Best Shows in Denver 12/05/19 – 12/09/19

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She Past Away performs at Marquis Theater on December 6, photo by Jonas Fransson

Thursday | December 5

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The Ocean Blue, photo courtesy Darin Back

What: The Ocean Blue
When: Thursday, 12.5, 7 p.m.
Where: Soiled Dove Underground
Why: Dream pop band and precursors of modern indie pop, The Ocean Blue, makes a stop in Denver in support of its new album Kings and Queens / Knaves and Thieves. Read our interview with singer/guitarist David Schelzel here.

What: Dog Basketball and Dry Ice album release
When: Thursday, 12.5, 7 p.m.
Where: Old Main Chapel CU 1600 Pleasant St. Boulder 80302
Why: Dual album release show from experimental pop band Dog Basketball and “psychedelic dream punk” band Dry Ice from Denver. A rarity to see any show at Old Main much less something this underground and experimental.

What: Morbid Angel w/Watain and Incantation
When: Thursday, 12.5, 7 p.m.
Where: Oriental Theater

Friday | December 6

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Altas circa 2019, photo by Tom Murphy

What: She Past Away w/Radio Scarlet and WitchHands
When: Friday, 12.6, 7 p.m.
Where: Marquis Theater
Why: She Past Away is the Turkish post-punk band from Bursa that began in 2006 and making them early adopters of the current darkwave movement. Its synth and bass-driven songs have a different quality than its Western European and American counterparts while sharing that dark, introspective quality that is clearly descended from the likes of D.A.F., Depeche Mode and Clan of Xymox with an aesthetic that isn’t so far removed from its punk roots. The group’s third and latest album 2019 Disko Anksiyete saw a dual release on Fabrika Records and Metropolis Record and with a US tour currently under way it’s proof that its music transcends barriers of language.

What: Altas with Tiffany Christopher
When: Friday, 12.6, 8 p.m.
Where: Denver Open Media
Why: Instrumental rock band Altas performs at Denver Open Media for a free show with Tiffany Christopher. Altas released the powerfully cinematic All I Ever Wanted Was in June 2019.

What: Josh Miller (MI), New Standards Men, Dean Berlinerblau and 50 Miles of Elbow Room
When: Friday, 12.6, 7:30 p.m.
Where: Glitter City

What: Elektric Animals w/The Hollow, Star Garbage, False Report
When: Friday, 12.6, 8 p.m.
Where: Lost Lake

Saturday | December 7

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May Erlewine, photo by Michael Poehlman

What: May Erlewine w/Dango Rose
When: Saturday, 12.7, 7 p.m.
Where: Tuft Theatre (Swallow Hill)
Why: May Erlewine is a prolific blues folk artist from Big Rapids, Michigan with fifteen albums under her belt since 2003 including 2019’s In the Night. Erlewine cut her teeth as a live performer, according to a piece on MTV.com, while hitch hiking across North America and performing on the streets. For In the Night Erlewine picked herself up from the state of despair that hit many people in the wake of the Trump presidency and use her music as way to address 45’s ignorant and hateful and destructive remarks and behaviors with thoughtful commentary and observations on life and the American culture she and many of us know to be much more authentic than the spewage from a pampered, narcissistic child of privilege. But expect that music to be delivered with Erlewine’s usual warmth, nuance and strength with her dynamic and elegant voice.

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Lettuce, photo Courtesy Casey Flanigan

What: Lettuce w/Antibalas and Chris Karns
When: Saturday, 12.7, 7 p.m.
Where: Fillmore Auditorium
Why: Lettuce is an experimental funk band that has crossed over into the realm of jam bands and EDM even though its music has ranged far afield of that for years including its 2019 album Elevate. The group freely borrows from styles and sounds to craft its signature synthesis of funk, Afrobeat, jazz and electronic pop.

