Who:Hockey Dad w/Hunny When: Thursday, 02.07, 7 p.m. Where: Globe Hall Why: Australia is not the first place one thinks of when it comes to hockey but New South Wales has ski resorts so maybe the name of the band Hockey Dad, from Windang, isn’t as cheeky as seems but it’s a surf rock band so kudos. But Hockey Dad grew up surfing and skating so it’s sound reflects the spirit of that lifestyle more so than simply falling into trendy sound. With Hockey Dad think more like The Saints gone power pop.
Who:A Light Among Many, Kenaima, URN. and Giardia When: Thursday, 02.07, 8 p.m. Where: Hi-Dive Why: A Light Among Many is heavy drone drenched in the primal spirits of the local landscape. URN includes former members of Skully Mammoth and thus doom with a sense of humor yet somehow still gritty and epic. Kenaima sounds a collision of Converge-esque post-hardcore and thrash. Giardia is pushing the envelope of heavy music by finding the sweet spot where drone-y bass, saturated synth work, jazz-inflected drums and weirdo prog intersect.
Friday | February 8, 2019
Who:Marcus Church EP release w/Kali Krone, Artless Bravado and Sweetness Itself When: Friday, 02.08, 9 p.m. Where: The Skylark Lounge Why: Dustin Habel has been grinding away writing songs since at least the mid-2000s. Under the moniker Marcus Church he’s done solo work, playing all the instruments and recording the songs, as well as in collaboration with a small circle of bandmates. The prolific songwriter has perhaps not garnered the recognition he deserves for his lo-fi, Dinosaur Jr/Yo La Tengo-esque compositions, but the project’s latest effort, the Marcus F. Church EP, has a touch of jangle like something Mitch Easter might take an interest in producing—introspective and warm but upbeat. The band has been a trio for a bit now and tonight you can catch the new set of songs, as well as choice cuts from Habel’s catalog, live.
Who:Gun Street Ghost with The Regular, The Threadbarons and Paul Kimbiris & The Dark Side of Pearl When: Friday, 02.08, 8 p.m. Where: Globe Hall Why: Mike Perfetti has been involved in many of Denver’s most interesting bands for going on two decades in his capacity as a bassist, drummer and guitarist. But with Gun Street Ghost Perfetti gets to share his gift for storytelling. Perfetti orchestrates the details of the story and the essence of the people in them with a masterful hand with the help of his talented bandmates. It’s been some time since Gun Street Ghost has put out a record but in the live setting you’ll likely get a taste of the new material and with any luck 2019 will see the release of the group’s full-length.
Who: Sonorous: Gregg Ziemba, Alex Trujillo, Joshua Trinidad When: Friday, 02.08, 6 p.m. Where: Syntax Physic Opera Why: This is a dinnertime show from some of Denver’s most talented practitioners of jazz and experimental music including Gregg Ziemba and Alex Trujillo of Rubedo and Joshua Trinidad whose free jazz band Cougar Legs and psychedelic fusion project GoStar have showcased his prodigious talent. Trinidad and Ziemba also perform in Wheelchair Sports Camp. Heavy hitters.
Who:Bud Bronson & The Good Timers, Muscle Beach, SPELLS When: Friday, 02.08, 8 p.m. Where: Lost Lake Why: Bud Bronson & The Good Timers are one of the few reliably great and spirited straight forward rock and roll bands anywhere. A touch of punk but BBTGT aren’t trying to be limited by subgenre. Muscle Beach is impossible to simply call post-hardcore or post-metal or even noise rock but are an inspired distillation of all three. SPELLS is a C+ party punk band but they really work for that C+ and are more fun than many B+ punk acts. They’re no Refused but who is?
Saturday | February 9, 2019
Who:Don Chicharrón album release w/Los Mocochetes, High Plains Honky and DJ A-Train When: Saturday, 02.09, 8 p.m. Where: Hi-Dive Why: Don Chicharrón is a band whose blend of chicha (Peruvian cumbia with roots in popular music of the 1960s and 1970s that incorporated psychedelic rock and Andean folk music), metal, spaghetti Western and other musical forms is lively and fluid for a group of nine people who come from disparate musical backgrounds. Anyone that has been able to catch the group live knows it’s musicianship is expertly integrated so it never feels like anyone is doing too much at once. The group’s debut, self-titled full-length will be available at this show and its expansive compositions sound like the soundtrack to the Love and Rockets comic series in its multi-cultural aesthetic and ineffable sense of the futuristic.
Who:An Evening With Nels Cline 4 When: Saturday, 02.09, 9 p.m. Where: Ophelia’s Why: Nels Cline has been involved in more noteworthy music than any modern human has any right to claim including turns with Geraldine Fibbers, Wilco and John Zorn. This is one of his experimental jazz groups so expect plenty of left field improv.
Who:Alphabet Soup #40: Felix Fast4ward, Furbie Cakes, MYTHirst, Yung Lurch and Dashwoo When: Saturday, 02.09, 8 p.m. Where: Thought//Forms Why: This is the latest edition of Alphabet Soup, a showcase for some of the most forward thinking and innovative producers and soundscapers in Denver. The event used to take place mostly at Deerpile but with the demise of that performance space the event has been moved to other venues including tonight at Thought//Forms gallery.
Sunday | February 10, 2019
Who:Pedro the Lion w/Tomberlin When: Sunday, 02.10, 8 p.m. Where: The Bluebird Theater Why:Phoenix is more than just a clever title for the first Pedro the Lion record in fifteen years. David Bazan spent years touring as a more or less solo act and releasing a series of acclaimed records. But like most artists he hit a wall at some point and in 2016 he got to the place of a low point crossroads. Two years later he was writing and recording songs that made sense for Pedro the Lion with words of reinvention, rediscovery, reclamation and embrace of the spirit of one’s past self and past creations that helped to define the person you are now. While personal to Bazan and his bandmates, one thing Bazan has been able to do as a songwriter is to write material that transcends the personal, transcends any faith or philosophical orientation that informs it and to articulate with sensitivity and kindness the struggles and pain everyone seems to experience.
Monday | February 11, 2019
Who:Gang of Four w/Plume Varia When: Monday, 02.11, 8:30 p.m. Where: Globe Hall Why: Gang of Four is the influential post-punk band that perfectly combined punk with disco and a sharp cultural critique that took aim at more universal issues in Western and global culture of the 1970s onward. After all, the band named itself after a Chinese political cabal involved in the Cultural Revolution. The first three Gang of Four albums (1979’s Entertainment!, Solid Gold from 1981 and Songs of the Free released in 1982) were a blueprint for 90s and 2000s dance punk as well as a direct influence on Red Hot Chili Peppers from the beginning (GOF guitarist, and sole original member, Andy Gill produced the 1984 self-titled debut from RHCP). But few of the band’s descendants could match Gang of Four in its intensity, sonic inventiveness much less socio-critical acumen. The band’s latest album, with its current line up, is HAPPY NOW released in 2019 via PledgeMusic. A little more topical than usual, naming, presumably, Ivanka Trump in a song, Gang of Four hasn’t exactly taken the gloves off. Opening the show is Denver-based downtempo dream pop duo Plume Varia performing one of its now rare shows.
