As with all things live music the annual The Underground Music Showcase (UMS to most) can’t happen in the usual manner but the organizers put together a lineup for a virtual music festival, variety show and retro telethon. Partnering with Colorado Music Relief Fund which supports Colorado musicians and music industry professionals affected by the COVID-19 pandemic, the event with run on Saturday, July 25, 2020 from 7 p.m. through 10 p.m. Mountain Time. There will be prize giveaways and party supplies delivered to viewers and while not quite the sprawling marathon of music, local and otherwise, it promises to provide some humor and good times with hosts comedians Christie Buchele and Nathan Lund. The event will broadcast from the Hi-Dive a venue that has been associated with the festival for most its run thus far.
This year’s lineup (in alphabetical order) includes: Down Time Float Like a Buffalo Lily Fangz Los Mocochetes Nathaniel Rateliff Neoma Ramakhandra The Milk Blossoms The Still Tide TheyCallHimAP Turvy Organ Wave Decay Wes Watkins Whitacre Wildermiss YaSi
With additional music provided by DealzMakesBeats.
What:Kyle Emerson w/Turvy Organ, Panther Martin and Crystal Seth When: Friday, 2.21, 8 p.m. Where: Hi-Dive Why: Kyle Emerson’s new album Only Coming Down is a thoughtful collection of songs written while the songwriter was splitting his time between his adopted home of Denver and Los Angeles. Emerson is from norther Ohio but moved to Denver in his late teens/early 20s where he fell in with an up and coming psychedelic pop band Plum which made waves before moving to the City of Angels and, as is often the cliché, broke up shortly thereafter. Since then Emerson moved back to the Mile High City where he established himself as a solo artist with the release of his sophisticated and introspective, folk inflected pop album Dorothy Alice. Tonight he shares the bill with stars of the local indie rock milieu in Turvy Organ and Panther Martin.
What:Stonefield w/Pink Fuzz, SSIIGGHH When: Friday, 2.21, 8 p.m. Where: Lost Lake Why: Amy, Hannah, Holly and Sarah Findlay are four sisters that formed the hard psychedelic rock band Stonefiled in 2006 in Darraweit Guim in Victoria, Australia. Its early offerings (for example Through the Clover) were in the realm of 70s boogie rock with hints of the psychedelia that would characterize their later songwriting. By the time of 2019’s Bent, the group hasn’t shed its infectious tunefulness but its overall sound is much heavier, brimming with expertly sculpted melodic fuzz and at times bordering on a fusion of Krautrock and early 2000s stoner rock. Fans of Stereolab, Trans Am and Hawkwind will find a lot to like about this latest incarnation of the band’s evolution.
What:Ezra Furman w/Kelley Stoltz When: Saturday, 2.22, 7 p.m. Where: Bluebird Theater Why: Ezra Furman’s 2019 album Twelve Nudes is a lush yet somehow lo-fi collection of songs filled with raw emotion and experiences presented with a startling honesty couched in the sound of some 1960s girl group sound fused with fuzzy garage rock production. It’s a fascinating and bracing listen that gets past your filters before the impact of what you’re hearing hits you and the experience awakens you to the playful weightiness of Furman’s songwriting.
What:Shadows Tranquil, Emerald Siam, Midwife and Ophelia Drowning When: Saturday, 2.22, 9 p.m. Where: Mercury Café Why: Dark, shoegaze-y post-punk band Shadows Tranquil performs this night with the brooding yet transcendent Emerald Siam, Midwife’s riveting, ethereal, tender, intimate soundscapes and Danish dungeon synth project Ophelia Drowning.
What:Kendra & The Bunnies When: Saturday, 2.22, 8 p.m. Where: Mutiny Information Café Why: Kendra & The Bunnies brings an unconventional and disarming creativity and sensitivity to a folk psychedelia that seems out of place and out of time. When so many modern indie bands are still mining Laurel Canyon, Kendra & The Bunnies tapped slightly into the vibe of Northern California hippies and made it their own.
What:Cyclo-Sonic, Joy Subtraction and The Pollution When: Saturday, 2.22, 8 p.m. Where: 1010 Workshop Why: Cyclo-Sonic is comprised of veterans of Denver’s great second era of punk in the 80s with former members of The Fluid, The Frantix, Rok Tots and The Choosey Mothers. Which would mean not much if the band wasn’t any good but it turns out that the band’s leftfield reinterpretation of melodic proto-punk and garage is shockingly vital and compelling. Joy Subtraction came out of the more arty end of punk inspired by the likes of Alice Donut and Nomeansno. The Pollution is an unlikely merging of psychedelic prog and punk.
What:Shibui Denver #10: Fern Roberts and Red Wing Black Bird When: Sunday, 2.23, 7 p.m. Where: Mutiny Information Café Why: This edition of Shibui Denver will feature darkwave project Red Wing Black Bird and the latest band from former Emerald Siam and Light Travels Faster bassist Todd Spriggs, Fern Roberts.
What:Chastity Belt w/Nanami Ozone and Hugh F When: Sunday, 2.23, 7 p.m. Where: Bluebird Theater Why: Chastity Belt has been on a great run of seeming to reinvent its aesthetic over the past two or three records. Its 2019 self-titled record has seemingly shed whatever influences informed its earlier work in favor of a more introspective, dream pop-esque, borderline post-punk aesthetic but rooted in a sophisticated expression of emotional complexity, the kind that only comes with processing loss whether personally, or of one’s place in the world or of one’s community or feeling lost in a world where things seem upended and your place in it seems tentative. Who can say is the reason for this change but it is the group’s finest offering to date in its ability to evoke feelings that a more straight ahead rock and roll songwriting style struggles to articulate.
What:Kendra & The Bunnies When: Sunday, 2.23, 4-6 p.m. Where: The Very Nice Brewing Company in Nederland 4-6 p.m.
What:Hannibal Buress w/Al Jackson and Tony Trimm When: Monday, 2.24, 10”:15 p.m. Where: Denver Comedy Works Why: This is a free pop up comedy event featuring Hannibal Buress whose sharp, surreal comedy takes aim at the ridiculousness of modern life and odd ideas we all take for granted. He has also appeared in film and numerous television shows including brilliant turns on the Eric Andre Show and Broad City. For tickets signup/rsvp @ www.hannibalburess.com also text 312-584-5839 for a chance at tickets.
Tuesday | February 25
What:American Nightmare w/Ceremony When: Tuesday, 2.25, 7 p.m. Where: Bluebird Theater Why: American Nightmare is a legit hardcore band in the modern mold. Ceremony was right there with them, though having formed in 2006 during American Nightmare’s hiatus from 2004-2011. But around the time of Ceremony’s 2012 album Zoo its sound if not its raw, confrontational energy as a live band was changing. Hints of a shift from hardcore into something more experimental was all over that record and by the time of The L-Shaped Man from 2015, Ceremony was a post-punk band. Its latest album, In the Spirit World Now has expanded the use of synths in the band’s overall sound has morphed even further in the direction of dance-y darkwave like Devo if that band had somehow emerged following the post-punk revival of the late 90s and early 2000s.
What:Day of Jubilee: Sliver and Marcus Church When: Friday, 2.07, 5-9 p.m. Where: The People’s Building Why: Marcus Church is a Denver-based power pop trio. Its gently jangle-y and fuzzy melodies sound like singer/guitarist Dustin Habel spent a whole lot of time obsessively listening to only records produced by Mitch Easter and the complete discographies of Teenage Fanclub and Big Star. That also means there’s a tender earnestness to the songwriting imbued with an uncommon tenderness and humanity. Sliver bypassed the 90s grunge nostalgia wave of recent years by making no bones about its musical roots in its hard driving, explosively emotional guitar rock. Mudhoney influence aside, its aesthetic is most informed by both the self-effacing, sensitive, introspective side of Pacific Northwest noise punk and the wiry, politically conscious end of DC hardcore.
What:Mainland Break w/Panther Martin, Mystic Wool and The New Creep When: Friday, 2.07, 9 p.m. Where: Lost Lake Why: Denver power pop band Mainland Break is releasing its video for “Gun Without Hire” at this show. The five piece band sounds like it listened to a whole lot of bands on the Flying Nun imprint in the 80s, some Swell Maps and The Feelies while forming and distilled that influence into upbeat pop songs.
What: Wolf Parade w/Land of Talk gothictheatre.com/events/detail/386833 When: Saturday, 2.08, 8 p.m. Where: Gothic Theatre Why: CanadianWolf Parade returns touring in support of its new record Thin Mind. Its blend of post-punk and power pop has helped define the aesthetic of modern indie rock as sonically eclectic with thoughtful lyrics.
