Best Shows in Denver and Beyond June 2024

Miki Berenyi Trio perform at The Bluebird Theater on June 6, 2024, photo by V. Arbelet
The Damned in 2018, photo by Steve Gullick

Tuesday | 06.04
What: The Damned with The Mañanas
When: 7
Where: Gothic Theatre
Why: The Damned were one of the foundational UK punk bands in the mid-1970s releasing that scene’s earliest single with the iconic “New Rose.” In subsequent decades the group managed to evolve and still remain a powerful and entertaining live band with a sense of theater. Though part of the first wave of punk The Damned’s raucous live show proved an enduring influence on hardcore. After numerous lineup changes the current band includes founding members Dave Vanian and Rat Scabies and Captain Sensible.

Wand, photo by Asal Shahindoust

Wednesday | 06.05
What: Wand w/Supreme Joy
When: 7 PM
Where: The Marquis Theater
Why: Wand guitarist Cory Hanson is widely considered one of the great talents of 2010’s psychedelic rock whose solo recordings are as fascinating as anything he’s done in anyone else’s band (Ty Segall, Mikal Cronin, Meatbodies etc). But Wand is the musical vehicle that has perhaps rightfully garnered Hanson and his bandmates much deserved attention for actually making modern psychedelic rock that is more than simply adding trippy sounds and pedals to fairly standard indie rock songwriting. Its forthcoming record Vertigo (due out July 26, 2024 via Drag City) and its lead single “Smile” has all the gorgeously warm melodies and winding momentum you’d expect from Wand as well as the mind-warping soundscapes but its music video is a surreal journey from intense highs to transcendent tranquility akin to the best of Flaming Lips tracks. Though the record doesn’t come out for over a month this show will surely feature plenty of that new material as well as mind-melting classics on Wand records past. Opening the show is psychedelic post-punk Denver band Supreme Joy who opened for Cory Hanson’s solo trek through Colorado this past year.

Dylan Owen, photo courtesy the artist

Wednesday | 06.05
What: Abstract & Dylan Owen w/Jake Luke, FLWRS and Merch
When: 7
Where: Lost Lake
Why: Rappers Abstract (Nashville) and Dylan Owens (New York) bring their tour to Lost Lake. Both artists deal in heartfelt, confessional lyrics seemingly inspired in part by 2000s alternative rap but with more modern production style. Owens’ lyrics in particular seem clearly informed by a deep exploration of music and ideas beyond what one might expect. In his song “LA FREESTYLE” he references Philip Glass and that doesn’t happen much in hip-hop.

Miki Berenyi Trio, photo courtesy V. Arbelet

Thursday | 06.06
What: Miki Berenyi Trio w/Lol Tolhurst X Budgie
When: 7
Where: The Bluebird Theater
Why: Miki Berenyi is one of the founding members of influential early shoegaze band Lush. Her unique and melodious vocals and unorthodox guitar style helped to shape the sound of the genre. With this current band Berenyi tapped an old comrade in guitarist Kevin McKillop formerly of shoegaze legends Moose to be in the lineup as well as Oliver Cherer (Gilroy Mere, Aircooled). Its early recorded music and live performances promise plenty of immersive soundscapes and otherworldly melodies. Opening the show are Lol Tolhurst who, you know, was in The Cure for years as a drummer/synth player during that band’s key years of development and Budgie, the drummer of Siouxsie & the Banshees and The Creatures and the duo has been collaborating with various musicians on a string of singles and performances so who can say what to expect this night.

Meet the Giant, photo by Tom Murphy

Friday | 06/07
What: Takipnik, Meet the Giant, Falcon Haptics and Saint Somebody
When: 7:30
Where: The Skylark Lounge
Why: Takipnik is a synthrock band that sounds like it draws a bit of influence from modern prog/art rock bands like Tool. Falcon Haptics are a black metal band from Fort Collins with some stoner rock leanings. Saint Somebody is an Americana band from Denver with some chamber pop flavor. Meet the Giant is a trio that completely blurs the line between downtempo, shoegaze and fiery alternative rock with imaginative soundscapes and top shelf electronic production fully integrated into its live sound.

Ghostly Kisses, photo by Fred Gervais

Friday | 06/07
What: Ghostly Kisses w/Kroy and Mon Cher
When: 7
Where: Globe Hall
Why: Margaux Sauvé is a singer-songwriter from Québec, Canada who releases music and performs under the moniker Ghostly Kisses. Her songs combine a sublime synthpop sound and orchestral indie rock. Her newly released full-length Darkroom (May 17, 2024 via Akira Records) features her beautifully breathy vocals and ethereal yet warmly executed soundscapes tied together with techno production-rooted beats and an almost classical music sensibility that at times waxes into similar realms of organic-electronic pop populated in the 90s by the likes of Everything But the Girl and other luminaries of sophistipop. Also on hand for this tour is Montreal-based, experimental pop/downtempo artist KROY and Denver’s Mon Cher which is the synth-driven musical project of producer and multi-instrumentalist Meghan Holton.

Cris Jacobs, photo by Joshua Black Wilkins

Friday and Saturday | 06.07 and 06.08
What: The Bluegrass Generals featuring Chris Pandolfi & Andy Hall, Jarrod Walker, Cris Jacobs, Emma Rose w/Twisted Pine
When: 7 both nights
Where: Cervantes’ Mastrerpiece Ballroom
Why: The Bluegrass Generals aka Chris Pandolfii & Andy Hall are putting on this even of some of the more gifted practitioners of the modern version of that style of music suggested by their shared moniker. For this edition of the event Baltimore-based roots rocker Cris Jacobs who is touring in support of his new album One Of These Days (Soundly Music). The songwriter’s expressive vocals and vivid storytelling and gift for expanding upon his stylistic foundations with imaginative arrangements has made him a favorite in his hometown and well beyond as evidenced by the invite to be part of this event with some of his more talented peers.

Quits, photo by Tom Murphy

Saturday | 06.08
What: Dry Wedding,. Snakes, Quits and Moon Pussy
When: 8
Where: Hi-Dive
Why: Dry Wedding is a dark, Americana flavored post-punk band from Portland, Oregon. Its gloomy and brooding moods are shot through with bursts of nervy energy like purgings of anxiety and desperation. Ready comparisons to The Birthday Party and other Nick Cave projects are valid because it has a touch of that surreal, dark and harrowing carnival murder punk vibe. But fans of Love Life and Bambara will appreciate the band too. Snakes is a band whose music is Americana adjacent but its sound is almost as much spooky surf garage with expansive energy. Quits’ portraits of a conflicted and desperation-wracked American life are as inherently Americana as anything dubbed so even if its distorted, discordant sonic gyrations and burns are noise rock gold. Moon Pussy should be mandatory listening for anyone wanting a quick and thrilling escape from Mile High City Yuppie Normie bullshit.

American Culture in 2018, photo by Tom Murphy

Saturday | 06.08
What: American Culture album release w/Wave Decay, Cherry Spit, Dirt Filled and Flaming Tongues Above
When: 7
Where: D3 Arts
Why: American Culture’s latest, and greatest, album Hey Brother, It’s Been Awhile is a self-redemption arc fable not just on a personal level but for a society that has lost its way more than most individuals ever will. The music is a step away from the inspired and earnest indiepop of some of the group’s earlier efforts and has all the hallmarks of 90s Britpop, modern dream-pop-adjacent shoegaze and production driven dub. It’s a unique record in a time of many imitators and vibe hoppers. Wave Decay is a shoegaze act with foundations in krautrock and noise rock. Cherry Spit splits the difference between post-hardcore, noise rock and aggressive shoegaze and shapes it into electrifying live performances. Flaming Tongues Above is the solo, singer-songwriter project of former American Culture and current Destiny Bond guitarist Amos Helvey.

Death to All, photo courtesy the artists

Saturday | 06.08
What: Death to All (Scream Bloody Gore in its entirety) w/Cryptopsy
When: 7
Where: The Oriental Theater
Why: Death is one of the most influential bands in all of heavy metal and one of the earliest death metal bands. The group split for the final time in 2001 with the untimely passing of guitar wizard and frontman Chuck Schuldiner. Death to All is a tribute to the legacy of the group and includes former members of the like drummer Gene Hoglan (who has been one of the most important musicians in modern metal), bassist Steve DiGiorgio and guitarist Bobby Koelble joined by Max Phelps who some may know from his time in Obscura and Cynic. So the line-up is solid and filled with gifted musicians in the artform. For this tour the group will perform two nights. This first night it will play the entire 1987 debut album Scream Bloody Gore with some choice classics from Leprosy and Spiritual Healing.