Wednesday | February 13, 2019
Who:SMRT, Big J. Beats, Glissline, Escapism When: Wednesday, 02.13, 7 p.m. Where: Lost Lake Why: Glissline is Tommy Metz who has been releasing gorgeously lush, brightly melodic, beat-driven IDM for more than a decade. As Glissline, Metz has been melding visual elements with his musical compositions for a multi-sensory experience including a well-crafted low end. It’s dance music for dreaming. Big J. Beats is a producer whose work is most often, and justifiably so, associated with hip-hop but his imaginative soundscaping transcends genre completely which is why he is one of the Mile High City’s greatest beat makers.
Who:Richard Thompson Electric Trio w/Ryley Walker When: Wednesday, 02.13, 7 p.m. Where: Boulder Theater Why: Richard Thompson was one of the leading lights of influential folk project Fairport Convention. He also played guitar on the first two Nick Drake albums. From the 1970s onward, Thompson has created a body of work that should be more well-known outside folk circles with brilliant rock and pop songs. There is also his prodigious work as a collaborator and contributor to other people’s recordings. His final album as the duo of Richard and Linda Thompson, 1982’s Shoot Out the Lights is a masterpiece of folk rock. Following the tour for that record the Thompsons split and Richard went on to a critically acclaimed and prolific solo career as well. As the name of the group suggests, this will be a showcase of Thompson’s electric music rather than the acoustic songs, though you never know, maybe Thompson will bring in some of his classic material written originally for acoustic but reconfigured for the electric trio. In 2018 Thompson released the dark and moody 13 Rivers.
Who:Post Animal w/Slow Pulp and Serpentfoot When: Thursday, 06.28, 8 p.m. Where: Lost Lake Why: Chicago’s Post Animal sounds like a power pop band that has adopted some sludge rock edginess and a lot of psychedelia to warp those edges into interesting directions. Its new album When I Think Of You In a Castle makes you wonder what would have happened had The Sweet and ELO merged because the exquisitely tuneful melodies rock with an earnestness out of step in this decade where many try and fail miserably at projecting that authenticity much less at sustaining the quality songwriting across an entire record. The changes of pace, dynamics, tone and atmosphere throughout the album also proves the band cares enough about its own art and potential listeners to not brand its career with a same-y aesthetic. Post Animal is a rock band but one that isn’t stuck in rock-ist clichés as its sonics are as transporting as they are riveting.
Who:Pretty Mouth video release w/Archipelaghost and Oxeye Daisy When: Thursday, 06.28, 8 p.m. Where: Ophelia’s Electric Soapbox Why: Pretty Mouth is debuting its video for “This Poison Loves You” at this show at Ophelia’s. The Denver-based quartet combines the drawn out pacing and dynamics of alt-country with windswept dream pop, singer Marie Litton seemingly channeling the energy of ancestral spirits to effect a an emotional catharsis throughout the performance. Joining Pretty Mouth for the occasion is avant-garde pop outfit Archipelaghost and like-minded neo-alternative rock band Oxeye Daisy, which recently released an excellent self-titled debut engineered by Male Blonding frontman Noah Simons.
Friday | June 29, 2018
Who:Froth: A Rhinoceropolis fundraiser w/Superstar & Star, Cop Circles, Lux Hearse, J. Hamilton Isaacs, Mirror Fears, Data Rainbow, French Kettle Station When: Friday, 06.29, 7 p.m. Where: Redline Gallery Why: Denver DIY space Rhinoceropolis, which was closed in December 2016 in the wake of the Ghost Ship tragedy in Oakland, California, for supposed fire code violations, has had multiple hurdles to overcome to re-open including paying rent on the building while it couldn’t be utilized and remodeling to bring the space to code. So this event is happening to help move that along to the final phase before the re-open. The usual suspects of former Rhino inhabitants and those who made the space what it was will be performing but the night will include a special appearance from Neville Lawrence who performs as Superstar & Star, who now lives in Omaha, Nebraska and claims to be the “undisputed king of home-disco.” Watch any of his videos and that’s pretty much impossible to dispute as his VCR 80s era home video aesthetic is much more likeable than one might expect in this age when many things are overproduced and essentially unrelatable.
Who:Strange Goo feat: Pheel, Mirror Fears and PterrorFractyl When: Friday, 06.29, 8:30 p.m. Where: Fort Greene Why: This is the latest edition of Strange Goo which includes some of the most forward thinking experimental electronic artists in Denver. Tonight’s show includes dream noise/industrial pop artist Mirror Fears and post-dub techno soundsculptor PterrorFractyl.
Who:Sliver w/Parking With Planets, The Swamp Rats, Bailout, Theoretic When: Friday, 06.29, 8 p.m. Where: Moe’s Original BBQ
Why: It would be enough to go see sludge/surf punkers The Swamp Rats. But it would also be worth your time to check out grunge punks Sliver. That despite singer Chris Mercer dropping the bomb on his own band and admitting that his own take on his own band’s style of punk: “Post hardcore that came out in the early 00’s and beyond is just the poppy emo shit with a lot of screaming.” We beg to differ and declare Sliver a refreshingly emotionally raw and honest rock band with a leg in both DC hardcore and NW proto-alternative rock. Sure, Mercer doesn’t do a great job of ripping off Bad Brains and Wipers but he tries and that has to count for something.
Who:Electric Funeral Fest III Day 1 When: Friday, 06.29, 3 p.m. Where: 3 Kings Tavern, Hi-Dive and Mutiny Information Café
Why: This two day festival showcases some of the underground’s best extreme music bands from Denver and elsewhere including Spirit Adrift, Eagle Twin, R.I.P., Aseethe, Amplified Heat, Forming the Void, Love Gang, Urn., Loom, Necropanther, Smokey Mirror, Twingiant, Echo Beds, Augur, Green Druid, Keef Duster and The Rare Breed. Someone also convinced Denver thrash punks Speedwolf to reunite for tonight’s line up. Kudos.
Saturday | June 30, 2018
Who:Rubedo w/Holophrase, R A R E B Y R D $, Picture the Waves and Mace Windu When: Saturday, 06.30, 7 p.m. Where: The Bluebird Theater Why: In what has become at least a semi-annual tradition, Rubedo headlines The Bluebird Theater in early summer. The Denver band, parts prog, psychedelic rock, noise rock and avant funk, has been at the forefront of one wing of the local DIY scene for years. For these events Rubedo brings together some of the more interesting bands out of the underground like experimental electro-downtempo band Holophrase and the soulful and lush hip-hop of visionaries of a utopian yet grounded, loving and compassionate future, R A R E B Y R D $.
Who:Electric Funeral Fest III Day 2 When: Saturday, 06.30, 3 p.m. Where: 3 Kings Tavern, Hi-Dive and Mutiny Information Café Why: This second day of heavy and extreme music includes sets from bands across the front range and beyond: Weedeater, Primitive Man, Zeke, Sierra, Duel, Grey Gallows, Cloud Catcher, The Munsens, Communion, Crud, Space in Time, White Dog, Vexing, Pink Fuzz, Wizzerd, Smolder & Burn, Alone and Still Valley
Who:Machinefest w/16Volt, Machinewerx and Society Burning
When: Saturday, 06.30, 6 p.m.
