Stay Tuned Gives Five Views of Cannabis Culture on the Playful Yet Incisive Single “Hit It!”

Denver-based hip-hop crew Stay Tuned is set to release its new full length album Remote Control on November 15, 2020 digitally and on vinyl (available through the Bandcamp link below). But early in the year we got a taste of what we’re in store for with the new record with the single “Hit It!” It’s rooted in classic hip-hop and the early 90s alternative flavor without sounding like it’s trapped in old school worship. The beat box percussion, turntablist flair and rapid poetry lyrics cadenced with an attitude reminiscent of early 2000s Talib Kweli. The collaborative track features contributions from InkLine, Fleetwood DeVille and Carnage the Executioner (a frequent collborator with Eyedea) as well as the usual deft bars from MCs ManeRok and Ichiban. With DJ AWHAT!!!’s beats and production from the aforementioned InkLine it perfectly fuses organic textures and rhythms with expert placement of sounds to put the words in the foreground like you’re living in a the moment with what the rappers have to say about the nuances and mythologies of cannabis culture and its impact on culture and the lives of individuals without sounding like some cartoonish advertisement for the industry. Listen to “Hit It!” on Bandcamp and connect with Stay Tuned at the links provided.

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https://soundcloud.com/afterthisbreak
https://twitter.com/staytunedatb
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https://afterthisbreak.bandcamp.com

Best Shows in Denver and Beyond 11/21/19 – 11/27/19

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Lisa Prank performs at Hi-Dive on November 24. Photo circa 2016 by Tom Murphy

Thursday | November 21

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Wilderado, photo by Grant Spanier


What: Zeta (Venezuela), Clarion Void, Disposal Notice, Its Just Bugs
When: Thursday, 11.21, 9 p.m.
Where: Rhinoceropolis
Why: Venezuelan band Zeta has been developing its experimental hardcore sound since 2003. It’s sound is a parts progressive rock and punk but in a way that’s expressive and moody while not sacrificing the intensity. Currently touring in support of its 2019 album Mochima.

What: Mt. Joy w/Wilderado and Adam Melchor
When: Thursday, 11.21, 7 p.m.
Where: Ogden Theatre
Why: Wilderado’s new single “Surefire” sounds wistful and nostalgic in a way that allows for words to develop into an introspective narrative that blooms into an expansive melody alongside the story. Reminiscent of the way The War On Drugs echoes some of the vibe of Bruce Springsteen’s reflective, diary-like lyrics, this offering from the band builds on the atmospheric experiments of its 2018 EP Favors with more electric instrumentation and a more immersive sound without compromising the group’s use of space as a canvass for its emotional colorings.

Friday | November 22

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Married a Dead Man, photo by Ana Irene Valdes-Behrens

What: Married a Dead Man w/False Report, Dead Characters
When: Friday, 11.22, 8 p.m.
Where: Goosetown Tavern
Why: Denver’s Married a Dead Man is releasing its second album Awakening this night. The group’s sound might be described as somewhere between Xmal Deutschland’s wiry, urgent, dark atmospherics and modern pop melodies. The new set of songs, no doubt honed from live performances, are not just bandwagon new post-punk revival and darkwave. At times Megan Kelley’s performance and songwriting chops from her time as a solo artist infuse the songs with a warmth and coherence that gives the music a broader range than the genre of late can sometimes have with songs like “Burn” having a massive, expansive, dramatic dynamic that stretches the boundaries of what one might this band is capable of at first blush. Worth delving into beyond a casual listen.

What: Wildermiss w/Slow Caves
When: Friday, 11.22, 8 p.m.
Where: Bluebird Theater
Why: Wildermiss is a Denver-based indie rock band that is probably on the verge of much wider circles than simply relatively successful local band status. Its new EP In My Mind captures the spirit of our time now of great contrasts of emotional states and expectations, a mixture of fear and hopefulness that most people are experiencing due to the state of the planet, politics, culture and economics. We stand on the precipice of disaster and promise of a better future if we do not lack the will to make it happen. In My Mind expresses that tension well across its length.

What: Briffaut, Down Time and Inaiah Lujan
When: Friday, 11.22, 8 p.m.
Where: Hi-Dive
Why: Briffaut’s new album A Maritime Odyssey: Heaven is Only a Boat Race Away is a nice capsule of this band’s idiosyncratic songwriting. Fans of both King Krule and Deerhunter will find something to love about the band’s lush and unpredictable song structures and raw, emotional swells of tone and a disregard for whether a song or style or performance fits in with some established aesthetic outside its own. Too much music in the indie world is boringly predictable. Not just the indie world. Imitators of milquetoast artists and already successful formulas are rife in music now as at all times since popular music has been a thing. Thankfully Briffaut and its willingness to embrace its own weirdness has been intact since the beginning and gloriously so on the new album of imaginative soundscapes, completely unconventional songwriting and the ability to utterly transport us outside our usual frames of musical reference.

What: King Diamond w/Uncle Acid and the Deadbeats and Idle Hands
When: Friday, 11.22, 6 p.m.
Where: Fillmore Auditorium

What: Faim, Tuck Knee, Gack
When: Friday, 11.22, 8 p.m.
Where: Mutiny Information Café

What: Atomga w/Dandu, Spellbinder and DJ Yahru
When: Friday, 11.22, 8:30 p.m.
Where: Ophelia’s Electric Soapbox

What: False Cathedrals, Gila Teen, How to Think and Wolf Larva
When: Friday, 11.22, 8 p.m.
Where: Glitter City

What: Sour Boy, Bitter Girl and Dirty Shrines
When: Friday, 11.22, 8 p.m.
Where: The Squire Lounge

What: Broncho w/Hot Flash Heat Wave and Rinse & Repeat
When: Friday, 11.22, 7:30 p.m.
Where: Globe Hall

Saturday | November 23

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Blood Incantation, photo by Tom Murphy

What: Blood Incantation w/Vermin Womb, Dreadnought and Superstition
When: Saturday, 11.23, 8 p.m.
Where: Gothic Theatre
Why: Blood Incantation recently released its new album Hidden History of the Human Race. The Denver-based death metal band is a big of an enigma in that it has been slowly building a cult following for years and playing few local shows. But its songs, especially live, come across as larger than life, psychedelic although imbued with the technical precision of the best death metal, and as oddly accessible as the genre has ever been. The record is a science fiction concept album but one that has a cover designed by Bruce Pennington who did cover art for A Canticle For Leibowitz and the Dune books after the initial novel. Plus the guy did the iconic cover for Gene Wolfe’s landmark science fiction fantasy book The Shadow of the Torturer. Fine stuff for an album that is a thrilling reminder that death metal can still be fun and not a forbidding drag.

What: Black Star Gang ft. Yasiin Bey, Talib Kweli, DJ Premier w/Brother Ali, Evidence and The ReMINDers
When: Saturday, 11.23, 7:30 p.m.
Where: Mission Ballroom
Why: Black Star is a hip hop duo comprised of Talib Kweli and Yasiin Bey (Mos Def), two of the sharpest critics of American culture and innovators in the genre themselves. The project only has one album up to now, 1998’s Mos Def & Talib Kweli Are Black Star, but rumor has it they have another in the works produced by Madlib. So if you’ve caught the recent live performances maybe you’ve heard some of the new material and it seems likely it’ll be on display for this show.