What:Courtney Barnett When: Saturday, 2.08, 7:30 p.m. Where: The Stanley Hotel Why: Australian singer-songwriter Courtney Barnett has written some of the most personally insightful lyrics of the past two decades paired with emotionally vibrant guitar work and songwriting. She will perform solo for this rare, intimate show at The Stanley Hotel in Estes Park.
What:Miniature Tigers w/Katzú Oso When: Sunday, 2.09, 7 p.m. Where: Globe Hall Why: Miniature Tigers’ 2019 album Vampires of Daylight is an exploration of singer/songwriter Charlie Brand’s painful breakup and his return to writing and performing music after going through agonizing experiences that had him over the edge and art therapy through painting instead of music. The result is a raw yet tender album of deeply emotional songs about loss and the confused and tortured feelings that run you through the wringer.
What:The Paranoyds w/Spendtime Palace and Princess Dewclaw When: Wednesday, 2.12, 7 p.m. Where: Larimer Lounge Why: The Paranoyds’ psychedelic fuzz pop is a spirited and surreal take on noisy post-punk. Like The Raincoats having come up in Southern California on pop punk and American pop music with a similarly splintery aesthetic and exuberant live performances. Currently touring again in support of its excellent 2019 album Carnage Bargain.
What:Oryx, Cthonic Deity and Zygrot When: Thursday, 1.9, 8 p.m. Where: Hi-Dive Why: In the realm of Denver extreme metal it would be hard to find a more solid line-up this month than this. Oryx is perhaps rightfully considered a doom band but its wall of noise is a shifting, mind-altering experience that creatively uses drones and riffs to comment on the world in a way the reflects and exorcises the sense of despair at the way our economic and political system normalizes the ways in which our lives are eroded through the environment, the fake prosperity figures that hide the poverty and desperation that permeates much of society in America and elsewhere and a cultural climate that favors a cultural identity anchored to the fortunes of the world’s oligarchs. And yet it’s not a bummer, there are hopes and dreams in its grinding and harrowing aesthetic. Cthonic Deity released one of the most promising fusions of death metal and hardcore with 2019’s Reassembled in Pain. Zygrot is a crusty grindcore quartet that releases its self-titled debut in September 2019.
What:Origami Angel, Short Fictions, Flora De Luna and Obtuse When: Saturday, 1.11, 7 p.m. Where: Seventh Circle Music Collective Why: Origami Angel is a band from the Washington, D.C. area that is mining a similar sonic territory as bands in the past half decade or more going beyond the neo-pop punk into a hybrid of math-y emo and indie pop. So a bit retro but at least not yet another band thinking it is discovering Laurel Canyon all over again and with earnest, heartfelt performances. Obtuse is a like-minded band from Denver whose 2019 album Who’s Askin’ is a gloriously raw and incisive examination of one’s insecurities as a normal reaction to a society and economic system seemingly designed to make everyone feel like an inadequate failure. Their songs are an acknowledgment of those anxieties and an attempt to not be completely sunk by them.
What:New Ben Franklins and I’m a Boy 7” split release When: Saturday, 1.11, 10 p.m. Where: The Skylark Lounge Why: Long running alt-country/American band New Ben Franklins and power pop sensations I’m A Boy are releasing their split 7” tonight at The Skylark.
What:Total 80s Live with Bow Wow Wow w/When in Rome and The Vanilla Milkshakes When: Sunday, 1.12, 8 p.m. Where: The Oriental Theater Why: Bow Wow Wow is an English New Wave band assembled by then Sex Pistols manager Malcolm McLaren in 1980 when he convinced members of Adam Ant’s band to form a new group that was fronted by 13-year-old Annabella Lwin who McLaren had heard singing along to the radio at her laundromat job. The other singer of the band in the beginning was George O’Dowd who left the group early and became famous as Boy George of Culture Club and as a solo artist. Bow Wow Wow somehow managed to break into the mainstream with hit songs like “C·30 C·60 C·90 Go!” and a lively cover of The Strangeloves’ 1965 recording of “I Want Candy.” This current version of the band will not include Lwin who hasn’t been in this iteration of Bow Wow Wow since 2013, now performing as Annabella Lwin of the original Bow Wow Wow.” So while it won’t be the original line-up except for bassist Leigh Gorman, you can hear those hits as well as When in Rome whose 1987/1988 single “The Promise” has been a staple of 80s synth pop playlists for decades. The Vanilla Milkshakes are a pop punk band with attitude and an offbeat sense of humor that will probably make the nostalgia seekers wonder how they got on the bill but end up liking a lot of the songs in spite of themselves.
Wednesday | January 15
What:Weird Wednesday: Yao Guai, Lady of Sorrows and e-scapes When: Wednesday, 1.15, 9 p.m. Where: Bowman’s Vinyl and Lounge Why: Weird Wednesday this month includes ambient prog project Yao Guai, emotionally expressive darkwave solo act Lady of Sorrows and experimental synth pop composer e-scapes.
What:Church Fire When: Thursday, 11.14, 6:30 p.m. Where: Ross-Broadway Library Why: Denver-based synth-noise-pop doom darlings Church Fire are playing this event sponsored by Titwrench as part of its Surfacing series highlighting female and LGBTQ underground and experimental artists. It’s after hours at the library in the Baker District and free.
What:Roller Disco 3 When: Thursday, 11.14, 9 p.m. – 2 a.m. Where: Roller City
What:Whipporwill w/Courtney Hartman When: Friday, 11.15, 6 p.m. Where: Washington’s (Fort Collins) Why: Fort Collins based alternative folk band Whippoorwill distilled its past few years of experiencing the turmoil of the land and the culture into its new album The Nature of Storms. On its 2017 tour the band experienced tornadoes, floods, forest fires, blizzards and the destructive nature of the Trump presidency itself and the polarized social and political climate surrounding it. With the personal lives of its members in disarray as well the trio pulled together and crafted one of the most affecting releases of the year that exceeds expectations for terms like “alternative folk” as the band seems to be channeling the pain and agony of the times into songs that if not exactly exorcising those emotions, brings a compassionate energy to the proceedings. This show celebrates the release of that record and hopefully soon the band will play regional shows in support followed by a tour soon enough.
What:Noise Vs. Doom IV When: Friday, 11.15, 7 p.m. Where: Seventh Circle Music Collective Why: This is the fourth edition of the Noise Vs. Doom event featuring bands that fall loosely into either category. Tonight’s lineup includes Denver noise legends Page 27, doom collective Ice Troll and avant-garde composer Victoria Lundy. Schedule below.
Clark Nova 6-615
Ice Troll 6:30 -6:50
minus X 7:00 – 7:20
Prayer Hands 7:30 -7:50
Haunted Sound Lab 8pm -8:20
Distance Research 8:30-9:00pm
9:15-9:45 Victoria Lundy
10-10:20 Page 27
10:30-11pm Deer Creek
DJ sets PterrorFranklin Soundsystem
(Frank Bell / James Jewkes )
What:No Swoon, Kissing Party and Voight When: Saturday, 11.16, 7 p.m. Where: Rhinoceropolis Why: No Swoon’s recently released self-titled full length is an example of how 2010s darkwave as evolved beyond the obvious classic reference points into the realm of sophisticated pop songcraft. Its vibrant tones and sense of sonic space is reminiscent of Chromatics but not tapping into feelings of nostalgia as much as a reflective yearning and introspection. Kissing Party is an indie pop band from Denver that has reliably been releasing quality material since the mid-2000s seeming to perpetually be able to draw on a sense of youthful romance and ideal love. Voight has been performing its brand of industrial post-punk noise-gaze since 2015 and is in the process of completing its new album due out in 2020.
What:GYES: Lady Gang, Preparation and Gothsta When: Saturday, 11.16, 8 p.m. Where: The People’s Building Why: The final Get Your Ears Swoll at the People’s Building in Aurora featuring experimental loop and psychedelic folk artist/one-woman band Lady Gang and Gothsta who plays truly unusual covers in a playful style that lives up to the name. The latter is organizer Claudia Woodman who will rename the event for the same location on a different day of the month in 2020.
What:Hi-Dive 16th (and 7th) anniversary w/Wobbles, Rattlesnake Milk, Zebroids, George Cessna, Permanent Boner and DJ Marika When: Saturday, 11.16, 8 p.m. Where: Hi-Dive Why: Hard to believe the H-Dive has been around for sixteen years at this point but it remains a place to see some of Denver’s best underground bands and up and coming artists from around the world. This show brings together stalwarts of the club including Zebroids who are more an obnoxious collective of yobs than strictly a ridiculous but oddly good punk band and George Cessna whose sonically inventive songwriting blows expectations of the son of Slim Cessna in a great way.
