Big Black-esque bluster is a revelation.

What: Vincent Comparetto Going Away Party
When: Sunday, 11.10, 7 p.m.
Where: Hi-Dive
Why: Vincent Comparetto has been calling Denver home for over 20 years and is now moving to New York City. He got involved in the skating community in the 90s and discovered the local world’s punk and post-punk communities and has been avidly documenting the music scene and the cityscape for years as can be found in his ‘zines Follow Focus, particulary #2 in which he shared several of his shots of shows and the arts world in Denver. Here’s a public chance to say farewell to one of local cultures most cordial and thoughtful preservers of what has been and advocates for what is going on.

What: FUTUREBIRDS w/Rowboat and Paul DeHaven
When: Sunday, 11.10, 7 p.m.
Where: Globe Hall

Monday | November 11

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Hippo Campus, photo by Pooneh Ghana

What: Hippo Campus w/The Greeting Committee
When: Monday, 11.11, 7:30 p.m.
Where: Boulder Theater
Why: Hippo Campus released two albums in 2019 as Demos I and Demos II. While they sound a bit like the titles suggest and recorded between 2017 and 2018, the spare, raw quality of the recordings actually serve to highlight the band’s songwriting further. Its 2018 album Bambi showcased its knack for expertly produced pop songs while the new batch of material is almost the polar opposite like the experiments Magnetic Fields have engaged in over the years with its creative and varied use of technology in songwriting and processing sounds. But whatever its approach, Hippo Campus has proven its mastery of dynamics and tone.

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Aquabats, photo courtesy the artists

What: The Aquabats
When: Monday, 11.11, 7 p.m.
Where: Gothic Theatre
Why: It’s odd to think that The Aquabats has been around for over twenty-five years now. Hailing from Huntington Beach, California, the quintet’s mixture of ska, punk and pop is as surreal as it is playful. Its singer The MC Bat Commander (aka Christian Jacobs) is better known for his involvement with the kids’ show Yo Gabba Gabba! these days but The Aquabats was a good natured send-up of the Orange County punk scene as the opposite of a macho, violent band. Instead The Aquabats have assumed the personae of super heroes and its multi-media presentation through its own TV shows and sillymusic videos has allowed the band to transcend not just genre appeal but appeal beyond the realm of punk and ska, which the group has long since left behind in favor of greater musical diversity in its songwriting. Go expecting more than just a musical performance, expect the full integration of that with theater and comedy routines and special guest performers along with its usual incorporation of the audience into the proceedings as well.

What: RAREBYRD$, Staple (WI), Gone Full Heathen, Heathen Burial and Denizens of the Deep
When: Monday, 11.11, 7:30 p.m.
Where: Glitter City

What: Ulthar w/Nightfell, Malum Mortuus and Saeva
When: Monday, 11.11, 8 p.m.
Where: Hi-Dive

What: Decide Today (ex-Realicide), Watabou, Church Fire and Techno Allah
When: Monday, 11.11, 8 p.m.
Where: Rhinoceropolis

Tuesday | November 12

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Emerald Siam, photo by Tom Murphy

What: Elephant Stone w/Frankie and the Witch Fingers and Emerald Siam
When: Tuesday, 11.12, 7 p.m.
Where: Hi-Dive
Why: Elephant Stone’s psychedelic pop songs have weathered the glut of wannabe psychedelic rock of the past several years by going beyond the tropes and creating transcendent melodies incorporating traditional Indian musical styles and methods for a sound that seems to drift in from some brighter realm than our own. Frankie and the Witch Fingers is a little more traditionally garage psyche but the sheer momentum of its performances elevates it beyond the languid pace and laid back style we’ve come to expect all while maintaining a delicacy of feeling. Emerald Siam from Denver has some of that psychedelic garage rock in its musical DNA but is more like a moody, dark, post-punk band that discovered that musical catharsis comes from overcoming one’s personal momentum rather than sinking deeper into it.

What: FKA Twigs
When: Tuesday, 11.12, 7 p.m.
Where: Mission Ballroom
Why: FKA Twigs brilliantly fuses downtempo with experimental electronic music. Her new album Magdalene is basically an environmental noise record with elements of R&B and soul in a pop format in the foreground.

What: Big Freedia w/Low Cut Connie
When: Tuesday, 11.12, 7 p.m.
Where: Gothic Theatre
Why: Big Freedia’s “sissy bounce” is like some hip-hop performance art spell-casting that is disorienting yet utterly riveting.

