Best Shows in Denver 5/23/19 – 5/29/19

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Spirit of the Beehive performs at Larimer Lounge on Saturday, May 25. Photo by Emily Burtner.

Thursday | May 23

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Church Fire, photo by Tom Murphy

What: Onkilter 1 release: Church Fire, Data Rainbow, Felix Ayodele, J. Hamilton Isaacs, Offthesky, Otem Rellik & Patrick Lee followed by DJ Ilind
When: Thursday, 05.23, 8 p.m.
Where: Syntax Physic Opera
Why: Multidim is a Denver-based experimental electronic record label that recently released its debut compilation of some of the Mile High City’s most interesting and inventive projects. The compilation, as well as this showcase, will donate all proceeds to the non-profit Youth On Record, an organization whose mission is to provide at risk youth with music education from performance, composition, production and the business end of things as well.

What: Glasss Presents the Speakeasy Series Season 3: Equine and Julien Miller
When: Thursday, 05.23, 6:30 p.m.
Where: Hooked On Colfax
Why: This latest edition of the Speakeasy Series features guitar wizard Kevin Richards’ project Equine. By introducing left field methods, chord structures, signal manipulation and unconventional composition methods in general, Richards is pushing the frontier of the styles and sonics of guitar-base sound art.

What: Necromantic
When: Thursday, 05.23, 9 p.m.
Where: Shag Lounge
Why: Necromantic is an old school Goth DJ night with plenty of the best of the newer darkwave and industrial music mixed in. Each second and fourth Thursdays of every month you can partake of the evening’s main DJs as well as select guests to bring a little bit of that old Denver flavor back into downtown.

Friday | May 24

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Refused circa 2012, photo by Tom Murphy

What: The Hives and Refused w/Bleached
When: Friday, 05.24, 9 p.m.
Where: Gothic Theatre
Why: Two power houses of punk and garage rock, Refused and The Hives respective, will make this a memorable night where you will probably be not just pleasantly surprised but inspired by the sheer energy and charisma of both bands. Refused in particular pioneered multiple genres of punk on its 1998 masterpiece The Shape of Punk to Come. Bleached includes former members of irreverent noise punks extraordinaire Mika Miko. And the group went through a phase of exploring various sounds before fully developing its knack for intimate pop songs with some bite, attitude and punk energy.

What: Tommy Wright III
When: Friday, 05.24, 9 p.m.
Where: Rhinoceropolis
Why: Tommy Wright III must be considered one of the early progenitors for the style of underground hip-hop that one hears echoing in the work of the various members and associates of A$AP, Odd Future and Migos. The creatively profane lyrics and subject matter of his songs, the lo-fi-but-deep production style with the finely treated loops as heard in so much modern trap is present in one form or another in Wright’s 90s output through today. This is a rare chance to see the legendary producer live in Denver and witness his mastery of outsider gangster rap up close and personal.

What: Cloud Rat, Gadget, Immortal Bird and 908
When: Friday, 05.24, 8 p.m.
Where: Syntax Physic Opera
Why: Sort of a deathgrind show given Gadget from Sweden and Cloud Rat from Michigan are on the bill. 908 from Colorado Springs definitely fits into what will be a night of short, furious sets.

Saturday | May 25

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Rowboat, photo by Tom Murphy

What: Slugger and Michael Thompson
When: Saturday, 05.25, 2-4 p.m.
Where: Wax Trax – Sidewalk outside
Why: Slugger is basically showing where psychedelic rock can go when the musicians focus on the songwriting over adhering to some style. Michael Thompson of Arc Sol will also perform a solo set of his songs informed by a broad range of unusual music.
What: LUTHI at Denver Day of Rock
When: Saturday, 05.25, 6-7 p.m.
Where: 16th Street Mall
Why: The Denver Day of Rock will have plenty of bands, local and otherwise, to see throughout the day and evening all along the 16th Street Mall. In the early evening you can catch LUTHI from Nashville, Tennessee. The seven-piece band perform music that’s a compelling blending of funk, downtempo pop and what might be called post-Daft Punk psychedelia. There’s some unusual X-factor about the band that keeps it well apart from “party” bands in general while also providing suitable music for a dance party.

