The Brush Contemplates the Impermanence of All Things With the Delicately Melancholic “Squeeze & Turn”

The Brush “Squeeze & Turn” cover, image by Laura Moreau

Aaron Alan Mitchell, the singer, guitarist, keyboardist of The Brush, filmed and directed the video for his single “Squeeze & Turn.” It shows fireworks bursting in the foreground across the faces of statuary figures, many of them Roman emperors, to enhance the song’s message of contemplating the impermanence of all things. Fireworks are not lacking in their visual glory and power for being so fleeting in duration and in the grand timeline of history people come and go and make their mark but in the living it you don’t, can’t and shouldn’t think of it as meaningless and ephemeral and thus insignificant. And yet the resigned tone of the song and its contemplative pace with Mitchell’s vocals shifting seemingly effortlessly from soft introspection to emotive falsetto and back indicates not an abstraction of one’s place in the universe but the realization that even an Augustus or Mansa Musa mean little to the everyday lives of people today. With all the dramatic political and economic turmoil of the past few years and more it’s easy to lose sight of the fact that even though we can only live in the moment we do not have to give more weight to particular events than they warrant. Mitchell brought together a bit of an all star cast to record the track with Eli Thompson on bass (Father John Misty), Joey McClellan on guitar (Midlake, Elle King) and McKenzie Smith on drums (Midlake, St. Vincent). Watch the video for “Squeeze & Turn” on YouTube and connect with The Brush at the links provided.

open.spotify.com/artist/0MKQ1osU4JaFgkKHn5BrQN
soundcloud.com/user-360310038
youtube.com/channel/UCBYyfeCiZ-9kFyQfLmtJ-Tg?app=desktop
instagram.com/thebrushmusic

Best Shows in Denver 10/10/19 – 10/16/19

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Sleater-Kinney performs Sunday 10/13 at The Ogden Theatre. Photo by Nikko LaMere

Thursday | October 10

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Joshua Trinidad, photo by Tom Murphy

What: The Comet is Coming w/Joshua Trinidad
When: Thursday, 10.10, 7 p.m.
Where: Globe Hall
Why: The Comet is Coming is a London-based trio whose synthesis of jazz, Afrobeat and electronic music is true improvisational kosmische for the modern era. Its two 2019 albums Trust In the Lifeforce of the Deep Mystery and The Afterlife take you on a journey to the outer edges of inner space with soundscapes that wouldn’t be out of place on the long running NPR ambient program Hearts of Space or in a musical realm of the 1970s where Tangerine Dream, Fela Kuti and Gong played the same circuit and mutually influenced each other. So who from Denver could open for this outfit? Only one name really comes to mind and that’s jazz scientist improviser supreme, Joshua Trinidad and his own daring displays of mind-altering sonic experimentalism within an expanded realm of jazz.

What: Cécile McLorin Savant
When: Thursday, 10.10, 6:30-10 p.m.
Where: Dazzle
Why: Cécile McLorin Savant brings major late night vibes to this other great jazz show in Denver tonight. She takes feelings and stretches them out into a form more easily comprehended than the sometimes gnarled shapes they can take in our hearts. She gives them an air of elegance and soulful comprehension they deserve and interprets them back in her soaring, sonorous voice.

What: Vic N’ The Narwhals w/Claire Morales, Easy Lovin’, The Rewind and 21 Taras
When: Thursday, 10.10, 7 p.m.
Where: Hi-Dive

Friday | October 11

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Adia Victoria, photo courtesy the artist

What: Tank & The Bangas w/Adia Victoria
When: Friday, 10.11, 7 p.m.
Where: Gothic Theatre
Why: Adia Victoria’s 2016 album Beyond the Bloodhounds introduced the world to the songwriter’s brooding, expressive, bluesy songwriting. Her 2019 album Silences finds Victoria expanding her sound, now operating in a realm somewhere between Rubblebucket’s soulful pop and Nick Cave’s smoldering intensity. Tank and The Bangas’ hybrid of hip-hop, jazz and R&B is deeply eclectic, lively, layered and uplifting in a way that feels sincere and wholesome without being hokey or self-righteous.

What: Cadaver Dog Japan tour kickoff w/Nekrofilth, Videodrome, Chair of Torture and Pontius Pilate
When: Friday, 10.11, 7 p.m.
Where: Seventh Circle Music Collective

What: ’68 w/The Inspector Cluzo, The Messenger Birds, Plastic Daggers
When: Friday, 10.11, 7 p.m.
Where: Hi-Dive

What: Gun Street Ghost, Ryann Lee, George Cessna
When: Friday, 10.11, 7 p.m.
Where: 3 Kings Tavern

Saturday | October 12

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Muscle Beach, photo by Tom Murphy

What: Muscle Beach w/Palehorse/Palerider, Church Fire and Simulators
When: Saturday, 10.12, 8 p.m.
Where: Hi-Dive
Why: It’s been a few years since the release of Muscle Beach’s self-titled album. But that time has seemingly been spent honing its sharp edges and wiry and explosive dynamics. Now we have Charms, the new full-length being released at this show. Each track has the irreverently humorous and surreal titles you’d hope a band that sounds like a barely controlled psychotic break with every track would have to let you know that this music is an outlet for the kind of frustration and outrage that is part of everyday life these days. “Ballistic Medicine,” “Rage Charles,” “Swim Team Six,” “When Horns Grow Teeth”? Crazy stuff and the sort of precise yet unhinged post-hardcore that is easy to get wrong. The band’s shows are supercharged and dynamic minus any of the machismo the genre can indulge in too often. But Muscle Beach has never fit neatly into a genre and in its clashing crashing sound there is mood and moments of introspection spliced together with angst blown out into shards of pure catharsis. And the bill is fortunately not a lot of music like that. Palehorse/Palerider is like a doom band gone into some pagan tribal version of industrial space rock. Church Fire is purging ritual, politically incendiary, darkwave dance pop. Simulators is thorny, angular, ebullient post-punk. Easily the local line-up of the week to catch a nice representative slice of Denver underground.

What: Cherubs w/Moon Pussy and Quits
When: Saturday, 10.12, 8 p.m.
Where: Moe’s Original BBQ
Why: Cherubs formed in 1991 in Austin, Texas and were plugged into the milieu of noisy, weirdo post-punk that one might have associated with the Amphetamine Reptile record label. Except that Cherubs were signed to Trance Syndicate, the label owned by Butthole Surfers’ drummer King Coffey. Think something like Jesus Lizard, Unsane and a doomier Failure. The band broke up in 1994 but came back together twenty years later and have been back to making heavy psychedelic music not much like anything else that overtly claims to mix either. Its new record, 2019’s Immaculada High, is a colossal slab of disorienting riffs and surreal imagery. Opening are two of Denver’s own finest noise rock outfits. Moon Pussy is a trio who improbably combine fluid dynamics with sharp edged soundscaping and emotionally exorcistic vocals. Quits includes current and former members of Denver noise rock legends Git Some, Hot White and Sparkles.