Where: Outdoor location in Wellington, CO
Why: Tempting to call this an event linked to the local Burning Man community and maybe ultimately it is, but in truth it’s an industrial music and sculpture performance event in the middle of nowehere (map on the event page). Coming out for the occasion is infamous/legendary industrial rock band 16 Volt.
Who:Magic Sword w/Church Fire and EVP When: Saturday, 06.30, 7 p.m. Where: The Marquis Theater Why: This show would be worth attending for Denver bands Church Fire and EVP alone because they’re both pushing forward the aesthetics of dance music and electronic pop with energetic and emotionally stirring performances. But Boise, Idaho’s Magic Sword doesn’t make it here nearly enough with their space knight stage personae and one-would-think-wack-but-never-is combination of 80s prog metal guitar and sweeping science fiction movie soundtrack synthscapes. Camp is pretty played out these days but Magic Sword has taken it to another level that makes it endearing like you’re in on the camp so it’s no longer a joke but just fun.
Sunday | July 1, 2018
Who:Immersion w/Brother Saturn When: Sunday, 07.01, 7 p.m. Where: Larimer Lounge Why: Immersion is the ambient project comprised of Malka Spigel of Israeli/Belgian experimental post-punk band Minimal Compact and her husband Colin Newman who more than a few people may know as being in Wire. In the 80s their respective bands surely rubbed shoulders in the UK and the rest of Europe and in the early 90s when the duo created Immersion as a way to further explore beat-driven, non-rock music it entered a realm of sound and atmosphere that might have been associated with minimalist IDM and ambient/abstract atmospheric artists of the day like Seefeel and Future Sound of London. The group’s recent albums, including 2018’s Sleepless, have shown a willingness for more overt use of guitar to create texture and tone.
Who:Janelle Monáe w/St. Beauty When: Sunday, 07.01, 6:30 p.m. Where: Paramount Theatre Why: Janelle Monáe’s new album Dirty Computer spent a decade percolating and incubating in her rich imagination. Apparently she felt as though she had to present an image safe for public consumption, as it were. The album is even more a concept album than any of her other excellent offerings over the past several years and it tells a story of personal evolution and self-acceptance in the face of a world that tries to define you and impose meaning on you especially if you’re an “entertainer” and black and a woman. The short film Monáe released in the wake of the album gives vivid life to the story with Monáe as an android named Jane 57821 struggling against a dystopian society toward a more open and compassionate future. While her music has always been sonically rich and evocative, with Dirty Computer, Monáe has pushed her art beyond previous boundaries by revisiting some of her perennial themes in creative new ways.
Who:Canyon of the Skull, Giant of the Mountain, Voideater, A Light Among Many When: Sunday, 07.01, 8 p.m. Where: Hi-Dive
Why: If you made it to Electric Funeral Fest III but just want one more night of the heavy, this show will more than do with deep, atmospheric doom act Canyon of the Skull from Austin alongside the more experimental, ambient metal of A Light Among Many.
Who:Nevayda Gunn (last show), Horns and Spyderland When: Sunday, 07.01, 5 – 8 p.m. Where: Goosetown Tavern Why: When a lot of rock bands were riding the psych bandwagon and making fairly mundane music that was essentially pop or straight ahead rock with some reverb and yelping, Nevayda Gunn were pushing boundaries of what the music could be and left us one great statement of where it was and where it could have gone with its 2016 album Glitchkraft; A Human Experience. Maybe a slightly art-pretentious title but very much worth a listen. This is their last show. Catch members in Archipelaghost.
Monday | July 2, 2018
Who:Dirty Few 7” release w/Wyldlife, The Bad Engrish, The Born Readies, DJ Ross Taylor Murphy When: Monday, 07.02, 7 p.m. Where: Larimer Lounge Why: Dirty Few is releasing its new 7” EP, Volcom Sessions out on Snappy Little Numbers (you can order the 7” here). While the band has a deserved reputation for being a rowdy party band one thing that is often overlooked is the songwriting. Somewhere between power pop and post-Reatards garage punk, Dirty Few’s fuzz pop has never sounded more focused and and tuneful. It sounds like someone in the band has been listening to a lot of Thin Lizzy but that’s no bad thing. The vocal harmonies really make the songs this time around and this new record represents the band at its current peak.
Tuesday | July 3, 2018
Who:Michael Rault w/Pale Sun and Bear and the Beasts When: Tuesday, 07.03, 8 p.m. Where: Globe Hall Why: Michael Rault, though Canadian, sounds like he spent some time hanging out in Laurel Canyon in the mid-1970s—gently psychedelic pop compositions with a twinge of country rock running through them are the hallmarks of his sound. We’ve heard a lot of that sort of thing in recent years but Rault happens to be better at the songwriting end than most other people mining similar territory. Also on the bill is Denver-based shoegaze band Pale Sun whose cosmic soundscaping has some edge to its hypnotic melodies.
Wednesday | July 4, 2018
Who:Spectral Voice, Superstition, Flowering Blade, Many Blessings When: Wednesday, 07.04, 8 p.m. Where: Meadowlark Bar Why: Spectral Voice is a Denver-based death metal band whose instincts wend toward a more stark sound. And it’s in good company for this show with Many Blessings, the ambient/noise project of Primitive Man vocalist/guitarist Ethan McCarthy, and Aaron Miller of Cadaver Dog doing his solo noise act Flowering Blade. So, musically speaking, all the negative vibes with none of the negative consequences.
October continues to be the busiest live music month for Denver but one with few if any festivals, thank goodness. As usual here are several offerings worthy of your attention.
Thursday: October 19, 2017
Who:Din Virulent & MGNLP w/Rasmussen and Juice Up When: Thursday, 10.19, 7 p.m. Where: 7th Circle Music Collective Why: This is basically a harsh noise show but one thing lost on people that either actively despise it or don’t get it at all is that most noise artists are completely unlike every other noise artist. Juice Up has some disorienting arrangements of samples and sounds that’s something like a completely unconventional rhythm but there is a humorous playfulness there. Rasmussen is John Rasmussen of Denver noise legends Page 27. Rasmussen’s solo output is so diverse in texture and tone that even his “harsh” noise sets tend to have a subtlety and nuance that suggests the serious composition and planning that undergirds sounds that aren’t trying to fit at all into a pop song format. Din Virulent sounds like what happens when you chain a few delay pedals together and have them feed back off each other while manipulating the signal for an effect like watching white noise on TV if that image was sound and occasionally felt like it was aggressively charging out at you.