What: Lusine w/JUSCHILL and HU
When: Saturday, 11.23, 8 p.m.
Where: Larimer Lounge

What: Broncho w/Hot Flash Heat Wave and Rinse & Repeat
When: Saturday, 11.23, 7:30 p.m.
Where: Globe Hall

What: Matt Rouch & The Noise Upstairs, Chella & The Charm, The Maykit
When: Saturday, 11.23, 7:30 p.m.
Where: The Skylark Lounge

Sunday | November 24

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The Shift circa 2015, photo by Tom Murphy

What: Lisa Prank w/The Tangles (fka The Tickles) and Horse Girl
When: Sunday, 11.24, 7 p.m.
Where: Hi-Dive
Why: Lisa Prank has established refined and thoughtful emo pop songs as a national artist since starting the project in Denver several years back. Her new record Perfect Love Song is a a little fuzzier, more confident but just as wise and as insightful.

What: Shibui Denver #8: Dead Orchids and The Shift
When: Sunday, 11.24, 6:30 p.m.
Where: Hi-Dive
Why: For this edition of Shibui Denver we will have two bands that don’t get nearly the attention they deserve. The Shift is an improvisational, experimental progressive rock band and includes Esmé Patterson and former Bad Weather California bassist Jeremy Averitt. Dead Orchids’ dark, brooding songs are a vital mix of post-punk and Americana but without the trendy habits that often mar bands trying their hand at either.

What: Vérité and YaSi
When: Sunday, 11.24, 7 p.m.
Where: Lost Lake

What: Kris Kristofferson & The Strangers
When: Sunday, 11.24, 5 p.m.
Where: Paramount Theatre

What: Neyla Pekarek’s Rattlesnake w/Chris Fleming, Bluebook and The Newfangled Four
When: Sunday, 11.24, 7 p.m.
Where: Bluebird Theater

What: Goon w/Whiskey Autumn and We Are Not a Glum Lot
When: Sunday, 11.24, 8:30 p.m.
Where: Lion’s Lair

Monday | November 25

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Midwife, photo by Tom Murphy

What: Midwife w/Hogwaller
When: Monday, 11.25, 7 p.m.
Where: Forest Room 5
Why: Midwife is an ambient folk artist of the highest order who was recently tapped to perform at The Flenser showcase at the Roadburn Festival in 2020 with her debut album on that record label later in the year. See her at these small rooms while you still can.

Tuesday | November 26

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HIDE circa 2016, photo by Tom Murphy

What: HIDE w/Echo Beds, Church Fire and Cau5er
When: Tuesday, 11.26, 8 p.m.
Where: Hi-Dive
Why: Confrontational, performance art-oriented industrial band HIDE is the urban dystopian futurist ritual catharsis we need now to burn off the darkness of the modern world. Its new album Hell is Here is a searing, discordant exorcism of the demons that plague the body politic.

What: B. Dolan w/Wheelchair Sports Camp
When: Tuesday, 11.26, 8 p.m.
Where: Ophelia’s Electric Soapbox

Wednesday | November 27

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The Hu, photo by Altankhuyag

What: Pigface w/eHpH, DJ N810, DJ Mudwulf
When: Wednesday, 11.27, 7 p.m.
Where: Summit Music Hall
Why: Pigface is the long-standing industrial supergroup with roots going back to the 80s with members of Ministry, KMFDM and other industrial luminaries. EhpH is a Denver-based duo whose mix of EBM and industrial rock is actually compelling and cathartic and doesn’t come off like its members’ musical imagination got stuck in the early 2000s.

What: Shark Dreams w/Nuancer, The Milk Blossoms and GhostPulse
When: Wednesday, 11.27, 7 p.m.
Where: Larimer Lounge
Why: Best local dream pop line-up in more than a minute with some of Denver’s best. Shark Dreams is more the kind of drifty indie pop with a leg in glittery, slowcore dynamic. Nuancer is as informed by experimental electronic music as pop. The Milk Blossoms are a hip-hop trio disguised as a heartfelt, hyper sincere, experimental indie pop group with a sense of humor and humanity. GhostPulse weaves together downtempo beats, unconventional instrumentation and luminously cloudy atmospherics.

What: The Hu w/Crown Land
When: Wednesday, 11.27, 6 p.m.
Where: The Black Sheep
Why: The Hu is a rock band from Mongolia that performs with traditional instruments, uses throat singing and yet its songs are an exquisite hybrid of Mongolian folk music and heavy metal. Could be corny but it is not, it is powerful, stirring stuff. Fans of Laibach will enjoy the sound of this band even though the styles are so different. Around since 2016 The Hu recently released its debut album The Gereg on Eleven Seven Records.

What: Neon Indian w/Lou Rebecca
When: Wednesday, 11.27, 7 p.m.
Where: Bluebird Theater

What: Emma Mayes & The Hip w/Los Mocochetes and Ghost Tapes
When: Wednesday, 11.27, 8 p.m.
Where: Lost Lake

What: Flaural w/Oko Tygra, Wet Nights and DJ Lexie
When: Wednesday, 11.27, 8 p.m.
Where: Hi-Dive

What: An Evening of Never Kenezzard 2 sets
When: Wednesday, 11.27, 9 p.m.
Where: The Squire Lounge

Best Shows in Denver and Beyond 06/06/19 – 06/12/19

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Altas releases All I Ever Wanted Was at Rhinoceropolis on June 8. Photo by Evan Semoìn

Thursday | June 6

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Reverend Dead Eye circa 2008, photo by Tom Murphy

What: Reverend Dead Eye w/Vic N’ The Narwhals and DJ Rett Rogers
When: Thursday, 06.06, 8 p.m.
Where: Hi-Dive
Why: Reverend Dead Eye now lives in Switzerland and mostly tours Europe but on occasion he graces his old stomping grounds (literally and figuratively) of Denver and treats us to a set of wild-eyed gospel blues post-punk. He will be joined this evening by rock and roll band Vic N’ The Narwhals with a DJ set from Blue Rider and Bad Licks guitarist Rett Rogers.

What: Honduh Daze, Moon Pussy and Demoncassettecult & Junior Deer duo
When: Thursday, 06.06, 8:30 p.m.
Where: Lion’s Lair
Why: Vachco Before Horses is celebrating his birthday doing a duo set as Demoncassettecult and Junior Deer so it’ll be a bit of weirdo hip-hop and ambient soul. Moon Pussy is like Denver’s industrial-esque equivalent of a noise rock band like Shellac but with some on board guitar processing to help sculpt those sounds into the bands already eruptive, angular and cathartic groove.

What: Talib Kweli w/Voz 11, 1-natVson-1 and Time
When: Thursday, 06.06, 8:30 p.m.
Where: Fox Theatre
Why: Talib Kweli is one of the reigning poet laureates of hip-hop, politically charged as his is and otherwise. Check in anywhere in his catalog and you’ll find something vital and thought-provoking and outright compelling whether that’s records under his own name or projects like Black Star. As usual the opening acts for one of his shows is quality including Time whose fusion of underground/experimental hip-hop, humorous and organically intellectual wordplay and socio-political insight is never less than mind-expanding and fun. Voz 11 is kind of an industrial rap artist who will be joined for this show by Wesley Davis of Symbolic Insight Records and ambient solo project Bios+a+ic.