What: Stiff Little Fingers w/The Avengers
When: Saturday, 10.12, 7 p.m.
Where: Gothic Theatre
Why: Stiff Little Fingers from Belfast, Ireland and The Avengers from San Francisco, USA formed the same year, 1977. The Avengers even opened for the Sex Pistols at their final show at Winterland in 1978. Both bands had significant releases in 1979 and Stiff Little Fingers’ Inflammable Material took the subject of the “Troubles” in Northern Ireland at the time as a through line for the songs and their stark depiction of life in their hometown and the violence and political oppression then hitting hard. The Avengers’ self-titled EP minced no words on critiquing American culture and racism. Seems the subject matter of their songs are all too relevant again so this tour together is timely.

What: Zizia, Ryan Mcryhew and Ryan Seward
When: Saturday, 10.12, 7:30-10 p.m.
Where: Glitter City Nights
Why: Zizia is Amber Wolfe and Jarrod Fowler who perform a kind of environmental audio experience. Like ambient but it brings in field recordings that bring a sense of place with more traditional instruments and sound-making objects for a unique listening experience. Ryan Mcryhew has performed as Entrancer making forward thinking electronic dance music with modular synths and he is currently expanding his methods to explore the possibilities of those methods in expressing ideas and concepts beyond the purely artistic. Ryan Seward is an avant-garde, improvisational percussionist who for this show will perform Michael Pisaro’s 2011 composition, “A drum acted upon by friction, gravity and electricity.”

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Starcrawler, photo by Autumn de Wilde

What: Starcrawler w/Poppy Jean Crawford and Pink Fuzz
When: Saturday, 10.12, 8 p.m.
Where: Lost Lake
Why: On the Starcrawler’s latest album Devour You, the band’s fetchingly fuzzy punk reaches new heights as the group expands its song dynamics and refining its fiery delivery and mixture of distorted and clean sounds across the board. The crashing atonality the group is willing to entertain in the new batch of songs delivers on the promise of its earlier efforts as it moves beyond the sort of sludgy post-grunge doom pop that rightfully garnered it attention as a band to watch with a charismatic frontwoman in Arrow de Wilde.

What: Tank & The Bangas w/Adia Victoria
When: Saturday, 10.12, 7 p.m.
Where: Fox Theatre

What: Digable Planets w/5ve and GaDJet
When: Saturday, 10.12, 8:30 p.m.
Where: Ophelia’s Electric Soapbox

What: The Heroine, Tokyo Rodeo, Lost Relics and Stone Deaf
When: Saturday, 10.12, 8 p.m.
Where: 3 Kings Tavern

What: Heavy Shit at Streets: Messiahvore, Never Kenezzard, Sounds Like Words, Audio Dream Sister
When: Saturday, 10.12, 8 p.m.
Where: Streets Denver

Sunday | October 13

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Ron Pope, photo by Nicole Mago

What: Sleater-Kinney w/Joseph Keckler
When: Sunday, 10.13, 7 p.m.
Where: Lost Lake
Why: In the mid-90s Sleater-Kinney brought some raw emotional power and intellect to its wiry post-punk and spent the next twenty plus years or so refining that vision and making poignant and inspiring social commentary about what you can aspire to and achieve as a woman in a culture hostile to your dreams. The trio touring for the first time without long time drummer Janet Weiss, and with new drummer Angie Boylan, is taking the music of it’s latest album, the St. Vincent produced The Center Won’t Hold.

What: Ron Pope
When: Sunday, 10.13, 6 p.m.
Where: eTown Hall
Why: Ron Pope is a prolific songwriter from Marietta, Georgia who now calls Nashville home. In a city with numerous singer-songwriters, Pope has stood out with his keen ear for hearing and articulating the thoughts and feelings of the most lonesome times in your life when you’re in your own head sorting through and processing the feelings you don’t often get to when you’re meeting the demand on your psyche of everyday life. His introspective lens and ability to communicate that interiority in a relatable way can be heard across his catalog of spare yet evocative songwriting.

What: Preening, Horse Girl, Harms, Fragrant Mummery
When: Sunday, 10.13, 9 p.m.
Where: Rhinoceropolis

What: Jeremy Porter and the Tucos, The Born Readies, Television Generation
When: Sunday, 10.13, 9 p.m.
Where: 3 Kings Tavern

Tuesday | October 15

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Chameleons Vox circa 2017, photo by Tom Murphy

What: Chameleons Vox and Theatre of Hate and Jay Aston
When: Tuesday, 10.15, 7 p.m.
Where: Herman’s Hideaway
Why: Chameleons Vox is Mark Burgess, iconic vocalist of Manchester-based post-punk band The Chameleons (in the USA often as The Chameleons UK) who started up in 1981 and whose deeply atmospheric and emotionally raw songs were a major influence on most of the shoegaze bands of the late 80s and beyond with echoes of influence reverberating throughout the post-punk revival of the 1990s and early 2000s to the darkwave of the past decade. Socially critical and thought-provoking, The Chameleons’ body of work had plenty of style but as a kind of compelling delivery system for psychically nourishing content.

What: The Rifle, Pure Weed, Jess Parsons and Bellhoss
When: Tuesday, 10.15, 9 p.m.
Where: Rhinoceropolis

What: Too Many Zooz w/Thumpasaurus
When: Tuesday, 10.15, 7 p.m.
Where: The Bluebird Theater

Wednesday | October 16

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Nashville Pussy circa 2011, photo by Tom Murphy

What: Big K.R.I.T. W/Rapsody and Domani Harris
When: Wednesday, 10.16, 7 p.m.
Where: Cervantes’ Masterpiece Ballroom

What: Nashville Pussy w/Wild Call and Last Rhino
When: Wednesday, 10.16, 7 p.m.
Where: Lost Lake

 

Best Shows in Denver 08.23.18 – 08.29.18

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Boss 302 performs at The Oriental Theater on Friday, August 24, 2018 with Landgrabbers and The Vanilla Milkshakes

Thursday | August 23, 2018

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Esmé Patterson circa 2017, photo by Tom Murphy

Who: Adam Faucett, Esmé Patterson, Bellhoss
When: Thursday, 08.23, 9 p.m.
Where: Syntax Physic Opera
Why: Arkansas-based folk/Americana artist Adam Faucett performs in Denver ahead of the August 24 release of his new record It Took The Shape of a Bird. Faucett’s creative use of vocal tones and dynamics along with his poetic imagery gives his music real character. The same could be said of Esmé Patterson whose creativity in storytelling and richness of emotional colorings in her songwriting makes her noteworthy artist in a realm of music that can sometimes seem same-y. Becky Hostetler’s Bellhoss is also a great fit for this bill since her own spare songwriting provides the skeleton of mood and atmospherics in a way that brings your imagination to bear to fill in the spaces.