Pale Waves, photo by Pip

Saturday | 06.08
What: PVRIS w/Pale Waves and Sizzy Rocket
When: 6
Where: Summit Music Hall
Why: PVRIS is the electro-pop band from Lowell, Massachusetts that has come a long way since its early metalcore days as Operation Guillotine. And for the better. Its uplifting and triumphant songs about life and love delivered with no small degree of emotionally charged vocals and ethereal melodies has struck an enduring chord with fans. Sizzy Rocket seems to produce pop songs with undeniable hooks but about being very accepting of what other people might perceive as your flaws especially if you’re really just not a polite society conformist. Pale Waves is a pop rock band from Manchester, UK that’s a little challenging to pin down to some simple subgenre. Its bright melodies and rich arrangements somehow tie in a bit of post-punk grit and style with modern indie pop. Its visual presence and attitude bears all the marks of a darkwave band but one that isn’t ashamed of embracing a love for mainstream pop without giving up lyrics that aim for emotional authenticity.

Death to All, photo courtesy the artists

Sunday | 06.09
What: Death to All (The Sound of Perseverance in its entirety) w/Cryptopsy
When: 6
Where: The Oriental Theater
Why: This second night of Death to All will be a performance of the final Death album 1998’s progressive death metal masterpiece The Sound of Perseverance along with favorites from Human, Individual Thought Patterns and Symbolic.

Quintron and Miss Pussycat in 2015, photo by Tom Murphy

Tuesday | 06/11
What: Quintron & Miss Pussycat w/Mr. Pacman
When: 7
Where: Hi-Dive
Why: Going to a Quintron and Miss Pussycat show is a bit like going to an adult version of a weekday kids’ show with the surreal sounds and imagery and often an elaborate live puppet show as part of the act. The music bridges the gap of psychedelic garage rock and the avant-garde/noise. Mr. Pacman similarly preserves a mystique of the weird with its members in costume like a band from a long lost video game show of the 90s but with music that is synth punk with actual edge and intensity.

The Chameleons, photo by Mick Peek

Wednesday | 06.12
What: The Chameleons perform Strange Times w/Missing and FashionNation DJ Eli
When: 7
Where: The Oriental Theater
Why: The legendary, Manchester post-punk band The Chameleons will perform its 1986 classic Strange Times in its entirety. The band’s perfect fusion of electronic and rock aesthetics with emotionally charged and existential lyrics as well as its masterful guitar work anticipating the sound of shoegaze in the 90s has proven influential across decades and this incarnation of the band includes original singer Mark Burgess and guitarist Reg Smithies so expect more than a little of the magic of the group’s classic material.

LABRYS, photo from Bandcamp

Friday | 06.14
What: LABRYS w/Tiny Tomboy and Isadora Eden
When: 8
Where: The Skylark Lounge
Why: LABRYS is the songwriting vehicle for Oklahoma City-based Penny Pitchlynn and the sounds heard on the project’s 2024 album 10:10 has a brooding grit like PJ Harvey gone psychedelic blues garage. Tiny Tomboy is a Denver based indie band whose delicate songwriting is reminiscent of Soccer Mommy’s brash vulnerability and ear for finely sculpted guitar melodies. Isadora Eden’s introspective and soulful dream pop has a gentle feel even as the lyrics often give voice to intrusive thoughts and dark musings captured in imaginative songwriting.

bellhoss, photo taken at JCPenney

Saturday | 06.15
What: SarahFest
When: 5 doors, 6 show
Where: The Mercury Cafe
Why: This inaugural edition of SarahFest showcases some of the most noteworthy female or female fronted acts from Colorado’s Front Range including bellhoss, The Milk Blossoms, Luna Nuñez, Dream of Time, Gartener, Nina de Freitas, Summer Bedhead, Tammy Shine and DJ Demigod (Demi Harvey). Listen to our interview with organizer Becky Otárola of bellhoss here.

Morgan Garrett, photo from Bandcamp

Saturday | 06.15
What: Morgan Garrett, Purity LP tour w/Many Blessings, Fossil Fuel and Head Slug
When: 8
Where: Glob
Why: Morgan Garrett recently released the new album Purity through Orange Milk Records and further cemented the artist’s reputation for genre bursting weirdness that happen to form into coherent songs with a unique and haunting emotional resonance whether it’s the abstract industrial noise metal or organically flowing anti-folk acoustic ambient. Also on hand are Denver noiseniks including Many Blessings, the harsh noise side project of Ethan McCarthy who many may know from his being in legendary doom death grind trio Primitive Man.

DIIV, photo by Louie Kovatch

Sunday | 06.16
What: DIIV w/Sasami and Glixen
When: 7
Where: The Ogden Theatre
Why: DIIV is the New York City band that helped to re-popularize shoegaze in the early 2010s with the release of its 2012 album Oshin. It wasn’t merely imitative but its own take and sound in an established genre which is something not nearly enough bands accomplish. And so DIIV has never seemed simply derivative. Its new album Frog In Boiling Water is a deep commentary on what if feels like to live in the end stages of capitalism and how sometimes the despair at what we could have done as a civilization but seem to continue to fail to do to alleviate the inevitable destruction and suffering ahead of us in terms of the environment, economic collapse and political collapse can be deeply dispiriting. But the gentle energy of the record and its richly atmospheric songwriting makes the album a standout from the group and something to witness live. Also on the bill is Sasami whose inspired genre bending songwriting has manifested as garage-y dreampop and alternative metal.

Shwarma, photo from Bandcamp

Friday | 06.21
What: Shwarma w/Cloud Catcher and Kaepora
When: 7
Where: Cervantes’ Other Side
Why: Denver’s Shwarma might be best described as a psychedelic space rock band whose players all got into Frank Zappa and Melvins along the way as well as perhaps Hawkwind. The group is celebrating the release of its new album Best Cerv’d Shwarm with this show and sharing the stage with doom metal group Cloud Catcher and prog jazz fusion bluegrass band Kaepora.

d4vd, photo by Nick Walker

Friday | 06.21
What: d4vd – My House is Not a Home Tour w/Scott James
When: 6
Where: Ogden Theatre
Why: David Anthony Burke aka d4vd has been building an audience since his earliest singles came out when he was a mere 16 years of age. But from early on the singer-songwriter’s songs demonstrated an ear for soulful melodies and freely associating a wide array of influences, not all musical, into sonically rich songs that don’t fit neatly into even broad categories of R&B, hip-hop, pop and rock. 2022’s “Romantic Homicide” and its J-horror-themed music video was a beautifully haunting song about heartbreak. His live shows proved the artist had real command of the stage and audience interaction. 2024 saw d4vd release his the single “Feel It” as part of the soundtrack season two of the animated adaptation of Robert Kirkman’s (Walking Dead), dystopian super hero comic series Invincible.

Fainting Dreams, photo from Bandcamp

Friday | 06.21
What: Nighdrator w/Evan Kallas, Water on the Thirsty Ground, RMO and Fainting Dreams
When: 7
Where: Squirm Gallery
Why: Nighdrator is a psychedelic shoegaze doom band from Hattiesburg, Mississippi that shares membership with the great post-punk band MSPAINT. Its epic and nuanced soundscapes are cinematic in scope yet intimate in its expressions of personal challenges. Fans of SubRosa and the more shoegazey of Chelsea Wolfe’s songwriting will find much to like in Nighdrator’s arresting compositions. And so it’s only fitting that doomy shoegaze post-dream pop band Fainting Dreams is also on the bill with its thrillingly gritty soundscapes and raw catharsis.

Friday | 06.21
What: Colorado Goth Fest Pre-Party
When: 9pm-2am
Where: 715 Club
Why: This event inaugurates Colorado Goth Fest with some of the DJs who have been very much part of the local Goth scene in Denver in its more post-punk, death rock and darkwave manifestations with Precious Blood, Lord Charon, DJ BatBoy and DJ Mal Toxisk.