Friday: October 20, 2017
Who:Tera Melos w/Speedy Ortiz, Holophrase and Meet Me In Montauk When: Friday, 10.20, 8 p.m. Where: Larimer Lounge Why: Tera Melos might be one of the more misunderstood bands of the last several years because it sounds like its member spent some time playing in one of Trey Spruance’s projects: lots of unusual rhythms and dynamics requiring a precise musicianship while not sounding too in the pocket; heavy guitars, disorienting tones and an alternating driving and and hanging melodies. Its 2017 album, Trash Generator, is like a math rock shoegaze album with a touch of brutal psychedelia. In that way Tera Melos could be said to be a bit of a musical cousin to noise rock phenoms Deerhoof. Speedy Ortiz sounds like it picked up where The Breeders and Throwing Muses left off in the mid-to-late 90s with captivating, fuzzy melodic songs that take a walk out of every day mundane life while commenting on that life with with and sensitivity. Holophrase is a Denver band that has come out of being a guitar-based indie rock band (albeit one that didn’t sound much like anything contemporary and only slightly like Magazine) into being a mostly electronics-based band with deep atmospheres and Malgorzata Stacha’s layered vocal melodies serving as an emotional and sonic locus for the group’s hypnotic, chilly soundscapes.
Who:Thurston Moore w/The Diary of Ic Explura When: Friday, 10.20, 8 p.m. Where: Larimer Lounge Why: It is indeed Thurston Moore of influential No-Wave-and-punk-inflected rock band Sonic Youth. His new album, Rock and Roll Consciousness, showcases Moore’s gift for writing moody pop songs bolstered by dynamic and complex yet tasteful guitar work. It’s melancholy stuff but much of Moore’s best material is yet he also manages to lend his songwriting a thoughtfulness not mired by despair. He can create a gritty image and imbue it with some future hopefulness not yet obvious in the moment he documents in his words—being in the moment but knowing that you can never fully get stuck there unless you try really hard. The Diary of Ic Explura is Toni Oswald’s ambient, sound collage experiments that she sculpts into coherent songs by adding instrumentation to elements that aren’t necessarily inherently musical. Like musique concrète with a soundtrack. Which is nothing new in the world of avant-garde music but Oswald’s vibrant and transporting music demonstrates well how noise and composition can work together.
Who:The Juan MacLean When: Friday, 10.20, 8 p.m. Where: Bar Standard Why: Deep Club 3rd Fridays brings The Juan MacLean to a relatively small venue. John MacLean’s first chapter in influential music came with his tenure as a guitarist for Providence, Rhode Island-based, experimental post-hardcore band Six Finger Satellite. The band was an early practitioner of fusing electronic elements with the usual punk rock instrumentation and operating in the same musical realm as bands like Arab On Radar, Lightning Bolt and Mindflayer—though predating them all. When SFS split near the turn of the century, MacLean left music for a few years before Six Finger Satellite’s sound engineer, James Murphy (who some may know as starting DFA Records and as a member of LCD Soundsystem) helped convince him to make music again. But instead of doing the noisy punk stuff he’d been doing, MacLean focused instead on forward thinking electronic music and a mutant form of modern disco. And that’s what you can more or less expect at this event.
Who:Don Strasburg, Cuckoo, Ashley Koett When: Friday, 10.20, 8 p.m. Where: Denver Bicycle Cafe Why: Don Strasburg isn’t just a clever name for a band. The Boulder-based outfit doesn’t bother to trace any lines on the punk rock spectrum but fans of modern, mathy emo will find something to like but so will anyone that is into the most genre-bending, noisy post-hardcore. Cuckoo is lo-fi dream pop that would have fit in well on the Siltbreeze imprint or so it’s 2016 album Mermaid’s Don’t Exist would suggest. For fans of stuff like early Sebadoh, Eat Skull, Times New Viking, No Age and Microphones. — update, Don Strasburg no longer on the bill, now Terremoto.
Who:Allout Helter & Black Dots FEST sendoff w/faim, The Larimers, Andy Thomas’ Dust Heart When: Friday, 10.20, 8 p.m. Where: Hi-Dive Why: The Fest has been happening in Gainesville every year since 2002. It’s a mostly punk festival and this year’s festival includes the likes of Against Me!, Pegboy, Hot Water Music, Beach Slang, City of Caterpillar, Hum, Snapcase, Atom and His Package and Rainer Maria. But it will also feature Denver political punk thrashers Allout Helter and melodic hardcore band Black Dots. Sure, both bands play Denver regularly but here they are on one bill to send them on their way to one of punk’s most prestigious festivals.
Saturday: October 21, 2017
Who:Afghan Whigs w/Har Mar Superstar When: Saturday, 10.21, 8 p.m. Where: Gothic Theatre Why: Afghan Whigs both predated and embodied what was great about the alternative rock era. The group started as a kind of garage rock band but infusing that sound with soul and R&B, with lyrics revealing a keen insight into human psychology, yielded some of the best records of the 90s. 1993’s Gentlemen was the band’s major label debut, after an independently released 1988 debut and two fine records for Sub Pop, and the record that was a departure from the fuzzy psychedelia of its earlier efforts. As “alternative rock” was running out of steam by the middle of the decade, Afghan Whigs continued to write and record vital music for 1996’s Black Love and 1998’s 1965 before the band amicably split in 2001. Singer Greg Dulli kept on battling his personal demons in other projects throughout the 2000s but in 2011 Afghan Whigs announced it was reuniting. A lot of bands from the alternative rock world have reunited and most of them have had respectable tours and the Whigs were no different. Dulli was and is an electrifying frontman and the band’s performance startlingly powerful overall. Currently the group is touring in support of its 2017 release In Spades. Har Mar Superstar has stylistically been all over the map from silly hip-hop early in the life of the project (Sean Tillman is also in pop band Sean Na Na) to a more Motown-esque soul and R&B sound while often performing all but nude and making an oddly compelling spectacle of himself. But the music is legit and if it’s tongue in cheek it is in the way that only someone with a deep respect for the musical style could pull off.
Who:Sound of Ceres album release of The Twin, Plume Varia and The Milk Blossoms When: Saturday, 10.21, 9 p.m. Where: Syntax Physic Opera Why: When Ryan and Karen Hover started Sound of Ceres in 2015, setting aside their dreamy indie pop band Candy Claws for the time being, they seemed to be tapping into a daydream realm of freely associating ideas and sounds and something about the purity, honesty and transcendent beauty of the music translated well onto the recording of 2016’s Nostalgia for Infinity. On the 2017 follow-up, The Twin, the band is spending less time drifting through shimmering gossamer and luminous fog. The minimalist songwriting approach this time leaves enough space for greater clarity of tone and distinctness of sounds working in conjunction with each other. It is not a better record but it sounds very focused. Denver dream pop greats Plume Varia and The Milk Blossoms open the show potentially opening a vortex into some realm Lord Dunsany would have written about. At least emotionally speaking. Vampires and werewolves aren’t real either, kids.
Who:Torres w/The Dove & The Wolf When: Saturday, 10.21, 8 p.m. Where: Larimer Lounge Why: Torres is an artist like PJ Harvey, Aldous Harding, EMA or John Vanderslice who are difficult to pigeonhole, whose high imaginative and powerful work cannot be reduced to a simple genre. Mackenzie Scott, the person behind Torres, doesn’t limit her songwriting to a single instrument so her sound has a layered cohesion even as it sounds like she’s going off the rails. There is an honesty, power and vulnerability to her music that comes across perhaps most vividly on her new record, Three Futures. Interestingly enough, Mackenzie got Rob Ellis, a longtime collaborator with PJ Harvey, as well as Portishead’s Adrian Utley.