Who: short[circuit]circus #1: Structures Beavers Make (ATX noise-ish), Mahou Odd Genie & Norm L. Princess, Housekeys, Rose Alley
When: Thursday, 08.23, 7:30 p.m.
Where: Seventh Circle Music Collective
Why: This is the beginning of what will hopefully be a series focused on more experimental music. Structures Beavers Make is an act based out of Atlanta, Georgia that doesn’t limit itself to just lo-fi moody guitar and voice over subtle, ambient beats, as the artist says (jokes) on her Bandcamp page that she might do bad Avenged Sevenfold covers. We can only hope. Mahou Odd Genie & Norm L. Princess fortunately also doesn’t fit comfortably in a single, discernible genre somewhere betwixt ambient, experimental electronic dance and samples manipulation. Housekeys is Tiffiny Costello’s ghostly guitar and vocals ambient project. The most obvious comparisons are Grouper and Juliana Barwick or the less noisy period of Flying Saucer Attack. Rose Alley is a “drag noise poet” in that it’s kind of a trippy spoken word performance with environmental sounds to enhance the words.

Friday | August 24, 2018

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Lady of Sorrows, photo by Tom Murphy

Who: Boss 302 w/The Landgrabbers and The Vanilla Milkshakes
When: Friday, 08.24, 7 p.m.
Where: The Oriental Theater
Why: Boss 302 started in the early days of 1993 on the cusp of the breakup of the band that inspired its existence: The Fluid. However, Boss 302 spent several years establishing its own reputation as a fun, rowdy garage punk band with a charismatic frontman in Rich Groskopf and a solid band that wrote songs good for a party in the classic sense rather than the self-parody of party rock in more recent years. Boss 302 had a handful of releases including 1997’s Whatever Happened To Fun, which included its only recordings with Matt Bischoff of The Fluid on bass. The group split in 1999 and reunited in 2008 around the same time The Fluid came unexpectedly out of retirement for a time to play Sub Pop’s 20 year anniversary show as well as a string of other performances, a reminder that it was and still was one of post-punk’s greatest bands. Ten years hence Boss 302 reunited once again in July 2018 for the Mile High Parley with a spirited performance at Gary Lee’s. Even if you’re not familiar with the band’s music, you’ll get to have some laughs and see one of Denver’s best punk bands of the 90s. Also on the bill are country punk band Landgrabbers and post-grunge pop outsider punk band Vanilla Milkshakes.

Who: Lady of Sorrows, Church Fire and Mirror Fears
When: Friday, 08.24, 7 p.m.
Where: Mercury Café
Why: Lady of Sorrows is the downtempo, brooding R&B solo project of Lady Justice of industrial/darkwave band Angel War. Church Fire is a band that should be everyone’s radar in Denver at this point but in case not the emotionally charged, noise-infused dance-darkwave band never disappoints with its cathartic live show. Mirror Fears too is in a similar vein but with a more ethereal vocal style and presence whose emotional power washes through you, cleansing the psychic detritus that seems to be stuck in everyone with a heart these days.

Saturday | August 25, 2018

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ohGr circa 2011, photo by Tom Murphy

Who: Archipelaghost at final Alligator Party
When: Saturday, 08.25, 9 p.m.
Where: Bowman’s Vinyl and Lounge
Why: Archipelaghost, an electronic/psychedelic rock band extraordinaire, is moving away as is Marie Litton of Pretty Mouth who will also DJ this show. Maybe they’ll be back through on a tour but for now this is your last if not only chance to catch them before they’ve relocated.

Who: Lead Into Gold, ohGr and Omniflux
When: Saturday, 08.25, 7 p.m.
Where: The Oriental Theater
Why: Paul Barker was the iconic bassist and co-producer of Seattle post-punk legends the Blackouts as well as EBM/industrial rock band Ministry during its most popular and productive era. Lead Into Gold was a side project Barker put together in the late 80s/early 90s. The project was basically put on the shelf until 2015 when Low & Slow was released, making available some tracks originally recorded in 1990. With 2017 performances including that at Chicago’s Cold Waves festival, Lead Into Gold became an active band again with a new album titled The Sun Behind the Sun appearing in 2018.

ohGr is the band formed by Nivek Ogre and Mark Walk of Skinny Puppy. Its music is not as dark or as heavy as Skinny Puppy can be, rather more a focus on the playful side of both musicians. Devils in My Details showcased a noisier side of ohGr and a more sound design approach to composing the music, a method Walk and Ogre also applied more to the then subsequent Skinny Puppy album 2011’s HanDover. As per Ogre’s performances with Skinny Puppy, from the early tours for ohGr in 2001 to now his stage appearance is theatrical and dramatic reflecting the flavor of the music. So for the 2018 album Tricks we can probably expect some heavy emphasis on animal imagery for the stage set and Ogre’s costuming.

Sunday | August 26, 2018

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Modern Leisure, photo courtesy Modern Leisure

What: Textures: Pythian Whispers, Finnocitta and lib.eriana
When: Sunday, 08.26, 7 p.m.
Where: Mutiny Information Café
Why: This is the latest edition of Textures the ambient showcase hosted by Wesley Davis of biostatic and his Symbolic Insight imprint. Included on this bill is experimental electronic/ambient duo Pythian Whispers and lib.eriana, the acoustic and production project of Alan Muñiz, former member of avant-garde jazz band Malamadre. Drone, loops and beats artist Finnocitta from Gainesville, Florida will also make an appearance.

Who: Straight White Teeth, Modern Leisure, Briffaut and Whole Milk
When: Sunday, 08.26, 7 p.m.
Where: Lost Lake
Why: Patrick McGuire was a member of one of the more promising Denver pop bands Flashbulb Fires before he moved away to Philadelphia in 2015. After sustaining a severe injury that damaged his right arm putting any notion of every playing guitar and piano again in jeopardy. Two surgeries later and McGuire had full use of his arm back only for, according to the Straight White Teeth bio on its bandcamp page for the track “Lifetime,” McGuire and his girlfriend/former bandmate Ella Trujillo had to leave their home due to violence in the neighborhood. Now rootless with no permanent residence McGuire and Small White Teeth has managed to tour with McGuire as a solo act with tracks and what bandmates he can pull together for a show or performance. For the past year, McGuire has been recording and releasing singles rather than a full-length album all at once, a gesture that may give potential bandmates in any given city he may play a frame of reference. That this show will include the great Colorado indie pop bands Modern Leisure and Briffaut, from Denver and Colorado Springs respectively, suggests that maybe someone in either band could join McGuire for this performance.

