Best Shows in Denver 1/30/20 – 2/5/20

Whipporwill performs at Hi-Dive on January 30. Photo by Glenn Ross

Thursday | January 30

Who: Telefon Tel Aviv w/Steve Hauschildt
When: Thursday, 1.30, 8:30 p.m.
Where: Ophelia’s Electric Soapbox
Why: On Dreams Are Not Enough, Telefon Tel Aviv delves into states of mind and existence as represented by the titles of the song: “I dream of it often,” “Standing at the bottom of the ocean,” “Mouth agape,” “Eyes Glaring” etc. The compositions combine texture and tone in a way processed to convey a sense of space and a journey into the imagination in a way to perhaps suggest that indeed merely having dreams is inadequate to having a life worth living even if we are often guided by them. Like a nod to Langston Hughes’ famous lines about a dream deferred. A dream does not, after all, occupy the same space in the psyche as conscious experiences. Songwriter Joshua Eustis invites on a journey to make these sonic spaces that might have sat in the backburner of his mind manifest. Steven Hauschildt has been crafting exquisite sonic experiences with software and analog synth for years including during his time with experimental electronic pop group Emeralds. As a solo artist his mastery of emotional colorings is impressive and his latest offering is 2019’s Nonlin.

What: Natural Violence Tape Release Show w/Many Blessings, DJ Pop CTRL and Dem Deya Sound System
When: Thursday, 1.30, 8 p.m.
Where: Meadowlark Bar

Friday | January 31

Natalie Tate circa 2017, photo by Tom Murphy

What: Whipporwill w/Natalie Tate
When: Friday, 1.31, 8 p.m.
Where: Hi-Dive
Why: Whipporwill’s 2019 album The Nature of Storms charts a perilous personal journey that could have ended the band as it endured a fraught tour that took it through extreme, inclement weather followed by a period of personal travails that would test anyone’s resolve to continue with something as dubiously rewarding a music often is. But the result is a dynamic set of songs that transcends expectations knowing the group has roots in folk and indie rock as its compositions are imaginative and evocative with an ear not just for melody but deep atmosphere and emotional tenor. Whipporwill doesn’t hit us with an album full of the same, tried and true dynamics, rather, a series of well developed concepts as set pieces and short stories connected by a larger narrative about life and the interconnected significance of our experiences. Natalie Tate is one of Denver’s most interesting and talented songwriters who hasn’t played around town much but her combination of musical chops and a spirit of experimentation and innovation in songcraft has branched in fascinating directions since she emerged in the local music scene several years back.

What: Goon (album release) w/Sunk Cost, Gack and Sweet Kiss
When: Friday, 1.31, 7 p.m.
Where: Seventh Circle Music Collective
Why: Goon’s Natural Evil takes modern hardcore in a much more experimental direction with the use of noise and atmospheric sounds in a way that is both pointed, intense while warping those edges and taking the angular quality of the music and splaying the dynamic in unpredictable and ultimately wilder directions. The record frankly showcases how a merely excellent hardcore band can become one that can influence more than connoisseurs of that style of music as the appeal transcends subgenre.

What: Jacket of Spiders, Swami and Flat Earth
When: Friday, 1.31, 8 p.m.
Where: 3 Kings Tavern
Why: Jacket of Spiders includes former members of Tarmints, Twice Wilted and Cynic’s Bane. The result is surging, swirling guitar rock that is both colossal and ethereal and frankly out of step with a lot of what’s happening in Denver at the moment. Fans of the members’ previous bands as well as Space Team Electra and Bowery Electric should check out what the band is doing.