Plague Garden, photo courtesy the artists

Saturday | 06.22
What: Colorado Goth Fest Featuring Calabrese and Scary Black w/WitchHands, Plague Garden, Opaque Shades, Funeral Process, Thee Coroners, Redwing Blackbird and Devoratus
When: 3 doors, 4 show
Where: HQ
Why: Colorado Goth Fest returns after a long hiatus but finally in Denver. This edition puts the focus on post-punk, death rock and horror punk. The out of town headliners include Arizona-based horror punk act Calabrese and Louisville, Kentucky’s Scary Black, a one man Goth rock act like a post-punk Alabama 3. And the local line-up includes notable veterans of local darkwave and post-punk like WitchHands, Plague Garden and Redwing Blackbird and newer acts like Devoratus and its Spanish-language darkwave pop.

Ex Lover, photo from Bandcamp

Saturday | 06.22
What: Ex Lover w/Twin Ion Engine, Pill Joy, Sell Farm and Kill You Club DJs
When: 8
Where: Hi-Dive
Why: Omaha-based Ex Lover stops in Denver for a night for a performance of her hyperpop infused darkwave dance songs. Her 2023 album Devotion mixes English and Spanish lyrics but all threaded through with soaring guitar melody and upbeat vocals. Fans of Nuovo Testamento should check out Ex Lover.

Hawthorne Heights, photo by Courtney Kiara

Monday| 06.24
What: 20 Years of Tears: Hawthorne Heights, I See Stars, Anberlin, Armor for Sleep, Emery, This Wild Life
When: 5
Where: Ogden Theatre
Why: This package tour features some of the stars of 2000s and 2010s post-hardcore and emo. The latter is a genre that earned plenty of ridicule with the scene kids and their signature style of dress and hair cuts nevermind the controversies with various bands in later years. Hawthorne Heights took on that moniker in 2004 before which it operated as A Day in the Life. Even if you weren’t into emo at least Hawthorne Heights had interesting guitar work, expressive vocals (and not mostly shouting and easily parodied screaming) and a dramatic flair in its arrangements. Is it easy to trace the band’s influences? Certainly. But its music has aged better than that of many of its peers.

The Alarm, photo by Andy Labrow

Tuesday | 06.25
What: The Alarm w/Jay Aston’s Gene Loves Jezebel and Belouis Some
When: 6
Where: The Oriental Theater
Why: The Alarm is a post-punk/New Wave band from Wales lead since its formation by Mike Peters. The group’s lyrics and musical style bore the influence of Welsh literature and cultural tradition that it translated into songs that caught on with a much wider public than simple local cult band status. Early on the group played shows with The Fall and U2 going on to support the latter for its US War Tour in 1983. The Alarm became popular on college radio throughout the 80s while also enjoying a degree of commercial popularity as well that landed them a support slot with Bob Dylan by the end of the decade. The band’s buoyant melodies and poetic lyrics sustained a following while it was broken up between 1991 and 1999 and since the group has reconvened it has been more prolific than its first chapter in existence. Also on this bill other than Jay Aston’s Gene Loves Jezebel and its own blend of psychedelia and post-punk is New Wave artist Belouis Some aka Neville Keighley. The latter garnered some popularity for hits “Some People,” “Imagination” and cinematic fame with “Round, Round” featured on the soundtrack to the 1986 John Hughes film Pretty in Pink. Though mostly known for his 80s heyday Keighley has remained active in music on and off since that time and this is a rare chance to see him live in Denver.

Adrianne Lenker, photo by Germaine Dunes

Wednesday | 06.26
What: Adrianne Lenker w/Twain
When: 6
Where: Mission Ballroom
Why: Adrianne Lenker has firmly established herself as both a member of one of the more acclaimed bands of recent years and as an equally respected solo artist. Lenker had already garnered critical accolades before Big Thief got going in 2015. Her second album Hours Were the Birds was released on Saddle Creek in 2014 already revealing Lenker’s gift for articulating personal insight with spareness of composition and vulnerable minimalism. A decade later Lenker offers her latest record Bright Future which while offering more orchestral arrangements still comes across as Lenker finding the poetic essence of solitary revelations that flash into your mind fully formed. The cover art to the record give you a clue into the vibe a bit of late evening drives on the road with enough time to sort out the important thoughts from the distractions. Lenker’s voice intoning with a tender slight warble like the songs were worked out around a campfire with friends.

French Cassettes, photo by Marisa Bazan

Wednesday | 06.26
What: French Cassettes w/Body and Barbara
When: 8
Where: The Skylark Lounge
Why: French Cassettes is touring in support of its latest album Benzene. The latter is frontman Lorenzo Scott Herta’s family nickname given without the usual connotations. It’s a gentle set of songs with rich melodies like an indie rock psychedelic band with an ear for lushly orchestral arrangements reminiscent of art pop bands like The Magnetic Fields and Belle & Sebastian. It’s a record about miscommunication and reconnecting on a better basis while owning up to shortcomings and coming together to sort out the barriers to mutual comprehension and coming to terms with how we’ve been, how we are and how we will be.

Yellow Card, photo by Acacia Evans

Wednesday | 06.26
What: Third Eye Blind w/Yellowcard and Arizona
When: 5
Where: Red Rocks
Why: Third Eye Blind wrote one of the iconic songs of late 90s, late alternative rock with “Semi-Charmed Life.” The band’s upbeat music and wry humor has since garnered a cult following enough to be able to headline Red Rocks Yellowcard might have been forgotten as yet another pop punk band at a time when the world seemed awash in multiple generic versions of that sound. But its fourth album, 2003’s Ocean Avenue, somehow fused sunny pop punk with lyrics about struggling with what you want to do with your life, complicated relationships with the people in your life and the nature of relationships beyond those teen and high school romances that are the subject matter of a lot of rock, pop and certainly pop punk and emo. And hey Sean Mackin, the only original member left in the band, doesn’t just do lead vocals he plays violin and it actually adds an atmospheric element that doesn’t just sound like a gimmick in a punk band.

Steven Lee Lawson, photo courtesy the artist

Thursday | 06.27
What: Steven Lee Lawson + The Archers EP release w/Blacktop Musical
When: 7
Where: Roxy on Broadway in the Speakeasy Downstairs
Why: Steven Lee Lawson is a singer-songwriter from Denver whose musical exploits date back to the late 90s and early 2000s when as a fledgling musician he was involved in a variety of styles of music including the experimental/krautrock of Zubabi before finding his lane at the edges of Denver’s indie rock scene in the mid-2000s with the more classic pop and Americana-inflected projects like Oblio Duo and its multiple incarnations with then songwriting partner Will Duncan (now of Pleasure Prince). Lawson’s poetic lyrics shed a light on his attempts to come to terms with life challenges and struggles with a society and culture seemingly stuck on boosting dull and crass commercialism and anti-human systems of politics and economy. Lawson also spent some time as a sideman in bands like Ross Etherton and the Chariots of Judah before dropping out of actively being involved in music for a handful of years and then getting back into the joy of creating music again in recent years. Obvious touchstones like Harry Nilsson, Townes Van Zandt, Sparklehorse and Neil Young can be heard in Lawson’s musical DNA but his songs have always seemed deeply personal and idiosyncratic including his new EP Help Is On the Way due out June 27, 2024. Listen to our interview with Lawson here.

Fake Fruit, photo by Daniel Topete

Saturday | 06.29
What: Omni w/Fake Fruit and Tender Object
When: 8
Where: Hi-Dive
Why: Atlanta’s Omni has been one of the more interesting post-punk bands out of the past decade and more with intricate and angular rhythms and structures like a missing link between jangly college rock sounds and Wire’s art punk minimalism and ferocity. Its latest record Souvenir was borne out of creating during a time of immense change in the world during the course of the 2020 pandemic and how that has played out and necessitated some reflection and reassessment of one’s life and priorities but this time Omni does so with no small amount of wry humor and and vulnerability. Oakland’s Fake Fruit seems to share some similar musical DNA but with more jagged edges and noisy outbursts that bear the potential influence of arty guitar bands like Women and Lithics. With its forthcoming album Mucho Mistrust Fake Fruit has a wonderfully discordant fervor like The Pretenders gone unhinged and with the cathartic vitriol aimed at the anxieties of living under late capitalism and its trickle down inhumanity and has and continues to warp hearts and minds.

Quits, photo by Tom Murphy

Saturday | 06.29
What: Red Fang w/Spoon Benders and Quits
When: 8
Where: The Bluebird Theater
Why: Portland-based sludge rock band Red Fang makes a stop in Denver on its current tour. Frontman and bassist Aaron Beam grew up in Fort Collins and still has family in the Mile High City so it’s sort of a hometown show for the musician. Also on the tour is psychedelic doom prog band Spoon Benders and opening is one of Denver’s greatest noise rock bands Quits and its own mind-altering sonic assault and emotionally harrowing lyrics.