Who:The Rotten Blue Menace reunion show w/Short Bus Rejects, The Beat Seekers, The Beeves and Sentry Dogs When: Saturday, 10.21, 7 p.m. Where: 7th Circle Music Collective Why: The Rotten Blue Menace spent a few years being one of the most entertaining and active ska bands in Denver so it’s only appropriate that it would have its reunion show sharing the stage with a band it likely influenced, Short Bus Rejects, who are playing their final show this night. It won’t all be ska or ska punk because street punkers Sentry Dogs and melodic grunge wonders The Beeves will fill out the bill.
Who:Kitty Crimes (DJ set), Snubluck, DJ Polyphoni and Just, Kevin When: Saturday, 10.21, 8 p.m. Where: Fort Greene Why: Kitty Crimes is normally a fast rapper with some explicit content in her lyrics and always pretty entertaining. For the DJ set who knows what might be in the mix because Maria Kohler, aka Kitty Crimes, has fairly diverse taste in music and the rest of the night will be some form of electronic dance music including experimental beatmaker and soundscaper, Snubluck.
Sunday: October 22, 2017
Who:Daikaiju w/TripLip, Kenaima and Chaff When: Sunday, 10.22, 8 p.m. Where: Streets of London Why: Since 1999, surf rock band Daikaiju from Huntsville, Alabama, has been performing shows that are the stuff of legend. Fire, acrobatics, the kind of exuberant energy that’s impossible to not be swept up in at the show. They play in costume so you might think of them being, overall, something like Peelander Z and Crash Worship, lucha libre and kabuki. People often use the word “chaotic” to describe the show and fair enough but more like an explosion of fun. Also playing the show is TripLip, which is comprised of people who used to live at the late, great Five Points Denver DIY venue Mouth House. TripLip is more psych and prog but very much in the same spirit as Daikaiju, a band that somehow hosted Daikaiju’s wild live show more than once in a residential neighborhood.
Who:A Giant Dog w/SPELLS and Class President When: Sunday, 10.22, 8 p.m. Where: Hi-Dive Why: It’s odd that Austin’s A Giant Dog hasn’t broken to a much larger audience. But for now count yourself lucky you’re getting to see the band in smaller venues in Denver for now. Its rowdy, tuneful mélange of early glam rock, punk and power pop is celebratory without coming off insincere. That’s probably because the songs are about things that anyone that isn’t living a glamorous or pampered life can relate to and delivered with an unlikely combination of vulnerability and conviction. In 2017, A Giant Dog released Toy, its most fully-realized album to date, through Merge Records. Denver’s SPELLS is cut from a similar cloth as a brash, minimalist punk band not short on melody in its own right.
Monday: October 23, 2017
Who:Daikaiju, TripLip and Today’s Paramount When: Monday, 10.23, 7 p.m. Where: 7th Circle Music Collective Why: For Daikaiju and TripLip see above. Today’s Paramount is sort of a psychedelic jazz rock band with touches of carnival music and ska. But it works and Today’s Paramount doesn’t sound much like anything else in Denver except for maybe a band where the chops, songwriting and humor are blended together well and developed to a high degree like The Inactivists.
Who:Shadows Tranquil, Voight, Equine When: Monday, 10.23, 8 p.m. Where: Syntax Physic Opera Why: Shadows Tranquil is a band including longtime music fan, often threatening to be musician, finally is, Doran Robischon, and this is the band’s EP release show. Knowing Robischon’s taste for noise, witchouse, dark atmospheric music and stuff on the moody spectrum of all of that, his band will probably be interesting. Voight is the post-punk band that has interwoven strong strains of noisy shoegaze and industrial. Equine is the solo project of Kevin Richards and it’s guitar soundscaping stuff that comes off like a sculpted version of ambient and musique concrète.
Who:Hissing w/SUTEKH HEXEN, Of Feather and Bone, Worm Ouroboros, Vermin Womb and Casket Huffer When: Monday, 10.23, 8 p.m. Where: Hi-Dive Why:Hissing and Sutekh Hexen recently released a split record, fitting since both are more on the brooding end of death grind. Disorienting, hypnotic pummeling through sound and rhythm. Minimalistic yet loud and aggressive. Both are in good company with the rest of this bill. Of Feather and Bone is certainly the more in-your-face style of deathgrind that is thankfully too alienating for casual fans of metal. Vermin Womb is similarly-minded but has more hanging dynamics and sounds closer to the roiling chaos bordering on nasty atmospherics in some black metal. Cheyenne, Wyoming’s Casket Huffer has a flavor that still has some connection to thrash, at least in the guitar work. Oakland’s Worm Ouroboros, however, will be a bit of an anomaly with its beautifully expansive, minimalistic and melodic, ethereal metal rooted in themes of nature and humankind’s relationship with the environment. If you’re fans of SubRosa, Dreadnought and Wolvserpent you’ll probably find something to like about Worm Ouroboros. Update: Worm Ouroboros no longer on the bill, instead Un, the “Aetherical Doom” band from Seattle. Also, it appears Sutekh Hexen dropped out of the show too.
Tuesday: October 24, 2017
Who:Hans-Joachim Roedelius w/Xambuca and Dream Hike When: Tuesday, 10.24, 10 p.m. Where: Mercury Café Why: Hans-Joachim Roedelius is one of the true pioneers of krautrock and synthesizer-based music generally. His diverse body of work influenced the development of the aforementioned as well as new age music, psychedelic rock, ambient and electronic music generally. He was one of the co-founders of Zodiak Free Arts Lab in West Berlin in 1968, one of the most important spots for experimental music and the avant-garde of its time. Along with Conrad Schnitzler and Dieter Moebius he formed Kluster (later Cluster after Schnitzler left the group), a band for which any idea seemed a go and its’ mixture of standard rock band instrumentation (albeit used toward unorthodox ends), cello, synths, feedback manipulation and unusual devices to use in music like car batteries and signal generators. Kluster didn’t exactly hit the charts but its legacy of experimentation and recontextualizing sounds continues to this day.
Roedelius has since then been a prolific artist whose projects (solo and otherwise) and collaborations have pushed the boundaries and horizons of experimental music and synthesizers. With Cluster and Harmonia, Roedelius took truly unusual and groundbreaking musical ideas and made them accessible. Cluster collaborated with Brian Eno on 1978’s ambient music classic After the Heat. In the next decade Roedelius’ work helped to refine and further define the aesthetic of techno. But, interestingly enough, Roedelius’ most prolific years came in his mid-sixties around the turn of the century. This is a rare opportunity to witness one of the founders of modern music and especially at a small and intimate venue like The Mercury Café.
Who:Ariel Pink w/Bite Marx When: Tuesday, 10.24, 7 p.m. Where: Hi-Dive Why: Ariel Pink as much as Animal Collective and Deerhunter can be said to have been responsible for inspiring a whole generation of musicians to use reverb on their vocals and guitars in an attempt to create a dreamlike soundscape that pre-dated the full-on psychedelic rock revival by half a decade. Except that those three acts did that and pushed the aesthetic further than most of the people they influenced. AC released a few of Ariel Pink’s earlier records before he was a touring act or one that played live much at all. To his credit, like Animal Collective and Deerhunter, every one of Ariel Pink’s albums pushes his own envelope and his new record, Dedicated to Bobby Jameson, is a fitting homage to the late, great cult songwriter of transporting psych folk.