What: Guangdong Modern Dance Company
When: Friday, 1.30, 7:30 p.m.
Where: Newman Center

What: Lucy Daydream w/XOXFord
When: Friday, 1.31, 8 p.m.
Where: Larimer Lounge

Saturday | February 1

Damn Selene, photo courtesy the artist

What: Damn Selene album release w/R A R E B Y R D $, 3Two and Stoney Bertz
When: Saturday, 2.01, 7 p.m.
Where: Seventh Circle Music Collective
Why: Damn Selene has been one of the most respected hip-hop artists of the Denver underground for a handful of years in the more experimental end of that scene. The artist’s beats are rooted in noise, darkwave and industrial soundscaping paired with emotionally charged vocals taking at aim at society with honesty and a gift for combining storytelling with mythmaking and self-examination. Those qualities manifest brilliantly on the new album Nobody By That Name Lives Here Anymore. Selene’s vibrant synth work and transporting melodies vibe well with those of R A R E B Y R D $ whose blend of radical vulnerability and swagger weaves well with its own entrancing beats informed by a rich palette of sounds drawing from dub, analog synth music, classic hip-hop, noise, ambient music and whatever has caught the trio’s ear at the moment.

What: The Heroine, Tokyo Rodeo and Stone Deaf
When: Saturday, 2.01, 9 p.m.
Where: 3 Kings Tavern
Why: Just when the whole “Southern Rock” thing seems played out, rote and utterly performative, The Heroine from San Antonio is there to play up every trope with a sincerity and conviction that is impossible to mime and has to come from an honest place. The Heroine sounds a bit like a way better and non-wack version of Motley Crue circa Dr. Feelgood and performs its shows like they have something to prove to someone even if only to themselves. Tokyo Rodeo from Denver performs with a similar spirit with its own songs reflecting a fire to live an authentic and vibrant life creating the kind of music that sounds like the people making it really lived and felt deeply and aimed for the catharsis of creative expression that only comes from some form of rock and roll.

What: The Yellnats, The Slack and Short Shorts – Winter Coat Donation Drive
When: Saturday, 2.01, 7:45 p.m.
Where: Mutiny Information Café

Monday | February 3

Mick Jenkins, photo by Sam Schmieg

What: EarthGang w/Mick Jenkins, Wynne and Jurdan Bryant
When: Monday, 2.03, 7 p.m.
Where: Cervantes’ Masterpiece Ballroom
Why: EarthGang’s 2019 album Mirrorland was inspired by the 1978 film The Wiz and the band ran with the surreal quality of the film and infused it into a journey into the modern American cultural and political landscape with the attendant perils, struggles and triumphs. The Atlanta-based duo excels at using the formats of jazz, sampling, rap and soul to craft music that might be called psychedelic in another musical context except it isn’t disorienting, it’s focused on lived experience and creating the world you want to see rather than escapism.

Wednesday | February 5

Claudzilla, photo by Tom Murphy

What: Weird Wednesday: Ruche Mere, Claudzilla, Space Jail
When: Wednesday, 2.05, 9 p.m.
Where: Bowman’s Vinyl and Lounge
Why: Weird Wednesday this month includes performances from series host Claudzilla and her strange synth pop songs and unique covers, Ruche Mère a duo that uses electronic and organic instruments including bells and improvised percussive textural sounds to create what might be described post-industrial/post-civilization found object folk and Space Jail’s IDM-esque, ambient psychedelic folk soundscapes.

Best Shows in Denver 11/22/18 – 11/28/18

Pale Waves performs Monday, November 26, at The Bluebird Theater with Kailee Morgue and The Candescents. Photo by Brian Griffin.

Thursday | November 22, 2018

 

Mac Sabbath, photo by Jeremy Saffer

Who: Mac Sabbath w/Franks & Deans bluebirdtheater.net/events/detail/359843
When: Thursday, 11.22, 8 p.m.
Where: The Bluebird Theater
Why: Mac Sabbath performs Black Sabbath covers, with fast food themed lyrics, in the guise of fast food characters from some chain gone dark. Are they really aliens from another dimension like Bizarro or escaped mental patients? Who can say, really. But when Black Sabbath gives you the nod of approval maybe your weirdo cover band has some legitimacy. The group has two official music videos released since its inception in 2014 and a flexi disc for the “Pair-a-Buns” single and nothing else yet since singer Ronald Osborne has declared a complete denial of the existence of technology after the 70s. Why not record or, even more quaint, an 8-track? We may yet see such releases from the mysterious band. But for now, and for purposes of the sheer spectacle of the thing, Mac Sabbath is best seen live.