To Be Continued…

Best Shows in Denver and Beyond July 2022

Primitive Man performs at Bluebird Theater on July 15, 2022
Aldous Harding at UMS 2017, photo by Tom Murphy

Friday | 07.01
What: Aldous Harding w/H. Hawkline
When: 7 p.m.
Where: Gothic Theatre
Why: Ever since the release of her 2014 self-titled debut album Aldous Harding has been crafting some of the most unique songs in the realm of indie folk of the past few decades. With each album Harding offers songs that seem like a blend of the deeply personal, the mythical and the conceptual. Her song titles suggest a surreal aesthetic that lends itself to her imaginative story telling and a willingness to seek beyond tropes and clichés for ways of signing about relationships, identity, aspirations and dreams and commenting on society. 2017’s Party and her subsequent North American tour revealed Harding to be a truly and fascinatingly idiosyncratic artist whose emotionally powerful and riveting performances were reminiscent of Joni Mitchell with a touch of Kate Bush. Her latest album Warm Chris (2022) puts the focus on fusing the jazz elements of her songwriting with the avant-garde pop for a set of songs that sound like lounge music from a parallel universe where creative weirdos are in charge and creativity is more valued than affirming popular trends.

Reverb and The Verse, photo by Tom Murphy

Friday | 07.01
What: Yonbre Netz w/Reverb and The Verse
When: 9 p.m.
Where: Broadway Roxy
Why: Yonbre Netz is a Boulder-based hip-hop and experimental electronic artist whose varied collaborations can be heard on his Spotify account where his keen ear for colorful, percussive melodies can be heard. But this is also a rare chance to catch Reverb and The Verse who recently put out their tenth and supposed final album BLACKWALL under this project name. Shane Etter and Jahi Simbai have been at it since the late 90s making hip-hop that has always been rich with creative soundscaping and truly clever wordplay informed by incisive commentary on society and the travails of everyday life. Seemingly never content to repeat the same musical ideas album to album the duo’s catalog of material is a great trail of creative evolution and experimentation. BLACKWALL is a little like if Public Enemy collaborated with Nine Inch Nails with the gift for emotionally charged and politically and poetically astute as that comparison might imply. You may not get many chances to catch those guys in action and the Broadway Roxy would be a great room to make that the opportunity to witness one of the finest hip-hop acts Denver has to offer.

Friday | 07.01
What: Vmthanaachth w/Church Fire, Sell Farm, Ray Diess (album release) and Coma Roulette
When: 8 p.m.
Where: Glob
Why: Vmthanaachth from Dallas, Texas combines ambient music and industrial with classical avant-garde in a way that fans of Pedestrian Deposit will appreciate. Church Fire has been really upping their game with making irresistible bangers that also dismantle status quo sentiments and ways of being. For those not in the know Church Fire is something like an alchemical mixture of synth pop, industrial dance music, confrontational feminist punk and one of the best bands out of Denver or anywhere of the past decade. Ray Diess is releasing his latest album the hyperpop inflected and rawly honest It’ll Always Ache. It sounds like something that might have come out of Manchester in the late 80s or early 90s but with musical references and more obvious inspirations of a couple of decades later. There is some fine shade and ascerbic wit across the album but in the end it’s about seeking the authentic in experiences and embracing one’s own feelings as valid and does so with passion and playfulness.

Spyderland, photo by Tom Murphy

Friday | 07.01
What: Spyderland video/EP release w/Machu Linea and Random Temple
When: 8 p.m.
Where: The Skylark Lounge/Bobcat Room
Why: Spyderland is an electro pop duo comprised of Marie Litton and Drew McClellan. The two have been veterans of the Denver underground scene for years and to their credit this project is really unlike anything else they’ve done. Rather, they’ve taken their strengths as artists and applied then to crafting a different style of music meaning an experimental form of pop that can at times be a bit downtempo but with a spirited sense of play running through how they spark off each other as performers. It comes off as a bit of a musical dialogue which lends itself to a body of imaginative and fresh songwriting. For this show Spyderland is releasing a new animated video and its new EP. Machu Linea is a likeminded artist who can often be seen DJing around town but it turns out Armando Garibay has a gift for assembling beats and sounds that transform popular styles into something far more inventive. The 2020 album HeXotica showcased Garibay’s range as an artist and collaborator with some of the most talented artists in the local hip-hop and electronic music scenes. Random Temple has been in various types of bands over the years but under this moniker his ambient and IDM music freely weaves together textures, tones and even musical structures as a way to deconstruct conventions of genre.

sleepdial in June 2022, photo by Tom Murphy

Monday | 07.04
What: Zach Rowden, Terravault Network, Tripp Nasty and sleepdial
When: 9 p.m.
Where: Glob
Why: Zach Rowden is a member of collaborative improvisational project Crazy Doberman that began life as a series of collaborations with John Olson of Wolf Eyes fame. But since its inception in the late 2010s Crazy Doberman has had a prolific output of recordings. Under his own name or with Tongue Depressor Rowden has been running experiments in texture and environmental sounds as they intersect with a hypnotic, almost ritualistic form of ambient. Terravault Network is Eli Windler (Spectral Voice, City Hunter, No Thought and others) and Kevin Wesley (Hot White) making industrial ambient soundscapes that sound like abstracted and processed environmental field recordings at a distance from an active factory late night near the train tracks and processed to preserve rhythms and an enigmatic mood. Tripp Nasty has had quite the eclectic run of music experiments over the years from modern classical music to performance art, weirdo punk and now an almost academic analog/modular synth composition project that he recently displayed opening for legendary avant-garde musician William Basinski. Sleepdial is Luke Thinnes’ musical alter ego to French Kettle Station. Whereas the latter pushes the boundaries of electronic dance music and new age pop, the former is Tim Hecker-esque textured ambient music that layers subtle running pulses and flowing drifts of white noise and purely abstract melody that conveys a sense of endless space and wonder.

Darkest Hour, photo by Rick Ceauliue

Tuesday | 07.05
What: Darkest Hour w/Toxic Holocaust and Necropanther
When: 7 p.m.
Where: The Marquis Theater
Why: Darkest Hour from Washington D.C. has been evolving its particular flavor of melodic death metal mixed with post-hardcore since its inception in 1995. Its epic guitar progressions and apocalyptic visual style makes the band sound and look like something from the near future after the fallout of the collapse of worldwide civilization as we know it has been sorted out. This tour represents the group’s first with new lead guitarist Nico Santora and Darkest Hour will perform its 2007 album Deliver Us in its entirety and subsequent to the tour the group will return to the studio to record its tenth album. Opening the show is blackened death thrash mutants Necropanther from Denver as well as veteran thrash band Toxic Holocaust from Portland, Oregon whose own music has more than a leg in hardcore and grind as evidenced by its blast beats fused with acidic, Venom-esque menace.

Grief Ritual October 2021, photo by Tom Murphy

Tuesday | 07.05
What: Under the Pier, The God Awful Truth, Vexing and Grief Ritual
When: 7 p.m.
Where: Hi-Dive
Why: Under the Pier is a math-y post-hardcore outfit from Baltimore whose songs feel chaotic even as they are guided by a bizarre precision of execution. Vexing from Denver is difficult to pin down even though it clearly has roots in extreme metal and post-hardcore mainly because it also comes off like a grindcore band that’s dialing back the onslaught a little to let sounds hang in the air and hit you differently than a persistent force. Makes its gruff vocals and mathematically precise accents in a riff seem more nuanced and creative. Grief Ritual is going through some transitions since long time guitarist Mykel Monroe is departing but this may be a last chance to check out his guitar wizardry with Grief Ritual. Its own hardcore stylings have a brutal elegance from guitar pyrotechnics, to finely executed, cathartic vocals to surprisingly spare yet interlocking rhythms that allow for the songs to switch moods and focus of forcefulness with great flexibility. Its most recent album The Gallows Laugh may be more in the realm of metallic hardcore but has the beautifully confrontational and caustic quality of a melodic black metal record.