Who:Dinosaur Jr w/Easy Action When: Tuesday, 10.24, 7 p.m. Where: The Gothic Theatre Why: Dinosaur Jr is the clear draw for this show and rightfully so. The band has inspired more great guitar music to have come along since the early 80s out of proportion to their level of fame than most other bands you could name. Certain an influence on shoegaze, noise rock, alternative rock in general and any kind of left field music that dares to use guitar sounds with a nod to classic rock virtuosity and punk rock’s willingness to repurpose and deconstruct rock tropes. But get there early and catch one of the greatest frontmen in the history of rock music in John Brannon of Easy Action. One, the band is like a psychedelic version of Black Flag with that kind of forcefulness and ability to write guitar riffs that also disorient the senses. Brannon first came to the attention of most people in the know with his hardcore band Negative Approach. But in the mid 80s, Brannon formed legendary noise rock band Laughing Hyenas with the late Larissa Stolarchuk, Jim Kimball and Kevin Munro. For a decade the band set a high bar for intense live performances and songs that really articulated the harrowing struggle between desperation, inspiration and dreams of a more meaninful existence. Easy Action formed near the turn of the century and alongside a re-formed version of Negative Approach it has been Brannon’s outlet for his unique vocal style that is as terrifying as it is riveting.
Who:Tei Shi w/Twelve’len When: Tuesday, 10.24, 7 p.m. Where: The Gothic Theatre Why: Valerie Teicher was born in Buenos Aires and spent part of her childhood in Bogotá and Vancouver, BC. So maybe somewhere along the line her knack for gently but vibrantly soulful vocals started to develop. However it happened, her early singles as Tei Shi found an audience among fans in her then adopted home city of New York, where she moved after attending Berklee. After a string of acclaimed EPs, Teicher released her 2017 full-length Crawl Space. It is an expansive gem of a downtempo, R&B-inflected synth pop album named after a place Teicher used to go to confront her fears of darkness. An apt metaphor for the various situations (emotional, social, professional, personal and so forth) Teicher discusses with nuance and insight across the album’s fifteen tracks.
Who:Dayglo Abortions w/Serial Killer Sunday School, The New Narrative and Self Service When: Tuesday, 10.24, 9 p.m. Where: Streets of London Why: With a name like Dayglo Abortions the Canadian punk band was never going to have to worry about being co-opted by mainstream music outlets. During its existence, Dayglo Abortions have been punk, hardcore and crossover but its messaging has been the same—a big middle finger of irreverence for mainstream normalcy. Read the track list to the 1986 classic Feed Us a Fetus and you might even wonder where this band is coming from except for a healthy and vitriolically humorous disdain for right wing politics and racism and other aspects of Western culture that make it a bummer for anyone trying to live an authentic life. This is also the band that named its 1991 album Two Dogs Fucking. That level of surrealistic humor and pointed political statements didn’t exactly end, thank goodness. Opening the show are Denver’s Serial Killer Sunday School, The New Narrative and Self Service, all great punk bands that aren’t just irreverently funny but who have some fairly pointed commentary on the ills of American society.
Who:My Life With the Thrill Kill Kult w/Ritual Aesthetic and DJ Ritual When: Tuesday, 10.24, 8:30 p.m. Where: Streets of London Why: My Life With the Thrill Kill Kult is celebrating its 30 year anniversary with this tour so they’ll be playing a whole lot of early albums Confessions of a Knife (1990) and I See Good Spirits And I See Bad Spirits (1988) so you’ll get to see some vintage material. The show is the best kind of spectacle and it perfectly blends B-movie horror kitsch, a carnival, trash culture and industrial dance music into an inspired whole. Chances are it will be one of the most fun shows you’ll see all year even if you’re not necessarily into industrial music. DJ Ritual will spin his relatively eclectic set at the show and between bands. Ritual Aesthetic is an industrial rock band from Denver in the vein of stuff like Electric Hellfire Club and Stabbing Westward when that band is more industrial than metal.
Wednesday: October 25, 2017
Who:Arcade Fire w/Bomba Estereo When: Wednesday, 10.25, 6:30 p.m. Where: Fillmore Auditorium Why: Arcade Fire quickly became one of the most popular of early 2000s indie rock bands following the release of its 2004 debut album Funeral. On that tour the band played in Denver at Hi-Dive and Larimer Lounge. By the time Neon Bible came out in 2007, Arcade Fire had become too commercially successful to play small clubs. And that’s where it cold have ended with all the pressures of the music industry guiding the band into tried and true territory. But Arcade Fire actually risked alienating fans with 2013’s Reflektor and its emphasis on the electronic side of the band’s soundscapes. For 2017’s Everything Now, the band recruited Pulp’s Steve Mackey, Thomas Bangalter of Daft Punk and Geoff Barrow of Portishead to come in and do production work and the resulting set of songs is lush and has a warm, sweeping quality that one might expect out of a 70s glam rock record. As such the live show is sure to not skimp on a visual component to aid in the elevated tone of the songwriting. It’s kind of a past time of music critics and older fans to trash Arcade Fire today but it’s arguable the band is writing the most interesting music of its career by being willing to push forward instead of sticking to what some people think is what they do best. Bomba Estéreo is an alternative Cumbia band from Colombia.
Who:KMFDM w/OhGr and DJ Ritual at Summit Music Hall When: Wednesday, 10.25, 7 p.m. Where: Summit Music Hall Why: Kein Merheit Für Die Mitleid does not in fact mean “Kill Mother Fucking Depeche Mode,” per the long-running joke. The industrial band was founded in Hamburg, Germany in 1984 and has undergone numerous incarnations and stylistic shifts from its early performance art-oriented shows to its full embrace of bombastic kitsch, sardonic humor and thoughtful social critique. You can probably start anywhere to get an idea of what the band’s music is about but for beginners give 1997’s Symbols a listen. Which is appropriate enough because Ogre from Skinny Puppy will perform his solo material as OhGr as a kind of co-headliner for this show. His set lists have included a good deal of material from Welt and SunnyPsyOp. And it’s Ogre so his set will have plenty of the inspired weirdness that has made him one of industrial music’s most interesting performers and artists. And who knows, maybe he’ll join KMFDM on stage for “Torture” as he did during KMFDM’s tour for that album in the 90s.
Who:Guided by Voices When: Wednesday, 10.25, 8 p.m. Where: Fillmore Auditorium Why: Robert Pollard is by now both a godfather of modern lo-fi rock and one of its most accomplished and prolific artists. Had he ended Guided By Voices after 1994’s epochal Bee Thousand he would still be a legend. But 18 albums later, Pollard is still going strong with two 2017 albums: August By Cake (Pollard’s 100th recorded album) and How Do You Spell Heaven. Not every song is a winner but even Bob’s “lesser” material is worth a spin. The live show is an unabashed flood of splintery rock and roll in an era when there’s too much emphasis on being smooth and polished or faking grit. There’s no fake grit with Guided by Voices except maybe as an inside joke with fans and the audience.
