Best Shows in Denver 06/28/18 – 07/04/18

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Rubedo will headline its annual summer show at The Bluebird Theater this Saturday, June 30, 2018. Photo by Tom Murphy

Thursday | June 28, 2018

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Post Animal, photo by Tim Nagle

Who: Post Animal w/Slow Pulp and Serpentfoot
When: Thursday, 06.28, 8 p.m.
Where: Lost Lake
Why: Chicago’s Post Animal sounds like a power pop band that has adopted some sludge rock edginess and a lot of psychedelia to warp those edges into interesting directions. Its new album When I Think Of You In a Castle makes you wonder what would have happened had The Sweet and ELO merged because the exquisitely tuneful melodies rock with an earnestness out of step in this decade where many try and fail miserably at projecting that authenticity much less at sustaining the quality songwriting across an entire record. The changes of pace, dynamics, tone and atmosphere throughout the album also proves the band cares enough about its own art and potential listeners to not brand its career with a same-y aesthetic. Post Animal is a rock band but one that isn’t stuck in rock-ist clichés as its sonics are as transporting as they are riveting.

Who: Pretty Mouth video release w/Archipelaghost and Oxeye Daisy
When: Thursday, 06.28, 8 p.m.
Where: Ophelia’s Electric Soapbox
Why: Pretty Mouth is debuting its video for “This Poison Loves You” at this show at Ophelia’s. The Denver-based quartet combines the drawn out pacing and dynamics of alt-country with windswept dream pop, singer Marie Litton seemingly channeling the energy of ancestral spirits to effect a an emotional catharsis throughout the performance. Joining Pretty Mouth for the occasion is avant-garde pop outfit Archipelaghost and like-minded neo-alternative rock band Oxeye Daisy, which recently released an excellent self-titled debut engineered by Male Blonding frontman Noah Simons.

Friday | June 29, 2018

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Cop CIrcles circa 2014, photo by Tom Murphy

Who: Froth: A Rhinoceropolis fundraiser w/Superstar & Star, Cop Circles, Lux Hearse, J. Hamilton Isaacs, Mirror Fears, Data Rainbow, French Kettle Station
When: Friday, 06.29, 7 p.m.
Where: Redline Gallery
Why: Denver DIY space Rhinoceropolis, which was closed in December 2016 in the wake of the Ghost Ship tragedy in Oakland, California, for supposed fire code violations, has had multiple hurdles to overcome to re-open including paying rent on the building while it couldn’t be utilized and remodeling to bring the space to code. So this event is happening to help move that along to the final phase before the re-open. The usual suspects of former Rhino inhabitants and those who made the space what it was will be performing but the night will include a special appearance from Neville Lawrence who performs as Superstar & Star, who now lives in Omaha, Nebraska and claims to be the “undisputed king of home-disco.” Watch any of his videos and that’s pretty much impossible to dispute as his VCR 80s era home video aesthetic is much more likeable than one might expect in this age when many things are overproduced and essentially unrelatable.

Who: Strange Goo feat: Pheel, Mirror Fears and PterrorFractyl
When: Friday, 06.29, 8:30 p.m.
Where: Fort Greene
Why: This is the latest edition of Strange Goo which includes some of the most forward thinking experimental electronic artists in Denver. Tonight’s show includes dream noise/industrial pop artist Mirror Fears and post-dub techno soundsculptor PterrorFractyl.

Who: Sliver w/Parking With Planets, The Swamp Rats, Bailout, Theoretic 
When: Friday, 06.29, 8 p.m.
Where: Moe’s Original BBQ
Why: It would be enough to go see sludge/surf punkers The Swamp Rats. But it would also be worth your time to check out grunge punks Sliver. That despite singer Chris Mercer dropping the bomb on his own band and admitting that his own take on his own band’s style of punk: “Post hardcore that came out in the early 00’s and beyond is just the poppy emo shit with a lot of screaming.” We beg to differ and declare Sliver a refreshingly emotionally raw and honest rock band with a leg in both DC hardcore and NW proto-alternative rock. Sure, Mercer doesn’t do a great job of ripping off Bad Brains and Wipers but he tries and that has to count for something.