Friday | June 7

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Spearhead, photo by Jay Blakesberg

What: Michael Franti and Spearhead w/Snarky Puppy and Victoria Canal
When: Friday, 06.07, 6:30 p.m.
Where: Red Rocks
Why: Whether you prefer his time in industrial rap groups The Beatnigs and The Disposable Heroes of Hiphoprisy or his current work in conscious reggae fusion folk band Spearhead, Michael Franti has been aiming his creative compass toward critiquing the dominant paradigm with the goal of creating a better, more nurturing and healthier world. As per usual, prior to the concert proper there will be a yoga session at Red Rocks starting at 4:30 p.m.. May seem quaint to some but at least Franti isn’t giving mere lip service to self-improvement. The band is currently touring in support of Stay Human, Vol. II which came out in January. Also on the bill are jazz fusion prog stars Snarky Puppy.

What: Instant Empire w/Anthony Ruptak and Post Paradise
When: Friday, 06.07, 8 p.m.
Where: Syntax Physic Opera
Why: It’s been a minute since we’ve heard from Instant Empire. The indie rock band has been through some changes but has endured to give us Cathedral, a set of the usual thoughtful songwriting and evocative music from the band. Read our interview with Scotty Saunders from the band soon.

What: Amygdala, Caffeine, Euth, Sore Eyes and Herse
When: Friday, 06.07, 7 p.m.
Where: Seventh Circle Music Collective
Why: A show that proves that current hardcore is not all the same or trying to mimic the sound or style from something 35+ years ago while not skimping on the energy and sense of danger that made that music exciting in the first place.

What: Pete Tong
When: Friday, 06.07, 9 p.m.
Where: Bar Standard
Why: Pete Tong is an influential figure in modern electronic music and EDM. Early in life he was something of a soul music DJ on radio in the UK and then as the 80s moved on, a pioneering DJ of Acid House and the Balearic beat that his friend Paul Oakenfold helped to popularize. Oakenfold, joking, coined the expression “It’s all gone Pete Tong” in 1987 to indicate things have gone a bit wrong. Through his ongoing electronic music shows at the BBC (Essential Selection and It’s All Gone Pete Tong) and his efforts at curating and making accessible electronic dance music in the USA. Tong has done big shows in Ibiza and all around the world but this night he’s doing his thing at a small club like Bar Standard.

What: My Life With the Thrill Kill Kult w/Curse Mackey and Church Fire
When: Friday, 06.07, 7 p.m.
Where: Marquis Theater
Why: My Life With the Thrill Kill Kult is not just the horror carny pioneering industrial dance band but also, on most nights, one of the greatest, most fun live bands of all time. Denver’s Church Fire is not nearly as camp but there is an element of playful theatricality to its performances of its own brand of industrial music that is really more a kind of politically-informed synth pop. No down side.

Saturday | June 8

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Gun Street Ghost, photo by Adam Rojo

What: Out There Arts Fest with Blackcell, Church Fire, DJ Mudwulf, Raw Form, Vahco, DJ Spinshits
When: Saturday, 06.08, 8 p.m.
Where: Grace
Why: This is an event to showcase the art space Grace and includes live performances from the above as well as visual/conceptual art and artists, workshops, food and outdoor murals.

What: Altas w/Plume Varia and Voight
When: Saturday, 06.08, 7 p.m.
Where: Rhinoceropolis
Why: With its new album All I Ever Wanted Was, Denver-based instrumental rock band incorporated the electronic/synth side of the band more completely with keyboard player Meghan Lillis contributing full in the songwriting and arranging process with the core and founding trio of Enrique Jimenez, Israel Jimenez and Juan Carlos Flores. The group’s 2014 album Epoca De Bestias lived up to its name and the cinematic scope the band has always conjured with its songwriting. But there is an even greater cohesion and focus this time out with some tongue in cheek titles from a band whose membership has always been on point with the humor. “Cosas Nunca Dichas” is Spanish for “Things Never Said.” The dual meaning including the fact that there are no lyrics in an Altas song is pretty good. “Glasgow Smile”? Surely a significance beyond suggesting it’s a nod to Mogwai exists but that’s also pretty choice as Mogwai use plenty of inside jokes and humor for songs that need no spelling out of meaning. “Valentin Trujillo (An Unsung Hero)” is presumably a reference to the famous Mexican actor who was a major star in the 1980s and whose films often dared to make thoughtful commentary on the politics and culture of his home country and beyond. The final song on the album “Rattenkönig,” or “Rat King” in German. There’s got to be a story there and we hope to bring that to you at some point. The more you delve into the new record and its gorgeously expanded dynamic and sonic palette the more there is to discover as with all great albums. And hey, you get to see the great dream pop band Plume Varia and industrial post-punk soundscapers Voight while you’re at it.

What: Get Your Ears Swoll 7: Sliver, Married a Dead Man and Hate Minor
When: Saturday, 06.08, 8:30 p.m.
Where: The People’s Building
Why: Hate Minor is an artsy prog duo with former Nightshark and Aenka saxophonist Becca Mhalek on drums. Married a Dead Man is a death rock/post-pun/darkwave four-piece that came out of hardcore. Sliver, how a band that mapped out and deconstructed and reconstructed “Break Stuff” as inspiration for all their songs is on a bill like this it’s difficult to say. Good thing singer/guitarist Chris Mercer’s bandmates are patient, understanding, indulgent people and when he, as promised, he gets around to writing the next album around “Sick of Life” because it “nearly got [him] to join the Navy, dude,” some people can join in on the intervention.

What: Gun Street Ghost album release w/Jeff Cramer and New Mexican hi-dive.com/event/1855201-gun-street-ghost-album-release-denver
When: Saturday, 06.08, 8 p.m.
Where: Hi-Dive
Why: In calling the new Gun Street Ghost album Battles it seems as though the band is preparing us for a record brimming with great stories of the struggles we’d rather avoid or skip but which we fight every day without knowing it. Thinking person’s pop written in the language of honky tonk Americana.

What: Johnnascus, Karhlyle, Causer, Kid Mask, HXCMIDI and Henny Graves
When: Saturday, 06.08, 8 p.m.
Where: Thought//Forms Gallery
Why: Austin’s Johnnascus is an industrial rap artist whose videos are not only interesting but borderline scary in the way Creepy Pasta videos can be. It’ll be a good pairing with Detroit’s Karhlyle and his downtempo techno/hip-hop, Kid Mask’s own genre bending noise/industrial hip-hop beatmaking and the electronic/breakcore hardcore of HXCMIDI.

What: Neckbeard Deathcamp, Theories, Dryad and Malevich
When: Saturday, 06.08, 8 p.m.
Where: Bar-K (Colorado Springs)
Why: Neckbeard Deathcamp is the parody black metal/noise industrial band that put out the gloriously titled White Nationalism is for Basement Dwelling Losers in July 2018. Brilliant send-up and the music is oddly legit as well.