What:Noise vs. Doom IV When: Saturday, 11.16, 8 p.m. Where: Seventh Circle Music Collective Why: Second night of Noise Vs. Doom with performances from vinyl-collage sound processor Atari, ambient noise sculptor Blank Human and experimental noise rock prog punk band Action Friend from Los Angeles, formerly from Denver. This evening’s schedule below.
6:30 -6:50 Mismo
7:45 -8:05 Atari
8:15- 8:35 Flood Ov Blood
8:45 -8:55 – DJ Yeldarb Franklin
9-9:20 Clutch Plague
10-10:20 Blank Human
10:30 -10:50 Cosmic Abyss
11pm Action Friend (Los Angeles CA)
DJ sets Mudwulf + Dj Zombie
What:DBUK When: Saturday, 11.16, 7 p.m. Where: Tuft Theater at Swallow Hill
Sunday | November 17
What:Vetiver w/Joe Sampson When: Saturday, 11.16, 8 p.m. Where: Ophelia’s Electric Soap Box Why: Before it became very much a part of the current stream of “indie” music, Andy Cabic was crafting exquisite psych folk songs that incorporated electronic elements in a fully integrated way. His 2019 album Up On High is a fairly stripped down affair but the delicately intricate rhythms and textures with Cabic’s expressive vocals are still there creating an unconventionally atmospheric quality akin to something one might have heard on a Byrds or early Dead record. Maybe something Mitch Easter would have produced in the 80s. But the sensibility is very modern and its emotional immediacy is immediately compelling. Opening the show is Joe Sampson, one of Denver’s most gifted songwriters who some may remember from his days in A Dog Paloma but in the last decade plus he’s been woodshedding his own material while also having played in Bad Weather California.
What: A$AP Ferg and Ski Mask the Slump God w/Murda Beatz, MadeinTYO, Pouya, Danny Towers, DJ Scheme When: Monday, 11.18, 6 p.m. Where: Mission Ballroom Why: A$AP Ferg is one of the most influential and creative artists in the world of trap and Ski Mask the Slump God is one of the great innovators in that genre but one who incorporates even more elements of punk and metal into his animated material and performances. Sometimes live rap shows are disappointing but this should very much be an exception.
Tuesday | November 19
What:Nots, Slugger and Dearborn When: Tuesday, 11.19, 8 p.m. Where: Lost Lake Why: Nots is the noise punk band from Memphis, Tennessee that is currently touring in support of its new album 3 out on Goner Records. Guitarist and singer Natalie Hoffman was once the bass player of Ex-Cult where she stood out as a charismatic performer with wiry energy in a band not short on those qualities.
What:An Evening With Helmet When: Wednesday, 11.20, 7 p.m. Where: Summit Music Hall Why: Helmet is the legendary noise rock/posthardcore band from New York whose 1992 album Meantime yielded a hit single “Unsung” during that period when anything a little different stood a chance of making it to the radio. The group’s blunt and angular riffs and aggressive groove has proven influential on a certain segment of heavy music since.
What:Michael McDonald w/Strange Americans When: Thursday, 07.18, 5:45 p.m. Where: Denver Botanic Gardens – York Street Why: Michael McDonald’s smooth and soulful vocals have been a part of American rock and pop music for over four decades now. Whether as a singer in Steely Dan (both live and in studio), The Doobie Brothers, as a solo artist and in his numerous collaborations including with the likes of modern hip-hop/jazz genius Thundercat, McDonald brings a deep musicality and keen ear for melody that transcends genre. This concludes his run of shows in Colorado over this past week.
What:Usnea, CHRCH, Zygrot and Limbwrecker When: Thursday, 07.18, 7 p.m. Where: Rhinoceropolis Why: Kind of a funeral doom show at Rhino tonight w/Portland, Oregon’s funeral doom juggernauts Usnea and the transcendental occult feral drone of CHRCH from Sacramento.
Friday | July 19
What:We Are A Glum Lot and Spirettes dual album release w/Turvy Organ When: Friday, 07.19, 8 p.m. Where: Lulu’s Downstairs – Manitou Springs Why: Dream pop band Spirettes and neo-math-emo-indie rock band We Are Not a Glum Lot are releasing their new albums simultaneously this evening at Lulu’s Downstairs in Manitou Springs. Spirettes’ album being Esoteria and We Are Not a Glum Lot’s titled The Price of Simply Existing.
What:Hammer’s House Party: MC Hammer, Sir Mix-a-Lot, Sisqo, Biz Markie, 2 Live Crew, The Funky Bunch When: Friday, 07.19, 6:30 p.m. Where: Fiddler’s Green
Why: At this show you can party like it’s 1992 or 1999 depending on who you’re going to see. MC Hammer was ubiquitous in the early 90s with multiple hit songs that helped to put hip-hop into the mainstream. Sir Mix-a-Lot is perhaps best known for his hit song “Baby Got Back” but he was a big deal in Seattle before that and his records worth listening to generally for their swagger and sly and pointed humor. Biz Markie is a character in hip-hop who burst the boundaries of what was acceptable by owning being a little rough around the edges in his rapping and his outlandish performance persona. His 1989 song “Just a Friend” is a classic of the genre. 2 Live Crew traded in x-rated rap for years and garnered attention for its high profile lawsuit regarding its 1989 album As Nasty As They Wanna Be over the record’s alleged obscenity. Seems quaint and inconsequential now considering how the President of the United States has and continued to talk about women but back in the day it made the news and catapulted the underground group into the national consciousness. Sisqó is the lead singer of Dru Hill but in 1999 he had hit songs like “Thong Song” and “Incomplete.” So you’ll get to take in a good swath of 90s mainstream hip-hop in one concert if you go.
Saturday | July 20
What: Flipper 40th Anniversary Tour with David Yow When: Saturday, 07.20, 8 p.m. Where: Marquis Theater Why: David Yow of The Jesus Lizard and Scratch Acid will front the notorious San Francisco post-punk band Flipper for this tour and he’s one singer who still seems to have some disregard for his personal safety as a performer.
Sunday | July 21
What:Elizabeth Colour Wheel w/Drowse, New Standards Men and BleakHeart When: Sunday, 07.21, 8 p.m. Where: Hi-Dive Why: Elizabeth Colour Wheel’s ritual drone, blackened shoegaze, mystic doom, pagan crust sound on its 2019 album Nocebo is Diamanda Galas-esque in its cathartic intensity and SubRosa-like in its sense of mystery.
Tuesday | July 23
What:Beck w/Cage the Elephant, Spoon and Starcrawler When: Tuesday, 07.23, 4:30 p.m. Where: Fiddler’s Green Why: Beck went from eccentric underground artist with releases on K Records and Flipside early in his career to late-era alternative icon in the mid-to-late 90s with hit songs and videos on MTV to mature singer songwriter with a gift for inventive soundscaping. All the while Beck’s genre-bending instincts and disregard for expectation and convention has meant all of his albums are worth a listen. Cage the Elephant has made a bit of a name for itself by mixing together punk, psychedelia and bluesy garage rock. Even though Spoon has hit the greatest hits compilation (minus tracks from great albums like Girls Can Tell and Hot Thoughts), the Austin-based, arty post-punk outfit has raised its songwriting bar with every album since its 1996 debut Telephono bringing in electronic elements more to the fore on 2017’s Hot Thoughts and always with the rhythm anchoring and guiding the music. That politicians and public radio station managers cite Spoon as a favorite band shouldn’t be held against them. L.A.’s Starcrawler opens the show with its mélange of punk, 70s glam and stoner rock. Which might get the group lumped in with the recent wave of 90s fuzz rock worshippers. But Starcrawler’s songwriting tends to unironically embrace the swagger of yesteryear and take inspiration from the bands that influenced grunge rather than simply the 90s amalgamation of all of it.
What:Turvy Organ album release w/Panther Martin, Sour Boy Bitter Girl When: Thursday, 06.13, 8 p.m. Where: Hi-Dive Why:The Ghost at the Feast is Denver indie rock band Turvy Organ’s new record. What has always set the group apart from the oft-necessary but lazy “indie rock” overarching term is that it most certainly is not operating to jump on some trendy sound or bandwagon. Yes, you’ll hear the echoes of Modest Mouse in some of Ilya Litoshik’s vocals but from there the dynamics of the music and the songwriting is too idiosyncratic to fit into the mold of anyone else. The new album has what sounds like a story arch trying to make sense of a deep yearning for place and identity and coming to accept things as they are. Very Zen. But that journey is one worth taking with the band. There isn’t a single sonic flavor Turvy Organ employs across the album except for maybe some tasty, energetic melodic bass lines. That may even be how the record ties together outside of Litoshik’s highly charged and wide-ranging vocals. Splicing together post-punk moodiness and wiry energy with the frayed musical and emotional edges of 90s lo-fi rock, Turvy Organ has not just come to terms with what it’s about as a band The Ghost at the Feast but with what it’s like to be an underground rock band at this juncture in our culture where if you’re not doing it for the right reasons you’ll undermine your goals by not seeming honest.