Who: Electric Funeral Fest III Day 1
When: Friday, 06.29, 3 p.m.
Where: 3 Kings Tavern, Hi-Dive and Mutiny Information Café
Why: This two day festival showcases some of the underground’s best extreme music bands from Denver and elsewhere including Spirit Adrift, Eagle Twin, R.I.P., Aseethe, Amplified Heat, Forming the Void, Love Gang, Urn., Loom, Necropanther, Smokey Mirror, Twingiant, Echo Beds, Augur, Green Druid, Keef Duster and The Rare Breed. Someone also convinced Denver thrash punks Speedwolf to reunite for tonight’s line up. Kudos.

Saturday | June 30, 2018

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R A R E B Y R D $, photo by Tom Murphy

Who: Rubedo w/Holophrase, R A R E B Y R D $, Picture the Waves and Mace Windu
When: Saturday, 06.30, 7 p.m.
Where: The Bluebird Theater
Why: In what has become at least a semi-annual tradition, Rubedo headlines The Bluebird Theater in early summer. The Denver band, parts prog, psychedelic rock, noise rock and avant funk, has been at the forefront of one wing of the local DIY scene for years. For these events Rubedo brings together some of the more interesting bands out of the underground like experimental electro-downtempo band Holophrase and the soulful and lush hip-hop of visionaries of a utopian yet grounded, loving and compassionate future, R A R E B Y R D $.

Who: Electric Funeral Fest III Day 2
When: Saturday, 06.30, 3 p.m.
Where: 3 Kings Tavern, Hi-Dive and Mutiny Information Café
Why: This second day of heavy and extreme music includes sets from bands across the front range and beyond: Weedeater, Primitive Man, Zeke, Sierra, Duel, Grey Gallows, Cloud Catcher, The Munsens, Communion, Crud, Space in Time, White Dog, Vexing, Pink Fuzz, Wizzerd, Smolder & Burn, Alone and Still Valley

Who: Machinefest w/16Volt, Machinewerx and Society Burning
When: Saturday, 06.30, 6 p.m.
Where: Outdoor location in Wellington, CO
Why: Tempting to call this an event linked to the local Burning Man community and maybe ultimately it is, but in truth it’s an industrial music and sculpture performance event in the middle of nowehere (map on the event page). Coming out for the occasion is infamous/legendary industrial rock band 16 Volt.

Who: Magic Sword w/Church Fire and EVP
When: Saturday, 06.30, 7 p.m.
Where: The Marquis Theater
Why: This show would be worth attending for Denver bands Church Fire and EVP alone because they’re both pushing forward the aesthetics of dance music and electronic pop with energetic and emotionally stirring performances. But Boise, Idaho’s Magic Sword doesn’t make it here nearly enough with their space knight stage personae and one-would-think-wack-but-never-is combination of 80s prog metal guitar and sweeping science fiction movie soundtrack synthscapes. Camp is pretty played out these days but Magic Sword has taken it to another level that makes it endearing like you’re in on the camp so it’s no longer a joke but just fun.

Sunday | July 1, 2018

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Immersion, photo by Toby Mason

Who: Immersion w/Brother Saturn
When: Sunday, 07.01, 7 p.m.
Where: Larimer Lounge
Why: Immersion is the ambient project comprised of Malka Spigel of Israeli/Belgian experimental post-punk band Minimal Compact and her husband Colin Newman who more than a few people may know as being in Wire. In the 80s their respective bands surely rubbed shoulders in the UK and the rest of Europe and in the early 90s when the duo created Immersion as a way to further explore beat-driven, non-rock music it entered a realm of sound and atmosphere that might have been associated with minimalist IDM and ambient/abstract atmospheric artists of the day like Seefeel and Future Sound of London. The group’s recent albums, including 2018’s Sleepless, have shown a willingness for more overt use of guitar to create texture and tone.

Who: Janelle Monáe w/St. Beauty
When: Sunday, 07.01, 6:30 p.m.
Where: Paramount Theatre
Why: Janelle Monáe’s new album Dirty Computer spent a decade percolating and incubating in her rich imagination. Apparently she felt as though she had to present an image safe for public consumption, as it were. The album is even more a concept album than any of her other excellent offerings over the past several years and it tells a story of personal evolution and self-acceptance in the face of a world that tries to define you and impose meaning on you especially if you’re an “entertainer” and black and a woman. The short film Monáe released in the wake of the album gives vivid life to the story with Monáe as an android named Jane 57821 struggling against a dystopian society toward a more open and compassionate future. While her music has always been sonically rich and evocative, with Dirty Computer, Monáe has pushed her art beyond previous boundaries by revisiting some of her perennial themes in creative new ways.