Sunday | June 8

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Those Darn Gnomes, photo by Anita Martinez

What: Bobcat Goldthwait and Dana Gould gothictheatre.com/events/detail/372302
When: Sunday, 06.09, 7 p.m.
Where: Gothic Theatre
Why: A lot of people probably remember Bobcat Goldthwait as that crazy guy with the piercing whine from the Police Academy movies. But he never would have got there if not for his brilliant work as an alternative comedian in the 1980s when he would pierce hypocritical pieties with confessional and surrealistic observations and bits that helped to push comedy in a more interesting direction at arguably the early peak of the popularity of stand-up. He has gone on to be a noteworthy filmmaker whose movies (e.g. Shakes the Clown, God Bless America and World’s Greatest Dad) not just darkly humorous but which shine a light on aspects of our culture that are often ignored and if we stopped doing so we might have a healthier society. Dana Gould has been performing his own brand of borderline surreal comedy since the early 80s as well and coming to be known by a more mainstream audience though a comedian of choice for those with a taste for left field humor for decades.

What: Fuck Your Birthday w/Those Darn Gnomes, Narcissa and Galleries
When: Sunday, 06.09, 7 p.m.
Where: Thought//Forms Gallery
Why: Fuck Your Birthday is an American and Chinese, noisy math/garage rock band. That means it has elements of early 90s emo and harder-edged garage rock but doesn’t really fit in with either to well. More like Rainer Maria or Japandroids than some post-hardcore or screamo band. Those Darn Gnomes are somewhere betwixt a free jazz performance art band, grindcore and art folk. Narcissa is a like-minded band from Denver and Galleries is sort of a psychedelic hard rock band.

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Possume, photo courtesy the artist

What: Slugger w/Possum, After the Carnival and more
When: Sunday, 06.09, 7 p.m.
Where: Seventh Circle Music Collective
Why: Toronto’s Possum is a fuzz-toned, heavy psych band. And while that sound is basically old hat at this point except to later comers to modern psychedelia, Possum’s version of that is not the kind that comes off like neo-Laurel Canyon vibe worshipping indie rockers discovering the use of a Memoryman and a Big Muff with a tiny bit of wah. It’s mind-melting epics take a deep dive into drawn out melodic grooves that take some chops and commitment to sonic exploration to craft. Also the band has a song called “Wizard Beard” so it’s not all without a sense of humor. Sharing the bill is a band with a tentacle or two in 70s hard rock and psychedelia with Slugger. But as with Possum, Slugger’s strength is in the songwriting and being of that world rather than wearing it like a trendy outfit.

Tuesday | June 11

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Emma Ruth Rundle, photo courtesy the artist

What: MONO w/Emma Ruth Rundle
When: Tuesday, 06.11, 7 p.m.
Where: The Marquis Theaterthos
Why: Tokyo’s MONO makes post-rock with a classical music sensibility that makes a lot of other bands working in that realm of music seem safe and quaint. Emma Ruth Rundle’s heavy, dark, doom folk is somehow both intimate and majestic. Her latest album On Dark Horses is a trip to, as the title suggests, the shadowy places of the psyche in search of an inner truth that can be elusive unless you’re willing to go all in and face the buried pain and your dark side with compassion and acceptance. It’s her heaviest record to date and her most daring to date.

Best Shows in Denver 9/20/18 – 9/26/18

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Frigs perform 9/25/18 with Natural Violence, American Culture and Law of the Night at Hi-Dive

Thursday | September 20, 2018

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The Voidz, photo courtesy the artist

Who: Propagandhi w/Iron Chic and Cheap Perfume
When: Thursday, 09.20, 7 p.m.
Where: The Oriental Theater
Why: Propagandhi made leftist politics and veganism into some great pop punk songs even as its sound evolved in heavier directions later in its career. From 1993’s humorous yet pointedly political How To Clean Everything to 2001’s opus of politically pointed yet irreverent and fun Today’s Empires, Tomorrow’s Ashes, Propagandhi were one of the few relatively high profile modern punk bands that didn’t get stuck in pure entertainment and only songs about heartache and everyday life mode. Thankfully the band still hasn’t cynically cashed in with essentially content-free records. Long Island’s Iron Chic seems cut from a similar cloth writing genuinely clever songs pairing meaningful and insightful lyrics with infectiously catchy melodic punk. Colorado Springs’ own Cheap Perfume opens the show with plenty of searing social commentary for an entire evening of music packed into its set.

Who: The Voidz w/Promiseland and The Velveteers
When: Thursday, 09.20, 7 p.m.
Where: The Gothic Theatre
Why: The Voidz released its sophomore record Virtue in March and for those uninitiated its video for “QYURRYUS” suggested some sort of futuristic weirdo psychedelic band but one that took older trash technology and made something new and interesting with it. That Strokes frontman Julian Casablancas was involved in that song and video, a seeming mutant send-up of 80s VHS mashup and modern post-punk and trap, shouldn’t have come as a surprise and yet it did. The rest of the album isn’t all quite as engagingly strange but nevertheless a sprawl of concentrated musical imagination, welcome in a time when such things aren’t in as abundant as one would hope. The previous album, 2014’s Tyranny, had some promising moments but Virtue is where Casablancas and company really want to be in creating music not just a departure from other projects but in making something that is of the moment even when it mines the past for compositional elements recontextualized.

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Murder By Death, photo by Tall James Photography

Who: Murder By Death and William Elliott Whitmore
When: Thursday, 09.20, 7 p.m.
Where: The Ogden Theatre
Why: Murder By Death’s latest album The Other Shore sounds like a band that has taken a decisive step to musically reinventing itself while preserving the core of what has made it one of the most interesting bands of the past two decades. Before chamber pop and indie Americana was really much of a thing, Murder By Death had been making that music with a high level of artistry with lyrics that skirted a fine line between the conceptual, the personal, narrative elements and the poetic without coming off as pretentious. The Other Shore, as the album title suggests, showcases a band that has been on a journey since it’s inception to explore its musical interests as an Americana band in a place and a time when post-hardcore and emo was the prevailing form of music around them, and one that wrote music about an imaginary American West with a greater accuracy and resonance than many bands actually from that part of the country. For this tour Murder By Death is joined by its friend and early compatriot in making music out of step with then trends in music. His warm, textured songwriting and singing has the ability to draw you in with the clarity and vivid imagery of his own storytelling. His new record Kilonova on Bloodshot Records is a collection of songs that truly find the great stories in everyday life better than almost anything out this year as yet.

Friday | September 21, 2018

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Meat Beat Manifesto, photo courtesy the artist

Who: Meat Beat Manifesto w/C-Tec, Mondo Obscura and DJ Dave Vendetta
When: Friday, 09.21, 7 p.m.
Where: The Oriental Theater
Why: Nine Inch Nails and huge swath of 90s and 2000s electronic music acts cite Meat Beat Manifesto as a primary influence. Jack Dangers’ production fingerprints have been all over the musical landscape from the 90s onward. Part of the reason for this is Dangers’ wide-ranging curiosity about various musical styles and technology and techniques involved in making those sounds. He didn’t just dabble in all sorts of techno, EDM, IDM, dub and more, he produced innovative work in all of those sonic realms. MBM’s 1990 album 99% was a landmark in electronic music production and composition perhaps only surpassed immediately afterward by 1992’s Satyricon. But in recent years MBM has released some of its most interesting music to date including the two 2018 albums in an especially fruitfully prolific era of the project with Impossible Star out this past January and a new full-length due out in November. Both records reveal a band that has consistently moved into new realms of sound while maintaining its unique voice in music.