What: Jello Biafra’s Incredibly Strange Dance Party
When: Saturday, 05.25, 9 p.m.
Where: Lion’s Lair
Why: Jello Biafra needs no introduction and this is an edition of his Incredibly Strange Dance Party where he’ll bring some of the most bizarre dance tracks to DJ at the Lion’s Lair and knowing Biafra he may even join in on the dancing, adding to the strangeness.

What: Spirit of the Beehive w/Strange Ranger, Cuckoo and Rowboat
When: Saturday, 05.25, 8 p.m.
Where: Larimer Lounge
Why: Spirit of the Beehive could be something like a light psych indie rock band but its aesthetic has a bit of a collage element and its songs sound out of phase with the contemporary world and its sometimes ennervating cultural climate. It’s music is a side step into spaces more dreamlike and mysterious. The rock instruments integrating perfectly with the warping and wefting electronic compositions is beautifully disorienting. In 2018 the band released Hypnic Jerks, a title and songs suggesting the band is coming at the world from a different angle than a lot of people. Like Unknown Mortal Orchestra but more grounded in American 90s weirdo indie pop.

What: Lav Andula, Asymptote, I Hate It Here, Causer and Tepid
When: Saturday, 05.25, 9 p.m.
Where: Rhinoceropolis
Why: A night of experimental techno and noise including the debut of Tepid, the solo project of Voight’s Nick Salmon.

Sunday | May 26

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Shocker Mom, photo by Tom Murphy

What: Shibui Denver #3; Shocker Mom, Space Geist and DJ Vahco
When: Sunday, 05.26, 7 p.m.
Where: Mutiny Information Café
Why: Shibui Denver is a monthly event last Sundays of the month at Mutiny Information Café. It’s designed to start and end early and aims to showcase some of the best Denver underground acts and the occasional touring band that fits the format of being a little different. Tonight’s featured guests are Shocker Mom, Robin Walker’s ambient beat driven pop act whose album >^^< will be included in our much belated Favorite Albums of 2018 listing. Walker has been a prolific songwriter and collaborator in Denver as a solo artist under her given name, while a member of indie pop duo Cougar Pants, in hip-hop outfit Nighttimeschoolbus, sitting in with rapper Time and folk pop artist Jason Horodyski. Vahco Before Horses heads Glasss Records through which he boosts, produces and finds spaces to showcase the music of some of Denver’s most forward thinking underground artists. This night he will DJ Denver bands and several from the Glasss Roster. Space Geist is a solo guitar band in which riffs will be looped and manipulated in post to produce, with any luck, disorienting tones and rhythms.

What: Alien Weaponry w/Dreadnought and Palehorse/Palerider
When: Sunday, 05.26, 6:30 p.m.
Where: Bluebird Theater
Why: Alien Weaponry is a band from Waipu, New Zealand. While operating somewhat in the realm of melodic thrash its lyrics are often in Maori because its three members are of that extraction and it suits the music in a way for which English sometimes seems inadequate. Opening the show are psychedelic doom folk band Dreadnought and heavy ambient noise/industrial dark psychedelic band Palehorse/Palerider also from the Mile High City.

Tuesday | May 28

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Sebadoh, photo by Justin Pizzoferrato

What: Sebadoh w/Flower and Race to Neptune
When: Tuesday, 05.28, 7 p.m.
Where: Globe Hall
Why: Sebadoh didn’t invent lo-fi rock but in the early 90s it helped to chart the direction much of that style of music would go by incorporating field recordings alongside off the cuff recording and an emphasis on feeling over precise capture of “professional” fidelity in the studio. Naturally the band went on to take that aesthetic into actual recording studios but the spirit of play and fidelity to emotional honesty and spontaneous energy remained. Currently Sebadoh is touring in support of its newly released record Act Surprised. Flower was and is now again from New York City that in the 80s reflected the city of legend and its mixture of evolving Bohemian subcultures, melting pot ethnicity, gritty urban decay, a sense of possibilities and the avant-garde alongside emerging popular culture. Musically that meant Flower was well within the realm of post-punk at the time. It wasn’t so far in the past that The Ramones, Patti Smith Group, Television, Blondie, Talking Heads, Suicide and countless others had built the foundation of what punk could be and even less far back since the bands that emerged out of that milieu, directly inspired by it in various ways like the No Wave groups, Sonic Youth, SWANS, Live Skull, Bush Tetras, Arthur Russel, Liquid Liquid, ESG, The Lounge Lizards and other unfortunately less-well-known bands that made up the ecosystem of the New York underground. Flower formed in 1986 while Richard Balulyut was still in college and its sound fit into the rich diversity of the then NYC scene. The group split in 1990 soon after which Balulyut and two of his brothers formed indie/alternative rock band Versus which went on to some acclaim in the 90s. The latter band reconvened in 2017 and it dawned on Balulyut that he could write new music in the more post-punk, some might now say darkwave, style of Flower and now the band is on tour in support of its new material and there’s a better than half a chance you’ll get to see some of its older material live as well.