Who: Canyon of the Skull, Giant of the Mountain, Voideater, A Light Among Many
When: Sunday, 07.01, 8 p.m.
Where: Hi-Dive
Why: If you made it to Electric Funeral Fest III but just want one more night of the heavy, this show will more than do with deep, atmospheric doom act Canyon of the Skull from Austin alongside the more experimental, ambient metal of A Light Among Many.

Who: Nevayda Gunn (last show), Horns and Spyderland
When: Sunday, 07.01, 5 – 8 p.m.
Where: Goosetown Tavern
Why: When a lot of rock bands were riding the psych bandwagon and making fairly mundane music that was essentially pop or straight ahead rock with some reverb and yelping, Nevayda Gunn were pushing boundaries of what the music could be and left us one great statement of where it was and where it could have gone with its 2016 album Glitchkraft; A Human Experience. Maybe a slightly art-pretentious title but very much worth a listen. This is their last show. Catch members in Archipelaghost.

Monday | July 2, 2018

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Dirty Few circa 2013, photo by Tom Murphy

Who: Dirty Few 7” release w/Wyldlife, The Bad Engrish, The Born Readies, DJ Ross Taylor Murphy
When: Monday, 07.02, 7 p.m.
Where: Larimer Lounge
Why: Dirty Few is releasing its new 7” EP, Volcom Sessions out on Snappy Little Numbers (you can order the 7” here). While the band has a deserved reputation for being a rowdy party band one thing that is often overlooked is the songwriting. Somewhere between power pop and post-Reatards garage punk, Dirty Few’s fuzz pop has never sounded more focused and and tuneful. It sounds like someone in the band has been listening to a lot of Thin Lizzy but that’s no bad thing. The vocal harmonies really make the songs this time around and this new record represents the band at its current peak.

Tuesday | July 3, 2018

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Pale Sun, photo by Tom Murphy

Who: Michael Rault w/Pale Sun and Bear and the Beasts
When: Tuesday, 07.03, 8 p.m.
Where: Globe Hall
Why: Michael Rault, though Canadian, sounds like he spent some time hanging out in Laurel Canyon in the mid-1970s—gently psychedelic pop compositions with a twinge of country rock running through them are the hallmarks of his sound. We’ve heard a lot of that sort of thing in recent years but Rault happens to be better at the songwriting end than most other people mining similar territory. Also on the bill is Denver-based shoegaze band Pale Sun whose cosmic soundscaping has some edge to its hypnotic melodies.

Wednesday | July 4, 2018

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Flowering Blade, photo by Tom Murphy

Who: Spectral Voice, Superstition, Flowering Blade, Many Blessings
When: Wednesday, 07.04, 8 p.m.
Where: Meadowlark Bar
Why: Spectral Voice is a Denver-based death metal band whose instincts wend toward a more stark sound. And it’s in good company for this show with Many Blessings, the ambient/noise project of Primitive Man vocalist/guitarist Ethan McCarthy, and Aaron Miller of Cadaver Dog doing his solo noise act Flowering Blade. So, musically speaking, all the negative vibes with none of the negative consequences.

Best Shows in Denver 03/29/18 – 04/04/18

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Colin Ward as Alphabets circa 2010. Raptor Jazz, a celebration of Ward and his legacy at The Black Box on Saturday, March 31. Photo by Tom Murphy

 

Thursday | March 29, 2018

 

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The Milk Blossoms, photo by Tom Murphy