Also on the bill is C-Tec, a dark EBM-esque project of some of that music scene’s luminaries including Jean-Luc DeMeyer of Front 242, Marc Heal of Cubanate, Ged Dention of Crisis NTI and Julian Beeston of Nitzer Ebb. Denver ambient/industrial duo Mondo Obscura opens the show with probably a harder edged of their more hypnotic chill out vibe. If their 2018 album Focus On Black is any indication that shouldn’t be a problem.

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Who: Tribulation and Pallbearer
When: Friday, 09.21, 7 p.m.
Where: The Bluebird Theater
Why: Arvika, Sweden’s Tribulation probably could have become stuck mining the melodic/Gothenburg death metal territory or hybriding that with neo-thrash or Goth-ed out black metal. But its sound is much more interesting and not trying to be all things to all fans of heavy music. Rather, it’s eclectic sound is one that has roots but uses those sonic elements to write layered music with imaginative dynamics that allow for writing songs about occult themes in 2018 without seeming corny. The group’s 2018 album Down Below is sort of to death metal what T.S.O.L.’s 1982 to album Beneath the Shadows was to hardcore.

Who: 7C 6-Year Night #1: Only Echos (album release), Only Souls Die Young and more
When: Friday, 09.21, 7 p.m.
Where: Seventh Circle Music Collective
Why: This Denver DIY space is one of the few places you can go and see something new and good you’ve never heard of on a bill of very different other music every single time. It’s also the main place where younger musicians are going to play for their peers as they develop as artists. What that means is that you can see bands grow from the ground up, which is the most exciting time to see them. Congratulations no Seventh Circle Music Collective in keeping things going for 6 years thus far.

Who: El Ten Eleven w/Tennis System and Picture the Waves
When: Friday, 09.21, 8 p.m.
Where: Summit Music Hall
Why: El Ten Eleven is the Los Angeles based post-rock band whose music you’ve heard in television and film. Its texture and rhythm driven compositions give El Ten Eleven a bit more presence than some of its peers in the realm of instrumental rock. Also on the bill this night is another L.A.-based ethereal rock project with Tennis System. That trio takes the kind of bright, breezy melodies that Depreciation Guild had discovered in melding pure 8-bit electronic composition with dream pop. Tennis System, though, weds the sound with a sort of melancholic, disillusioned yet hopeful tone suggestive of being in a place where all aspirations can supposedly be met but the reality is much less glamorous.

Saturday | September 22, 2018

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Kat Ellinger circa 2005 in Sleepers, photo by Tom Murphy

Who: Kat Ellinger tribute/benefit featuring: I’m A Boy, Toddy Walters, The Red Tack, Stereoshifter, New Ben Franklins, Doug and Liz from Sympathy F and Shindei Shashin
When: Saturday, 09.22, 7 p.m.
Where: Mutiny Information Café
Why: Kat Ellinger was a respected songwriter and singer/musician in Denver from the early 90s until her untimely passing in June 2018. Her bands Worm Trouble and Sleepers should have propelled her into at least the tier of touring bands that plays mid-sized clubs as her knack for writing meaningful, well-crafted rock and pop songs with a strong individual vision was on par with anyone anyone could name from that same time period. Her songs were eclectic, emotionally powerful, honest and accessible. Ellinger herself was an engaging and strong live performer and this show, a benefit for her family, features Denver underground luminaries such as Ted Thacker formerly of Baldo Rex (a band often cited by DeVotchKa as an influence) as The Red Tack, New Ben Franklins playing a rock rather than country set and Doug Seaman and Liz Rose of Sympathy F performing a stripped down set.

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Stonefield, photo courtesy the artist

Who: Frankie And the Witch Fingers w/Stonefield, King Eddie and DJ Ross Taylor
When: Saturday, 09.22, 8 p.m.
Where: Hi-Dive
Why: Kind of a psychedelic party rock show with Frankie And the Witch Fingers from Los Angeles and their Colorado kin with King Eddie. Stonefield, though, is an all female heavy psych band from Australia. The group released its most recent full length Far From Earth in 2018 with a sound somewhere betwixt early solo Dio and Acid Witch and 70s hard rock bands like Uriah Heep.

Who: 7 C 6-Year Night #2: David Liebe Hart, Chip the Black Boy, Whatever Your Heart Desires, Unit-Y, Shwarma, Actobog and more
When: Saturday, 09.22, 4 p.m.
Where: Seventh Circle Music Collective
Why: Night two of Seventh Circle Music Collective’s 6-year anniversary show with an appearance by eccentric outsider pop artist David Liebe Hart who is responsible for some of the most surreal segments of the already quite strange Tim and Eric Awesome Show, Great Job! Some have speculated that it’s all an act but what you see is what you get and there is an unmistakable appeal to Hart’s utter sincerity and conviction and faith in his music and art to reach people.

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Iron and Wine, photo by Kim Black

Who: Iron & Wine w/Erin Rae
When: Saturday, 09.22, 7 p.m.
Where: The Paramount Theatre
Why: Sam Beam’s songs, no matter the format and line-up performing them, always come off like campfire sessions in which everyone shares stories and ideas and autobiographical musings that taking into flights of personal philosophy. That warmth and intimacy sets Bream’s work apart from many of his peers and there is a timelessness to his music akin to that of Cat Stevens or Harry Chapin. His new offering, 2018’s Weed Garden EP, follows on the heels of 2017’s Beast Epic and what many consider to be a return to the stripped down, simple style that made 2004’s Our Endless Numbered Days a classic.

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DeVotchKa, photo by Jen Rosenstein

What: On Tap With KBCO featuring DeVotchKa, Cake and Calexico
When: Saturday, 09.22, 12:30
Where: Breckenridge Brewery
Why: This is a show benefitting Take Note Colorado, an organization dedicated to getting musical instruments and lessons to Colorado students K-12. Cake is the alternative rock band that had wry 90s hits like “The Distance” and “Rock and Roll Lifestyle.” Calexico is the excellent Americana/dream pop band with a bit of Southwest flavor. DeVotchKa, the hometown heroes, released its latest album This Night Falls Forever in August. That it’s the group’s first release of an entire album of new material since 2011’s 100 Lovers suggests a period of deep self-doubt, assessing oneself as an artist and as a person and a reinvention without discarding everything. The new record has all the hallmarks of DeVotchKa’s best material—depth of sound space, intricate sonic details that never seem cluttered and excessive and a haunted quality that hints at accepting one’s regrets if not gladly, of loss and calm and grace in the face of an uncertain future. Frankly, it’s music for the current era and comfort in a time of trouble and chaos as DeVotchKa has a gift for tapping into one’s sense of nostalgia and triggering a gentle catharsis.