Puscifer, photo by Travis Shinn

Wednesday | 07.06
What: Puscifer w/Moodie Black
When: 7 p.m.
Where: Mission Ballroom
Why: Puscifer is Maynard James Keenan’s vehicle for a plethora of creative musical ideas that don’t really fit in with the art prog of his more famous band Tool. So he’s been able to infuse it with some of his more innovative experiments in sound and theatrical performance. The group hasn’t toured the U.S.A. since 2016 and reports of shows and footage that has made it onto the internet reveals what you might hope for and expect with elaborate sets and Maynard performing almost like a cosmic variety show host and his cohort of weirdos. The most recent Puscifer album Existential Reckoning (2020) must have been a head scratcher for anyone expecting industrial rock or hard rock in general. Its extensive and evocative use of synths and other keyboards as the drivers of melody and dramatic vocals is tempting to compare to something Peter Gabriel might be doing now but also not unlike something Gary Numan might do and really one of the most sonically fascinating records of Keenan’s career thus far.

Thursday | 07.07
What: The Pine Hill Haints w/Glueman and George Cessna
When: 8 p.m.
Where: Hi-Dive
Why: The Pine Hill Haints from Auburn, Alabama perform fairly traditional bluegrass and folky country with great the intensity and energy. Fans of rockabilly will probably appreciate what the Haints have to offer but its music also seems just slightly out of frame of normalcy to be interesting. Opening the show is George Cessna whose 2021 album Lucky Rider is a beautifully and paradoxically warmly haunting piece of work that transcends “alt-country” into the realm of slowcore and pastoral, Lanois-esque Americana that feels like reading an idiosyncratic noir novel comprised of impressionistic vignettes about navigating a culture and society in decline and trying to do something worthwhile with integrity in spite of one’s personal limitations and the weight of one’s history and attachment to tradition and sentimental notions.

Gila Teen, photo by Tom Murphy

Friday – Sunday | 07.08 – 07.10
What: Compost Heap Music Festival V
When: 3-11 p.m.
Where: Seventh Circle Music Collective
Why: Can’t sum up why better than the verbiage from the FB event below which includes set times and other information.

“It’s happening again! July 8th, 9th, and 10th! One of the biggest temporary DIY music festivals you’ll ever see! Three days of great music from underground bands from across the nation and local support that you may have never heard of but you will definitely love!

ACCESSIBILITY INFO: This event will be wheelchair accessible. ADA portapotty onsite. Proof of vaccination is required. Masks are strongly encouraged. Denver will be hot and dry, dress in breathable and moisture wicking clothing and avoid dark colors. There will be shade provided and cooling misting fans throughout the day. This event will be live-streamed.
We created this festival with a goal, it’s organized to center and amplify the music and art of marginalized folks, and to celebrate radical perspectives and ideologies in general. It’s focus is to try and raise awareness about oppressive institutions that stunt our ability to flourish as individuals and communities, and to come together to resist against them for our collective liberation, express solidarity and make some new friends.

FRIDAY, JULY 8TH
4:00-4:25 Team Nonexistent
4:35-5:00 Mx Wander (PA)
5:10-5:35 Old Scratch & The Holy Mess (AZ)
5:45-6:10 Bird Teeth (WA)
6:20-6:45 Chatterbox and the Latter Day Satanists
6:55-7:20 Endless, Nameless
7:30-7:55 Gutter Town (AZ)
8:05-8:30 Fables of the Fall
8:40-9:05 Shooting Tsars (TX)
9:15-9:45 RAT BATH (WI)
10:00-10:30 Ceschi Ramos (CT)
10:45-11:15 Crow Cavalier

SATURDAY, JULY 9TH
3:00-4:00 OPEN MIC
4:00-4:25 Marissa.
4:35-5:00 Loud in the Morning (WA)
5:10-5:35 Sunnnner
5:45-6:10 HappyHappy (IN)
6:20-6:45 Fruiting Body of the Larger
6:55-7:20 Straight Line Arrival (ND)
7:30-7:55 Gila Teen
8:05-8:30 Danbert Nobacon (WA) (x Chumbawamba)
8:40-9:05 Ludlow (OR)
9:15-9:45 Self Neglect (NM)
10:00-10:30 Lo Cash Ninjas (NN)
10:45-11:15 Doom Scroll

SUNDAY, JULY 10TH
3:00-4:00 OPEN MIC
4:00-4:25 The Michael Character (MA)
4:35-5:00 Rumbletramp (NC)
5:10-5:35 Hello the Camp (ID)
5:45-6:10 Helga Pataki
6:20-6:45 Gone Full Heathen
6:55-7:20 The Ragetones
7:30-7:55 Mr. Atomic
8:05-8:30 Dana Skully and the Tiger Sharks (IN)
8:40-9:05 Caustic Soda
9:15-9:45 Noogy (TX)
10:00-10:30 Plasma Canvas
10:45-11:15 Anxiety Cat (LA) (x Taxpayers)

Compost Heap music festival is a not-for-profit event. All festival revenue will be used to pay touring bands, or donated to the Harm Reduction Action Center in honor of Marci, a dear friend who is no longer with us. Thank you for your support.

$45-75 suggested donation for a weekend (3 day) pass

$20-25 suggested donation for a day pass

+$5 SEVENTH CIRCLE MEMBERSHIP FEE (if you don’t have one already): In order to attend any event at the venue you must posses a membership card. This helps 7C stay afloat and protects them from getting shut down, help keep DIY alive in Denver!

If you would like to pre-order your weekend pass, please email us @ compostheap2022@gmail.com (please put “Compost Heap 2022 pass” in the subject line) You should get an immediate response, but if for some reason you don’t, please email wormfooddiy@gmail.com instead.”

New Standards Men, photo by Tom Murphy

Saturday | 07.09
What: Derek Monypeny w/New Standards Men, Sex Funeral and Pythian Whispers
When: 2 p.m.
Where: Mutiny Information Café
Why: Derek Monypeny is coming from communing with the Methuselah tree to bring his accumulated musical wisdom fostered while living in Joshua Tree. Think drone and “free jazz” if you were hanging with Alejandro Jodorowsky and Werner Herzog. Sex Funeral brings their celebration of the transmogrification of tantric rites through the necromantic meditation practices cultivated in secret sites in southern Iowa. The manifestation of these mystical energies will emerge as improvisational ritual drone for guitar and electronics. New Standards Men are fresh off a sabbatical merging analog synth and guitar as synth alchemy as structured exercises based on the deep secret knowledge shared by Robert Moog, Don Buchla and Morton Subotnick as conducted by Terry Riley. And probably opening this afternoon of high psychedelic frequency modulation is Pythian Whispers. Lore has it the three early members of the band that wrote and performed the album The Dark Edge of Hippie Life met on a mountaintop, perhaps at Machu Picchu, perhaps at Alamut Castle, perhaps in the secret chamber below the skeletons of ancient trees at the top of Mount Evans. Whatever the truth might be and whatever arcane secrets of improvisational music learned it will be unleashed in short form by those ragged vagabonds of psych prog ambient. So what do you have to lose and trust me everything of something to gain? Probably donation based. We’ll see if Jodorowsky can come from Paris to do tarot readings for the event but no promises. Tamam shud.

Hulder, photo by Liana Rakijian

Sunday | 07.10
What: Skeleton and Hulder
When: 7 p.m.
Where: Larimer Lounge
Why: Austin’s Skeleton started out as a hardcore band but has since its 2014 inception morphed into something that has clear sonic roots in thrash and black metal. Its 2020 self-titled album is too slow to be some kind of crossover thing but not slow enough to be some kind of doom project. Its blunt yet jagged riffs are reminiscent of early thrash but without be defined by that aesthetic. Also on the bill is HULDER whose own black metal style weaves together an elegant classical music sensibility with a refined black metal onslaught that reaches epic peaks of evocative and gritty atmospheres like the elevated subjects of her songs. The new album The Eternal Fanfare finds HULDER expanding her sonic palette so that melody and texture seem to work in perfect tandem to cinematic effect like scoring the saga of an ancient heroic journey to the underworld and back.

duck turnstone, December 2021, photo by Tom Murphy

Monday | 07.11
What: TV Star w/Broken Record, Flor De La Luna and Duck Turnstone
When: 8 p.m.
Where: Hi-Dive
Why: TV Star from Seattle apparently aimed at being somewhere between the sound of dysfunctional era The Brian Jonestown Massacre and the more dream pop period of The Jesus and Mary Chain. But it ended up more in the realm of late period Sarah Records jangle pop with delicate melodies and warm vocals. Denver’s “Flora de la Luna” talks about being a “tough guy boy band” but really sounds more like an angsty power pop band with really tight songwriting and enough sneer to keep it from being safe. Maybe that’s what they meant by the whole “tough guy” thing that one presumes was a more humorous and ironic thing you write about your band as an inside joke. Broken Record also from Denver is like if an emo band discovered Dinosaur Jr and didn’t shed some of its roots including drawing some slight inspiration from Rainer Maria. duck turnstone is the band fronted by Melissa K. Jones who moved to Denver in 2018 with her then partner, apparently had an ugly break-up, and then shortly thereafter the pandemic happened and she had the opportunity to pour some of her heartbreak into writing music that in 2021 she was able to turn into a full band shortly after she released the album Howling & Crying under her own name. The album is a collection of vivid and delicate portraits of human vulnerability and exploring the nuances of rebuilding your life on your own terms. The live band is more in the power/indie pop vein.