Who: The Milk Blossoms (album release) w/Joseph Lamar, Princess Dewclaw and Midwife
When: Thursday, 03.29, 7 p.m.
Where: Lost Lake
Why: The Milk Blossoms release Dry Heave the Heavenly this night at Lost Lake. The trio basically found a way to take fairly idiosyncratic musical tastes and skill sets and a blend of natural talents to make imaginative, cathartic pop music that couldn’t really be made by anyone else. The bands songs are accessible yet demanding your taking it on its own terms. Calling the group “experimental pop” doesn’t quite do justice to the power of the live band and its recordings. Two talented singers whose styles are quite different but complementary, soul and hip-hop undertones without the hackneyed quality one often finds in artists that are trying too hard to appeal to too many people. The members of The Milk Blossoms are definitely not trying to appeal to people in that way, but, rather, expressing poignant life moments in an achingly resonant way making their music poetic and heartbreaking yet comforting. Naturally for the occasion of the album release, The Milk Blossoms brought together a few of the best Denver bands to round out the bill. Joseph Lamar isn’t trying to put his music in hip-hop, soul, indie rock, electronic pop boxes but there’s bits of all of that and more in his songwriting. Princess Dewclaw combines synth pop and a seething socially critical punk sensibility that seems elemental in the live setting. With her almost abstract and ethereal vocals and spidery guitar work, Midwife channels the ghost of the soul level pain that lingers in the hearts of most people that have lived life enough to know the regret and melancholy that bring loss into stark focus.

Who: DRUNE, Equine, Tyler Jared Cantrell
When: Thursday, 03.29, 9 p.m.
Where: The Skylark Lounge
Why: This is the second edition of Musical Mayhem at The Skylark for March. DRUNE describes itself as “Denver Desert Doom Metal.” Probably means these guys listened to a lot of Kyuss and/or Queens of the Stone Age, maybe Dopesmoker-era Sleep above the rest of that band’s catalog and Ennio Morricone’s movie soundtrack discography. If their practice space recordings are any indication anyway. Equine is the latest project from Kevin Richards who some may know from his time bringing weird jazz chords into the mix with post-hardcore band Motheater and ambient noise project Epileptinomicon or even his own post-rock-esque solo effort Temples (before some okay psych band made the name famous-ish). At any rate, Equine picks up where Temples left off in experimenting with the structure and format of even experimental guitar based music and adding in electronic elements to create a truly hypnotic and immersive soundscape.

Who: Matt and Kim w/CRUISR and Twinkids
When: Thursday, 03.29, 7 p.m.
Where: The Ogden Theatre
Why: Matt Johnson and Kim Schifino met at the Pratt Institute in Brooklyn and became a couple who were encouraged to take up music by the guys in Japanther. Neither had any real training but plenty of creativity and, it turns out, a knack for writing hook-laden pop songs that were upbeat and positivistic without seeming hokey. As the duo’s songwriting developed, its audience quickly outpaced the capacity of the DIY spaces it played early in its career. Matt and Kim have played many of the big festivals and had experiences most bands would love to have and yet their presentation of the music never seems jaded—it seems as exuberant as it was a decade ago.2018’s Almost Everyday, written while Schifino was recovering from an injury strikes an unusually melancholy note now and then suggesting an acknowledgement of mortality to go along with the shift from the exuberant punk attitude of earlier releases to a focus on the electronic side of the band’s sound. Honestly, a welcome change of pace but even if you’re not a fan of the band’s newer sound it’s not like they’re going to only play from the new record and you can go expecting the hijinks that have made Matt and Kim shows more fun than those of most other bands.

Friday | March 30, 2018

 

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It’s Just Bugs, photo by Tom Murphy

Who: Monocle Band & The Dress Downs
When: Friday, 03.30, 6 p.m. doors, 7 p.m. show
Where: Absolute Vinyl, Boulder
Why: Absolute Vinyl ends its more than 9-year run as an institution that offered friendly service, fair prices on vinyl and a place to see a wide variety of live music from the avant-garde improvisational stylings of Animal / object to folk/Americana acts like Monocle Band and The Dress Downs, the two bands that will likely be the last live acts to be hosted by the store. Advocates for the local tape label showcase and other events focused on local culture, Absolute Vinyl was more than just a record store. Absolute Vinyl closes its doors for good tomorrow, Saturday, March 31 so if you’re so inclined pay it one last visit.