What: Closet Witch, Law of the Night and Bi-Proxy
When: Tuesday, 05.28, 7 p.m.
Where: Mutiny Information Café
Why: Kind of a grind-y hardcore night including a set from Closet Witch from southeast Iowa. Molly Piatetsky’s feral vocals are something to witness.

Update: This show was combined with another at Syntax Physic Opera at 8 p.m. with a line up that is now Full of Hell, Primitive Man, Genocide Pact, In The Company of Serpents and Closet Witch.

Wednesday | May 29

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Skeletonwitch, photo by Nico Poalillo

What: Sleep w/Big Business
When: Wednesday, 05.29, 7:30 p.m.
Where: Boulder Theater
Why: Sleep is one of the most influential bands out of the world of doom metal. Though its sound was lumped in with “stoner rock,” which seems apt seeing as it’s until recently latest album was called Dopesmoker comprised of a single track over an hour long. Its psychedelic, towering drones live up to the hype as do the more concise songs, like those on the 1992’s Sleep’s Holy Mountain. Sleep is almost as heavy as it gets and its high volume show as engulfing as you would hope for. Big Business is a sludge rock band well suited to the bill. The members of the band were part of The Melvins for around a decade and recently released a new record. The Beast You Are is a collection of dynamic, triumphant songs with unconventional melodies and an elevated updraft of tone. Big Business has always been, if nothing else, heavy but buoyant. On The Beast You Are, Big Business experiments further in the songwriting with its use of space and pacing. There’s still the headlong rush you’d expect from the band but also an imaginative application of its palette of sound that has kept the band from being predictable, an uncommon quality in heavy music. For Big Business it is not enough to pummel with its colossal sound but to have emotional and thoughtful intentionality behind it.

What: Skeletonwitch w/Soft Kill and Wiegedood
When: Wednesday, 05.29, 7 p.m.
Where: The Marquis Theater
Why: Skeletonwitch has been perfecting and then evolving its technical melodic death metal sound since its inception in 2003. Its latest record, 2018’s Devouring Radiant Light finds the band bringing in even more unconventionally atmospheric elements into its brutal and unrelenting soundscape. All while maintaining the dark imagery and animalistic, distorted vocals like they are telling stories of a mythical past in our current impending, post-apocalypse after climate change has cleansed the earth of much of human civilization.

Best Shows in Denver 2/23/18 – 02/28/18

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The Kinky Fingers release Garbage Plate on Friday, 2/23/18 at Tooey’s on Colfax, photo by Alexandra Brexa Hooson

Friday | February 23, 2018

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Image from Jane Eyre, photo courtesy Grapefruit Lab

What: Jane/Eyre – Grapefruit Lab and Teacup Gorilla w/Dameon Merkl on vocals
When: Friday, 02.23, 7 p.m.
Where: The Bakery
Why: This is a queer adaptation of Charlotte Brontë’s classic 1847 coming-of-age novel. So it’ll be storytelling and songs provided by the Grapefruit Lab collective and Teacup Gorilla who are bringing in noted local frontman and raconteur extraordinaire, Dameon Merkl who some may know as one of the vocalists in Lost Walks as well as his turns in 90s punk band Random Victim and noir rock phenoms Bad Luck City. Because it’s Teacup Gorilla, a band that has long developed a relationship with theater and writing experimental rock music that can only loosely be defined as post-punk or glam rock because its imaginative songwriting and musicianship is much broader than a single genre. The run of this production spans six performances starting Friday and Saturday evening of February 23 and 24 with a 2 p.m. matinee show on Sundays. On February 23, the opening band is Denver’s dream pop duo Plume Varia. February 24 has indie pop group The Green Typewriters on board. March 2 will include a performance from Ersatz Robots and the final evening show will have a surprise guest on March 3.