Monday | September 24, 2018

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Who: The Charlatans UK w/Reyna
When: Monday, 09.24, 7 p.m.
Where: The Bluebird Theater
Why: The Charlatans UK were one of the bands whose mix of soul, acid house and psychedelic rock was early associated with the Madchester aesthetic of the late 80s and early 90s. And, thus, what became known as Britpop. The Charlatans were a step removed from Madchester coming from the relatively nearby Western Midlands but were clearly musically kindred spirits. The group’s 1990 debut full-length Some Friendly was recorded when the band had been together for around a year and can be a bit uneven but it yielded an iconic hit with “The Only One I Know.” Throughout the 90s The Charlatans evolved in interesting ways as its members stayed engaged with new sounds and ideas and in growing as artists themselves rather than rest on past laurels. The result has been a string of albums with a familiar element to the songwriting because of Tim Burgess’ strong yet emotionally chameleonic voice, Martin Blunt’s subtle yet fluid bass style perfectly accenting the song dynamics, the late Rob Collins’ (and now Tony Rogers’) ebullient but tasteful keyboard work and Mark Collins’ gift for playing to the song and taking on a broad variety of roles as a guitarist—lead, rhythm, texture, accents.

The Charlatans released a 2017 album called Different Days which is both a reminder that maybe the more recent world of rock and pop has caught up to what The Charlatans have done all along quite well in threading psychedelic rock, classic songwriting about perennial themes and listening to the new music for ideas to not get stuck in one’s own rut and inspiration for the future. In 2018 the Totally Eclipsing EP, comprised of material recorded during the time of Different Days, was released on limited edition 12” green vinyl as well as for download and as a second CD with a deluxe edition of the full-length.

Who: Dr. Montgomery Maxwell, Joohs Uhp, $addy and Shamwow
When: Monday, 09.24, 7 p.m.
Where: Mutiny Information Café
Why: A good slice of some of Denver’s weirdo/experimental/industrial hip-hop. Dr. Montgomery Maxwell is more on the industrial side of that spectrum though maybe for this show he might not break as much stuff on stage as usual. But you never know. Joohs Uhp sounds like a guy who is way into nü metal and hip-hop and unabashedly all about what some might think is the trashier more ephemeral end of that but has found a way to turn that affection for other people’s supposed trash and turned it into something interesting. Shamwow sounds like, for lack of a better term “slacker trap.” Meaning, to some, it’ll sound like lazily made weird, lo-fit who-knows-what but really it’s well produced, intentional stuff that some fans of “real” hip-hop won’t recognize its quality. But, supposedly, Trev Rich is a fan so there’s that. $addy’s sound is as the name suggest—sort of a melancholic vibe but using beats that sound like they’re right out of a surreal game about being a gamer hacker destroying the horrific international economic system and unlocking achievements by dropping sick 8-bit beats rife with noise and undoubted sonic reference samples from realms of the gaming world most of us have never heard about. Or something like that.

Who: Beck w/Jenny Lewis
When: Monday, 09.24, 6:30 p.m.
Where: Red Rocks
Why: Beck made being an utterly eccentric songwriter a commercially viable thing in the 1990s. Maybe he was tapping into the zeitgeist in a way that the alternative rock explosion of the early 90s made possible by speaking to the inner weirdo of a broad audience. There is no reason a song like “Loser,” “Where It’s At,” “Devil’s Haircut” and “The New Pollution” should have been hits to anyone but hipster oddballs except that Beck also employed elements of soul, hip-hop, R&B and interesting but odd cultural references that was a far cooler predecessor to the awkward comedy kick that got more popular in the 2000s. But Beck evolved and his genre splicing became more refined and fascinating with every album from Midnight Vultures onward reflecting perhaps a  particularly focused set of ideas and sounds. Beck simply wouldn’t allow himself to be limited by the expectations of others and trusted his imagination and instincts to be his guide.

Jenny Lewis was an actress in various television shows and films before people knew of her as an actress. But her band with Blake Sennett, another child actor, Rilo Kiley introduced the world to one of the most genuinely clever, incisive and insightful commenters on personal psychology and American culture in Lewis as a lyricist. It didn’t hurt that her emotionally rich and powerful voice put conviction behind those words. Whether in Rilo Kiley, her solo albums, Jenny & Johnny or her recent work in Nice As Fuck, Lewis has consistently been an artist with something to say, singing with a poignant honesty but one informed by a sense reality and kindness.

Who: Boulder Guitar Society: Janet Feder
When: Monday, 09.24, 7 p.m.
Where: First United Methodist Church of Boulder
Why: Janet Feder is an educator and master guitarist whose experimental compositions both extend the range and possibilities of the instrument but whose songs have an accessibility and emotional resonance that one doesn’t often associate with a musician that is both an academic and long-standing figure in the musical avant-garde. But just like the human that is Janet Feder, the music is immediately engaging and inviting into an unpretentious creativity that anyone can access.

Tuesday | September 25, 2018

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Jenny Lewis, photo from Jenny Lewis Tumblr

Who: Beck w/Jenny Lewis
When: Tuesday, 09.25, 6:30 p.m.
Where: Red Rocks
Why: For Beck and Jenny Lewis see above for Monday, 09.24.

Who: FRIGS w/Natural Violence, American Culture and Law of the Night
When: Tuesday, 09.25, 8 p.m.
Where: Hi-Dive
Why: FRIGS at first listen might remind you of 90s angular post-punk bands like Fugazi, 2000s’ Canadian art guitar groups like Women or the English, experimental rock band Electrelane. That use of layered simple yet intricate and entrancing guitar and rhythm. All intertwined with Bria Salmena’s soulful and expressive vocals. The band’s 2018 debut full-length Basic Behavior is a raw, menacing, atmospheric wail of wiry energy unleashing and transforming the angst and anxiety of this era. The band’s live shows bring some mystery and emotionally-charged physicality to the stage in a way not many bands these days do.

Who: Gringo Star w/Turvy Organ and Shuttles
When: Tuesday, 09.25, 7 p.m.
Where: Lost Lake
Why: Before it became too fashionable, Atlanta’s Gringo Star was perfecting its signature psych/soul garage rock sound. What seems lost in some of the assessments of the band, that is hinted at through its numerous music videos, is how the group’s music tells stories from the perspective of urban, Southern youth and its use of musical forms from other parts of the country (surf rock, California psych, Memphis soul/garage rock etc.) as the palette of its imaginative expression. The band’s 2018 album Back to the City finds it in a more wistful mood with a sense of nostalgia that is far more interesting, genuine, personal and poignant than has often been the case in a lot of music of late.