What:TOKiMONSTA w/Holly and Blackbird Blackbird When: Thursday, 06.13, 9 p.m. Where: Club Vinyl Why: TOKiMONSTA garnered a name for herself for crafting imaginative and lush downtempo beats that wouldn’t be out of place in the body of work of some of the more melancholy artists on the Warp and Stones Throw roster. She has a real gift for expansive, complimentary synth lines and multiple layers of percussion to accent the tempo of her songs. As a DJ TOKiMONSTA mixes in plenty of material from across a broad spectrum of modern electronic music.
Friday | June 14
What:Electric Funeral Fest Night 1 When: Friday, 06.14, 3 p.m. Where: Hi-Dive/3 Kings Why: This is the fourth edition of Electric Funeral Fest which features some of the most interesting acts in underground “extreme” and experimental metal. Tonight’s programme is as follows:
What:Anderson .Paak w/Earl Sweatshirt and Thundercat When: Friday, 06.14, 6 p.m. Where: Red Rocks Why: Three of the most creatively brilliant artists of modern hip-hop on one bill anywhere would be noteworthy, at Red Rocks it would be deserving of the word epic.
What:Sympathy F When: Friday, 06.14, 9 p.m. Where: Goosetown Tavern Why: Formed in 1991, Sympathy F is one of the few, if not only, still active bands from Denver’s alternative rock era whose melancholic, jazz-inflected, dream pop reflects an era in Denver where the city felt dark, neglected and wide open. When creative weirdos could rent a warehouse on the relatively cheap and hang out with each other and converse and mutually inspire and otherwise have their own subculture that was vibrant and not well known by the world outside the Mile High City. When downtown had viaducts (Fifteenth and Twentieth Streets) that went from downtown proper to a now long gone warehouse district, where the old Montgomery Wards build stood west of downtown like the abandoned monolithic structure from a bygone era. That the band’s songs are emotionally powerful and moving and intense yet luminous doesn’t hurt because it has been written from a place of nostalgia, but at its heart is a shard of that unique time and place in Denver’s history and it shines forth from the band’s entrancing performances.
What:Daikaiju When: Friday, 06.14, 7 p.m. Where: Tennyson’s Tap Why: Writing about Daikaiju seems folly at this moment so here’s a video that gets at some of the chaotic glory of the weirdo surf band from Alabama.
What:Lazarus Horse, Mt. Illimani, Enji and Sam Morris When: Friday, 06.14, 8 p.m. Where: Mutiny Information Café Why: Maybe Eddie Durkin shoulda zigged when he shoulda zagged here and there in life. But haven’t we all? His old band Sparkler Bombs was pushing punk and noise rock and modern proto-psychedelia in interesting directions. But nearly a decade hence, Durkin has been writing songs under various project names including Lazarus Horse. Imagine if someone somehow bought Rainwater Cassette Exchange, The Glow Pt. 2 and a few Julianna Barwick and Grouper records pluse The Velvet Underground & Nico and got sent off with their parents to scientific station duty at Edinburgh of the Seven Seas with spotty internet but a good instruments and pedals and some recording equipment. That’s basically what Lazarus Horse sounds like—drawing on the weirdo rock familiar while sounding ineffably different from even that.
Saturday | June 15
What:Tacocat and The Paranoyds w/Princess Dewclaw When: Saturday, 06.15, 8 p.m. Where: Larimer Lounge Why: Seattle’s Tacocat and L.A.’s The Paranoyds are making thought-provoking and emotionally nuanced fuzzy post-surf-punk pop with a refreshing level of depth and spirited energy. Although Tacocat has been associated with the sort of surf punk thing the past decade it’s always been different from all of that because its songwriting has been brimming with irreverent humor, playfulness and a surreal and colorful aesthetic. The cover of its new album This Mess is a Place is striking when you see it at the record store and draws you in with its inviting, retrofuturistic collage style promising something within that will offer interesting stories and perspectives that aren’t trend hopping or trite blandishments about love or needing to always center all content on what’s topical. In that way Tacocat offer a view of a more interesting and vital future for all of us. Paranoyds can be reminiscent of The Raincoats if that band came from southern California instead of London with the wonderful, unconventional choruses and noisy guitar. Watch out for the group’s new 7-inch “Hungry Sam”/”Trade Our Sins” out on Suicide Squeeze July 12.
What:Electric Funeral Fest IV When: Saturday, 06.15, 3 p.m. Where: Red Rocks Why: See above for Electric Funeral Fest IV. Here is this night’s programme of performances:
4:40 – 5:20 Casket Huffer
5:40 – 6:20 Sun Voyager
6:40 – 7:20 Trapped Within Burning Machinery
7:40 – 8:20 The Munsens
8:40 – 9:20 Fotocrime
9:40 – 10:20 Call of The Void
10:40 – 11:25 Dead Meadow
12:45 – 1:25 Bummer
Mutiny Information Cafe Stage:
3:00 – 3:40 Red Mesa
4:00 – 4:40 Upon a Fields Whisper
5:00 – 5:40 Horseneck
6:00 – 6:40 Dizz Brew
7:00 – 7:40 Dysphotic
What:Jamila Woods w/Duendita When: Saturday, 06.15, 7 p.m. Where: Lost Lake Why: Jamila Woods recently released Legacy! Legacy! with song titles drawn from names of some of the greatest artists, writers and thinkers of color from America and beyond. Rarely do musicians name check the likes of Zora Neale Hurston, Frida Kahlo, Eartha Kitt, Sun Ra, Octavia Butler, James Baldwin, Jean-Michel Basquiat, Miles Davis, Muddy Waters and others of similar cachet at all much less with such style and soulfulness. Woods’ voice is commanding and wise and one gets the sense you’re learning something about the human beings named as they impacted Woods as a person and an artist in her own right. She doesn’t pretend to speak for them but reflect their deep influence through her own lens and how their work has inspired her to do what she hopes is interesting and worthy in her own right. It’s a deep record worth repeated listens. Fans of Nina Simone and Erykah Badu should give Woods a listen.
Sunday | June 16
What:Natural Velvet, Church Fire, Rabbit Fighter and Bert Olsen When: Sunday, 06.16, 8 p.m. Where: Lost Lake Why: Natural Velvet bassist/singer Corynne Ostermann told the Baltimore Sun in 2016 “’Basically, we aim to be a “Sailor Moon” villainess.’” And who wouldn’t want to see that band? Apparently a post-punk band it sure has some nefarious punk energy but the fun kind like what you might imagine a raccoon is thinking. A good fit with Denver’s industrial dance pop powerhouse trio Church Fire whose subversive and politically charged music is not just cathartic but deeply emotional on multiple levels. This is the last show post-punk/dream pop duo Bert Olsen is playing under that name. The group recently lost its drummer and is changing to maybe using a drum machine and changing focus a bit and taking on the name Gila Teen. But it’ll still be Hunter Woods and Aidan Bettis on vocals/guitar and bass respectively so the same luminously evocative songwriting will remain.
Tuesday | June 18
What:Pile w/State Champion and Warring Parties When: Tuesday, 06.18, 7 p.m. Where: Larimer Lounge Why: Pile has long been making the kind of post-punk/noise punk/lo-fi music that never really sounds like anyone else. Its new record Green and Gray is filled with the band’s signature, and always interesting, counter-point guitar riffing and richly varied song dynamics. The group switches up the pace in a song, conveying the way a mood will pass through your mind as you’re working through memories and contemplating what your life should be about and diving deep into how it really is. All their records are worth a listen and the latest one may be their best.
What:Charly Bliss w/Emily Reo When: Tuesday, 06.18, 7 p.m. Where: The Marquis Theater Why: On 2017’s Guppy, Charly Bliss sounded a bit like other bands mining the 90s, fuzzy alternative pop bands for inspiration but with great energy and Eva Hendricks’ ebullient vocals. With Young Enough the group’s emotional palette seems to have grown exponentially and its sound evolved into a kind of atmospheric power pop but somehow without losing the verve that powered its full-length debut.
What:Lavender Fest Denver: Where in the Hell is Lavender House? The Longmont Potion Castle Story (screening) When: Tuesday, 06.18, 6:30 p.m. Where: Oriental Theater Why: Longmont Potion Castle is the phone prank wizard extraordinaire of all time. His early use of odd sound processing methods for prank calling in the 80s and early 90s went above and beyond other, perhaps more well-known prank call “comedians.” Still mysterious after all these years someone finally made a documentary about his exploits and it’s screening tonight at the Oriental.