Tuesday | 07.12
What: Kill You Club Presents: Haunt Me w/Weathered Statues, S!ntax and Precious Blood
When: 8 p.m.
Where: Glob
Why: Haunt Me is a post-punk/darkwave band from Austin whose 2021 album This Sadness Never Ends had some familiar hallmarks of the genre with the spidery guitar melodies and Paul Banks-esque vocals. But Haunt Me tends to switch up the rhythms and dynamics in unexpected ways and never full stays the same vibe for the whole song thus setting itself apart from many of its peers. Weathered Statues is a post-punk band from Denver with roots in the local punk scene. S!ntax is an industrial noise project with some grounding in confrontational performance art.

Mondo Cozmo, photo courtesy the artist

Tuesday and Wednesday | 07.12 and 07.13
What: The Airborne Toxic Event w/Mondo Cozmo
When: 7 p.m.
Where: Ogden Theatre
Why: [Rescheduled from April 2022] Joshua Ostrander aka Mondo Cozmo made a name for himself as the frontman for Laguardia in the the first half of the 2000s and then for a decade as the lead singer for Eastern Conference Champions. But since 2015 he has been recording and performing under the Mondo Cozmo moniker and crafting heartfelt and genre eclectic music. His new album, 2022’s This Is For The Barbarians takes Ostrander deep into his roots in rebellious folk artists like Bob Dylan and his more experimental electronic interests at the same time. The album is like a Radiohead album but more informed by folk and more overtly pop but with the appropriately rough around the edges quality to suit the times that surrounded the process of writing the songs with Ostrander commenting on the highs and very low depths of the world in the past half decade and his insight into personal psychology and the American zeitgeist is as cathartic as it is inspirational. And yes, opening for Toxic Airborne Event whose own long career of luminously gritty alternative rock has garnered a bit of a cult following. Its 2020 album Hollywood Park, sharing the title with singer Mikel Jollett’s memoir of the same name from the same year, was unsurprisingly as literarily as musically as poignant album as any in the group’s career to date and certainly seemingly its most personal.

The Black Keys, photo by Jim Herrington

Wednesday | 07.13
What: The Black Keys w/Band of Horses and Ceramic Animal
When: 6 p.m.
Where: Red Rocks
Why: When The Black Keys started out of Akron, Ohio in 2001 it seemed very much like a niche, blues rock outfit like the lesser cousin of The White Stripes. When the duo first rolled through Denver it played small venues like Lion’s Lair where it opened for Reverend Dead Eye. But Dan Auerbach and Patrick Carney stuck it out and developed their sound and songwriting and transformed what was likely a stripped down initial configuration into something more akin to a minimalist funk phenomenon as embodied well by its 2022 album Dropout Boogie. With the expansion of sounds and textures for the album the touring line-up of the band is also much more expansive than the core of Auerbach and Carney that will showcase how The Black Keys are a bit like a blues based rock version of ELO which is no bad thing. Opening is the well-known indie rock power pop group Band of Horses whose expansive songwriting is irresistibly uplifting especially its 2006 hit “The Funeral.” The proceedings will begin with a set from Ceramic Animal whose Dan Auerbach produced new album Sweet Unknown is brimming with warmly melancholic songs informed by a poignantly tangible sense of loss and reconciliation with emotional devastation and the inadequacy with which life and culture prepares one for the loss of the most significant people in your life.

Ceramic Animal, photo by Up in Smoke Photo
Elizabeth Colour Wheel in 2019, photo by Tom Murphy

Friday | 07.15
What: Primitive Man w/INDIAN, Jarhead Fertilizer, Body Void, Spirit Possession and Elizabeth Colour Wheel
When: 7 p.m.
Where: Bluebird Theater
Why: Primitive Man assembled one of the most interesting lineups of heavy music you’re likely to see in Denver all year in celebration of its 10 year anniversary as a band. The death-grind trio has long created some of the most brutal, crushing and exciting music of the past decade obliterating the line between noise, extreme metal and doom while making commentary on a world all but ruined by international corruption and collusion in diminishing the lives of everyone below the 1% of the 1% of the economic and political power scale in ways deranged and in the end self-destructive. It’s cathartic stuff and in its sharp edges and raw ugliness holds a mirror up to the world we all feel hitting us but may not see or hear concentrated so powerfully in one place. It will also be one of the few times to see the band locally for a good deal of time to come. Chicago’s INDIAN has for nearly 20 years crafted a sound that wouldn’t be out of step with what one hears out of a band on Amphetamine Reptile or Touch and Go but with more sludge rock flavor and songs that go in for a more fluid and wide ranging dynamism than most bands that get lumped in with the canon of doom. Elizabeth Colour Wheel is a startlingly energetic fusion of a noisy shoegaze band and a grindcore outfit as unlikely as that combination sounds. Body Void’s ominous, clashing guitar and drum interplay has a somehow both feral and elegant quality that lends the desperate, distorted vocals an elevated outrage and pain like a harsh noise duo using more standard instrumentation to deliver a dense, caustic and textural soundscape.

Knuckle Pups in October 2021, photo by Tom Murphy

Friday | 07.15
What: Knuckle Pups “TV Ready” album release w/Jeff Cormack of South of France and Earth to Luna
When: 7 p.m.
Where: Mercury Café
Why: Knuckle Pups is an indie pop band that has been around for a few years but which is finally putting out its debut album TV Ready. Oliver Holloway was once a member of the great folk punk band The Fainting Fansies that used to hold shows at a place where some or all of the band members lived back when people could rent out a house in neglected or underutilized houses or buildings in Denver. That time in deep, DIY “Old Denver” days has stuck with Holloway and Knuckle Pups isn’t a band short on charmingly earnest expressions of joy helped by the fact that the group’s multiple singers harmonize extraordinarily well.

Sky Creature, photo by Noah Kalina

Saturday | 07.16
What: The Velveteers w/Sky Creature and Holographic American
When: 2 p.m.
Where: Larimer Lounge
Why: This is probably the smallest venue you’re going to see The Velveteers play for some time. The band that has taken a foundation of a modern interpretation of classic blues rock and infused it with sharply observed lyrics, imagination and youthful energy has been and will go to keep touring with Greta Van Fleet and playing big cities and the hinterland to large crowds. And that will be quite a contrast with Queens, NY-based experimental pop band Sky Creature whose new album Bear Mountain is exuberant and ethereal and by all indications mostly electronic. Majel Connery has a voice that is both intense and fey which suits being paired with music that sounds like something you’d want to hear if you could travel to a museum of snow globes and spend time in each exploring the worlds of which each gives you a surface level taste. It’s otherworldly stuff and has a cool energy that will be welcome on what is likely to be a hot day in Denver. Holographic American is a trio consisting of guitarist Caleb Tardio formerly of math rock wizard weirdos I Sank Molly Brown and currently of doom metal greats NightWraith and drummer Matt Grizzell who some may know for his time with prog indie band Alan Alda and indie rockers Instant Empire along with bassist Owen Pearson. So of course it’s a little different with some of that math rock vibe in its songs thus far released in demo form but moody and delicately and intricately yet not busily melodic.

Green Typewriters in 2011, photo by Tom Murphy

Saturday | 07.16
What: Green Typewriters album release w/Falcon’s Eye
When: 7 p.m.
Where: Enigma Bazaar
Why: After fifteen years the psychedelic indiepop band Green Typerwriters are finally releasing its debut EP The Solar Anus which brings together musical ideas across its entire existence for a beautifully coherent and moving experimental pop album with as much wisdom as whimsy. Engineered and produced by Zach Bauer, one of Denver’s secret, genius pop songwriters and recordists, who most that know who he is know for having been a member of avant noise punks Zombie Zombie, stoner doom trio The Outer Neon, psychedelic post-punk art rock band Wicked Phoenix and Can tribute band Future Days. Among others. So you know the album is going to sound good and for the show the band is bringing in guests and making it the kind of show that you’re not going to get to see every day. Look out for the Queen City Sounds Podcast episode featuring Gioja and Jared Lacy from the band.