Wednesday | September 26, 2018

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Ms. Lauryn Hill, photo from Ms. Lauryn Hill Facebook

Who: The Miseducation of Lauryn Hill 20th anniversary w/Talib Kweli and Shabazz Palaces
When: Wednesday, 09.26, 5:55 p.m.
Where: Red Rocks
Why: In 1998 Lauryn Hill announced herself as a solo artist of note with the release of The Miseducation of Lauryn Hill after having parted ways with her former band, the popular and influential R&B hip-hop group The Fugees. On the strength of promotional singles and name recognition alone, the record was probably destined to top the Billboard charts. But the record struck a chord with a strong yet nuanced evocation of the experience of women’s experiences as well as Hill’s sheer stylistic range. And Hill didn’t write the album with the commercial audience in mind. Yes, it’s well-produced and written, of course, but it’s also a raw and honest record that is accessible to a broad audience because of those qualities. The record has rightfully come to be seen as a classic of neo soul but it’s also one of the greatest albums of the 90s for the vitality of its creative vision. As a bonus you get to see Talib Kweli and Shabazz Palaces. Kweli is one of America’s most important social critics and one of its greatest hip-hop artists. Ishmael Butler of Shabazz Palaces could have merely been a legendary of alternative hip-hop as a member of Digable Planets. But in Shabazz Palaces with Tendai Maraire he is exploring experimental realms of sound, noise and rhythm that is pushing the boundaries of what hip-hop can sound like, look like and be.

Best Shows in Denver 2/23/18 – 02/28/18

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The Kinky Fingers release Garbage Plate on Friday, 2/23/18 at Tooey’s on Colfax, photo by Alexandra Brexa Hooson

Friday | February 23, 2018

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Image from Jane Eyre, photo courtesy Grapefruit Lab

What: Jane/Eyre – Grapefruit Lab and Teacup Gorilla w/Dameon Merkl on vocals
When: Friday, 02.23, 7 p.m.
Where: The Bakery
Why: This is a queer adaptation of Charlotte Brontë’s classic 1847 coming-of-age novel. So it’ll be storytelling and songs provided by the Grapefruit Lab collective and Teacup Gorilla who are bringing in noted local frontman and raconteur extraordinaire, Dameon Merkl who some may know as one of the vocalists in Lost Walks as well as his turns in 90s punk band Random Victim and noir rock phenoms Bad Luck City. Because it’s Teacup Gorilla, a band that has long developed a relationship with theater and writing experimental rock music that can only loosely be defined as post-punk or glam rock because its imaginative songwriting and musicianship is much broader than a single genre. The run of this production spans six performances starting Friday and Saturday evening of February 23 and 24 with a 2 p.m. matinee show on Sundays. On February 23, the opening band is Denver’s dream pop duo Plume Varia. February 24 has indie pop group The Green Typewriters on board. March 2 will include a performance from Ersatz Robots and the final evening show will have a surprise guest on March 3.

Who: The Kinky Fingers album release w/Don Chicharron and Godchild
When: Friday, 02.23, 7 p.m.
Where: Tooey’s Off Colfax
Why: The Kinky Fingers have always been a band that made a virtue of simple, clean melodies. At a time when it seemed there was entire too much surf rock and neo-psychedelic rock, The Kinky Fingers shined with the strength of its songwriting. With its new album, Garbage Plate, the band has expanded its sound and boosted its emotional range. The album has been a long time coming. Recorded in the summer of 2016 in Rochester, New York, Garbage Plate is a surprisingly thoughtful set of songs that sound like party anthems. Regarding the meaning of the album title, the band says “[a] Garbage Plate is a plate of fried potatoes, baked beans, hot dogs, onions, mustard, and a chili-like meat sauce. Intense. As the name suggests, the music rings through so many genres, textures and tastes it feels a perfect fit for the deteriorating American dream, which once tasted so sweet and now feels more like a bellyache.” Expect the usual sharply observant songs about the vicissitudes of life with some poignant, and creatively rendered, social commentary mixed in. The Kinky Fingers will also play at the Treefort Music Festival in Boise, Idaho on Friday, March 23 at Ha Penny at 11:20 p.m.

Who: Slow Caves 7” release w/Gleemer and Panther Martin
When: Friday, 02.23, 8 p.m.
Where: Lost Lake
Why: On its new 7”, Fort Collins’ Slow Caves seems to have evolved well beyond the more languid pace and sound of its earlier pop songs. “Poser” has some of the structure and dynamics of the band’s surf rock leanings but there is more grit and drive to its winningly polished melodies. Joining Slow Caves for the occasion of releasing its new record are noisy math rockers Gleemer and Panther Martin, a band that may have started out in the realm of garage and psych rock but its intricate yet uncluttered musicianship reveals a knack for writing songs of often surprising emotional complexity.

Who: Ben UFO w/Gerd Janson, Mozhgan
When: Friday, 02.23, 9 p.m.
Where: Club Vinyl
Why: Ben Thomson (Ben UFO), made a name for himself purely as a DJ rather than as a producer and his mixes of some of the most cutting edge, modern electronic dance music have made him an in-demand curator of that music. The discography of Hessle Audio, the imprint he co-owns with David Kennedy of Pearson Sound and Pangaea’s Kevin McAuley would be a solid introduction to some of the best underground electronic music going today.

Saturday | February 24, 2018

 

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Necropanther, photo by David Novin

Who: Necropanther CD release w/The Munsens, and Abrams
When: Saturday, 02.24, 8:30 p.m.
Where: Hi-Dive
Why: Denver death thrashers Necropanther are releasing a new album tonight with Eyes Of Blue Light. Imagine what it would sound like if a melodic death metal band Gothenburg style wrote a Dune-themed record inspired in part by Municipal Waste and Thrash Zone-period D.R.I.. Well, Necropanther recorded the album in Denver but got it mastered in Gothenburg, Sweden with Fredrik Nordström who has put his sonic fingerprints on the broad spectrum of that city’s melodic death metal scene. Also on stage this night are sludgy doom-sters The Munsens and the equally menacing Abrams whose own version of sludge/doom is energetically dynamic and otherworldly in the vein of bands like Neurosis and Isis.

Who: Jane Eyre – Grapefruit Lab and Teacup Gorilla w/Dameon Merkl on vocals
When: Saturday, 02.24, 7 p.m.
Where: The Bakery
Why: See above for February 23. A brilliant adaptation.

Sunday | February 25, 2018

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Teacup Gorilla and Dameon Merkl (on left) on opening night of JANE/EYRE, matinee show tonight, February 25, at 2 p.m. at The Bakery

Who: Jane Eyre – Grapefruit Lab and Teacup Gorilla w/Dameon Merkl on vocals
When: Sunday, 02.24, 2 p.m.
Where: The Bakery
Why: Also, see above for February 23. This is the matinee showing of the first week.

What: Textures featuring Cpt. Howdy, Brother Saturn, MYTHirst
When: Sunday, 02.25, 7 p.m.
Where: Mutiny Information Café
Why: This is the latest edition of the Textures ambient showcase. This time the return of heavy synth duo (trio), Cpt. Howdy, the super chill, abstract ambient of Drew Miller (of Chromadrift) as Brother Saturn (he calls it a shoegaze band and yeah, if you’re thinking more like Seefeel rather than the more rock-oriented stuff) and MYTHist’s electro-acoustic take on IDM.