What:Operators w/Doomsquad When: Tuesday, 06.18, 7 p.m. Where: Lost Lake Why: Dan Boeckner is best known for being in some of the most interesting rock bands of the past two decades including Wolf Parade and Divine Fits. But in the past five years and more he’s been in a band that now includes Devojka, Sam Brown and Dustin Hawthorne that has been exploring the use of analog synths to write the kind of bright, brooding pop songs that wouldn’t sound out of place at some weird “New Wave” in the early 80s that hosted the likes of Gary Numan, Sparks and Fad Gadget. Rather than simply ethereal melodies, Operators has a robust low end in its mix giving the music some real power and momentum rather than merely sounding pretty. The quartet is currently touring in support of its 2019 full-length Radiant Dawn.
Wednesday | June 19
What:Wand w/Dreamdecay When: Wednesday, 06.19, 8 p.m. Where: Globe Hall Why: Wand bridged the gap between weirdo, psychedelic lo-fi rock à la Pavement with the heaviest metal but without ever come off live like a metal band. More like indie rock nerds who never had to turn their nose up at the kinds of dynamics and sounds one heard in 70s hard rock, prog, the more inspired jam bands and stuff like Sleep. Currently the group is touring in support of its 2019 album Laughing Matter. On the latter it sounds like the group has been listening to some more post-punk and post-rock like Slint.
What:Mastodon and Coheed and Cambria and Every Time I Die When: Wednesday, 06.19, 5 p.m. Where: Fillmore Auditorium Why: On Mastodon’s 2009 album Crack the Sky the Atlanta-based metal quartet aimed to write their version of a classic rock album with strong melodies and great mood and solid songwriting. True enough the overall tenor of the record with its dynamics out of step with most metal at the time, but anticipating where so many rock bands, not just metal, would go over the next decade. This is sort of a Tenth Anniversary type tour but the band recently recorded an homage to its late manager Nick John called “Stairway to Nick John” that is a cover of the Led Zeppelin song that some people may have heard at some point in their lives. The single was released on Record Store Day and the proceeds are going to benefit the Hirschberg Foundation for Pancreatic Cancer.
Who:Grivo w/DH and Madelyn Burns When: Thursday, 02.14, 8 p.m. Where: Surfside 7 Why: Grivo is an experimental shoegaze/psychedelic rock band from Austin with music out on Holodeck Records.
Who:The Dead & The Daylily w/Turvy Organ, Avifauna and Tiffany Christopher When: Thursday, 02.14, 7 p.m. Where: Larimer Lounge Why: This is Matthew Rossi’s first show as a guitarist in indie rock band Turvy Organ. You’ve seen him play in Tyto Alba assuming you’ve seen that underrated and great Denver dream pop band. Rossi has helped bring to that band a certain elevated emotional tonal palette and he’ll bring some of that to Turvy Organ as well.
Who:Codename: Carter w/Tonguebyte When: Thursday, 02.14, 7 p.m. Where: Lost Lake Why: Spy-surf phenoms Codename: Carter don’t play so often but when they do, it’s a worthy catching because they coordinate outfits and write songs that remind you that surf rock can have chops and imagination behind it.
Friday | February 15, 2019
Who:Scream Screen: Poltergeist When: Friday, 02.15, 8 p.m. Where: Sie FilmCenter Why: The latest in Theresa Mercado’s Scream Screen series celebrating the life of master horror filmmaker Tobe Hooper. Tonight, 1982’s haunting classic Poltergeist.
Who:The Pollution, Perry Weissman 3 and DJ AKA Miggy When: Friday, 02.15, 9 p.m. Where: Goosetown Tavern Why: The Pollution is rooted in the politically conscious but non-didactic punk of the 80s DC scene but influenced by psychedelic rock and weirdo 70s prog. Perry Weissman 3 is definitely within the experimental wing of jazz. Not necessarily free jazz but that element is in there too.
Who:Maya Jane Coles When: Friday, 02.15, 9 p.m. Where: The Church Why: Maya Jane Coles is the UK DJ whose production and engineering work is noteworthy separate from her career as music maker. In the latter capacity Coles is known for her dark techno sets with a deep house and dub sensibility. Her compositions usually have a gently urgent quality amid moody synth swells and a finely crafted and separation of tones and textures as part of her layers of rhythm bumped along by expertly sculpted low end. Which is just another way of saying her music sounds like something you’d want to hear in the inevitable virtual experiential product of the future that tries to convey what it was like to go to a 2000s underground experimental dance music event in an illegal but safe warehouse in the middle of fall. Plenty of sonic allusions and nods to style can be found in one of her sets for the heads that work well whether you’re familiar with those references or not.
Saturday | February 16, 2019
Who:Turkuaz with Eminence Ensemble When: Saturday, 02.16, 8 p.m. Where: The Ogden Theatre Why: Turkuaz is a nine-piece, Brooklyn-based funk band whose sound is as eclectic as it is layered and multi-cultural. Though incorporating elements of psychedelia, R&B and rock Turkuaz’s sound can be readily compared to like-minded bands more associated within the cross section of jam bands end electronic dance music. Think on the more interesting end like Lotus, STS9 and The Disco Biscuits. That kind of flow of sounds and rhythms but rooted in executing the sounds with all live instrumentation and sounding more akin to Kool and the Gang or a Bernie Worrell band than something that has much in common with the EDM realm.
Who:Le Butcherettes w/Stars at Night and Viretta When: Saturday, 02.16, 8:30 p.m. Where: Larimer Lounge Why: Le Butcherettes make weirdo prog punk within the context of what always seems like inspired performance art as Teri Genderbender channels rock and roll and mythological archetypes of her own creation at every show. Earlier this month the group released its latest album bi/MENTAL, a typically otherworldly and cathartic offering that isn’t much like anything else in rock in re-contextualizing and re-purposing tropes of the genre in creative ways.
Monday | February 18, 2019
Who:Kikagaku Moyo w/Weeed When: Monday, 02.18, 8 p.m. Where: Hi-Dive Why: Kikagaku Moyo is a Tokyo-based psychedelic rock band whose 2018 album Masana Temples demonstrated further the band’s subtly eclectic sound rooted not just in 70s prog and psychedelic rock but also Japanese traditional music and perhaps 70s Japanese folk artists like Happy End, Karuomi Hosono, Itsutsu No Akai Fusen and Nobuyasu Okabayashi. There is a very organic quality to the band’s music, especially in the live setting where layers of sound are presented in a way that is deceptively simple. Definitely not informed so much by the trendy psychedelic rock wave of recent years. This Hi-Dive show is sold out but there is another day the next night in Boulder at The Fox Theatre.
Who:Sharon Van Etten w/Nilüfer Yanya When: Monday, 02.18, 7 p.m. Where: The Gothic Theatre Why: Sharon Van Etten has been releasing worthwhile and wise records for close to a decade and a half now but her 2019 album Remind Me Tomorrow is her best work to date. The rough warble reminiscent of Marianne Faithful in her prime heard in “Seventeen” is thrillingly raw and the words imbued with a deeply painful letting go of ideas and associations once deep in one’s heart but no longer useful while the ghosts of those connections remain. But the whole record is flowing with the spirits of loves past and the album a gentle purging and reconciliation.
Who:Men I Trust w/Michael Seyer When: Tuesday, 02.19, 7 p.m. Where: Globe Hall Why: Men I Trust has been described any number of ways but the live band evokes the mood of dusky nightclub R&B and soft lighting. But without evoking the early 70s Laurel Canyon pop sound so much in vogue lately. The band’s videos look like some kind of cinematic rendering of 1980s home movies and in a way reminds one of fan videos various people have made for Boards of Canada. It’s not often a band can maintain some sense of mystique these days but Men I Trust definitely has some.
Wednesday | February 20, 2019
Who:Sundressed, Awakebutstillinbed, Alien Boy and Sunsleeper When: Wednesday, 02.20, 7 p.m. Where: Larimer Lounge Why: Around the turn of the century pop punk had all but burned out any appeal to anyone but the most die hard fans because it seemed like every other band was still mining that musical territory hoping to play Warped Tour. But then that tide went out. Toward the end of the first decade of the 2000s some musicians in the punk world embraced melody in their songwriting and the relatable and emotionally resonant and urgent quality that the best pop punk and emo had. In the decade since there’s been a renaissance of that style of music but with musicians freely incorporating elements of other musical styles and ideas. This is a good showcase of that development now long since established. Alien Boy, however, has strayed the furthest from the sonics of punk canon and thus, for this writer, it is the most interesting band on the bill with its unabashed use of moody musical ideas from punk, shoegaze, post-punk and its own focus on the most poignant moments of their lives as a loci of inspiration. The band’s 2018 album Sleeping Lessons firmly established it as one of the most interesting punk bands of recent years. Awakebutstillinbed’s crackling and ragged energy also sounds promising for the performance like a less art/space rock Rainer Maria. It’s gloriously titled 2018 album what people call low self-esteem is really just seeing yourself the way that other people see you is the things of which modern emo legends are made.