Saturday | 07.16
What: Emerald Siam, Cyclo Sonic and Bridey Murphy
When: 8 p.m.
Where: 1010 Workshop
Why: Denver is fortunate that some of its elder statesmen and stateswomen are still out there making valid, interesting and imaginative music. So Emerald Siam and its flood of brooding atmospherics and rich emotional colorings help to turn finely honed songwriting into something that seems larger than life and will seem like you’re getting to see something mythical outside at 1010 Workshop. The band’s blend of post-punk darkness and the way The Church took that framework into a more psychedelic and expansive realm of music as a platform for telling meaningful stories with arrestingly poetic lyrics. Cyclo Sonic may be basically a garage rock punk band but when it’s Matt Bischoff formerly of The Fluid and Arnie Beckman formerly of Choosey Mothers and other luminaries of the local punk scene the songwriting just hits as stronger and the precision of rhythm pushed forward and working in tandem with a ferocious energy it makes a lot of other operating in a similar realm of music seem quaint. Bridey Murphy includes Jay Tonne (Black Forest Fire), John Call (Baldo Rex, Veronica), Rich Groskopf (Boss 302, The Black Smiths, The New Idols etc.), Collette St. Clair and Dave Harrison so it’s going to not be short on rock theater and surprisingly fun songs in the garage rock and soul vein.

Cola, photo courtesy the artists

Saturday | 07.16
What: Cola w/Voight and Gazes
When: 8 p.m.
Where: Hi-Dive
Why: Cola consists of Tim Darcy and Ben Stidworthy formerly of great now defunct Canadian post-punk band Ought along with Evan Cartwright. When Ought split in 2021 ending a decade-long run as one of the more interesting and inventive guitar rock bands of recent years Cola came along shortly after and its 2022 debut album Deep In View (Fire Talk) with its offbeat song structures and hypnotic rhythms will appeal to fans of Ought for sure but also anyone who appreciates the art rock proclivities of a band like Pile. Voight may still be a guitar band at this point and not yet committed to being a full-on dark techno and power electronics project so you’ll get to see the post-punk/darkwave band scorch the rafters with its own intense and emotionally charged music. This is the first Gazes show and it features former Tyto Alba members Melanie Steinway and Andrew Bair along with former Male Blonding vocalist/guitarist Noah Simons. It’s a curse to call a band a supergroup but considering the membership of Gazes expect great things in a vein that will fit in with this bill overall.

Itchy-O, photo by Studio Apocalypse

Saturday | 07.16
What: Itchy-O’s Tetrapolar Purification Ceremony w/BleakHeart
When: 7 p.m.
Where: Fillmore Auditorium
Why: Itchy-O has seemingly found ways to imbue its few shows on the large scale with an aspect of the mystical and tie it to a new dimension of the band’s sound and performance. This time the Tetrapolar Purification Ceremony will signal the debut of the SÖM SÄPTÄLAHN, a massive instrument inspired by the gamelan assembled from over six hundred pounds of cynbals and gongs donated from local percussionists and crafted in collaboration with the Colorado School of Mines in Golden, a prestigious academic institution that specializes in geology and engineering. The show will include an audience participation aspect involving three elemental themes of Fire, Air and Water. Perhaps the fourth in the “tetrapolar” theme of earth is the SÖM SÄPTÄLAHN itself. For Patreon supporters of the band there will be a ticket giveaway to an “augmented reality scavenger hunt.” It’s always an extravaganza of sights and sounds and with the addition of the new instrument it’s going to be a new era for the band that has consistently found ways to augment already familiar elements in new ways with new ritualistic creativity.

Steve Von Till, photo by James Rexroad

Wednesday | 07.20
What: Steve Von Till and Helen Money
When: 7 p.m.
Where: Globe Hall
Why: Steve Von Till is the charismatic singer and guitarist from influential post-metal band Neurosis. Anyone familiar with the long arc of stylistic experiments in that band will probably appreciate what Von Till has done as a solo artist. His raspy vocals often sound like they’re harboring haunted memories and a flood of emotion that he has released in focused, cathartic bursts. His most recent albums No Wilderness Deep Enough (2020) and A Deep Voiceless Wilderness showcase the songwriter’s ear for organic song structure like his instrumentation is a direct reflection of the moods and feelings as weather patterns that swirl around you when you take a long period to reflect deeply on life and the often hidden wells of emotions you neglect as you spiral through life in a cultural hellscape that does little to nurture our humanity. Alison Chesley as Helen Money has contributed imaginative and evocative cello work for the likes of Bob Mould, Mono, Russian Circles, Broken Social Scene, Chris Connelly and Thalia Zedek. But her own arresting compositions have a stark yet maximalist beauty. With her cello, a spare chain of effects and a looping pedal, Chesley creates an orchestra of one that is both surprisingly heavy and elegantly ethereal, imbued with the compositional architecture of classical music. Her most recent album Atomic (Thrill Jockey, 2020) likely didn’t get the proper presentation as Von Till’s own most recent records didn’t and the sets of both artists seem like the perfect complement to each other’s.

Helen Money, photo by Natalie Escobedo
French Police, photo from Bandcamp

Wednesday | 07.20
What: French Police w/Wisteria and Julian St. Nightmare
When: 7 p.m.
Where: Hi-Dive
Why: French Police from Chicago have a brooding and delicate, darkly melodic sound like they dug deep into Italian and Russian post-punk of the 80s and wrote a set of songs in a cold apartment and had to do so through headphones so as not to get a noise complaint from a neighbor. That’s probably not how the music came about but it has that intimate and mildly claustrophobic quality that is also part of its downtempo charm. Wisteria from Los Angeles seems to have come out of a similar process of crafting the darkwave equivalent of bedroom pop with a thin synth sound that is somehow also evocative in a tender way that is a bit like one imagines what would have happened had New Order had to construct its music given similar limitations on writing the music. Julian St. Nightmare is a great example of when people discover an eclectic musical palette at a young age and find a way to integrate it all into a coherent and vibrant sound so you hear in its songs the influence of surf rock, Molchat Doma and The Cure—all performed with a for now self-effacing confidence and charm.

CXCXCX in May 2022, photo by Tom Murphy

Friday | 07.22
What: CXCXCX w/Occidental, Perdi La Luz, K129, Organ and DJ Precious Blood
When: 8 p.m.
Where: Hi-Dive
Why: This is a Plains Archaic showcase featuring artists affiliated with the Denver-based experimental music label. CXCXCX seamlessly blends noise, techno and power electronics for a sound like dance music for a crumbling civilization. Occidental was once and may still be affiliated with the electronic music collective Deep Club that used to hold some of the most interesting and well curated underground techno and deep house and other forward thinking electronic music events in Denver for a few years. His own sound is more like a fusion of deep house and trance. Perdi La Luz is reminiscent of the kind of fluid and psychedelic techno one heard on some edges of what Underworld and Future Sound of London were doing in the late 90s. K129 plugs some well processed organic percussive sounds into a beat heavy techno mix. Organ is a collaboration between glitch techno noise artist Cremedelacrvvp and industrial glitchcore ambient artist Kid Mask. DJ Precious Blood recently did a solid post-punk set at a Kill You Club event for the Haunt You show but for this event we may hear some deep recent techno and IDM cuts.

Vinny Golia, photo from Bandcamp

Friday | 07.22
What: Vinny Golia w/SeFaLoCo
When: 7 p.m.
Where: Atlas Theater (709 16th St. Greeley)
Why: Vinny Golia is a prolific and respected multi-instrumentalist and composer whose career has fused world music, modern classical music and avant-garde jazz. A specialist in woodwinds Golia’s work has been featured in performance with the likes of Anthony Braxton, John Zorn, Patti Smith, Eugene Chadbourne, Lydia Lunch and the Los Angeles Philharmonic Orchestra. He has led ensembles as small as the trio that will perform a series of three shows in eastern Colorado (this date in Greeley and others listed below) to the 50-piece Vinny Golia Large Ensemble. His music in both the small and larger format are vehicles for his imaginative musicianship with musical ideas that span more broadly and deeply than most musicians will ever attempt. Even in his 70s Golia has been an innovator in the use of texture and atmosphere and his 2020 album Music for Gongs, Singing Bowls and other Metallaphones is like the lost soundtrack for an elevated horror masterpiece (there’s even a song called “King of the Spanish Horror Movies”) while also sounding like a nod to Alex North’s score for 2001: A Space Odyssey and Penderecki. Not many free jazz masters of Golia’s stature roll through Colorado and this series of intimate shows might be a good time to catch him live.