Monday | February 26, 2018

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Myrkur, photo by Daria Endresen

What: Decibel Magazine Tour: Enslaved, Wolves in the Throne Room, Myrkur and Khemmis
When: Monday, 02.26, 6 p.m.
Where: The Gothic Theatre
Why: Decibel Magazine, one of the major magazines that focuses on metal and heavy music in general, has been on this tour for several years now and this time out the even is headlined by Norway’s Enslaved. The band has always had melodic elements to its brutally majestic sound. But with it’s 2017 album E, the group seems to have written the music with a cinematic presentation in mind like they were composing a soundtrack for the next Thor movie. In a similar vein of invoking indigenous spirits and associated imagery in the music are the opening bands on this leg of the tour. Denver’s Khemmis is often described as a doom band but its songs far more melodic than such designations suggest. The hanging chords and sludgy flourishes are there but so is an apparent dedication to fairly traditional songcraft giving the band an appeal beyond what one might assume to be its audience. Myrkur, from Denmark, is the black metal project of Amalie Bruun. Her expansive, lush songs bring together the gritty and the sublime and transcendent matched by her seemingly effortless transition between. Mareidt, the project’s 2017 release, included a guest vocal from the like-minded Chelsea Wolfe on the track “Funeral.” Wolves in the Throne Room from Olympia, Washington all but retired from any active touring several years back so this is a rare chance to catch the band’s Cascadian black metal in Denver. The group performed in Colorado Springs in October 2017 in the wake of the release of its most recent album, 2017’s Thrice Woven. A WITTR show is fairly tribal in presentation with visuals invoking meeting at a communal fire to share stories and to participate in a collective ritual and the music is a manifestation of that spirit.

Who: Palm w/Spirit of the Beehive and Plague Survivor
When: Monday, 02.26, 8 p.m.
Where: Lost Lake
Why: Palm was originally from Philadelphia but calls New York City it’s home base these days. It’s flavor of neo-math rock is less focused on actual technique and more on what you can do with technique and dynamics if you inject some imagination into the playing and writing. If you’re a fan of groups like US Weekly, Laddio Bolocko, Don Caballero and A Minor Forest you’ll probably appreciate what Palm is doing. Its new album, 2018’s Rock Island, expands on the band’s previous, beautifully claustrophobic structures without losing its masterful ability to create tension and release at the perfect moments.

Who: Haunted Summer w/Tyto Alba, Ghostpulse and Magic Cyclops
When: Monday, 02.26, 7 p.m.
Where: Globe Hall
Why: Haunted Summer could be broadbrushed as a post-chillwave dream pop project reminiscent of Devotion-period Beach House because its entrancing melodies are possessed of a similarly gorgeous emotional afterglow. But its Robin-Guthrie-circa-Mysterious-Skin-soundtrack guitar textures and drifty dynamics akin to those of Former Selves or Candy Claws. Whatever went into inspiring the band’s sound, it’s excellent 2017 album, Spirit Guides has a warmth and intimacy that propels the songs into having an immediacy that isn’t always the purvey of bands attempting a similar style of music. Tyto Alba, like Haunted Summer, is a band that is great at working in the realm of the edges of your memory to invoke something that isn’t nostalgia but has an emotional resonance that stimulates the feelings that normally coalesce into comforting reverie.

Who: Eraserhead Fuckers, Juniordeer, Ultraviolet, Morlox and Brkn Jwbne Tape Manipulator
When: Monday, 02.26, 7 p.m.
Where: Mutiny Information Café
Why: Just reading the list of band names should give you some idea of the strangeness you’re in for if you make it to this show. Morlox should be a well-known artist in Denver because his influence on the local industrial and noise scene is undeniable but he has also had an impact on experimental pop band Church Fire and their facility in weaving together industrial music and hip-hop production ideas into their own songwriting. He rarely performs live so if that’s your thing, be there. Also, Eraserhead Fuckers is technically hip-hop but so confrontational, abrasive and surreal that most hip-hop fans aren’t going to be into it unless maybe they didn’t have a difficult time getting into something like Death Grips, .clipping, Earl Sweatshirt or Disposable Heroes of Hiphoprisy.

Tuesday | February 27, 2018

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Talib Kweli ciurca 2015, photo by Tom Murphy

Who: Talib Kweli w/Niko Is, DJ Spintelect and Time
When: Tuesday, 02.27, 8:30 p.m.
Where: Fox Theatre
Why: Talib Kweli Greene would have secured his place in hip-hop history with Black Star, his collaborative project with Mos Def. But Kweli’s talent, intellect and curiosity has brought him to various efforts as a rapper, producer and activist. Rather than make more than a brief list of the people he’s worked with like Dave Chappelle, Kanye West and Dead Prez, it would be more worthwhile to note how Kweli’s albums have long been filled with thoughtful and creative social critiques alongside solid beats and music so that his albums never come off feeling didactic or preachy even as he minces no words—because his stories and words are also not short on humanity. Kweli can be pointed but he clearly takes in the bigger picture beyond any topical content. Along on the tour is Niko Is, a likeminded artist whose own imaginative wordplay sketches vivid images of aspirational daydreams and everyday life rendered into poetry. Opening the show is Denver’s Time, a rapper whose literary lyrics display a gift for surreal stories and political analysis grounded in his own experiences growing up in “the nutty.” Meaning North Denver, of course. Sometime in 2018 it’s anticipated that we’ll see a new album from Calm., Time’s hip-hop duo with longtime collaborator, the producer Awareness.

Wednesday | February 28, 2018

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Why? photo by Josiah Wolf

Who: Why? w/The Florist
When: Wednesday, 02.28, 7 p.m.
Where: Bluebird Theater
Why: Yoni Wolf aka Why? was once in influential, experimental hip hop group Clouddead but when that outfit split in 2004 he formed an indie rock band called Why? with his brother Josiah and friends. And yet calling Why? indie rock is a bit imprecise because the band is far more experimental with its use of sound, the poetry of its lyrics and the the visual presentation of the music as well. At times Why? can be a multimedia experience with interaction between performers and video as well as making a theater sized show seem like something more suited to a stadium. Whatever the experience of the show might be it’s something the group has evolved for years and rooted in a music that is pushing and challenging the kind of complacency of being so in love with one’s established sound by making music that can never rest easy in a staid formula. The latest Why? record, 2017’s Moh Lhean, is typically impossible to adequately characterize and yet has all the unique wordplay and imagery that has made Why? a consistently interesting project from the beginning.

Who: Rachael Yamagata w/Hemming 
When: Tuesday, 02.27, 7 p.m.
Where: Globe Hall
Why: Rachael Yamagata has been at her solo career since 2001. Likely often broadbrushed as a singer-songwriter, Yamagata’s music transcends stereotypes that have crept up about singer-songwriter artists even though, obviously, artists like Joni Mitchell, Kate Bush, Leonard Cohen, Tom Waits and plenty of others are good examples of singer-writers. Like Ray LaMontagne (with whom Yamagata has worked) and Greg Laswell, Yamagata writes songs about life that provides a unique insight and illumination into subjects well-worn by artists since time immemorial. Yamagata’s voice is calming yet not short on evoking peak emotional moments with a gift for articulating complexity of feeling. Her music, richly detailed and textured, provide the perfect backdrop to her honest storytelling. Her 2016 album Tightrope Walker in particular minced few words about life challenges but did so in a lushly poetic fashion.