Who: Fathers vinyl release w/SPELLS, It’s Just Bugs, Cheap Perfume
When: Friday, 03.30, 8:30 p.m.
Where: Hi-Dive
Why: At this show you can pick up the vinyl version of the self-titled Fathers album, which came out digitally in October 2017. The group is a bit of an all-star lineup of local heavy music including Oscar Ross and Ryan DeWitt from Lords of Fuzz, Eddie Maestas from Native Daughters and Mhyk Monroe from Cult of the Lost Cause. Fathers is more akin to metallic post-hardcore acts like Converge, Coalesce and Cave-In (whose singer/bassist Caleb Scofield died in a car accident earlier this week). Including the amplified intensity, the clear influence (directly or otherwise) of grindcore and gritty-screamy vocals. Fortunately the group thought to bring in likeminded but sonically quite different bands to round out the bill. SPELLS’ motto is 80% is good enough. But you can’t really tell anyone’s holding back on the energy and performance in the show. Sorta like pop-punk but more refined yet still simple and straight forward. Maybe frontman Ben Roy will do something transgressive but not abusive at the show and it’ll all be worth that beyond Chuck Coffey’s elegant and thoughtful songwriting disguised as dumb-but-fun punk. It’s Just Bugs is the perfect, even inevitable, blend of noise, electro-industrial music and hip-hop. Cheap Perfume writes catchy, fun songs but doesn’t dumb down or dulls its sharp takedown of patriarchal culture to comfort people who think art and politics should be separate.

Who: Strange Goo – KGNU presents An Evening of Perplexing Rhythm: Mux Mool and RUMTUM collaborative set, Ea$$side Lupita, CURTA and Norty
When: Friday, 03.30, 8 p.m.
Where: Fort Greene Bar
Why: For fifth Fridays for the rest of the year, KGNU is presenting An Evening of Perplexing Rhythm, seems to be a showcase for forward thinking hip-hop and electronic music. This edition includes: Mux Mool and RUMTUM doing a set together likely combining their gifts for electronic dance music production and RUMTUM’s use of guitar loops and soundscapes – Ea$$side Lupita, the solo project of the incomparable KoKo La of R A R E B Y R D $ fame and if her production and lushly evocative and emotionally articulate vocals in the latter is any indication, this will be worth paying attention to as well – and CURTA, Denver’s premiere noise rap/experimental hip-hop group who recently released the excellent End of Future Park, a unique and almost surreal take on how the current state of late capitalist economic systems and the pervasiveness of technology in culture is impacting our daily lives in ways we tend not to examine closely enough.

Saturday | March 31, 2018

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Chrome circa 2008, photo by Tom Murphy

Who: Chrome w/EchoBeds and Phallic Meditation
When: Saturday, 03.31, 8 p.m.
Where: Larimer Lounge
Why: Check out our write-up on Chrome and interview with Helios Creed for some reasons to go to this show.

 

What: Raptor Jazz a Ceremony of Life for Colin Ward/Fundraiser feat. Docile Rottweiler, French Kettle Station, UR Presents Acid Rain (live), Sugarsplat 2.0, Shaman Fight Club, AcidBat, Kid Mask, Toucan, visuals by Orchidz3ro and Jak Turbo
When: Saturday, 03.31, 8 p.m.
Where: The Black Box
Why: Colin Ward left an indelible imprint on Denver’s DIY art and music world during his short life before he died at the end of January 2018. This event is a celebration of his life and influence performed by many of those closest to him and a fundraiser for his memorial fund to preserve his art and music going into the future.

Monday | April 2, 2018

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Herse, photo by Tom Murphy

Who: Suppression w/Herse, Berated and Flesh Buzzard
When: Monday, 04.02, 7 p.m.
Where: Mutiny Information Café
Why: Suppression are an early noisegrind band from Virginia. When the band began in Roanoke in 1992 it probably seemed pretty extreme and brutal to most people that weren’t already into grindcore. The beyond-screamed vocals, savage sonic gyrations and doomy soundscaping of its 1993, self-titled debut likely didn’t endear itself to purist grind fans either. But 26 years hence and Suppression, now a two-piece, are considered legends of extreme music even though that means they’re probably playing the same kind of underground, DIY and otherwise unglamourous types of venues they did back near the beginning. That said, it would be so odd and not appropriate to witness this music at a theater or even a big club. Fortunately, Mutiny is a perfect place to catch Suppression as well as like-minded locals like the two-piece Herse whose own brand of grind waxes into the realm of experimental music with its own subverting grindcore tropes of song dynamics and tone.