What: At the Heart of the World w/Lowfaith and Polyurethane
When: Tuesday, 11.12, 7 p.m.
Where: Rhinoceropolis

Wednesday | November 13

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The Coathangers, photo by Jeff Forney

What: The Coathangers w/Control Top and Rocket Dust
When: Wednesday, 11.13, 7 p.m.
Where: Lost Lake
Why: The Coathangers have evolved a lot since the incendiary and thrilling chaos of their earlier punk rock without losing any of that raw power. Now touring for The Devil You Know, The Coathangers have completely integrated its instinct for tearing down convention with sharply focused songwriting.

What: Sun Seeker w/Duncan Fellows
When: Wednesday, 11.13, 7 p.m.
Where: Larimer Lounge
Why: Duncan Fellows from Austin unexpectedly makes a blend of Americana, psychedelic pop and 2000s indie rock work through creative layering of instrumentation and vocals giving its songs great dynamic range and an element of unpredictability. There’s a lot of imitation in music at the moment and while Duncan Fellows may not strike some as incredibly original, give them a good listen and it becomes obvious they’re at least following their musical instincts where the mood flows rather than where pre-existing style suggests. In that way the group is a bit like Foxygen and Unknown Mortal Orchestra without sounding like either. Its use of synths as a full compositional element sets it apart from most of its peers as well as heard put to full effect on the group’s latest release the Eyelids Shut EP.

What: MONO w/Bell Witch
When: Wednesday, 11.13, 7 p.m.
Where: Ophelia’s

What: The Get Up Kids w/Kevin Devine and The Whiffs
When: Wednesday, 11.13, 7 p.m.
Where: Oriental Theater

What: Mr. Phylzzz w/Simulators, Church Van and Moon Pussy
When: Wednesday, 11.13, 8 p.m.
Where: Glitter City

Best Shows in Denver and Beyond 10/31/19 to 11/6/19

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Bethlehem Steel performs 11.1.19 at Lion’s Lair, photo by Jeanette D. Moses

Thursday | October 31

What: The Legendary Pink Dots w/Orbit Service, The Drood, DJ Mudwulf and VJ Dizy Pixl
When: Thursday, 10.31, 8:30 p.m.
Where: Ophelia’s Electric Soap Box
Why: The Legendary Pink Dots and its mystical, spectral, ambient psychedelia will turn 40 next August and is currently undertaking a tour celebrating the landmark date along with its new album, 2019’s Angel in the Detail. The new record contains elements of what has always made LPD great including entrancing atmospheres, singer Edward Ka-Spel’s poetic lyrics that articulate deep truths about the human condition and how it manifests in our lives and civilizations. It also comments on the perilous state of things in the world today and especially in “The Junkyard” and how the elites are trying to finish completing a world system that renders those of us not in that upper one percent of one percent as pieces of junk in world civilization. The surreal and beautifully disturbing music video is well worth a view. Also sharing the bill tonight is the likeminded Denver-based ambient psychedelic rock band Orbit Service which has been gracing local stages and well beyond since the mid-90s. The Drood, also from Denver, is like a dark psychedelic prog band with punk-intensity and a sense of theater and the ability to create exorcistic emotional experiences in song. DJ Mudwulf will set the mood with what is sure to be a great set for the holiday and VJ Dizy Pixl will set the visual mood as per her usual level of excellence.

What: Wu Tang Clan w/Jedi Mind Tricks, Immortal Technique and Dillon Cooper
When: Thursday, 10.31, 5:30 p.m.
Where: Red Rocks

What: T.S.O.L. w/Noogy and The Pitch Invasion
When: Thursday, 10.31, 7 p.m.
Where: Oriental Theater

What: Dragondeer w/Dog City Disco and What Young Men Do
When: Thursday, 10.31, 8 p.m.
Where: Cervantes’ Other Side

Friday | November 1

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Yung Bae, photo by Peter Dons

What: Bethlehem Steel w/Gila Teen and guest
When: Friday, 11.1, 9 p.m.
Where: Lion’s Lair
Why: Bethlehem Steel has been together since 2012 but started garnering national attention for its outstanding performances at the South By Southwest festival in 2016. At that time the group had out a couple of EPs but released its debut full length Party Naked Forever in 2017. Its thrilling collision of fuzzy pop and dynamic atmospheric rock has drawn comparisons to 90s noise pop acts like Weezer and contemporary artists like Courtney Barnett and Waxahatchee. But often enough the group’s expansive, imaginative songwriting and creative ambition has resulted in some music that pushes boundaries of the loud and quiet format that many bands have adopted of late so that its songs will remind some of the emotionally stirring music of older bands like Failure, Slint and Rainer Maria. It has that kind of fire and caustic sound as well as lyrics that delve deep into the darker regions of the psyche with a defiant spirit lighting the way. In September, Bethlehem Steel released its fantastic self-titled full-length for which it is touring in support. Also on the bill is Gila Teen, the experimental post-punk band that brilliantly mixes moody atmospheres with a splintery pop punk.