What: Vio-Lence, Havok and Axeslasher
When: Saturday, 12.7, 7 p.m.
Where: Bluebird Theater

What: American Grandma presents SUPERDOG w/Midwife and Entrancer
When: Saturday, 12.7, 8 p.m.
Where: Rhinoceropolis

What: Saturnalia: Church Fire, Chess at Breakfast, Punk Rock Burlesque, Katalysk, Plasma Canvas
When: Saturday, 12.7, 6 p.m.
Where: Marquis Theater

What: Don Chicharron, Wolf van Elfmand, Dylan Earl, Tiger Saw and DJ Wax Dattie
When: Saturday, 12.7, 8 p.m.
Where: Hi-Dive

What: Cattle Decapitation w/Atheist, Primitive Man and Vitriol
When: Saturday, 12.7, 5:30 p.m.
Where: Oriental Theater

What: M I N O R w/Quiet Warlock and Phil Beard
When: Saturday, 12.7, 8 p.m.
Where: Lost Lake

What: Sharone album release w/Something For Tomorrow, Asylum 9 and 21 Taras
When: Saturday, 12.7, 8 p.m.
Where: Globe Hall

What: The Slacks, The Crooked Rugs and Sliver
When: Saturday, 12.7, 8 p.m.
Where: Mutiny Information Café

Sunday | December 8

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Anamanaguchi, photo by Leia Jospe

What: Anamanaguchi w/Default Genders and Nullsleep
When: Sunday, 12.8, 7 p.m.
Where: Bluebird Theater
Why: Mix an anthemic J-pop band with an 8-bit glitchcore project and a progressive rock/jazz fusion band and task it to make dynamic and engrossing video game music with an uncommon sense of space, composition and emotional impact and you have Anamanaguchi. Particularly on its 2019 album [USA]. Seems gimmicky at first but the New York-based band doesn’t get stuck in the hyperactive songwriting that plagues a lot of “Nintendocore” acts or the dull focus on displays of technical prowess and knowledge of theory that is behind a lot of prog. Just well crafted, expansive pop songs that feel like endless possibilities and the positive ghosts of childhood reverie manifested in sound.

What: Surrender Signal, No Comma, Downward Sun and We Are Not a Glum Lot
When: Sunday, 12.8, 7 p.m.
Where: Globe Hall

Monday | December 9

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Alex Cameron, photo by Chris Rhodes

What: Alex Cameron w/Jackladder and Emily Panic
When: Monday, 12.9, 7 p.m.
Where: Bluebird Theater
Why: Alex Cameron’s 2019 album Miami Memory is like a set of vignettes about people in crisis. But the take is one of compassion and understanding without trying to underplay or make light of the struggles. At a time when a lot of synth pop is generic, Cameron’s eccentric and psychologically insightful take on songwriting is strikingly different with a knack for changing up the vibe, texture and tone of his songs throughout an album. Just watch the video for “Far From Born Again” for a bit about Cameron’s keen understanding of the human condition.

Best Shows in Denver 02/14/19 – 02/20/19

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Kikagaku Moyo performs at the Hi-Dive on Feb. 18 and The Fox Theatre in Boulder on Feb. 19 with Weeed. Photo by Jamie Wdziekonski

Thursday | February 14, 2019

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Midwife, photo by Tom Murphy

What: An Ambient Valentine’s Day: Benefit for Resilience Rising: School Dance, Allison Lorenzen solo, Midwife, God of Water and Bell Hoss
When: Thursday, 02.14, 8 p.m.
Where: Rosehouse
Why: This show is a benefit women’s shelter Resilience Rising and includes more sonically ethereal and low key artists such as ambient slowcore star Midwife and the like-minded but less abstract artist Bell Hoss who sounds like she fled some pocket dimension that was perpetually the early 80s but where people didn’t get why Joni Mitchell is one of the coolest, most important artists in popular music.

Who: Grivo w/DH and Madelyn Burns
When: Thursday, 02.14, 8 p.m.
Where: Surfside 7
Why: Grivo is an experimental shoegaze/psychedelic rock band from Austin with music out on Holodeck Records.

