daisy’s Debut single “BLEACH” is a Song About How Starting Over Sometimes Takes Extreme Measures

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daisy, photo courtesy the artists

The throbbing distortion of daisy’s new single “BLEACH” is reminiscent of the era of music represented on the Amphetamine Reptile imprint at its peak from the 80s through the 90s. Its pounding beat and atonal noise hooks with just shy of tortured vocals create a disorienting haze well complemented by the music video. The plot of the latter seems to be of young women, disillusioned with the hypocrisy, abuse and warped cult-like nature of their evangelical upbringing turn to what seems the opposite in occult practices inspired by what they’ve seen in movies depicting Satanism. The video is even more low budget than Ti West’s chilling 2009 early 80s inspired horror film The House of the Devil. But that’s what gives it an unsettling authenticity. Once the women walk up a sinister looking set of poorly lit stairs to a secluded apartment the visuals are blown out in smoky orange that settles into a candlelit circle and they are welcomed to the other side as in video footage of faith healers and phone numbers to call to donate run on screen like memories being expunged from consciousness as the repeating, pins and needles guitar figure, like an amp picking up cel signal, takes us out of the song. Though perhaps not explicit the song with the video suggests that personal darkness can come from anywhere inside us as we’ve internalized what’s outside of us and that to rebuild the kind of authentic self we need maybe a little psychic bleach will help. Watch the video on YouTube and follow daisy, which includes members of Bleached and Warpaint, at the links provided.

open.spotify.com/artist/2LAyBWkYdMBf6VfrT8HSZn
instagram.com/daisydaisyofficial

Best Shows In Denver 8/1/19 – 8/7/19

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Stef Chura performs at Larimer Lounge on Tuesday, August 6

Thursday | August 1

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Gary Wilson, photo courtesy the artist

What: Line Brawl (final show), Potato Pirates, C.O.ntrol T.V., Remain & Sustain and Mindz Eye
When: Thursday, 08.01, 8 p.m.
Where: Mutiny Information Café
Why: Line Brawl was one of the best hardcore acts out of Denver’s scene in the most recent wave of that sort of music. Its short, sharp dynamics and fit a lot of fury into songs that built up and ended with all but the sparest self-indulgence cut out. Catch them for the last time with some other heavy hitters in the local punk scene.

What: Part Time w/Gary Wilson and French Kettle Station
When: Thursday, 08.01, 8 p.m.
Where: Larimer Lounge
Why: Part Time has been around for over twenty years at this point, probably, and its music sounds like it began in the late 80s inspired by The Power Station gone synth pop. Could be outsider, definitely eccentric. Also on the bill is Gary Wilson who is a bit of an underground music legend going back to the 1970s. But as a teenager in the late 60s he met and hung out with avant-garde composer John Cage and his own music, however pop-oriented some of it may be, has retained a decidedly experimental edge. In the early 80s he quit music and in the mid-90s was cited by Beck as an influence. Before quitting music he received fan mail from the likes of The Residents. And around the turn of the century Wilson was coaxed into returning to playing his own music and has been writing and occasionally playing out since and this is a rare opportunity to get to see this utterly unique pop songwriter live. Opening the show is synth, drums and guitar prodigy French Kettle Station whose Arthur Russell-esque synth pop songs are delivered with an earnest, passionate intensity.

Friday | August 2

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Warpaint circa 2016, photo by Mia Kirby

What: My Morning Jacket w/Warpaint
When: Friday, 08.02, 6:30 p.m.
Where: Red Rocks
Why: My Morning Jacket is doing a two night run at Red Rocks again this year. The band has enjoyed some mainstream success for a fairly varied body of work that’s genre-bending with elements of folk, psychedelic rock, Americana and alternative rock. Opening the show is Warpaint, a band whose music has also spanned a broad range of sounds from its early post-punk-y/shoegaze-y sound to its more current phase where the band is writing the music collectively and influenced by the sonics of production and hip-hop as much as any rock that has influenced the group’s sound.

What: Nina Storey w/Jeremy Dion
When: Friday, 08.02, 7 p.m.
Where: Soiled Dove Underground
Why: Nina Storey’s powerful voice imbues her eclectic music with a warmth and energy that can be lacking in the realm of the blues, jazz and pop singer-songwriters. Her versatility as a songwriter has resulted in a rich and varied body of work. Years ago Storey was a staple of the Denver music scene but has since branched out and garnered a much wider audience.

Saturday | August 3

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French Kettle Station circa 2016, photo by Tom Murphy

What: My Morning Jacket w/Amo Amo
When: Saturday, 08.03, 6:30 p.m.
Where: Red Rocks
Why: See above for My Morning Jaket. Amo Amo is sort of a psychedelic dream pop band but one that sounds like it came up listening to a lot of surf rock, Laurel Canyon pop and Linda Ronstadt.

What: French Kettle Station tour kickoff w/DJ Pop Ctrl, Birth, Break Dancing Ronald Reagan and Horse Girl
When: Saturday, 08.03, 9 p.m.
Where: Rhinoceropolis
Why: French Kettle Station is headed off on tour to take his emotionally charged and passionate synth pop/yacht rock hybrid to places that could use a shot in the arm of enthusiasm in this era of seeming cultural exhaustion.