Who: Bell Witch w/Primitive Man, Urn and Oryx When: Wednesday, 10.25, 8:30 p.m. Where: Hi-Dive Why: Seattle-based doom band Bell Witch released one of the genre’s most haunting and crushing albums of 2017 with Mirror Reaper. The duo manage to conjure spectral horror and primal energies crying out in drawn out triumph with processed bass, drums and vocals. A perfect pairing with tourmates Primitive Man from Denver whose own 2017 album Caustic not only beyond lives up to and embodies the album title, it is an evocation of sustained despair, desperation and frustrated rage transmogrified into colossal and punishing songs that somehow also serve as a catharsis and a channel into an inner peace that are the opposite of the songs themselves. Opener Oryx is a sort of doom grind duo and the other opening act, Urn, injects some psychedelic elements into its own brand of doom. Probably the loudest show of the week outside of that Dinosaur Jr and Easy Action show on October 24 but also easily one of the best lineups of heavy music all month.
October has long traditionally been the busiest month for shows coming to Denver and keeping up with them much less catching everything you’d like to witness is challenging even if money and time aren’t big considerations. Here are not even close to all the cool concerts in the Mile High City and the surrounding area through October 11, 2017.
Who:Tennyson w/Photay When: Thursday, 10.05, 7 p.m. Where: Globe Hall Why: Tennyson is a duo from Canada that seems to have found a way to fully synthesize jazz, IDM, pop and dub techno into lush pop songs that get under your skin and into your psyche. Difficult to compare them to anyone other than maybe artists on the Ghostly International imprint because so many of them are breaking conventions in general as well. If Lusine, Thundercat and Boards of Canada collaborated on a pop album it might sound like Tennyson but Tennyson’s beautiful, finely crafted compositions don’t feel like a real nod to anyone else, a true rarity in modern music. Its new EP, Uh Oh!, is a perfect introduction to what this brother and sister project has to offer.
Who:1865668232 (Ithaca), Distance Research, Sunk Cost, Matt Struck, Hypnotic Turtle simulcast When: Thursday, 10.05, 9 p.m. Where: The Skylark Why: Musical Mayhem is a bi-weekly event at The Skylark Lounge hosted by Claudia Woodman who also does Weird Wednesdays at 3 Kings Tavern.This week it’s noise and ambient night with harsh noise sculptor extraordinaire, Jonathan Cash, performing as Sunk Cost. Distance Research is the analog/modular synth project of sound and visual artist Sean Faling. The guy has more synths at his place than anyone but maybe Gabriel Temeyosa of Kuxaan-Sum and he crafts his sets around various arrangements of gear meaning every show is a little different but always excellent. 1865668232 is based out of Ithaca, New York and traveling with a show in Denver of sound collage atmospheres.
Who:Glacial Tomb, Nightwraith, Space in Time, Urn When: Thursday, 10.05, 7 p.m. Where: Hi-Dive Why: Sort of a doom and stoner rock/psychedelic metal night at the Hi-Dive with Glacial Tomb which includes members of Khemmis and Cult of the Lost Cause. Urn is basically a new version of the great Denver sludge psych band Skully Mammoth. Nightwraith is a melodic doom band whose recent self-titled EP is ripe with crunchy riffing and post-hardcore-esque black metal vocals. Space in Time is what happens when talented musicians from punk, country and pop bands update trippy heavy rock from the 70s like Captain Beyond and Uriah Heep.
Who:Palehound w/Down Time and Mr. Atomic When: Thursday, 10.05, 7 p.m. Where: Lost Lake Why: Ellen Kempner somehow takes the kind of folk-inflected, confessional indie rock song and injects it with new life through a compelling and moving vulnerability and poetic honesty. In some ways her music is reminiscent of a modern day Melanie—well crafted yet raw songwriting. The 2017 album, A Place I’ll Always Go, has more of a full band sound and filled out with more electronic soundscapes but without losing any of the sense Kempner’s revealing her deepest loves, fears and wishes.
Who:Ghost Tapes album release of Mad Props w/Fed Rez, Sur Ellz and DJ Soulrane When: Friday, 10.06, 7 p.m. Where: Syntax Physic Opera Why: Ghost Tapes if finally releasing its debut album, Mad Props. The quintet’s sound is somewhere between soul and smooth jazz minus any cheese factor. Rather, its music is the sort of thing you might expect to hear if you stopped in to some hip coffee shop off the Pacific Coast Highway and caught the house band doing its music and poetry residency outside its usual gig of touring the country in a successful indie rock band. Perhaps that’s a tortured metaphor but there is something intimate and beautiful about a Ghost Tapes performance that will fit in well with Syntax Physic Opera. Also on the bill are two of Denver’s best experimental hip-hop projects: the more jazz-inflected Fed Rez and the lushly loop/beat driven Sur Ellz.
Who:Sympathy F and JL Universe When: Friday, 10.06, 8 p.m. Where: The Walnut Room Why: Sympathy F is one of the longest running bands in Denver. It would be too facile to say the band is merely dream pop because it incorporates singer Elizabeth Rose’s jazz chops honed in her solo side project and the other players make rock music with the fluid dynamics of a improv jazz band with a dreamlike quality that draws you into the group’s storytelling. Really, Sympathy F’s music recreates the feel of Denver pre-LoDo when there was a shadowy, gritty and haunting yet comfortable vibe to a place where while there was potential danger around every corner there was also a sense of wide openness and untapped possibility. The band’s next album, its third in 26 years, is due out later this year.
Who:Sheer Mag w/Tenement and American Culture When: Saturday, 10.07, 8 p.m. Where: Larimer Lounge Why: One of the most anticipated punk tours of recent years not being undertaken by an established name includes two of the genre’s most acclaimed acts, Sheer Mag and Tenement. Sheer Mag might be compared to the Minutemen for current punk not because the bands sound anything alike. But because both had/have musicians with chops who aren’t afraid to let that show in the songwriting out of some misguided adherence to standard punk aesthetics. Both also were unabashed admirers of older music many of their peers think/thought wack. Vocalist Tina Halladay sounds like Janis Joplin fronting a garage rpunk band that listened to a lot of James Gang and The Allman Brothers. Should be completely dumb but it really works and the live band is a force to be reckoned with. Tenement sounds like a snotty power pop band with a raw melodic sense reminiscent of maybe Teenage Fanclub or pre-1983 The Replacements. Local openers American Culture should be as known as the other bands on the bill on a national scale but its own rawly melodic and glittery take on punk might be too big a leap for some to accept in the same realm of music. But its own impassioned performances speak otherwise and the lyrics about being an eternal outsider in a world of fake sophistication and a yearning for authentic choices for living a life worth living are clearly the stuff of which great punk songs are made.