Who: The Dead & The Daylily w/Turvy Organ, Avifauna and Tiffany Christopher
When: Thursday, 02.14, 7 p.m.
Where: Larimer Lounge
Why: This is Matthew Rossi’s first show as a guitarist in indie rock band Turvy Organ. You’ve seen him play in Tyto Alba assuming you’ve seen that underrated and great Denver dream pop band. Rossi has helped bring to that band a certain elevated emotional tonal palette and he’ll bring some of that to Turvy Organ as well.

Who: Codename: Carter w/Tonguebyte
When: Thursday, 02.14, 7 p.m.
Where: Lost Lake
Why: Spy-surf phenoms Codename: Carter don’t play so often but when they do, it’s a worthy catching because they coordinate outfits and write songs that remind you that surf rock can have chops and imagination behind it.

Friday | February 15, 2019

Who: Scream Screen: Poltergeist
When: Friday, 02.15, 8 p.m.
Where: Sie FilmCenter
Why: The latest in Theresa Mercado’s Scream Screen series celebrating the life of master horror filmmaker Tobe Hooper. Tonight, 1982’s haunting classic Poltergeist.

Who: The Pollution, Perry Weissman 3 and DJ AKA Miggy
When: Friday, 02.15, 9 p.m.
Where: Goosetown Tavern
Why: The Pollution is rooted in the politically conscious but non-didactic punk of the 80s DC scene but influenced by psychedelic rock and weirdo 70s prog. Perry Weissman 3 is definitely within the experimental wing of jazz. Not necessarily free jazz but that element is in there too.

Who: Maya Jane Coles
When: Friday, 02.15, 9 p.m.
Where: The Church
Why: Maya Jane Coles is the UK DJ whose production and engineering work is noteworthy separate from her career as music maker. In the latter capacity Coles is known for her dark techno sets with a deep house and dub sensibility. Her compositions usually have a gently urgent quality amid moody synth swells and a finely crafted and separation of tones and textures as part of her layers of rhythm bumped along by expertly sculpted low end. Which is just another way of saying her music sounds like something you’d want to hear in the inevitable virtual experiential product of the future that tries to convey what it was like to go to a 2000s underground experimental dance music event in an illegal but safe warehouse in the middle of fall. Plenty of sonic allusions and nods to style can be found in one of her sets for the heads that work well whether you’re familiar with those references or not.

Saturday | February 16, 2019

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Turkuaz, photo by Dani Brandwein

Who: Turkuaz with Eminence Ensemble
When: Saturday, 02.16, 8 p.m.
Where: The Ogden Theatre
Why: Turkuaz is a nine-piece, Brooklyn-based funk band whose sound is as eclectic as it is layered and multi-cultural. Though incorporating elements of psychedelia, R&B and rock Turkuaz’s sound can be readily compared to like-minded bands more associated within the cross section of jam bands end electronic dance music. Think on the more interesting end like Lotus, STS9 and The Disco Biscuits. That kind of flow of sounds and rhythms but rooted in executing the sounds with all live instrumentation and sounding more akin to Kool and the Gang or a Bernie Worrell band than something that has much in common with the EDM realm.

Who: KGNU Quarterly Showcase: The Milk Blossoms, Lady Gang, My New Dad (members of Dandu), Joshua Trinidad and Gregg Ziemba – DJs Joel Davis aka The Vibrarian and TerraSonic
When: Saturday, 02.16, 8:30 p.m.
Where: Lion’s Lair
Why: This edition of the KGNU Quarterly Showcase is, reliably, a fantastic showcase of some of the more interesting artists in Denver. The Milk Blossoms provide a gentle yet heartfelt emotional catharsis with every show with meaningful and experimental pop music by not trying to fit in any genre and giving you the raw, delicately rendered experience. Lady Gang is Jen Korte’s one woman, loop station composition extravaganza. Joshua Trinidad and Gregg Ziemba will kick the serious space jazz science and stretch the boundaries of consciousness in the process.