Monday | August 27, 2018

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David Byrne and band, photo by Donna Lewis

Who: David Byrne
When: Monday, 08.27, 6:30 p.m.
Where: Red Rocks
Why: David Byrne is rightfully known for his idiosyncratic and visionary music art and performances going back to his days with punk/pop band Talking Heads in the 70s and 80s. His solo material as well as his various collaborative albums including those with Brian Eno (in particular the 1981 non-western ambient/electronic drone/samples masterpiece My Life In The Bush of Ghosts) and St. Vincent (for 2012’s Love This Giant) have been products of a unique imagination and curiosity that illuminate American culture and the human condition in ways that are both eccentric and relatable. Byrne’s body of work is proof that he’s not been one to fully rest on his laurels. This includes his 2018 album, American Utopia, which has been hailed as a return to form by critics. In some senses that is the case with Byrne’s inimitable songwriting style incorporating traditional instruments used in both traditional and decidedly unconventional ways alongside production methods as compositional tools, both giving his deceptively simple songs a sonic and emotional depth to enhance the experience of listening both in the recorded and life form. American Utopia is also a component of the multimedia project Reasons to Be Cheerful which aims to give people a reason to have some joy and hope in a time of seemingly unremitting bleakness and destructive political impulses with their inevitable consequences for the planet including human civilization.

For this tour Byrne is bringing a sprawling lineup to manifest the music of American Utopia as well as material from across his long career. People who purchase a ticket for this current run of shows can also redeem a coupon for a free CD copy of the album with details on the ticket. But the real treat is to see a master of the artform of pop in full bloom well into an already lengthy career.

Tuesday | August 28, 2018

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Equine, photo by Tom Murphy

Who: David Byrne
When: Tuesday, 08.28, 6:30 p.m.
Where: Red Rocks
Why: For David Byrne see above for Monday, 8.27.

Who: The Binary Marketing Show, New Standards Men, Equine and Sporehive
When: Tuesday, 08.28, 8 p.m.
Where: Thought//Forms Gallery
Why: The Binary Marketing Show is from somewhere in the Pacific Northwest. Its layers of drones, simple percussion, minimalist guitar, lo-fi production and spare vocals have an intimate, warm quality that is reminiscent of bedroom recordists and the more imaginative indie pop weirdos of the 2000s like Microphones, Dntel and Casiotone For the Painfully Alone. Going out on a limb maybe you’ll hear a hint of cLOUDDEAD in the way the controlled distorted instrumentals vibe with the understated vocals. Also on this bill are Denver drone guitar experimentalists New Standards Men and Equine as well as avant-instrumental improvisational band Sporehive.

Wednesday | August 29, 2018

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Cop Circles circa 2014, photo by Tom Murphy

Who: Cop Circles, Staggered Hooks, Techno Allah, Goo Age
When: Wednesday, 08.29, 9 p.m.
Where: The Meadowlark Bar
Why: Cop Circles is an artist that subverts the tropes of No Wave jazz, indie pop and Afrobeat to make the kind of catchy songs that are fun and danceable on their own but which are often sharp and thoughtful critiques of culture and the way social policies and economic models erode human dignity and our collective quality of life in ways that aren’t obvious unless you take the time to pay attention. Cop Circles music has a way of helping to clarify your way of thinking about these things without hitting you over the head with didactic platitudes. Staggered Hooks is Dean Inman of Dream Hike’s more industrial and ambient project and this may be the last time you get to witness Inman’s gift for sound design live before he moves out of Denver. Techno Allah is sort of a glitchy IDM dance artist. Goo Age makes environmental soundscapes populated by the sonic, abstract equivalents of ambient creatures in 16 bit video games. Not the kind you can or have to overcome, they’re just there to give the scene some character and Goo Age’s IDM-esque beats some serious flavor. Think a way more playful early-yet-updated Future Sound of London circa Lifeforms.

Best Shows in Denver 01/11/18 – 01/17/18

 

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St. Vincent at Bluebird Theater, February 13, 2010. Photo by Tom Murphy

Thursday | January 11, 2018

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Rachael Pollard, Bonnie Weimer on left, Johnny Sherry behind. Photo by Tom Murphy, May 2008

Who: Erica Brown w/The Movers & Shakers 
When: Thursday, 01.11, 2 shows doors 5 p.m. and 7:30 p.m.
Where: Dazzle
Why: Powerhouse blues singer Erica Brown has been a staple of Denver music for decades at this point. Sure, she has shared the stage with numerous noteworthy blues and R&B musicians including Al Green, B.B. King and the like and that’s cool. But more importantly, Brown’s powerful voice has been present not just in her own bands and solo efforts but also in Denver music in general. She has done vocals for Dan Treanor’s Afrosippi Band and weird funk group Cherry Bomb Club (which later meant joining Warlock Pinchers on stage for their 2010 reunion shows). She has contributed to albums from Slim Cessna’s Auto Club and Xiren. Erica Brown is a multifaceted talent who has done things on her own terms and established a reputation for excellence that is all but unique in Denver.

Who: Infernal Coil, Inoculated Life, Augur and Heathen Burial
When: Thursday, 01.11, 7:30 p.m.
Where: Mutiny Information Café
Why: Could be described as the industrial grind show since it involves Boise, Idaho’s Infernal Coil, Colorado’s own Heathen Burial, the hanging buzzsaw atmospherics of Denver’s Inoculated Life and the ritualistic vibe of black metal band Augur from Denver as well. It’ll be at Mutiny so it’ll be intimate in the back area for such a show with such abrasively gloomy music. Perfect.

Who: Musical Mayhem: Bonnie Weimer, FULL BLEED, Lepidoptera
When: Thursday, 01.11, 9 p.m.
Where: Skylark Lounge
Why: It’s Musical Mayhem, the monthly (or is it bi-monthly?) showcase hosted by Claudia Woodman and simulcast by Hypnotic Turtle Radio. You never quite know what you’re going to get except that it’ll be a little different, as it were, and worthwhile. Full Bleed says “Droney psychedelic stoner metal shoegaze instrumental improv RöCK from Denver.” Lepidoptera is meditative guitar, field recording and keyboard-y soundscapes. Bonnie Weimer, though, has been in various projects in Denver over the years including her solo project. “Banjo Bonnie” may play some traditional banjo stuff in her set but mostly its originals that take a familiar sound in unfamiliar directions.

Friday | January 12, 2018

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I’m A Boy, photo by Tom Murphy

Who: Ice Troll, New Standards Men, Paperbark, Venereal Crush and visuals by Orchidz3ro
When: Friday, 01.12, 7 p.m.
Where: Mutiny Information Café
Why: Ice Troll is a sprawling psychedelic, doom prog band. Paperbark uses modular synths to create deeply textured ambient drones. Venereal Crush from Dubuque, Iowa is probably well within the realm of noise but its compositions feel like ambient music or composed sound environments using organic/live instruments alongside incredibly minimal synths. Is New Standards Men post-rock? Maybe so but it is also reminiscent of a doomier, more melodic Laddio Bolocko or Dazzling Killmen. Fortunately bands like this and some others playing venues up and down South Broadway are helping to keep the neighborhood a little weird in the face of Nü Denver tourist culture.