Polly Urethane in May 2022, photo by Tom Murphy

Saturday | 07.23
What: Multidim Records Presents Listening Lawn II: DJ Ilind, Polly Urethane, Deb the Demo, Luke Leavitt, H-Lite and Entrancer
When: 5-8 p.m.
Where: Carpio Sanguinette Park
Why: Multidim has been releasing some of the most forward thinking electronic music of the past few years and this showcase held at the Carpio Sanguinette Park includes a DJ set from avant-garde noise and techo artist Isaac Linder as Ilind, a purportedly more mellow performance from Polly Urethane whose recent live sets have been a bravura display of the blending of contemporary classical, industrial noise and the avant-garde, Deb the Demo’s tracks capture the mood of the modern media environment with both playful and urgent pieces of techno house that really push the brain beyond preconceptions of the genre and the methods of emotional expression, Luke Leavitt is always doing something different and even though many may know him for the expanded Afrobeat No Wave of his time as Cop Circles there will be a conceptual aspect to his performance with an intentional discipline behind the making of sounds, H-Lite has made some bright and upbeat electronic downtempo glitchcore bangers but his own sonic palette is also so broad and imaginative he’ll bring surprises too and of course Entrancer has been steadily refining and expanding his own craft of techno utilizing analog synths and a visionary challenging of where he’s already been as an artist.

Dust City Opera, photo by Gracie Meier

Saturday | 07.23
What: Dust City Opera
When: 9 p.m.
Where: Broadway Roxy
Why: Albuquerque’s Dust City Opera recently released its latest album Alien Summer and perhaps fortuitously making a stop during an unusual summer in Denver and elsewhere with heat waves and social turmoil brewing. So the band’s theatrical performance of songs that sound like a colorful manifestation of years spent taking in campy science fiction and horror cinema and taking away from it all the inspiration to craft songs that don’t fit neatly into a trendy genre. The songs on the album is like a collection of poignant and poetic stories of human life even when the setting is a zombie apocalypse or an encounter with aliens. The pure amalgamation of chamber pop, indie folk and a hard rock edge in the guitar convey a cinematic feel that draws you in for the duration. Intimate and epic the miniature grunge and indiepop orchestra of Dust City Opera is something unique in an era of too much bland imitation.

Saturday | 07.23
What: Vinny Golia w/SeFaLoCo
When: 7 p.m.
Where: Muse Performance Space (Lafayette)
Why: See above for more on Vinny Golia.

Sunday | 07.24
What: Vinny Golia Trio
When: 2 p.m.
Where: Art Lab (Fort Collins)
Why: See above for more on Vinny Golia.

Goo Goo Dolls, photo by Claire Marie Vogel

Wednesday | 07.27
What: Goo Goo Dolls w/Blue October
Where: Red Rocks
Why: Goo Goo Dolls became a bit of a household name in the 90s due to hit songs like “Name” (1995) and of course “Iris” (1998). But the band originally from Buffalo, New York garnered a bit of a cult following during its early punk and then more power pop years for its potent blend of tunefulness, grit and raw emotional honesty. The group lead by singers John Rzeznik and Robby Takac has made a career of writing evocative songs about relationships, life and finding essential meanings in all of it so that even its ballads, love them or not, are not generally trite or without insightful commentary. The group’s latest album Chaos in Bloom, the first produced by Rzeznik, is definitely more in the realm of modern pop but if you watch the video for “Yeah, I Like You” you can hear more than a touch of that early punk rock verve and sharply observed social and personal commentary that sets it apart from a lot modern pop rock with undeniable instrumental hooks to pair with energetic vocal harmonies. But if you go it seems like there’s a better than average chance the Goo Goo Dolls will dip into its back catalog and not just the biggest hits.

Roselit Bone, photo from roselitbone.com

Wednesday | 07.27
What: Roselit Bone w/Snakes and No Gossip In Braille
When: 8 p.m.
Where: Hi-Dive
Why: Portland, Oregon-based Roselit Bone fronted by trans singer Charlotte McCaslin is somehow a rockabilly band, dark Americana, Mexican ranchera and whatever one might call the likes of Gun Club, The Blasters and Lone Justice. It’s a really different take on genre bending so that it can seem like some countrified folk but with the intensity of punk without the sonic trappings. Its most recent album Crisis Actor is a little more gentle in tenor but not in attitude and its songs of daily struggle and working class politics are poignant and powerful. Snakes similarly has the kind of frayed musical roots that bring together a variety of musical instincts in forming its own dark Americana informed by nuanced thinking on the ways one has conversations with oneself in an ongoing process of sorting out the oftentimes perverse misfortunes and charmed moments in life. It’s lively music but more philosophical than expected from music that has a similar flavor. No Gossip in Braille is decidedly not Americana but its ethereal post-punk comes from a similar emotional place in exploring and making meaning of experiences that hit us as vital whatever their essential and specific impact on our lives.

Black Star, photo from talibkweli.com

Thursday | 07.28
What: Black Star w/Dead Prez, Pharoahe Monch and TH1RT3EN
When: 7 p.m.
Where: Mission Ballroom
Why: Yasin Bey and Talib Kweli were already stars of hip-hop in their own right when they formed Black Star in 1997 named after a shipping company founded by Pan-Africanist political activist Marcus Garvey. The project’s debut album Mos Def & Talib Kweli Are Black Star (1998) was pretty much an instant classic with thoughtful explorations of black culture with beats more in line with late-80s and early 90s hip-hop with a creative and vivid use of jazz and funk samples as well as more unique sounds that framed the powerful lyrics well in establishing a mood with cinematic resonance. Afterward the duo released a single here and there while focusing on other musical and creative endeavors. But in 2022 Black Star released its most recent record No Fear of Time. The almost existentialist bent of the lyrics remained but seemingly more direct and with music more stark yet no less imaginative and immersive. Black Star has toured in the last 25 years but not often and somehow its music seems even more relevant in subject matter today.

Thursday | 07.28
What: Lost Network, Blackcell and DJ Mudwulf
When: 9 p.m.
Where: Mercury Café
Why: Lost Network might be considered an industrial rock band but more on the industrial side and plenty of its output is more in the realm of darkly ambient soundscapes. Though its guitar sound is more cutting and its sound often more jagged, fans of The Tea Party may find what this veteran band out of the Denver scene has been doing for years. Also on the bill is long-running, legendary EBM band Blackcell whose sharp social commentary and personal songwriting blurs the line between ambient music and classic EBM the first wave of which it emerged out of the tail end. Of course DJ Mudwulf will bring a set of songs that are well curated and also not 100% predictable. A lot of music out of the Goth-industrial world can be corny but that won’t be on display at this show.

TRAITRS, photo from Bandcamp

Saturday | 07.30
What: TRAITRS w/Radio Scarlet and Wingtips and DJ Luci Ghost
When: 8 p.m.
Where: Mercury Café
Why: Canadian post-punk band TRAITRS on its 2021 album Horses in the Abattoir separated itself from many bands out of that vein of music with creative vocals that don’t sound like a cut-rate imitation of any obvious influences. And its synth work and songwriting has an orchestral aesthetic that establishes a truly enveloping and haunting sound that isn’t driven by the wheedly guitar sound that is the hallmark of too much darkwave now. TRAITRS’ sound is rich and expansive and though melancholic isn’t a downer. Chicago’s Wingtips is more electronic and one hears in its music including 2021’s excellent Cutting Room Floor a touch of influence from Vince Clarke-period Depeche Mode. Its moody songs have strong dance beats and the vocals widely expressive also distinguishing the group from some of its peers that intentionally sing in ways murky and obscure. There is something effusive in Wingtips’ songs that are immediately striking. Radio Scalet is a death rock band from Denver. The title of its 2017 album Too Goth for Punk, Too Punk for Goth sums up its aesthetic well and sure these people look the part but there is a joyful element to its performances that prevents it from slipping into the wrong end of dour. DJ Luci Ghost is a long time DJ in the local Goth-industrial scene but fortunately for anyone that is around for one of her sets her taste is much more eclectic and expansive beyond narrow conceptions of expected music.