Best Shows in Denver 02/14/19 – 02/20/19

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Kikagaku Moyo performs at the Hi-Dive on Feb. 18 and The Fox Theatre in Boulder on Feb. 19 with Weeed. Photo by Jamie Wdziekonski

Thursday | February 14, 2019

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Midwife, photo by Tom Murphy

What: An Ambient Valentine’s Day: Benefit for Resilience Rising: School Dance, Allison Lorenzen solo, Midwife, God of Water and Bell Hoss
When: Thursday, 02.14, 8 p.m.
Where: Rosehouse
Why: This show is a benefit women’s shelter Resilience Rising and includes more sonically ethereal and low key artists such as ambient slowcore star Midwife and the like-minded but less abstract artist Bell Hoss who sounds like she fled some pocket dimension that was perpetually the early 80s but where people didn’t get why Joni Mitchell is one of the coolest, most important artists in popular music.

Who: Grivo w/DH and Madelyn Burns
When: Thursday, 02.14, 8 p.m.
Where: Surfside 7
Why: Grivo is an experimental shoegaze/psychedelic rock band from Austin with music out on Holodeck Records.

Who: The Dead & The Daylily w/Turvy Organ, Avifauna and Tiffany Christopher
When: Thursday, 02.14, 7 p.m.
Where: Larimer Lounge
Why: This is Matthew Rossi’s first show as a guitarist in indie rock band Turvy Organ. You’ve seen him play in Tyto Alba assuming you’ve seen that underrated and great Denver dream pop band. Rossi has helped bring to that band a certain elevated emotional tonal palette and he’ll bring some of that to Turvy Organ as well.

Who: Codename: Carter w/Tonguebyte
When: Thursday, 02.14, 7 p.m.
Where: Lost Lake
Why: Spy-surf phenoms Codename: Carter don’t play so often but when they do, it’s a worthy catching because they coordinate outfits and write songs that remind you that surf rock can have chops and imagination behind it.

Friday | February 15, 2019

Who: Scream Screen: Poltergeist
When: Friday, 02.15, 8 p.m.
Where: Sie FilmCenter
Why: The latest in Theresa Mercado’s Scream Screen series celebrating the life of master horror filmmaker Tobe Hooper. Tonight, 1982’s haunting classic Poltergeist.

Who: The Pollution, Perry Weissman 3 and DJ AKA Miggy
When: Friday, 02.15, 9 p.m.
Where: Goosetown Tavern
Why: The Pollution is rooted in the politically conscious but non-didactic punk of the 80s DC scene but influenced by psychedelic rock and weirdo 70s prog. Perry Weissman 3 is definitely within the experimental wing of jazz. Not necessarily free jazz but that element is in there too.

Who: Maya Jane Coles
When: Friday, 02.15, 9 p.m.
Where: The Church
Why: Maya Jane Coles is the UK DJ whose production and engineering work is noteworthy separate from her career as music maker. In the latter capacity Coles is known for her dark techno sets with a deep house and dub sensibility. Her compositions usually have a gently urgent quality amid moody synth swells and a finely crafted and separation of tones and textures as part of her layers of rhythm bumped along by expertly sculpted low end. Which is just another way of saying her music sounds like something you’d want to hear in the inevitable virtual experiential product of the future that tries to convey what it was like to go to a 2000s underground experimental dance music event in an illegal but safe warehouse in the middle of fall. Plenty of sonic allusions and nods to style can be found in one of her sets for the heads that work well whether you’re familiar with those references or not.

Saturday | February 16, 2019

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Turkuaz, photo by Dani Brandwein

Who: Turkuaz with Eminence Ensemble
When: Saturday, 02.16, 8 p.m.
Where: The Ogden Theatre
Why: Turkuaz is a nine-piece, Brooklyn-based funk band whose sound is as eclectic as it is layered and multi-cultural. Though incorporating elements of psychedelia, R&B and rock Turkuaz’s sound can be readily compared to like-minded bands more associated within the cross section of jam bands end electronic dance music. Think on the more interesting end like Lotus, STS9 and The Disco Biscuits. That kind of flow of sounds and rhythms but rooted in executing the sounds with all live instrumentation and sounding more akin to Kool and the Gang or a Bernie Worrell band than something that has much in common with the EDM realm.