Who: The Kinky Fingers album release w/Don Chicharron and Godchild
When: Friday, 02.23, 7 p.m.
Where: Tooey’s Off Colfax
Why: The Kinky Fingers have always been a band that made a virtue of simple, clean melodies. At a time when it seemed there was entire too much surf rock and neo-psychedelic rock, The Kinky Fingers shined with the strength of its songwriting. With its new album, Garbage Plate, the band has expanded its sound and boosted its emotional range. The album has been a long time coming. Recorded in the summer of 2016 in Rochester, New York, Garbage Plate is a surprisingly thoughtful set of songs that sound like party anthems. Regarding the meaning of the album title, the band says “[a] Garbage Plate is a plate of fried potatoes, baked beans, hot dogs, onions, mustard, and a chili-like meat sauce. Intense. As the name suggests, the music rings through so many genres, textures and tastes it feels a perfect fit for the deteriorating American dream, which once tasted so sweet and now feels more like a bellyache.” Expect the usual sharply observant songs about the vicissitudes of life with some poignant, and creatively rendered, social commentary mixed in. The Kinky Fingers will also play at the Treefort Music Festival in Boise, Idaho on Friday, March 23 at Ha Penny at 11:20 p.m.

Who: Slow Caves 7” release w/Gleemer and Panther Martin
When: Friday, 02.23, 8 p.m.
Where: Lost Lake
Why: On its new 7”, Fort Collins’ Slow Caves seems to have evolved well beyond the more languid pace and sound of its earlier pop songs. “Poser” has some of the structure and dynamics of the band’s surf rock leanings but there is more grit and drive to its winningly polished melodies. Joining Slow Caves for the occasion of releasing its new record are noisy math rockers Gleemer and Panther Martin, a band that may have started out in the realm of garage and psych rock but its intricate yet uncluttered musicianship reveals a knack for writing songs of often surprising emotional complexity.

Who: Ben UFO w/Gerd Janson, Mozhgan
When: Friday, 02.23, 9 p.m.
Where: Club Vinyl
Why: Ben Thomson (Ben UFO), made a name for himself purely as a DJ rather than as a producer and his mixes of some of the most cutting edge, modern electronic dance music have made him an in-demand curator of that music. The discography of Hessle Audio, the imprint he co-owns with David Kennedy of Pearson Sound and Pangaea’s Kevin McAuley would be a solid introduction to some of the best underground electronic music going today.

Saturday | February 24, 2018

 

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Necropanther, photo by David Novin

Who: Necropanther CD release w/The Munsens, and Abrams
When: Saturday, 02.24, 8:30 p.m.
Where: Hi-Dive
Why: Denver death thrashers Necropanther are releasing a new album tonight with Eyes Of Blue Light. Imagine what it would sound like if a melodic death metal band Gothenburg style wrote a Dune-themed record inspired in part by Municipal Waste and Thrash Zone-period D.R.I.. Well, Necropanther recorded the album in Denver but got it mastered in Gothenburg, Sweden with Fredrik Nordström who has put his sonic fingerprints on the broad spectrum of that city’s melodic death metal scene. Also on stage this night are sludgy doom-sters The Munsens and the equally menacing Abrams whose own version of sludge/doom is energetically dynamic and otherworldly in the vein of bands like Neurosis and Isis.

Who: Jane Eyre – Grapefruit Lab and Teacup Gorilla w/Dameon Merkl on vocals
When: Saturday, 02.24, 7 p.m.
Where: The Bakery
Why: See above for February 23. A brilliant adaptation.