What: Yung Bae w/Birocratic and Jaguar Nights
When: Friday, 11.1, 8 p.m.
Where: Marquis Theater
Why: Dallas Cotton started making music as Yung Bae while living in Portland, Oregon but his production-based future funk started garnering him wider audiences while still a student at Oregon State University. His sound straddles that sort of 70s soul and R&B-inspired sounds and the aesthetic of modern electronic pop music. So while he references classic music it comes off with a more modern sensibility and energy. It hearkens to a previous era and the unsullied excitement of that music but in a way that couldn’t really have been accomplished at the time in terms of how he sculpts sound and edits it together. In 2019 Yung Bae released his fifth album in as many years with Bae 5.

What: Red Wing Black Bird album release w/Plague Garden and Married a Dead Man
When: Friday, 11.1, 9 p.m.
Where: Skylark Lounge
Why: Denver darkwave band Red Wing Black Bird is releasing its latest album produced by DJ Charon of Necromantic/Fenando Altonaga of industrial band eHpH.

What: Future of Bass: smith, Mize, Wriza and Killa Nova
When: Friday, 11.1, 9 p.m.
Where: The Black Box

What: Lucy Dacus w/Liza Anne and Sun June
When: Friday, 11.1, 8 p.m.
Where: Gothic Theatre

Saturday | November 2

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Altas circa 2019, photo by Tom Murphy

What: Dia De Muertos celebration: Altas, Plume Varia and Los Mocochetes
When: Saturday, 11.2, 8 p.m.
Where: Hi-Dive
Why: Denver instrumental rock band Altas is doing its now annual Dia De Muertos show in which the members will dress in the appropriate regalia for the occasion making the show a true event rather than just another gig. The group’s sweeping, cinematic grandeur and fiery musical pyrotechnics and mastery of mood and atmosphere is worth witnessing alone but also on the bill is psychedelic rock band Los Mocochetes and downtempo dream pop band Plume Varia and its emotionally rich and haunted compositions.

What: The Locust w/Disposal Notice and Its Just Bugs
When: Saturday, 11.2, 8 p.m.
Where: Summit Music Hall
Why: The Locust recently reconvened to bring its mutant, death metal inflected, noisy hardcore on a national tour. The group’s surreal imagery and costumes along with its equally bizarre lyrics has made it difficult to lump in with any convenient musical movement. Its Just Bugs (the apostrophe is left off) is an industrial punk hip-hop group from Colorado and just as impossible to pigeonhole.

What: Twin Peaks w/Post Animal and Ohmme
When: Saturday, 11.2, 8 p.m.
Where: Gothic Theatre
Why: Twin Peaks from Chicago weathered the mid-2010s blowout of garage rock and neo-psychedelic rock that was making the underground rock scene of a certain stripe become fairly stale and performatively exciting. What helped was that Twin Peaks was writing good songs and hasn’t stayed stuck in the same sound for its entire career thus far. Its 2019 album Lookout Low sounds like an odd and interesting hybrid of power pop and the weirdo punk of The Fall at its most Lou Reed-inspired, mix in some unusual flourishes of 70s rock with nods to Peter Frampton and Thin Lizzy. All while delivering spirited and sometimes gloriously ragged performances which are much needed at a time when a sanitary quality has permeated too much modern music.