Who: Deer Creek w/Still Valley, Piojos and Drune
When: Friday, 01.12, 7 p.m.
Where: Moon Room at Summit Music Hall
Why: The doom/sludge rock thing kinda died off in Colorado around a decade ago but mutated and turned into something maybe even better. Deer Creek has its roots back to the older sludge scene and remains one of the heaviest bands in Denver. Piojos includes former members of various heavy acts from Denver and Pueblo including Black Lamb. But pedigree aside, the sharply irreverent humor of Piojos can be heard all over its excellent 2016 album Fuck Everyone in Pueblo. Need it be mentioned they’re based in Pueblo and some people didn’t get the humor? Still Valley from Colorado Springs is classic sludge doom in the vein of Sleep, Acid Bath and Grief.

Who: Surrender Signal, Laurium and Old Sport
When: Friday, 01.12, 9 p.m.
Where: BarFly (Alamo Drafthouse, West 4255 W. Colfax location)
Why: Surrender Signal’s gritty melodies and fluid dynamics are reminiscent of Lungfish and East Coast post-punk/post-hardcore bands of the early 90s. Maybe a little Jawbox, Slint and Quicksand are in there too. Old Sport blurs the line between post-hardcore and melodic math rock and doesn’t skimp on the raw energy and passion in its performance.

Who: I’m A Boy, Grammar School and Teacup Gorilla facebook.com/events/136041710495512
When: Friday, 01.12, 9 p.m.
Where: Lion’s Lair
Why: I’m A Boy is one of the few straight ahead rock and roll bands that doesn’t seem like it’s trying too hard to tap into the realm of classic rock. That’s because singer/guitarist Jimmi Nasi is a gifted songwriter in his own right who has a knack for knowing when a song works rather than lean on someone else’s music as a prop. Bassist Whitney Reher and drummer Jeffrey Mince provide a simple but dynamic jumping board for Nasi’s melodic gyrations, Nasi and Rehr striking poses because it’s more fun for them and more enjoyable as someone there for the show. Teacup Gorilla manages to write glam rock with inventive atmospheres and a theatrical flair of their own. Apparently Grammar School is bringing ragtime back.

Saturday | January 13, 2018

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Sgt. D’s List, photo by Tom Murphy

Who: Choosey Mothers
When: Saturday, 01.13, 7 p.m.
Where: Mutiny Information Café
Why: The Choosey Mothers came out of Denver’s 80s punk scene with former members of bands that are even difficult to find online like the Trontils and Malice in Wonderland. But the Mothers established themselves as a raw punk band of note in the 90s at a time when the Dead Silence, Burnt Fase and, of course, The Fluid were exerting a strong influence on Colorado punk generally. This reunion show is to celebrate the 50th birthday of Sam Grampsas of The Mothers so it’s only fitting the show, which is free, is happening at Mutiny Information Café which is run by other smart, old school Denver punkers.

Who: Mr. Atomic, Television Generation and Meet the Giant
When: Saturday, 01.13, 9 p.m.
Where: Skylark Lounge
Why: When a lot of 90s fuzz rock gets co-opted by a new generation of wannabes a watering down of what made that older music worthwhile is inevitable. Fortunately, these bands pushed that kind of rock and roll into more interesting territories and actually rock rather than playing AT it. Television Generation, sure, sounds like they got put into a deep freeze in 1993 Seattle and woken up in recent years. But its songwriting is strong and they’ve absorbed influences that have come along since grunge imploded in the mid-90s. Meet the Giant sounds like what happens when people who may have tried to make sludge rock got bored and wanted to write dynamic songs that would be fun to play instead of living up to a stoner rock cliché in their garage.

Who: Sgt. D’s List (S.O.D. Tribute), Hallowed Screams (Slayer tribute) and FUBAR
When: Saturday, 01.13, 9 p.m.
Where: Black Sky Brewery
Why: Normally tribute bands are kinda wack. But Sgt. D’s List is comprised of veterans of Denver’s grind, death metal and thrash scenes who bring to life the music of a S.O.D., one of the early crossover bands and tongue in cheek in a way that no one would do these days for obvious reasons. That band included members of Anthrax and Nuclear Assault and became an influence on metal and hardcore from its 1985 inception.

Who: Hot Rize 40th Anniversary
When: Saturday, 01.13, 7 p.m.
Where: Boulder Theater
Why: A gala celebration of one of Colorado’s most influential bands, Hot Rize, who helped to make modern bluegrass accessible to a wide audience without watering down the virtues of the music through attaching it directly to other genres of music. Even if you don’t consider yourself a fan of bluegrass, go check out Hot Rize and see an engaging live act whose musicianship and songwriting speaks for itself beyond genre. For this event, the band will bring in friends/guests Del McCoury, Sam Bush, Stuart Duncan, Jerry Douglas and more

Who: Shattered Mirrors – GSTV, Ritual, Julian Black and guest DJ Bryan Erickson of Velvet Acid Christ
When: Saturday, 01.13, 9 p.m.
Where: Black Box
Why: This is the newest music night hosted by DJ Ritual. This edition including a guest DJ set from Bryan Erickson of Velvet Acid Christ. Given Erickson’s dry yet surreal sense of humor, he may end up playing a bunch of dance-worthy stuff that isn’t in what one might presume to be his musical bailiwick.

Monday | January 15, 2018

02StVincent
St. Vincent at Bluebird Theater, February 13, 2010. Photo by Tom Murphy

Who: St. Vincent: Fear the Future Tour
When: Monday, 01.15, 7 p.m.
Where: The Fillmore Auditorium
Why: Annie Clark was once a member of Polyphonic Spree but as St. Vincent she has long since distinguished herself as one of the most interesting songwriters and musicians of the past decade with a string of albums that explore the nature of identity, the complexities of dreams and aspirations and the way unexamined social norms warp our natural growth. Her latest album, 2017’s Masseduction, seemed more personal than previous offerings and hit with the emotional nuance and finely crafted dramatics of a J.G. Ballard novel.

Tuesday and Wednesday | January 16 and 17, 2018

DIaneSchuur1
DIane Schuur. photo courtesy dianeschuur.com

Who: Diane Schuur
When: Tuesday, 01.16 and Wednesday 01.17, two shows each night, doors 5 p.m. and 7:30 p.m.
Where: Dazzle
Why: Diane Schuur is cooler than most of us because her mentors include Stan Getz and Frank Sinatra. She has collaborated with Stevie Wonder, Ray Charles, Quincy Joes, Dizzy Gillespie and BB King. Among others. Her emotive vocals and expressive pianowork has garnered the admiration of her peers and a fanbase appreciative of an artist that doesn’t just have chops but the soul and poetic, lyrical sensibility to guide her songcraft. She’s playing four shows in Denver, early and mid-evening shows, on both Tuesday 1/16 and Wednesday 1/17.