Sunday | August 4

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Murder By Death, photo by Tall James Photography

What: Murder By Death
When: Sunday, 08.04, 7 p.m.
Where: Green Russell (1422 Larimer St.)
Why: Murder By Death has reliably been putting out thought-provoking poetic albums of wiry, energetic Americana having come up through 90s punk. But its 2018 album The Other Shore finds the band diving into inner space and finding new dark corners of the psyche to bring to light in its inimitable style but with a shade more introspection and atmospheric flourish.

Tuesday | August 6

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Everything is Terrible, photo by Jim Newberry

What: Stef Chura w/French Vanilla and Bellhoss
When: Tuesday, 08.06, 7 p.m.
Where: Larimer Lounge
Why: Stef Chura honed her gritty songwriting for years in Ypsilanti, Michigan and Detroit, doing home recordings and playing in friends’ bands all the while, before releasing Messes in 2017 through Urinal Cake Record. Sure there’s some sculpted fuzz in the guitar and bass but she doesn’t come off like she’s drawing direct inspiration from 90s rock but more from the kind of noise and garage rock of the 2000s, bands like Tyvek, Times New Viking and maybe even some of Jay Reatard’s various projects. Her songwriting has that similar kind of off-the-cuff, splintery quality that sounds like it could come unhinged yet focused. Her 2019 album Midnight, out on Saddle Creek Records, finds Chura vividly sketching situations and people in short lines and bouncy yet flowing dynamics that wed contemplation with embracing the feelings of the moment. Chura also goes off the map throughout her songs so that the pace never gets tedious and her use of sound always imaginative and evocative.

What: Everything Is Terrible
When: Tuesday, 08.06, 7 and 9 p.m.
Where: Sie Film Center
Why: The people behind the brilliantly surreal and irreverent video blogging site/channel Everything is Terrible is bringing its show on tour including a stop at Sie Film Center for a live multi-media performance that will include the puppets, bizarre characters, skids and the sacrifice of Jerry Maquire VHS tapes to the group’s now massive collection that will one day permanently reside in a pyramid in the desert. Strange stuff and we need more inspired, intentional, creative weirdness in these times.

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Opening Bell with Tamio Shiraishi (one of the founders of Fushitsusha), photo by Mariah Robertson

What: Action Beat (UK, members of The Ex), Opening Bell (NYC) and New Standards Men
When: Tuesday, 08.06, 7 p.m.
Where: Glitter City
Why: Action Beat includes G.W. Sok, former vocalist of The Ex and is a noise rock band with some free jazz structures, frantic, relentless stuff. Opening Bell is a New York City-based duo comprised of Armando Morales and M. Thomas Reisinger. The latter was based in Denver for years where he was in some of the most forward thinking and strange bands of the time like the experimental post-hardcore band Motheater, processed guitar/bass/vocals noise soundscape group Epileptinomicon and math-y noise drum, bass, vocals and synth duo Mjolniir DXP. Opening Bell sounds like a further trip into processing generated sounds into unsettling yet somehow soothing layers of ambient noise. New Standards Men is an experimental guitar group who mix doom-y metal with Krautrock-esque prog. Targets is a noisier than usual hardcore band.

What: Flume w/JPEGMAFIA, Slowthai and Collin McKenna
When: Tuesday, 08.06, 6 p.m.
Where: Red Rocks
Why: Harley Streten got started producing music at age thirteen with a program he got in a box of cereal but by the end of his teens in 2010 he began making much more sophisticated house music as HEDS (his initials). As Flume Streten was making electronic dance music that seemed to push the boundaries of the realm of EDM with he seemed to most associated. His compositions are always more imaginative and bring together sounds that one doesn’t often hear in the genre and his production, whatever tools and methods he’s using, isn’t focused on technique, which he has already mastered, but on the emotional flavor of the sounds and how they fit into a bigger arc of feeling across the course of a song. His latest EP, 2019’s Quits, showcases his knack for creative hip-hop beats as well. Also on this tour is JPEGMAFIA whose pointed political and experimental hip-hop is informed as much by weirdo industrial groups like Throbbing Gristle as it is 90s hip-hop and pop.

Wednesday | August 7

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JPEGMAFIA, photo courtesy the artist

What: Flume w/JPEGMAFIA, Slowthai and Collin McKenna
When: Wednesday, 08.07, 6 p.m.
Where: Red Rocks
Why: See above for Flume and JPEGMAFIA.

What: Weird Wednesday: Succulent, Mt. Illimani and Full Bleed
When: Wednesday, 08.07, 6 p.m.
Where: Bowman’s Vinyl Lounge
Why: Weird Wednesday at its new home at Bowman’s Vinyl Lounge will feature sad, sometimes acoustic songs by Randall Chambers as Mt. Illimani. He was in the garage rock band The Carnivores and post-punk group Phenobarbital for those who were fortunate enough to catch either. Full Bleed is sort of an instrumental noisy guitar/prog band.