Who:Musical Mayhem: Jimi Davies (GA), TripLip and e-Scapes When: Thursday, 12.13, 7 p.m. Where: Lion’s Lair Why: This month’s edition of Musical Mayhem features performances from Denver-based math thrash jazz group TripLip, Valdosta, Georgia-based psych folk artist Jimi Davies and e-Scapes. If you find out what that project is about, let us know.
Who: Muscle Beach w/Giardia, Vexing and Matriarch
When: Thursday, 12.13, 7 p.m.
Where: Larimer Lounge
Why: Muscle Beach comes out of hardcore and metalcore and noise rock with all the raging energy and inhuman vocals that go along with all of that music. But there’s an exuberance to its delivery that transcends the desperation and anger that tends to fuel those musical proclivities. Giardia is also impossible to pigeonhole as a psychedelic rock band with metallic sounds and prog as its palette for tones, atmospheres and textures.
Friday | December 14, 2018
Who:Harry Hudson w/JP Saxe When: Friday, 12.14, 8:30 p.m. Where: Larimer Lounge Why: Harry Hudson got dealt a bad card in life when he found out he had stage 3 Hodgkin’s lymphoma at age 20. But his experience with chemo and the isolation and facing an uncertain future and the subsequent bouts of depression deepened the content of what might have been merely well-written pop songs. His 2018 full-length album Yesterday’s Tomorrow Night further documents that journey and personal development with an expansive spareness and intimacy. Chances are after this tour of small clubs Hudson will find a much larger audience. It’s not pop music that’s pushing musical boundaries but it’s also genuinely meaningful and coming from a place of a deep appreciation for life and its challenges—which you don’t hear much of in enough pop music.
Who:We Are Not a Glum Lot, Safekeeper, Turvy Organ and Broken Record When: Friday, 12.14, 8:30 p.m. Where: The Skylark Lounge Why: We Are Not a Glum Lot started out as an early adopter of the return of math-y emo in its more spare and meditative form with elegant and introspective, sparkly guitar side by side with a quiet loud dynamic with the ethereal songwriting unfolding into a flood of emotions and sonic intensity. Not necessarily the band you might expect out of Colorado Springs except that the city has produced some of the most emotionally vibrant and musically inventive bands out of the Centennial State like Against Tomorrow’s Sky, Eyes Caught Fire, Cocordion, Be Thou My Vision, Spirettes, El Toro De La Muerte and Abracastabya. A lot of names but the Springs scene never did get a lot of attention outside of town despite the quality of artists coming out of there. Rumor has it WANAG has an album in the works for release with a different sound than what it executed so well in the past and if you go to this show you may get to hear some of that in person.
Saturday | December 15, 2018
Who:Khruangbin w/The Marias When: Saturday, 12.15, 8 p.m. Where: The Ogden Theatre Why: Khruangbin’s eclectic sound has been described in terms of whatever the listener might home in on like surf rock, psychedelia or electronic pop. Overtly the instrumentation embodies all of that with drummer DJ Johnson throwing acoustic break-beats into the mix. The band presents itself as almost a band out of a Moebius comic book taking place in the near future. Perhaps out of his collaboration with Alejandro Jodorowsky, The Incal. All of which speaks to how the band’s music has a richly multi-cultural aesthetic while not diluting a cohesive artistic vision by trying to be all things to as many people as possible. Its 2018 album Con Todo El Mundo has found its way into several year-end-best lists and it’s easy to see why because even when it draws on familiar sounds it takes the synthesis of influences in interesting directions.
Who:Magic Sword w/Crystal Ghost When: Saturday, 12.15, 8 p.m. Where: Larimer Lounge Why: Magic Sword performs bombastic 80s B science fiction movie soundtrack-esque synth rock with all the absurd drama one would expect. And in space knight style costumes with cloaks and glowing since stripe eyes on their helmets with the climax of the set coming with one or more members lighting up glowing swords (thus the name of the band) to commemorate the dramatic high point of the song. Glowing swords that are sold at the merch table. It could all just be one big gimmick but the music itself is enjoyable in spite of and because of the absurdity of it all with the songs enjoyable without a sense of irony.
Who:KGNU Quarterly Showcase: Tiq Tok, The Sea Grapes, Bryon Parker, Housekeys, DJ Cal Huss When: Saturday, 12.15, 8:30 p.m. Where: Lion’s Lair Why: This edition of the community radio station KGNU’s quarterly showcase includes some noteworthy solo artists from Denver’s underground music scene. Bryon Parker recently releases a split record with foundational indie pop artist Jad Fair who was a member of Half Japanese, co-wrote an album with Daniel Johnston and now has an acclaimed solo career. But Parker has also been in some of the more interesting indie rock and post-punk bands in Denver including his other band Simulators. His solo effort is more in the weirdo indie pop vein and worthy of your attention precisely for that reason. Housekeys is a soundscapey, ambient, shoegaze solo act comprised of Tiffiny Costello. Definitely for fans of artists like Grouper and Juliana Barwick.
Sunday | December 16, 2018
Who:Emma Ruth Rundle w/Jaye Jayle and Abrams When: Sunday, 12.16, 7 p.m. Where: Lost Lake Why: Emma Ruth Rundle’s music is a warmly hazy and emotionally nuanced sweep of commentary and observations buoyed along by guitar work that ranges from the spare and folky to fiery rumbles that perfectly compliment vocals that seem to call out into the universe for succor and knowledge. Her 2018 album On Dark Horses may be the best shoegaze record of the year without even aiming for that sound. She’s currently touring with friend and collaborator Evan Patterson and his band Jaye Jayle. Patterson was and is in heavy, post-hardcore bands like Breather Resist and Young Widows but Jaye Jayle is a more playful, even whimsical at times, side of his songwriting. His vocals for this project seem roughened and weighed down by a world weariness but that matches the dark, pastoral minimalism of the instrumentation reminiscent of the introspective, haunted parts of Sixteen Horsepower’s 2002 album Folklore. Since both artists contribute to each other’s records you may get to see some of that at this show. Currently Jaye Jayle is touring in support of his 2018 album No Trail And Other Unholy Paths.
Monday | December 17, 2018
Who:Advance Base (Casiotone for the Painfully Alone) w/Lisa/Liza and Karima Walker When: Monday, 12.17, 8 p.m. Where: Hi-Dive Why: Owen Ashworth was one of the stars of the early bedroom producer and indie pop/rock crossover with his band Casiotone for the Painfully Alone. Who can say why that music isn’t more acclaimed outside a sizable cult following because Ashworth’s songs were insightful and honest without trying to sugarcoat his enthusiasm, his love and his struggles. Even if you didn’t share Ashworth’s obsessions and outlook on life, his storytelling and compositions and utter uniqueness made his work compelling because it was easy to take on its own terms rather than inspiring comparisons to other artists. In 2010 Ashworth retired CFTPA not really intending to play music again for a long while if not indefinitely. But when you have a talent it won’t let you go as readily as one might wish and Ashworth returned a couple of years later with Advance Base. The songwriting is vintage Ashworth but given that he’s had a studio in which to work on music he’s more able to sculpt the songs to sound the way he’s imagined it. But don’t worry, the songs on the new album Animal Companionship are still as wisely melancholy and, at times, as appealingly uncomfortable as ever.
Who:Propagandhi w/Iron Chic and Cheap Perfume
When: Thursday, 09.20, 7 p.m.
Where: The Oriental Theater
Why: Propagandhi made leftist politics and veganism into some great pop punk songs even as its sound evolved in heavier directions later in its career. From 1993’s humorous yet pointedly political How To Clean Everything to 2001’s opus of politically pointed yet irreverent and fun Today’s Empires, Tomorrow’s Ashes, Propagandhi were one of the few relatively high profile modern punk bands that didn’t get stuck in pure entertainment and only songs about heartache and everyday life mode. Thankfully the band still hasn’t cynically cashed in with essentially content-free records. Long Island’s Iron Chic seems cut from a similar cloth writing genuinely clever songs pairing meaningful and insightful lyrics with infectiously catchy melodic punk. Colorado Springs’ own Cheap Perfume opens the show with plenty of searing social commentary for an entire evening of music packed into its set.