Who: KGNU Quarterly Showcase: The Milk Blossoms, Lady Gang, My New Dad (members of Dandu), Joshua Trinidad and Gregg Ziemba – DJs Joel Davis aka The Vibrarian and TerraSonic
When: Saturday, 02.16, 8:30 p.m.
Where: Lion’s Lair
Why: This edition of the KGNU Quarterly Showcase is, reliably, a fantastic showcase of some of the more interesting artists in Denver. The Milk Blossoms provide a gentle yet heartfelt emotional catharsis with every show with meaningful and experimental pop music by not trying to fit in any genre and giving you the raw, delicately rendered experience. Lady Gang is Jen Korte’s one woman, loop station composition extravaganza. Joshua Trinidad and Gregg Ziemba will kick the serious space jazz science and stretch the boundaries of consciousness in the process.

Who: Le Butcherettes w/Stars at Night and Viretta
When: Saturday, 02.16, 8:30 p.m.
Where: Larimer Lounge
Why: Le Butcherettes make weirdo prog punk within the context of what always seems like inspired performance art as Teri Genderbender channels rock and roll and mythological archetypes of her own creation at every show. Earlier this month the group released its latest album bi/MENTAL, a typically otherworldly and cathartic offering that isn’t much like anything else in rock in re-contextualizing and re-purposing tropes of the genre in creative ways.

Monday | February 18, 2019

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Sharon Van Etten, photo by Ryan Pfluger

 

Who: Kikagaku Moyo w/Weeed
When: Monday, 02.18, 8 p.m.
Where: Hi-Dive
Why: Kikagaku Moyo is a Tokyo-based psychedelic rock band whose 2018 album Masana Temples demonstrated further the band’s subtly eclectic sound rooted not just in 70s prog and psychedelic rock but also Japanese traditional music and perhaps 70s Japanese folk artists like Happy End, Karuomi Hosono, Itsutsu No Akai Fusen and Nobuyasu Okabayashi. There is a very organic quality to the band’s music, especially in the live setting where layers of sound are presented in a way that is deceptively simple. Definitely not informed so much by the trendy psychedelic rock wave of recent years. This Hi-Dive show is sold out but there is another day the next night in Boulder at The Fox Theatre.

Who: Sharon Van Etten w/Nilüfer Yanya
When: Monday, 02.18, 7 p.m.
Where: The Gothic Theatre
Why: Sharon Van Etten has been releasing worthwhile and wise records for close to a decade and a half now but her 2019 album Remind Me Tomorrow is her best work to date. The rough warble reminiscent of Marianne Faithful in her prime heard in “Seventeen” is thrillingly raw and the words imbued with a deeply painful letting go of ideas and associations once deep in one’s heart but no longer useful while the ghosts of those connections remain. But the whole record is flowing with the spirits of loves past and the album a gentle purging and reconciliation.

Tuesday | February 19, 2019

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Men I Trust circa 2018, photo by Tom Murphy

Who: Kikagaku Moyo w/Weeed and Ashley Koett
When: Tuesday, 02.19, 8:30 p.m.
Where: The Fox Theatre
Why: See above for the 2.18 Hi-Dive show entry for more information on Kikagaku Moyo.

Who: Men I Trust w/Michael Seyer
When: Tuesday, 02.19, 7 p.m.
Where: Globe Hall
Why: Men I Trust has been described any number of ways but the live band evokes the mood of dusky nightclub R&B and soft lighting. But without evoking the early 70s Laurel Canyon pop sound so much in vogue lately. The band’s videos look like some kind of cinematic rendering of 1980s home movies and in a way reminds one of fan videos various people have made for Boards of Canada. It’s not often a band can maintain some sense of mystique these days but Men I Trust definitely has some.

Wednesday | February 20, 2019

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Alien Boy, photo by Sam Gehrke

Who: Sundressed, Awakebutstillinbed, Alien Boy and Sunsleeper
When: Wednesday, 02.20, 7 p.m.
Where: Larimer Lounge
Why: Around the turn of the century pop punk had all but burned out any appeal to anyone but the most die hard fans because it seemed like every other band was still mining that musical territory hoping to play Warped Tour. But then that tide went out. Toward the end of the first decade of the 2000s some musicians in the punk world embraced melody in their songwriting and the relatable and emotionally resonant and urgent quality that the best pop punk and emo had. In the decade since there’s been a renaissance of that style of music but with musicians freely incorporating elements of other musical styles and ideas. This is a good showcase of that development now long since established. Alien Boy, however, has strayed the furthest from the sonics of punk canon and thus, for this writer, it is the most interesting band on the bill with its unabashed use of moody musical ideas from punk, shoegaze, post-punk and its own focus on the most poignant moments of their lives as a loci of inspiration. The band’s 2018 album Sleeping Lessons firmly established it as one of the most interesting punk bands of recent years. Awakebutstillinbed’s crackling and ragged energy also sounds promising for the performance like a less art/space rock Rainer Maria. It’s gloriously titled 2018 album what people call low self-esteem is really just seeing yourself the way that other people see you is the things of which modern emo legends are made.

