DISCHAAAGEEE’s Frantic, Synth-driven Song “Xuxu” Sits at the Sweet Spot Between Garage Rock, Synth Pop and Post-punk

DISCHAAAGEEE, photo courtesy the artist

Imagine a lo-fi blend of Devo, The Fall and Quintron and that will give you some idea what you’re in for listening to “Xuxu” by Japanese band DISCHAAAGEEE. Its propulsive pace, regimented yet borderline unhinged dynamics, playful synth melodies and enigmatic vocals sit in the sweet spot between garage rock, synth pop and post-punk. It sounds futuristic in the way it free associates musical ideas and recontextualizes them to make something that draws inspiration from what has come before without being beholden to it stylistically even if the spirit of that music can be heard echoing in the distorted gyrations and frantic pulses of “Xuxu.” Fans of Pow! and The Screamers will appreciate the songs surrealistic soundscaping and raw energy as well as its undeniably catchy tunefulness. Listen to “Xuxu” on Spotify and connect with DISCHAAAGEEE at the links below.

https://open.spotify.com/artist/3OEW90E5e6KLcFFRrDJCba
https://www.youtube.com/channel/UCK3Eokb8k_1NsZO4IQnLPrw
https://twitter.com/dischaaageee
https://www.facebook.com/uch.kenhttps://www.instagram.com/dischaaageee

“Gasoline” by Art-Punks Rx27 is a Cool, Scuzzy Deathrock Song

Rx27_RikkAgnew1_sm
Rx27, photo courtesy the artist

When “Gasoline” starts up, you think for a second that it’s going to go into a warped version of “Repo Man” by Iggy Pop but then the rhythm fully engages and its headlong pace and cutting but melodic guitar riff, helped by Rikk Agnew formerly of The Adolescents and Christian Death (circa the 1982 classic Only Theatre of Pain), are an integral part of the song and its tale of a combustible relationship that is mutually destructive but irresistible. The kind where both people know how fucked up it is but the drama and the darkness are a turn on for both people and they’re going to ride it out until it flames out in spectacular fashion. The metaphor of relationship as perilous car ride is borne throughout but especially the part that begins with “crash and burn” and completes with “built for speed,” I’m what you need.“ Singer Joie Blaney takes some lines and MisMaxine Murrderr others as they sing/scream almost as call and response but also together. And dark as the song goes there’s something sweet about it at heart like two cynical hedonists who’ve seen it all get each other and get to each other by bypassing their defenses and numbness to vanilla stimulation even if it will cost them in the end. Listen to “Gasoline,” produced by Paul Roessler of The Screamers, 45 Grave and Nina Hagen fame, on YouTube and follow Rx27 at the links below.

therx27.com
twitter.com/therx27
facebook.com/therx27
instagram.com/rx27_official