Who:The Voidz w/Promiseland and The Velveteers When: Thursday, 09.20, 7 p.m. Where: The Gothic Theatre Why: The Voidz released its sophomore record Virtue in March and for those uninitiated its video for “QYURRYUS” suggested some sort of futuristic weirdo psychedelic band but one that took older trash technology and made something new and interesting with it. That Strokes frontman Julian Casablancas was involved in that song and video, a seeming mutant send-up of 80s VHS mashup and modern post-punk and trap, shouldn’t have come as a surprise and yet it did. The rest of the album isn’t all quite as engagingly strange but nevertheless a sprawl of concentrated musical imagination, welcome in a time when such things aren’t in as abundant as one would hope. The previous album, 2014’s Tyranny, had some promising moments but Virtue is where Casablancas and company really want to be in creating music not just a departure from other projects but in making something that is of the moment even when it mines the past for compositional elements recontextualized.
Who:Murder By Death and William Elliott Whitmore When: Thursday, 09.20, 7 p.m. Where: The Ogden Theatre Why: Murder By Death’s latest album The Other Shore sounds like a band that has taken a decisive step to musically reinventing itself while preserving the core of what has made it one of the most interesting bands of the past two decades. Before chamber pop and indie Americana was really much of a thing, Murder By Death had been making that music with a high level of artistry with lyrics that skirted a fine line between the conceptual, the personal, narrative elements and the poetic without coming off as pretentious. The Other Shore, as the album title suggests, showcases a band that has been on a journey since it’s inception to explore its musical interests as an Americana band in a place and a time when post-hardcore and emo was the prevailing form of music around them, and one that wrote music about an imaginary American West with a greater accuracy and resonance than many bands actually from that part of the country. For this tour Murder By Death is joined by its friend and early compatriot in making music out of step with then trends in music. His warm, textured songwriting and singing has the ability to draw you in with the clarity and vivid imagery of his own storytelling. His new record Kilonova on Bloodshot Records is a collection of songs that truly find the great stories in everyday life better than almost anything out this year as yet.
Friday | September 21, 2018
Who:Meat Beat Manifesto w/C-Tec, Mondo Obscura and DJ Dave Vendetta When: Friday, 09.21, 7 p.m. Where: The Oriental Theater Why: Nine Inch Nails and huge swath of 90s and 2000s electronic music acts cite Meat Beat Manifesto as a primary influence. Jack Dangers’ production fingerprints have been all over the musical landscape from the 90s onward. Part of the reason for this is Dangers’ wide-ranging curiosity about various musical styles and technology and techniques involved in making those sounds. He didn’t just dabble in all sorts of techno, EDM, IDM, dub and more, he produced innovative work in all of those sonic realms. MBM’s 1990 album 99% was a landmark in electronic music production and composition perhaps only surpassed immediately afterward by 1992’s Satyricon. But in recent years MBM has released some of its most interesting music to date including the two 2018 albums in an especially fruitfully prolific era of the project with Impossible Star out this past January and a new full-length due out in November. Both records reveal a band that has consistently moved into new realms of sound while maintaining its unique voice in music.
Also on the bill is C-Tec, a dark EBM-esque project of some of that music scene’s luminaries including Jean-Luc DeMeyer of Front 242, Marc Heal of Cubanate, Ged Dention of Crisis NTI and Julian Beeston of Nitzer Ebb. Denver ambient/industrial duo Mondo Obscura opens the show with probably a harder edged of their more hypnotic chill out vibe. If their 2018 album Focus On Black is any indication that shouldn’t be a problem.
Who:Tribulation and Pallbearer When: Friday, 09.21, 7 p.m.
Where: The Bluebird Theater
Why: Arvika, Sweden’s Tribulation probably could have become stuck mining the melodic/Gothenburg death metal territory or hybriding that with neo-thrash or Goth-ed out black metal. But its sound is much more interesting and not trying to be all things to all fans of heavy music. Rather, it’s eclectic sound is one that has roots but uses those sonic elements to write layered music with imaginative dynamics that allow for writing songs about occult themes in 2018 without seeming corny. The group’s 2018 album Down Below is sort of to death metal what T.S.O.L.’s 1982 to album Beneath the Shadows was to hardcore.
Who:7C 6-Year Night #1: Only Echos (album release), Only Souls Die Young and more When: Friday, 09.21, 7 p.m. Where: Seventh Circle Music Collective Why: This Denver DIY space is one of the few places you can go and see something new and good you’ve never heard of on a bill of very different other music every single time. It’s also the main place where younger musicians are going to play for their peers as they develop as artists. What that means is that you can see bands grow from the ground up, which is the most exciting time to see them. Congratulations no Seventh Circle Music Collective in keeping things going for 6 years thus far.
Who:El Ten Eleven w/Tennis System and Picture the Waves When: Friday, 09.21, 8 p.m. Where: Summit Music Hall Why: El Ten Eleven is the Los Angeles based post-rock band whose music you’ve heard in television and film. Its texture and rhythm driven compositions give El Ten Eleven a bit more presence than some of its peers in the realm of instrumental rock. Also on the bill this night is another L.A.-based ethereal rock project with Tennis System. That trio takes the kind of bright, breezy melodies that Depreciation Guild had discovered in melding pure 8-bit electronic composition with dream pop. Tennis System, though, weds the sound with a sort of melancholic, disillusioned yet hopeful tone suggestive of being in a place where all aspirations can supposedly be met but the reality is much less glamorous.
Saturday | September 22, 2018
Who:Kat Ellinger tribute/benefit featuring: I’m A Boy, Toddy Walters, The Red Tack, Stereoshifter, New Ben Franklins, Doug and Liz from Sympathy F and Shindei Shashin When: Saturday, 09.22, 7 p.m. Where: Mutiny Information Café Why: Kat Ellinger was a respected songwriter and singer/musician in Denver from the early 90s until her untimely passing in June 2018. Her bands Worm Trouble and Sleepers should have propelled her into at least the tier of touring bands that plays mid-sized clubs as her knack for writing meaningful, well-crafted rock and pop songs with a strong individual vision was on par with anyone anyone could name from that same time period. Her songs were eclectic, emotionally powerful, honest and accessible. Ellinger herself was an engaging and strong live performer and this show, a benefit for her family, features Denver underground luminaries such as Ted Thacker formerly of Baldo Rex (a band often cited by DeVotchKa as an influence) as The Red Tack, New Ben Franklins playing a rock rather than country set and Doug Seaman and Liz Rose of Sympathy F performing a stripped down set.
Who:Frankie And the Witch Fingers w/Stonefield, King Eddie and DJ Ross Taylor When: Saturday, 09.22, 8 p.m. Where: Hi-Dive Why: Kind of a psychedelic party rock show with Frankie And the Witch Fingers from Los Angeles and their Colorado kin with King Eddie. Stonefield, though, is an all female heavy psych band from Australia. The group released its most recent full length Far From Earth in 2018 with a sound somewhere betwixt early solo Dio and Acid Witch and 70s hard rock bands like Uriah Heep.
Who:7 C 6-Year Night #2: David Liebe Hart, Chip the Black Boy, Whatever Your Heart Desires, Unit-Y, Shwarma, Actobog and more When: Saturday, 09.22, 4 p.m. Where: Seventh Circle Music Collective Why: Night two of Seventh Circle Music Collective’s 6-year anniversary show with an appearance by eccentric outsider pop artist David Liebe Hart who is responsible for some of the most surreal segments of the already quite strange Tim and Eric Awesome Show, Great Job! Some have speculated that it’s all an act but what you see is what you get and there is an unmistakable appeal to Hart’s utter sincerity and conviction and faith in his music and art to reach people.
Who:Iron & Wine w/Erin Rae When: Saturday, 09.22, 7 p.m. Where: The Paramount Theatre Why: Sam Beam’s songs, no matter the format and line-up performing them, always come off like campfire sessions in which everyone shares stories and ideas and autobiographical musings that taking into flights of personal philosophy. That warmth and intimacy sets Bream’s work apart from many of his peers and there is a timelessness to his music akin to that of Cat Stevens or Harry Chapin. His new offering, 2018’s Weed Garden EP, follows on the heels of 2017’s Beast Epic and what many consider to be a return to the stripped down, simple style that made 2004’s Our Endless Numbered Days a classic.