Best Shows in Denver 01/18/19 – 01/23/19

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Cursive performs January 18 at The Bluebird Theater and January 19 at The Fox Theatre. Photo by JP Davis

Friday | January 18, 2019

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The Crystal Method, photo by Chapman Baehler

Who: The Crystal Method w/Yoko b2b iAM_Jacko and Skeena
When: Friday, 01.18, 8:30 p.m.
Where: The Fox Theatre
Why: In the 90s The Crystal Method blurred any boundaries that may have existed between various subgenres of electronic music of the time. Rather than specialists, The Crystal Method freely experimented with forms, styles and genres yet crafted a sound of their own with an emphasis on strong beats and a grittily otherworldly, moody atmospherics. The duo’s 2018 record The Trip Home is proof that it hasn’t spent the past two decades insisting its initial vision should dictate the rest of its music while also borrowing heavily from methods and sounds from the past and during the intervening years. If a big beat industrial synth pop album was a thing, The Crystal Method made one.

Who: Hot Rize & Friends w/Michael Cleveland, Red Knuckles & The Trailblazers
When: Friday, 01.18, 7 p.m.
Where: Boulder Theater
Why: Hot Rize, the Colorado-based bluegrass band, is celebrating four decades together with a pair of shows at The Boulder Theater. Its members were hanging out and working at the Denver Folklore Center in the 1970s and learning the craft and methods of that music before essentially popularizing bluegrass to an ever widening audience from the 1980s onward. Depending on your perspective, for better or worse, Hot Rize’s aesthetic of what Nick Forster called “human sized music” impacted the aesthetic of the music on A Prairie Home Companion—old timey music for an era where bigger, louder, better, less elegant seemed to be the order of the day beyond even music. Even if bluegrass isn’t your thing, Hot Rize is an especially compelling live band whose good humor and sheer charisma always makes for an enjoyable performance.

Who: Cursive w/Summer Cannibals and Campdogzz
When: Friday, 01.18, 8 p.m.
Where: The Bluebird Theater
Why: Cursive is one of the bands that put Omaha, Nebraska on the musical map as a place from which noteworthy music was being made. By the time the group garnered more than underground and regional prominence it had evolved its sound out of its early post-hardcore roots and incorporated a diverse set of musical ideas and sounds that proved influential on 2000s indie rock with raw emotions placed in the context of vibrant, atmospheric sounds and textures to give the band’s songs an immersive, even cinematic feel. The quartet’s latest, Vitriola, is vintage Cursive in all its haunted, orchestral, emotionally heightened glory. Summer Cannibals from Portland, Oregon is one of the few newer bands making rock music that’s difficult to pigeonhole to a specific subgenre bandwagoned in the past five to seven years as its not garage rock, not surf rock, not neo-grunge and not psychedelia. And all the better for it. Fuzzy, lively pop songs.

Who: Corsicana album release w/The Milk Blossoms, These Bashful Claws, John Lensing
When: Friday, 01.18, 8 p.m.
Where: Globe Hall
Why: Dream pop band Corsicana drops its debut album at this show—the sparkling, gentle yet uplifting Perennial.

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Future Generations, photo by Shervin Lainez

Who: Magic City Hippies w/Future Generations
When: Friday, 01.18, 8 p.m.
Where: Larimer Lounge
Why: Magic City Hippies at least have a name that gives a clue what you’re in for. Its posi-hip-hop-inflected funk and downtempo pop is what you would hope New Age-esque hippies might glom onto after getting tired of de-fanged EDM and jamtronica. Opening act, Future Generations, came to their lush and layered songwriting through the production angle early on when singer/programmer Eddie Gore was making beats for friends and his own early experiments in music. As the band came together and brought in ideas and instruments the fledgling band was able to build and learn together without the overt influence of previous bands. Thus its pop songcraft while accessible is clearly coming from a direction where the band is consistently absorbing new sounds and methods so that the band’s creative evolution is part of its act of writing songs. The Future Generations 2018 album Landscape may sound like a solid, buoyant pop album, because it is, but there are plenty of sonic Easter eggs in there for discerning listeners.