Sunday | February 25, 2018

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Teacup Gorilla and Dameon Merkl (on left) on opening night of JANE/EYRE, matinee show tonight, February 25, at 2 p.m. at The Bakery

Who: Jane Eyre – Grapefruit Lab and Teacup Gorilla w/Dameon Merkl on vocals
When: Sunday, 02.24, 2 p.m.
Where: The Bakery
Why: Also, see above for February 23. This is the matinee showing of the first week.

What: Textures featuring Cpt. Howdy, Brother Saturn, MYTHirst
When: Sunday, 02.25, 7 p.m.
Where: Mutiny Information Café
Why: This is the latest edition of the Textures ambient showcase. This time the return of heavy synth duo (trio), Cpt. Howdy, the super chill, abstract ambient of Drew Miller (of Chromadrift) as Brother Saturn (he calls it a shoegaze band and yeah, if you’re thinking more like Seefeel rather than the more rock-oriented stuff) and MYTHist’s electro-acoustic take on IDM.

Monday | February 26, 2018

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Myrkur, photo by Daria Endresen

What: Decibel Magazine Tour: Enslaved, Wolves in the Throne Room, Myrkur and Khemmis
When: Monday, 02.26, 6 p.m.
Where: The Gothic Theatre
Why: Decibel Magazine, one of the major magazines that focuses on metal and heavy music in general, has been on this tour for several years now and this time out the even is headlined by Norway’s Enslaved. The band has always had melodic elements to its brutally majestic sound. But with it’s 2017 album E, the group seems to have written the music with a cinematic presentation in mind like they were composing a soundtrack for the next Thor movie. In a similar vein of invoking indigenous spirits and associated imagery in the music are the opening bands on this leg of the tour. Denver’s Khemmis is often described as a doom band but its songs far more melodic than such designations suggest. The hanging chords and sludgy flourishes are there but so is an apparent dedication to fairly traditional songcraft giving the band an appeal beyond what one might assume to be its audience. Myrkur, from Denmark, is the black metal project of Amalie Bruun. Her expansive, lush songs bring together the gritty and the sublime and transcendent matched by her seemingly effortless transition between. Mareidt, the project’s 2017 release, included a guest vocal from the like-minded Chelsea Wolfe on the track “Funeral.” Wolves in the Throne Room from Olympia, Washington all but retired from any active touring several years back so this is a rare chance to catch the band’s Cascadian black metal in Denver. The group performed in Colorado Springs in October 2017 in the wake of the release of its most recent album, 2017’s Thrice Woven. A WITTR show is fairly tribal in presentation with visuals invoking meeting at a communal fire to share stories and to participate in a collective ritual and the music is a manifestation of that spirit.

Who: Palm w/Spirit of the Beehive and Plague Survivor
When: Monday, 02.26, 8 p.m.
Where: Lost Lake
Why: Palm was originally from Philadelphia but calls New York City it’s home base these days. It’s flavor of neo-math rock is less focused on actual technique and more on what you can do with technique and dynamics if you inject some imagination into the playing and writing. If you’re a fan of groups like US Weekly, Laddio Bolocko, Don Caballero and A Minor Forest you’ll probably appreciate what Palm is doing. Its new album, 2018’s Rock Island, expands on the band’s previous, beautifully claustrophobic structures without losing its masterful ability to create tension and release at the perfect moments.

Who: Haunted Summer w/Tyto Alba, Ghostpulse and Magic Cyclops
When: Monday, 02.26, 7 p.m.
Where: Globe Hall
Why: Haunted Summer could be broadbrushed as a post-chillwave dream pop project reminiscent of Devotion-period Beach House because its entrancing melodies are possessed of a similarly gorgeous emotional afterglow. But its Robin-Guthrie-circa-Mysterious-Skin-soundtrack guitar textures and drifty dynamics akin to those of Former Selves or Candy Claws. Whatever went into inspiring the band’s sound, it’s excellent 2017 album, Spirit Guides has a warmth and intimacy that propels the songs into having an immediacy that isn’t always the purvey of bands attempting a similar style of music. Tyto Alba, like Haunted Summer, is a band that is great at working in the realm of the edges of your memory to invoke something that isn’t nostalgia but has an emotional resonance that stimulates the feelings that normally coalesce into comforting reverie.