Sunday | November 25, 2018

J. Hamilton Isaacs, photo by Tom Murphy

Who: Elvis Costello & The Imposters
When: Sunday, 11.25, 7 p.m.
Where: The Fillmore Auditorium
Why: Elvis Costello is probably too famous for any introduction. What he contributed/contributes to music is a gift for perfectly capturing a mood, a moment, a frame of mind with detail and humanity. This doesn’t always mean he’s writing songs that fit in with what some people might think of as the “appropriate” way to think and feel about the subject of the song. You may even listen to one of his songs and think, to put it charitably,“What a jerk!” But that’s the point. Whether a character created for the song or a bit of an abstraction of his actual thoughts, Costello’s songs are compelling because whether or not you share the sentiments the songs are poetic and believable pulling up just shy of being sentimental even if he does often employ a sense of nostalgia. His character sketches are vivid and resonate with an emotive familiarity. Currently the songwriter is touring with his band The Imposters in support of Costello’s 2018 album Look Now.

Who: Centered: Steve Hauschildt, Reighnbeau and J. Hamilton Isaacs
When: Sunday, 11.25, 7 p.m.
Where: Savoy at Curtis Park
Why: Steve Hauschildt probably became first known to a national audience during his 2006-2013 run with experimental electronic trio Emeralds. The group fused ambient music with pop and the minimalist end of Twentieth Century classical music. As a solo artist, Hauschildt has delved further into exploring the possibilities of minimalism in composition and creating an sound environment with depth and texture. His 2018 album Dissolvi is reminiscent of a Squarepusher record with the beautiful level of tonal detail but after any deep house influence. Not an ambient dance record, per se, but it could be considered one of the best. Reighnbeau from Santa Fe, NM is a band that includes Bryce Hample, Colleen Johnson and Madeleine Johnston. So for the uninitiated, heavy hitters in underground ambient and experimental pop. Its sound tends toward an organic tone while employing plenty of sonic material that could only come from a computer or other electronic device. The group has a layered sound suggesting a complex mixture of emotions. J. Hamilton Isaacs has been a fixture of Denver’s experimental music scene for over a decade whether he is often acknowledged for it or not. His own beat-driven electronic experiments blend together sequencing/sampling and modular synthesis. Always different, always interesting.

Who: Textures: Wonderlust, Chromadrift, Crimson Highways
When: Sunday, 11.25, 7:30 p.m.
Where: Mutiny Information Café
Why: This months’ Textures Ambient Showcase features post-rock/ambient soundscape artist Chromadrift whose Drew Miller also composes soundtrack-y music in a more abstract shoegaze vein as Brother Saturn. Also, Daniel Mescher as Crimson Highways uses loops and electronics to compose impressions and textured emotional colorings to transport you away from the tonight’s cold.

Monday | November 26, 2018

Author & Punisher, photo courtesy Relapse Records

Who: Pale Waves w/Kailee Morgue and The Candescents
When: Monday, 11.26, 7 p.m.
Where: The Bluebird Theater
Why: Manchester, UK band Pale Waves doesn’t overtly flout conventional song structure and what makes for solid pop melodies. But the band’s early material, upbeat in tone and pacing, hit some of the same emotional touchstones as artists like CHVRCHES and Lorde. But Pale Waves look like an updated version of a dark post-punk band from the 80s and many of its songs, particularly on the 2018 full-length debut My Mind Makes Noise., explore themes of loss, existential uncertainty and identity with an assurance and sensitivity one might not expect from a pop band with a strong visual aesthetic. About the title, singer Heather Baron-Gracie told us that it is an acknowledgment of how our minds are filled with ideas and emotions and it can sometimes be overwhelming but that we can, to some extent, also choose which noises we amplify and feed. In providing interesting contrasts that challenge assumptions (Goth-ish-presenting band making emotionally rich pop songs, pop songs with deeply melancholic themes), Pale Waves demonstrates to people who care to pay attention that one needn’t adhere to narrow expectations in music or in one’s own life.