What:On Tap With KBCO featuring DeVotchKa, Cake and Calexico When: Saturday, 09.22, 12:30 Where: Breckenridge Brewery Why: This is a show benefitting Take Note Colorado, an organization dedicated to getting musical instruments and lessons to Colorado students K-12. Cake is the alternative rock band that had wry 90s hits like “The Distance” and “Rock and Roll Lifestyle.” Calexico is the excellent Americana/dream pop band with a bit of Southwest flavor. DeVotchKa, the hometown heroes, released its latest album This Night Falls Forever in August. That it’s the group’s first release of an entire album of new material since 2011’s 100 Lovers suggests a period of deep self-doubt, assessing oneself as an artist and as a person and a reinvention without discarding everything. The new record has all the hallmarks of DeVotchKa’s best material—depth of sound space, intricate sonic details that never seem cluttered and excessive and a haunted quality that hints at accepting one’s regrets if not gladly, of loss and calm and grace in the face of an uncertain future. Frankly, it’s music for the current era and comfort in a time of trouble and chaos as DeVotchKa has a gift for tapping into one’s sense of nostalgia and triggering a gentle catharsis.
Monday | September 24, 2018
Who:The Charlatans UK w/Reyna When: Monday, 09.24, 7 p.m. Where: The Bluebird Theater Why: The Charlatans UK were one of the bands whose mix of soul, acid house and psychedelic rock was early associated with the Madchester aesthetic of the late 80s and early 90s. And, thus, what became known as Britpop. The Charlatans were a step removed from Madchester coming from the relatively nearby Western Midlands but were clearly musically kindred spirits. The group’s 1990 debut full-length Some Friendly was recorded when the band had been together for around a year and can be a bit uneven but it yielded an iconic hit with “The Only One I Know.” Throughout the 90s The Charlatans evolved in interesting ways as its members stayed engaged with new sounds and ideas and in growing as artists themselves rather than rest on past laurels. The result has been a string of albums with a familiar element to the songwriting because of Tim Burgess’ strong yet emotionally chameleonic voice, Martin Blunt’s subtle yet fluid bass style perfectly accenting the song dynamics, the late Rob Collins’ (and now Tony Rogers’) ebullient but tasteful keyboard work and Mark Collins’ gift for playing to the song and taking on a broad variety of roles as a guitarist—lead, rhythm, texture, accents.
The Charlatans released a 2017 album called Different Days which is both a reminder that maybe the more recent world of rock and pop has caught up to what The Charlatans have done all along quite well in threading psychedelic rock, classic songwriting about perennial themes and listening to the new music for ideas to not get stuck in one’s own rut and inspiration for the future. In 2018 the Totally Eclipsing EP, comprised of material recorded during the time of Different Days, was released on limited edition 12” green vinyl as well as for download and as a second CD with a deluxe edition of the full-length.
Who:Dr. Montgomery Maxwell, Joohs Uhp, $addy and Shamwow When: Monday, 09.24, 7 p.m. Where: Mutiny Information Café Why: A good slice of some of Denver’s weirdo/experimental/industrial hip-hop. Dr. Montgomery Maxwell is more on the industrial side of that spectrum though maybe for this show he might not break as much stuff on stage as usual. But you never know. Joohs Uhp sounds like a guy who is way into nü metal and hip-hop and unabashedly all about what some might think is the trashier more ephemeral end of that but has found a way to turn that affection for other people’s supposed trash and turned it into something interesting. Shamwow sounds like, for lack of a better term “slacker trap.” Meaning, to some, it’ll sound like lazily made weird, lo-fit who-knows-what but really it’s well produced, intentional stuff that some fans of “real” hip-hop won’t recognize its quality. But, supposedly, Trev Rich is a fan so there’s that. $addy’s sound is as the name suggest—sort of a melancholic vibe but using beats that sound like they’re right out of a surreal game about being a gamer hacker destroying the horrific international economic system and unlocking achievements by dropping sick 8-bit beats rife with noise and undoubted sonic reference samples from realms of the gaming world most of us have never heard about. Or something like that.
Who:Beck w/Jenny Lewis When: Monday, 09.24, 6:30 p.m. Where: Red Rocks Why: Beck made being an utterly eccentric songwriter a commercially viable thing in the 1990s. Maybe he was tapping into the zeitgeist in a way that the alternative rock explosion of the early 90s made possible by speaking to the inner weirdo of a broad audience. There is no reason a song like “Loser,” “Where It’s At,” “Devil’s Haircut” and “The New Pollution” should have been hits to anyone but hipster oddballs except that Beck also employed elements of soul, hip-hop, R&B and interesting but odd cultural references that was a far cooler predecessor to the awkward comedy kick that got more popular in the 2000s. But Beck evolved and his genre splicing became more refined and fascinating with every album from Midnight Vultures onward reflecting perhaps a particularly focused set of ideas and sounds. Beck simply wouldn’t allow himself to be limited by the expectations of others and trusted his imagination and instincts to be his guide.
Jenny Lewis was an actress in various television shows and films before people knew of her as an actress. But her band with Blake Sennett, another child actor, Rilo Kiley introduced the world to one of the most genuinely clever, incisive and insightful commenters on personal psychology and American culture in Lewis as a lyricist. It didn’t hurt that her emotionally rich and powerful voice put conviction behind those words. Whether in Rilo Kiley, her solo albums, Jenny & Johnny or her recent work in Nice As Fuck, Lewis has consistently been an artist with something to say, singing with a poignant honesty but one informed by a sense reality and kindness.
Who:Boulder Guitar Society: Janet Feder When: Monday, 09.24, 7 p.m. Where: First United Methodist Church of Boulder Why: Janet Feder is an educator and master guitarist whose experimental compositions both extend the range and possibilities of the instrument but whose songs have an accessibility and emotional resonance that one doesn’t often associate with a musician that is both an academic and long-standing figure in the musical avant-garde. But just like the human that is Janet Feder, the music is immediately engaging and inviting into an unpretentious creativity that anyone can access.
Tuesday | September 25, 2018
Who:Beck w/Jenny Lewis When: Tuesday, 09.25, 6:30 p.m. Where: Red Rocks Why: For Beck and Jenny Lewis see above for Monday, 09.24.
Who:FRIGS w/Natural Violence, American Culture and Law of the Night When: Tuesday, 09.25, 8 p.m. Where: Hi-Dive Why: FRIGS at first listen might remind you of 90s angular post-punk bands like Fugazi, 2000s’ Canadian art guitar groups like Women or the English, experimental rock band Electrelane. That use of layered simple yet intricate and entrancing guitar and rhythm. All intertwined with Bria Salmena’s soulful and expressive vocals. The band’s 2018 debut full-length Basic Behavior is a raw, menacing, atmospheric wail of wiry energy unleashing and transforming the angst and anxiety of this era. The band’s live shows bring some mystery and emotionally-charged physicality to the stage in a way not many bands these days do.
Who:Gringo Star w/Turvy Organ and Shuttles When: Tuesday, 09.25, 7 p.m. Where: Lost Lake Why: Before it became too fashionable, Atlanta’s Gringo Star was perfecting its signature psych/soul garage rock sound. What seems lost in some of the assessments of the band, that is hinted at through its numerous music videos, is how the group’s music tells stories from the perspective of urban, Southern youth and its use of musical forms from other parts of the country (surf rock, California psych, Memphis soul/garage rock etc.) as the palette of its imaginative expression. The band’s 2018 album Back to the City finds it in a more wistful mood with a sense of nostalgia that is far more interesting, genuine, personal and poignant than has often been the case in a lot of music of late.
Wednesday | September 26, 2018
Who: The Miseducation of Lauryn Hill 20th anniversary w/Talib Kweli and Shabazz Palaces When: Wednesday, 09.26, 5:55 p.m. Where: Red Rocks Why: In 1998 Lauryn Hill announced herself as a solo artist of note with the release of The Miseducation of Lauryn Hill after having parted ways with her former band, the popular and influential R&B hip-hop group The Fugees. On the strength of promotional singles and name recognition alone, the record was probably destined to top the Billboard charts. But the record struck a chord with a strong yet nuanced evocation of the experience of women’s experiences as well as Hill’s sheer stylistic range. And Hill didn’t write the album with the commercial audience in mind. Yes, it’s well-produced and written, of course, but it’s also a raw and honest record that is accessible to a broad audience because of those qualities. The record has rightfully come to be seen as a classic of neo soul but it’s also one of the greatest albums of the 90s for the vitality of its creative vision. As a bonus you get to see Talib Kweli and Shabazz Palaces. Kweli is one of America’s most important social critics and one of its greatest hip-hop artists. Ishmael Butler of Shabazz Palaces could have merely been a legendary of alternative hip-hop as a member of Digable Planets. But in Shabazz Palaces with Tendai Maraire he is exploring experimental realms of sound, noise and rhythm that is pushing the boundaries of what hip-hop can sound like, look like and be.