Best Shows in Denver 11/30/17 – 12/06/17

Maria Bamford
Maria Bamford at Paramount Theatre on Friday, December 1. Photo by Natalie Brasington

Thursday: November 30, 2017

Charlie Parr
Charlie Parr, photo by Nate Ryan

Who: Charlie Parr w/Them Coulee Boys
When: Thursday, 11.30, 7 p.m.
Where: Bluebird Theater
Why: Charlie’s stage banter is pretty much worth the price of admission. But his take on country and blues is so personal and individual that he leaps over expectations of the genre performed by modern musicians. You can start anywhere in his discography and it’ll be worth a listen. His latest record, 2017’s Dog, seems to capture this moment in American history where a lot of people are experiencing depression and despair and a need to catch a break from that wearying state of mind. In articulating that mood so well, Dog is actually a therapeutic record that actually finds a way to explore dark places without getting stuck in them.

Who: To Be Astronauts album release w/The Patient Zeros, Dead Pay Rent and Flahoola
When: Thursday, 11.30, 7 p.m.
Where: Lost Lake
Why: To Be Astronauts is a psychedelic hard rock band that sounds like the main songwriter might listen to a whole lot of the Misfits and Clutch. Fortunately, on the band’s new album, indifferentstates, these tendencies are morphed into something more original and the songs seem to be about something substantive as in the songs “This Is Not Normal” and “Discontent.” The Patient Zeros are the kind of blues rock band that there should be more of instead those more easy to mock. Probably because CJ Kjolhede, younger brother of former Cutthroat Drifters frontman Nicolas Kjolhede, and Joe Schramm and Michael Raymond aren’t trying to be the next Dead Weather or whatever. Their songs sound more like they’re rooted in some kind of folk and country sensibility with a spooky edge. Add some grit, fuzzy melodies and excellent use of space and that’s a bit of what you get with The Patient Zeros.

Friday: December 1, 2017

SPELLS
SPELLS, photo by Tom Murphy

Who: Maria Bamford
When: Friday, 12.01, 6:30 p.m.
Where: Paramount Theatre
Why: Maria Bamford spent the 90s honing her comedic craft and flew almost completely under the radar of everyone but fans of underground comedy. She got her start in stand-up in the late 80s at age 19 and by the mid-90s she had spots on various television comedy showcases getting a few minutes on screen here and there. But those sports were memorable and you could tell there was more going on with her comedy than the usual faire. During that time Bamford obviously made connections with other comedians and be her 30s she started to become known for her surreal, intelligent, thoughtful, brilliant comedy to wider audiences. Bamford has voiced various animated TV shows and films such as Stuart Little 2 and Barnyard because of her sheer versatility as a voice actor, her gift for tone, inflection and vocal texture, all features of her stand-up, a real asset for character acting. Her appearances on Arrested Development, Louie, Tim and Eric Awesome Show, Great Job!, Kroll Show and numerous others have been standouts, taking all of those shows in more temporarily unusual direction than was already the case.

The Bammer now has her own comedy skit show called Lady Dynamite. As funny as the show might be, like George Carlin, who had a short-lived comedy series on Fox from 1993-1995, Bamford shines brightest in her stand-up where she can exercise her genius for free association storytelling, her illumination of ridiculous moments in all our lives, her sensitivity to the vicissitudes of the traumatized psyche and some of the most incisive social and political commentary of our time. Many don’t “get” Bamford but one might suggest these people take too much too seriously and handle all situations in the world with a shocking lack of nuance and subtlety. Bamford expertly treats subjects with the right stresses, the right pressures, the proper intensity, the appropriate tone and with a true appreciation for the humor inherent to almost every experience without unduly diminishing what really is important by, even in joking about it, not trivializing the truly weighty on the social and especially the personal level.

Who: SPELLS, Colfax Speed Queen, Cheap Perfume and Simulators
When: Friday, 12.01, 8 p.m.
Where: Larimer Lounge
Why: All four bands on this bill could be considered punk but also a step or more in a different realm of music from that. Cheap Perfume is a raw yet melodic punk band that minces no words about sexism, Nazis and El Presidente Cheeto. Stephanie Antillon is an electrifying and commanding front person and that is something not common enough in music. SPELLS has a motto. Something about “80% is good enough.” And sure they live up to that on average in that sometimes you see an unhinged show because Ben Roy is a madman singer and everyone else in the band doesn’t exactly hold back even in hook-driven, pop-oriented punk (though not pop punk, per se). Other times, it’s just a fun, energetic show. Sometimes you don’t need unhinged and thus, yes, 80% is indeed good enough. Stop going for broke all the time or telling yourself you need to do that with all things in life, America. It burns you out. SPELLS teaches us by example that something can be good even if you’re not giving it your all. Colfax Speed Queen didn’t get that memo, apparently, because the psyche garage act seems to play like they’re trying to set a new bar for what that music can sound and look like on stage. Simulators is a noise-punk duo that came about, in part, from wanting to get away from the ideas and sounds of the bands Bryon Parker and Brian Polk are in and have been in. But it still reminds one of Shellac as did Parker’s old band Accordion Crimes—truly no bad thing.

Who: Kacy & Clayton w/Many Mountains and Patrick Dethlefs
When: Friday, 12.01, 8 p.m.
Where: Lost Lake
Why: Kacy & Clayton are kind of a vocal and acoustic guitar duo and while that can be one of the most boring things in the world, Kacy & Clayton are drawing upon the great British folk-rock tradition embodied by the likes of Fairport Convention. Resonant tones, spare arrangements that feel full. The duo’s latest record is 2017’s Siren’s Song, for which it is touring in support. Opening the show is Patrick Dethlefs whose own folk music is so richly developed, mastetrfully written and emotionally powerful yet finely nuanced that when you see him you kind of assume he should be the headliner.

What: Rubedo Album Release Popup Shop and Local Music Record Store Debut
When: Friday, 12.01, 8 p.m.
Where: Understudy (890 C 14th Street)
Why: Rubedo’s full blown album release show for Vaca is scheduled for January 6 at The Bluebird Theater with iZCALLi, Wes Watkins and El Cro. But you can pick up the band’s latest record, a tribute to and meditation on the impact of friends and community on our lives. Over the weekend there will be a showcase celebrating the opening of a popup local record store at Understudy. Friday will celebrate the release of the record, Saturday there will be performances from Rubedo, Holophrase, Entrancer and many others. Sunday will continue live music performances with artists to be announced. For more information and more up-to-date schedules, please visit the link above or here.

Saturday: December 2, 2017

 

Alex Lahey
Alex Lahey, photo by Giulia McGauran

Who: Pink Hawks 
When: Saturday, 12.02, 11 a.m.
Where: Children’s Library at Denver Public Library Central Branch
Why: The sprawling afrobeat band from Denver finds a way to mix humanistic radical politics with high energy performances. And this time you’ll be able to catch the band in the Children’s Library at the Central Branch of the Denver Public Library in the morning. Yes, the content doesn’t mince words but it’s also safe for kids because Yuzo Nieto and his bandmates are brilliant that way in making accessible music with deep content designed to bring you in rather than alienate you.