Who: Echo & The Bunnymen w/Enation
When: Monday, 11.26, 7 p.m.
Where: The Paramount Theatre
Why: Echo & The Bunnymen didn’t just write that song in Donnie Darko, what was it, “The Killing Moon”? Or for an earlier generation, didn’t just do that Doors cover for the soundtrack to The Lost Boys. “People Are Strange,” though. At any rate, Echo & The Bunnymen for post-punk connoisseurs was one of the most consistently interesting bands of the 80s because until it’s 1987 self-titled album, the one that broke the band to the mainstream, of course, with the hit “Lips Like Sugar,” the group had had a string of fascinating, critically acclaimed records. There was an elegance of sentiment, a poetic sensibility and a deeply imaginative quality to the band’s music. Like it was tapping into the unconscious and creating its own mythology cast in dreamlike detail—shrouded in indigo lights and fog, early morning sunlight and mist. The first four Echo & The Bunnymen records are post-punk canon and for the rest of its career there’s been plenty of strong material, even on 1990’s fan-reviled, Ian McCulloch-less album Reverberation. McCulloch remains an enigmatic, romantic weirdo mystic of rock and roll which some my find confounding at times but, really, don’t we all need someone out there maintaining their own mythology in that way that is not harmful but gives hope to anyone who dared to dream of a more interesting world and had the guts to see making it a reality as an iconic band.

Who: The Body, Author & Punisher and Many Blessings
When: Monday, 11.26, 7 p.m.
Where: Larimer Lounge
Why: Two of the best bands that don’t fit too well into the world of metal or heavy music but don’t really fit into any other realm of music either except for maybe noise are sharing the stage tonight. And with Denver’s Many Blessings, a solo noise project of Primitive Man’s Ethan McCarthy. The Body from Providence, Rhode Island have long blurred any lines between doom, grindcore, hardcore, noise, industrial, electronic pop and ambient music. Just depends on the album. The group has been fairly prolific across its 19 years of existence but perhaps none more so than 2018 when the band produced a split industrial group Uniform as Mental Wounds Not Healing, an early 2018 record I Have Fought Against It, But I Can’t Any Longer (a grinding dirge that never seems to get boring) and the fall release O God who avenges, shine forth. Rise up, Judge of the Earth; pay back to the proud what they deserve. Live, the band unleashes intense energy while keeping it weird. No mean feat and The Body does so brilliantly. Author & Punisher is a one-man industrial band. Tristan Shone is an artist and a mechanical engineer who builds his unique instrumentation. One his early tours he definitely played DIY spaces in Denver but has made a bit of a name for himself outside noisenikdom and recognized for his innovative methods of composition. His latest album, 2018’s Beastland out on Relapse Records, is simultaneously possibly his most accessible and challenging record to date. As a frame of reference, imagine a late 80s Ministry and late 90s Neurosis collaboration album.

Tuesday | November 27, 2018

Street Sects, photo courtesy the artist

Who: Street Sects w/Ten Foot Beast
When: Tuesday, 11.27, 8 p.m.
Where: Streets of London
Why: Street Sects fills the room with fog in order to disorient you already before its barrage of sounds, lights, rhythm and, on occasion, a bladeless chainsaw brought forth to make for a performance designed to take you out of your comfort zone. Is it noise? Industrial? Inspired by confrontational punk? Perhaps specifically by tales of Alan Vega swinging that bike chain at early Suicide shows in New York? Who can say. What is certain is that while its live shows are not short on visceral thrills, its records stand on their own as well. Its latest record, 2018’s The Kicking Mule is like a futuristic industrial noir with darkly amusing and hardboiled titles like “269 Soulmates,” “Suicide By Cop,” “Dial Down the Neon” and “Still Between Lovers.”