Who:Ought w/US Weekly and Male Blonding When: Tuesday, 10.10, 7 p.m. Where: Larimer Lounge Why: Ought’s noisy, Fall-esque, whorling melodies reminiscent of Television driven by steady, hypnotic rhythms set it apart from a lot of other post-punk bands of the current decade. Was it aware that Protomartyr had got off the ground in Detroit three years before its own formation? That Women had developed its Wire-esque, spiky yet deeply atmospheric aesthetic before that? Hardly matters as Ought sounds like neither band but there is a strong resonance between the music of all those bands. With Ought there is also a sense of urgency to its music and an ability to draw you into its gritty, dreamlike compositions before you know you’re under their spell. Austin-based no-wave/post-hardcore/noise rock band US Weekly may be difficult to track down using conventional search engine methods but it’ll be worth it. Because these guys are a bit like Flipper on fast mode. Denver’s Male Blonding garnered some influence from Canadian post-punk of the 2000s but its rhythm section takes the music into a different realm of sound. Coupled with the group’s imaginative dual guitar work and Noah Simons’ commanding vocals, Male Blonding is simply carving its own path and not easily planted in the realms of post-punk or indie rock.
Who:Big Thief w/Little Wings and Mega Bog When: Tuesday, 10.10, 7 p.m. Where: Globe Hall Why: Big Thief’s new record, Capacity, is a pleasant and thoughtful enough listen. But Adrianne Lenker’s tender vocal delivery is what makes the songs because even if she’s conventionally melodic she brings a sense of melancholic yearning that’s pretty compelling. Definitely for fans of Jenny Lewis solo or during her tenure with Rilo Kiley. Mega Bog has been one of America’s best kept musical secrets for too long. Originally from the Pacific Northwest, Mega Bog now resides in New York City where it now doubt rubbed shoulders with Big Thief. Singer/songwriter Erin Birgy and her bandmates aren’t really working in a genre unless you count “good drum.” Its latest record, Happy Together, is an eclectic affair that will remind some people of Laurie Anderson (especially “London” to Anderson’s “Blue Lagoon”). It’s part jazz and part seemingly lifting otherworldly atmospherics from Birgy’s dreams.
Who:Worriers, Thin Lips, Cheap Perfume, Lawsuit Models When: Tuesday, 10.10, 7 p.m. Where: The Moon Room Why: Worriers are the bouncy, melodic punk band of former The Measure (SA) guitarist and singer Lauren Denitzio. The band’s 2015 album, Imaginary Life, produced by Laura Jane Grace of Against Me!, is a charming mixture of irreverent self-examination cataloging life’s downbeats, playfully pointed social commentary and genuinely clever wordplay. Cheap Perfume shares Denitzio’s sense of humor, politics and energy and earlier this year the band debuted the video for a song called “It’s Okay (To Punch Nazis).” And given Richard Spencer’s recent turn with a ten minute or so protest revisiting Charlottesville it’s difficult for any normal person to disagree with the sentiment even if you’re not inclined to act on the song literally.
Who:Touché Amoré w/Single Mothers, Gouge Away, Muscle Beach When: Tuesday, 10.10, 7 p.m. Where: The Moon Room Why: Touché Amoré may have kind of a silly name but its melodic post-hardcore while still heavy hitting has a kind of uplifting quality at times that has more in common with late 90s emo. But it’s all part of the same punk world so of course several bands have overlapping musical interests, Touché Amoré just integrated it all as well as expansive, shimmering atmospheric passages that sound like post-rock angels hovering at the edges of its core songs. And it’s kind of a big deal for 2000s post-hardcore fans that London, Ontario post-hardcore legends Single Mothers are playing in Denver. No downside on the bill including Denver’s own Muscle Beach who have found a truly sweet spot between metallic post-hardcore and fluid noise rock.
Who:Haujobb w/Blackcell and DJ Niq V When: Tuesday, 10.10, 8 p.m. Where: 3 Kings Tavern Why: Haujobb came about at time when there was a great deal of overlap between underground electronic music genres with Meat Beat Manifesto synthesizing EBM, techno and early drum and bass, The Orb creating dance music too weird for most dance clubs, Rabbit in the Moon embodying trance and house and indulging creative breakbeats. Haujobb’s own music was more grounded in EBM and industrial and darker than most of the music that would provide the soundtracks to raves and night-long parties in Ibiza even though its methods of creation wasn’t so far apart from the “electronic” acts who were its peers. Blackcell is one of Denver’s longest running bands in general and certainly out of the electronic and industrial music world going back to its origins in the early 90s when the project was more in the vein of noise with tape collages and samples alongside its synthesizer experiments. These days the duo uses mostly hardware synths, sequencers, drum machines and samplers to craft its richly layered, entrancing soundscapes.
Who:The Church w/The Heliosequence When: Wednesday, 10.11, 7 p.m. Where: Gothic Theatre Why: Many rock bands get stuck in a perpetual revisiting of teenage themes, hedonism and concerns bespeaking of a state of stunted personal development. The Church has never really been that band. Before becoming famous in the U.S. in the wake of the release of its 1988 album Starfish and hit single “Under the Milky Way,” The Church had been crafting albums of exquisite beauty that took the pop and rock song format in interesting directions both sonically and thematically. There was a literary quality to the band’s lyrics that more than hinted at thoughtfulness in the songwriting that aimed at a poetic understanding of life and human interactions beyond the rote clichés of art aiming at little more than entertainment. And with The Church it wasn’t purely intellectual or of the head and its powerful live shows became and remain a powerful shared experience of artist and audience alike. In 2014, The Church released arguably its best record to date with Further/Deeper. The title was a pitch perfect summary of an album in which the band was finding itself having to reinvent itself after the departure of founding guitarist Marty Wilson-Piper but also to continue making relevant music that wasn’t a retread of past glory—something, surprisingly, The Church has never really done, each album being a worthwhile listen. Futher/Deeper was also one of the few rock records written by musicians from an adult perspective without sounding jaded or safe. In 2017 The Church released its latest album Man Woman Life Death Infinity. The Helio Sequence probably gets lumped in with modern shoegaze and dream pop but the band was doing fascinating experiments with electronic music and an expanded sense of psychedelic music early in its career. These days the band is perfecting affecting soundscapes and lyrics that reach well beyond the realm of the mundane. A perfect pairing of bands in a year when that’s not been such a rarity.
Who:The Mercury Tree, Hamster Theatre and Neil Haverstick When: Wednesday, 10.11, 7 p.m. Where: The Walnut Room Why: Portland, Oregon’s The Mercury Tree is proof that progressive rock need not be over intellectualized as its layered atmospheres and rhythms, intricate in composition, are a heady and expansive listening experience. And that band would be worthy enough of attending the show but also a rare Denver appearance by Denver avant-garde rock/jazz legends Hamster Theatre and microtonal guitar wizard Neil Haverstick.
Who:GZA w/Low Hanging Fruit When: Wednesday, 10.11, 7 p.m. Where: Fox Theatre Why: The GZA at The Fox? Sure enough. As a founding member of Wu-Tang Clan, GZA has exerted a broad influence on much of the hip-hop to have come along since. But GZA’s lyrical brilliance paired with RZA’s production has impacted some of the most interesting electronic music made since the release of his landmark 1995 album Liquid Swords. That album transcended genre and its echoes can be heard in much of alternative and underground hip-hop today.