What: Fathers, Limbwrecker, The Munsens and Muscle Beach
When: Saturday, 11.2, 8 p.m.
Where: Lost Lake

What: Dendera Bloodbath, Endometrium Cuntplow, Cau5er, Brother Saturn, Church Fire and Equine
When: Saturday, 11.2, 8 p.m.
Where: Rhinoceropolis

What: Rocket Dust, Tokyo Rodeo and The Slack
When: Saturday, 11.2, 8 p.m.
Where: Glitter City

Sunday | November 3

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Vivian Girls circa 2008, photo by Tom Murphy

What: Vivan Girls w/Down Time, Short Shorts and Backseat Vinyl — CANCELLED
When: Sunday, 11.3, 7 p.m.
Where: Marquis Theater
Why: Vivian Girls caused a stir in the indie underground of the 2000s and 2010s with their lo-fi, noisy pop songs. The group’s ability to mix buoyant dynamics with dark, brooding moods and sounds was a fascinating contrast. The band split in 2014 with members going on to perform in La Sera, The Babies and Upset (all still going concerns). But in summer 2019 the group announced it was reforming with a new record, Memory, on the way and released in September.

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SRSQ, photo by Tom Murphy

What: TR/ST w/SRSQ and DJ Slave 1
When: Sunday, 11.3, 7 p.m.
Where: Summit Music Hall
Why: TR/ST came to prominence as the new darkwave movement was coming together with a sound that seemed to come out of the then renewed interest in vintage synths, that cold, bright, moody sound of Goth-y 80s synth pop and its cousin chillwave. But Robert Alfons’ vibrant, soulful voice and imaginative soundsccaping are the key ingredients that elevated this project above many of its contemporaries. In 2019 TR/ST released The Destroyer (Part 1 and 2), a more experimental and ambient, ethereal set of songs than his previous offerings and a clear product of reassessing directions and ideas to produce something different. SRSQ (pronounced Seer Ess Que as in the lettes for the latter two) is Kennedy Ashlyn the charismatic singer formerly of brilliant dream pop band Them Are Us Too. Her 2018 album Unreality is a moody and emotionally harrowing and cathartic downtempo album that seems to have absorbed the darkness and pain of the underground world in the wake of the Ghost Ship fire and given it a voice that exorcises some of that energy.

What: Keytar Fest IV: The Jinjas, R A R E B Y R D $ and Claudzilla
When: Sunday, 11.3, 4 p.m.
Where: Glitter City
Why: Just like the title of the event suggests, this is a mini festival featuring all projects that incorporate keytars as an essential part of the songwriting and this includes weirdo synth punk Claudzilla and experimental hip-hop/IDM-inflected trio R A R E B Y R D $.

What: Danny Brown w/Ashnikko and Zeeloperz
When: Sunday, 11.3, 7 p.m.
Where: Cervantes’ Masterpiece Ballroom
Why: Ever since the larger world outside of Detroit started cluing into Danny Brown’s genius following the release of 2010’s The Hybrid, the rapper has garnered a large cult following for his eccentric yet sharply cogent and thoughtful yet raw lyrics and production that incorporates a wide range of sounds that one hadn’t often heard in hip-hop outside of the underground and alternative circles of the 90s and early 2000s. Brown picked up where that left off and pushed things further particularly on his 2016 album Atrocity Exhibition which borrowed its title from a science fiction novel by J.G. Ballard and whose beats sounded almost like a new hybrid of industrial and rap that reflected the atmospherics as much as the textures and rhythms. With his new album, 2019’s uknowhatimsayin¿ Brown follows a similar sonic path but brings together more organic, almost found sounds with processed layers of atmosphere. Intact is his gift for surreal imagery and wordplay that gets under your skin.

Monday | November 4

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GRÜN WASSER, photo courtesy the artists

What: GRÜN WASSER w/Natural Violence, French Kettle Station and Night Shift DJs
When: Monday, 11.4, 9 p.m.
Where: Rhinoceropolis
Why: GRÜN WASSER is a Chicago-based electro-pop/industrial whose pulsing rhythms and dreamlike moods sound like endless nights wandering a menacing urban landscape and commenting on the culture of the nightlife. That is if the group’s new album Not OK with Things (Holodeck Records) is any indication. There is an almost claustrophobic quality to its densely atmospheric beats contrasted with Keely Dowd’s lightly echoing, ethereal vocals. French Kettle Station has been through more permutations of his sound than many artists bother to explore but of late he’s been developing a sound that’s still rooted slightly in 1980s No Wave disco and modern glitch dance pop but also influenced by 1980s adult contemporary music and its unexpectedly newly influential use and voicing of drums and vintage synths in a way that in any other contexts would be utterly wack but takes on an almost spiritual cast in certain underground electronic artists including that side of what FKS has been up to in the past year or two. His latest album, Over X Millenia takes those ideas and injects them with non-western rhythmic ideas and a New Age music aesthetic for something new yet strangely familiar. Its closest cousin that comes readily to mind is Brian Eno and David Byrne’s 1981 classic My Life in the Bush of Ghosts.