Who: Alex Lahey w/Dude York and Porlolo
When: Saturday, 12.02, 8 p.m.
Where: Lost Lake
Why: Alex Lahey hails from Melbourne, Australia and over the last couple of years she’s garnered some attention for her spirited, fuzzy, pop songs. Lahey’s lyrics are tender, self-deprecating, often humorous tales of desire, angst, seemingly thwarted aspirations, and everyday struggle and misfortune. Lahey’s songs are usually upbeat but she seems to honor the downbeat emotions even as she transforms the experience into something with real fire and energy behind the delivery. Her debut full-length, 2017’s I Love You Like a Brother is brash yet sensitive and bluntly yet somehow thoughtfully honest.

Who: Rocky Mountain Low 2: United Mutation, Vile Gash, Cadaver Dog, The Pollution and Combat Force
When: Saturday, 12.02, 7:30 p.m.
Where: Hi-Dive
Why: The second edition of Rocky Mountain Low, a mini-festival put together by Reed Bruemmer of Poison Rites and Heavy Dose Records head Brian Castillo. This time it’s mostly punk and hardcore including a rare appearance from United Mutation from Washington D.C.–a band that existed in the 80s alongside the bands on the Dischord imprint of that day. U.M. had incorporated psychedelic rock sounds into its songwriting so that it still has the bite and energy of hardcore while seeming to have learned a thing or two from Chrome and Hawkwind. Similar ethos, different side of the D.C. punk scene of the 80s. Jay Fox of United Mutation has lived in Denver for several years and his more overtly psychedelic punk band The Pollution will perform as well.

Who: Jed Kopp’s Birthday Bash: Pretty Mouth and The Sleep Escape
When: Saturday, 12.02, 8 p.m.
Where: Gary Lee’s
Why: Jed Kopp has been lending his drumming talents to several bands in Denver over the years and his clear musical talent plus his affable nature has made him a real fixture in Denver underground music. One band he plays with these days is the alt-country/punk band Pretty Mouth whose singer Marie Litton has an otherworldly presence as a front person, giving the songs and the performances an elevated and elegant quality.

Who: Sour Boy, Bitter Girl, Savage Blush, Modern Leisure and Down Time
When: Saturday, 12.02, 8 p.m.
Where: 3 Kings Tavern
Why: Must be the top notch all local bill weekend in Denver. For this show Sour Boy, Bitter Girl, formerly from Fort Collins, will bring its literate yet gritty folk rock. The Savage Blush’s deeply reverby psychedelic pop will illuminate the stage. Modern Leisure’s superbly crafted pop songs graced with Casey Banker’s insightful lyrics and ability to truly capture a moment in time and tell a story will be on display. And Down Time is an indie rock band but it will demonstrate, as it always does, how you can work with familiar sounds and tools and by being willing to experiment with all elements make something incredibly compelling and original. The band’s use of percussion in a way that is very tied to the vocals and the use of synths in the mix brightens the sound and augments all the melodies in a way you don’t often hear.

Who: The Lollygags, Hot Apostles, Jonny Barber and The Ghost-Towners
When: Saturday, 12.02, 8:30 p.m.
Where: Moe’s Original BBQ Englewood
Why: Very mixed bill but no filler. The Lollygags is a power pop band that sounds like it’s listened to a lot of The Wedding Present and Elvis Costello. Hot Apostles is a hard rock band that sounds like its members worked all the obvious influences out of its sound. Like maybe the members were into 70s classic rock and glam rock of the 80s but ditched the gross trappings and held onto the solid songwriting and passion. The Ghost-Towners describe themselves as an outlaw country band, which could be more retro-mundane rip-off of better material but the band includes Dario Rosa formerly of Cabaret Diosa, his former Cabaret Diosa bandmate Kimmy Franco, Zack Littlefield who spent time playing with Supercollider, Greyhounds and Sonnenblume, Bobby Genser and Chuck Cuthill both of Slakjaw and Mark Aubie of The Jaguars. Not a supergroup, per se but the outlaw country claim is no idle boast because of that lineage.

Who: Blackcell with Solypsis, The Psybrid, DJ Hepster Pat
When: Saturday, 12.02, 9 p.m.
Where: Tennyson’s Tap
Why: This will be a bit of a different show with Denver’s longest-running industrial/experimental electronic band Blackcell as the duo collaborates with ambient and industrial artist Solypsis. Whatever the exact nature of the set it’ll be an entrancing, enveloping sonic experience.

Sunday: December 3, 2017

Chella And The Charm
Chella And The Charm, photo by Tom Murphy

Who: Chella and The Charm, Bryan McPherson and Sputnik Slovenia
When: Sunday, 12.03, 5 p.m.
Where: Goosetown Tavern
Why: Two of Denver’s great storytellers will be playing this show. Michelle Caponigro of Chella and The Charm, can write a song about situations and experiences pretty much anyone can relate to but in the telling take aim at larger issues and while thoughtfully unpacking what are often complicated subjects. Anyone can write a trite song about relationships for the gendered fist bump of solidarity. Caponigro gives us something much more profound and anything but rote. Jim Yelenick will perform his more or less solo material as Sputnik Slovenia but you may remember him for being the frontman of Nuns of Brixton, Pitch Invasion and Jet Black Joy. Among others. There’s a very self-conscious and irreverent humor in his show and in many of his songs. Amid that, and because of that, there’s an unexpected sincerity that you get when a natural born smartass gets real even using irony as an element in the art.

Who: Punk For Positive Change—Benefit for Northern Colorado AIDS Project: Discount Price, Equine, Smashy Claw, Plasma Canvas, Teacup Gorilla, Sinister Pig
When: Sunday, 12.03, 7 p.m.
Where: Surfside 7
Why: Obviously a benefit show for the Northern Colorado AIDS Project, not so obvious is how, thank goodness, broad the sense of punk might be for this show. Kevin Richards, who is Equine, was once in experimental post-hardcore band Motheater even though his current project is more like an avant-garde guitar solo project that wends toward the realm of ambient. Teacup Gorilla is more like a post-punk-oriented glam band that doesn’t seem to be looking to any era or scene for inspiration and what’s more punk than that, really. If you mixed Weird Al with Dead Milkmen you might get something like Smashy Claw. Who knows what instruments they’ll use in the songs? Live, the band is probably more stripped down and will still probably confuse people who don’t get bands that don’t fit into a narrow genre. The irreverent, fuzz-fueled melodies of Plasma Canvas’s post-sludge-doom garage punk has more in common with Kyuss and Mudhoney than King Tuff. Not that this duo isn’t into King Tuff.