Tuesday | April 3, 2018

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Pale Waves, photo by Danny North

Who: Pale Waves w/Inheaven
When: Tuesday, 04.03, 7 p.m.
Where: Larimer Lounge
Why: Pale Waves released All The Things I Never Said, its debut EP, in February 2018. While the band began in 2014, it’s obvious from the songwriting that the Manchester, UK-based group took some time incubating as a band before releasing a song much less a small body of work like a four-song EP. The band’s sound and image is an interesting mix of ideas and creative impulses. Overtly the music is modern synth pop but the band looks like they might be giving us a vintage post-punk/Goth sound as lead singer/guitarist Heather Baron-Gracie and drummer Ciara Doran look like they wouldn’t have been out of place in Siouxsie & The Banshees or Switchblade Symphony. Which makes the contrast interesting because the band sets you up to be surprised and not expect a particular style. Sure, an early single, “There’s Honey,” comes off like late-era Cocteau Twins meets Chvrches but later singles like “Heavenly” mix bright vintage dream pop guitar work with melodic hooks reminiscent of Alvvays. Whatever ingredients went into Pale Waves’ music, what it is now is one of the better pop groups to have come across the Atlantic in a few years.

Who: A Deer A Horse w/Quits and Product Lust
When: Tuesday, 04.03, 8:30 p.m.
Where: Hi-Dive
Why: Brooklyn’s A Deer A Horse sounds like a cathartic blend of Carla Bozulich circa Evangelista and early Live Skull. That spooky and intense energy of Bozulich and a willingness to let cutting, noisy guitar find its place in jagged rhythms without being limited by them nor vice versa. All while somehow writing accessible songs with hooks. Also on the bill are Product Lust, the post-punk band that blasts through conventional notions of what that has to sound like. There is the spirit of hardcore in the songwriting and presentation partly because Kat Salvaggio is a confrontational frontwoman but the souunds and rhythms sonically color outside hardcore’s tendency for stark contrasts. Quits could loosely be called noise rock because the members of the band have all been in some of the most interesting groups of that ilk for a couple of decades. Doug Mioducki and Luke Fairchild were both in the sometimes shockingly forceful and unhinged noisy post-hardcore band Sparkles. Mioducki went on to play in art-noise-punk-jazz band Witch Doctor and, more recently, CP-208. Fairchild has been in several noteworthy sludgy, noisy punk/metal bands over the years but maybe you’re familiar with Git Some and Kingdom of Magic. Drummer Darren Kulback and bassist Tiana Bernard were also both in CP-208 but before that they were in noise rock trio Hot White who made some waves in the underground before splitting in 2011. And thus Quits brings together a bit of Denver noise rock history in one band. But is it any good? If its 2017 EP is any indication, that’s affirmative, Captain.

Wednesday | April 4, 2018

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Boy Harsher, photo by Tom Murphy

Who: The Soft Moon w/Boy Harsher and Voight
When: Wednesday, 04.04, 7 p.m.
Where: Larimer Lounge
Why: When The Soft Moon released its 2010 debut album its harsh yet hypnotic industrial post-punk sound didn’t seem connected to much else going on at the time. Unless you were listening to dark noise rockers like Pop. 1280 and Yoga. As stark and as urgent as Suicide, as bass driven with cutting guitar tone reminiscent of A Place to Bury Strangers, The Soft Moon likely also had some roots in Chrome’s blend of mind-altering guitar sound and experiments in electronic soundscaping. On the project’s 2018 record, Criminal, Luis Vasquez has made the dance element stronger while pushing his songwriter in stranger directions and thus escaped a potential trajectory of merely reinventing the sound of his earlier records. Whereas 2012’s Zeros sounded like a transitional record, Criminal sounds like a new chapter in Vasquez’s evolution as an artist. Sharing the bill is Denver’-based industrial post-punk duo Voight who are in the process of transforming their sound in a more electronic direction so you may get to see more than a hint of that for this show. Also, Boy Harsher, originally from Savannah, Georgia, will bring an immersive darkwave dance sound that doesn’t draw easy comparison to much unless you’ve been able to catch New Order or Adult in the last decade. Brilliantly sculpted, driving low end and ghostly vocals that suggest large spaces even when the blanket of fog obscures one’s sense of place at the show. Disorienting yet comforting. Boy Harsher releases Pain II on May 11 but you may be able to pick up a copy at this show.

To Be Continued…