Tuesday | November 5

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HTRK, photo by Kate Meakin

What: HTRK w/Midwife, Echo Beds, Human Tide
When: Tuesday, 11.5, 8 p.m.
Where: Rhinoceropolis
Why: Since 2003 HTRK, originally from Australia, has been making music inspired by the brooding, otherworldly atmosphere of the films of David Lynch. Though the name of the band is pronounced “Hate Rock” it’s not so much rock except in the experimental sense as much as downtempo and ambient soundscaping. In 2010 founding musician Sean Stewart passed away leaving Nigel Yang and Jonnine Standish to carry on and as a duo HTRK has released a handful of some of the most fascinating music mixing electric music with an electronic aesthetic being made today. The group’s latest album is Venus in Leo with its exquisitely subtle dynamics and cinematic approach to its composition and sound design with lingering, impressionistic guitar riffs drifting around Standish’s hushed and soulful vocals.

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Minami Deutsch, photo courtesy the artists

What: Kikagaku Moyo w/Minamu Deutsch
When: Tuesday, 11.5, 7 p.m.
Where: Gothic Theatre
Why: Kikagaku Moyo from Japan is a true synthesis of 70s Krautrock, classic Japanese psychedelic rock and more traditional Japanese folk. Currently the group is touring with the like-minded Tokyo band Minami Deutsch. The group’s urgent rhythms, mesmerizing drones and hypnotic dynamics sound like what it is to travel through Tokyo and its subtle but odd mixture of old world and high tech metropolis side by side in all of the city’s giant districts. On the group’s new EP, Can’t Get There that dynamic often takes you to a place of anxiety and then release as it draws you into its irresistible groove.

What: Jeffrey Lewis & The Voltage w/Adam Baumeister
When: Tuesday, 11.5, 7 p.m.
Where: Hi-Dive
Why: A rare chance to see eccentric, genius freak folk and comic artist legend Jeffrey Lewis and his band along with local star of experimental folk and psychedelia, Adam Baumeister, head of Meep Records and former member of Navy Girls and Bad Weather California.

What: Cannibal Corpse w/Thy Art is Murder, Perdition Temple
When: Tuesday, 11.5, 6:30 p.m.
Where: Boulder Theater

What: Arc Sol, Slugger and Gothsta
When: Tuesday, 11.5, 9 p.m.
Where: Mercury Café

What: 1349 w/Uada and Cloak
When: Tuesday, 11.5, 6:30 p.m.
Where: Oriental Theater

Wednesday | November 6

DinosaurJr_LeviWalton1
Dinosaur Jr, photo by Levi Walton

What: Negative Approach w/Blood Loss and Tuck Knee
When: Wednesday, 11.6, 7 p.m.
Where: Lost Lake
Why: Negative Approach from Detroit was one of the bands out of that early wave of American hardcore than seemed particularly seething and intense and fronted by John Brannon who went on to noisy psychedelic blues band Laughing Hyenas and Easy Action. Easily one of the greatest frontmen of rock music because he seems to actually be losing his mind swept up in the moment.

What: Weird Wednesday: FangFuck, Zealot and Bolonium
When: Wednesday, 11.6, 9 p.m.
Where: Bowman’s Vinyl & Lounge
Why: Weird Wednesday includes left field indie rock local supergroup Zealot and Bolonium a band inspired by Devo and which comes off like an odd combination of band, cheesy game show and Troma film.

What: Kurt Vile and the Violators w/Dinosaur Jr
When: Wednesday, 11.6, 7 p.m.
Where: The Mission Ballroom
Why: Dinosaur Jr is the missing link between gritty classic rock like Neil Young, hardcore and 90s alternative rock and more influential on modern music than is often obvious. The mixture of sheer volume with tunefulness reconciled eras of music in a way that is often taken for granted and which bands like Nirvana and other massively commercial successful bands took to topple the music industry marketing machine and culture. Apparently modern folk/psychedelic artist Kurt Vile has felt this influence and thus has Dinosaur on this tour and for its part, the members of Dinosaur Jr have continued to release music, some of the best of its career in the past decade.

What: (Sandy) Alex G w/Indigo De Souza and Tomberlin
When: Wednesday, 11.6, 7 p.m.
Where: Marquis Theater