Saturday | January 19, 2019

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Chella and the Charm, photo by Tom Murphy

Who: Chella & The Charm w/Jennifer Jane Niceley, The Threadbarons (duo) and Many Mountains
When: Saturday, 01.19, 8 p.m.
Where: Globe Hall
Why: Chella & the Charm’s forthcoming EP Good Gal is the heartbreaking work of Americana genius you need to have in your life in 2019. Chella has identified several strands of our collective pain as a culture and manifested them in a handful of songs with energy and compassion.

Who: Cursive w/Summer Cannibals and Campdogzz
When: Saturday, 01.19, 8:30 p.m.
Where: Fox Theatre
Why: See January 18 entry on Cursive and Summer Cannibals.

Who: Womxn’s March Mosh III: Bonnie Weimer, The Pollution, Lady of Sorrows, Death in Space, Cheap Perfume, burlesque performance by Slut Game Strong
When: Saturday, 01.19, 3-8 p.m.
Where: The Skylark Lounge
Why: After the official Womxn’s March in Denver, this show will happen with proceeds to benefit Planned Parenthood. It’s a chance to see experimental banjo songwriter Bonnie Weimer at 3 p.m. when the event starts followed by a diverse evening of music including psychedelic punk band The Pollution, operatic darkwave act Lady of Sorrows, guitar/production project Death in Space, political punk band Cheap Perfume and its delightfully irreverent sense of humor as well as a feminist burlesque performance from Slut Game Strong.

Who: City Hunter release of Deep Blood w/Death Scenes and DJ Dead Body and Yung Sherm
When: Saturday, 01.19, 8 p.m.
Where: Syntax Physic Opera
Why: Horror-themed, costumed hardcore band City Hunter will play one of its rare shows in support of the release of its 2018 LP Deep Blood on Youth Attack Records. Expect some serious hijinks on the performance side with what will also be a short set because the band’s longest songs are under three minutes with many under a minute. Fitting for a band whose lead singer looks like the masked killer from an early 80s slasher film. Opening is Death Scenes which is Scream Screen’s Theresa Mercado who will show morgue slides accompanied by music from Kevin Wesley of noise project Prison Glue.

Who: Hot Rize & Friends w/Michael Cleveland, Red Knuckles & The Trailblazers
When: Saturday, 01.19, 7 p.m.
Where: Boulder Theater
Why: See January 18 entry for Hot Rize and its 40 year anniversary shows.

What: Punk Against Trump 2019 – Allout Helter, Cheap Perfume, Over Time, Sorry Sweetheart, No Takers
When: Saturday, 01.19, 7 p.m.
Where: Moon Room at Summit
Why: Some of Colorado’s best, overtly political bands gather once again put on a show in protest against the POTUS Trump. But it won’t be a dour, didactic affair because all of these bands are about having fun and airing out legit social and political grievances.

Tuesday | January 22, 2019

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Oryx circa 2017, photo by Tom Murphy

Who: Rockin’ For Roe: Oryx, Rotten Reputation and Church Fire
When: Tuesday, 01.22, 7 p.m.
Where: Larimer Lounge
Why: “Roe” as in Roe v. Wade. This benefit show for Keep Abortion Safe and Women’s Freedom Fund features experimental doom band Oryx, irreverent and heartfelt punk band Rotten Reputation and industrial synth pop powerhouse Church Fire.

Wednesday | January 23, 2019

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Quits circa Spring 2018, photo by Tom Murphy

Who: Ball of Light, Toboggan, Quits and Landgrabbers
When: Wednesday, 01.23, 8 p.m.
Where: Mutiny Information Café
Why: Cincinnati’s Ball of Light just released its new album Flux on January 10, 2019. It’s ten tracks of urgent, feral, noisy post-hardcore sounds like what a hybrid of Neurosis and Season To Risk might sound like. Toboggan, not the Spanish band, is a bit like late 90s emo with hooks and coherent lyrics but not short on raw emotion. Quits is the noise rock band from Denver starring Doug “Fucking” Mioducki who used to be in early indie pop band Felt Pilotes before going on to way less melodic but no less emotionally charged bands like Koala, Sparkles, Witch Doctor and CP-208. His bandmates are also noteworthy musicians from other great Denver bands but you can do some homework if you feel like it.