Who: Whitney w/Julie Byrne
When: Sunday, 12.03, 7 p.m.
Where: Bluebird Theater
Why: Max Kakacek and Julien Ehrlich were once members of one of the most promising bands of the last several years, Smith Westerns. The breezy psychedelia of Smith Westerns resulted in a handful of releases and the group had garnered a large enough audience to tour playing mid-sized theaters across North America. But in 2014 Smith Westerns called it quits. Kakacek and Ehrlich wrote the early Whitney songs while living in Chicago. Two years later, after already a fairly busy touring schedule, the then full band released Light Upon The Lake, recorded with Jonathan Rado of Foxygen. The record sounds like Kakacek and Ehrlich spent a lot of time in Laurel Canyon or listening to records from the heyday of the musicians who lived and wrote their own classic material in that part of Los Angeles. An immediate comparison could be made with Joni Mitchel’s 1974 classic, Court and Spark. Partly because the vocals are intentionally in a different tone and pitch than you’d expect from even a 60s-and-70s-worshipping indie rock band from today a well as Mitchell’s genius for turning unusual, even experimental, guitar tunings into accessible riffs. Whitney, in making interesting musical choices, makes familiar-sounding music interesting because it is so well-crafted and sonically imaginative despite hearkening back to an older aesthetic. The band puts its own stamp on that sound making Whitney a band to watch rather than merely culture vulturing on an already established musical style.

Monday: December 4, 2017

Whitney
Whitney, photo by Sandy Kim

Who: Whitney w/Julie Byrne
When: Monday, 12.04, 7 p.m.
Where: Bluebird Theater
Why: Max Kakacek and Julien Ehrlich were once members of one of the most promising bands of the last several years, Smith Westerns. The breezy psychedelia of Smith Westerns resulted in a handful of releases and the group had garnered a large enough audience to tour playing mid-sized theaters across North America. But in 2014 Smith Westerns called it quits. Kakacek and Ehrlich wrote the early Whitney songs while living in Chicago. Two years later, after already a fairly busy touring schedule, the then full band released Light Upon The Lake, recorded with Jonathan Rado of Foxygen. The record sounds like Kakacek and Ehrlich spent a lot of time in Laurel Canyon or listening to records from the heyday of the musicians who lived and wrote their own classic material in that part of Los Angeles. An immediate comparison could be made with Joni Mitchell’s 1974 classic, Court and Spark. Partly because the vocals are intentionally in a different tone and pitch than you’d expect from even a 60s-and-70s-worshipping indie rock band from today a well as Mitchell’s genius for turning unusual, even experimental, guitar tunings into accessible riffs. Whitney, in making interesting musical choices, makes familiar-sounding music interesting because it is so well-crafted and sonically imaginative despite hearkening back to an older aesthetic. The band puts its own stamp on that sound making Whitney a band to watch rather than merely culture vulturing on an already established musical style.

Who: Grizzly Bear w/serpentwithfeet
When: Monday, 12.02, 7 p.m.
Where: Ogden Theatre
Why: Grizzly Bear’s 2017 album Painted Ruins sounds like it’s tapping into the same emotional states of fantasy, yearning, uncertainty, nostalgia and self-examination that Joe Walsh expressed in his 1978 album But Seriously, Folks… and the wistful, deeply atmospheric soundscaping conjured by Supertramp for the songs on 1977’s Even In the Quietest Moments and 1979’s Breakfast in America. The melody is there, even the pretense of upbeat tempos and gestures of hope. But all are about anxiety in an age of fake plenty expressed with a sublime irony and compassion for all of us living through this moment. All those albums were written by relatively successful artists who may have fully indulged in the “good life,” to varying degrees, that music made possible for them but all of whom also saw the limitations of the hubris that commercial success and the privilege it provides engenders in many people and wrote existential songs to that effect. That’s not to say Grizzly Bear is “important” or that Painted Ruins is a masterpiece, certainly the other three records mentioned aren’t necessarily so for those respective artists, it’s just refreshing to hear a solid, thoughtful album that doesn’t give the impression that nothing’s wrong but also doesn’t try to offer shallow, pat advice.

Tuesday: December 5, 2017

Overcoats
Overcoats, photo by Anna Azarov

Who: Overcoats w/Sarah Jaffe
When: Tuesday, 12.05, 7 p.m.
Where: Globe Hall
Why: Electronic pop duo Overcoats released its debut full-length YOUNG in 2017. It has the kind of sonically rich production you would hope for from a band of its kind but where Overcoats truly distinguishes itself is in its willingness to incorporate fairly unconventional sounds and rhythms in its songs and the subject matter of the lyrics sound more like a worthwhile country or folk artist. The vulnerability and startling frankness may not be obvious amid ghostly atmospheres and lushly smooth low end pulses but if you take some time with the songs it’s striking. And who better to tour with Overcoats than Sarah Jaffe’s whose own 2017 album Bad Baby swims in bright yet melancholic synth tones and sweeping rhythms as well as thought-provoking words that unwind some of the complexity of mixed emotions everyone seems to navigate in modern life these days. Definitely for fans of St. Vincent and EMA.

 

Who: Supersuckers, The Bellrays, Bombpops
When: Tuesday, 12.05, 7 p.m.
Where: Lost Lake
Why: Supersuckers have tried on various sounds over the course of the last thirty or so years. But initially the band was kind of a garage punk band with an irreverent and ironic sense of humor. Probably too many people took their song “I Say Fuck” too much at face value, totally missing the significance of Daniel Clowes having done the artwork to The Smoke of Hell and Clowes’ own views on the lunkheads of the world. Whatever your takeaway from the band, its shows are energetic and celebratory even after it wisely progressed away from its roots a bit and became more of a gritty country rock band in recent years. Bellrays are a soulful revolution rock band fronted by the incomparable Lisa Kekaula. For its 1998 album Let It Blast, the band wrote a song called “Blues For Godzilla” and actually lived up to the title. That image should give you some idea about the live show.

Wednesday: December 6, 2017

Sheet Metal Skingraft
Sheet Metal Skingraft, photo by Tom Murphy

Who: Weird Wednesday: Sheet Metal Skingraft, Robot Peanut Butter & The Shooting Stars, Universal Devils
When: Wednesday, 12.06, 9p.m.
Where: 3 Kings
Why: For this edition of Weird Wednesday you get to witness the noise-driven beatmaking of Sheet Metal Skingraft, the sinister one-man band folk-metal of Universal Devils as performed by Tricky Dick Wickett of Little Fyodor and Babushka Band and Robot Peanut Butter & The Shooting Stars which answers the question “What do you get when a noisy, experimental funk band makes music that J. Dilla might have wanted to sample while making a song that sounds like a lo-fi version of J. Dilla’s more out there beats?” Very meta. Thus, Weird Wednesday delivers another night of some of the most interesting and unusual music in Denver.