Who: Le Butcherettes w/Stars at Night and Viretta
When: Saturday, 02.16, 8:30 p.m.
Where: Larimer Lounge
Why: Le Butcherettes make weirdo prog punk within the context of what always seems like inspired performance art as Teri Genderbender channels rock and roll and mythological archetypes of her own creation at every show. Earlier this month the group released its latest album bi/MENTAL, a typically otherworldly and cathartic offering that isn’t much like anything else in rock in re-contextualizing and re-purposing tropes of the genre in creative ways.

Monday | February 18, 2019

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Sharon Van Etten, photo by Ryan Pfluger

 

Who: Kikagaku Moyo w/Weeed
When: Monday, 02.18, 8 p.m.
Where: Hi-Dive
Why: Kikagaku Moyo is a Tokyo-based psychedelic rock band whose 2018 album Masana Temples demonstrated further the band’s subtly eclectic sound rooted not just in 70s prog and psychedelic rock but also Japanese traditional music and perhaps 70s Japanese folk artists like Happy End, Karuomi Hosono, Itsutsu No Akai Fusen and Nobuyasu Okabayashi. There is a very organic quality to the band’s music, especially in the live setting where layers of sound are presented in a way that is deceptively simple. Definitely not informed so much by the trendy psychedelic rock wave of recent years. This Hi-Dive show is sold out but there is another day the next night in Boulder at The Fox Theatre.

Who: Sharon Van Etten w/Nilüfer Yanya
When: Monday, 02.18, 7 p.m.
Where: The Gothic Theatre
Why: Sharon Van Etten has been releasing worthwhile and wise records for close to a decade and a half now but her 2019 album Remind Me Tomorrow is her best work to date. The rough warble reminiscent of Marianne Faithful in her prime heard in “Seventeen” is thrillingly raw and the words imbued with a deeply painful letting go of ideas and associations once deep in one’s heart but no longer useful while the ghosts of those connections remain. But the whole record is flowing with the spirits of loves past and the album a gentle purging and reconciliation.

Tuesday | February 19, 2019

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Men I Trust circa 2018, photo by Tom Murphy

Who: Kikagaku Moyo w/Weeed and Ashley Koett
When: Tuesday, 02.19, 8:30 p.m.
Where: The Fox Theatre
Why: See above for the 2.18 Hi-Dive show entry for more information on Kikagaku Moyo.

Who: Men I Trust w/Michael Seyer
When: Tuesday, 02.19, 7 p.m.
Where: Globe Hall
Why: Men I Trust has been described any number of ways but the live band evokes the mood of dusky nightclub R&B and soft lighting. But without evoking the early 70s Laurel Canyon pop sound so much in vogue lately. The band’s videos look like some kind of cinematic rendering of 1980s home movies and in a way reminds one of fan videos various people have made for Boards of Canada. It’s not often a band can maintain some sense of mystique these days but Men I Trust definitely has some.

Wednesday | February 20, 2019

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Alien Boy, photo by Sam Gehrke

Who: Sundressed, Awakebutstillinbed, Alien Boy and Sunsleeper
When: Wednesday, 02.20, 7 p.m.
Where: Larimer Lounge
Why: Around the turn of the century pop punk had all but burned out any appeal to anyone but the most die hard fans because it seemed like every other band was still mining that musical territory hoping to play Warped Tour. But then that tide went out. Toward the end of the first decade of the 2000s some musicians in the punk world embraced melody in their songwriting and the relatable and emotionally resonant and urgent quality that the best pop punk and emo had. In the decade since there’s been a renaissance of that style of music but with musicians freely incorporating elements of other musical styles and ideas. This is a good showcase of that development now long since established. Alien Boy, however, has strayed the furthest from the sonics of punk canon and thus, for this writer, it is the most interesting band on the bill with its unabashed use of moody musical ideas from punk, shoegaze, post-punk and its own focus on the most poignant moments of their lives as a loci of inspiration. The band’s 2018 album Sleeping Lessons firmly established it as one of the most interesting punk bands of recent years. Awakebutstillinbed’s crackling and ragged energy also sounds promising for the performance like a less art/space rock Rainer Maria. It’s gloriously titled 2018 album what people call low self-esteem is really just seeing yourself the way that other people see you is the things of which modern emo legends are made.