Who: Sharone (“I Love You, Goodbye” single release) w/Melody In Heart, Blake George, Sean Hennigan
When: Tuesday, 11.27, 7:30 p.m.
Where: Seventh Circle Music Collective
Why: Sharone Borik debuted as a talented singer-songwriter before launching her dark, hard rock band Sharone & The Wind in 2016. For this night, Borik is releasing her new solo single “I Love You, Goodbye.” Given Borik’s gift for songwriting and performing with a theatrical flair it should be interesting to see how she presents her solo work this time around.

Who: Glenn Jones and Janet Feder
When: Tuesday, 11.27, 7 p.m.
Where: Baur’s
Why: Two of guitar’s avant-garde greats on one bill. Glenn Jones has been a member of experimental rock band Cul de Sac since 1990 but he was also a collaborator and friend of John Fahey and he has written a film score for Roger Corman. His solo work is often very much in the folk vein but more elaborate and imaginative than too much of what passes as folk these days. Janet Feder was born in Boulder, raised in Denver, and has been pushing the guitar envelope in a variety of ways with form and composition for decades now. While her work might rightfully fall under the umbrellas of prog, the avant-garde, experimental folk and modern classical music, her actual songwriting is fairly organic and highly imaginative. This is a rare chance to see both artists on the same bill.

Wednesday | November 28, 2018

Cult Leader, photo by Bobby Cochran

Who: Blockhead w/Yppah, Arms and Sleepers, Mikey Thunder and Jordan Polvina
When: Wednesday, 11.28, 8 p.m.
Where: Cervantes’ Other Side
Why: Tony Simon has been making some of the most interesting and transporting beats in hip-hop for nearly 20 years including his collaborations with Aesop Rock, Ilogic and Murs. His solo releases on the respected Ninja Tune imprint paint a tapestry of New York daydreams of the Big Apple of myth and journeys far beyond to places exotic to a city dweller. His compositions, part immersed in classic sampling tradition of taking bits of jazz and funk records and recontextualizing them, part weaving in experimental electronic music—his own and those possibly borrowed., are immediately captivating and mostly on the downtempo vibe. Live the music can be a bit like the DJ on a laptop sort of affair but on the sound system at Cervantes’ it’ll have a full sound.

Who: Cult Leader, God Mother, Call of the Void and Kenaima
When: Wednesday, 11.28, 8 p.m.
Where: Lost Lake
Why: Salt Lake City’s sludge-grind band Cult Leader recently released its second album A Patient Man. While some of the material is what you might expect of a highly energized band out of its expected realm of music, the group took some hauntingly introspective turns on the record including the track “To: Achlys,” which sounds more like a dire, metallic, brooding post-punk song akin to a late 80s Swans song with a visually stunning music video depicting a man seeking solace in the arms of a stylized figure that resembles a Kali-esque death goddess. The group has been making waves lately and in December is taking Denver-based organo-industrial legends Echo Beds on a short tour. On the bill for this night is the great Denver death-grind outfit Call of the Void and adrenalized mathrcore band Kenaima.

Who: Screwtape EP release w/Noogy, World Movement, Dox and HYFY
When: Wednesday, 11.28, 6 p.m.
Where: The Oriental Theater
Why: Screwtape, one of Denver’s greatest political hardcore bands, is finally releasing its second EP and celebrating the occasion at this show at The Oriental Theater with some of its like-minded peers. By hardcore don’t take that to mean a young band imitating some earlier era of the music but taking those roots as inspiration for making something vital and of the now.