Who: Eraserhead Fuckers, Juniordeer, Ultraviolet, Morlox and Brkn Jwbne Tape Manipulator
When: Monday, 02.26, 7 p.m.
Where: Mutiny Information Café
Why: Just reading the list of band names should give you some idea of the strangeness you’re in for if you make it to this show. Morlox should be a well-known artist in Denver because his influence on the local industrial and noise scene is undeniable but he has also had an impact on experimental pop band Church Fire and their facility in weaving together industrial music and hip-hop production ideas into their own songwriting. He rarely performs live so if that’s your thing, be there. Also, Eraserhead Fuckers is technically hip-hop but so confrontational, abrasive and surreal that most hip-hop fans aren’t going to be into it unless maybe they didn’t have a difficult time getting into something like Death Grips, .clipping, Earl Sweatshirt or Disposable Heroes of Hiphoprisy.

Tuesday | February 27, 2018

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Talib Kweli ciurca 2015, photo by Tom Murphy

Who: Talib Kweli w/Niko Is, DJ Spintelect and Time
When: Tuesday, 02.27, 8:30 p.m.
Where: Fox Theatre
Why: Talib Kweli Greene would have secured his place in hip-hop history with Black Star, his collaborative project with Mos Def. But Kweli’s talent, intellect and curiosity has brought him to various efforts as a rapper, producer and activist. Rather than make more than a brief list of the people he’s worked with like Dave Chappelle, Kanye West and Dead Prez, it would be more worthwhile to note how Kweli’s albums have long been filled with thoughtful and creative social critiques alongside solid beats and music so that his albums never come off feeling didactic or preachy even as he minces no words—because his stories and words are also not short on humanity. Kweli can be pointed but he clearly takes in the bigger picture beyond any topical content. Along on the tour is Niko Is, a likeminded artist whose own imaginative wordplay sketches vivid images of aspirational daydreams and everyday life rendered into poetry. Opening the show is Denver’s Time, a rapper whose literary lyrics display a gift for surreal stories and political analysis grounded in his own experiences growing up in “the nutty.” Meaning North Denver, of course. Sometime in 2018 it’s anticipated that we’ll see a new album from Calm., Time’s hip-hop duo with longtime collaborator, the producer Awareness.

Wednesday | February 28, 2018

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Why? photo by Josiah Wolf

Who: Why? w/The Florist
When: Wednesday, 02.28, 7 p.m.
Where: Bluebird Theater
Why: Yoni Wolf aka Why? was once in influential, experimental hip hop group Clouddead but when that outfit split in 2004 he formed an indie rock band called Why? with his brother Josiah and friends. And yet calling Why? indie rock is a bit imprecise because the band is far more experimental with its use of sound, the poetry of its lyrics and the the visual presentation of the music as well. At times Why? can be a multimedia experience with interaction between performers and video as well as making a theater sized show seem like something more suited to a stadium. Whatever the experience of the show might be it’s something the group has evolved for years and rooted in a music that is pushing and challenging the kind of complacency of being so in love with one’s established sound by making music that can never rest easy in a staid formula. The latest Why? record, 2017’s Moh Lhean, is typically impossible to adequately characterize and yet has all the unique wordplay and imagery that has made Why? a consistently interesting project from the beginning.

Who: Rachael Yamagata w/Hemming 
When: Tuesday, 02.27, 7 p.m.
Where: Globe Hall
Why: Rachael Yamagata has been at her solo career since 2001. Likely often broadbrushed as a singer-songwriter, Yamagata’s music transcends stereotypes that have crept up about singer-songwriter artists even though, obviously, artists like Joni Mitchell, Kate Bush, Leonard Cohen, Tom Waits and plenty of others are good examples of singer-writers. Like Ray LaMontagne (with whom Yamagata has worked) and Greg Laswell, Yamagata writes songs about life that provides a unique insight and illumination into subjects well-worn by artists since time immemorial. Yamagata’s voice is calming yet not short on evoking peak emotional moments with a gift for articulating complexity of feeling. Her music, richly detailed and textured, provide the perfect backdrop to her honest storytelling. Her 2016 album Tightrope Walker in particular minced few words about life challenges but did so in a lushly poetic fashion.